National Geographic Channel Quotes

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In Mongolia, when a dog dies, he is buried high in the hills so people cannot walk on his grave. The dog’s master whispers in the dog’s ear his wishes that the dog will return as a man in his next life. Then his tail is cut off and put beneath his head, and a piece of meat of fat is cut off and placed in his mouth to sustain his soul for its journey; before he is reincarnated, the dog’s soul is freed to travel the land, to run across the high desert plains for as long as it would like. I learned that from a program on the National Geographic Channel, so I believe it is true. Not all dogs return as men, they say; only those who are ready. I am ready.
Garth Stein (The Art of Racing in the Rain)
In Mongolia, when a dog dies, he is buried high in the hills so people cannot walk on his grave. The dog’s master whispers into the dog’s ear his wishes that the dog will return as a man in his next life. Then his tail is cut off and put beneath his head, and a piece of meat or fat is placed in his mouth to sustain his soul on its journey; before he is reincarnated, the dog’s soul is freed to travel the land, to run across the high desert plains for as long as it would like. I learned that from a program on the National Geographic Channel, so I believe it is true. Not all dogs return as men, they say; only those who are ready. I am ready.
Garth Stein (The Art of Racing in the Rain)
And she could be depressed if she wanted to be, she could sit and watch Dogs with Jobs on the National Geographic Channel and eat her way through a packet of chocolate bourbon biscuits if she felt like it because nobody cared about her. In fact, she could sit there all day, from Barney and Friends to Porn Babes Laid Bare, with hours of the Landscape Channel in between, and eat the contents of an entire biscuit factory until she was an obese, earthbound balloon whose dead and bloated body would have to be hydraulically lifted from the house by a fire crew because nobody cared.
Kate Atkinson (Case Histories (Jackson Brodie #1))
We’ll be busy tonight.” He isn’t wrong. Practically every woman in town makes a showing at Tucker’s after a Jake sighting. I feel like I am watching the National Geographic Channel on mating rituals in the wild. I can hear the narrator in my head. The female approaches, the sway of her hips a sign of her willingness to reproduce. Obviously in heat, her open blouse exposes her unnaturally large . . . “Hey,
L.A. Fiore (Waiting for the One (Harrington, Maine Book 1))
Porque, no me canso de repetir, la comunidad afrodescendiente es heterogénea y diversa. Como todas las comunidades. Pero cuando se trata de «El Otro» o de «La Otra», de quien es diferente sin más, se tiende a crear una masa uniforme que lo estandariza todo. Y, repito, no. Porque habrá mujeres negras en España que habrán porteado, y habrá mujeres negras en España que no (es que, de tan obvio, hasta me parece absurdo decirlo), y se trata de elecciones personales; no de que tú hayas visto a mujeres africanas porteando a sus bebés en la espalda en Discovery Channel o en National Geographic.
Desirée Bela-Lobedde (Ser mujer negra en España)
With regard to other animals, humans have long since become gods. We don’t like to reflect on this too deeply, because we have not been particularly just or merciful gods. If you watch the National Geographic channel, go to a Disney film or read a book of fairy tales, you might easily get the impression that planet Earth is populated mainly by lions, wolves and tigers who are an equal match for us humans. Simba the lion king holds sway over the forest animals; Little Red Riding Hood tries to evade the Big Bad Wolf; and little Mowgli bravely confronts Shere Khan the tiger. But in reality, they are no longer there. Our televisions, books, fantasies and nightmares are still full of them, but the Simbas, Shere Khans and Big Bad Wolves of our planet are disappearing. The world is populated mainly by humans and their domesticated animals. How many wolves live today in Germany, the land of the Grimm brothers, Little Red Riding Hood and the Big Bad Wolf? Less than a hundred. (And even these are mostly Polish wolves that stole over the border in recent years.) In contrast, Germany is home to 5 million domesticated dogs. Altogether about 200,000 wild wolves still roam the earth, but there are more than 400 million domesticated dogs.1 The world contains 40,000 lions compared to 600 million house cats; 900,000 African buffalo versus 1.5 billion domesticated cows; 50 million penguins and 20 billion chickens.2 Since 1970, despite growing ecological awareness, wildlife populations have halved (not that they were prospering in 1970).3 In 1980 there were 2 billion wild birds in Europe. In 2009 only 1.6 billion were left. In the same year, Europeans raised 1.9 billion chickens for meat and eggs.4 At present, more than 90 per cent of the large animals of the world (i.e., those weighing more than a few pounds) are either humans or domesticated animals.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
For it was not only dislike of one’s fellow-citizens that was intensified into a strong sense of community; even mistrust of oneself and of one’s own destiny here assumed the character of profound self-certainty. In this country one acted—sometimes indeed to the extreme limits of passion and its consequences—differently from the way one thought, or one thought differently from the way one acted. Uninformed observers have mistaken this for charm, or even for a weakness in what they thought was the Austrian character. But that was wrong. It is always wrong to explain the phenomena of a country simply by the character of its inhabitants. For the inhabitant of a country has at least nine characters: a professional one, a national one, a civic one, a class one, a geographical one, a sex one, a conscious, an unconscious and perhaps even too a private one; he combines them all in himself, but they dissolve him, and he is really nothing but a little channel washed out by all these trickling streams, which flow into it and drain out of it again in order to join other little streams filling another channel. Hence every dweller on earth also has a tenth character, which is nothing more or less than the passive illusion of spaces unfilled; it permits a man everything, with one exception: he may not take seriously what his at least nine other characters do and what happens to them, in other words, the very thing that ought to be the filling of him. This interior space—which is, it must be admitted, difficult to describe—is of a different shade and shape in Italy from what it is in England, because everything that stands out in relief against it is of a different shade and shape; and yet both here and there it is the same, merely an empty, invisible space with reality standing in the middle of it like a little toy brick town, abandoned by the imagination. In so far as this can at all become apparent to every eye, it had done so in Kakania, and in this Kakania was, without the world’s knowing it, the most progressive State of all; it was the State that was by now only just, as it were, acquiescing in its own existence. In it one was negatively free, constantly aware of the inadequate grounds for one’s own existence and lapped by the great fantasy of all that had not happened, or at least had not yet irrevocably happened, as by the foam of the oceans from which mankind arose. Es ist passiert, ‘it just sort of happened’, people said there when other people in other places thought heaven knows what had occurred. It was a peculiar phrase, not known in this sense to the Germans and with no equivalent in other languages, the very breath of it transforming facts and the bludgeonings of fate into something light as eiderdown, as thought itself. Yes, in spite of much that seems to point the other way, Kakania was perhaps a home for genius after all; and that, probably, was the ruin of it.
Robert Musil (Man Without Qualities)
Flipped through memories like old copies of National Geographic, pages in a yellowing high-school year book, cable-television channels looking for a baseball game.
Dennis Vickers (Between the Shadow and the Soul)
En Mongolia, cuando un perro muere, lo sepultan en lo alto de una colina para que nadie camine sobre su tumba. El amo del perro le susurra al oído su deseo de que regrese como humano en su próxima vida. Luego, le cortan el rabo y se lo ponen bajo la cabeza. Le meten un trozo de carne o de grasa en la boca para que su alma se alimente durante el viaje. Antes de reencarnarse, el alma del perro puede errar por los altiplanos desiertos tanto tiempo como quiera. Aprendí eso de un documental del National Geographic Channel, así que creo que es cierto. Dicen que no todos los perros regresan como hombres; sólo los que están listos. Yo estoy listo.
Garth Stein (El arte de conducir bajo la lluvia (Spanish Edition))
Practically every woman in town makes a showing at Tucker's after a Jake sighting. I feel like I am watching the National Geographic Channel on mating rituals in the wild.
L.A. Fiore (Waiting for the One (Harrington, Maine, #1))
If you are as ardent a fan of the National Geographic channel as I am, some of or all the following scenes should be familiar to you. A male lion roaring to assert his dominance over a pride; female baboons with their bright sexual swelling indicating their readiness to mate; bees performing their waggle dance to show the direction and distance of flowers; a female elephant caressing her calf to soothe him; a deep-sea squid emitting light to attract prey; and a meerkat squealing to warn her family of a predatory eagle. All these are examples of signals, and no textbook on evolutionary theory is complete without a lengthy discussion on them.1 Signals emitted by a “sender” have explicitly evolved to alter the behavior of the “receiver” and are used to communicate with and influence the behavior of prey, predators, mates, competitors, friends, and family.
Pulak Prasad (What I Learned About Investing from Darwin)
I had learned about tigers from a National Geographic documentary that had triggered this whole bait idea, from a channel dedicated to MoFos’ reverence of the natural world.
Kira Jane Buxton (Hollow Kingdom (Hollow Kingdom #1))