Natalie Wynn Quotes

I was one of the first in the country, perhaps the first in Chicago, to have my character, my commitment, and my very self attacked in such a way by Movement women that it left me torn in little pieces and unable to function. It took me years to recover, and even today the wounds have not entirely healed. This attack is accomplished by making you feel that your very existence is inimical to the Movement and that nothing can change this short of ceasing to exist. These feelings are reinforced when you are isolated from your friends as they become convinced that their association with you is similarly inimical to the Movement and to themselves. Any support of you will taint them. Eventually all your colleagues join in a chorus of condemnation which cannot be silenced, and you are reduced to a mere parody of your previous self. I had survived my youth because I had never given anyone or any group the right to judge me. That right I had reserved to myself. But the Movement seduced me by its sweet promise of sisterhood. It claimed to provide a haven from the ravages of a sexist society; a place where one would be understood. It was my very need for feminism and feminists that made me vulnerable. I gave the movement the right to judge me because I trusted it. And when it judged me worthless, I accepted that judgment.

This is an aesthetic century. In history, there are ages of reason and ages of spectacle, and it’s important to know which you’re in. Our America, our internet, is not ancient Athens - it’s Rome. And your problem is you think you’re in the forum, when you’re really in the circus.

An actress, Eva confided to Natalie, is someone who still believes in the ancient rites. There may be electric lights and rigging, there may be satin and cinematography, but an actress herself is always at Delphi. She stands on the splintered floorboards as if amid the great stone circles of seats, the temple of Apollo rising at her back. An actress is like a sibyl, she sees after and towards at the same time.