Nasty Woman Quotes

We've searched our database for all the quotes and captions related to Nasty Woman. Here they are! All 100 of them:

I hated men because they didn’t stay around and love me like a father: I could prick holes in them & show they were no father-material. I made them propose and then showed them they hadn’t a chance. I hated men because they didn’t have to suffer like a woman did. They could die or go to Spain. They could have fun while a woman had birth pangs. They could gamble while a woman skimped on the butter on the bread. Men, nasty lousy men.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Almost everyone first realized they were becoming a grown woman when some dude did something nasty to them. ...It was mostly men yelling shit from cars. Are they a patrol sent out to let girls know they've crossed into puberty? If so, it's working.
Tina Fey (Bossypants)
Disrespect also can take the form of idealizing you and putting you on a pedestal as a perfect woman or goddess, perhaps treating you like a piece of fine china. The man who worships you in this way is not seeing you; he is seeing his fantasy, and when you fail to live up to that image he may turn nasty. So there may not be much difference between the man who talks down to you and the one who elevates you; both are displaying a failure to respect you as a real human being and bode ill.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
my twenties are the warm-up for what i’m really about to do wait till you see me in my thirties now that will be a proper introduction to the nasty. wild. woman in me.
Rupi Kaur (The Sun and Her Flowers)
Yeah, well, to hear you talk, most men should come with warning labels. (She lifted her hands up to frame her next statement.) Attention, please, Psycho Alert. Me, he-man, am prone to nasty mood swings, lengthy pouts, and possess the ability to tell a woman the truth about her weight without warning. (Selena)
Sherrilyn Kenyon (Fantasy Lover (Hunter Legends, #1))
Some nasty bitch of a woman from the coven of moral and ethical standards tried to fry Rache" the pixy said apparently proud of it. "I pixed the Tink-blasted dildo, and Rache's black-arts boyfriend blew her right out the front door. "Bam!
Kim Harrison (A Perfect Blood (The Hollows, #10))
I want a dyke for president. I want a person with AIDS for president and I want a fag for vice president and I want someone with no health insurance and I want someone who grew up in a place where the earth is so saturated with toxic waste that they didn’t have a choice about getting leukemia. I want a president that had an abortion at sixteen and I want a candidate who isn’t the lesser of two evils and I want a president who lost their last lover to AIDS, who still sees that in their eyes every time they lay down to rest, who held their lover in their arms and knew they were dying. I want a president with no air-conditioning, a president who has stood in line at the clinic, at the DMV, at the welfare office, and has been unemployed and laid off and sexually harassed and gaybashed and deported. I want someone who has spent the night in the tombs and had a cross burned on their lawn and survived rape. I want someone who has been in love and been hurt, who respects sex, who has made mistakes and learned from them. I want a Black woman for president. I want someone with bad teeth and an attitude, someone who has eaten that nasty hospital food, someone who crossdresses and has done drugs and been in therapy. I want someone who has committed civil disobedience. And I want to know why this isn’t possible. I want to know why we started learning somewhere down the line that a president is always a clown. Always a john and never a hooker. Always a boss and never a worker. Always a liar, always a thief, and never caught.
Zoe Leonard
Ludicrous? Seems like wherever you go, trouble follows you.” “Look, Deputy Lawson. I had nothing to do with all this. I was just have a beer and minding my own business until this woman sat down next to me and said, ‘Can you help me, Mr. Ludef…’ She didn’t even finish the sentence. The next thing I know she’s laying on the deck. I don’t know who she is or why she sought me out.” “Seems like I’ve heard this story before. You have a nasty reputation of people dying around you.” “You know better. That comes with the occupation.” “And you know the drill. Don’t leave town until we get to the bottom of this.
Behcet Kaya (Treacherous Estate (Jack Ludefance, #1))
When did you first feel like a grown woman and not a girl?” We wrote down our answers and shared them, first in pairs, then in larger groups. The group of women was racially and economically diverse, but the answers had a very similar theme. Almost everyone first realized they were becoming a grown woman when some dude did something nasty to them. “I was walking home from ballet and a guy in a car yelled, ‘Lick me!’” “I was babysitting my younger cousins when a guy drove by and yelled, ‘Nice ass.’” There were pretty much zero examples like “I first knew I was a woman when my mother and father took me out to dinner to celebrate my success on the debate team.” It was mostly men yelling shit from cars. Are they a patrol sent out to let girls know they’ve crossed into puberty? If so, it’s working.
Tina Fey
By writing her self, woman will return to the body which has been more than confiscated from her, which has been turned into the uncanny stranger on display - the ailing or dead figure, which so often turns out to be the nasty companion, the cause and location of inhibitions. Censor the body and you censor breath and speech at the same time. Write your self. Your body must be heard. Only then will the immense resources of the unconscious spring forth.
Hélène Cixous (The Laugh of the Medusa)
Sometimes you dream strange dreams, impossible and unnatural; you wake up and remember them clearly, and are surprised at a strange fact: you remember first of all that reason did not abandon you during the whole course of your dream; you even remember that you acted extremely cleverly and logically for that whole long, long time when you were surrounded by murderers, when they were being clever with you, concealed their intentions, treated you in a friendly way, though they already had their weapons ready and were only waiting for some sort of sign; you remember how cleverly you finally deceived them, hid from them; then you realize that they know your whole deception by heart and merely do not show you that they know where you are hiding; but you are clever and deceive them again—all that you remember clearly. But why at the same time could your reason be reconciled with such obvious absurdities and impossibilities, with which, among other things, your dream was filled? Before your eyes, one of your murderers turned into a woman, and from a woman into a clever, nasty little dwarf—and all that you allowed at once, as an accomplished fact, almost without the least perplexity, and precisely at the moment when, on the other hand, your reason was strained to the utmost, displaying extraordinary force, cleverness, keenness, logic? Why, also, on awakening from your dream and entering fully into reality, do you feel almost every time, and occasionally with an extraordinary force of impressions, that along with the dream you are leaving behind something you have failed to fathom? You smile at the absurdity of your dream and feel at the same time that the tissue of those absurdities contains some thought, but a thought that is real, something that belongs to your true life, something that exists and has always existed in your heart; it is as if your dream has told you something new, prophetic, awaited; your impression is strong, it is joyful or tormenting, but what it is and what has been told you—all that you can neither comprehend nor recall.
Fyodor Dostoevsky (The Idiot)
And for always getting what she wants in the long run, commend me to a nasty woman.
Edith Wharton (The House of Mirth)
Now he felt temper snapping at the nerves. “If you can’t be comfortable in the house while I’m not here, you can barricade yourself in this apartment. You can damn well barricade yourself in it while I am here. It’s up to you.” “Yes, it is.” She took a deep breath and turned to him. “You did this for me.” Annoyed, he inclined his head. “There doesn’t seem to be much I wouldn’t do for you.” “I think that’s starting to sink in.” No one had ever given her anything quite so perfect. No one, she realized, understood her quite so well. “That makes me a lucky woman, doesn’t it?” He opened his mouth, bit back something particularly nasty. “The hell with it,” he decided. “I have to go.” “Roarke, one thing.” She walked to him, well aware he was all but snarling with temper. “I haven’t kissed you good-bye,” she murmured and did so with a thoroughness that rocked him back on his heels. “Thank you.” Before he could speak, she kissed him again. “For always knowing what matters to me.” “You’re welcome.” Possessively, he ran a hand over her tousled hair. “Miss me.” “I already am.” “Don’t take any unnecessary chances.” His hands gripped in her hair hard, briefly. “There’s no use asking you not to take the necessary ones.” “Then don’t.” Her heart stuttered when he kissed her hand. “Safe trip,” she told him when he stepped into the elevator. She was new at it, so waited until the doors were almost shut. “I love you.” The last thing she saw was the flash of his grin.
J.D. Robb (Glory in Death (In Death, #2))
Did you hear that?" a woman asked. I crouched behind the growth. No. No, you didn't hear anything. Don't mind me, I'm not hiding the corpse of a nasty creature behind your flower bed. Nope. Nothing here but cute, fluffy bunnies scampering adorably into the night...
Ilona Andrews (Clean Sweep (Innkeeper Chronicles, #1))
they convinced me i only had a few good years left before i was replaced by a girl younger than me as though men yield power with age but women grow into irrelevance they can keep their lies for i have just gotten started i feel as though i just left the womb my twenties are the warm-up for what i'm really about to do wait till you see me in my thirties now that will be a proper introduction to the nasty. wild. woman in me. how can i leave before the party's started rehearsals begin at forty i ripen with age i do not come with an expiration date and now for the main event curtains up at fifty let's begin the show
Rupi Kaur
Now that you're a Skinny Bitch, don't turn into a skinny bitch. We conceived of the title, Skinny Bitch, to get attention and sell books.... But we are not bitches, and we have no desire to promote bitchiness. There is nothing uglier than a pretty woman who's nasty. If you look great, you should feel good about yourself and be happy.
Rory Freedman (Skinny Bitch: A No-Nonsense, Tough-Love Guide for Savvy Girls Who Want to Stop Eating Crap and Start Looking Fabulous!)
Every one knows you’re a thousand times handsomer and cleverer than Bertha; but then you’re not nasty. And for always getting what she wants in the long run, commend me to a nasty woman.
Edith Wharton (The House of Mirth)
Their time of talking and belittling us this way has expired. They tried, but they failed to realize we are strong and we will never give up. Their time of thinking they can touch us inappropriately and we will keep quiet has expired. No! We will rise up and bring the world to its feet. Trust me… We will be seen and heard! Their time of trying to break us down has expired. No! We can move mountains! Their time of pointing their fingers at us and putting F.E.A.R (False Evidence Appearing Real) into our minds by making us believe it is our fault has expired. No! It is not our fault. It never was! Their time of nasty insults has expired. They fail to realize we catch every nasty word and throw back the insult to show we can give as good as we get. Their time of preying off vulnerable women who have to “make a deal” to get a higher position they earned has expired. No! Your “man”ipulation has no effect. We, as women, have full ownership of our minds, bodies, and souls.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
It would take little effort for her to hurt him right now. She could hurt him badly. But Griffin King could hurt her, as well, and he hadn’t. Instead of using force or violence against her, he used patience and understanding. She had no defense against that. When he let her go, she was shaking. Tears filled her eyes as she turned to her mother who stood staring at her in horror. “My sweet little girl,” her mother whispered. “I didn’t know. I would never…” Her words faded into a choked sob. Finley crossed the short distance between them on quivering legs and wrapped her arms around the shorter woman. She didn’t care if Griffin or his nasty aunt saw her tears. If anything was worth crying over, the discovery that her father had made her a monster had to be one.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
I voted for every woman who has to leave a baby too soon, who has to downgrade her career, or who is made to feel invisible in her role as a mother.
Erin Passons (The Nasty Women Project: Voices from the Resistance)
Sister Ernestine said something very nasty about how maybe Miss Simon didn’t realize how unpleasant detention at the Mission Academy could be. I assured Sister Ernestine that if she was threatening corporal punishment, I would tell my mother, who was a local news anchor-woman and would be over here with a TV camera so fast, nobody would have time to say so much as a single Hail Mary. Sister Ernestine was pretty quiet after that.
Meg Cabot (Shadowland (The Mediator, #1))
Our minds are creative and knowledgeable. Yet time and time again, our needs and wants fell on deaf ears. We were told we weren’t good enough. We were abused mentally, physically, and emotionally. We were told with nasty sarcastic remarks at times, and here and there maybe a laugh that made the insult worse; “It would be your word against mine, and guess who they are going believe? Not you.” One by one we took a chance to speak up, but our voices weren’t heard. They tried to make us feel threatened; as if we were going to lay down and be stepped on like shit on the bottom on their shoe. We interrupted their comfort zone and showed them their time was up!
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
And however one might sentimentalise it, this sex business was one of the most ancient, sordid connections and subjections. Poets who glorified it were mostly men. Women had always known there was something better, something higher. And now they knew it more definitely than ever. The beautiful pure freedom of a woman was infinitely more wonderful than any sexual love. The only unfortunate thing was that men lagged so far behind women in the matter. They insisted on the sex thing like dogs. And a woman had to yield. A man was like a child with his appetites. A woman had to yield him what he wanted, or like a child he would probably turn nasty and flounce away and spoil what was a very pleasant connection. But a woman could yield to a man without yielding her inner, free self. That the poets and talkers about sex did not seem to have taken sufficiently into account. A woman could take a man without really giving herself away. Certainly she could take him without giving herself into his power. Rather she could use this sex thing to have power over him. For she only had to hold herself back in sexual intercourse, and let him finish and expend himself without herself coming to the crisis: and then she could prolong the connection and achieve her orgasm and her crisis while he was merely her tool.
D.H. Lawrence (Lady Chatterley's Lover)
Our minds are creative and knowledgeable. Yet time and time again, our needs and wants fell on deaf ears. We were told we weren’t good enough. We were abused mentally, physically, and emotionally. We were told with nasty sarcastic remarks at times, and here and there maybe a laugh that made the insult worse; “It would be your word against mine, and guess who they are going believe? Not you.” One by one we took a chance to speak up, but our voices weren’t heard. They tried to make us feel threatened; as if we were going to lay down and be stepped on like shit on the bottom on their shoe. We interrupted their comfort zone and showed them their time was up! Their time of talking and belittling us this way has expired. They tried, but they failed to realize we are strong and we will never give up. Their time of thinking they can touch us inappropriately and we will keep quiet has expired. No! We will rise up and bring the world to its feet. Trust me… We will be seen and heard! Their time of trying to break us down has expired. No! We can move mountains! Their time of pointing their fingers at us and putting F.E.A.R (False Evidence Appearing Real) into our minds by making us believe it is our fault has expired. No! It is not our fault. It never was! Their time of nasty insults has expired. They fail to realize we catch every nasty word and throw back the insult to show we can give as good as we get. Their time of preying off vulnerable women who have to “make a deal” to get a higher position they earned has expired. No! Your “man”ipulation has no effect. We, as women, have full ownership of our minds, bodies, and souls.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
If Clinton had a likability problems, Trump had an unlikable epidemic--but it didn't matter. Likability is optional for men, but it's mandated for women: if a women isn't nice she is a bad person. A man can be unlikable and still be seen as a man to be reckoned with. Trump was a real man. Clinton? A nasty woman.
Joan C. Williams (White Working Class: Overcoming Class Cluelessness in America)
One merely had to imagine a woman candidate doing what Trump did, from lying to leering, to understand what latitude masculinity possesses. "No advanced step take by women has been so bitterly contested as that of speaking in public," Susan B. Anthony said in 1900. "For nothing which they have attempted, not even to secure the suffrage, have they been so abused, condemned and antagonized." Or as Mary Beard put it last year, "We have never escaped a certain male cultural desire for women's silence.
Rebecca Solnit (Nasty Women: Feminism, Resistance, and Revolution in Trump's America)
What does a woman running for president have to do to be likable? Not run for president.
Carina Chocano (Nasty Women: Feminism, Resistance, and Revolution in Trump's America)
Mother Nature, what a nasty woman you are in a climate changed world.
Steven Magee
For as long as I can remember, the women in my family have made the best life they knew how. I bet when you first come out to the house on old man Adair’s place, you thought I was a nasty woman.
Dolen Perkins-Valdez (Take My Hand)
I find myself increasingly shocked at the unthinking and automatic rubbishing of men which is now so part of our culture that it is hardly even noticed. Great things have been achieved through feminism. We now have pretty much equality at least on the pay and opportunities front, though almost nothing has been done on child care, the real liberation. We have many wonderful, clever, powerful women everywhere, but what is happening to men? Why did this have to be at the cost of men? I was in a class of nine- and ten-year-olds, girls and boys, and this young woman was telling these kids that the reason for wars was the innately violent nature of men. You could see the little girls, fat with complacency and conceit while the little boys sat there crumpled, apologising for their existence, thinking this was going to be the pattern of their lives. The teacher tried to catch my eye, thinking I would approve of this rubbish. This kind of thing is happening in schools all over the place and no one says a thing. It has become a kind of religion that you can't criticise because then you become a traitor to the great cause, which I am not. It is time we began to ask who are these women who continually rubbish men. The most stupid, ill-educated and nasty woman can rubbish the nicest, kindest and most intelligent man and no one protests. Men seem to be so cowed that they can't fight back, and it is time they did.
Doris Lessing
I am aware, as I sort herbs or learn about mushrooms, or read a friend’s tarot, that perhaps what I am primarily interested in is power. Power against the constant, disempowering experience of being a woman.
404 Ink (Nasty Women)
At some point in your adult life, you’ve probably walked into a party and felt a frisson of relief upon discovering at least one woman there who was fatter, uglier, and/or dressed more inappropriately than you. We sure have. But if you want to have any hope of making peace with your own body, you need to knock that shit off. We’re not even telling you to stop just because it’s nasty, petty, and beneath you to judge other women so harshly; it is, but because you’re not a saint, and neither are we. We’re telling you to stop because it’s actually in your own self-interest to stop being such a bitch. ‘Cause you know what happens when you quit saying that crap about other women? You magically stop saying it about yourself so much, too. Judging other women negatively creates a constant stream of nasty thoughts in your head. It is inevitable that you will end up applying those same standards to yourself. We think we’re building ourselves up when we do this but, really, we’re just tearing other people down to our level. And we hate to go all Mr. Rogers’ Neighborhood on you, but tearing other people down isn’t really productive. It leaves you in the same place you started, which is full of loathing for your own body.
Marianne Kirby
What struck me, in reading the reports from Sri Lanka, was the mild disgrace of belonging to our imperfectly evolved species in the first place. People who had just seen their neighbors swept away would tell the reporters that they knew a judgment had been coming, because the Christians had used alcohol and meat at Christmas or because ... well, yet again you can fill in the blanks for yourself. It was interesting, though, to notice that the Buddhists were often the worst. Contentedly patting an image of the chubby lord on her fencepost, a woman told the New York Times that those who were not similarly protected had been erased, while her house was still standing. There were enough such comments, almost identically phrased, to make it seem certain that the Buddhist authorities had been promulgating this consoling and insane and nasty view. That would not surprise me.
Christopher Hitchens
You grow up with somebody, and he is a success, a big-shot, and you're a failure, but he treats you just the way he always did and hasn't changed a bit. But that is what drives you to it, no matter what names you call yourself while you try to stick the knife in. There is a kind of snobbery of failure. It's a club, it's the old school, it's Skull and Bones, and there is no nasty supercilious twist to a mouth like the twist the drunk gets when he hangs over the bar beside the old pal who has turned out to be a big-shot and who hasn't changed a bit, or when the old pal takes him home to dinner and introduces him to the pretty little clear-eye woman and the healthy kids.
Robert Penn Warren (All the King's Men)
There was more than one thing wrong with the whole story anyway. Had no one thought it remotely suspicious? Unhappy man marries beautiful woman. Beautiful woman shapes up rather nasty. Man unhappier than ever; woman unhappy as well. Three short weeks... Oops, he's dead! Oh, poor, dear child. Let's see what we can do with her. Free labor!
Rachel Heffington (Five Glass Slippers)
Generally, a mood will run its course in an inteligent man; if a woman doesn't puncture it prematurely, the man will puncture it himself. He will regain his senses somewhere along the way; he will say, "Now wait, we had better think about this." That is, if his wife hasn't said five minutes before, "Now, dear, don't you think we had better think about this?" Because then he won't, of course. If a woman is needling, it is doubly hard for a man to come out of a mood. That intensifies it. A man is really in a kind of travail when he is in a mood. He needs help, not needling, but feminine help. He probably won't thank you for it, but inside he will be awfully grateful. When a woman has to deal with a man in a mood, she generally does the wrong thing. She generally gets her animus out, that nasty thing, and says, "Now, look, this is utter nonsense, stop it. We don't need any more fishline leader." That is just throwing gasoline on the fire. There will be an anima-animus exchange, and all will be lost. The two are in the right hand and in the left hand of the goddess Maya, and you might as well give up for the afternoon. There is, however, a point of genius that a woman can bring forth if she is capable of it and willing to do it. If she will become more feminine than the mood attacking the man , she can dispel it for him. But this is a very, very difficult thing for a woman to do. Her automatic response is to let out the sword of the animus and start hacking away. But if a woman can be patient with a man and not critical, but represent for him a true feminine quality, then, as soon as his sanity is sufficiently back for him to comprehend such subtleties, he will likely come out of his mood. A wife can help a great deal if she will function from her feminine side in this way. She has to have a mature feminity to do this, a femininity that is strong enough to stand in the face of this spurious femininity the man is producing.
Robert A. Johnson (He: Understanding Masculine Psychology)
I told you Grandfather is easy. Tom, I mean my father, is the same: they don’t put barriers against me. It is Grandmother, it is always other women, apart from you, who put up barriers against girls and on themselves. I know men can be tyrants, but a lot of women are nasty to women – everybody says it, unless you have not met Jjajja Nsangi, Grandfather’s sister.’ ‘Kirabo, have you seen God come down from heaven to make humans behave?’ ‘No.’ ‘That is because some people have appointed themselves his police. And I tell you, child, the police are far worse than God himself. That is why the day you catch your man with another woman, you will go for the woman and not him. My grandmothers called it kweluma. That is when oppressed people turn on each other or on themselves and bite. It is as a form of relief. If you cannot bite your oppressor, you bite yourself.
Jennifer Nansubuga Makumbi (The First Woman)
Is it true that spirits can’t remember anything about their human lives?” “Yes,” it answered tartly. I had never considered before now that someone would have needed to speak to a spirit to learn that information. I had always merely accepted it as one of the Clerisy’s teachings. “So you don’t know whether you were a man or a woman in life.” “No, and I don’t see why it matters. Humans are so tedious. Oh, you have dangly bits. Congratulations, you’re going to put on armor and swing a sword about. Oh, you’ve ended up with the other kind. Too bad—time to have babies or become a nun.” It wasn’t exactly that simple, but I decided that I didn’t want to argue about the Clerisy’s hierarchy with a Fifth Order spirit. Also, it had a point. “It would be useful if you did remember something. We still don’t know why your soul turned into a revenant.” “No doubt because I was horrifically nasty and evil,” it spat.
Margaret Rogerson (Vespertine)
Feminist' gets misrepresented as a dirty word, echoing throughout the timeline of experiences of activists in the women's movement since the 70's and longer; we've been seen as the radical feminists who want women to leave their husbands, become lesbians, dye their hair green. If wanting a woman to be able to own her own sexuality, to be able to live life with freedom and dignity and find and make her own choices are these things, then yes, we are nasty women - the nastiest around.
Laura Jones (Nasty Women)
How dare you give the poor woman trouble over those nasty biscuits! If you made biscuits worth eating, sir, perhaps she wouldn’t throw them to the fish!” He blinked his eyes in astonishment. “Biscuits worth eating? I’ll have you know, madam, that I bake the best biscuit on the high seas!” “That’s not saying much, considering that ship’s biscuits are notoriously awful!” “It’s alright, Louisa, you needn’t defend me—“ Sara began. Louisa just ignored her. “Those biscuits were so hard, I could scarcely choke them down. As for that stew—” “Look here, you disrespectful harpy,” the cook said, punctuating his words with loud taps of his cane. “There ain’t nothin’ wrong with Silas Drummond’s stew, and I defy any man—or woman—to make a better one!
Sabrina Jeffries (The Pirate Lord)
This was not just any urn. It was a cremation urn, housing the powdered remains of Mrs. Pule's mother Wanda, a woman so mean and nasty that she had it put in writing that upon her death she wished to be cremated and have her ashes scattered over people who had annoyed her.
Gerry Swallow (Blue in the Face: A Story of Risk, Rhyme, and Rebellion)
They didn't just want Bernie to win; they wanted Clinton to lose to Bernie. And if she wouldn't lose to Bernie, or let him win, they wanted her to lose everything. They wanted to prove that she deserved to lose. Why did this take me by surprise?... I think it was denial. It was a couple of decades of post-feminism telling us we'd come far enough. It allowed me to forget there's no more despised figure on earth than a woman who seeks power. In the United States, it's fine for a woman to claim equality, as long as she cheerfully opts out of it.
Carina Chocano (Nasty Women: Feminism, Resistance, and Revolution in Trump's America)
One nasty rumor, and the woman gets railroaded,” John grumbled. “It was the sister-in-law that spoke to the papers. None of what she said has any ground at all, but naturally, it was dragged to the finish line before the truth could beat it back. -Johnathon Roberts, Page 321
Joshua Isbell (Power & Influence)
Arti, who has now been married for over fifteen years, is not in the group that claimed their husbands’ non-interference was a blessing. She is firmly of the view that his failure to put his foot down is as much a cause of the unpleasantness in her life, as her mother-in-law’s downright nastiness.
Veena Venugopal (The Mother-in-Law: The Other Woman in Your Marriage)
And these boys here won’t want to get in a smackdown with a nasty old woman. But not me. I got no problem doin’ that. So if you don’t walk away , I’ve got enough bitch stored up, I’m aimin’ it all at you, startin’ with throwin’ Nina’s drink in your face.” At this, Nina slid her drink out of reach.
Kristen Ashley (Jagged (Colorado Mountain, #5))
One thing should be clear, but apparently it is not: if this were indeed our nature, we would be living in paradise. If pain, humiliation, and physical injury made us happy, we would be ecstatic. If being sold on street corners were a good time, women would jam street corners the way men jam football matches. If forced sex were what we craved, even we would be satisfied already. If being dominated by men made us happy, we would smile all the time. Women resist male domination because we do not like it. Political women resist male domination through overt, rude, unmistakable rebellion. They are called unnatural, because they do not have a nature that delights in being debased. Apolitical women resist male domination through a host of bitter subversions, ranging from the famous headache to the clinical depression epidemic among women to suicide to prescription-drug tranquilization to taking it out on the children; sometimes a battered wife kills her husband. Apolitical women are also called unnatural, the charge hurled at them as nasty or sullen or embittered individuals, since that is how they fight back. They too are not made happy by being hurt or dominated. In fact, a natural woman is hard to find. We are domesticated, tamed, made compliant on the surface, through male force, not through nature. We sometimes do what men say we are, either because we believe them or because we hope to placate them. We sometimes try to become what men say we should be, because men have power over our lives.
Andrea Dworkin (Life and Death)
Because the same as any man, women were entitled to a fuss-free sex life should they so choose. And it didn’t make us sluts, or whores, or any of the other nasty, misogynistic, double-standard bullshit that got thrown a woman’s way when she didn’t fit with the traditional ideals of who and what a female should be.
Kylie Scott (Twist (Dive Bar, #2))
they convinced me i only had a few good years left before i was replaced by a girl younger than me as though men yield power with age but women grow into irrelevance they can keep their lies for i have just gotten started i feel as though i just left the womb my twenties are the warm-up for what i’m really about to do wait till you see me in my thirties now that will be a proper introduction to the nasty. wild. woman in me. how can i leave before the party’s started rehearsals begin at forty i ripen with age i do not come with an expiration date and now for the main event curtains up at fifty let’s begin the show - timeless
Rupi Kaur (The Sun and Her Flowers)
Indeed," Arthur said. "But ... no one has said I'll be a good king. It would be a relief to know I don't go mad or bad before the end." Alex sighed, but with a smile. She knew Arthur was prying information out of her just to tease her, but two could play this game. "You're a good king, don't worry," she said, and then looked sadly to the ground. "At least you are once you heal from ... the incident." "What incident?" Arthur asked. Alex shook her head somberly. "Well, if Merlin hasn't told you, then I probably shouldn't." "Oh, right - the incident," he said, pretending to know. "Old Merlin's told me about that plenty of times." "Good," Alex said. "So you know all about the leeches." Arthur gulped. "Yes ... I do," he said nervously. "Luckily by then you've already been captured by the Saxons and your legs have been ripped off," Alex said. "So there aren't too many leech wounds." Arthur gulped. "It's the definition of luck," he said. "It's a shame you lose both your arms in the battle before you get captured," Alex said. "But you aren't known as Arthur the Limbless for nothing." "Arthur the Limbless? " "Oh, yes," Alex said. "A lesser king would have let the title belittle him, but you still manage to instill fear in all your enemies. Then again, that could be because of your future wife, Queen Girtha. Of course, Merlin has told you about her ..." "Naturally," Arthur said. "She's that nasty woman, right? So hideous, people are afraid to look at her. Now remind me, how many terrible children do we have?" "Just the one," Alex said. "And who would have expected you to die during childbirth?" "I die in childbirth?" Arthur asked with a quiver in his voice. "How is that possible?" "Isn't that obvious?" Alex asked. "That's why they call your wife Girtha the Strong Handed. Did you never make that connection?" "Oh, that's right," Arthur said. "I made that connection once before, but I forgot about it." "I don't blame you," Alex said. "I would have blocked it out of my mind, too.
Chris Colfer (Beyond the Kingdoms (The Land of Stories, #4))
My wife was crazy. I was married to a crazy woman. It's every asshole's mantra: I married a psycho bitch. But I got a small, nasty bite of gratification: I really did marry a genuine, bona fide psycho bitch. Nick, meet your wife: the world's foremost mindfucker. I was not as big an asshole as I'd thought. An asshole, yes, but not on a grandiose scale.
Gillian Flynn (Gone Girl)
What I meant when I said that Hillary Clinton had made the world ready for Hillary Clinton is that I recognized her as a woman who had whacked the weeds to blaze her own trail, who had always stood up again after she was told to sit down, who had persisted, and persisted, and persisted, nevertheless. What I meant is that a woman like this was finally going to win. Someday she will.
Cheryl Strayed (Nasty Women: Feminism, Resistance, and Revolution in Trump's America)
She was only twenty-three, not even a quarter of a century old.She had spent the last five years living exclusively in the human world. Now her wild nature was calling to her. Gregori was touching something untamed in her, something to which she had forbidden herself access. Something wild and unhibited and incredibly sensuous. Savannah looked up at his dark, handsome face. It was so male. So carnal. So powerful. Gregori. The Dark One. Just looking at him made her go weak with need. One glance from his slashing silver eyes could bring a rush of liquid heat, fire racing through her.She became soft and pliant. She became his. Gregori's palm cupped her face. "Whatever you are thinking is making you fear me,Savannah," he said softly. "Stop it." "You're making me into something I'm not," she whispered. "You are Carpathian, my lifemate. You are Savannah Dubrinsky. I cannot take any of those things from you. I do not want a puppet, or a different woman. I want you as you are." His voice was soft and compelling. He lifted her in his arms,carried her to his bed and tucked the covers around her. The storm lashed at the windows and whistled against the walls. Gregori wove the safeguards in preparation for their sleep. Savannah as exhausted, her eyes already trying to close. Then he slipped into the bed and gathered her into his arms. "I would never change anything about you,ma patite, not even your nasty little temper." She settled against his body as if she was made for it.He felt the brush of her lips against his chest and the last sigh of air as it escaped from her lungs. Gregori lay awake for a long time, watching as the dawn crept forward, pushing away the night. One wave of his hand closed and locked the heavy shutters over the windows. Still he lay awake, holding Savannah close. Because he had always known he was dangerous, he had feared for mortals and immortals alike at his hand. But somehow,perhaps naively, he had thought that once he was bound to his lifemate, he would become tamer, more domesticated. His fingers bunched in her hair. But Savannah made him wild. She made him far more dangerous than he had ever been. Before Savannah, he had had no emotions. He had killed when it necessary because it was necessary. He had feared nothing because he loved nothing and had nothing to lose. Now he had everything to lose.And so he was more dangerous.For no one, nothing, would ever threaten Savannah and live.
Christine Feehan (Dark Magic (Dark, #4))
This is the plot up to the moment when the writer leaves the woman still dolefully enmeshed in it, and, suitcase in hand, tiptoeing so as not to disturb her postcoital rest, he himself slips silently out of the plot on the grounds of its general implausibility, a total lack of gravity, reliance at too many key points on unlikely coincidence, an absence of inner coherence, and not even the most tenuous evidence of anything resembling a serious meaning or purpose. The story so far is frivolously plotted, overplotted, for his taste altogether too freakishly plotted, with outlandish events so wildly careening around every corner that there is nowhere for intelligence to establish a foothold and develop a perspective. As if the look-alike at the story's storm center isn't farfetched enough, there is the capricious loss of the Smilesburger check (there is the fortuitous appearance of the Smilesburger check; there is Louis B. Smilesburger himself, Borscht Belt deus ex machina), which sets the action on its unconvincing course and serves to reinforce the writer's sense that the story has been intentionally conceived as a prank, and a nasty prank at that, considering the struggles of Jewish existence that are said to be at issue by his antagonist.
Philip Roth (Operation Shylock: A Confession)
I was spitting mad, having just endured a four-hour flight, economy class, on American Airlines where I'd found myself seated between two gigantic specimens of humanity. One of them, a woman of Jabba the Hutt proportions, literally took up half my seat in addition to her own, leaving me balanced on one butt cheek, leaning forward and against the seat back in front of me. I couldn't sleep. I couldn't sit back. I couldn't do anything but fume silently. Neither she nor the flight attendants ever acknowledged my obvious distress. For the duration of the flight, I tried to lull myself into a state of calm by focusing on the in-flight telephone against which my face was mashed, imagining what would happen if I wrapped the cord around my neck, leaned forward with my full body weight, and ended my life. That thought was what got me through.
Anthony Bourdain (The Nasty Bits: Collected Varietal Cuts, Usable Trim, Scraps, and Bones)
You know what’s the matter with you?’ the old woman said, staring at George over the rim of the teacup with those bright wicked little eyes. ‘You’re growing too fast. Boys who grow too fast become stupid and lazy.’ ‘But I can’t help it if I’m growing fast, Grandma,’ George said. ‘Of course you can,’ she snapped. ‘Growing’s a nasty childish habit.’ ‘But we have to grow, Grandma. If we didn’t grow, we’d never be grown-ups.’ ‘Rubbish, boy, rubbish,’ she said. ‘Look at me. Am I growing? Certainly not.’ ‘But you did once, Grandma.’ ‘Only very little,’ the old woman answered. ‘I gave up growing when I was extremely small, along with all the other nasty childish habits like laziness and disobedience and greed and sloppiness and untidiness and stupidity. You haven’t given up any of these things, have you?’ ‘I’m still only a little boy, Grandma.
Roald Dahl (George's Marvelous Medicine)
Dear Exquisite Black Queens… Before you start making relationship goals, make sure that the relationship you have with yourself is healthy, first. Are you trying to fill a void? Do you respect yourself? Do you have low or high self-esteem? Are you living with a painful secret? Are you damaged from past relationships? Do you have a hidden agenda? Do you have a nasty attitude? Are you a complicated woman? Do you like to start arguments and keep up drama? Are you angry about something that you never dealt with? I could literally go on and on, but I think you get my point. What is YOUR truth? You’ve got to be honest with yourself! Do you authentically love yourself, or are you searching for something? Your number one relationship goal should be with YOU. Learn to love, respect, appreciate, value, and be good to yourself. Self-Love comes first, Queens!
Stephanie Lahart
The beautiful pure freedom of a woman was infinitely more wonderful than any sexual love. The only unfortunate thing was that men lagged so far behind women in the matter. They insisted on the sex thing like dogs...And a woman had to yield. A man was like a child with his appetites. A woman had to yield him what he wanted, or like a child he would probably turn nasty and flounce away and spoil what was a very pleasant connection.
D.H. Lawrence (Lady Chatterley’s Lover)
Here he became acquainted with an eighteen-year-old schoolgirl named Pelageia Onufrieva, the fiancée of one of his fellow exiles, Petr Chizhikov. The future dictator flirted openly with the girl and gave her a book with the inscription, “To clever, nasty Polya from the oddball Iosif.” When Pelageia left Vologda, Jughashvili sent her facetious cards, such as: “I claim a kiss from you conveyed via Petka [Chizhikov]. I kiss you back, and I don’t just kiss you, but passionately (simple kissing isn’t worth it). Iosif.”7 In his personal files, Stalin kept a photograph of Chizhikov and Onufrieva dating to his time in Vologda: a serious, pretty, round-faced girl in glasses and a serious young man with regular features and a moustache and beard. The jocular cards, presents, and photograph attest to the thirty-three-year-old Jughashvili’s interest in the young woman but do not prove that he was romantically involved with her. We
Oleg V. Khlevniuk (Stalin: New Biography of a Dictator)
In the center of the room Sarra the demon hung upside down by one leg, its arms bound behind its back, its suit scuffed-looking. Beneath it, crawling around an intricately scribed circle, a woman with short, curly red hair drew binding symbols with a gold stick. She looked up as I fanned away the smoke that was billowing up from the crack in the tile. "You're a Summoner. Hullo. I'm Noelle. Did you know that you have mismatched eyes?" I walked around the demon. It glared at me. "Yes, I know. Why do you have Sarra strung up by one leg?" She drew another symbol. It flared bright green as soon as the stick lifted from the circle. "It was getting a bit stroppy with me. The Hanged Man always teaches them a few manners. It's retaliating with the smoke. Are those spirits I saw yours, then?" "Yes, they are. There are four others as well. I hate to be a bother, but I'm in a bit of a hurry, what with Christian being held by this one's master and all, so if you could possibly just give me the abbreviated version of what's going on here, I'll be on my way to rescue him." She leaned back on her heels and sucked the tip of her gold stick. "Asmodeus, eh?" The demon snarled. A chunk of ceiling fell behind me. We both ignored it. It just never does to give a demon the satisfaction of knowing it's startled you. "It's a nasty bag of tricks, but I heard through the demonic grapevine that it was weakened and searching for a suitable sacrifice to regain its power," she added. "Well, it can't have Christian; he's mine. Back to the demon, if you don't mind…" She looked up at Sarra, still sucking the stick. "It's a pretty specimen, isn't it? I like the hair gel. Nice touch. The mustache is a bit much, though, don't you think? Makes it look so smarmy." "Um…" "I'm destroying it, so I suppose it really doesn't matter." I blinked and avoided two wine bottles as they flew out of a rack when the demon hissed at the Guardian.
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
She remained stiff against him. “It’s a nasty little piece that speculates on the unions of older women and younger men. There is a mocking paragraph on how wise a man like you must be to reap the benefits of an older woman’s ‘grateful enthusiasm.’ It’s a completely dreadful article, and it makes me sound like a lust-crazed old crone who has managed to ensnare a young man for stud service. Now, tell me at once if there is any truth in it!” One would have wished for immediate denial.
Lisa Kleypas (Suddenly You)
I’m not going to ask you to collar the monster inside you, because I already know it, and it’s a part of you,” she said. “I’ll allow your demons to protect me, and I’ll use mine to defend you, too. Stupid though that is. However fucking dangerous and unbelievably idiotic though that is. But I’m keeping the gun, Fix. And I will use it the moment your demons look like they’re turning on me.” Holy. Fucking. Shit. This woman. She was miraculous. She was beautiful. She was strong. She was everything.
Callie Hart (Nasty (Dirty Nasty Freaks, #2))
The foundations of Property and Propriety are laid bare, twin rocks; Family Pride flounders to the surface, puffing and blowing and refusing to be comforted; Theology, vaguely ascetic, gets up a nasty ground swell. Then the lawyers are aroused — cold brood — and creep out of their holes. They do what they can; they tidy up Property and Propriety, reassure Theology and Family Pride. Half-guineas are poured on the troubled waters, the lawyers creep back, and, if all has gone well, Love joins one man and woman together in Matrimony.
E.M. Forster (The Works of E. M. Forster)
I’m gonna go to sleep soon. Don’t even think about trying to climb into bed with me. It’s a sure fire way of getting yourself castrated.” “Please. You know you want to sleep with me, Sera Lafferty. You wanted to sleep with me the moment you set eyes on me.” A slow, frankly unnerving smile spread across her face. She was beginning to look like a woman who really would tear a guy’s dick off for climbing into bed with her. “You have a very high opinion of yourself, Fix.” I grinned back at her, flashing her my teeth. “Of course I do. I’m really fucking awesome.
Callie Hart (Dirty (Dirty Nasty Freaks, #1))
She was a clean, mean old woman. She looked at the dust-gray rotting curtains, threw them out, and made new ones. She dug grease out of the stove that had been there since Charles’ mother died. And she leached the walls of a brown shiny nastiness deposited by cooking fat and kerosene lamps. She pickled the floors with lye, soaked the blankets in sal soda, complaining the whole time to herself, “Men—dirty animals. Pigs is clean compared. Rot in their own juice. Don’t see how no woman ever marries them. Stink like measles. Look at oven—pie juice from Methusaleh.
John Steinbeck (East of Eden)
The Gender Sonnet Woman means not weakling, but wonder. Woman means not obstinate, but original. Woman means not man-slave, but mother. Woman means not amorous, but amiable. Woman means not neurotic, but nimble. Man mustn't mean medieval, but moral. Man mustn't mean abusive, but affable. Man mustn't mean nefarious, but noble. Trans doesn't mean titillating, but tenacious. Trans doesn't mean riff-raff, but radiant. It doesn't mean abhorrent, but affectionate. It ain't nasty and sick, but nerved and sentient. Gender has no role in society except in bed. Person is known by character, not dongs 'n peaches.
Abhijit Naskar (Honor He Wrote: 100 Sonnets For Humans Not Vegetables)
before he went back to helping the boy. Missing from the Warrior tent were Kalona and Aurox. For obvious reasons, Thanatos had decided the Tulsa community wasn’t ready to meet either of them. I agreed with her. I wasn’t ready for … I mentally shook myself. No, I wasn’t going to think about the Aurox/Heath situation now. Instead I turned my attention to the second of the big tents. Lenobia was there, keeping a sharp eye on the people who clustered like buzzing bees around Mujaji and the big Percheron mare, Bonnie. Travis was with her. Travis was always with her, which made my heart feel good. It was awesome to see Lenobia in love. The Horse Mistress was like a bright, shining beacon of joy, and with all the Darkness I’d seen lately, that was rain in my desert. “Oh, for shit’s sake, where did I put my wine? Has anyone seen my Queenies cup? As the bumpkin reminded me, my parents are here somewhere, and I’m going to need fortification by the time they circle around and find me.” Aphrodite was muttering and pawing through the boxes of unsold cookies, searching for the big purple plastic cup I’d seen her drinking from earlier. “You have wine in that Queenies to go cup?” Stevie Rae was shaking her head at Aphrodite. “And you’ve been drinkin’ it through a straw?” Shaunee joined Stevie Rae in a head shake. “Isn’t that nasty?” “Desperate times call for desperate measures,” Aphrodite quipped. “There are too many nuns lurking around to drink openly without hearing a boring lecture.” Aphrodite cut her eyes to the right of us where Street Cats had set up a half-moon display of cages filled with adoptable cats and bins of catnip-filled toys for sale. The Street Cats had their own miniature version of the silver and white tents, and I could see Damien sitting inside busily handling the cash register, but except for him, running every aspect of the feline area were the habit-wearing Benedictine nuns who had made Street Cats their own. One of the nuns looked my way and I waved and grinned at the Abbess. Sister Mary Angela waved back before returning to the conversation she was having with a family who were obviously falling in love with a cute white cat that looked like a giant cottonball. “Aphrodite, the nuns are cool,” I reminded her. “And they look too busy to pay any attention to you,” Stevie Rae said. “Imagine that—you may not be the center of everyone’s attention,” Shaylin said with mock surprise. Stevie Rae covered her giggle with a cough. Before Aphrodite could say something hateful, Grandma limped up to us. Other than the limp and being pale, Grandma looked healthy and happy. It had only been a little over a week since Neferet had kidnapped and tried to kill her, but she’d recovered with amazing quickness. Thanatos had told us that was because she was in unusually good shape for a woman of her age. I knew it was because of something else—something we both shared—a special bond with a goddess who believed in giving her children free choice, along with gifting them with special abilities. Grandma was beloved of the Great Mother,
P.C. Cast (Revealed (House of Night #11))
Arm in arm with a fellow who's had the mishap, To forget, when he shagged her, to button his flap. Nor I don't like to see, though some think it a treat. A young woman scratching her thing in the street; And a boarding-school miss, with no sense in her pate. Sit and chalk a man's tool on the back of her slate. I don't like to see, in the bright face of the day, A man stand and piss in the public highway; Nor a Newfoundland dog, without any disguise. Tied fast to a bitch not a quarter his size. Nor I don't like to see, little sisters and brothers Get playing at what they call fathers and mothers; And I don't like to see, though at me you might scoff, An old woman trying to toss herself off. I don't like to see - it's a fact that I utter - That nasty word — written up on a shutter: And I don't like to see a man, drunk as an Earl. Getting into a lamp-post thinking it's a girl. I don't like to see, 'cause my feelings it shocks. Two girls busy playing with each other's c-; Nor I don't like to see, though it may be a whim. A hole like a pit-mouth in place of a q-. But I fear I'm encroaching too much on your time, So I'll put an end to my quizzical rhyme; Though with my way of taste you'll perhaps not agree, I've told you the things I don't like to see.
Anonymous (The Pearl)
It's a guy thing. We like euphemisms. He could just as easily have said doing the nasty, shagging, banging, screwing, humping, baking the potato, boning, boom-boom, four-legged foxtrot, glazing the donut, hitting a home run, launching the meat missile, makin' bacon, opening the gates of Mordor, pelvic pinochle, planting the parsnip, releasing the kraken, rolling in the hay, stuffin' the muffin, or two-ball in the middle pocket..." He trailed off when he noticed their shocked expressions. "Or sex," he added. "He could have just said that." "No wonder you don't have a girlfriend." Layla gave him a withering look. "I can't imagine a woman who would stick around after you took her for a nice dinner and then said, Hey babe, let's go launch the meat missile , or my personal favorite, release the kraken." "I didn't say I used them." Sam loosened his collar. Why was the restaurant so damn hot? "You know them. That's bad enough." Dilip tipped his head to the side. "What's a kraken?" "That's what I'm going to do to Sam's head in about three seconds," Layla said. Sam smirked. "A kraken is an enormous mythical sea monster." "Are we in middle school?" Layla looked around the bare room in mock confusion. "Because I could swear you were just talking about the size of your-
Sara Desai (The Marriage Game (Marriage Game, #1))
Goldberg, the attorney who was often by Trump’s side during those years, said many of his client’s much-ballyhooed associations with famous women and top models were mere moments, staged for the cameras. “Give him a Hershey bar and let him watch television,” Goldberg said. “I only remember him finishing the day [by] going home, not necessarily with a woman but with a bag of candy. . . . He planned his next project, read the blueprints, met with the lawyers, never raising his voice, never showing off, never nasty to anybody in the office, a gentleman. . . . I never heard him speak romantically about a woman. I mean, I heard him speak romantically about his work.” Kate
Michael Kranish (Trump Revealed: The Definitive Biography of the 45th President)
Dominating the world by day, most powerful men needed to submit by night to maintain the polarity of their tastes, indeed their lives, if just for a moment. But it was also about men in general, too – because men generally don’t enjoy hurting women. But a woman hurting a man? Most people would admit there was something nasty and naughty about it all. And right. Just so right. Needing pain was Shay’s dirty little secret because by day she promoted femdom, but in the very late hours she needed someone to give her pain, a deep pain nobody but Teddy could deliver, not in the same way. Deep, soul-churning pain from the one man she’d ever loved. The one man she’d ever love.
Sarah Michelle Lynch (The Risk (Nightlong, #3))
Well, feminine, but not too feminine, then.” “Careful: In Hopkins v. Price-Waterhouse, Ms. Hopkins was denied a partnership because she needed to learn to ‘walk more femininely, talk more femininely, dress more femininely,’ and ‘wear makeup.’” “Maybe she didn’t deserve a partnership?” “She brought in the most business of any employee.” “Hmm. Well, maybe a little more feminine.” “Not so fast. Policewoman Nancy Fahdl was fired because she looked ‘too much like a lady.’” “All right, less feminine. I’ve wiped off my blusher.” “You can lose your job if you don’t wear makeup. See Tamini v. Howard Johnson Company, Inc.” “How about this, then, sort of…womanly?” “Sorry. You can lose your job if you dress like a woman. In Andre v. Bendix Corporation, it was ruled ‘inappropriate for a supervisor’ of women to dress like ‘a woman.’” “What am I supposed to do? Wear a sack?” “Well, the women in Buren v. City of East Chicago had to ‘dress to cover themselves from neck to toe’ because the men at work were ‘kind of nasty.’” “Won’t a dress code get me out of this?” “Don’t bet on it. In Diaz v. Coleman, a dress code of short skirts was set by an employer who allegedly sexually harassed his female employees because they complied with it.” It would be funny if it weren’t true. And when we see that British law has evolved a legal no-win situation very close to this one, a pattern begins to emerge.
Naomi Wolf (The Beauty Myth)
It put him out of humor for the rest of the day.It stuck in his craw and festered thered.A nasty little canker sore on the ego. Snob? Where did the woman get off calling him a snob? And after he'd made the effort to be friendly, even complimenting her on her snooty little riding academy. He did the evening check himself, as was his habit, and spent considerable time going over the prime filly who was to head down to Hialeah to race there. Ttavis wanted Brian to go along for this one, and he was more than happy to oblige. It would do him a world of good to put a thousand miles or so between himself and Keeley. "Shouldn't be looking in that direction, even for a blink," he muttered, then nuzzled the filly.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
I had never said that we shouldn’t read Lolita. I’ve read it more than once. I joked that there should be a list of books no woman should read, because quite a few lionized books are rather nasty about my gender, but I’d also said “of course I believe everyone should read anything they want. I just think some books are instructions on why women are dirt or hardly exist at all except as accessories or are inherently evil and empty.” And then I’d had fun throwing out some opinions about books and writers. But I was serious about this. You read enough books in which people like you are disposable, or are dirt, or are silent, absent, or worthless, and it makes an impact on you. Because art makes the world, because it matters, because it makes us. Or breaks us.
Rebecca Solnit (The Mother of All Questions)
Ah, there she was, the woman in yellow who must be Mrs. Croxon. All Peg's senses quickened. What a beanpole, she crowed to herself- stooped shoulders, gown ill-fitting. Why, she looked a born bleater- no match at all for Peg Blissett. She picked up her borrowed ladle, went downstairs, and sauntered over to the new mistress of Delafosse Hall. Then, gathering all her sweetness, Peg smiled at Mrs. Croxon. The woman responded with a slight bow of her head, and then said, so quietly that Peg could barely hear her, "I see by the ladle you must be a cook. Am I led to believe-are you-" Mrs. Croxon had a nasty rash, and slovenly-dressed hair. But looking more closely she was not so ill-looking. And her voice was so pleasant and genteel that Peg couldn't stop herself aping it.
Martine Bailey (A Taste for Nightshade)
And a woman had to yield. A man was like a child with his appetites. A woman had to yield him what he wanted, or like a child be would probably turn nasty and flounce away and spoil what was a very pleasing connection. But a woman could yield to a man without yielding her inner, free self. That the poets and talkers about sex did not seem to have taken sufficiently into account. A woman could take a man without really giving herself away. Certainly she could take him without giving herself into his power. Rather she could use this sex thing to have a power over him. For she only had to hold herself back in sexual intercourse, and let him finish and expend himself without herself coming into crisis: and then she could prolong the connection and achieve her orgasm and her crisis while he was merely her tool.
D.H. Lawrence (Lady Chatterley’s Lover)
Listen to what I’m tellin’ you, boy! This is why we couldn’t tell you the truth—’cause you wasn’t lookin’ for the truth. You was lookin’ for confirmation of what you already believed. The truth was starin’ you in the face and you didn’t want it. How the hell could I get away wit’ killin’ somebody and authorities never come? Huh? I know we in the country, but we ain’t on Mars! That don’t make no sense! But you couldn’t swallow the truth that I had done changed, so you held on to the ignorance you always believed—that I was a mean, nasty, evil woman. That’s what’s wrong wit’ the world. We don’t let people change.” She paused, frowning. “Sometimes, when people change, we change ’em right back into what they was ’cause the change don’t fit how we know ’em. So people get tired of fightin’ to make other folks see ’em differently. Most stop tryin’.” TL
Daniel Black (Twelve Gates to the City: A Novel (Tommy Lee Tyson Book 2))
The undressed male is not presented to the little girl as a seductive figure, but as a scary one. Consequently, in the long pre-sexual years she has no chance to develop the association between a naked man and the erotic. (..) Women’s looking is not powered by the voyeur’s kind of infantile and irresistible longing. (..) In our society, female exhibitionism is a form of seduction, but male exhibitionism is a hostile act. The man who flashes his penis at a woman who has not asked to see it (..) is trying to overcome his feeling of powerlessness (..) Every day, I hear from saddened or angered men about the averted feminine eye, the hand withdrawn as if from a red-hot coal. I would like to ask women readers: How must it feel to be the gender that has a sexual organ considered so nasty that nobody, not even the woman who says she loves you, wants to look at it?
Nancy Friday (Men In Love)
Women have always desired equality and respect, but our current culture isn’t seeking it through the grace of Mary; rather, the culture seeks this equality and respect through the vices of Machiavelli: rage, intimidation, tantrums, bullying, raw emotion, and absence of logic. It is this aggressive impulse—this toxic femininity—that finds pride in calling oneself “nasty,” feels empowered by dressing as a vagina, belittles men, and sees the (tragically ironic) need to drop civility so that civility can somehow return again. The devil knows that all these marks of the anti-Mary—rage, indignation, vulgarity, and pride—short-circuit a woman’s greatest gifts: wisdom, prudence, patience, unflappable peace, intuition, her ability to weave together the fabric of society, and her capacity for a deep and fulfilling relationship with God. Instead, the father of lies promises power, fame, fortune, and sterile, fleeting pleasures.
Carrie Gress (The Anti-Mary Exposed: Rescuing the Culture from Toxic Femininity)
There were more dead in the courtyard, piled deeper around the steps to the hall, bodies twisted together, hacked and mutilated. And on the steps in the midst of it all sat a woman. She was gore-drenched, red with blood from her head to her boots, a long-axe lying across her lap. An ugly creature was perched upon her shoulder, with a nasty-looking sting on its tail, and another vaesen sat on the steps before the woman. It was small, with sharp claws and a half-spear in its tiny, slim-fingered hand. A tennúr. It had a mound of what looked like bloodcovered nuts piled at its feet and was crunching on one of them as it looked at Varg. A shiver of revulsion passed through Varg as he realised they weren’t nuts: they were human teeth. And he didn’t like the way the tennúr’s gaze fixed for a long moment upon his own mouth. The two vaesen regarded Glornir and the Bloodsworn with suspicious, violent eyes. Sitting around the woman’s legs were children, maybe twelve or fifteen of them. They were the only things in the area not spattered in blood. They didn’t seem to be scared of the woman, which Varg found strange, as his blood was tingling, and he felt the ripples of fear and danger pulsing off her. If he had hackles like Edel’s wolfhounds, they would have been standing stiff and straight. Ahead of him Varg heard Glornir gasp a breath. The woman looked up at them as they approached, her eyes fixing on Glornir. Varg saw recognition dawn in them. “He’s not here,” the woman said, shaking her head, “he’s not here.” The pain in her voice was palpable. Tears had streaked clean lines through the blood and gore and fragments of bone that were thick on her cheeks. Glornir reined in his horse and slipped from his saddle, then walked a few steps towards her and stopped. “Orka Skullsplitter,” he whispered. The woman stood. “My brother?” Glornir asked. “They killed him and took my son,” she said, fresh tears rolling down her cheeks. Glornir walked up to her and spread his arms wide, pulling her into an embrace.
John Gwynne (The Shadow of the Gods (The Bloodsworn Saga, #1))
I'm often asked if I'm a feminist. This I suspect has something to do with the fact that I write a column called Fe-mail and most people lack imagination. My answer is always a firm 'now' because I refuse to have my femininity define me or indeed put me on the back foot. Life is already full of challenges, why make my gender another one? It's just too exhausting, and ultimately, I suspect, futile. I am not fighting to prove my worth or my ability as a woman, but rather as a person. And of course I speak not on behalf of, or against, millions of women across the world who must forcibly negotiate cultures, religions, societies, or families that genuinely oppress (sometimes in the most brutal ways) but rather those women-educated and free-who cry foul at the merest hint of male dominance. Chill the F^*k out and just get on with your own life. Because you know what? All those nasty evil men you're huffing and puffing about, they're not giving you a moment's thought. They're too busy aggressively going after what they want with no thought of barriers or blocks or unfair this or that.
Amy Mowafi (Fe-mail 2)
This means, a woman might think, that the law will treat her fairly in employment disputes if only she does her part, looks pretty, and dresses femininely. She would be dangerously wrong, though. Let’s look at an American working woman standing in front of her wardrobe, and imagine the disembodied voice of legal counsel advising her on each choice as she takes it out on its hanger. “Feminine, then,” she asks, “in reaction to the Craft decision?” “You’d be asking for it. In 1986, Mechelle Vinson filed a sex discrimination case in the District of Columbia against her employer, the Meritor Savings Bank, on the grounds that her boss had sexually harassed her, subjecting her to fondling, exposure, and rape. Vinson was young and ‘beautiful’ and carefully dressed. The district court ruled that her appearance counted against her: Testimony about her ‘provocative’ dress could be heard to decide whether her harassment was ‘welcome.’” “Did she dress provocatively?” “As her counsel put it in exasperation, ‘Mechelle Vinson wore clothes.’ Her beauty in her clothes was admitted as evidence to prove that she welcomed rape from her employer.” “Well, feminine, but not too feminine, then.” “Careful: In Hopkins v. Price-Waterhouse, Ms. Hopkins was denied a partnership because she needed to learn to ‘walk more femininely, talk more femininely, dress more femininely,’ and ‘wear makeup.’” “Maybe she didn’t deserve a partnership?” “She brought in the most business of any employee.” “Hmm. Well, maybe a little more feminine.” “Not so fast. Policewoman Nancy Fahdl was fired because she looked ‘too much like a lady.’” “All right, less feminine. I’ve wiped off my blusher.” “You can lose your job if you don’t wear makeup. See Tamini v. Howard Johnson Company, Inc.” “How about this, then, sort of…womanly?” “Sorry. You can lose your job if you dress like a woman. In Andre v. Bendix Corporation, it was ruled ‘inappropriate for a supervisor’ of women to dress like ‘a woman.’” “What am I supposed to do? Wear a sack?” “Well, the women in Buren v. City of East Chicago had to ‘dress to cover themselves from neck to toe’ because the men at work were ‘kind of nasty.’” “Won’t a dress code get me out of this?” “Don’t bet on it. In Diaz v. Coleman, a dress code of short skirts was set by an employer who allegedly sexually harassed his female employees because they complied with it.
Naomi Wolf (The Beauty Myth)
Before I knew it, the first animal had entered the chute. Various cowboys were at different positions around the animal and began carrying out their respective duties. Tim looked at me and yelled, “Stick it in!” With utter trepidation, I slid the wand deep into the steer’s rectum. This wasn’t natural. This wasn’t normal. At least it wasn’t for me. This was definitely against God’s plan. I was supposed to check the monitor and announce if the temperature was above ninety-degrees. The first one was fine. But before I had a chance to remove the probe, Tim set the hot branding iron against the steer’s left hip. The animal let out a guttural Mooooooooooooo!, and as he did, the contents of its large intestine emptied all over my hand and forearm. Tim said, “Okay, Ree, you can take it out now.” I did. I didn’t know what to do. My arm was covered in runny, stinky cow crap. Was this supposed to happen? Should I say anything? I glanced at my sister, who was looking at me, completely horrified. The second animal entered the chute. The routine began again. I stuck it in. Tim branded. The steer bellowed. The crap squirted out. I was amazed at how consistent and predictable the whole nasty process was, and how nonchalant everyone--excluding my sister--was acting. But then slowly…surely…I began to notice something. On about the twentieth animal, I began inserting the thermometer. Tim removed his branding iron from the fire and brought it toward the steer’s hip. At the last second, however, I fumbled with my device and had to stop for a moment. Out of the corner of my eye, I noticed that when I paused, Tim did, too. It appeared he was actually waiting until I had the thermometer fully inserted before he branded the animal, ensuring that I’d be right in the line of fire when everything came pouring out. He had planned this all along, the dirty dog. Seventy-eight steers later, we were finished. I was a sight. Layer upon layer of manure covered my arm. I’m sure I was pale and in shock. The cowboys grinned politely. Tim directed me to an outdoor faucet where I could clean my arm. Marlboro Man watched as he gathered up the tools and the gear…and he chuckled. As my sister and I pulled away in the car later that day, she could only say, “Oh. My. God.” She made me promise never to return to that awful place. I didn’t know it at the time, but I’d found out later that this, from Tim’s perspective, was my initiation. It was his sick, twisted way of measuring my worth.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
DAYS ONE THROUGH SIX, ETC. You keep on asking me that – “Which day was the hardest?” Blockheads! They were all hard – And of course, since I’m omnipotent, they were all easy. It was Chaos, to begin with. Can you imagine Primeval Chaos? Of course you can’t. How long had it been swirling around out there? Forever. How long had I been there? Longer than that. It was a mess, that’s what it was. Chaos is Rocky. Fuzzy. Slippery. Prickly. As scraggly and obstreperous as the endless behind of an infinite jackass. Shove on it anywhere, it gives, then slips in behind you, like smog, like lava, like slag. I’m telling you, chaos is – chaotic. You see what I was up against. Who could make a world out of that muck? I could, that’s who – land from water, light from dark, and so on. It might seem like a piece of cake now that it’s done, but back then, without a blueprint, without a set of instructions, without a committee, could you have created a firmament? Of course there were bugs in the process, grit in the gears, blips, bloopers – bringing forth grass and trees on Day Three and not making sunlight until Day Four, that, I must say, wasn’t my best move. And making the animals and vegetables before there was any rain whatsoever – well, anyone can have a bad day. Even Adam, as it turned out, wasn’t such a great idea – those shifty eyes, the alibis, blaming things on his wife – I mean, it set a bad example. How could he expect that little toddler, Cain, to learn correct family values with a role model like him? And then there was the nasty squabble Over the beasts and birds. OK, I admit I told Adam to name them, but – Platypus? Aardvark? Hippopotamus? Let me make one thing perfectly clear – he didn’t get that gibberish from Me. No, I don’t need a planet to fall on Me, I know something about subtext. He did it to irritate Me, just plain spite – and did I need the aggravation? Well, as you know, things went from bad to worse, from begat to begat, father to son, the evil fruit of all that early bile. So next there was narcissism, then bigotry, then jealousy, rage, vengeance! And finally I realized, the spawn of Adam had become exactly like – Me. No Deity with any self-respect would tolerate that kind of competition, so what could I do? I killed them all, that’s what! Just as the Good Book says, I drowned man, woman, and child, like so many cats. Oh, I saved a few for restocking, Noah and his crew, the best of the lot, I thought. But now you’re back to your old tricks again, just about due for another good ducking, or maybe a giant barbecue. And I’m warning you, if I have to do it again, there won’t be any survivors, not even a cockroach! Then, for the first time since it was Primeval Chaos, the world will be perfect – nobody in it but Me.
Philip Appleman
It’s all right, I got off the ship okay. I’m alive,” he said again. But his voice sounded different now. “I said I’m alive, Camille. Open your eyes and look at me.” Camille’s heart shriveled as her eyelids fluttered open and she saw the ceiling of Monty’s shack. “Camille?” Oscar leaned over her, his calloused hand on her cheek. “Thank God. You’ve been delirious for nearly an hour.” Tears slipped down her cheeks as the truth stung her with renewed vigor. Her father wasn’t alive. He was truly gone. It had been nothing but a hallucination. “Why are you crying? Does something hurt?” Oscar asked, lightly prodding her arms and then checking her head. She was lying on a cot in front of the blazing stove, blankets covering her. They were scratchy and too heavy. She tried to push them away. “No.” Oscar blocked her arms. “Don’t do that.” “Why?” she asked, her throat dry and sore. Oscar looked apprehensive as he tucked the blankets tightly around her arms and neck. “Your clothes were soaked. You were shivering and flush with fever.” “Had to take ‘em off, love,” Ira said, coming to the foot of the cot. “You gave us quite a scare. That lump on the back of your head worked you over something nasty.” Camille stared at Ira, then Oscar. The crushed hope of her father being alive withered under the heat of embarrassment. “You…you removed my dress?” she whispered. Oscar backed away from her, as if he’d just slid his hand over an open flame. “No, no, I didn’t.” She looked to Ira. “Much as I’d been honored, the Irish bastard wouldn’t hear of it. Quite the prude.” Frustrated and head still piercing with pain, Camille felt the blood rush to her cheeks. “Well, then, who?” “Nothin’ I ain’t seen before, woman,” Monty grumbled from his seat at the table as he sprinkled tobacco into a pipe. Camille gasped and pressed her lips together. She caught sight of her dress hanging on a rack by the fire.
Angie Frazier (Everlasting (Everlasting, #1))
We need to untie them so they can walk into the facility on their own power.” The Massey’s were unbound and directed into the inner workings of the facility, and then they were told to go through a door. Still in shock, none of them protested. They were led to a registration desk, and the man in black who directed the Massey’s into the building said to the woman behind the desk, “Nancy, they’re all yours.” “Ah, Governor Massey and his family. Such distinguished guests that have come to our facilities. Governor, if you will fill out these forms, we can get started,” “What…. what is this place?” he asked. “You are at Camp 17,” she said, as if that was supposed to mean something to him. “Is this some sort of re-education or concentration camp?” “Yes,” “When did this place get built? I was Governor, how did I not know about it?” Nancy shrugged, “Beats me,” “So President Collins is putting all of his enemies here? He can’t do that!” “It looks to me like he can and did. Now fill out these forms so we can process you and your family. You don’t want me to call security, they can be rather nasty to people who don’t do what they’re told.
Cliff Ball (Times of Trial: Christian End Times Thriller (The End Times Saga Book 3))
You're going to hell, you know," she hissed. Scott turned abruptly. "No, lady, you've got it all wrong. I've been to hell. That angel pulled me out." He laughed out loud as the nasty woman's eyes widened and she ran away. It had just hit him. Angel. The name he'd always called Des. From day one. A name he'd never used on another woman. "My angel disguised as a demon," he murmured to himself in wonder. There was a whole lot of irony in there somewhere.
Heather R. Blair (Phoenix Broken (Phoenix Inc. #3))
A sudden bolt of thunder shook the castle as if it were under attack by an artillery barrage. Not surprisingly, the quartet lost their places, making their music degrade and collapse into a cacophonous wreck, though no one except for Berva and the queen seemed to notice. When the first violinist cautiously looked to the queen for guidance, she responded with a nasty glare and a hand twirl, ordering the derailed musicians to get back to earning their pay. Once the quartet resumed playing, Berva took a moment to examine and try to identify the individual musicians. First Violin: some old guy. Second Violin: some old woman. Viola: another old guy. Cellist: Mom… Wait a minute... Something’s not right. Mom doesn’t play cello ... this must be a dream.
David Swift (The Fearful Queendom (Berva Harding Adventures Book 1))
I assure you what I dare will become very apparent. As my wife has said, you are a vile, nasty little woman. Your husband is a very unfortunate man.” “I am no longer married,” she snapped. “I assume he’s in hiding,” Hades said, and I had to place a hand over my mouth to stop from laughing. “Avalon will hear about this,” Mara snapped and turned to walk away. “Excellent,” Hades called after her. “It will ensure they get a good laugh too.
Steve McHugh (Prison of Hope (Hellequin Chronicles, #4))
I grabbed a shard of glass and spun around, brandishing it in front of me. It was a pretty, stippled blue piece, nice and sharp. “Hold on, tiger. I give up.” A bear of a man stood in front of me, hands raised in mock surrender— well, except for the shotgun in his right hand. He towered well over six feet and was shaped like a linebacker, one who’d gone a little too long between haircuts. Dark curls hugged the collar of a basic black T-shirt that almost camouflaged a black shoulder holster holding some type of nasty-looking black handgun. It all matched his black jeans and boots. He looked like the poster child for an upscale GQ mercenary. The only shred of color on him was his eyes, and they were dark brown. Mr. Monochromatic. He laid the shotgun on the table near the door and stepped back, hands up, watching me from beneath hooded lids. A lesser woman would have noticed the thick muscles moving under his tanned skin when he raised his arms, or the T-shirt that fit just snugly enough to send a girl’s thoughts to the Promised Land. Good thing I don’t notice stuff like that. “If you want to search me for more weapons, I’m game.” My eyes shot back to his, and I felt my cheeks flush, hot and bothered on the way to angry. Leave it to a guy to open his mouth and ruin a perfectly good moment.
Suzanne Johnson (Royal Street (Sentinels of New Orleans, #1))
Today, I’m sitting in the corner chair and feeling very conspicuous. First, because I’m not wearing a velour tracksuit in a choice of pastel shades, and second because I’m not a woman. You might even say, thirdly I’m over the age of twenty-five – and mentally over the age of twelve, but that would just be nasty.
Steven Hayward (Mickey Take: When a debt goes bad... (The Debt Goes Bad Series Book 1))
What?” Judd growled and I had to admit Tawny was right about him sounding like a dog when he did that. Turning around, I noticed two of Cooper’s club guys standing behind us. “What’s your deal, O’Keefe?” one guy asked while the other avoided Judd’s hateful gaze. When no one responded, the big bald guy looked me up and down. “She’s tiny. How does fucking even work?” Aaron shifted next to me, now looking as hostile as Judd. “Back off, Mac.” “Just curious. I’ve never fucked a tiny chick.” “You shouldn’t talk about a man’s girl that way especially when she’s carrying his kid,” Cooper warned, clearly wanting to jump in, but holding back so not to emasculate Aaron. Farah said guys in the club were testing Cooper lately because they sensed weakness in his leadership. I couldn’t imagine anyone looking at Cooper without fearing his wrath. Even if they didn’t fear Cooper, they ought to fear his enforcers. After all, Judd was glaring at Mac like waiting for any reason to attack. Sensing a back story to this pissing match, I knew Mac was about to say something nasty even before he opened his mouth. “I hear chicks get big tits when they’re knocked up. Certainly can’t hurt with this one.” Why Mac was starting shit didn’t matter. Aaron threw the punch and the bar immediately exploded into violence. Judd was waiting for a reason to attack while Cooper and Vaughn were always up for a fight. Aaron hit Mac again as the bigger guy stumbled back. I thought of grabbing a chair and helping my man, but Tawny pulled me away. Soon, we were hiding under a table where Farah crouched with wide eyes. “Aaron needs to stake his claim and protect his woman,” Tawny said, cuddled next to Farah. “If you help him, it’s like you’re cutting off his balls and tossing them in your purse. Immature or not, these guys need to be men or they get insecure. Can’t have that.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
He shook his head in disbelief. He would cook and take her to his place. He was about to break two of his own rules. Number one was to never create the intimacy of cooking for a woman he was seeing, and the other one, to never take her to his place. They had the nasty habit of leaving personal things behind and making his house an extension of their own. He had no other alternative - she shared her place with her brother - but somehow he was enjoying doing it for Mary. Perfect Match
Marcia Weber Martins
more human, more bestial, less agonizingly inaccessible. Inaccessible to him, of course, but not inaccessible. Instead of being jealous of Peter, he was in a manner grateful to him: he had brought her down to the sordid level of Peter – and on that level she did not hurt so much. She wasn’t violets and primroses in an April rain any more: she was a woman in bed with a nasty man in Earl’s Court. Good for Peter. Could this mood hold? Was he what they called ‘disgusted’, and had he a chance of getting out of love with her now? To his surprise it had seemed for a little that there was a possibility of this. He went round and met them that morning, went and had drinks at the ‘Black Hart’, and amazed himself by his coolness. He looked at them both as he talked to them; he thought of what he now knew about them; and all he was aware of was the change in the quality of his feelings towards Netta. She was still lovely; he still wanted her: but now he didn’t want her in the same mad, adoring way. He wanted her only in the way that Peter (and the other men on whom she had no doubt bestowed her favours) wanted her. She was something to be had by men, and as such he could do without her. Or so he believed. Indeed, after a few drinks that morning, his soul began to smile to itself. It smiled both at this change in his feelings
Patrick Hamilton (Hangover Square)
What makes a man who has a woman who loves him risk it all?” “Are you asking me or Him?” “You.” Ruiz rubs his forehead. “Sometimes when a man feels bad about himself, he doesn’t want to be with a woman who looks at him with nothing but love. Instead he wants to lie on top of a woman who knows how nasty and shallow and faithless he can be… a woman who doesn’t put him on a pedestal or expect him to be a knight in shining armor… a woman who’s happy with the worst he can be.
Michael Robotham (The Wreckage (Joseph O'Loughlin, #5))
Some believe that the bonobo is the “closest living representative of our earliest known ape-hominid ancestor.” In Jahme’s words, the bonobo is also known as the “make love not war” ape because sex is used by bonobos as a substitute for aggression. When things get tense between males, they stop themselves before things get really nasty and they rub their penises together . . . the females have lesbian sex, known as genito-genital rubbing, or GG rubbing . . . When an adolescent female bonobo tries to ingratiate herself into a new group of bonobos, she looks for a senior female and tries to become her friend. She sits on the periphery of things for a while and sizes up who is who in the hierarchy. The young female bonobo then tries to cement a bond with a high-status older female by engaging in homo-erotic acts with her.
Phyllis Chesler (Woman's Inhumanity to Woman)
My pulse thunders in my ears. It feels like my heart’s rattling my ribs loose, it’s pounding so violently inside my chest. If he touches me any further, I won’t be strong enough to resist Ren anymore. I’ll throw myself at him, beg him to give me everything for just a little while. To give me for now until he can have forever with her. Her. God, my blood boils, and a kick of anger surges through my veins. I hate her. I’m wildly jealous of this woman, who I can only assume is entirely, completely worthy of him. And I know, I trust that she is, because I trust Ren. He’s measured and thoughtful. He has his head screwed on straight. He values the right things. She’s probably an understated beauty, because Ren’s too wholesome to need a knockout—he only asks for beauty from within. She’s one of those rescue-shelter volunteers who bakes perfectly circular chocolate chip cookies and makes friends with all the grandmas on the block. She wants three kids—two boys and a girl—and she loves to scrapbook. She also reads those criminally sex-free romances and is the least erotically adventurous woman on the planet— Whoa, there, Francesca. Getting a little nasty, aren’t we? Well, yes. My thoughts have turned uncharitable. That’s my jealousy talking. That’s my covetous envy. A fierce possessiveness for someone I have no right to. An unwarranted, unfair animosity toward a woman I should be happy for. “I want to apologize, Frankie. About last night.” I spin, tugged out of my thoughts. “What?” Ren frowns up at me from his crouched position, petting Pazza. “I don’t remember everything, because that headache was…unearthly painful, and I’d taken one of the pills for it that Amy prescribed me, but I have a vague memory of being very into hand holding.” Heat rushes through me as I bite my lip. God, you’d think we’d made out, the way thinking of it affects me. “You were.” He grimaces. “It was unprofessional of me. I’m sorry.” His face transforms to a wide smile as Pazza licks his face, perching her muddy paws on his knees. “Pazza, down.” My voice is sharp, and she drops immediately, jogging over to me. Ren slowly stands with a look of wariness on his face. “What’s the matter?” “Nothing. Just Pazza. Sh-she’ll ruin your slacks.” I point at the grass and mud staining his knees. He smiles and shrugs. “I don’t care, Frankie. I can do my laundry. I’m a spot-treating wizard, actually.” “Of course, you are.” I can’t get a stain out of my clothes to save my life. Why do all these little things about him add up to something so perfectly right to me? Why does he have to be so wonderful? Why do I have to be so fucked up?
Chloe Liese (Always Only You (Bergman Brothers, #2))
Someone needs to remain on over-watch. We don’t know when those bats will come back.”   Trenton tilted his head. “That’s already taken care of. A couple of pathfinders and your friend Dane showed up shortly after we started using the Koa to help defend it. They’ll stay here. Braden’s also sent some of his warriors to protect the poor darlings.”   He sent a wicked glance at the woman at his side. The woman rolled her eyes but didn’t contradict him.   Good enough for Shea. She slid the sword into its scabbard as Gawain did the same.   “Let’s see what Fallon wants, then,” she said, clapping Trenton on the shoulder and easing past him.   He barely controlled his wince before he followed her.   “What’s the matter? One of the bats get a little too close?” Gawain asked in a sarcastic tone.   Shea hid her grin when her guard sent the clan leader a nasty glare.   “More than a little close,” Eliza said with a sidelong glance. “When we showed up, one of them had him by the arm and was about to drag him over the cliff. Good thing we arrived when we did or else someone would have had to scrape the poor darling off the rocks below.”   Trenton gave her a dour look and Shea choked back a laugh. She could just imagine how much he hadn’t enjoyed being rescued.   “You’re getting a bit slow from your easy assignment,” Gawain said, prodding the other man.   Trenton slid a dark look his way. “You’ve seen the types of situations she gets herself into. Does this seem like a cushy assignment to you?”   Gawain gave a small shrug, conceding Trenton’s point with a small smirk.   Shea ignored the banter. She did not get herself into situations. She saw a problem and fixed it. Not her fault that things often avalanched from there.
T.A. White (Wayfarer's Keep (The Broken Lands, #3))
Vhalla?” She hadn’t even heard Larel stir. “Morning.” Vhalla finished dressing quickly. “Are you all right?” It was annoying how Larel missed nothing. “I’m fine.” Vhalla began breaking down the tent. “Was it another dream?” “Enough, Larel,” Vhalla sighed and straightened. The Western woman was silent. Vhalla should’ve been too, but there was an aching feeling in Vhalla’s stomach that put nastiness in her blood. “Why are you always pestering me? It’s none of your concern what I dream or don’t dream, what I eat or what I don’t eat.” Larel’s face was expressionless. “Just leave me alone for once.” Vhalla grabbed her pack and stormed off, leaving the rest of the tent for Larel. She hated herself for those words. It wasn’t Larel’s fault. The class Vhalla was born into, the Night of Fire and Wind, the prince’s confusing and frustrating hot and cold attitude toward Vhalla. Larel had no control over any of it. Vhalla had just taken her frustrations out on someone who wasn’t expecting it.
Elise Kova (Air Awakens: Digital Boxed Set (Air Awakens, #1-5))
You're a liar, and worse-- you broke my heart. You're not a mother. You're a villain." Gothel's eyes went wide. Her mouth opened and hung there as though even she was a little curious as to what she would say, what words would come and bring the situation back under her control. "I would rather take my chances with an honest villain like Bathory!" Rapunzel hissed. "Get out of my sight and never let me see you again!" "Or what?" Gothel asked, a knowing, nasty tone in her voice: her real voice. "What could you do to me, Rapunzel? I am your mother, and besides that I control all of these sword-playing idiots." "Did you forget that I'm a crown princess? And a powerful witch who can control her hair now. Or did you think the castle just fell on its own today? "Either way, your time with me is over, if you know what is good for you." The two women glared at each other. And after a minute, Rapunzel realized that's what they were: two women. Despite being younger and shorter than Gothel, she wasn't a girl anymore. She had power and will and a stubborn disposition. "Go. Now," she ordered. "Never approach me again." Her mother started to growl something-- "What's that? I can't hear you. All that mumbling," Rapunzel said airily, and walked away, turning her back on the woman forever.
Liz Braswell (What Once Was Mine)
Sir Tristan?’ Simeon ventured. ‘But even if he does, will he defend the King? Coming from Lyonesse, surely he’ll follow the Goddess?’ Dominian showed his teeth in a nasty laugh. ‘The Great Mother, yes. The old whore we are driving from the land.’ ‘As soon as we have taken Her ways for our own?’ Dominian frowned. ‘What d’you mean?’ An earnest student of both history and the modern world, Simeon had been waiting for the moment to bring this up. ‘Did not the first Christians take over the apparatus of the Mother?’ he began importantly. ‘Her threefold incarnation of Maiden, Mother, and Wise Woman, is that not what people in those days called the Holy Trinity?’ Dominian paused. ‘This is not something to share with the common folk,’ he said carefully. ‘We teach them that God the Father was here before all things.’ ‘But our Communion, too,’ Simeon pressed on. ‘At the feasts of the Mother, the Lady is the loaf giver to all who come and pours wine from her loving cup with her own hand. When we offer bread and wine, haven’t we taken thus from the first power of the Lady, to feed and to provide?
Rosalind Miles (Isolde, Queen of the Western Isle (Tristan and Isolde, #1))