Nearby Quotes

We've searched our database for all the quotes and captions related to Nearby. Here they are! All 100 of them:

Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
Bob Marley
Hey Mason, wipe the drool off your face. If you're going to think about me naked, do it on your own time." [...] "This is my time, Hathaway. I'm leading today's session." "Oh yeah?" I retorted. "Huh. Well, I guess this is a good time to think about me naked, then." "It's always a good a time to think about you naked," added someone nearby, breaking the tension further.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
But I must admit I miss you terribly. The world is too quiet without you nearby.
Lemony Snicket (The Beatrice Letters)
When I try to picture for myself what a happy life might look like, the picture hasn't changed very much since I was a child - a house with flowers and trees around it, and a river nearby, and a room full of books, and someone there to love me, that's all. Just to make a home there, and to care for my parents when they grow older. Never to move, never to board a plane again, just to live quietly and then be buried in the earth.
Sally Rooney (Beautiful World, Where Are You)
I dislike the thought that some animal has been made miserable to feed me. If I am going to eat meat, I want it to be from an animal that has lived a pleasant, uncrowded life outdoors, on bountiful pasture, with good water nearby and trees for shade.
Wendell Berry (What Are People For?)
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
Sarah Kay
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it. I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
Lemony Snicket
Jace broke off the kiss and stepped back with an exhale; before Clary could say anything, a chorus of sarcastic applause broke out from the nearby hill. Simon, Isabelle, and Alec waved at them. Jace bowed while Clary stepped back slightly sheepishly, hooking her thumbs into the belt of her jeans Jace sighed. "Shall we join our annoying, voyeuristic friends?" "Unfortunately, that's the only kind of friends we have.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Don't be afraid of the shadows, that only means there's a light nearby.
Evanescence
It was unrealistic to expect to be constantly in the happiest place. In real life, you're lucky just to be always somewhere nearby.
Sarah Dessen (Saint Anything)
I asked for very little from life, and even this little was denied me. A nearby field, a ray of sunlight, a little bit of calm along with a bit of bread, not to feel oppressed by the knowledge that I exist, not to demand anything from others, and not to have others demand anything from me - this was denied me, like the spare change we might deny a beggar not because we're mean-hearted but because we don't feel like unbuttoning our coat.
Fernando Pessoa (The Book of Disquiet)
In life, people tend to wait for good things to come to them. And by waiting, they miss out. Usually, what you wish for doesn't fall in your lap; it falls somewhere nearby, and you have to recognize it, stand up, and put in the time and work it takes to get to it. This isn't because the universe is cruel. It's because the universe is smart. It has its own cat-string theory and knows we don't appreciate things that fall into our laps.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
God speaks to each of us as he makes us, then walks with us silently out of the night. These are the words we dimly hear: You, sent out beyond your recall, go to the limits of your longing. Embody me. Flare up like a flame and make big shadows I can move in. Let everything happen to you: beauty and terror. Just keep going. No feeling is final. Don't let yourself lose me. Nearby is the country they call life. You will know it by its seriousness. Give me your hand.
Rainer Maria Rilke (Rilke's Book of Hours: Love Poems to God)
A girl nearby muttered,"If that's a lady, I'm a cat." Reaching out, Sandry lifted the pitcher of milk from the table. Cradling it in both hands, she walked over to the mutterer. I am Sandrilene fa Toren, daughter of Count Mattin fer Toren and his countess, Amiliane fa Landreg. I am the great-niece of his grace, Duke Vedris of this realm of Emelan, and cousin of her Imperial Highness, Empress Berenene of the Namorn Empire. You are Esmelle ei Pragin, daughter of Baron Witten en Pragin and his lady Colledia of House Wheelwright, a merchant house. If I tell you my friend is a lady, then you"- carefully she poured milk into Esmelle's plate-"you had best start lapping, kitty." She set the pitcher down and returned to her chair.
Tamora Pierce (Sandry's Book (Circle of Magic, #1))
You may want to keep a commonplace book which is a notebook where you can copy parts of books you think are in code, or take notes on a series of events you may have observed that are suspicious, unfortunate, or very dull. Keep your commonplace book in a safe place, such as underneath your bed, or at a nearby dairy.
Lemony Snicket (Lemony Snicket: The Unauthorized Autobiography)
The Emperor decided to make a proclamation to his troops about the importance of compassion in the face of the rising tide of heinous fuckery and political weaselocity in the nearby kingdom of the United States.
Christopher Moore (A Dirty Job (Grim Reaper, #1))
Christopher heard a pair of women gossiping nearby, whispering in disapproving undertones. "... Ramsey was found flirting in a corner with a woman. They had to drag him away from her." "Who was it?" "His own wife." "Oh, dear.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Knowing death is nearby gives you a chance to live...deliberately." -Tristan
Chelsea Fine (Anew (The Archers of Avalon, #1))
Matthew, hopped up on a nearby occasional table said, “The last time I saw you shocked was when that Iblis demon was sending Christopher love letters.” “I have a dark charm,” said Christopher sadly.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
All night, I talked to other people. I didn't look in his direction, but I always knew where he was. I was painfully aware of him. When he was nearby, my body hummed. When he was away, there was this dull ache. With him near, I felt everything.
Jenny Han (We'll Always Have Summer (Summer #3))
The world is too quiet without you nearby.
Lemony Snicket
With our beloved prairie voles the female has her ovulation induced by the smell of male urine. It’s a sure sign there’s a male nearby and so her body gets ready for mating. The exact opposite of a human female getting a whiff of urinals in a nightclub and her vagina falling off in disgust
Sara Pascoe
People shut their eyes to a distant tragedy saying there’s nothing they could do, yet they didn’t stand up for one happening nearby either because they’re too terrified. Most people could feel but didn’t act. They said they sympathized, but easily forgot. The way I see it, that was not real. I didn’t want to live like that.
Sohn Won-Pyung (Almond)
Aubrey, crouching on a nearby counter, watched me with squinty eyes, apparently pondering why anyone would willingly immerse themselves in water ever, let alone for extended periods of time.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
I don't have the body for this," I quipped, lifting my chin to a voluptous woman nearby who shook her hips zealously to the beat. "No curves." Jev's eyes held mine. "Are you asking my opinion?
Becca Fitzpatrick (Silence (Hush, Hush, #3))
I can't get it out," she said. "Just pull at it." "It hurts. It's throbbing." "Pull harder." "I can't! It's truly stuck. I need something to make it slippery. Do you have some sort of lubricant nearby?" "No." "Not anything?" "Much as it may surprise you, we've never needed lubricant in the library before now.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
And when my body shall cease, my soul will still be yours, Claire? I swear by my hope of heaven, I will not be parted from you." The wind stirred the leaves of the chestnut trees nearby, and the scents of late summer rose up rich around us; pine and grass and strawberries, sun-warmed stone and cool water, and the sharp, musky smell of his body next to mine. "Nothing is lost, Sassenach; only changed." "That's the first law of thermodynamics," I said, wiping my nose. "No," he said. "That's faith.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
One is never alone with a book nearby, don't you agree? Every page reminds us of a day that has passed and makes us relive the emotions that filled it. Happy hours underlined in red pencil, dark ones in black...
Arturo Pérez-Reverte (The Club Dumas)
A cluster of giggling women sat nearby, tittering about how the Crown Prince was gone on holiday to the Sorian coast, and how they wished they could join the prince and his dashing friends, and on and on until Celaena contemplated chucking her spoon at them.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Someone coughed nearby, from some huddle of stones, and then spoke. ‘So, who are we fighting for again?’ Fiddler could not place the voice. Nor the one that replied, ‘Everyone.’ A long pause, and then, ‘No wonder we’re losing.
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
If we can't alter the tide of events, at least we can be nearby with towels to mop up.
Peter David (Q-in-Law (Star Trek: The Next Generation #18))
Stories are compasses and architecture, we navigate by them, we build our sanctuaries and our prisons out of them, and to be without a story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice.
Rebecca Solnit (The Faraway Nearby)
Writing is saying to no one and to everyone the things it is not possible to say to someone.
Rebecca Solnit (The Faraway Nearby)
What do you think of this" he asked, indicating the painting nearby. She gave him an odd look. "I think it's an enormous painting of a dog." He made a show of considering the picture and nodded seriously. "An astute observation.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world.
Lemony Snicket
Life without a Kindle is like life without a library nearby.
Franz S. McLaren (Home Lost (Clarion of Destiny, #1))
Behind every man now alive stand thirty ghosts, for that is the ratio by which the dead outnumber the living. Since the dawn of time, roughly a hundred billion human beings have walked the planet Earth. Now this is an interesting number, for by a curious coincidence there are approximately a hundred billion stars in our local universe, the Milky Way. So for every man who has ever lived, in this Universe there shines a star. But every one of those stars is a sun, often far more brilliant and glorious than the small, nearby star we call the Sun. And many--perhaps most--of those alien suns have planets circling them. So almost certainly there is enough land in the sky to give every member of the human species, back to the first ape-man, his own private, world-sized heaven--or hell. How many of those potential heavens and hells are now inhabited, and by what manner of creatures, we have no way of guessing; the very nearest is a million times farther away than Mars or Venus, those still remote goals of the next generation. But the barriers of distance are crumbling; one day we shall meet our equals, or our masters, among the stars. Men have been slow to face this prospect; some still hope that it may never become reality. Increasing numbers, however are asking; 'Why have such meetings not occurred already, since we ourselves are about to venture into space?' Why not, indeed? Here is one possible answer to that very reasonable question. But please remember: this is only a work of fiction. The truth, as always, will be far stranger.
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
It's a scary thing to wake up and realize the people you need most aren't nearby anymore... But you keep moving.
Miranda Kenneally (Stealing Parker)
If two people stare at each other for more than a few seconds, it means they are about to either make love or fight. Something similar might be said about human societies. If two nearby societies are in contact for any length of time, they will either trade or fight. The first is non-zero-sum social integration, and the second ultimately brings it.
Robert Wright
Amren,” Rhys drawled, “sends her regards. And as for this one … ” I tried not to flinch away from meeting his stare. “She’s mine,” he said quietly, but viciously enough that Devlon and his warriors nearby heard. “And if any of you lay a hand on her, you lose that hand. And then you lose your head.” I tried not to shiver, as Cassian and Mor showed no reaction at all. “And once Feyre is done killing you,” Rhys smirked, “then I’ll grind your bones to dust.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
People who lined up to see the Mona Lisa typically couldn’t name the paintings hanging nearby, and there was nothing wrong with that.
Olivie Blake (The Atlas Six (The Atlas #1))
Light from even a nearby star was four years old by the time it reached your eyes. Where would I be in four years? Simple: where you are. In four years I'll have reached you.
Elif Batuman (The Idiot)
It didn't matter whether he was nearby or far away. His image would drift up into your mind just when you least expected it, shocking you, making your chest pound. Making your heart ache.
Banana Yoshimoto (Asleep)
Pain serves a purpose. Without it you are in danger. What you cannot feel you cannot take care of.
Rebecca Solnit (The Faraway Nearby)
We can't imagine how dreadful, how terrifying war is; and how normal it becomes. Can't understand, can't imagine. That's what every soldier, and every journalist and aid worker and independent observer who has put in time under fire, and had the luck to elude the death that struck down others nearby, stubbornly feels. And they are right.
Susan Sontag (Regarding the Pain of Others)
The dryad nodded to Ash, standing silently nearby. "The Winter prince can fight for you, I imagine. He smells of blood and sorrow.
Julie Kagawa (The Iron King (The Iron Fey, #1))
Don't accuse me of being morbid when I'm merely the product of a culture that buries the bones of the ones they love in pretty, manicured flower gardens so they can keep them nearby and go talk to them whenever they feel troubled or depressed. That's morbid. Not to mention bizarre. Dogs bury bones, too.
Karen Marie Moning (Darkfever (Fever, #1))
When Catherine told me about this (tragedy nearby), I could only say, shocked, "Dear God, that family needs grace." She replied firmly, "That family needs casseroles," and then proceeded to organize the entire neighborhood into bringing that family dinner, in shifts, every single night, for an entire year. I do not know if my sister fully recognizes that this _is_ grace.
Elizabeth Gilbert (Eat, Pray, Love)
The present rearranges the past. We never tell the story whole because a life isn't a story; it's a whole Milky Way of events and we are forever picking out constellations from it to fit who and where we are.
Rebecca Solnit (The Faraway Nearby)
Yes, well”—he pushed his glasses up the bridge of his nose delicately—“the burner phone we had accidentally fell out of the car, and someone accidentally backed over it. Because someone was in a rush after she accidentally alerted some skip tracers we were nearby when she accidentally used her abilities to move a light pole out of the road after she had accidentally backed into it.” “Someone better shut their mouth before I accidentally slam my fist into their teeth.” She punched his shoulder, and it was almost...playful. “Shut his mouth, fist into his teeth.” “Really? A grammar lesson?
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
I miss the way he used to kiss my shoulder whenever it was bare and he was nearby. I miss how he cleared his throat before he took a sip of water and scratched his left arm with his right hand when he was nervous. I miss how he tucked my hair behind my ear when it came loose and took my temperature when I was sick or when he was bored. I miss his glasses on my nightstand. I miss watching him take Sunday afternoon naps on my couch, with the newspaper resting on his stomach like a blanket. How his hands stayed clasped, fingers intertwined, while he slept. I miss the cadence of his speech and the stupidity of his puns. I miss playing doctor when we made love, and even when we didn't. I miss his smell, like fresh laundry and honey (because of his shampoo) at his place. Fresh laundry and coconut (because of my shampoo) at mine. I miss that he used to force me to listen to French rap and would sing along in a horrible accent. I miss that he always said "I love you" when he hung up the phone with his sister, never shy or embarassed, regardless of who else was around. I miss that his ideal Friday night included a DVD, eating Chinese food right out of the carton, and cuddling on top of my duvet cover. I miss that he reread books from his childhood and then from mine. I miss that he was the only man that I have ever farted on, and with, freely. I miss that he understood that the holidays were hard for me and that he wanted me to never feel lonely.
Julie Buxbaum (The Opposite of Love)
Teresa stood up, surprising Thomas with her confidence. “Guess he forgot to tell the little part about me kicking him in the groin and climbing out the window.” Thomas almost laughed as Newt turned to an older boy standing nearby, whose face had turned bright red. “Congrats, Jeff,” Newt said. “You’re officially the first guy here to get your butt beat by a girl.
James Dashner
I don’t know, I don’t feel right unless I’ve got the sea and mountains nearby. People are mostly a product of where they were born and raised. How you think and feel’s always linked to the lay of the land, the temperature. The prevailing winds, even.
Haruki Murakami (Kafka on the Shore)
Yeah, I need sex or I die. So stop with the obnoxious chaperone shit, because I really don't want you anywhere nearby while I'm doing it, and I don't think you want that either." She gave them the sweetest smile. "And know that the second you're gone, I'm going to ride Con until he begs for mercy." Eidolon sighed. Shade swore. And Con muttered something that sounded strangely like "Mercy". ~Sin
Larissa Ione (Sin Undone (Demonica, #5))
Books are solitudes in which we meet.
Rebecca Solnit (The Faraway Nearby)
We found that trees could communicate, over the air and through their roots. Common sense hooted us down. We found that trees take care of each other. Collective science dismissed the idea. Outsiders discovered how seeds remember the seasons of their childhood and set buds accordingly. Outsiders discovered that trees sense the presence of other nearby life. That a tree learns to save water. That trees feed their young and synchronize their masts and bank resources and warn kin and send out signals to wasps to come and save them from attacks. “Here’s a little outsider information, and you can wait for it to be confirmed. A forest knows things. They wire themselves up underground. There are brains down there, ones our own brains aren’t shaped to see. Root plasticity, solving problems and making decisions. Fungal synapses. What else do you want to call it? Link enough trees together, and a forest grows aware.
Richard Powers (The Overstory)
A book is a heart that only beats in the chest of another.
Rebecca Solnit (The Faraway Nearby)
I walked to Scott, each step heavy, tears hot on my face, my hands hovering uselessly over his rapidly decaying body. I shut my eyes, forcing myself to recall his lopsided grin. Not his vacant eyes. In my mind, I played back his teasing laugh. Not the gurgling, gasping sounds he'd made right before dying. I remembered his warmth in accidental touches and playful jabs, knowing his body was rotting even as I clung to the memory. "Thank you," I choked out, telling myself that somewhere nearby, he could still hear my voice. "You saved my life. Good-bye, Scott. I'll never forget you, that's my oath to you. Never." I vowed.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
When an old person dies,” Kent said, “even if that person is wonderful, he or she is still somewhat ready, and so are the people who loved them. They’re like old trees, whose roots have loosened in the ground. They fall gently. But when someone like your aunt Sylvie dies—before her time—her roots get pulled out and the ground is ripped up. Everyone nearby is in danger of being knocked over.
Ann Napolitano (Hello Beautiful)
Let's begin with an easy agreement. Before his death, your father and I were negotiating for a small area of land on our borders, near Libeth. The Carthyan land has a spring that my farmers need for their crops. Carthya has other spings nearby, so you won't miss it." "My father wouldn't have missed it, but I would," I said, with no actual idea of what spring he meant. "It happens to be my favourite water source in all of Carthya, and I won't part with it.
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
The object we call a book is not the real book, but its potential, like a musical score or seed. It exists fully only in the act of being read; and its real home is inside the head of the reader, where the symphony resounds, the seed germinates. A book is a heart that only beats in the chest of another.
Rebecca Solnit (The Faraway Nearby)
Hades will be here in twenty minutes," Apollo announced from somewhere way too close to the bed. "Either speed this up or pick it up later, kids." "Oh my gods," I whispered, horrified. "Oh, and I hope you two are being responsible," Apollo added. And then he was gone. There was a muffled, hoarse shout from a room nearby. "Damn him," Aiden muttered, dropping his head onto my shoulder. He shuddered. "Damn him to the Underworld and back again." My cheeks burned. "A bell—the first chance we get, we are buying him a bell.
Jennifer L. Armentrout (Sentinel (Covenant, #5))
When we look within ourselves with psilocybin, we discover that we do not have to look outward toward the futile promise of life that circles distant stars in order to still our cosmic loneliness. We should look within; the paths of the heart lead to nearby universes full of life and affection for humanity.
Terence McKenna (True Hallucinations)
For as long as I could remember, other people had either overshadowed me or left me out in the open, alone. But Mac, as Layla had said all those weeks ago, was always somewhere nearby. He left me enough space to stand alone, but stood at the ready for the moment that I didn’t want to. It was the perfect medium, I was learning. Like he was my saint, the one I’d been waiting for.
Sarah Dessen (Saint Anything)
Listen: you are not yourself, you are crowds of others, you are as leaky a vessel as was ever made, you have spent vast amounts of your life as someone else, as people who died long ago, as people who never lived, as strangers you never met. The usual I we are given has all the tidy containment of the kind of character the realist novel specializes in and none of the porousness of our every waking moment, the loose threads, the strange dreams, the forgettings and misrememberings, the portions of a life lived through others’ stories, the incoherence and inconsistency, the pantheon of dei ex machina and the companionability of ghosts. There are other ways of telling.
Rebecca Solnit (The Faraway Nearby)
Were they aware, in the intensity of their embrace, of something slightly ridiculous about this tableau, something almost comical, as someone nearby sneezed violently into a crumpled tissue; as a dirty discarded plastic bottle scuttled along the platform under a breath of wind; as a mechanised billboard on the station wall rotated from an advertisement for hair products to an advertisement for car insurance; as life in its ordinariness and even ugly vulgarity imposed itself everywhere all around them? Or were they in this moment unaware, or something more than unaware—were they somehow invulnerable to, untouched by, vulgarity and ugliness, glancing for a moment into something deeper, something concealed beneath the surface of life, not unreality but a hidden reality: the presence at all times, in all places, of a beautiful world?
Sally Rooney (Beautiful World, Where Are You)
Georgia O’Keeffe moved to rural New Mexico, from which she would sign her letters to the people she loved, “from the faraway nearby.” It was a way to measure physical and psychic geography together. Emotion has its geography, affection is what is nearby, within the boundaries of the self. You can be a thousand miles from the person next to you in bed or deeply invested in the survival of a stranger on the other side of the world.
Rebecca Solnit (The Faraway Nearby (ALA Notable Books for Adults))
We think of women at every age: while still children, we fondle with a naïve sensuality the breasts of those grown-up girls kissing us and cuddling us in their arms; at the age of ten, we dream of love; at fifteen, love comes along; at sixty, it is still with us, and if dead men in their tombs have any thought in their heads, it is how to make their way underground to the nearby grave, lift the shroud of the dear departed women, and mingle with her in her sleep
Gustave Flaubert (November)
It's mechanical," Leo said. "Maybe a doorway to the dwarfs' secret lair?" "Ooooo!" shrieked a nearby voice. "Secret lair?" "I want a secret lair!" yelled another voice from above. ... "If we had a secret lair," said Red Fur, "I would want a firehouse pole." "And a waterslide!" said Brown Fur, who was pulling random tools out of Leo's belt, tossing aside wrenches, hammers, and staple guns. "Stop that!" Leo tried to grab the dwarf's feet, but he couldn't reach the top of the pedestal. "Too short?" Brown Fur sympathized. "You're calling me short?" Leo looked around for something to throw, but there was nothing but pigeons, and he doubted he could catch one. "Give me my belt, you stupid-" "Now, now!" said Brown Fur. "We haven't even introduced ourselves. I'm Akmon, and my brother over there-" "-is the handsome one!" The red-furred dwarf lifted his espresso. Judging from his dilated eyes and maniacal grin, he didn't need any more caffeine. "Passolos! Singer of songs! Drinker of coffee! Stealer of shiny stuff!
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
All I want is someone decent.” She sniffled again, her eyes filling with tears. “You know? Kind. Good. Like in all those love stories I’m such an expert on. It can’t just be fiction. It can’t. Those guys are out there, I know it. I just can’t find them.” Those guys were out there. In fact, one was watching us right now, somewhere nearby. Keeping his distance, knowing she needed me to herself right then, but still, just outside the door.
Sarah Dessen (Saint Anything)
Please touch me. I need you to touch me." I didn't have to ask twice. His arms came around me, pulling me onto his lap and cradling me against his chest. "His blood? From his nose?" I nodded, disgusted. "Good girl." His arms slid around me again. "God, you 're so fucking amazing." "I want it off. I want it off." "Yes. Soon." His fingers moved gently over my face. "I'm so sorry, Jacqueline. Jesus Christ, i can't believe i sent you out the door like that. Please forgive me." As he caressed me, i turned my head under his chin, folding into him as small as i could get. "I'm sorry for looking her up. I didn't know-" "Shh, baby...not now. Just let me hold you." He pulled me tighter still after grabbing his jacket from the grass nearby and draping it over me, and we stopped speaking.
Tammara Webber (Easy (Contours of the Heart, #1))
You never forget about things you've done that you know you shouldn't have done. They hang around your mind, linger like a thief casing a joint for a future job. You see them there, dramatically lurking nearby in striped monochrome, leaping behind postboxes as soon as your head whips around to confront them. Or it's a familiar face in a crowd that you glimpse but then lose sight of. An annoying Where's Wally? forever locked away and hidden in every thought in your conscience. The bad thing that you did, always there to let you know.
Cecelia Ahern (The Time of My Life)
I was so distracted when walking out of the restroom that I hadn't noticed Rose standing nearby with Dimitri Belikov. They stood arm in arm, smiling at my surprise. I hadn't seen Dimitri tonight, and his black and white guardian attire told me why. He was on duty here and had undoubtedly been one of the shadows darting among the trees of the greenhouse, keeping a watch on everyone. He must be on break now because there was no way he'd be standing so casually here, even with Rose, otherwise. And really, "casual" for Dimitri meant he could still leap into battle at any moment. They were a striking couple. His dark-haired, dark-eyed looks matched hers, and they were both dazzlingly attractive. It was no wonder Adrian had fallen for her, and I felt surprised at how uncomfortable that memory made me. Like Sonya and Mikhail, there was a bond of love between Rose and Dimitri and Rose that was almost palpable.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
He quivered on the ground his face pressed to the stone and didn’t rise. “Did you… did you just stick yourself to the ground?” Kaladin asked. “Just part of the plan, gon!’ Lopen called back. “If I am to become a delicate cloud upon the sky I must first convince the ground that I am not abandoning her. Like a worried lover, sure, she must be comforted and reassured that I will return following my dramatic and regal ascent to the sky. . . . Nearby, Lopen talked to the ground, against which he was still pressed. “Don’t worry dear one. The Lopen is vast enough to be possessed by many, many forces both terrestrial and celestial! I must soar to the air, for if I were to remain only on the ground, surely my growing magnitude would cause the land to crack and break
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
What about a device that knew everyone you knew? So when an ambulance went down the street, a big sign on the roof could flash DON’T WORRY! DON’T WORRY! if the sick person’s device didn’t detect the device of someone he knew nearby. And if the device did detect the device of someone he knew, the ambulance could flash the name of the person in the ambulance, and either IT’S NOTHING MAJOR! IT’S NOTHING MAJOR! Or, if it was something major, IT’S MAJOR! IT’S MAJOR! And maybe you could rate the people you knew by how much you loved them, so if the person in the ambulance detected the device of the person he loved the most, or the person who loved him the most, and the person in the ambulance was really badly hurt, and might even die, the ambulance could flash GOODBYE! I LOVE YOU! GOODBYE! I LOVE YOU! One thing that’s nice to think about is someone who was the first person on lot’s of people’s lists, so that when he was dying, and his ambulance went down the streets to the hospital, the whole time it would flash GOODBYE! I LOVE YOU! GOODBYE! I LOVE YOU!
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
We think we tell stories, but stories often tell us, tell us to love or hate, to see or be seen. Often, too often, stories saddle us, ride us, whip us onward, tell us what to do, and we do it without questioning. The task of learning to be free requires learning to hear them, to question them, to pause and hear silence, to name them, and then become a story-teller.
Rebecca Solnit (The Faraway Nearby)
Shut up," I hissed. Ticked that he was taller than me, I stepped up onto a nearby coffee table. "I'm not in a cage anymore," I said, keeping enough presence of mind not to poke him in the chest with a finger. His face went startled, then cloric. "The only thing between your head and my foot becoming real close and personal right now is my questionable professionalism. And if you ever threaten me again, I'll slam you halfway across the room before you can say number-two pencil. Got it, you tall freak of nature?
Kim Harrison (Every Which Way But Dead (The Hollows, #3))
We reach the corner, and I begin to head back in the direction of the apartment complex, but I notice he’s stopped walking. I turn around, and he’s pulling something out of the bag he’s holding. He tears away a tag, and a blanket unfolds. No, he didn’t. He holds the blanket out to the old man still there bundled up on the sidewalk. The man looks up at him and takes the blanket. Neither of them says a word. Miles walks to a nearby trash can and tosses the empty bag into it, then heads back toward me while staring down at the ground. He doesn’t even make eye contact with me when we both begin walking in the direction of the apartment complex. I want to tell him thank you, but I don’t. If I tell him thank you, it would seem like I assume he did that for me. I know he didn’t do it for me. He did it for the man who was cold.
Colleen Hoover (Ugly Love)
I couldn't get to sleep. The book lay nearby. A thin object on the divan. So strange. Between two cardboard covers were noises, doors, howls, horses, people. All side by side, pressed tightly against one another. Boiled down to little black marks. Hair, eyes, voices, nails, legs, knocks on doors, walls, blood, beards, the sound of horseshoes, shouts. All docile, blindly obedient to the little black marks. The letters run in mad haste, now here, now there. The a's, f's, y's, k's all run. They gather together to create a horse or a hailstorm. They run again. Now they create a dagger, a night, a murder. Then streets, slamming doors, silence. Running and running. Never stopping.
Ismail Kadare (Chronicle in Stone)
What’s your story? It’s all in the telling. Stories are compasses and architecture; we navigate by them, we build our sanctuaries and our prisons out of them, and to be without a story is to be lost in the vastness of a world that spreads in all directions like arctic tundra or sea ice. To love someone is to put yourself in their place, we say, which is to put yourself in their story, or figure out how to tell yourself their story.
Rebecca Solnit (The Faraway Nearby)
The north wind and the sun were disputing which was the stronger, and agreed to acknowledge as the victor whichever of them could strip a traveler of his clothing. The wind tried first. But its violent gusts only made the man hold his clothes tightly around him, and when it blew harder still the cold made him so uncomfortable that he put on an extra wrap. Eventually the wind got tired of it and handed him over to the sun. The sun shone first with moderate warmth, which made the man take off his topcoat. Then it blazed fiercely, till, unable to stand the heat, he stripped and went off to a bathe in a nearby river. Persuasion is more effective than force.
Aesop
My uncle Alex Vonnegut, a Harvard-educated life insurance salesman who lived at 5033 North Pennsylvania Street, taught me something very important. He said that when things were really going well we should be sure to NOTICE it. He was talking about simple occasions, not great victories: maybe drinking lemonade on a hot afternoon in the shade, or smelling the aroma of a nearby bakery; or fishing, and not caring if we catch anything or not, or hearing somebody all alone playing a piano really well in the house next door. Uncle Alex urged me to say this out loud during such epiphanies: "If this isn't nice, what is?
Kurt Vonnegut Jr.
Zane let his head loll back and lifted one hand to gently prod his split lip. "Ow." "Whine about it. It'll make it better," Ty offered as he stood in front of his locker, his back to Zane, and unwrapped the tape from his hands with jerky, irritated movements. "Bite me," Zane muttered as he dug into his locker for a towel before starting in on the tape on his own hands. He spared an evil glance for Ty. "Teaching me to advance in a fight is a bad idea." "Teaching you to fight at all is an exercise in futility," Ty responded in a matter-of-fact tone. "Luckily for you, I enjoy things like banging my head against a wall." "I enjoy banging your head against a wall too," Zane replied as he tossed the balled-up tape at a nearby trash can. He let a small smile quirk his lips as he sat on the bench to unlace his shoes. "Shut up," Ty grunted at him. But even though his back was still turned to him, Zane could hear the smile in his voice. "And cut it out with the damn cat jokes, huh? They're starting to catch on." "Fine, fine. No reason to get catty about it," Zane told his partner with a barely concealed grin. "A for effort," Ty conceded charitably.
Abigail Roux (Fish & Chips (Cut & Run, #3))
She was extending a hand that I didn't know how to take, so I broke its fingers with my silence, she said, "You don't want to talk to me, do you?" I took my daybook out of my knapsack and found the next blank page, the second to last. "I don't speak," I wrote. "I'm sorry." She looked at the piece of paper, then at me, then back at the piece of paper, she covered her eyes with her hands and cried, tears seeped between her fingers, she cried and cried and cried, there weren't any napkins nearby, so I ripped the page from the book - "I don't speak. I'm sorry" - and used it to dry her cheeks, my explanation and apology ran down her face like mascara, she took my pen from me and wrote on the next blank page of my daybook, the final one: Please marry me I flipped back and pointed at: "Ha ha ha!" She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "Thank you, but I'm about to burst." She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "I'm not sure, but it's late." She flipped forward and pointed at: "Please marry me", and this time put her finger on "Please", as if to hold down the page and end the conversation, or as if she were trying to push through the word, and into what she was trying to say. I thought about life, about my life, the embarrassments, the little coincidences, the shadows of alarm clocks on bedside tables, I thought about my small victories and everything I'd seen destroyed. I'd swum through mink coats on my parents' bed while they hosted downstairs, I'd lost the only person with whom I could have spent my only life, I'd left behind a thousand tonnes of marble from which I could have released sculptures, I could have released myself from the marble of myself, I'd experienced joy, but not nearly enough, could there be enough? The end of suffering does not justify the suffering, and so there is no end to suffering, what a mess I am, I thought, what a fool, how foolish and narrow, how worthless, how pinched and pathetic, how helpless in the universe. None of my pets knows their own name. What kind of person am I? I flipped back, one page at a time: Help
Jonathan Safran Foer
There is something joyful about storms that interrupt routine. Snow or freezing rain suddenly releases you from expectations, performance demands, and the tyranny of appointments and schedules. And unlike illness, it is largely a corporate rather than individual experience. One can almost hear a unified sigh rise from the nearby city and surrounding countryside where Nature has intervened to give respite to the weary humans slogging it out within her purview. All those affected this way are united by a mutual excuse, and the heart is suddenly and unexpectedly a little giddy. There will be no apologies needed for not showing up to some commitment or other. Everyone understands and shares in this singular justification, and the sudden alleviation of the pressure to produce makes the heart merry.
William Paul Young (The Shack)
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Satisfied, Sundae trotted to a bush near the lake, dug vigorously for some seconds and pulled out a bone deliciously covered in mud and bits of vegetation. She took her prize to a still-sunny patch of grass and began to gnaw at it. Two magpies, their greyish necks identifying them as juveniles, landed on a nearby branch. Sundae paused, eyes flicking up to stare at the birds, then returned to attend to the bone. One of the magpies swooped down and landed on the lawn a couple of metres away from the dog. Sunny’s top lip trembled up in the prelude of a snarl. The magpie approached the dog. Sundae’s body tensed, lip furling up further, eyes focused on the agitator. The magpie inched closer. When it was half a metre away, Sundae launched. The bird flew back to the branch next to its companion. Then both birds threw their heads back and let out a rollicking call; it sounded like laughter. Rumbling a growl, Sundae returned to her bone, casting baleful glares at the birds as she gnawed. Saskia and Tania chuckled. “For all of my life, I have watched the magpies and dogs of Woodgrove play this game,” Tania said. “And every time I see it, I have to laugh.
Miriam Verbeek (The Forest: A new Saskia van Essen crime mystery thriller (Saskia van Essen mysteries))
The bigness of the world is redemption. Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest.
Rebecca Solnit (The Faraway Nearby)
Well, make up your mind. I don’t have all night.” Fidelia set her beer on the porch and removed a set of keys from her skirt pocket. She fumbled with the key, trying to release the trigger lock on her pistol. “Don’t do that,” Heather warned her. “You’ve had too much to drink.” Fidelia snorted. “I’m not drunk. I’m in complete control.” She tore off the trigger lock. Bang! The gun fired, ripping into a nearby oak tree. The women screamed. Jean-Luc winced. A squirrel plummeted from the tree and landed in the yard with a thud. Fidelia shrugged. “I meant to do that. Damned rodent’s been gnawing on the house. And stealing all the nuts from our pecan tree.” Heather planted her hands on her hips. “Haven’t I told you a million times to keep the locks on?” Fidelia hung her head, looking properly remorseful. “I’ll be more careful.” She switched on the safety, then shot Jean-Luc a pointed look. “I know how to deal with a scumbag with nuts.
Kerrelyn Sparks (The Undead Next Door (Love at Stake, #4))
The coolness of Buddhism isn't indifference but the distance one gains on emotions, the quiet place from which to regard the turbulence. From far away you see the pattern, the connections, and the thing as whole, see all the islands and the routes between them. Up close it all dissolves into texture and incoherence and immersion, like a face going out of focus just before a kiss.
Rebecca Solnit (The Faraway Nearby)
When my friends began to have babies and I came to comprehend the heroic labor it takes to keep one alive, the constant exhausting tending of a being who can do nothing and demands everything, I realized that my mother had done all of these things for me before I remembered. I was fed; I was washed; I was clothed; I was taught to speak and given a thousand other things, over and over again, hourly, daily, for years. She gave me everything before she gave me nothing.
Rebecca Solnit (The Faraway Nearby)
It is a well-known established fact throughout the many-dimensional worlds of the multiverse that most really great discoveries are owed to one brief moment of inspiration. There's a lot of spadework first, of course, but what clinches the whole thing is the sight of, say, a falling apple or a boiling kettle or the water slipping over the edge of the bath. Something goes click inside the observer's head and then everything falls into place. The shape of DNA, it is popularly said, owes its discovery to the chance sight of a spiral staircase when the scientist‘s mind was just at the right receptive temperature. Had he used the elevator, the whole science of genetics might have been a good deal different. This is thought of as somehow wonderful. It isn't. It is tragic. Little particles of inspiration sleet through the universe all the time traveling through the densest matter in the same way that a neutrino passes through a candyfloss haystack, and most of them miss. Even worse, most of the ones that hit the exact cerebral target, hit the wrong one. For example, the weird dream about a lead doughnut on a mile-high gantry, which in the right mind would have been the catalyst for the invention of repressed-gravitational electricity generation (a cheap and inexhaustible and totally non-polluting form of power which the world in question had been seeking for centuries, and for the lack of which it was plunged into a terrible and pointless war) was in fact had by a small and bewildered duck. By another stroke of bad luck, the sight of a herd of wild horses galloping through a field of wild hyacinths would have led a struggling composer to write the famous Flying God Suite, bringing succor and balm to the souls of millions, had he not been at home in bed with shingles. The inspiration thereby fell to a nearby frog, who was not in much of a position to make a startling contributing to the field of tone poetry. Many civilizations have recognized this shocking waste and tried various methods to prevent it, most of them involving enjoyable but illegal attempts to tune the mind into the right wavelength by the use of exotic herbage or yeast products. It never works properly.
Terry Pratchett (Sourcery (Discworld, #5; Rincewind, #3))
Keefe?' Amy repeated, her lips curling into a grin. 'He's the supercute blonde guy you picked up cookies for, right? The one who keeps staring at you all intense when I met him, like you were the only person that mattered to him in the entire universe?' Someone coughed near the doorway. It was probably Grady, maybe Edaline too, but Sophie decided she would rather not know who was eavesdropping. 'He doesn't stare at me like that,' she said, hoping her cheeks weren't blushing too badly. It didn't help that Ro kept cackling beside her. ... 'I swear, you have no idea how lucky you are, getting to be around so many gorgeous boys all the time. I don't know how you haven't dated any of them--or have you?' 'She tried with Fitzy,' Ro answered for her. 'But then she realized he was too boring, so they broke up.' 'That's not what happened!' Sophie argued--over lots more coughing from the doorway. 'We didn't really date. We just sort of... liked each other... openly. But then it got super complicated, so we decided to focus on being friends. ... Why are we talking about this?' Sophie asked ... 'Because it's fun watching you get all red and fidgety!' Amy told her. 'Plus, there's a chance our boy is somewhere nearby, listening to this conversation,' Ro added before she raised her voice to a shout. 'Hear that, Hunkyhair? Get your overdramatic butt back here! Your girl is single--and the great Foster Oblivion is over! This is what you've been waiting for!' 'Hunkyhair?' Amy asked, raising one eyebrow as Sophie contemplated smothering herself with her blankets. 'Great Foster Oblivion?' 'Never mind,' Sophie mumbled, sinking deeper into her blankets.
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
A Partial History of My Stupidity Traffic was heavy coming off the bridge and I took the road to the right, the wrong one, and got stuck in the car for hours. Most nights I rushed out into the evening without paying attention to the trees, whose names I didn't know, or the birds, which flew heedlessly on. I couldn't relinquish my desires or accept them, and so I strolled along like a tiger that wanted to spring, but was still afraid of the wildness within. The iron bars seemed invisible to others, but I carried a cage around inside me. I cared too much what other people thought and made remarks I shouldn't have made. I was slient when I should have spoken. Forgive me, philosophers, I read the Stoics but never understood them. I felt that I was living the wrong life, spiritually speaking, while halfway around the world thousands of people were being slaughtered, some of them by my countrymen. So I walked on--distracted, lost in thought-- and forgot to attend to those who suffered far away, nearby. Forgive me, faith, for never having any. I did not believe in God, who eluded me.
Edward Hirsch
Before I went to college I read two books. I read a book “Moral Mazes” by Robert Jackall which is a study of how corporations work, and it’s actually a fascinating book, this sociologist, he just picks a corporation at random and just goes and studies the middle managers, not the people who do any of the grunt work and not the big decision makers, just the people whose job is to make sure that things day to day get done, and he shows how even though they’re all perfectly reasonable people, perfectly nice people you’d be happy to meet any of them, all the things that they were accomplishing were just incredibly evil. So you have these people in this average corporation, they were making decisions to blow out their worker’s eardrums in the factory, to poison the lakes and the lagoons nearby, to make these products that are filled with toxic chemicals that poisoned their customers, not because any of them were bad people and wanted to kill their workers and their neighbourhood and their customers, but just because that was the logic of the situation they were in. Another book I read was a book “Understanding Power” by Noam Chomsky which kind of took the same sort of analysis but applied it to wider society which you know we’re in a situation where it may be filled with perfectly good people but they’re in these structures that cause them to continually do evil, to invade countries, to bomb people, to take money from poor people and give it to rich people, to do all these things that are wrong. These books really opened my eyes about just how bad the society we were living in really is.
Aaron Swartz
We stood there for a minute or two, with John swaying gently against my arm. 'I'm feeling better,' he announced. Then he looked up at the stars. 'Wow..' he intoned. 'Look at that! Isn't that amazing?". I followed his gaze. The stars did look good but they didn't look that good. It was very unlike John to be over the top in that way. I stared at him. He was wired-pin-sharp and quivering, resonating away like a human tuning fork. No sooner had John uttered his immortal words about the stars than George and Paul came bursting out on the roof. They had come tearing up from the studio as soon as they found out where we were. They knew why John was feeling unwell. Maybe everyone else did, too - everyone except for father-figure George Martin here! It was very simple. John was tripping on LSD. He had taken it by mistake, they said - he had meant to take an amphetamine tablet. That hardly made any difference, frankly; the fact was that John was only too likely to imagine he could fly, and launch himself off the low parapet that ran around the roof. They had been absolutely terrified that he might do so. I spoke to Paul about this night many years later, and he confirmed that he and George had been shaken rigid when they found out we were up on the roof. They knew John was having a what you might call a bad trip. John didn't go back to Weybridge that night; Paul took him home to his place, in nearby Cavendish Road. They were intensely close, remember, and Paul would do almost anything for John. So, once they were safe inside, Paul took a tablet of LSD for the first time, 'So I could get with John' as he put it- be with him in his misery and fear. What about that for friendship?
George Martin (With A Little Help From My Friends: The Making of Sgt. Pepper)
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
Lemony Snicket (The Beatrice Letters)
A Persian, a Turk, an Arab, and a Greek were traveling to a distant land when they began arguing over how to spend the single coin they possessed among themselves. All four craved food, but the Persian wanted to spend the coin on angur; the Turk, on uzum; the Arab, on inab; and the Greek, on stafil. The argument became heated as each man insisted on having what he desired. A linguist passing by overheard their quarrel. “Give the coin to me,” he said. “I undertake to satisfy the desires of all of you.” Taking the coin, the linguist went to a nearby shop and bought four small bunches of grapes. He then returned to the men and gave them each a bunch. “This is my angur!” cried the Persian. “But this is what I call uzum,” replied the Turk. “You have brought me my inab,” the Arab said. “No! This in my language is stafil,” said the Greek. All of a sudden, the men realized that what each of them had desired was in fact the same thing, only they did not know how to express themselves to each other. The four travelers represent humanity in its search for an inner spiritual need it cannot define and which it expresses in different ways. The linguist is the Sufi, who enlightens humanity to the fact that what it seeks (its religions), though called by different names, are in reality one identical thing. However—and this is the most important aspect of the parable—the linguist can offer the travelers only the grapes and nothing more. He cannot offer them wine, which is the essence of the fruit. In other words, human beings cannot be given the secret of ultimate reality, for such knowledge cannot be shared, but must be experienced through an arduous inner journey toward self-annihilation. As the transcendent Iranian poet, Saadi of Shiraz, wrote, I am a dreamer who is mute, And the people are deaf. I am unable to say, And they are unable to hear.
Reza Aslan (No God But God: The Origins, Evolution and Future of Islam)
Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own. Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one. In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis... In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Swans," the banished sister can only disenchant her eleven brothers -- who are swans all day look but turn human at night -- by gathering stinging nettles barehanded from churchyard graves, making them into flax, spinning them and knitting eleven long-sleeved shirts while remaining silent the whole time. If she speaks, they'll remain birds forever. In her silence, she cannot protest the crimes she accused of and nearly burned as a witch. Hauled off to a pyre as she knits the last of the shirts, she is rescued by the swans, who fly in at the last moment. As they swoop down, she throws the nettle shirts over them so that they turn into men again, all but the youngest brother, whose shirt is missing a sleeve so that he's left with one arm and one wing, eternally a swan-man. Why shirts made of graveyard nettles by bleeding fingers and silence should disenchant men turned into birds by their step-mother is a question the story doesn't need to answer. It just needs to give us compelling images of exile, loneliness, affection, and metamorphosis -- and of a heroine who nearly dies of being unable to tell her own story.
Rebecca Solnit (The Faraway Nearby)
THEY FOUND LEO AT THE TOP of the city fortifications. He was sitting at an open-air café, overlooking the sea, drinking a cup of coffee and dressed in…wow. Time warp. Leo’s outfit was identical to the one he’d worn the day they first arrived at Camp Half-Blood—jeans, a white shirt, and an old army jacket. Except that jacket had burned up months ago. Piper nearly knocked him out of his chair with a hug. “Leo! Gods, where have you been?” “Valdez!” Coach Hedge grinned. Then he seemed to remember he had a reputation to protect and he forced a scowl. “You ever disappear like that again, you little punk, I’ll knock you into next month!” Frank patted Leo on the back so hard it made him wince. Even Nico shook his hand. Hazel kissed Leo on the cheek. “We thought you were dead!” Leo mustered a faint smile. “Hey, guys. Nah, nah, I’m good.” Jason could tell he wasn’t good. Leo wouldn’t meet their eyes. His hands were perfectly still on the table. Leo’s hands were never still. All the nervous energy had drained right out of him, replaced by a kind of wistful sadness. Jason wondered why his expression seemed familiar. Then he realized Nico di Angelo had looked the same way after facing Cupid in the ruins of Salona. Leo was heartsick. As the others grabbed chairs from the nearby tables, Jason leaned in and squeezed his friend’s shoulder. “Hey, man,” he said, “what happened?” Leo’s eyes swept around the group. The message was clear: Not here. Not in front of everyone. “I got marooned,” Leo said. “Long story. How about you guys? What happened with Khione?” Coach Hedge snorted. “What happened? Piper happened! I’m telling you, this girl has skills!” “Coach…” Piper protested. Hedge began retelling the story, but in his version Piper was a kung fu assassin and there were a lot more Boreads. As the coach talked, Jason studied Leo with concern. This café had a perfect view of the harbor. Leo must have seen the Argo II sail in. Yet he sat here drinking coffee—which he didn’t even like—waiting for them to find him. That wasn’t like Leo at all. The ship was the most important thing in his life. When he saw it coming to rescue him, Leo should have run down to the docks, whooping at the top of his lungs. Coach Hedge was just describing how Piper had defeated Khione with a roundhouse kick when Piper interrupted. “Coach!” she said. “It didn’t happen like that at all. I couldn’t have done anything without Festus.” Leo raised his eyebrows. “But Festus was deactivated.” “Um, about that,” Piper said. “I sort of woke him up.” Piper explained her version of events—how she’d rebooted the metal dragon with charmspeak.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))