Navajo Love Quotes

We've searched our database for all the quotes and captions related to Navajo Love. Here they are! All 17 of them:

The Diné are children of the sun. They are rugged and graceful people. They love the radiance of color and silver, the purity of nature, and the speed of horses. They have a gift for adaptation and creativity. They do everything with spontaneity and flair.
Zita Steele (Dine: A Tribute to the Navajo People)
The Navajo teach their children that every morning when the sun comes up, it’s a brand-new sun. It’s born each morning, it lives for the duration of one day, and in the evening it passes on, never to return again. As soon as the children are old enough to understand, the adults take them out at dawn and they say, ‘The sun has only one day. You must live this day in a good way, so that the sun won’t have wasted precious time.’ Acknowledging the preciousness of each day is a good way to live, a good way to reconnect with our basic joy. seven taking a bigger perspective This morning when I came to meditation I was hungry and tired; I was also happy. When
Pema Chödrön (The Wisdom of No Escape: How to love yourself and your world)
How do you become a person? Usually, instead of trying to get a job, I listen to music on YouTube, instead of being a person, I try to become the notes of songs, the chord structure of “Will You Still Love Me Tomorrow” covered by Amy Winehouse, I want to become that song, I learn the song on guitar and strum it on my adobe porch thing, trying to become non-human, sometimes I try to become the taste of a Carl’s Jr. cheeseburger, I want to be that delicious, that bad for you.   Sometimes I listen to Amitabha chants, Navajo chants, even old Kentucky Old Regular Baptists call out chants, I want to be a pure feeling, that may lead to heaven, but instead I am Noah Cicero, sometimes I scream, I can’t be controlled, I can’t be tamed, because I don’t know what to be—
Noah Cicero (Bipolar Cowboy)
A cavalry of sweaty but righteous blond gods chased pesky, unkempt people across an annoyingly leaky Mexican border. A grimy cowboy with a headdress of scrawny vultures lay facedown in fiery sands at the end of a trail of his own groveling claw marks, body flattened like a roadkill, his back a pincushion of Apache arrows. He rose and shook his head as if he had merely walked into a doorknob. Never mind John Wayne and his vultures and an “Oregon Trail” lined with the Mesozoic buttes of the Southwest, where the movies were filmed, or the Indians who were supposed to be northern plains Cheyenne but actually were Navajo extras in costume department Sioux war bonnets saying mischievous, naughty things in Navajo, a language neither filmmaker nor audience understood anyway, but which the interpreter onscreen translated as soberly as his forked tongue could manage, “Well give you three cents an acre.” Never mind the ecologically incorrect arctic loon cries on the soundtrack. I loved that desert.
Ellen Meloy (The Last Cheater's Waltz: Beauty and Violence in the Desert Southwest)
I really should simplify my existence. How much trouble is a person required to have? I mean, is it an assignment I have to carry out? It can’t be, because the only good I ever knew of was done by people when they were happy. But to tell you the truth, Kayo, since you are the kind of guy who will understand it, my pride has always been hurt by my not being able to give an account of myself and always being manipulated. Reality comes from giving an account of yourself, and that’s the worst of being helpless. Oh, I don’t mean like the swimmer on the sea or the child on the grass, which is the innocent being in the great hand of Creation, but you can’t lie down so innocent on objects made by man,” I said to him. “In the world of nature you can trust, but in the world of artifacts you must beware. There you must know, and you can’t keep so many things on your mind and be happy. ‘Look on my works ye mighty and despair!’ Well, never mind about Ozymandias now being just trunkless legs; in his day the humble had to live in his shadow, and so do we live under shadow, with acts of faith in functioning of inventions, as up in the stratosphere, down in the subway, crossing bridges, going through tunnels, rising and falling in elevators where our safety is given in keeping. Things done by man which overshadow us. And this is true also of meat on the table, heat in the pipes, print on the paper, sounds in the air, so that all matters are alike, of the same weight, of the same rank, the caldron of God’s wrath on page one and Wieboldt’s sale on page two. It is all external and the same. Well, then what makes your existence necessary, as it should be? These technical achievements which try to make you exist in their way?” Kayo said, not much surprised by this, “What you are talking about is moha—a Navajo word, and also Sanskrit, meaning opposition of the finite. It is the Bronx cheer of the conditioning forces. Love is the only answer to moha, being infinite. I mean all the forms of love, eros, agape, libido, philia, and ecstasy. They are always the same but sometimes one quality dominates and sometimes another.
Saul Bellow (The Adventures Of Augie March)
We do not want to go to the right or left,” he said, “but straight back to our own country!” A few days later, on June 1, a treaty was drawn up. The Navajos agreed to live on a new reservation whose borders were considerably smaller than their traditional lands, with all four of the sacred mountains outside the reservation line. Still, it was a vast domain, nearly twenty-five thousand square miles, an area nearly the size of the state of Ohio. After Barboncito, Manuelito, and the other headmen left their X marks on the treaty, Sherman told the Navajos they were free to go home. June 18 was set as the departure date. The Navajos would have an army escort to feed and protect them. But some of them were so restless to get started that the night before they were to leave, they hiked ten miles in the direction of home, and then circled back to camp—they were so giddy with excitement they couldn’t help themselves. The next morning the trek began. In yet another mass exodus, this one voluntary and joyful, the entire Navajo Nation began marching the nearly four hundred miles toward home. The straggle of exiles spread out over ten miles. Somewhere in the midst of it walked Barboncito, wearing his new moccasins. When they reached the Rio Grande and saw Blue Bead Mountain for the first time, the Navajos fell to their knees and wept. As Manuelito put it, “We wondered if it was our mountain, and we felt like talking to the ground, we loved it so.” They continued marching in the direction the coyote had run, toward the country they had told their young children so much about. And as they marched, they chanted—
Hampton Sides (Blood and Thunder: The Epic Story of Kit Carson and the Conquest of the American West)
Don’t view the Bible as your workbook. Make it a collection of love letters that God has written to you. Then when you read it, it will cease to be an obligation and turn into sheer delight.
José Luis Navajo (Mondays with My Old Pastor: Sometimes All We Need Is a Reminder from Someone Who Has Walked Before Us)
With you I could live, without you I was already dead.
Oliver La Farge (Laughing Boy: A Navajo Love Story)
When the sun has been destroyed for a man, what comfort is there in a world of moonlight?
Oliver La Farge (Laughing Boy: A Navajo Love Story)
Why should he worry himself about this woman? And why should he worry about anything else as long as he had this woman?
Oliver La Farge (Laughing Boy: A Navajo Love Story)
He placed his left hand on my chest and I did the same. We stood there like that for a while feeling each other’s hearts beat with love for our sacred homelands. It was one of the best conversations I ever had.
Joseph Bruchac (Code Talker: A Novel About the Navajo Marines of World War Two)
Love those who least deserve it more, because they are the ones who need it the most.
José Luis Navajo (Mondays with My Old Pastor: Sometimes All We Need Is a Reminder from Someone Who Has Walked Before Us)
The Navajo teach their children that every morning when the sun comes up, it’s a brand-new sun. It’s born each morning, it lives for the duration of one day, and in the evening it passes on, never to return again.
Pema Chödrön (Awakening Loving-Kindness (Shambhala Pocket Classics))
An Indian takes the weather passively, accepting and enduring it without the European’s mental revolt or impatience. Comfort and fat living had changed this to some degree in Laughing Boy; he was unusually aware of discomfort, and resentful, rating the blizzard as colder than it was. Slim Girl was simply miserable. They did not speak, but jogged on, punishing their horses.
Oliver La Farge (Laughing Boy: A Navajo Love Story)
precious to the Navajo.” “We need people who will testify that
Colleen Coble (To Love a Stranger (Wyoming #4))
Ayóó' ánííníshní — 7/21/1985. Wolf had long ago figured out what the words meant. It was Navajo for I Love You. The date afterwards
Jeff Carson (David Wolf: Books 1-4)
You don’t have to stay in town,” Liv said. “You could sleep in Gran’s and Granddad’s room until they get back.” “No, I couldn’t do that.” Shane shook his head violently. “Wouldn’t be respectful.” “There’s a bunkhouse near the barn,” Sophie pointed through the window. “You could move in there.” “That’s an excellent idea.” Jess beamed. “At least for this week while you’re not in school.” “I don’t like to put my troubles on you.” Shane shook his head again. “Never know what Pa’s likely to do.” “We’ll share our troubles,” Jess said gently. “The girls’ grandfather called, and he thinks we should bring the horses up to the ranch. I agree, especially after the girls told me about the foal being attacked by a coyote yesterday.” “I hear you,” Shane said. “I guess I’d better round ’em up and bring ’em in.” Jess nodded. “Take Cactus Jack or Cisco for now. When you bring in the herd, choose another horse to ride till Navajo is better.” “You can take Cactus Jack,” Liv volunteered. “Then Sophie can go with you.” Sometimes Sophie felt as if Liv really did understand her, after all. Liv loved riding Cactus Jack in the desert, and she was giving her a chance to be alone with Shane.
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))