Naughty Child Quotes

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No sight so sad as that of a naughty child," he began, "especially a naughty little girl. Do you know where the wicked go after death?" "They go to hell," was my ready and orthodox answer. "And what is hell? Can you tell me that?" "A pit full of fire." "And should you like to fall into that pit, and to be burning there for ever?" "No, sir." "What must you do to avoid it?" I deliberated a moment: my answer, when it did come was objectionable: "I must keep in good health and not die.
Charlotte Brontë (Jane Eyre)
Accepting necessary conflicts for the sake of improving the lives of children is the only fundamental moral crusade that matters.
Stefan Molyneux
He looked like a naughty child who had managed to steal the moon and eat it.
George R.R. Martin (Rogues)
If you punish a child for being naughty, and reward him for being good, he will do right merely for the sake of the reward; and when he goes out into the world and finds that goodness is not always rewarded, nor wickedness always punished, he will grow into a man who only thinks about how he may get on in the world, and does right or wrong according as he finds advantage to himself.
Immanuel Kant
That was how his pen finally designed his sculpture; in the center the weak, confused, arrogant, soon to be destroyed young man holding cup a loft, behind him the idyllic child, clear-eyed, munching his grapes, symbol of joy ; between them the tiger skin. The Bacchus, hollow within himself, flabby, reeling, already old; the Satyr, eternally young and gay, symbol of man’s childhood and naughty innocence
Irving Stone (The Agony and the Ecstasy)
The child probably overheard their voices; for, looking up to the window, with a bright, but naughty smile of mirth and intelligence, she threw one of the prickly burrs at the Reverend Mr. Dimmesdale. The sensitive clergyman shrunk, with nervous dread, from the light missile.
Nathaniel Hawthorne (The Scarlet Letter)
the parents’ primary task, beyond providing for the child’s survival requirements, is to emanate a simple message to the child in word, deed, and (most of all) energetic presence, that he or she is precisely the person they love, welcome, and want. The child doesn’t have to do anything, or be any different, to win that love—in fact, cannot do anything, because this abiding embrace cannot be earned, nor can it be revoked. It doesn’t depend on the child’s behavior or personality; it is just there, whether the child is showing up as “good” or “bad,” “naughty” or “nice.
Gabor Maté (The Myth of Normal: Trauma, Illness, and Healing in a Toxic Culture)
She trudged along, dutiful as a naughty child.
John D. MacDonald (The Deep Blue Good-By)
if you think that the person who insulted you is unworthy of you and your cares, you have no reason to take offence, just as you have no reason to take offence at a naughty child or a barking dog.
Neel Burton (The Secret to Everything: How to Live More and Suffer Less)
As a result, there’s an unexpected outcome: the good child is heading for problems in adult life, typically to do with excessive compliance, rigidity, lack of creativity and an unbearably harsh conscience that might spur on suicidal thoughts. Meanwhile, the naughty child is on the way to healthy maturity, which comprises spontaneity, resilience, a tolerance of failure and a sense of self-acceptance.
The School of Life (The Good Enough Parent: How to raise contented, interesting, and resilient children)
Education is like Christmas. We’re all just opening our gifts, one at a time. And it is a fact that each and every child has a bright shiny present with her name on it, waiting there underneath the tree. God wrapped it up, and he’ll let us know when it’s time to unwrap it. In the meantime, we must believe that our children are okay. Every last one of them. The straight-A ones and the ones with autism and the naughty ones and the chunky ones and the shy ones and the loud ones and the so-far-behind ones.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
This is ecstasy. You’ve caught me, woman. You’ve captured me. I’m yours, utterly yours, for the rest of my life if you’ll have me.”“I’ve captured you?”“You’ve seduced me, body and soul. You’ve given me a child. You’ve given me a future. You’ve given me more pleasure than I ever dreamed possible. I love you, Faith.
Chance Carter (Bad Boy Daddy (Naughty Boy, #1))
A mother was thinking of how to keep her naughty child in line she tried using the boogey man it didn't work ... she thought and thought then said "the Politician is going to get you" and he was never naughty again
rassool jibraeel snyman
The heart is the anarchist of the mind. The naughty child that never grows up. The hopeless romantic. The dreamer. The optimist. The risk taker. The sail that always wants to move. The wings that never want to land." CeCe
Katie Ray (Don't Kiss the Messenger (Edgelake High School, #1))
Pandora is even less generously treated. Her story is foreshadowed at the end of the previous chapter, in which she is introduced as ‘a sad naughty child’ (which coincidentally describes the background of anyone I have ever wanted to know).
Natalie Haynes (Pandora's Jar: Women in the Greek Myths)
No sight so sad as that of a naughty child,” he began, “especially a naughty little girl. Do you know where the wicked go after death?” “They go to hell,” was my ready and orthodox answer. “And what is hell? Can you tell me that?” “A pit full of fire.” “And should you like to fall into that pit, and to be burning there forever?” “No, sir.” “What must you do to avoid it?” I deliberated a moment; my answer, when it did come, was objectionable: “I must keep in good health, and not die.
Charlotte Brontë (Jane Eyre)
No sight so sad as that of a naughty child,” he began, “especially a naughty little girl. Do you know where the wicked go after death?” “They go to hell,” was my ready and orthodox answer. “And what is hell? Can you tell me that?” “A pit full of fire.” “And should you like to fall into that pit, and to be burning there for ever?” “No, sir.” “What must you do to avoid it?” I deliberated a moment; my answer, when it did come, was objectionable: “I must keep in good health, and not die.
Charlotte Brontë (Jane Eyre)
He agreed with the captain of a New York sloop for my passage, under the notion of my being a young acquaintance of his that had got a naughty girl with child, whose friends would compel me to marry her, and therefore I could not appear or come away publicly.
Benjamin Franklin (The Autobiography and Other Writings)
Later, the family, led ferociously by the father, forces Gregor into his room like a naughty child. And Gregor, for his part, has no interest in adult matters. He loathes his profession. He has no intention of finding a companion; the only woman in his life, besides his sister and mother, is the pin-up girl in the guilt frame.
Franz Kafka
No sight so sad as that of a naughty child, especially a naughty little girl. Do you know where the wicked go after death? They go to hell. And what is hell? Can you tell me that? A pit full of fire. And should you like to fall into that pit, and to be burning there for ever? No, sir. What must you do to avoid it? I must keep in good health and not die.
Charlotte Brontë (Jane Eyre)
I loved even her naughtinesses, as when she stamped her foot at me, which she could not do without also gnashing her teeth, like a child trying to look fearsome. How pretty was that gnashing of her teeth! All her tormentings of me turned suddenly into sweetnesses, and who could torment like this exquisite fury, wondering in sudden flame why she could give herself to anyone, while I wondered only why she could give herself to me.
J.M. Barrie (The Complete Adventures of Peter Pan)
But the very fact that she took such a foolish trifle so seriously moved me, and, in order to calm her, I took refuge in a playful tone. ‘Oh, that’s nothing,’ I said teasingly, ‘nothing of any consequence. A naughty child upset some tea over me.’ Her eyes were still troubled. But she gratefully jumped at the opportunity of turning the whole thing into a joke. ‘And did you give the naughty child a good whacking?’ ‘No,’ I replied, keeping the ball rolling. ‘It wasn’t necessary. The child has been good again for a long time now.’ ‘And you’re really not angry with her any more?’ ‘Not a bit. You should have heard how prettily she asked to be forgiven.’ ‘You won’t bear her any grudge?’ ‘No, it’s all forgiven and forgotten. But she must go on being a good girl and do as she’s told.’ ‘And what is the child to do?’ ‘To be always patient, always friendly, and always merry. Not to sit in the sun too long, to go out for lots of drives and obey the doctor’s orders to the letter. And now the child must go to sleep and not talk or worry her head any more. Good night.
Stefan Zweig (Beware of Pity (Woolf Haus Classics))
No man — no woman — is always strong, always able to bear up against the unjust opinion, the vilifying word. Calumny, even from the mouth of a fool, will sometimes cut into unguarded feelings. Shirley looked like a child that had been naughty and punished, but was now forgiven and at rest.
Charlotte Brontë (The Brontës Complete Works)
In fact, as Foucault and others have shown, prisons and factories came in at about the same time, and their operators consciously borrowed from each other's control techniques. A worker is a part-time slave. The boss says when to show up, when to leave, and what to do in the meantime. He tells you how much work to do and how fast. He is free to carry his control to humiliating extremes, regulating, if he feels like it, the clothes you wear or how often you go to the bathroom. With a few exceptions he can fire you for any reason, or no reason. He has you spied on by snitches and supervisors, he amasses a dossier on every employee. Talking back is called "insubordination," just as if a worker is a naughty child, and it not only gets you fired, it disqualifies you for unemployment compensation… The demeaning system of domination I've described rules over half the waking hours of a majority of women and the vast majority of men for decades, for most of their lifespans. For certain purposes it's not too misleading to call our system democracy or capitalism or -- better still -- industrialism, but its real names are factory fascism and office oligarchy. Anybody who says these people are "free" is lying or stupid.
Bob Black (The Abolition of Work)
Every single child is gifted. And every single child has challenges. It's just that in the educational system, some gifts and challenges are harder to see...We can help our kids who struggle in school believe that they're okay. It's just that there's only one way to help them. And it's hard. We have to actually believe that our kids are okay. We can start believing by erasing the idea that education is a race. It's not. We unwrap our gifts at different times. In the meantime, we have to believe that every last one of our kids is okay. The straight-A ones and the ones with autism and the naughty ones and the chunky ones and the shy ones and the loud ones and the so-far-behind ones.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Have you ever been too old, too young, too big, too small, too smart, too dumb? Have you ever been too fat, too thin, too shy, too loud, too slow to win? Have you ever been too scared to try, too small to play, too young to die? Have you ever been too weak to fight, too little yet, or not quite right? Have you ever been too dark, too light, too black, too brown, too red, too white? Have you ever been put off ’til last, the odd man out, the jerk they sassed? Have you ever been the one black sheep, the naughty child, the nerdy geek? Have you ever been the butt of jokes, the timid soul, the oddest folk? Have you ever been left out of fun, forgotten when the day is done? Have you ever been afraid to lose? Afraid to try? Afraid to choose? Have you ever been too rich, too poor, too venturesome, or just a bore? Have you ever had no clue at all? Nowhere to go? No one to call? Have you ever been without a friend? Have you ever wished the day would end? Have you ever had the biggest nose, the longest arms, the funny toes? Have you ever had the flattest chest? Have you ever had the biggest breasts? Have you ever prayed your luck would change? Have you ever felt your life was strange? Have you ever wished for something more, or something less than what you were? If you have ever felt this way, you're one of us I’m here to say. We've all been there a time or two because we're human, me and you. We've all felt different in some way because we are, and that’s okay. We've all been hurt; we've all been scarred. That's life. And frankly, life is hard.
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
O, Topsy, poor child, I love you!" said Eva, with a sudden burst of feeling, and laying her little thin, white hand on Topsy's shoulder; "I love you, because you haven't had any father, or mother, or friends;—because you've been a poor, abused child! I love you, and I want you to be good. I am very unwell, Topsy, and I think I shan't live a great while; and it really grieves me, to have you be so naughty. I wish you would try to be good, for my sake;—it's only a little while I shall be with you." The round, keen eyes of the black child were overcast with tears;—large, bright drops rolled heavily down, one by one, and fell on the little white hand. Yes, in that moment, a ray of real belief, a ray of heavenly love, had penetrated the darkness of her heathen soul! She laid her head down between her knees, and wept and sobbed,—while the beautiful child, bending over her, looked like the picture of some bright angel stooping to reclaim a sinner.
Harriet Beecher Stowe (Uncle Tom's Cabin)
But in Australia a model child is - I sasy it not without thankfulness - an unknown quantity. It may be that the miasmas of naughtiness develop best in the sunny brilliancy of our atmosphere. It may be that the land and the people are so young-hearted together, and the children's spirits are not crushed and saddened by the shadow of long years' sorrowful history. There is a lurking sparkle of joyousness and rebellion and mischief in nature here, and therefore in children.
Ethel Turner
Wounded Child (emotionally 0–5) Adapted Adolescent (emotionally 6 –18) Functional Adult (emotionally mature) Worthless Arrogant Esteemed from Within Extremely Vulnerable Invulnerable Healthy Boundaries Extremely Needy Needless Communicates Needs Feels Bad / Naughty Feels Blameless / Perfect Honest and Self-Aware Out of Control Hypercontrolling Flexible and Moderate Fears Abandonment Fears Suffocation Interdependent Seeks Attention Seeks Intensity Lives in Integrity and Harmony Idealizes Caretakers/ Partners Disillusioned by Caretakers / Partners In Reality About Caretakers / Partners
Neil Strauss (The Truth: An Uncomfortable Book about Relationships)
A hungry Wolf was prowling about in search of food. By and by, attracted by the cries of a Child, he came to a cottage. As he crouched beneath the window, he heard the Mother say to the Child, “Stop crying, do! or I’ll throw you to the Wolf.” Thinking she really meant what she said, he waited there a long time in the expectation of satisfying his hunger. In the evening he heard the Mother fondling her Child and saying, “If the naughty Wolf comes, he shan’t get my little one: Daddy will kill him.” The Wolf got up in much disgust and walked away: “As for the people in that house,” said he to himself, “you can’t believe a word they say.
Aesop (Aesop's Fables)
Fall down seven times, get up eight,” Manjiro said. “So my mother used to say.” 22 THE RACE here were no earthquakes. There were no broken legs. There were no emergencies of any kind. The day of the race arrived, as days generally did on the farm, with the barnyard rooster incessantly announcing its arrival. Manjiro climbed out of bed like an old man. Today was the day of his humiliation. Captain Whitfield squinted up at him from his coffee when he came into the dining room. “Rough night?” he asked. Manjiro shook his head, trying not to let his gloom show. He had taken great pains to keep this contest secret from Captain Whitfield. He poured himself a cup of coffee, muttering to himself, “I’m not going to let the cat jump in the bag now.” “Pardon me?” the captain said. Manjiro shook his head and sipped his coffee, the bitterness of it like a rebuke. His relationship with Captain Whitfield had been changing. Now that Manjiro was growing up—he was seventeen now—he regarded the captain more as a friend than a father. There were times, though, like now, when the feeling of being the naughty child of a possibly disapproving father was overwhelming. He should have confided in Captain Whitfield; the captain might have been able to help him out of his predicament. Well, it was too late now. He
Margi Preus (Heart of a Samurai)
How the earthly father would love a child who would creep into his room with angry, troubled face, and sit down at his feet, saying when asked what he wanted: "I feel so naughty, papa, and I want to get good"! Would he say to his child: "How dare you! Go away, and be good, and then come to me?" And shall we dare to think God would send us away if we came thus, and would not be pleased that we came, even if we were angry as Jonah? Would we not let all the tenderness of our nature flow forth upon such a child? And shall we dare to think that if we being evil know how to give good gifts to our children, God will not give us his own spirit when we come to ask him?
George MacDonald (Unspoken Sermons Series I., II., and II.)
I did not of course realize it then, but I know now that there was a disarming frankness in her manner that put one at one’s ease. She talked with a kind of eagerness, like a child bubbling over with the zest of life, and her eyes were lit all the time by her engaging smile. I did not know why I liked it. I should say it was a little sly, if slyness were not a displeasing quality; it was too innocent to be sly. It was mischievous rather, like that of a child who has done something that he thinks funny, but is quite well aware that you will think rather naughty; he knows all the same that you won’t be really cross and if you don’t find out about it quickly he’ll come and tell you himself. But of course then I only knew that her smile made me feel at home.
W. Somerset Maugham (Cakes and Ale)
Well, Jane Eyre, and are you a good child?” Impossible to reply to this in the affirmative: my little world held a contrary opinion: I was silent. Mrs. Reed answered for me by an expressive shake of the head, adding soon, “Perhaps the less said on that subject the better, Mr. Brocklehurst.” “Sorry indeed to hear it! she and I must have some talk;” and bending from the perpendicular, he installed his person in the arm-chair opposite Mrs. Reed’s. “Come here,” he said. I stepped across the rug; he placed me square and straight before him. What a face he had, now that it was almost on a level with mine! what a great nose! and what a mouth! and what large prominent teeth! “No sight so sad as that of a naughty child,” he began, “especially a naughty little girl. Do you know where the wicked go after death?” “They go to hell,” was my ready and orthodox answer. “And what is hell? Can you tell me that?” “A pit full of fire.” “And should you like to fall into that pit, and to be burning there for ever?” “No, sir.” “What must you do to avoid it?” I deliberated a moment; my answer, when it did come, was objectionable: “I must keep in good health, and not die.” “How can you keep in good health? Children younger than you die daily. I buried a little child of five years old only a day or two since,—a good little child, whose soul is now in heaven. It is to be feared the same could not be said of you were you to be called hence.” Not being in a condition to remove his doubt, I only cast my eyes down on the two large feet planted on the rug, and sighed, wishing myself far enough away. “I hope that sigh is from the heart, and that you repent of ever having been the occasion of discomfort to your excellent benefactress.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
Primer of Love [Lesson 6] Humility is not thinking less of yourself, it's thinking of yourself less. ~ C. S. Lewis Lesson 6) The most important element for lasting love is having the humility to apologize and the divinity to forgive. A lasting life together can be little more than a series of fuck ups connected by a filament of forgiveness. First learn like children to apologize even if you don't mean a word of it -- as a child you knew that instinctually when apologizing to your parents (and underscoring the phony apology with a fake cough at the end). This was your rite of passage, your training wheels into acquiring humanity. Forgiveness is that one uniquely paradoxical attribute which makes us at once human and divine in the casting of absolution. Use that Papal power with dignity -- you'll have them kissing your ring and other naughty bits in no time. Pope Francis may be infallible, but your penis makes you inphallible.
Beryl Dov
Is this true?" Suzette asked, sounding like a suspicious nanny. It was a tone Daniel had heard often as a child, though from his mother, not a nanny. They hadn't been able to afford a nanny. Oddly enough, he suddenly found himself imagining Suzette as that nonexistent nanny, though really the gown he pictured her in as that nanny was nothing a respectable nanny would wear and covered less than it revealed as she approached him in his mind with a naughty smile and a spanking paddle in hand. "Spank me," he breathed on a sigh, and then muttered, "Better yet,let me spank you." A vision immediately rose in his mind of her turning and slowly pulling up her scandalously short, ankle-revealing skirt to present him with a view of her very fine bottom. That vision died an abrupt death when Richard's voice intruded, soaked with melodrama as he said, "Guilt can lead a man to act like an ass and do the most foolish of things." Daniel almost snorted at that. He was standing there in a dark room all but dancing with a dead man while having the most ridiculous sexual fantasies about Suzette. All this wile waiting to be able to slip out of the house undiscovered. Oh yes, guilt-and many other emotions-made a man do foolish things.
Lynsay Sands (The Heiress (Madison Sisters, #2))
The expert opinion recommends against spanking for three reasons. One is that spanking has harmful side effects down the line, including aggression, delinquency, a deficit in empathy, and depression. The cause-and-effect theory, in which spanking teaches children that violence is a way to solve problems, is debatable. Equally likely explanations for the correlation between spanking and violence are that innately violent parents have innately violent children, and that cultures and neighborhoods that tolerate spanking also tolerate other kinds of violence.177 The second reason not to spank a child is that spanking is not particularly effective in reducing misbehavior compared to explaining the infraction to the child and using nonviolent measures like scolding and time-outs. Pain and humiliation distract children from pondering what they did wrong, and if the only reason they have to behave is to avoid these penalties, then as soon as Mom’s and Dad’s backs are turned they can be as naughty as they like. But perhaps the most compelling reason to avoid spanking is symbolic. Here is Straus’s third reason why children should never, ever be spanked: “Spanking contradicts the ideal of nonviolence in the family and society.
Steven Pinker (The Better Angels of Our Nature: A History of Violence and Humanity)
Catching my eye in the mirror, Mrs. Armiger said, “Your mother tells me you’ve forgotten how to play the parlor organ, Andrew.” I began to apologize, but Mrs. Armiger hushed me. “It’s all right, dear. I understand.” She paused to adjust her hat. “In the fall, we shall begin your lessons again. We’ll get along famously this time, won’t we?” Not daring to meet Theo’s eyes, I said, “Yes, ma’am.” Mrs. Armiger smiled at Mama. “I can’t believe he’s the same boy. Do you suppose some other child put that glue in my metronome after all? Surely it wasn’t this dear angel who drew a mustache on my bust of Beethoven. Nor could he have been the rascal who climbed out my window on recital day and hid in a tree.” She squeezed my shoulder just hard enough to hurt. “No, no, no--not this sweet little fellow. It must have been some naughty boy who looked just like him.” After she and Mama shared a chuckle, Mrs. Armiger hugged me. “I believe I can make a perfect gentleman out of this child.” When Theo heard hat, the laughter he’d been struggling to control exploded in a series of loud snorts. He tried to pretend he was choking on his phosphate, but he didn’t fool Mama. “Music lessons are exactly what Theodore needs,” she told Mrs. Armiger. “The discipline will do him good. Suppose I sent both boys to you every Wednesday afternoon?” While Mrs. Armiger and Mama made plans, I stirred the chocolate sauce into my ice cream, appetite gone. Beside me, Theo seethed. He was blaming everything on me--the scolding, the music lessons, Mrs. Armiger. It was all my fault. He hated me.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
Sophie Windham, put that child down and come here.” “You are forever telling me to come here,” she replied, but she put the baby on the floor amid his blankets. “And now I am going away, so humor me.” He held out his arms, and she went into his embrace. “I will not forget you, Sophie. These few days with you and Kit have been my true Christmas.” “I will worry about you.” She held on to him, though not as tightly as she wanted to. “I will keep you in my prayers, as well, but, Sophie, I’ve traveled the world for years and come to no harm. A London snowstorm will not be the end of me.” Still, she did not step back. A lump was trying to form in her throat, much like the lumps that formed when she’d seen Devlin or Bart off after a winter leave. She felt his chin resting on her crown, felt her heart threatening to break in her chest. “I must go to Kent,” he said, his hands moving over her back. “I truly do not want to go—Kent holds nothing but difficult memories for me—but I must. This interlude with you…” She hardly paid attention to his words, focusing instead on his touch, on the sound of his voice, on the clean bergamot scent of him, the warmth he exuded that seeped into her bones like no hearth fire ever had. “…Now let me say good-bye to My Lord Baby.” He did not step back but rather waited until Sophie located the resolve to move away from him. This took a few moments, and yet he did not hurry her. “Say good-bye to Mr. Charpentier, Kit.” She passed him the baby, who gurgled happily in Vim’s arms. “You, sir, will be a good baby for Miss Sophie. None of that naughty baby business—you will remain healthy, you will begin to speak with the words ‘please’ and ‘thank you,’ you will take every bath Miss Sophie directs you to take, you will not curse in front of ladies, nor will you go romping where you’re not safe. Do you understand me?” “Bah!” “Miss Sophie, you’re going to be raising a hellion.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
I raised two daughters,” Ronica pointed out gently. “I know how painful victory can be sometimes.” “Not over me,” Keffria said dully. There was self-loathing in her tone as she added, “I don’t think I ever gave you and Father a sleepless night. I was a model child, never challenging anything you told me, keeping all the rules, and earning the rewards of such virtue. Or so I thought.” “You were my easy daughter,” Ronica conceded. “Perhaps because of that, I under-valued you. Over-looked you.” She shook her head to herself. “But in those days, Althea worried me so that I seldom had a moment to think of what was going right…” Keffria exhaled sharply. “And you didn’t know the half of what she was doing! As her sister, I… but in all the years, it hasn’t changed. She still worries us, both of us. When she was a little girl, her willfulness and naughtiness always made her Papa’s favorite. And now that he has gone, she has disappeared, and so managed to capture your heart as well, simply by being absent.” “Keffria!” Ronica rebuked her for the heartless words. Her sister was missing, and all she could be was jealous of Ronica worrying about her? But after a moment, Ronica asked hesitantly, “You truly feel that I give no thoughts to you, simply because Althea is gone?” “You scarcely speak to me,” Keffria pointed out. “When I muddled the ledger books for what I had inherited, you simply took them back from me and did them yourself. You run the household as if I was not there. When Cerwin showed up on the doorstep today, you charged directly into battle, only sending Rache to tell me about it as an afterthought. Mother, were I to disappear as Althea has, I think the household would only run more smoothly. You are so capable of managing it all.” She paused and her voice was almost choked as she added, “You leave no room for me to matter.” She hastily lifted her mug and took a long sip of coffee. She stared deep into the fireplace. Ronica found herself wordless. She drank from her own mug. She knew she was making excuses when she said, “But I was always just waiting for you to take things over from me.” “And always so busy holding the reins that you had no time to teach me how. ‘Here, give me that, it’s easier if I just do it myself.’ How many times have you said that to me? Do you know how stupid and helpless it always made me feel?” The anger in her voice was very old.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
During the season, they saw each other and played together almost every day. At the aunt's request, seconded by Professor Valérius, Daaé consented to give the young viscount some violin lessons. In this way, Raoul learned to love the same airs that had charmed Christine's childhood. They also both had the same calm and dreamy little cast of mind. They delighted in stories, in old Breton legends; and their favorite sport was to go and ask for them at the cottage-doors, like beggars: "Ma'am..." or, "Kind gentleman... have you a little story to tell us, please?" And it seldom happened that they did not have one "given" them; for nearly every old Breton grandame has, at least once in her life, seen the "korrigans" dance by moonlight on the heather. But their great treat was, in the twilight, in the great silence of the evening, after the sun had set in the sea, when Daaé came and sat down by them on the roadside and in a low voice, as though fearing lest he should frighten the ghosts whom he loved, told them the legends of the land of the North. And, the moment he stopped, the children would ask for more. There was one story that began: "A king sat in a little boat on one of those deep still lakes that open like a bright eye in the midst of the Norwegian mountains..." And another: "Little Lotte thought of everything and nothing. Her hair was golden as the sun's rays and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her little red shoes and her fiddle, but most of all loved, when she went to sleep, to hear the Angel of Music." While the old man told this story, Raoul looked at Christine's blue eyes and golden hair; and Christine thought that Lotte was very lucky to hear the Angel of Music when she went to sleep. The Angel of Music played a part in all Daddy Daaé's tales; and he maintained that every great musician, every great artist received a visit from the Angel at least once in his life. Sometimes the Angel leans over their cradle, as happened to Lotte, and that is how their are little prodigies who play the fiddle at six better than fifty, which, you must admit, is very wonderful. Sometimes, the Angel comes much later, because the children are naughty and won't learn their lessons or practice their scales. And, sometimes, he does not come at all, because the children have a bad heart or a bad conscience. No one ever sees the Angel; but he is heard by those who are meant to hear him. He often comes when they least expect him, when they are sad or disheartened. Then their ears suddenly perceive celestial harmonies, a divine voice, which they remember all their lives. Persons who are visited by the Angel quiver with a thrill unknown to the rest of mankind. And they can not touch an instrument, or open their mouths to sing, without producing sounds that put all other human sounds to shame. Then people who do not know that the Angel has visited those persons say that they have genius. Little Christine asked her father if he had heard the Angel of Music. But Daddy Daaé shook his head sadly; and then his eyes lit up, as he said: "You will hear him one day, my child! When I am in Heaven, I will send him to you!" Daddy was beginning to cough at that time.
Gaston Leroux (The Phantom of the Opera)
Nifflenoo
Kate Silverton (There's Still No Such Thing As 'Naughty': Parenting the Primary Years – Simple Steps to Support Your Child's Mental Health from 5-12)
With his bare feet resting on the arm while Cynthia stood staring at the floor, speechless, John wiggled his toes next to where I was standing, and said in a squeaky voice, “Hello, Jenny.” I couldn’t help but smile. He was like a naughty child, caught misbehaving by his mother.
Jenny Boyd (Jennifer Juniper)
Did you just speak to our unborn child after you ate me out like a whore?” I asked in shock. He smirked, crawling up my body until he hovered over me again and winked. “I told him to plug his ears because his mama was about to go to church and pray to God with naughty words.
A.M. McCoy (Sinister Vows)
Anyway, I knew as soon as I saw her.’ He spat the words out. ‘She had this look on her face. Like a naughty child who’s been caught out, but acting like they’ve done nothing wrong.
Isabella Muir (Storms of Change: 1960 (The Mountfield Road Mysteries Book 1))
Nigga, you ain’t gotta know her like that to love her! You been boiling over and mad at the world for five years! And it always shows during the Christmas holiday. It’s called soul ties! Love at first sight type shit. You a cold nigga for asking for that money back, though. That girl might need that for child support, and groceries cause yo’ daughter can eat. Her lil’ greedy ass is still in the kitchen. She done stole my mama and won’t share any of the cookies. We even got into a lil argument; you know when I get high, I like to snack. Ion like that shit. She better hope I feel like going out and getting her lil’ ass a Christmas gift.” He shook his head and I had to laugh at his ass
K. Renee (Tis The Season To Be Naughty)
The door to the little dining parlor banged open, the apologetic footman rushing in behind a young woman St. Just had not seen before. She was trussed up in a shapeless black bombazine dress covering her from ankles to wrist to neck, an equally hideous black bonnet on her head. “That is not my tart,” the earl observed to no one in particular. “Bronwyn!” The woman leapt across the room and wrapped her arms around Winnie, the bonnet tumbling off in her haste. “Oh, Winnie, you naughty, naughty child, I’ve been searching all over for you.” “Hullo, Miss Emmie.” Winnie beamed a grin, hugging the lady back. “Rosecroft says we’re going to have apple tarts.” “Madam?” The earl rose and bowed. “Rosecroft, at your service.” “My lord.” She bobbed a nervous curtsy then swiveled back to the child. “Winnie, are you all right?” “I had to take a bath.” Winnie frowned at the memory. “But I ate and ate and ate. I am not a gentleman, though.” “You took a bath?” Miss Farnum’s eyes went round. “My lord? Did I hear her aright?” “With lavender bubbles,” the earl replied gravely. “And you would be?” “Miss Emmaline Farnum,” she said, eyes narrowing. “Just how did you get her to take a bath?” The earl narrowed his eyes, as well. “Perhaps that is a discussion we adults might reserve for later. And as I wouldn’t want to be guilty of breaking my word to a child, may I invite you to join us for apple tarts, Miss Farnum?” The footman withdrew at the earl’s lifted eyebrow while the child’s gaze bounced back and forth between the adults. Winnie sat, all innocence in an old nightshirt somebody had dragged out of a trunk. Her golden curls gleamed, and on her feet were wool socks many sizes too big. “Apple tarts sound delicious,” Miss Farnum said.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
What has put that look on your face, Sophie?” “What look?” She laid the child in the cradle where Vim had set it near the hearth. “Like you just lost your best friend.” “I was thinking of fostering Kit.” And just like that, she was blinking back tears. She tugged the blankets up around the baby, who immediately set about kicking them away. “Naughty baby,” she whispered. “You’ll catch a chill.” “Sophie?” A large male hand landed on her shoulder. “Sophie, look at me.” She shook her head and tried again to secure Kit’s blankets. “My dear, you are crying.” Another hand settled on the opposite shoulder, and now the kindness was palpable in his voice. Vim turned her gently into his embrace and wrapped both arms around her. It wasn’t a careful, tentative hug. It was a secure embrace. He wasn’t offering her a fleeting little squeeze to buck her up, he was holding her, his chin propped on her crown, the entire solid length of his body available to her for warmth and support. Which had the disastrous effect of turning a trickle of tears into a deluge. “I can’t keep him.” She managed four words around the lump in her throat. “To think of him being passed again into the keeping of strangers… I can’t…” “Hush.” He held a hanky up to her nose, one laden with the bergamot scent she already associated with him. For long minutes, Sophie struggled to regain her equilibrium while Vim stroked his hand slowly over her back. “Babies do this,” Vim said quietly. “They wear you out physically and pluck at your heartstrings and coo and babble and wend their way into your heart, and there’s nothing you can do stop it. Nobody is asking you to give the child up now.” “They won’t have to ask. In my position, I can’t be keeping somebody else’s castoff—” She stopped, hating the hysterical note that had crept into her voice and hating that she might have just prompted the man to whom she was clinging to ask her what exactly her position was. “Kit is not a castoff. He’s yours, and you’re keeping him. Maybe you will foster him elsewhere for a time, but he’ll always be yours too.” She didn’t quite follow the words rumbling out of him. She focused instead on the feel of his arms around her, offering support and security while she parted company temporarily with her dignity. “You are tired, and that baby has knocked you off your pins, Sophie Windham. You’re borrowing trouble if you try to sort out anything more complicated right now than what you’ll serve him for dinner.” She’d grown up with five brothers, and she’d watched her papa in action any number of times. She knew exactly what Vim was up to, but she took the bait anyway. “He loved the apples.” This time when Vim offered her his handkerchief, she took it, stepping back even as a final sigh shuddered through her. “He
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
The heart, it appears, doesn’t learn its lessons, avoid danger, run from confrontation, or walk away from disaster. The heart is the anarchist of the mind. The naughty child that never grows up. The hopeless romantic. The dreamer. The optimist. The risk taker. The sail that always wants to move. The wings that never want to land.
Katie Ray (Don't Kiss the Messenger (Edgelake High School, #1))
His plain, colorless akhalukhi falls from a collarless neck to the ground, sweeping the floor below his uneven ankles as he limps. Dauran mothers tell naughty boys and misbehaving girls that underneath the white shapeless cloth Jahandar the Tyrant stands naked on cloven hooves, and that he’ll come for them at night. The last bit is closer to the truth than a Dauran parent can admit to a frightened child. For that’s always the time his Shishi come, with a hard bang! bang! bang! on the cottage door.
Kali Altsoba (Jahandar: The Orion War)
But that did no harm, and a sad young mind found a way to match things up with an antagonist. Now, just stand a child up against your body. How tall is it? Possibly only up to your hip. Still, a man,—or an animal thinking that it is a man—will slap, whip, or viciously yank an arm of so frail, so soft a tiny body! That is what I call a coward!! By golly! almost a criminal! If a tot is what you call naughty, (and no child voluntarily is,) why not lift that young body up onto your lap, and talk—don’t shout—about what it just did? Shouting gains nothing with a tot. Man can shout at Man, at dogs, and at farm animals; but a man who shouts at a child is, at that instant, sinking in his own muck of bullyism; and bullyism is a sin, if anything in this world is. Ah Youth! You glorious dawn of Mankind! You bright, happy, glowing morning Sun; not at full brilliancy of noon, I know, but unavoidably on your way! Youth! How I do thrill at taking your warm, soft hand; walking with you; talking with you; but, most important of all, laughing with you! That is Man’s pathway to glory. A man who drops blossoms in passing, will carry joy to folks along his way; a man who drops crumbs will also do a kindly act; but a man who drops kind words to a sobbing child will find his joy continuing for many a day; for blossoms will dry up; crumbs may blow away; but a kind word to a child may start a blossom growing in that young mind, which will so far surpass what an unkindly man might drop, as an orchid will surpass a wisp of grass. Just stop a bit and look back at your footprints along your past pathway. Did you put many humps in that soil which a small child might trip on? Did you angrily slam a door, which might so jolt a high-strung tot as to bring on nights and nights of insomnia? Did you so constantly snarl at it that it don’t want you around? In fact, did you put anything in that back-path of yours which could bring sorrow to a child? Or start its distrust of you, as its rightful guardian? If so, go back right now, man, and fix up such spots by kindly acts from now on. Or, jump into a pond, and don’t crawl out again!! For nobody wants you around!
Ernest Vincent Wright (Gadsby)
A father stork and baby stork are sitting in their nest. The baby stork is crying and crying and father stork is trying to calm him. “Don’t worry, son. Your mother will come back. She’s just out bringing people babies and making them happy.” The next night, it’s the father’s turn to do the job. Mother and child are sitting in the nest and the baby stork is crying and crying. The mother stork says, “Son, don’t cry. Your father will be back soon. He’s just out bringing joy to new mommies and daddies.” A few days later, the stork parents are desperate: their son is absent from the nest all night! Shortly before dawn, the little chick returns and the parents ask him where he’s been all night. “Nowhere,” says the storklet. “Just out scaring the shit out of college students!
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
Distinguish between mercy and mercy; let the choicest mercies have thy highest praises.  It shows a naughty heart to howl and make a great noise in prayer for corn and wine, and in the meantime to be indifferent or faint in his desires for Christ and his grace.  Nor better is it, when one acknowledges the goodness of God in temporals, but takes little notice of those greater blessings which concern another life.  You shall have sometimes a covetous earthworm speak what a blessed time and season it is for the corn and the fruits of the earth —that fit his carnal palate, as the pottage did Esau’s —but you never hear him express any feeling sense of the blessed seasons of grace, the miracle of God’s patience that such a wretch as he s out of hell so long, the infinite love of God in offering in offering Christ by the gospel to him.  He turns over these as a child doth a book, till he hits on some gaud and picture, and there he stays to gaze.  Christ and his grace, with other spiritual blessings, he skills not of, he cares not for, except they would fill his bags and barns.  Now, shall such a one pass for a thankful man? will God accept his praises for earth that rejects heaven? that takes corn and wine with thanks, and bids him keep Christ to himself with scorn? saying, as Esau when his brother offered him his present, ‘I have enough?’ 
Gurnall, William (The Christian in Complete Armour)
I knew the one thing I wanted to do more than anything was to get to Steve. I needed to bring my kids home as fast as possible. I didn’t understand what had been going on in the rest of the world. Steve’s accident had occurred at eleven o’clock in the morning. The official time of death was made at twelve noon, the exact time that Bindi had looked at her watch and said, for no apparent reason, “It’s twelve o’clock.” Now I had to go out to the car and tell Bindi and Robert what had happened to their daddy. How do you tell an eight-year-old child that her father has died? A two-year-old boy? The person they loved most in the world was gone, the person they looked up to, relied on, and emulated, who played with them in the bubble bath and told them stories about when he was a naughty little boy, who took them for motorbike rides and got them ice cream, went on croc-catching adventures and showed them the world’s wildlife. I had to tell them that they had lost this most important person, on this most beautiful day. Emma came in and I told her what had happened. Suddenly I felt very sick. I didn’t know if I could stand up, and I asked to use the restroom. Then I realized this was the exact time for me to be strong. For years I had counted on Steve’s strength. At six feet tall and two hundred pounds, he was a force to be reckoned with. But he always told me there were different kinds of strength. Steve said he could count on me to be strong when times were hard. I thought about that, and I suddenly understood there must be a reason that I was here and he was gone. I needed to help his kids, to be there for our children. All I wanted to do was run, and run, and run. But I had to stay. With Emma at my side, I went outside and climbed into the car. Bindi had opened up the raspberries again. I put them away and sat her down. She knew instantly by my face that something was wrong. “Did something happen to one of the animals at the zoo?” she asked. “Something happened to Daddy,” I said. “He was diving, and he had an accident.” I told her everything that I knew about what had happened. She cried. We all cried. Robert still slept.
Terri Irwin (Steve & Me)
I knew the one thing I wanted to do more than anything was to get to Steve. I needed to bring my kids home as fast as possible. I didn’t understand what had been going on in the rest of the world. Steve’s accident had occurred at eleven o’clock in the morning. The official time of death was made at twelve noon, the exact time that Bindi had looked at her watch and said, for no apparent reason, “It’s twelve o’clock.” Now I had to go out to the car and tell Bindi and Robert what had happened to their daddy. How do you tell an eight-year-old child that her father has died? A two-year-old boy? The person they loved most in the world was gone, the person they looked up to, relied on, and emulated, who played with them in the bubble bath and told them stories about when he was a naughty little boy, who took them for motorbike rides and got them ice cream, went on croc-catching adventures and showed them the world’s wildlife. I had to tell them that they had lost this most important person, on this most beautiful day.
Terri Irwin (Steve & Me)
They followed Lucy out to the hallway, where they found Philbert in a large club chair that appeared to have been hastily dragged from another room. The butler had crossed his leg over his knee, and his normally impassive features had twisted into a painful grimace as he gingerly rubbed his ankle. One of the liveried footmen hovered, looking as guilt-ridden as a naughty child. “Does it feel any better?” Lucy asked, her voice colored by anxiety. “I think you should let Thomas help you down to the kitchen.” “Thomas is the reason I find myself in this predicament,” Philbert responded dryly. “I believe he’s helped me enough for one evening.” “What
Anna Campbell (A Grosvenor Square Christmas)
His black robes rustled as he turned, and Will fought the ridiculous urge to step behind Kit like a child twisting him in his mother’s skirts.
Elizabeth Bear (Hell and Earth (Promethean Age, #4))
So how do we deal with the mind? The answer is – by not dealing with it at all. Nothing needs to be resolved, done or pondered upon. Just watching and staying aware.. And the strange thing about the mind is – it goes still the moment we start becoming aware of it. Just like a naughty child when caught doing some mischief, stops.
Shivangi Singh
He suffered, or did not suffer, from congenital naughtiness. He was either the favorite child or else the sort of person who would claim to be the favorite child when he wasn’t. In even his earliest pictures, he grinned with the huge, hand-rubbing glee of a cartoon villain, as if he just watched the photographer trip and fall into an open sewer. His hair curled upward, dark and frizzed, like the smoke of an illegal bonfire. He was cherubic, satanic, dressed in scandalously short pants.
Patricia Lockwood (Priestdaddy: A Memoir)
If I wasn’t so fucking turned on right now, I’d spank her in the car like a naughty child, too. She brings out the animal in me.
Cora Kent (Ruthless Sinner (The Terlizzis #1))
How should we manage our mind, which is inherently just like the open sky? It's actually very simple. Let it do as it wishes, just as you would let go of a naughty child struggling to get free from your arms. As long as you know you can keep your eye on him at all times, you certainly shouldn’t try to tie him up or confine him. You also shouldn’t try to get his attention with candy, biscuits, or toys because, as with all naughty children, it’s only natural that he will eventually return to his mother’s embrace. When mother and child are united, that is similar to when your mind has returned again to its proper place.
Shang Rinpoche
At this point, harking back to the stuff about souls, Andersen bolts on a perplexing Christian salvation message about how the Little Mermaid can earn a soul if she is good for three hundred years, but every time she sees 'a rude, naughty child', she'll get more time in purgatory. Don't be rude or naughty or the mermaids will suffer? Please. Even as a child, I knew this was ridiculous.
Samantha Ellis (How to Be a Heroine)
The instruments that I liked the most were the flautos and recorders, especially the lovely flauto in the box with blue velvet. It was so beautiful I had been shy about even touching it, but one day I worked up my courage and took it out of the cabinet. I placed the mouthpiece to my lips and blew. A loud ringing note came out, startling me so that I almost dropped the instrument. But I held on and tried again. As that second note died away, the white bear entered the room. I fought down the instinct to hide the flauto behind my back as though I were a naughty child caught playing with grown-up things. As he came closer I could read a sort of yearning in his eyes. He lay down on the rug near the cabinet and looked up expectantly, as he did in the weaving room when he was ready to hear a story. I shook my head. “I don’t know how to play,” I explained, my cheeks a little red. “Play,” he said. “I can’t.” But he just stared at me with those yearning eyes. So I tried. And though the tone of the instrument was lovely, my playing sounded like two birds of different pitch scolding each other. The white bear closed his eyes and flattened his ears against the sound. “Well, I warned you,” I said. Then he got up and crossed to a polished wooden chest, and, using a large paw, pushed the top up. I could see bundles of paper inside, some bound, some tied with ribbon. I knew what the papers were. “I cannot read music,” I said. The white bear sighed. Then he turned and left the room. After he’d gone I went to the chest and sat down beside it, taking out a bundle of the papers with music written on them. It became my new project, learning to read music. I was lucky to find a book in the chest that showed which note corresponded to which hole on the flauto. Occasionally the white bear would come into the music room and sit and listen while I practiced, which made me self-conscious. But he never stayed long. It was as if he could only take it so long, hearing the music he knew mangled beyond all recognizable shape.
Edith Pattou (East (East, #1))
MUCH of the naughtiness in school is a result of the child’s lack of interest in his work, augmented by the physical inaction that results from an attempt to sit quietly. The best teachers try to obviate both of these rather than to punish because of them.
Anna Botsford Comstock (Handbook of Nature Study)
At the age of eleven Diane felt her world collapsing around her. She'd managed to survive thus far because she thought her mother was blind to her suffering. Now she had discovered that, in her mother's version of events, she was at fault for her mother's lack of tenderness. There was something almost comical about the accusation of jealousy. How could she go on living, stifled as she was by this feeling of insane injustice? She went through the rest of that Saturday like a zombie. That night, Celia joined her in her bed. Diane didn't move. 'I talked to Maman.' 'I know, I heard.' 'Eavesdropping is naughty.' 'You're right, go and tattle on me to Maman.' 'She said that--' 'I know what she said. You're an idiot, Celia to have told her I had anything to do with it. You lied. You're the one who came and complained to me. I will never trust you again.' 'What does that mean, trust?' 'It something you certainly inspire in me. Go back to your bed.' Celia did as she was told, sniffling and sobbing. Diane knew she was being harsh: what could a six-year-old child possible understand about all this business? But she was in such pain that her sister's fate was a matter of complete indifference to her.
Amélie Nothomb (Frappe-toi le cœur)
One day, Janey becomes puzzled about her origins. “How did I get here, Mommy?” she asks. “Why, God sent you, honey.” “And did God send you too, Mommy?” “Yes, sweetheart, he did.” “And Daddy, and Grandma, and Grandpa, and their moms and dads, too?” “Yes, baby, all of them, too.” The child shakes her head in disbelief. “Then you’re telling me there’s been no sex in this family for over two hundred years? No wonder everyone is so grouchy!
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
Just after a krampus that people had spotted in the area.” That got my attention. “A krampus? You’re sure?” Petra nodded. “I saw it walking down the road, swinging its chains around. Those fucking horrific bell things were making noise. You can’t really mistake a krampus for anything else.” In mythology, a krampus was a sort of anti-Santa. It would spirit away the naughty boys and girls to its lair. What it did with them is open to interpretation; some say it drowned the children and ate them, while some suggested it just kept them until they behaved and then brought them back. In most instances the truth is quite far removed from reality, but in the case of the krampus, truth and reality weren’t all that dissimilar. Krampus don’t care one way or the other about the behavior of the children they steal. They take children back to their lairs and feast on their souls, tossing the corpse of the child into a nearby stream or river when they finish. Unlike animals that need to hibernate during the winter, krampus only feed during the coldest months of the year, before vanishing once spring arrives. Before the tenth century, there were hundreds of the bastards running around, although nearly all of them were killed after it was made illegal to create them. Like most of the truly horrific creations in the world, krampus were made using dark blood magic. At one point, they’d been human, although once the magic had finished with them, any glimmer of humanity had been extinguished. They were considered a crime against magic, and their creation was punishable by death. Apparently, someone was unconcerned about the possibility of such things, if he or she had taken the time and effort to make a krampus and unleash it on the town of Mittenwald.
Steve McHugh (Prison of Hope (Hellequin Chronicles, #4))
Shea watched Raven and, noting her elevated breathing, automatically walked over to her to take her pulse. Raven laughed and pulled away. “My husband is being naughty. He likes to keep me thinking about him while he’s away from me. I’m fine. They’ll drive you crazy, but they’re always intriguing and usually lots of fun. It’s a good thing, as they have long life spans. Wouldn’t it be hell to be stuck for centuries to someone you found incredibly boring?” “How dangerous is the healer?” Raven inhaled sharply. “The truth is, Gregori is the most dangerous of all Carpathians. Mikhail thinks Gregori is more powerful than he is, and that’s saying quite a bit. He knows things, more than any other. Mikhail fears for him all the time now. If he turned vampire, we’d all be in grave danger. Mikhail loves him. We both do. That’s why we decided to try for a baby now rather than later. To produce a lifemate for him. Carpathians never have female children anymore. No one knows why, but the children that are born rarely survive the first year of life. Mikhail and Gregori both believe a human lifemate can produce them a female child, and I guess they’re right, since Gregori says this child is a girl. He would know.
Christine Feehan (Dark Desire (Dark, #2))
MUCH of the naughtiness in school is a result of the child’s lack of interest in his work, augmented by the physical inaction that results from an attempt to sit quietly.
Anna Botsford Comstock (Handbook of Nature Study)
I know many folks who have business cards made up that state that their child has Autism and explain what it is. They feel that educating these judgmental, tisk-tisking, disrespectful types will help. My husband and I always joked that we were going to have our own cards made up that said, “My son has autism. He is not intentionally being naughty or rude, but you are!
Sharon Fuentes (The Don't Freak Out Guide To Parenting Kids With Asperger's)
What you believe about your life, job, health, or child determines your attitudes, decisions, and general approach toward them. If you choose to see a problematic child, then no matter how they behave (even when they display typical naughty behaviors), you will respond with less empathy.
Richard Bass (The ADHD Parenting Guide for Boys: From Toddlers to Teens Discover How to Respond Appropriately to Different Behavioral Situations (Successful Parenting))
The resulting behaviors often get loud, aggressive, and violent, which leads to stigma and shame from adults. “What are you thinking? Why would you do that?” Adults glare and send them away, punishing the behavior without asking the real question: “What are you telling me here?” In truth, these actions are often arising out of their primary language for communicating with their caregivers—their bodies. They are autistic after all. They struggle with neurotypical norms of back-and-forth verbal conversation. Their primary mode of expression is through their bodies. They are attempting to say, “This is too hard for me, too much for me.” Instead, their behavior is interpreted through a lens that says, “Naughty, bad, wrong.
Amanda Diekman (Low-Demand Parenting: Dropping Demands, Restoring Calm, and Finding Connection with your Uniquely Wired Child)
Avoid labels. Labelling children as smart, naughty, clever, sensitive, lazy, messy, grumpy, etc. can make them start to believe those statements are true. Even if the words you use are positive — i.e. ‘clever’ — they can actually hinder growth, as the child feels their character is fixed. As a parent, you might consider saying, ‘I can see that you worked really hard at this picture,’ rather than, ‘You’re a natural artist.
Eloise Rickman (Extraordinary Parenting: the essential guide to parenting and educating at home)
During one of the Scared Straight visits, he had snuck away from the group and ventured into a part of the prison marked, “STAFF ONLY.” The sight of a young child, around thirteen or fourteen years of age, gagged and having their hand amputated was the scene he walked in on.
Octavia Grant (The Naughty List)
Hold thy tongue, naughty child!
Nathaniel Hawthorne