Natural Dyes Quotes

As the saturating colors of sun-life fade from sight, the ominous moon reaches out its long arm and applies the dark dyes of night.

So you do know!" I shouted. My phone lay there like a genie's bottle, inanimate and yet containing the ability to grant me wishes and knowledge. "Girl, spill before I come over and dye your hair a natural color.

Aye, aye! good-natured, jolly, full of fun; there are a number of other names for the good qualities the devil leaves his children, as bait to catch gudgeons with. D'ye think folk could be led astray by one who was every way bad?

Blonde hair and black hair are the two poles of human nature. Black hair signifies virility, courage, frankness, activity, whereas blonde hair symbolises femininity, tenderness, weakness, and passivity. Therefore a blonde is in fact doubly a woman. A princess can only be blonde. That's also why, to be as feminine as possible, women dye their hair yellow- but never black" "I'm curious about how pigments exercise their influence over the human soul", said Bertlef doubtfully. "it's not a matter of pigments. A blonde unconsciously adapts herself to her hair. Especially if the blonde is a brunette who dyes her hair yellow. She tries to be faithful to her hair colour and behaves like a fragile creature, a shallow doll, she demands tenderness and service, courtesy and alimony, she's incapable of doing anything for herself, all refinement on the outside and coarseness on the inside. If black hair became a universal fashion, life on this world would clearly be better. It would be the most useful social reform ever achieved.

Away thou fondling motley humorist, Leave mee, and in this standing woodden chest, Consorted with these few bookes, let me lye In prison, and here be coffin'd, when I dye; Here are Gods conduits, grave Divines; and here Natures Secretary, the Philosopher; And jolly Statesmen, which teach how to tie The sinewes of a cities mistique bodie; Here gathering Chroniclers, and by them stand Giddie fantastique Poets of each land. Shall I leave all this constant company, And follow headlong, wild uncertaine thee?

Imagine waking up in the morning and going to the kitchen and to make yourself some breakfast. You take some soybean grits, mix them with some tainted cattle meat, throw in a few beaks and feathers, smother your concoction with processed sugar syrup and chemicals, then sprinkle on a few preservatives and dyes. Pressure cook the hell out of it, let it cool-and dig in!

Jacob: 'So have you heard that in seventy years there won't be any gingers left on Earth?' Jules: 'Really? Huh. Nature. Awesome.' Sam: 'Actually, it's not true. It was some bogus report cooked up by a hair-dye company to get some extra press.' Jacob: 'Sure it was, Fanta-pants.' Ava: 'He's right. The recessive gene that causes red hair is totally able to skip generations, so redheads won't die out due to genetics.' Sam: 'Thank you, Ava. It's nice to know that someone around here is sensible.' Ava: 'Of course, redheads might become extinct because they find it so hard to get laid...

at a first glance, natural dyes appear to be more expensive than those used for petroleum-derived synthetics, simply because of the higher cost to farm raw materials. But there are "externalities" not included in synthetic's calculation -environmentally damaging ones like fracking and oil spills.

I’ve always said either dye your hair your natural color or go all gray. Keep salt and pepper for the table.

I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.

Natural food colour is a dye, pigment or any other substance obtained from vegetables or minerals that are capable of coloring foods or drugs. Sources like seeds, fruits, vegetables, grass, beet root, and turmeric are some of the natural sources from which colours are extracted.

People are the most variable and important component in the equation of magic. Magic itself is, after all, a constant, a pure and steady source, like water. People, and the world they shape—they are the conduits of magic, determining its nature, coloring its energy, the way a dye does water.

What are those purple things?” “Carrots.” “Carrots are orange.” “And purple.” He didn’t mention the turnips and cauliflower in the mix. He knew his quarry. “Why would somebody dye a harmless carrot purple?” “They’re not dyed, they’re natural. Have some more wine,” he said, topping off her glass, “and try them out.

We are made aware that magnitude of material things is relative, and all objects shrink and expand to serve the passion of the poet. Thus, in his sonnets, the lays of birds, the scents and dyes of flowers, he finds to be the shadow of his beloved; time, which keeps her from him, is his chest; the suspicion she has awakened, is her ornament

The fact is, women aren’t having cosmetic surgery to stay beautiful. As Naomi Wolf wrote in The Beauty Myth more than twenty years ago, many women who undergo surgery are fighting to stay loved, relevant, employed, admired; they’re fighting against time running out. If they simply age naturally, don’t diet or dye their hair, we feel they’ve “let themselves go.” But if they continue to dress youthfully we feel they’re “trying too hard” or brand them as “slappers.” Poor Madonna, who has dared to be in her fifties. In order not to look like a woman in her sixth decade of life she exercises furiously, and is sniggered at by trashy magazines for having overly muscular arms and boytoy lovers. When Demi Moore’s marriage to Ashton Kutcher, fifteen years her junior, recently broke down, the media reaction was almost gleeful. Of course, it was what they had been waiting for all along: how long could a forty-eight-year-old woman expect to keep a thirty-three-year-old man? As allegations of his infidelity emerged, the Internet was flooded with images of Demi looking gaunt and unhappy—and extremely thin. Sometimes you want to say: just leave them alone. Then again, it’s mostly women who buy these magazines, and women who write the editorials and online comments and gossip columns, so you could say we’re our own worst enemies. There is already plenty of ageism and sexism out there—why do we add to the body hatred?

When you walk around a supermarket these days, it’s clear that the major trends are toward food that is organic, natural, and healthy. These trends aren’t an accident. They exist because we’ve taught people about the dangers of food that’s loaded up with dyes, weed killer, fake sugars, artificial flavors, and countless other additives that have no business being in our kitchen.

Experiencing chemical sensitivity to food additives, dyes, perfumes, and household products Having keen fine motor skills Experiencing a weaker immune system, often due to the stress of overstimulation Needing more sleep than other people Having greater reaction to or awareness of changes in the natural environment, such as a shift in barometric pressure or the onset of seasonal changes

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

Eleven finally allowed to dye his own eggs, and then only in one color: red. All over the house red eggs gleam in lengthening, solstice rays. Red eggs fill bowls on the dining room table. They hang from string pouches over doorways. They crowd the mantel and are baked into loaves of cruciform tsoureki. But now it is late afternoon; dinner is over. And my brother is smiling. Because now comes the one part of Greek Easter he prefers to egg hunts and jelly beans: the egg-cracking game. Everyone gathers around the dining table. Biting his lip, Chapter Eleven selects an egg from the bowl, studies it, returns it. He selects another. “This looks like a good one,” Milton says, choosing his own egg. “Built like a Brinks truck.” Milton holds his egg up. Chapter Eleven prepares to attack. When suddenly my mother taps my father on the back. “Just a minute, Tessie. We’re cracking eggs here.” She taps him harder. “What?” “My temperature.” She pauses. “It’s up six tenths.” She has been using the thermometer. This is the first my father has heard of it. “Now?” my father whispers. “Jesus, Tessie, are you sure?” “No, I’m not sure. You told me to watch for any rise in my temperature and I’m telling you I’m up six tenths of a degree.” And, lowering her voice, “Plus it’s been thirteen days since my last you know what.” “Come on, Dad,” Chapter Eleven pleads. “Time out,” Milton says. He puts his egg in the ashtray. “That’s my egg. Nobody touch it until I come back.” Upstairs, in the master bedroom, my parents accomplish the act. A child’s natural decorum makes me refrain from imagining the scene in much detail. Only this: when they’re done, as if topping off the tank, my father says, “That should do it.” It turns out he’s right. In May, Tessie learns she’s pregnant, and the waiting begins.

His thumb rubbed over her knee, and Priss wondered if he was aware of doing it, if he did it on purpose to turn her on, or if it was extension of the thoughts she saw flickering across his face. “Trace . . .” “It occurs to me that I didn’t see a single freckle on you. Not on your face.” He gave her a quick, level look. “And not on your body.” “Yeah, so?” “That’s kind of curious, don’t you think, given the color of your hair?” Priss lifted his hand and dropped it over next to him. “Okay, first off, hands to yourself. Got it?” He said nothing, but she saw the corner of his mouth tilt up in the slightest of smiles. “Secondly, did you happen to notice that my brows and lashes are a darker brown without a hint of red?” “Meaning?” “Meaning I’m not like other redheads who are . . .” Her face heated. “Red all over.” “Yeah?” He glanced at her lap meaningfully. “Do tell.” Priss punched him in the shoulder. “I don’t like what you’re thinking.” “You don’t know what I’m thinking.” And with another provoking grin, “Do you?” Like she’d say it out loud? No way. Priss crossed her arms. “If you were hinting that you think I dye my hair, I don’t. Everything on me is natural.” “We’ll see.” “No, we will not see a damn thing!” Under his breath, Trace said, “I damn near saw today. If I’d moved a foot closer for a better look—” “Stop it!” Priss felt heat throbbing in her face, and she hated it. “And that reminds me. I want you to delete that damned picture.” “Not a chance. Seeing you in that getup was a trophy moment for me.

People know us best for our entrepreneurial success as the founders of Three Dog Bakery; what they don’t know is that we owe it all to a gigantic deaf dog named Gracie. But even though Gracie sowed the seeds of our success, this isn’t a book about “making it.” This is the story of a dog who was born with the cards stacked against her, but whose passionate, joyful nature helped her turn what could have been a dog’s life into a victory of the canine spirit—and, in the process, save two guys who thought they were saving her.

No paint or dye can give so splendid a colour as gilding. The merit of their beauty is greatly enhanced by their scarcity. With the greater part of rich people, the chief enjoyment of riches consists in the parade of riches, which in their eye is never so complete as when they appear to possess those decisive marks of opulence which nobody can possess but themselves. In their eyes the merit of an object which is in any degree either useful or beautiful is greatly enhanced by its scarcity, or by the great labour which it requires to collect any considerable quantity of it, a labour which nobody can afford to pay but themselves. Book I, Chapter 11 - Rent of Land, part II

That’s one of the harsh realities I learned early on about the modeling industry: ultimately, your body doesn’t really belong to you. It belongs to the client. Since they’re paying, they figure they can do pretty much whatever they want to you. They can curl your hair, straighten it, dye it, cut it –even shave it. I’ve seen hair extensions being pulled out by the roots and smoke billowing out of flat irons while the hair inside gets singed and fried. I’ve watched models squeeze their feet into shoes so small their feet literally bled, and I’ve seen false eyelashes torn off so quickly that the natural lashes came off with them. Modeling may look glamorous on the outside, but believe me, beauty can be an ugly business.

Another common argument is about nutrition from non-veg food. People say that non-veg food has more nutritious and keeps people healthy and strong. But if we go into more details with science and statistics, everybody can understand a simple theory that nobody can grow more than the protein/nutrition it takes in its diet.   So if I consider this, then even a chicken, goat or a bull grows this big only by taking the same nutrition from nature; mostly from grass, beans, leaves pulses and grain. With the demand of non-veg if human can grow this much of food for feeding these animals, it can directly grow the same amount of food for himself. And deficiencies are the reason of imbalance diet, which are found in both vegetarians as well as non-vegetarians, and a balance diet can keep anyone healthy without non-veg too.   One last thing you must have seen around is, human started dyeing of diseases like Bird Flu. Will you still say you keep balance in nature by eating non-veg? And if your answer is yes, then I must say: YOU ARE FUNNY!!!

(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.

That is why the real problem of the Christian life comes where people do not usually look for it. It comes the very moment you wake up each morning. All your wishes and hopes for the day rush at you like wild animals. And the first job each morning consists simply in shoving them all back; in listening to that other voice, taking that other point of view, letting that other larger, stronger, quieter life come flowing in. And so on, all day. Standing back from all your natural fussings and frettings; coming in out of the wind. We can only do it for moments at first. But from those moments the new sort of life will be spreading through our system: because now we are letting Him work at the right part of us. It is the difference between paint, which is merely laid on the surface, and a dye or stain which soaks right through. He never talked vague, idealistic gas. When He said, ‘Be perfect,’ He meant it. He meant that we must go in for the full treatment. It is hard; but the sort of compromise we are all hankering after is harder—in fact, it is impossible. It may be hard for an egg to turn into a bird: it would be a jolly sight harder for it to learn to fly while remaining an egg. We are like eggs at present. And you cannot go on indefinitely being just an ordinary, decent egg. We must be hatched or go bad.

Whoooa! Red! Green! Yellow! Brown! Purple! Even black! Look at all those bowls full of brilliantly colored batter!" She used strawberries, blueberries, matcha powder, cocoa powder, black sesame and other natural ingredients to dye those batters. They look like a glittering array of paints on an artist's palette! "Now that all my yummy edible paints are ready... ...it's picture-drawing time!" "She twisted a sheet of parchment paper into a piping bag and is using it to draw all kinds of cute pictures!" "You're kidding me! Look at them all! How did she get that fast?!" Not only that, most chefs do rough sketches first, but she's doing it off the cuff! How much artistic talent and practice does she have?! "All these cutie-pies go into the oven for about three minutes. After that I'll take them out and pour the brown sugar batter on top..." "It appears she's making a roll cake if she's pouring batter into that flat a pan." "Aah, I see. It must be one of those patterned roll cakes you often see at Japanese bakeries. That seems like an unusually plain choice, considering the fanciful tarts she made earlier." "The decorations just have to be super-cute, too." "OOOH! She's candy sculpting!" "So pretty and shiny!" That technique she's using- that's Sucre Tiré (Pulled Sugar)! Of all the candy-sculpting arts, Sucre Tiré gives the candy a glossy, nearly glass-like luster... but keeping the candy at just the right temperature so that it remains malleable while stretching it to a uniform thickness is incredibly difficult! Every step is both delicate and exceptionally difficult, yet she makes each one look easy! She flows from one cutest technique to the next, giving each an adorable flair! Just like she insisted her apple tarts had to be served in a pretty and fantastical manner... ... she's even including cutesy performances in the preparation of this dish!

What we have here is a war—the war of matter and spirit. In the classical era, spirit was in harmony with matter. Matter used to condense spirit. What was unseen—the ghost of Hamlet’s father—was seen—in the conscience of the king. The spirit was trapped in the matter of theater. The theater made the unseen, seen. In the Romantic era, spirit overwhelms matter. The glass of champagne can’t contain the bubbles. But never in the history of humanity has spirit been at war with matter. And that is what we have today. The war of banks and religion. It’s what I wrote in Prayers of the Dawn, that in New York City, banks tower over cathedrals. Banks are the temples of America. This is a holy war. Our economy is our religion. When I came back to midtown a week after the attack—I mourned—but not in a personal way—it was a cosmic mourning—something that I could not specify because I didn’t know any of the dead. I felt grief without knowing its origin. Maybe it was the grief of being an immigrant and of not having roots. Not being able to participate in the whole affair as a family member but as a foreigner, as a stranger—estranged in myself and confused—I saw the windows of Bergdorf and Saks—what a theater of the unexpected—my mother would have cried—there were only black curtains, black drapes—showing the mourning of the stores—no mannequins, just veils—black veils. When the mannequins appeared again weeks later—none of them had blond hair. I don’t know if it was because of the mourning rituals or whether the mannequins were afraid to be blond—targets of terrorists. Even they didn’t want to look American. They were out of fashion after the Twin Towers fell. To the point, that even though I had just dyed my hair blond because I was writing Hamlet and Hamlet is blond, I went back to my coiffeur immediately and told him—dye my hair black. It was a matter of life and death, why look like an American. When naturally I look like an Arab and walk like an Egyptian.

OCCUPATIONAL SAFETY I don’t know of people who do everything from going to school, learning different skills and basically develop themselves so that they stay at home. It’s ingrained in every kid that they should study hard and excel so that they can get good jobs and live well. With that said, working is what makes us build nations and fulfill some our dreams so it’s important to ensure that the work environment is kept safe and comfortable for workers so that they can remain productive for the longest time. However as long as we are living there will SWMS always be greedy employers who will take short cuts or fail to protect their employees and this is where OSHA(occupational safety and health administration)comes in to rectify these issues. Occupational safety is ensuring that employees work in danger free environment. There are many industries of different nature and hence the possible hazards vary. For example in the textile and clothing industry, employees deal with dyes, chemicals and machines that spin , knit and weave to ensure production. In some countries there have been cases of sweatshops where people make clothes in poorly ventilated places for long hours. The tools of trade in all industries are still the ones that cause hazards e.g. machines can cut people, chemicals emit poisonous fumes or burn the skin and clothes etc. Its therefore the mandate of employers to ensure work places are safe for workers and incase the industry uses chemicals or equipments that may harm the workers in any way, they should provide protective gear. Employers can also seek the services of occupational safety specialists who can inspect their companies to ensure they adhere to the set health and safety standards. These specialists can also help formulate programs that will prevent hazards and injuries. Workers should report employers to OSHA if they fail to comply. As a worker you now know it’s partly your duty to hold your employer accountable so do not agree to work in a hazardous environment.

O happy age, which our first parents called the age of gold! Not because of gold, so much adored in this iron age, was then easily purchased, but because those two fatal words mine and thine, were distinctions unknown to the people of those fortunate times; for all things were in common in that holy age: men, for their sustenance, needed only lift their hands and take it from the sturdy oak, whose spreading arms liberally invited them to gather the wholesome savoury fruit; while the clear springs, and silver rivulets, with luxuriant plenty, ordered them their pure refreshing water. In hollow trees, and in the clefts of rocks, the laboring and industrious bees erected their little commonwealths, that men might reap with pleasure and with ease the the sweet and fertile harvest of their toils. The tough and strenuous cork-trees did of themselves, and without other art than their native liberality, dismiss and impart their broad light bark, which served to cover these lowly huts, propped up with rough-hewn stakes, that were first built as a shelter against the inclemencies of air. All then was union, all peace, all love and friendship in the world; as yet no rude plough-share with violence to pry into the pious bowels of our mother earth, for she, without compulsion, kindly yielded from every part of her fruitful and spacious bosom, whatever might at once satisfy, sustain, and indulge her frugal children. Then was the when innocent, beautiful young sheperdesses went tripping over the hills and vales; their lovely hairs sometimes plaited, sometimes loose and flowing, clad in no other vestment but what was necessary to cover decently what modesty would always have concealed. The Tyrian dye and the rich glossy hue of silk, martyred and dissembled into every color, which are now esteemed so fine and magnificent, were unknown to the innocent plainness of that age; arrayed in the most magnificent garbs, and all the most sumptous adornings which idleness and luxury have taught succeeding pride: lovers then expressed the passion of their souls in the unaffected language of the heart, with the native plainness and sincerity in which they were conceived, and divested of all that artificial contexture, which enervates what it labours to enforce: imposture, deceit and malice had not yet crept in and imposed themselves unbribed upon mankind in the disguise of truth and simplicity: justice, unbiased either by favour or interest, which now so fatally pervert it, was equally and impartially dispensed; nor was the judge's fancy law, for then there were neither judges nor causes to be judged: the modest maid might walk wherever she pleased alone, free from the attacks of lewd, lascivious importuners. But, in this degenerate age, fraud and a legion of ills infecting the world, no virtue can be safe, no honour be secure; while wanton desires, diffused into the hearts of men, corrupt the strictest watches, and the closest retreats; which, though as intricate and unknown as the labyrinth of Crete, are no security for chastity. Thus that primitive innocence being vanished, the opression daily prevailing, there was a necessity to oppose the torrent of violence: for which reason the order of knight-hood-errant was instituted to defend the honour of virgins, protect widows, relieve orphans, and assist all the distressed in general. Now I myself am one of this order, honest friends; and though all people are obliged by the law of nature to be kind to persons of my order; yet, since you, without knowing anything of this obligation, have so generously entertained me, I ought to pay you my utmost acknowledgment; and, accordingly, return you my most hearty thanks for the same.

The cultural significance of blue, on the other hand, is very limited. As noted earlier, blue is extremely rare as a color of materials in nature, and blue dyes are exceedingly difficult to produce. People in simple cultures might spend a lifetime without seeing objects that are truly blue. Of course, blue is the color of the sky (and, for some of us, the sea). But in the absence of blue materials with any practical significance, the need to find a special name for this great stretch of nothingness is particularly non-pressing.

My mother made me wear a dark wig when I was two. She started dyeing my hair dark when I was about five because she didn't like my blonde hair. Everyone thinks my hair is naturally dark brown or black but it;s not. My natural hair color is actually golden blonde. Got my blonde hair from my grandmother. My sons got my natural blonde hair.

My mother made me wear a dark wig when I was two. She started dyeing my hair dark when I was about five because she didn't like my blonde hair. Everyone thinks my hair is naturally dark brown or black but it's not. My natural hair color is actually golden blonde. Got my blonde hair from my grandmother. My sons got my natural blonde hair.

But the innovation that would most transform the subcontinent—and its economic relationship to the rest of the world—did not involve separating the seeds from their fibers; every society that domesticated cotton for textile use ultimately developed some kind of mechanical gin. What made Indian cotton unique was not the threads themselves, but rather their color. Making cotton fiber receptive to vibrant dyes like madder, henna, or turmeric was less a matter of inventing mechanical contraptions as it was dreaming up chemistry experiments. The waxy cellulose of the cotton fiber naturally repels vegetable dyes. (Only the deep blue of indigo—which itself takes its name from the Indus Valley where it was first employed as a dye—affixes itself to cotton without additional catalysts.) The process of transforming cotton into a fabric that can be dyed with shades other than indigo is known as “animalizing” the fiber, presumably because so much of it involves excretions from ordinary farm animals. First, dyers would bleach the fiber with sour milk; then they attacked it with a range of protein-heavy substances: goat urine, camel dung, blood. Metallic salts were then combined with the dyes to create a mordant that permeated the core of the fiber. The result was a fabric that could both display brilliant patterns of color and retain that color after multiple washings.

Then trembling yet through feare, the Squire bespake, That Geauntesse Argante is behight, A daughter of the Titans which did make Warre against heauen, and heaped hils on hight, To scale the skyes, and put Ioue from his right: Her sire Typhœus was, who mad through merth, And drunke with bloud of men, slaine by his might, Through incest, her of his owne mother Earth Whilome begot, being but halfe twin of that berth. For at that berth another Babe she bore, To weet the mighty Ollyphant, that wrought Great wreake to many errant knights of yore, And many hath to foule confusion brought. These twinnes, men say, (a thing far passing thought) Whiles in their mothers wombe enclosd they were, Ere they into the lightsome world were brought, In fleshly lust were mingled both yfere, And in that monstrous wise did to the world appere. So liu’d they euer after in like sin, Gainst natures law, and good behauioure: But greatest shame was to that maiden twin, Who not content so fowly to deuoure Her natiue flesh, and staine her brothers bowre, Did wallow in all other fleshly myre, And suffred beasts her body to deflowre: So whot she burned in that lustfull fyre, Yet all that might not slake her sensuall desyre. But ouer all the countrey she did raunge, To seeke young men, to quench her flaming thurst, And feed her fancy with delightfull chaunge: Whom so she fittest finds to serue her lust, Through her maine strength, in which she most doth trust, She with her brings into a secret Ile, Where in eternall bondage dye he must, Or be the vassall of her pleasures vile, And in all shamefull sort him selfe with her defile.

The jersey is constructed of raw yarn, using a PUMA process called ‘Bye Dye’, which reduces water consumption. The main colour of the jersey is the natural colour of yarn and on its front, the phrase ‘Por um futuro mais verde’ (For a greener future) appears in a sublimated print.

I started dyeing my hair brown when I was in 7th grade. My natural hair color is actually blonde.

the evil genius at play here is simply the flawed reality of human nature. And perhaps it’s the humans who have remembered incorrectly, because that’s a human trait. You and your friend remember clearly that it snowed at Wilderness Camp and you all had a snowball fight—but another friend contradicts you, saying there was only a dusting of snow, not enough for making snowballs, and now your memory is less certain. Or you vividly remember your friend dyeing her hair pink just before graduation, but she tells you years later that it was after graduation and even shows you a picture to prove it. Yes, human memory is also a simulation.

The first thing I did was dye my hair back to a Barbie platinum. (I’m a natural blonde, if you don’t count hair color.)

When lovely woman tilt's her saucer, And finds too that that tea will stain, Whatever made a Lady crosser, What art can wash all white again; The only art the stain to cover, To hide the spot from every eye; And wear an unsoiled dress above her The proper colour is to DYE. (From Swartz, 1841)

I felt so powerful that I wanted to go to Costco and wheel out a freezer on a dolly while waving around an old Safeway receipt, just because I knew I could. It’s easy. I’m supposed to be so harmless and weak and afraid that no one pays attention. But those weeks of dye stripping and returning to my natural state created a phenomenon in which the world had literally become mine for the taking.

The beauty was just mind-boggling for this English girl...It was like being in your own national park, but without the signs telling you what you're supposed to think.

Rhett wants me to hide my ink. He wants me to dye my hair back to its natural blonde and give up the leather and studs. Not Crew. He wants me raw and messed up. He wants me as is, and he doesn’t care who sees it.

I can see what Justin sees in her. She’s the opposite of me. Ria is beautiful in a natural way. Her make-up is understated, her sorrel brown hair untouched by dye. She’s the antithesis of my tattooed eyebrows, eyeliner, lip-liner and artfully streaked blonde. She’s also way too nice, so is it any wonder my husband is drawn to her when I’ve done my best to push him away for the last twelve months or so?

But the sheer relief I'd felt when my hairdresser stripped the pink dye from my hair and returned me to my natural blonde? It was staggering. Maybe because all those creepy barbie dolls had had pink hair. Or maybe because his captive slaves had been forced to dye their hair to match mine. Or maybe I just needed to feel like a truer version of me.

Dyes, fragrances, foaming agents, heavy metals as stabilizers and texturizers, tanners, inks, alcohols, and hundreds of other potential poisons are frequently included in cosmetic formulas. Nail products, hair products, deodorants—all the ordinary products in your bathroom cabinet and makeup kit as well as the ones in your neighborhood beauty salon and nail spa have chemical

Where’s Marks? You didn’t mention her.” “She is well, but . . .” Win paused, obviously searching for words. “She had a small mishap today, and she’s rather upset. Of course, any woman would be, considering the nature of the problem. Therefore, Leo, I insist that you not tease her. And if you do, Merripen has already said that he will give you such a drubbing—” “Oh, please. As if I’d care enough to notice some problem of Marks’s.” He paused. “What is it?” Win frowned. “I wouldn’t tell you, except that the problem is obvious and you’ll notice immediately. You see, Miss Marks dyes her hair, which I never knew before, but apparently—” “Dyes her hair?” Poppy repeated in surprise. “But why? She’s not old.” “I have no idea. She won’t explain why. But there are some unfortunate women who start to gray in their twenties, and perhaps she’s one of them.” “Poor thing,” Poppy said. “It must embarrass her. She’s certainly taken great pains to keep it secret.” “Yes, poor thing,” Leo said, sounding not at all sympathetic. In fact, his eyes fairly danced with glee. “Tell us what happened, Win.” “We think the London apothecary who mixed her usual solution must have gotten the proportions wrong. Because when she applied the dye this morning, the result was . . . well, distressing.” “Did it fall out?” Leo asked. “Is she bald?” “No, not at all. It’s just that her hair is . . . green.” To look at Leo’s face, one would think it was Christmas morning. “What shade of green?” “Leo, hush,” Win said urgently. “You are not to torment her. It’s been a very trying experience. We mixed a peroxide paste to take the green out, and I don’t know if it worked or not. Amelia was helping her to wash it a little while ago. And no matter what the result is, you are to say nothing.” “You’re telling me that tonight, Marks will be sitting at the supper table with hair that matches the asparagus, and I’m not supposed to remark on it?” He snorted. “I’m not that strong.” “Please, Leo,” Poppy murmured, touching his arm. “If it were one of your sisters, you wouldn’t mock.” “Do you think that little shrew would have any mercy on me, were the situations reversed?” He rolled his eyes as he saw their expressions. “Very well, I’ll try not to jeer. But I make no promises.” Leo sauntered toward the house in no apparent hurry. He didn’t deceive either of his sisters. “How long do you think it will take him to find her?” Poppy asked Win. “Two, perhaps three minutes,” Win replied, and they both sighed.

basket of eggs that Eliane had coloured with natural dyes gleaned from her larder of winter crops: yellow from onion skins, deep pink from beetroot and azure-blue from the leaves of a red cabbage.

The Global Organic Textile Standard (GOTS) is the world’s leading standard for fabric, guaranteeing that a product with their stamp of approval contains at least 70 per cent organic natural fibres, features no heavy metals, toxic dyes, pesticides or PVC, and has been made to a stringent list of human rights criteria.

It was, as I have said, a fine autumnal day, the sky was clear and serene, and Nature wore that rich and golden livery which we always associate with the idea of abundance. The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet. Streaming files of wild-ducks began to make their appearance high in the air; the bark of the squirrel might be heard from the groves of beech and hickory nuts, and the pensive whistle of the quail at intervals from the neighboring stubble-field.

Weeds made the first vegetables, the first home medicines, the first dyes.

When I was a little older, about twelve, I went to work at a nearby house. It was owned by old Mrs. Cromby and oh, I was so homesick! I cried myself to sleep for a fortnight it seemed, until it was my day off and I could go home to see Mam." He frowned at this, not liking to think of his infant housekeeper in tears. "Why did they send you then if you were so upset?" She gave him a look. "Because I needed to learn a trade, naturally. And it was a good position. Mrs. Cromby was very strict but I learned so much from her and her housekeeper, Mrs. Little. How to keep records and how to make wood polish and brass polish and silver polish. When to turn linen and how to store cheese. What cuts of beef are the cheapest and how to bargain down the butcher. How to judge when a fish is fresh and when to buy shellfish and when not to. How to keep moths from woolen and mice from the pantry. How to get wine stains out of white linen and how to dye faded cloth black again. All that and so much more." She drew breath and he looked at her, deeply appalled. "That all sounds frightfully boring." "And yet without that knowledge you'd live in dirty, messy, vermin-infested chaos," she said sweetly. "Mm.

Sometimes I find human nature to be real disappointing,” Lula said. “I guess that’s why God made metallic extensions and pink hair dye. Sometimes you gotta compensate.

If you try going silver and don’t like it, you are just one box of hair color or one salon appointment away from dyeing it back again.

Marks was so self-contained and tenacious that it was often easy to forget she was still a young woman in her early twenties. When Leo had first met her, she had been the perfect embodiment of a dried-up spinster, with her spectacles and forbidding scowl and her stern hyphen of a mouth. Her spine was unbending as a fireplace poker, and her hair, the dull brown of apple moths, was always pinned back too tightly. The Grim Reaper, Leo had nicknamed her, despite the objections of the family. But the past year had wrought a remarkable change in Marks. She had filled out, her body slender but no longer matchstick thin, and her cheeks had gained color. A week and a half ago, when Leo had arrived from London, he had been absolutely astonished to see Marks with light golden locks. Apparently she had been dyeing her hair for years, but after an error on the part of the apothecary, she had been forced to abandon the disguise. And whereas the darker brown locks had been too severe for her delicate features and pale skin, her own natural blond was stunning. Which had left Leo to grapple with the fact that Catherine Marks, his mortal enemy, was a beauty. It wasn't really the altered hair color that made her look so different... it was more that Marks was so uncomfortable without it. She felt vulnerable, and it showed. As a result, Leo wanted to strip away more layers, literal and physical. He wanted to know her.