Nashville Love Quotes

We've searched our database for all the quotes and captions related to Nashville Love. Here they are! All 65 of them:

Being Jesus means that we go through life embracing it all fully and feeling it all deeply. That we don’t hide and try to protect ourselves. That we live. That we show up. That we laugh. That we cry. That we hurt. That we heal. That we care. That we love. And then, that we wake up the next morning and sign up for it all over again.
Jim Palmer (Being Jesus in Nashville: Finding the Courage to Live Your Life)
I'm in love with Dr. Lowe," I said abruptly. My mom paused, arched one eyebrow, and set the bands on my nightstand. "Oh, Cassidy, I know. I figured that out watching you two in recovery.
Nikki Sloane (The Doctor (Nashville Neighborhood, #1))
I love you, Jayden Mitchell Sinclair, I do. But right now , I want to kill you. So just hold my hand and tel l'me I'm pretty as I push your kid out.
Toni Aleo (Pucks, Sticks, and Diapers (Nashville Assassins, #7))
I love everything about you Kacey, because the best thing in life is finding someone who knows your flaws, mistakes, difficulties, and still think you are bad-ass and loves you.
Toni Aleo (Overtime (Nashville Assassins, #5))
I love you too, now let's make this birth our bitch.
Toni Aleo (Pucks, Sticks, and Diapers (Nashville Assassins, #7))
I don’t think everyone is meant to have careers that change the world. Sometimes you’ve just gotta pay the bills and then clock out so you can get to the life you love the most,
Sarah Adams (The Off Limits Rule (It Happened in Nashville, #1))
I’ve come to terms with the fact that in a room full of J.Crews, I’ll always be a Target. I love Target. Let’s see J.Crew try to sell delicious soft pretzels in their store.
Sarah Adams (The Off Limits Rule (It Happened in Nashville, #1))
don’t think everyone is meant to have careers that change the world. Sometimes you’ve just gotta pay the bills and then clock out so you can get to the life you love the most, which, for me, is being with Levi.
Sarah Adams (The Off Limits Rule (It Happened in Nashville, #1))
Is she worth it though?" he asked and she shrugged. "That's up to you to decide. Either way, I support you, love you, and will stand beside you," she whispered against his lips. "And when you're ready, I'll Spartan kick her in the face.
Toni Aleo (Overtime (Nashville Assassins, #5))
Well, my beautiful girlfriend, you are about to be one lucky lady." She beamed. "Ryan Reynolds wants to make a baby with me?" He paused and then shook his head. "What the fuck? You dig Deadpool?" She nodded. "Hell yeah, I do, he's sexy." "I'm naked here, you just took advantage of me, and you are calling some other dude sexy?" She smiled. "Yes, because I love you and find you sexy. But that doesn't matter, carry on,
Toni Aleo (Face-Off at the Altar (Nashville Assassins, #8))
I jolted from the shocking, acute pleasure. I loved it when a guy went down on me, but this? It was insanity, and it’d never felt like this before. Each lush stroke of his tongue caused static in my body. It was so good, it short-circuited my brain, and my body didn’t know how to handle the overload.
Nikki Sloane (The Architect (Nashville Neighborhood, #3))
Why, instead of working at getting over the greatest loss he’d ever known, had Alexei simply collected more people to lose?
Anita Kelly (Something Wild & Wonderful (Nashville Love Book 2))
All roads are tough, but you have to choose the one you know you'll never be sorry for taking.
Chris Burkmenn
they would love to learn from him. I have to do what's best for my dancers, and if having tat twat bag at my studio is twat is best, then I'll do it.
Toni Aleo (Breaking Away (Nashville Assassins, #1))
I don't think I could ever leave you Peyton. I'm in love with you.
Stacey Lewis (Never Wanted More (Nashville Nights, #1.5))
Wanted to say goodbye with a BJ but you were so out of it I didn’t have the heart to wake you. Call you when I land in Nashville. Blake’s on the couch if you need ’im. Jess gets in at eleven. Love you.
Sarina Bowen (Us (Him, #2))
And we'll let the world dance around us while you lie here in my arms. The beat of your heart is all the music I need to hear. I spent my whole life searching for this melody, so I'll listen while I hold you near.
Courtney Giardina (Behind the Strings (Book 1))
Dude, I told you she was a man-eater." "That's the thing, she isn't. She is actually an amazing woman. Tough as nails, and man she keeps me on my toes, but she has a heart of gold that she hides from everyone. I really do believe that she was made for me, and I don't care how girly that sounds." Erick scoffed. "No worries, when a dude is really in love, he turns into a freaking girl. It's scary. So stay away from girls, they are icky and will make you do stupid things. Okay, buddy?
Toni Aleo (Breaking Away (Nashville Assassins, #1))
They only want to be there while you’re on top, and when you haven’t gotten a gig in a while and you don’t know how you’re going to pay your rent at the end of the month and the glamor they thought they signed up for is gone, they’re walking out the door, leaving you to pick up the pieces.
Courtney Giardina (Behind the Strings (Book 1))
After her mother died and Adrienne and her father took up with wanderlust, Adrienne became exposed to new foods. For two years they lived in Maine, where in the summertime they ate lobster and white corn and small wild blueberries. They moved to Iowa for Adrienne's senior year of high school and they ate pork tenderloin fixed seventeen different ways. Adrienne did her first two years of college at Indiana University in Bloomington, where she lived above a Mexican cantina, which inspired a love of tamales and anything doused with habanero sauce. Then she transferred to Vanderbilt in Nashville, where she ate the best fried chicken she'd ever had in her life. And so on, and so on. Pad thai in Bangkok, stone crabs in Palm Beach, buffalo meat in Aspen. As she sat listening to Thatcher, she realized that though she knew nothing about restaurants, at least she knew something about food.
Elin Hilderbrand (The Blue Bistro)
Pattie helped me understand that you can provide someone with food and shelter, train them in a skill for employment, even offer professional treatment for an addictions, but these acts don't necessarily reach down to that place inside a person where fear, shame, guilt, hurt, and hopelessness wreak havoc. Pattie's greatest need was to be seen, and then to be loved, accepted and validated.
Jim Palmer (Being Jesus in Nashville: Finding the Courage to Live Your Life)
Think of Chicago as a piece of music, perhaps,” he continued. “In it you can hear the thousands of years of people living here and fishing and hunting, and then bullets and axes, and the whine of machinery, and the bellowing of cattle, and the shriek of railroads, and the thud of fists and staves and crowbars, and a hundred languages, a thousand dialects. And the murmur of the lake like a basso undertone. Ships and storms, snow and fire. To the north the vast dark forests, and everywhere else around the city rolling fields of farms, and all roads leading to Chicago, which rises from the plains like Oz, glowing with light and fire at night, drawing people to it from around the world. A roaring city, gunfire and applause and thunder. Gleaming but made of bone and stone. Bitter cold and melting hot and clotheslines hung in the alleys and porches like the webbing of countless spiders. A city without illusions but with vaulting imaginations and expectations. A city of burning energies on the shore of a huge northern sea. An American city, with all the violence and humor and grace and greed of this particular powerful adolescent country. Perhaps the American city—no other city in the nation is as big and central and grown up from the very soil. Chicago was never ruled by Spain or England or France or Russia or Texas, it shares no ocean with other countries, it is no mere regional captain, like Cincinnati or Nashville; it is itself, all brawn and greed and song, brilliant and venal, almost a small nation, sprawling and vulgar and foul and beautiful, cold and cruel and wonderful. Its music is the blues, of course. Sad and uplifting at once, elevating and haunting at the same time. You sing so that you do not weep. You have no choice but to sing. So you raise up your voice and sing of love and woe, and soon another voice joins in, and you sing together, for a while, for a time, perhaps a brief time, but perhaps not.…
Brian Doyle
Dr. Finch became a bone man, practiced in Nashville, played the stock market with shrewdness, and by the time he was forty-five he had accumulated enough money to retire and devote all his time to his first and abiding love, Victorian literature, a pursuit that in itself earned him the reputation of being Maycomb County’s most learned licensed eccentric. Dr. Finch had drunk so long and so deep of his heady brew that his being was shot through with curious mannerisms and odd exclamations. He punctuated his speech with little “hah”s and “hum”s and archaic expressions, on top of which his penchant for modern slang teetered precariously. His wit was hatpin sharp; he was absentminded; he was a bachelor but gave the impression of harboring amusing memories; he possessed a yellow cat nineteen years old; he was incomprehensible to most of Maycomb County because his conversation was colored with subtle allusions to Victorian obscurities.
Harper Lee (Go Set a Watchman (To Kill a Mockingbird))
His hand felt odd against her swollen belly. She started to speak at the same moment that the baby suddenly moved. Tate’s hand jerked back as if it had been stung. He stared at her stomach with pure horror as it fluttered again. She couldn’t help it. She burst out laughing. “Is that…normal?” he wanted to know. “It’s a baby,” she said softly. “They move around. He kicks a little. Not much, just yet, but as he grows, he’ll get stronger.” “I never realized…” He drew in a long breath and put his hand back against her body. “Cecily, does it hurt you when he…” He hesitated. His black, stunned eyes met hers. “He?” She nodded. “They can tell, so soon?” “Yes,” she said simply. “They did an ultrasound.” His fingers became caressing. A son. He was going to have a son. He swallowed. It was a shock. He hadn’t thought past her pregnancy, but now he realized that there was going to be a miniature version of himself and Cecily, a child who would embody the traits of all his ancestors. All his ancestors. It made him feel humble. “How did you find me?” she asked. He glared into her eyes. “Not with any help from you, let me tell you! It took me forever to track down the driver who brought you to Nashville. He was off on extended sick leave, and it wasn’t until this week that anybody remembered he’d worked that route before Christmas.” She averted her eyes. “I didn’t want to be found.” “So I noticed. But you have been, and you’re damned well coming home,” he said furiously. “I’m damned if I’m going to leave you here at the mercy of people who go nuts over an inch of snow!” She sat up, displacing his hand, noticed that she was too close to him for comfort, swung her legs off the sofa and got up. “I’m not going as far as the mailbox with you!” she told him flatly. “I’ve made a new life for myself here, and I’m staying!” “That’s what you think.” He got up, too, and went toward the bedroom. He found her suitcase minutes later, threw it open on the bed and started filling it. “I’m not going with you,” she told him flatly. “You can pack. You can even take the suitcase and all my clothes. But I’m not leaving. This is my life now. You have no place in it!” He whirled. He was furious. “You’re carrying my child!” The sight of him was killing her. She loved him, wanted him, needed him, but he was here only out of a sense of duty, maybe even out of guilt. She knew he didn’t want ties or commitments; he’d said so often enough. He didn’t love her, either, and that was the coldest knowledge of all. “Colby asked me to marry him for the baby’s sake,” she said bitterly. “Maybe I should have.” “Over my dead body,” he assured her.
Diana Palmer (Paper Rose (Hutton & Co. #2))
But she was so tired of fighting. For love, for her freedom, for life to finally go her way.
Marina Adair (Promise Me You (Nashville Heights, #1))
There’s nothing so sweet as my husband apologizing after we fight. There’s nothing so endearing as his testing my good graces, or as satisfying as his make-up kiss.” —Grace, Nashville, TN
Merry Bloch Jones (I Love Him, But . . .)
Have you ever wondered why a woman would violate the sisterhood code by stealing men and destroying families without a trace of guilt or remorse? What is going on in her head to make her act that way? She may be a sociopathic sex addict—a Sexopath. Unfortunately, Sexopaths are very difficult to detect because they look like everyone else and lying comes as easily as breathing to them. The only way to protect ourselves, our relationships, and our families is to recognize these people for who they are. If we can understand how they think, we can beat them at their own game. Enter the mind of the ultimate anti-hero inspired by an actual socipathic sex addict—you are going to love to hate her!
Nicole Kelly MD (69 Shades of Nashville: Sociopathic Sex Southern Style)
I Do Believe You Ate My Salad Recently, I attended a luncheon at the George Lindsey (Goober of Mayberry fame) Film Festival at my alma mater, the University of North Alabama. Good manners and polite social behavior were at the top of my list, for I know how often business deals get made and people fall in love over meals--my goodness! Seated right next to me was my friend Buddy Killen, a legendary songwriter from Nashville, Tennessee. Everything seemed to be going fine until I looked over and saw that Buddy was eating my salad. I guess he forgot that your salad is always served on the right. Should I have ignored his faux pas? Skipped my salad to avoid making him uncomfortable? What was a Grits girl to do? I’ll tell you what: without a second thought, I turned to Buddy and said straight out, “Excuse me, sir, I do believe you ate my salad!” Never missing a beat, he waved the waiter over and said, “Sir, I’m afraid you forgot Edie’s salad!” With that, I got my salad and all honor was saved. Which just goes to show that being straightforward in a polite manner is never inappropriate. -Edie Hand
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
They’re not. I’m sure they’re suffering, too. I know they loved me. I’m more trying to figure out…how I feel about a world that can make them believe what they believe. That what they did was the right thing. And where I fit now, in that world.
Anita Kelly (Something Wild & Wonderful (Nashville Love Book 2))
how comforting it must be for them to know you are listening with your whole heart.
Anita Kelly (Something Wild & Wonderful (Nashville Love Book 2))
Did you know that some scientists call the paths animals and humans make all over the world, that divert from the carefully planned and constructed roads of civilization, desire lines?
Anita Kelly (Something Wild & Wonderful (Nashville Love Book 2))
That the world Alexei’s parents believed in wasn’t the real world at all. At least, it wasn’t the world that mattered. And there was so much good in the world that did.
Anita Kelly (Something Wild & Wonderful (Nashville Love Book 2))
How Alanna and Thom both reject society’s expectations of them. Alanna’s refusal to live as someone she didn’t want to be. She was so…fearless.
Anita Kelly (Something Wild & Wonderful (Nashville Love Book 2))
Alexei barely even liked talking about his faith to people he knew, outside of youth group. It was personal, not something he wanted to sell, like the guys who always stopped by their house to convince them to change cable providers.
Anita Kelly (Something Wild & Wonderful (Nashville Love Book 2))
I’m in love with both of you,” I admitted. “Together. As a unit.
Nikki Sloane (The Architect (Nashville Neighborhood, #3))
Mr. Nuisance jerked, then flashed a look of confusion as if he hadn’t just been the one to proposition her.
Joy Avery (Nashville Unforgettable)
the pressure that’s put especially on young athletes can take such a toll. Even when the public eye isn’t trained on you, many people are drawn to sports as a way to escape other things in their lives.
Anita Kelly (How You Get the Girl (Nashville Love Book 3))
what it looks like to love another person for who they are, without reservations or limits. They showed me the joy you can find in a shared passion, always wanting to grow and learn together, as a team.
Anita Kelly (How You Get the Girl (Nashville Love Book 3))
every new appointment, each new thing, seemed to fall during business hours. Elle wasn’t sure how other working foster parents managed it. How any parent managed anything, really.
Anita Kelly (How You Get the Girl (Nashville Love Book 3))
Maybe all love was a surprise, followed by practice. A step out of comfort zones, followed by hard work.
Anita Kelly (How You Get the Girl (Nashville Love Book 3))
They taught me that even when you mess up, you try again, until you get it right. That love is a constant, lifelong effort to perfect your favorite recipe.
Anita Kelly (How You Get the Girl (Nashville Love Book 3))
They taught me that just because love can change and shift as you both grow, it doesn’t mean it disappears.
Anita Kelly (How You Get the Girl (Nashville Love Book 3))
Life is precious, love is a gift. The sun might not always shine on us. But those will be the days that we take pleasure in the rain.
Inglath Cooper (Pleasure in the Rain (Nashville, #4))
Sierra, You always have been, always will be, my muse. You inspire me in countless ways every day.  Your influence has made me a better artist, and more importantly, a better man. I only hope in some small way I have inspired you to be the best you can be. I believe in you more than I have ever believed in anyone, myself included. I know you will accomplish great things in life; this is only the beginning of your journey. I am so proud to call you my wife, my lover, my best friend. I love you, Trey
Cheryl Douglas (Shameless (Nashville Nights, #1))
Like I said, I’m pretty sure I’ve loved you for longer than I want to admit. Even back in high school, I was drawn to you. It’s why I was such a jerk to you all the time. Pushing you away was my number one focus because I thought you were in love with Max, and I didn’t want to take that away from him.
Stacey Lewis (Looking for Trouble (Nashville U Book 1))
My train! This is the train Papa promised me!” He pulled a little red engine from the branches of the tree. “And it’s red. Just like I wanted!” Confused, Aletta joined him, and Andrew held up the toy, a tag bearing his name hanging off the smokestack. “All really good trains are red, Mama,” he said, as though everyone should know that. The train was hand carved, not nearly as detailed as the one she’d ordered from the Nashville mercantile, and it had no railcars and certainly didn’t make any sounds. But when she turned the train over and saw the writing on the bottom, she felt the prick of tears. I love you, buddy, Jake. She read the inscription aloud, and Andrew’s eyes lit. He raced over to Jake, who knelt and hugged him tight. “I love my train!” Andrew drew back. “Does this mean I get to call you Jake now?” Jake looked across the room at her, much like everyone else, and Aletta smiled. “I imagine that would be just fine.” Andrew gave a loud shout and went to show Winder his red engine. Aletta joined Jake, who stood quietly off to the side. “How did you know?” She searched his gaze. “That was the kind of train he wanted? And that he wanted red?” “I didn’t. But that’s the kind of train I had when I was his age. Besides . . . aren’t all really good trains red?
Tamera Alexander (Christmas at Carnton (Carnton #0.5))
Carl finally came home and would come to see me almost every night, usually staying to the wee hours. He was working with his father in his asphalt-paving business in South Nashville and I was living in Madison, Tennessee. Between that and the time he spent with me, he wasn’t getting any sleep at all. Finally, one day he said, quite matter-of-factly, “You’re either gonna have to move to the other side of town or we’re gonna have to get married.” That, to Carl, was a proposal. People always want to know how he asked me to marry him, and I always have to say, “He didn’t exactly ask.” Part of me was thrilled that he wanted to marry me, but another part was a little taken aback. That must have been the strongest part because that was the one that answered. “You never have even said you loved me.” “Hell, you know I love you,” was Carl’s answer. I attribute this to that same kind of unspoken communication that I explained when describing life with my daddy. It is one of the Parton/Dean rules of conduct I have become a one-woman committee to abolish. Always at holidays or other family gatherings, people would hug and say good-bye, but they would never say “I love you.” Sure, I know that the love is there, but dammit, I want to hear it! I was the first one in my family, that I know of, to ever tell other family members that I loved them. One day, after I had been living away from home for many years, I was saying good-bye to Daddy when I told him, “I love you.” He responded in the usual nonverbal, look-at-the-ground Parton way, and I just couldn’t stand it anymore. I took his head between my hands and made him look me right in the eye. “You tell me you love me,” I demanded. With no small amount of embarrassment he said, “Aww, you know I love you’uns” (a mountain word meaning more than one). “Not you’uns!” I kept on. “This has got nothing to do with Cassie or Bobby or anybody else. I want to know if you”—I emphasized the word by poking my finger into his chest—“love me,” I said with an emphatic point toward myself. He tried to look to one side, but I held his face firmly. He blushed and sputtered and finally said haltingly, “I love you.” That must have been the crack in the dam. Once the top man had fallen, it was easier to teach the rest of the Partons to say “I love you.” Now it is something we all do freely. It is still not something Carl does on a regular basis. But now and then, in a kind of sidewinding way, he will say it.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
It’s quite funny, you were never Conrad’s first choice. You were the substitute. But your promiscuous sister couldn’t keep her legs closed, and well, she was no longer pure for the Ivory family.” Becca clicked her tongue. My body went cold. My eyes blurred and everything Becca said no longer sounded like a language I understood. “My… sister? No, you don’t know what you’re talking about. Layla had no idea who this family was. She… she was raped by Trent.” “Did you actually see her being raped? Or is that what she told you?” Becca pursed her thin lips at me. Blinking rapidly, I thought about how I hadn’t seen Layla being raped; I’d just hear them. Hear them… having sex? But she’d always come back into the closet with me. She’d always look repulsed and heartbroken. “She fell in love with Trent, and he loved her, but business is business. When he found out Ian Ivory was no longer buying Layla for the two million dollars he had promised him, he couldn’t handle it. Layla was supposed to be his largest transaction and his way out of the Nashville slums. He couldn’t believe having sex with her had wrecked him. So… he set it all up, and he put Layla up to it as well. He said if she helped him get you to go to the Ivory’s house, he’d marry her.” Becca paused. Leaning in, she brushed my hair from my face with her blood-stained palm. “It must really hurt to know your sister didn’t want you, either.” She frowned at me with insincere sadness.
Monica Arya (The Favorite Girl)
You can be happy and still feel like you don’t really know what the fuck you’re doing.
Anita Kelly (How You Get the Girl (Nashville Love Book 3))
but they would have anyway, no matter what he drove. “I have the day off tomorrow. And there are some other things I want you to see. I have a surprise.” He was trying to organize her introduction to Nashville, while keeping a hand in his work. And she knew they were playing a concert in six days. It had been sold out for months. He left her in the lobby, and she heard the Corvette roar off two minutes later, as she went upstairs. She had had a fabulous day so far, thanks to Chase. She changed into jeans and comfortable clothes for their time in the studio that night. And he said there would be plenty of food for everyone to eat. She couldn’t wait to see his house. She knew how much he loved it, and how important his home was to him. He talked about it a lot, and what a job it had been to renovate it. It was an old Colonial mansion on extensive grounds. It was part of an old plantation that had been divided into lots years before, and he had the main house and gardens closest to the house. The old slave quarters had been torn down when the property had been split up. She hardly had enough time to check her e-mails and change her clothes before it was time to pick her up. One of
Danielle Steel (Country)
Sometimes two people fall in love after having their hearts broken, but together, as a team, they can build a foundation of love that will be indestructible.
Toni Aleo (Power Play (Nashville Assassins: Next Generation, #2))
Mr. Pixel Ate loves Pho and Sushi and Nashville Hot Chicken and Mrs. Pixel Ate loves enchiladas. But that is likely to change on a day-by-day basis. What's your favourite ice-cream flavour? Hands down chocolate chip cookie dough for Mom. Dad says peanut butter chocolate. And always Tillamook brand.
Pixel Ate (The Accidental Minecraft Family: Book 17)
I’m a pathetic sap, clinging to fictional love stories, just waiting for my best friend to be ready to start ours.
Madison Wright (Just Friends (Nashville Is Calling #3))
I walked under the arch—Empire State Building in front, Freedom Tower behind—glorious to be here, on this day, some new beat in my vascular system, an anticipatory cadence that matched the wider pulse of traffic and construction noise. Life, life. Manhattan was saying it. In the interstices between tragedies, the spaces between the arrowing buildings, the rush of air in alleyways and tunnels, breezes across rooftops, life. So much sweat and energy absorbed by the inanimate, I thought, if you removed every human from this island the stones would cry out. Faulkner said the East and Middlewest—New York, Chicago—are young because they’re alive, the South old because it’s dead. Killed by the Civil War. Maybe that was what I felt. I’d come up from Nashville to find myself among the living.
Jamie Quatro (Fire Sermon)
This love still means something. Hell, it’s fucking worth fighting for.
L.A. Wayward (Make It Burn (Nashville Outlaws, #1))
I hate myself for asking you to love me again. I’m a fucking selfish bastard for still loving you. You’re my home, babe. That part never changed.
L.A. Wayward (Make It Burn (Nashville Outlaws, #1))
I never stopped loving you. You are on my mind every damn day. You’re the first person I think of when I open my eyes and the last on my mind when I close them. I hate that you’re not here to come home to.
L.A. Wayward (Make It Burn (Nashville Outlaws, #1))
Leaning back, I look deep into his eyes. The hurt in them tears me apart. “I need time,” I say. “Will you ever love me again, like you once did?” He asks, his voice hoarse. I don’t know what to tell him.
L.A. Wayward (Make It Burn (Nashville Outlaws, #1))
Travel has always been one of the best parts of my job. But about a year ago, I felt God whisper to me, “You’re going to want to be home next fall.” It felt like an invitation from Him, and with time in prayer, for me and my team of employees and managers and agents, we decided that I would spend fall in Nashville.
Annie F. Downs (That Sounds Fun: The Joys of Being an Amateur, the Power of Falling in Love, and Why You Need a Hobby)
thirty short films, plays and musicals as well as seven novels for Poolbeg Press, two of which were written under the pseudonym Emma Louise Jordan. Her latest signing with HarperImpulse (HarperCollins) saw the re-release of Crazy For You in 2013. Emma loves spending time with her partner (the talented artist and singer/songwriter Jim McKee) all things Nashville, romantic comedy movies, singalong nights with friends and family, red
Emma Heatherington (The Legacy of Lucy Harte)
Which character do you most identify with: Cooper, Daley, Cooper’s dad, or Big-Big? Why? 2. “Music washes us from the inside out. It heals what nothing else can.” Have you found that to be true in your own life? If so, share some of the lyrics and how they provided healing for you. 3. It’s much more difficult for Cooper to forgive himself than it was for his father to forgive him. Why do you think that is? 4. Cooper didn’t tell Daley the truth about the fire and the shooting when it happened, and he doesn’t tell her again when they reunite in Buena Vista. Nor does he tell her about his illness. His reasoning is that he loves her too much. Do you think he made the right decision? 5. The old traditional hymns are sung and discussed throughout the book. What role do they play in the story? Do you have a favorite hymn? What do its words and melody mean to you? 6. Cooper’s dad says, “Music cuts people free. It silences the thing that’s trying to kill us.” How does music cut each of the characters free in this novel? 7. In the sermon he delivers when Cooper leaves, his father challenges Cooper and the listeners at the tent meeting: “Question is, what and who do you worship?” How do you think that convicted Cooper? Did it cause you to consider what and who you worship? 8. What are some of the reasons Cooper creates in Nashville to justify not going home? Do you think they are valid? Can you identify with his struggle and his feeling that he has to make things right before he can go back to his father? 9. After Daley learns of Cooper’s liver condition, she tells him, “I will not let the fear of what might be rob me of the promise of what can be.” How do you think aspects of her story impacted her passion to be with Cooper, despite the fear? Are there times in your life when you have let fear rob you? 10. How does the theme of “No gone is too far gone” play out in each character’s life? Do you believe that no gone is too far gone?
Charles Martin (Long Way Gone)
Kristofferson’s songs, particularly, explored sensual love and desperate negotiations with personal devils in a rambling ballad style that sharply contrasted with the strictly tempered verse that had dominated country music for decades. He engendered a freedom of expression in Nashville’s music business, and, in his wake, other freedoms emerged.
Michael Streissguth (Outlaw: Waylon, Willie, Kris, and the Renegades of Nashville)
It’s easy to be in love when life is smooth sailing. What deepens it though is riding out the rough waves and finding your way back to what brought you together in the first place.
Inglath Cooper (You, Me and a Palm Tree (Nashville #9))
And that’s what makes me sure I did the right thing. Sometimes loving someone means you have to be willing to let them go.
Inglath Cooper (R U Serious (Nashville, #8))
Elle stood there a moment longer and realized her ephemeral lover was not going to profess true love and offer to sweep her off her feet and into his BMW-clad wheels. She stomped haughtily from the room and he breathed a sigh of relief. Oh well. She wasn’t the right type anyway. There would be others. In the meantime, he had time to catch a shower, load up the car, have a beer or two in the hotel bar, then make his way back to Nashville. *
J.T. Ellison (All The Pretty Girls (Taylor Jackson, #1))