Narrow Lanes Quotes

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A slut is someone, usually a woman, who’s stepped outside of the very narrow lane that good girls are supposed to stay within. Sluts are loud. We’re messy. We don’t behave. In fact, the original definition of “slut” meant “untidy woman.” But since we live in a world that relies on women to be tidy in all ways, to be quiet and obedient and agreeable and available (but never aggressive), those of us who color outside of the lines get called sluts. And that word is meant to keep us in line.
Jaclyn Friedman
He sped up. The right mirror was the first to go, then the left, followed by angry honking from the cars his mirrors hit as he threaded the needle between the narrow lanes.
L.M. Weeks (Bottled Lightning)
Ali wrinkled her forehead and cocked her head to the side. Clearly, she hadn't prepared herself for me to be pleasant. After a moment, her eyes narrowed. "What exactly did you and Lake did yesterday?" she asked, like we might have held up a gas station and gone on a crime spree across the country, all in the span of just a few hours. "We went to Mexico, had some tequila, eloped with a pair of drug smugglers, and took part-time jobs as exotic dancers. You know, same old, same old." Ali snorted. "I'm torn on stripper names. It's either going to be Lady Love or Wolfsbane Lane. Thoughts?" Ali threw a onesie at me. "Brat.
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
How Beautiful is the rain! After the dust and heat, In the broad and fiery street, In the narrow lane, How beautiful is the rain! How it clatters along the roofs, Like the tramp of hoofs! How it gushes and struggles out From the throat of the overflowing spout! Across the window-pane It pours and pours; And swift and wide, With a muddy tide, Like a river down the gutter roars The rain, the welcome rain! -"Rain in Summer
Henry Wadsworth Longfellow
Needless to say, I had been alone on other occasions during the year. Needless to say, my girlfriend was only two hours away by plane. Needless to say, after a busy day, what could be better than a stroll through the narrow streets and lanes of the old city, without having to talk to anyone, simply enjoying the beauty around me. And yet the feeling that surfaced was one of oppressive, distressing loneliness – not having someone with whom I could share the city, the walk, the things I’d like to say. ..there is nothing worse than the feeling that no one cares whether we exist or not, that no one is interested in what we have to say about life, and that the world can continue turning without our awkward presence.
Paulo Coelho
We turn, three men bound by love, by history, by circumstance, and most certainly by the awful grace of God, and together walk a narrow lane where headstones press close all around, reminding me gently of Warren Redstone’s parting wisdom, which I understand now. The dead are never far from us. They’re in our hearts and on our minds and in the end all that separates us from them is a single breath, one final puff of air.
William Kent Krueger (Ordinary Grace)
Narrow lanes climb both slopes and come together in a great ring of elm trees which encircles the flat summit. Any wind--even the slightest--draws from the height of the elms a rushing sound, multifoliate and powerful.
Richard Adams (Watership Down (Watership Down, #1))
There is a sense of danger in leaving what you know, even if what you know isn’t much. These mill towns with their narrow lanes and often narrow minds were all I really knew and I feared that if I left it behind, I would lose it and not find anything to replace it. The other reason I didn’t want to go was because I wanted to be the kind of person who stays, who builds a stable and predictable life. But I wasn’t one of the people, nor would I ever be. I had a vision for my life. It wasn’t clear, but it was beautiful and involved leaving my history and my poverty behind me. I wasn’t happy about who I was or where I was, but I didn’t worry about it. It didn’t define me. We’re always in the making. God always has us on his anvil, melting, bending and shaping us for another purpose. It was time to change, to find a new purpose.
John William Tuohy
There being no direct route to Savannah from Charleston, I followed a zigzagging course that took me through the tidal flatlands of the South Carolina low country. As I approached Savannah, the road narrowed to a two-lane blacktop shaded by tall trees. There was an occasional produce stand by the side of the road and a few cottages set into the foliage, but nothing resembling urban sprawl. The voice on the radio informed me that I had entered a zone called the Coastal Empire.
John Berendt (Midnight in the Garden of Good and Evil)
Mac draws up short to keep from slamming into Barrons and her blonde hair swings back over her shoulder, brushing his face as it goes and my hearing is so good I catch the rasp of it chafing the shadow stubble on his jaw, then one of his hands grazes her breast and his eyes narrow when he looks at what he touched in a hungry way I want a man to look at me like one day and, as they continue to recover from the near-collision, their bodies move in a graceful dance of impeccable awareness of precisely where the other is at all times that is unity, symbiosis, partnership I only dream of, wolves that chose to pack up and hunt together, soldiers who will always have each other’s back no matter what, no sin, no transgression too great, ‘cause don’t we all transgress sometimes and it fecking slays me, because once I got a little taste of what that was like and it was heaven and they’re so beautiful standing there, the best of the best, the strongest of the strong that they practically glow to me, on fire with all I ever wanted in my life—a place to belong and someone to belong there with.
Karen Marie Moning (Burned (Fever, #7))
She threw one leg over his and straddled his lap, then reached under herself and found him again. He tore his mouth from hers. “Wait.” “No.” She looked him frankly in the eyes. “I don’t care if you spill at once. I need you inside me now.” His beautiful eyes widened and then narrowed. “You’ll not always hold the reins, my lady.” She smiled sweetly. “Naturally not, but I do now.
Elizabeth Hoyt (Thief of Shadows (Maiden Lane, #4))
I am two fools, I know, For loving, and for saying so In whining poetry; But where's that wiseman, that would not be I, If she would not deny? Then as th' earth's inward narrow crooked lanes Do purge sea water's fretful salt away, I thought, if I could draw my pains Through rhyme's vexation, I should them allay. Grief brought to numbers cannot be so fierce, For he tames it, that fetters it in verse. But when I have done so, Some man, his art and voice to show, Doth set and sing my pain; And, by delighting many, frees again Grief, which verse did restrain. To love and grief tribute of verse belongs, But not of such as pleases when 'tis read. Both are increased by such songs, For both their triumphs so are published, And I, which was two fools, do so grow three; Who are a little wise, the best fools be.
John Donne
Slowly the lights of the torches in front of Merry flicked and went out, and he was walking in a darkness; and he thought: ‘This is a tunnel leading to a tomb; there we shall stay forever.’ But suddenly into his dream there fell a living voice. ‘Well, Merry! Thank goodness I have found you!’ He looked up and the mist before his eyes cleared a little. There was Pippin! They were face to face in a narrow lane, but for themselves it was empty. He rubbed his eyes. ‘Where is the king?’ He said. ‘And Eowyn?’ Then he stumbled and sat down on a doorstep and began to weep again. ‘They must have gone up into the Citadel,’ said Pippin. ‘I think you must have fallen asleep on your feet and taken the wrong turning. When we found out you were not with them, Gandalf sent me to look for you. Poor old Merry! How glad I am to see you again! But you are worn out, and I won’t bother you with any talk. But tell me, are you hurt, or wounded?’ ‘No,’ said Merry. ‘Well, no, I don’t think so. But I can’t use my right arm, Pippin, not since I stabbed him. And my sword burned away like a piece of wood.’ Pippin’s face was anxious. ‘Well, you had better come with me as quick as you can,’ he said. ‘I wish I could carry you. You aren’t fit to walk any further. They shouldn’t have let you walk at all; but you must forgive them. So many dreadful things have happened in the City, Merry, that one poor hobbit coming in from battle is easily overlooked.’ ‘It’s not always a misfortune being overlooked,’ said Merry. ‘I was overlooked just now by—no, no, I can’t speak of it. Help me, Pippin! It’s all going dark again, and my arm is so cold.’ ‘Lean on me, Merry lad!” said Pippin. ‘Come now. Foot by foot. It’s not far.’ ‘Are you going to bury me?’ said Merry. ‘No, indeed!’ said Pippin, trying to sound cheerful, though his heart was wrung with fear and pity. ‘No, we are going to the Houses of Healing.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
What,” Mick said softly, “is Lad doin’ in me bed?” Hearing his name, Lad opened small, piggish, upside-down eyes, gazing with idiotic adoration as his whip-thin tail thumped the covers. “Ah.” Harry scratched behind one ear. “Well, see, ’e was lookin’ so forlorn, like, out in the courtyard by ’imself. Seemed an awful shame to leave ’im there all alone.” “Off!” Mick roared at the dog. Lad’s transformation was instantaneous. His tiny triangle ears folded back, his eyes narrowed worriedly, and he rolled so that he could crawl toward the edge of the bed on his belly. “Is that mud on his paws?” Mick asked in outrage. Harry glanced at the dog. “I do believe it is,” he said as if making a discovery. “Christ!” Mick watched disgustedly as Lad made the edge of the bed and slithered off, thumping to the floor. The dog seemed to think that his apology was done—or perhaps he’d already forgotten that Mick was mad at him—for he gamboled over as frisky as a lamb. “He’s not even me dog,” Mick muttered. Lad sat, one back leg sprawled out to the side, tongue hanging from his mouth, and grinned up at him. He completely ignored Harry, his supposed master. “The dog ’as a wonderful affection for ye,” Harry said brightly.
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
Come out my friend. Come out from the narrow lanes of darkness into the vivacious light of the day.
Abhijit Naskar
But that’s the way life is; felicity and expiation play together in the narrow lanes of life like bosom friends, inseparable. You find one, and the other is always around the corner.
Anurag Shourie (Half A Shadow)
She smiled as she poured tea into his cup. “I hope you find your rooms comfortable?” “Quite.” He took a too-hasty sip of tea and scalded his tongue. “The view is to your liking?” He had a view of a brick wall. “Indeed.” She fluttered her eyelashes at him over the rim of her teacup. “And the bed. Is it soft and… yielding?” He nearly choked on the bite of cake he’d just taken. “Or do you prefer a firmer bed?” she asked sweetly. “One that refuses to yield too soon?” “I think”—he narrowed his eyes at her—“whatever mattress I have on the bed you gave me is perfect. But tell me, my lady, what sort of mattress do you prefer? All soft goose down or one that’s a bit… harder?” It was very fast, but he saw it: Her gaze flashed down to the juncture of his thighs and then up again. If there hadn’t been anything to see there before, there certainly was now. “Oh, I like a nice stiff mattress,” she purred. “Well warmed and ready for a long ride.
Elizabeth Hoyt (Thief of Shadows (Maiden Lane, #4))
Jacob slid down my body and knelt in front of me. The two of us were wedged into the narrow lane between the and the dresser. He took the front button of my shirt into his mouth. I heard a snap. He spat, and a button pinged to the floor. He was nuts. He'd scammed the quarterly mental health exam and was certifiably insane. Not that that's ever stopped me from sleeping with anyone.
Jordan Castillo Price (Secrets (PsyCop, #4))
Meandering cows, tenacious bicyclers, belching taxis, rickshaws, fearless pedestrians and the occasional mobile ‘cigarette and sweets’ stand all fought our taxi for room on the narrow two-lane road turned local byway.
Jennifer S. Alderson (Notes of a Naive Traveler: Nepal and Thailand)
And I hope that all my readers are acquainted with an old English Cathedral town or I fear the significance of Mr Norrell’s chusing that particular place will be lost upon them. They must understand that in an old Cathedral town the great old church is not one building among many; it is the building - different from all others in scale, beauty, and solemnity. Even in modern times when an old Cathedral town may have provided itself with all the elegant appurtenances of civic buildings, assembly and meeting rooms (and York was well-stocked with these) the Cathedral rises above them - a witness to the devotion of our forefathers. It is as if the town contains within itself something larger than itself. When going about ones business in the muddle of narrow streets one is sure to lose sight of the Cathedral, but then the town will open out and suddenly it is there, many times taller and many times larger than any other building, and one realizes that one has reached the heart of the town and that all streets and lanes have in some way led here, to a place of mysteries much deeper than any Mr Norrell knew of. Such were Mr Segundus’s thoughts as he entered the Close and stood before the great brooding blue shadow of the Cathedral’s west face.
Susanna Clarke (Jonathan Strange & Mr Norrell)
Monkshood was a good hour’s walk from the town proper. The very narrow lanes meant that occasionally you had to throw yourself in the ditch to avoid a car, and once they had to throw themselves in the ditch to avoid a farmer coming by in a blue cart. “The Americans have these inventions called sidewalks,” Jared noted. “We call them pavements,” Kami said. “And we see them as luxuries that you just can’t have with every road.” “You know what goes faster than us? Or even pretty, pretty ponies?” Jared asked. “Your head, spinning through the air when detached from your shoulders after a grisly motorcycle crash
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
He pulled back, his chest heaving, and looked at her angrily. “Don’t start something you mean to stop.” She met his gaze squarely. “I don’t mean to stop.” His eyes narrowed. “I cannot give you marriage.” She’d known. She’d never thought he could—she would’ve sworn so had she been asked a minute earlier—but his blunt words were an arrow of pain piercing her heart nonetheless. She bared her teeth in a smile. “Have I asked you to?” “No.” “And I never shall,” she vowed.
Elizabeth Hoyt (Duke of Midnight (Maiden Lane, #6))
She slapped him, quick and hard. His head turned slightly with the blow, but other than that his only reaction was the narrowing of his eyes. Her chest was heaving as if she were running. “No! You must go to London. You must get him out. You must save my brother because if you don’t, I swear upon everything I hold holy that I’ll ruin both you and your illustrious name. I’ll—” “Little bitch,” he breathed, his face turned fiery red, and he slammed his mouth against hers. There was no softness in him. He claimed her lips like a marauder: hard and angry. If she’d once thought him cold as ice, well, that ice was burned away now by the fire of his rage.
Elizabeth Hoyt (Duke of Midnight (Maiden Lane, #6))
And she arched, screaming, the lightning blazing from her center, sparking through her limbs, flying out her fingertips. She was incandescent. He fell atop her, heavy and male, pulling her legs up around his narrow hips, and ground down into her, once, twice. His cock jerked within her and she could feel every muscle in his body tense. He groaned into her ear like a man dying and then fell senseless and limp. And as she followed him into exhausted slumber she heard his single word: Mine.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
A road that’s narrower than the width of my car’s wheels could only be lover’s lane.

Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
from her purse. “We have to follow that car!” “But not too close,” Nancy replied. “We’d make them suspicious.” The girls waited three minutes before backing out into the main highway and then turning into the adjacent road. Though the automobile ahead had disappeared, tire prints were plainly visible. The road twisted through a stretch of wood-land. When finally the tire prints turned off into a heavily wooded narrow lane, Nancy was sure they were not far from the cabin. She parked among some trees and they went forward on foot. “There it is!” whispered Nancy, recognizing the chimney. “Bess, I want you to take my car, drive to River Heights, and look up the name of the owner of the car we just saw. Here’s the license number. “After you’ve been to the Motor Vehicle Bureau, please phone Mrs. Putney’s house. If she answers, we’ll know it wasn’t she we saw in the car. Then get hold of Dad or Ned, and bring one of them here as fast as you can. We may need help. Got it straight?” “I—I—g-guess so,” Bess answered. “Hurry back! No telling what may happen while you’re away.” The two watched as Nancy’s car rounded a bend and was lost to view. Then Nancy and George walked swiftly through the woods toward the cabin. Approaching the building, Nancy and George were amazed to find that no car was parked on the road in front. “How do you figure it?” George whispered as the girls crouched behind bushes. “We certainly saw tire marks leading into this road!” “Yes, but the car that passed may have gone on without stopping. Possibly the driver saw us and changed her plans. Wait here, and watch the cabin while I check the tire marks out at the
Carolyn Keene (The Ghost of Blackwood Hall (Nancy Drew, #25))
I am two fools, I know, For loving, and for saying so In whining poetry; But where's that wiseman, that would not be I, If she would not deny? Then as th' earth's inward narrow crooked lanes Do purge sea water's fretful salt away, I thought, if I could draw my pains Through rhyme's vexation, I should them allay. Grief brought to numbers cannot be so fierce, For he tames it, that fetters it in verse.
John Donne (Selected Poems)
In the wee small hours, California Highway One north of Half Moon Bay is about as desolate as it gets. The narrow, twisting road was etched from sheer cliff faces that towered above me on the right and dropped away a hundred feet to the Pacific Ocean on my left. A soggy wool blanket of San Francisco's famous fog hung a few feet above the roadway, obscuring the stars and dribbling tiny spots of mist on my windshield. My headlights bored through the gap between road and fog, drilling an endless tunnel through the darkness. So far as I could tell, there were only two other cars on the entire planet that night—actually, one car and a produce truck. They'd flashed by, one after the other, heading south just past Moss Beach. Their headlights glared in my eyes and made the road seem even narrower, but half an hour later, I was wishing for more signs of life just to help keep my drooping eyelids from slamming shut altogether. It was the wrong thing to wish for. She appeared suddenly out of the fog on the opposite side of the road. Only, she wasn't in a car. This gal was smack dab in the middle of the southbound lane and running for all she was worth. She wore a white dress and no coat, and that was about all I had time to take in before she was gone and I was alone in the endless tunnel again.
H.P. Oliver (Goodnight, San Francisco)
You are the heirs of infinite love and light. Come out my friend. Come out from the narrow lanes of darkness. Come out into the vivacious light of the day where all the glory resides. Come out, O lions, and shake off the ancient mysticism and prejudices. You are the most fascinating expression of Mother Nature. Your soul is the expression of the whole Universe. All the power in the universe is born with you in your biology. Recognize them, realize them and ultimately utilize them in the pursuit of spreading love, harmony and peace.
Abhijit Naskar (The Islamophobic Civilization: Voyage of Acceptance (Neurotheology Series))
So,” I said. “Exactly how long have the two of you been together? I assume that you’ve been going hot and heavy ever since that night at Fletcher’s house when the bounty hunters interrupted you. Am I right?” Finn and Bria didn’t look at me or each other. “Right,” Bria mumbled. “Although if it makes you uncomfortable—” “Then Gin’s just going to have to deal with it,” Finn cut her off. Bria stared at him in surprise. “What?” Finn said. “I worked too hard and too long to get you into my bed to just cut you loose now, cupcake.” Bria’s eyes narrowed. “Cupcake?” “Cupcake.” Finn grinned at her. “Or would you prefer snuggle bunny?” Bria’s hand drifted down to the gun on her leather belt, as though she wanted to pull it out and shoot Finn with it. Well, it was good to know I wasn’t the only one who occasionally had that reaction to him. ... Then I fixed them both with a hard stare. “Just don’t ask me to take sides when the two of you go at each other. Okay?” They nodded, then looked at each other. Finn waggled his eyebrows in a suggestive manner, and Bria snorted. But she couldn’t stop a grin from curving her lips.
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
The two men appeared out of nowhere, a few yards apart in the narrow, moonlit lane. For a second they stood quite still, wands directed at each other’s chests; then, recognizing each other, they stowed their wands beneath their cloaks and started walking briskly in the same direction.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
The roads shed lanes, then insensibly narrowed, grew rougher and more tortuous, until without having noticed any sudden transitions we found ourselves driving on endless one-lane tracks and stopping to avoid flocks of livestock so tough and emaciated they looked like jerky on the hoof.
Neal Stephenson (Anathem)
Nancy and Ned hurried off to tell their friends about the trip. Quarter of an hour later the young people were seated in the back of a green pickup truck bouncing along a narrow road toward Elizabethtown. When they reached the main street of the small town, the driver let them out. “Where is the police station?” Nancy asked. The man chuckled. “We don’t need one. There’s only one policeman—he’s the marshal. But he’s away on vacation. Go up this side street,” he said, pointing to a tree-shaded lane, “to the third house. That’s where Ben Wooster lives. He’s the marshal’s deputy right now.
Carolyn Keene (The Message in the Hollow Oak (Nancy Drew, #12))
to do with the map. Still, better safe than sorry. He stuck the map and the letter back into the envelope and put it in his inside pocket. A quick reconnaissance revealed the cottage had a back door leading to a tiny yard which in turn gave on to a narrow lane that led back towards the river. Far less chance of being spotted than if he went out the front door. In less than a minute, he was walking along the bank of the Coquet, a man with nothing more on his mind than a riverside stroll on a pleasant morning. Nobody would have guessed how bitter was his disappointment. 50 2018 – Edinburgh
Val McDermid (Broken Ground (Inspector Karen Pirie, #5))
Ahead of them lay an expressway access road. Except that there were no guardrails or markings. No road signs either. And no other vehicles at all. Yet the road, following a narrow curve, led to a broad ribbon of asphalt tracing a straight line all the way to the horizon. Again, it had no lines painted on it and there were no signs. Rosa thought there would have been space for four traffic lanes on it, but it was covered with the dust and loose soil that had blown over it. No other sign of life. Just the two of them, the car, and a forgotten road to nowhere. “Where does it go?” “To the end of the world.
Kai Meyer (Arcadia Awakens (Arcadia, #1))
Turner eased to a stop, third car in line, in a narrowing lane, with the guard shack ahead on her left, and an unbroken row of concrete dragons’ teeth on her right, each one of them a squat, truncated pyramid about three feet tall, each one of them no doubt built on a rebar armature and socketed deep below grade.
Lee Child (Never Go Back (Jack Reacher, #18))
The eye in this city acquires an autonomy similar to that of a tear. The only difference is that it doesn't sever itself from the body but subordinates it totally. After a while - on the third or fourth day here- the body starts to regard itself as merely the eye's carrier, as a kind of submarine to its now dilating, now squinting periscope. Of course, for all its targets, its explosions are invariably self-inflicted: it's own heart, or else your mind, that sinks; the eye pops up to the surface. This, of course, owes to local topography, to the streets - narrow, meandering like eels - that finally bring you to a flounder of a campo with a cathedral in the middle of it, barnacled with saints and flaunting its Medusa-like cupolas. No matter what you set out for as you leave the house here, you are bound to get lost in these long, coiling lanes and passageways that beguile you to see them through to follow them to their elusive end, which usually hits water, so that you can't even call it a cul-de-sac. On the map this city looks like two grilled fish sharing a plate, or perhaps like two nearly overlapping lobster claws ( Pasternak compared it to a swollen croissant); but it has no north, south, east, or west; the only direction it has is sideways. It surrounds you like frozen seaweed, and the more you dart and dash about trying to get your bearings, the more you get lost. The yellow arrow signs at intersections are not much help either, for they, too, curve. In fact, they don't so much help you as kelp you. And in the fluently flapping hand of the native whom you stop to ask for directions, the eye, oblivious to his sputtering, A destra, a sinistra, dritto, dritto, readily discerns a fish.
Joseph Brodsky (Watermark)
Tagore criticized the ideas behind the form of political action Bengal began to witness: secret societies, acquisition of bombs and other weapons, induction of very young activists, and political assassination. This path of action created some iconic figures of revolutionary militancy against foreign rule. Tagore did not question their heroism but he questioned the political efficacy of their action. Anguished to see the death of heroic freedom fighters he urged, We must not forget ourselves in our excitement, it needs to be explained to those who are excited that … whatever the strength of the urge [to resist foreign rule], in action we have to take to the broad highway because a shortcut through a narrow lane will lead us nowhere. Just because we are in our mind impatient, the World does not curtail the length of the road nor does Time curtail itself. There was no shortcut of the kind militants imagined. Tagore went on, in his own metaphorical language, to point to the limitations of the militants’ violence. Anger against repression by government had sparked off violent action. ‘But a spark and a flame are two different things. The spark does not dispel the dark in our home’, a flame that lasts is needed. ‘The flame needs a lamp. And thus long preparation is required to prepare the lamp and its wick and its fuel.’13 Thus patient preparation in politics was required, not unthinking haste in the path of violence.
Sabyasachi Bhattacharya (Rabindranath Tagore: An Interpretation)
the agonisingly stilted telephone call with George. Chapter 5 Disturbing Siesta Time Marigold deigned to join me for a stroll around the village in lieu of the promised dip. An enormous pair of rather glamorous sunglasses paired with a jaunty wide-brimmed straw sunhat, obscured her face, making it impossible to read her expression though I guessed she was still miffed at being deprived of her swim. As we walked past the church and the village square the leafy branches of the plane trees offered a shaded canopy against the sun. Our steps turned towards one of the narrow lanes that edged upwards through the village, the ancient cobbles worn smooth and slippery from the tread of donkeys and people. The sound of a moped disturbed the peace of the afternoon and we hastily jumped backwards at its approach, pressing our bodies against a wall as the vehicle zapped past us, the pensioned-off rider’s shouted greeting muffled by the noisy exhaust. Carrier bags of shopping dangling from the handlebars made me reflect the moped was the modern day equivalent of the donkey, though less useful; the old man was forced to dismount and cart the bags of shopping on foot when the cobbled lane gave way to steps. Since adapting to village life we had become less reliant on wheels. Back in Manchester we would have thought nothing of driving to the corner shop, but here in Meli we delighted in exploring on foot, never tiring of discovering
V.D. Bucket (Bucket To Greece, Volume Three)
He immediately turned to her as the carriage rocked into motion, wrapping her in his cloak and examined her. She had bruises on her shoulders and on her arms. Her wrists were bloodied- he growled under his breath as he examined them, picking away the remains of the ropes. Her plump little toes were muddied and cut and cold. He warmed them with his hands, crooning to them. She had quite a nasty bruise on her left side and he tenderly pressed his fingers around that, soft sounds leaving his lips helplessly. Oh, that he had been there when this had been done! He would have put their eyes out. He would have cut off their noses and made them eat them. He would have- "Valentine." He blinked and realized that she had the palms of her hands on his face and was looking at him. "Valentine. I'm all right." His eyes narrowed as he looked at her face, for he was no fool. They must've had her for several days to bring her here. "Are you, though?" She looked at him very firmly. "Yes." "They didn't rape you?" "No." "Or touch you in any way?" She sighed. "They grabbed me when they took me. They tied me up." He thought about that. He didn't like it. "Did they make you do anything you didn't want to?" She hesitated. He went icy cold. "Tell me." "They..." She went a deep red and looked away. "They... when I needed to... to urinate they didn't turn away." "Ah." Well. That settled that. He wrapped his arms around her. "I am truly sorry you had to endure such horrific events, my Séraphine.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
The rustling of leaves under the feet in woods and under hedges; The crumpling of cat-ice and snow down wood-rides, narrow lanes, and every street causeway; Rustling through a wood or rather rushing, while the wind halloos in the oak-toop like thunder; The rustle of birds’ wings startled from their nests or flying unseen into the bushes; The whizzing of larger birds overhead in a wood, such as crows, puddocks, buzzards; The trample of robins and woodlarks on the brown leaves, and the patter of squirrels on the green moss; The fall of an acorn on the ground, the pattering of nuts on the hazel branches as they fall from ripeness; The flirt of the groundlark’s wing from the stubbles- how sweet such pictures on dewy mornings, when the dew flashes from its brown feathers.
John Clare
After the departure of her cousin and his companions she roamed more than usual; she carried her somber spirit from one familiar shrine to the other. Even when Pansy and the Countess were with her she felt the touch of a vanished world. The carriage, leaving the walls of Rome behind, rolled through narrow lanes where the wild honeysuckle had begun to tangle itself in the hedges, or waited for her in quiet places where the fields lay near, while she strolled further and further over the flower-freckled turf, or sat on a stone that had once had a use and gazed through the veil of her personal sadness at the splendid sadness of the scene — at the dense, warm light, the far gradations and soft confusions of colour, the motionless shepherds in lonely attitudes, the hills where the cloud-shadows had the lightness of a blush.
Henry James (The Portrait of a Lady)
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.” “I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm. She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances. “Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.” Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?” “What about it?” she asked. “I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.” She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby. “Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.” “Obviously,” came a deep, gruff voice that cut like a knife. Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said. Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind. “Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?” “What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?” His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice. Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her. Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!” “You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!” Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned. Cecily wasn’t backing down an inch. Neither was Tate.
Diana Palmer (Paper Rose (Hutton & Co. #2))
What,” she barked, “is that?” “We have a guest for supper tonight,” Miss Stump replied, and as she glanced back at him he thought he saw a mischievous glint in her eye. “Indio’s monster, in fact—though Indio now calls him Caliban.” “Caliban?” Maude narrowed her eyes, cocking her head as she examined him critically. “Aye, I can see that, but is he safe in the theater with us is what I’m wanting to know?” Apollo felt a tug on his hand. He looked down at Indio, who whispered, “She’s nice. Truly.
Elizabeth Hoyt (Darling Beast (Maiden Lane, #7))
two men appeared out of nowhere, a few yards apart in the narrow, moonlit lane. For a second they stood quite still, wands directed at each other’s chests; then, recognizing each other, they stowed their wands beneath their cloaks and started walking briskly in the same direction. “News?” asked the taller of the two. “The best,” replied Severus Snape. The lane was bordered on the left by wild, low-growing brambles, on the right by a high, neatly manicured hedge. The men’s long cloaks flapped around their ankles as they marched. “Thought I might be late,” said Yaxley, his blunt features sliding in and out of sight as the branches of overhanging trees broke the moonlight. “It was a little trickier than I expected. But I hope he will be satisfied. You sound confident that your reception will be good?” Snape nodded, but did not elaborate. They turned right, into a wide driveway that led off the lane. The high hedge curved with them, running off into the distance beyond the pair of impressive wrought-iron gates barring the men’s way. Neither
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
From the aloof height of Le Paradis, St. Pierre looked not quite real, crushed to nothingness by the immensity of sea and sky around it. The narrow, twisting cobbled lanes, the steep flights of steps, the old granite houses with their gables and protruding upper stories, the bow-windowed shops and the inns with their swinging signs, the tall church tower, the long sea wall guarded by the breakwaters and the grey mass of the fort, the masts of ships sheltering within the harbor, were dwarfed to the semblance of a dream town whose fragility caught at the heart.
Elizabeth Goudge (Green Dolphin Street)
Spring Lane burned with a mythology of chipped slates, pale wash-water blue and flaking at the seam. The summer yellow glow of an impending dawn diffused, diluted in the million-gallon sky above the tannery that occupied this low end of the ancient gradient, across the narrow street from where Phyllis and Michael stood outside the alley-mouth. The tannery’s high walls of browning brick with rusted wire mess over its high windows didn’t have the brutal aura that the building had down in the domain of the living. Rather it was softly iridescent with a sheen of fond remembrance – the cloisters of some mediaeval craft since disappeared – and had the homely perfume of manure and boiled sweets. Past the peeling wooden gates that lolled skew-whiff were yards where puddles stained a vivid tangerine harboured reflected chimney stacks, lamp black and wavering. Heaped leather shavings tinted with corrosive sapphire stood between the fire-opal pools, an azure down mounded into fantastic nests by thunderbirds to hatch their legendary fledglings. Rainspouts eaten through by time had diamond dribble beading on their chapped tin lips, and every splinter and subsided cobble sang with endless being. Michael Warren stood entranced and Phyllis Painter stood beside him, sharing his enchantment, looking at the heart-caressing vista through his eyes. The district’s summer sounds were, in her ears, reduced to a rich stock. The lengthy intervals between the bumbling drones of distant motorcars, the twittering filigree of birdsong strung along the guttered eaves, the silver gurgle of a buried torrent echoing deep in the night-throat of a drain, all these were boiled down to a single susurrus, the hissing tingling reverberation of a cymbal struck by a soft brush. The instant jingled in the breeze.
Alan Moore (Jerusalem)
Harvey finished his walk and reached the door of his little house, but instead of using the front door, he opened the garage and looked at his own motorcycle, remembering what Julios had told him about his Royal Enfield. Harvey smiled as he ran his hands across the seat; he knew the strength of feelings a man has for his motorcycle. Harvey pulled his helmet from the hook and removed it from the black cotton bag. Within two minutes he was cruising along the narrow country lanes that led into Chigwell. His plain white shirt flapped in the wind and the cold air stung the skin on his arms like a burn. He was alive.
J.D. Weston (Stone Cold (Stone Cold, #1))
Everything started to move in slow motion. A vehicle was coming up the hill in the opposite direction, facing us but in its own lane. With vehicles parked on both sides of the road, this meant that there was just a narrow passage area for both vehicles to pass through. However, he had yet to reduce his speed, and now I knew which car he was going to hit. I was frozen stiff with fear in the front passenger seat, as I helplessly watched him slam into the back of a parked car. I was not wearing a seat belt, so upon impact my head crashed into the windshield. I was then slammed back into my seat, but with such force that everything went black.
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
I whirled on him. He was spattered with blood, breathing hard, head down, eyes narrowed, and fury was rolling off him in thick, dangerous waves. How dare he be furious with me? I was the wronged party! My battle was interrupted, bloodlust was bottled up inside me, a turbo engine revved to redline. “The vamp was mine< Barrons.” “Inspect his teeth, Ms. Lane,” he said tightly. “They were cosmetic enhancements. He was no vampire.” I punched him lightly in the shoulder. “I don’t care what he was! It was my fight, you bastard!” He punched me back with the same light, warning force. “You were taking too long to finish it up.” “Who are you to decide how long is too long?” I gave him another tap in the shoulder. He returned the blow with equal force. “You were enjoying it!” “I was not!” “You were smiling, bouncing on the balls of your feet, egging him on.” “I was trying to end the fight!” I punched his shoulder, hard this time. “You were way past trying to end it,” he snapped, punching me back. I nearly fell over. “You were prolonging it. You were glorying in it.” “You don’t know what the feck you’re talking about!” I shouted. “I couldn’t tell the difference between the two of you anymore!” he roared. I smashed my fist into his face. Lies roll off us. It’s the truths we work hardest to silence. “Then you weren’t looking hard enough! I’m the one with boobs!” “I know you’re the one with boobs! They’re in my fucking face every fucking time I turn around!” “Maybe you need to get a grip on your libido, Barrons!” “Fuck you, Ms. Lane!” “You just try. I’ll kick the shit out of you!” “You think you could?” “Bring it on.” He grabbed a fistful of my T-shirt, and dragged me up against him until our noses touched. “I’ll bring it on, Ms. Lane. But remember you asked for it. So don’t even think about trying to tap out on the mat and quit the fight.” “You hear anybody crying ‘Uncle’ here, Barrons? I don’t.” “Fine.” “Fine.
Karen Marie Moning (Bloodfever (Fever, #2))
Wider lanes were, obviously, safer than narrower ones. Only they’re not. This time, the problem with the cost-benefit equation wasn’t a faulty premise, but the data itself. In order to test the wider-lanes-are-safer-lanes hypothesis, I studied every crash that occurred on the bridge over a three-year period and marked each one on a map. If that notion had been true, I reasoned, more crashes would have occurred where the lanes were narrowest, that is, at the towers. Just the opposite turned out to be the case. The towers, it turned out, were the safest places on the entire bridge; my explanation is that when lanes get very narrow motorists drive more carefully. Even though every traffic engineer in the country had been taught the gospel of wider lanes, the opposite appeared to be true: “grossly substandard lanes seemed to be the safest of all.” This was the traffic engineering equivalent of saying the Earth was round when the masses knew it was flat. Still, most engineers do not accept this fact.
Samuel I. Schwartz (Street Smart: The Rise of Cities and the Fall of Cars)
The moment started moving, thick and painful, sweet like honey, and Casey closed the door to his car and walked around it, spotting Joe in the window. For a moment he waved and smiled, as natural as the two of them had been over the past six years, and then he stopped. He looked directly at Joe, his eyes narrowing as he tried to figure out what was different, what was wrong, and Joe was simply caught in the moment, a fly caught in honey, and Casey sighted him and looked him in the eyes… And knew him. Joe flushed, feeling young and vulnerable, and the smile that played at the corners of Casey’s mouth was… was not saintly in the least. His eyes were narrow, and one corner of his mouth was higher than the other; his easy slouch straightened up, and he moved sinuously, arrogantly, like one of the cats who knew that rat in the chicken feed was his for the taking. Joe just sat there, still caught, not sure what to do with this sight of Casey as adult, and beautiful, making his blood sing under his skin, making him shiver, making him ache, just by smiling in the sun.
Amy Lane (Sidecar)
Colby was quietly shocked to find Tate not only at his door the next morning, but smiling. He was expecting an armed assault following their recent telephone conversation. “I’m here with a job offer.” Colby’s dark eyes narrowed. “Does it come with a cyanide capsule?” he asked warily. Tate clapped the other man on the shoulder. “I’m sorry about the way I’ve treated you. I haven’t been thinking straight. I’m obliged to you for telling me the truth about Cecily.” “You know the baby’s yours, I gather?” Tate nodded. “I’m on my way to Tennessee to bring her home,” he replied. Colby’s eyes twinkled. “Does she know this?” “Not yet. I’m saving it for a surprise.” “I imagine you’re the one who’s going to get the surprise,” Colby informed him. “She’s changed a lot in the past few weeks.” “I noticed.” Tate leaned against the wall near the door. “I’ve got a job for you.” “You want me to go to Tennessee?” Colby murmured dryly. “In your dreams, Lane,” Tate returned. “No, not that. I want you to head up my security force for Pierce Hutton while I’m away.” Colby looked around the room. “Maybe I’m hallucinating.” “You and my father,” Tate muttered, shaking his head. “Listen, I’ve changed.” “Into what?” “Pay attention. It’s a good job. You’ll have regular hours. You can learn to sleep without a gun under your pillow. You won’t lose any more arms.” He added thoughtfully, “I’ve been a bad friend. I was jealous of you.” “But why?” Colby wanted to know. “Cecily is special. I look out for her, period. There’s never been a day since I met her when she wasn’t in love with you, or a time when I didn’t know it.” Tate felt warmth spread through his body at the remark. “I’ve given her hell. She may not feel that way, now.” “You can’t kill love,” Colby said heavily. “I know. I’ve tried.” Tate felt sorry for the man. He didn’t know how to put it into words. Colby shrugged. “Anyway, I’ve learned to live with my ghosts, thanks to that psychologist Cecily pushed me into seeing.” He scowled. “She keeps snakes, can you imagine? I used to see mine crawling out of whiskey bottles, but hers are real.” “Maybe she’s allergic to fur,” Tate pointed out. Colby chuckled. “Who knows. When do I start?” he added. “Today.” He produced a mobile phone and dialed a number. “I’m sending Colby Lane over. He’s my relief while I’m away. If you have any problems, report them to him.” He nodded as the person on the other end of the line replied in the affirmative. He closed up the phone. “Okay, here’s what you need to do…
Diana Palmer (Paper Rose (Hutton & Co. #2))
In fact, I had amused myself on the ride to the smithy by imagining an aerial view of the village as a representation of a skeletal forearm and hand; the High Street was the radius, along which lay the shops and businesses and the residences of the more well-to-do. St. Margaret’s Lane was the ulna, a narrower street running parallel with the High, tenanted by smithy, tannery, and the less genteel artisans and businesses. The village square (which, like all village squares I had ever seen, was not square at all, but roughly oblong) formed the carpals and metacarpals of the hand, while the several lanes of cottages made up the phalangeal joints of the fingers. The Duncans’ house stood on the square, as behooved the residence of the procurator fiscal. This was a matter of convenience as well as status; the square could be used for those judicial matters which, by reason of public interest or legal necessity, overflowed the narrow confines of Arthur Duncan’s study. And it was, as Dougal explained, convenient to the pillory, a homely wooden contraption that stood on a small stone plinth in the center of the square, adjacent to the wooden stake used—with thrifty economy of purpose—as whipping post, maypole, flagstaff and horse tether, depending upon requirements.
Diana Gabaldon (Outlander (Outlander, #1))
I remember talking once on this subject to one of the most beautiful personalities I have ever known: a woman, whose sympathy and noble kindness to me, both before and since the tragedy of my imprisonment, have been beyond power and description; one who has really assisted me, though she does not know it, to bear the burden of my troubles more than any one else in the whole world has, and all through the mere fact of her existence, through her being what she is - partly an ideal and partly an influence: a suggestion of what one might become as well as a real help towards becoming it; a soul that renders the common air sweet, and makes what is spiritual seem as simple and natural as sunlight or the sea: one for whom beauty and sorrow walk hand in hand, and have the same message. On the occasion of which I am thinking I recall distinctly how I said to her that there was enough suffering in one narrow London lane to show that God did not love man, and that wherever there was any sorrow, though but that of a child, in some little garden weeping over a fault that it had or had not committed, the whole face of creation was completely marred. I was entirely wrong. She told me so, but I could not believe her. I was not in the sphere in which such belief was to be attained to. Now it seems to me that love of some kind is the only possible explanation of the extraordinary amount of suffering that there is in the world.
Oscar Wilde (De Profundis)
THE FAIRY REEL If I were young as once I was, and dreams and death more distant then, I wouldn’t split my soul in two, and keep half in the world of men, So half of me would stay at home, and strive for Fäerie in vain, While all the while my soul would stroll up narrow path, down crooked lane, And there would meet a fairy lass and smile and bow with kisses three, She’d pluck wild eagles from the air and nail me to a lightning tree And if my heart would run from her or flee from her, be gone from her, She’d wrap it in a nest of stars and then she’d take it on with her Until one day she’d tire of it, all bored with it and done with it She’d leave it by a burning brook, and off brown boys would run with it. They’d take it and have fun with it and stretch it long and cruel and thin, They’d slice it into four and then they’d string with it a violin. And every day and every night they’d play upon my heart a song So plaintive and so wild and strange that all who heard it danced along And sang and whirled and sank and trod and skipped and slipped and reeled and rolled Until, with eyes as bright as coals, they’d crumble into wheels of gold…. But I am young no longer now; for sixty years my heart’s been gone To play its dreadful music there, beyond the valley of the sun. I watch with envious eyes and mind, the single-souled, who dare not feel The wind that blows beyond the moon, who do not hear the Fairy Reel. If you don’t hear the Fairy Reel, they will not pause to steal your breath. When I was young I was a fool. So wrap me up in dreams and death.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
In 1979, Christopher Connolly cofounded a psychology consultancy in the United Kingdom to help high achievers (initially athletes, but then others) perform at their best. Over the years, Connolly became curious about why some professionals floundered outside a narrow expertise, while others were remarkably adept at expanding their careers—moving from playing in a world-class orchestra, for example, to running one. Thirty years after he started, Connolly returned to school to do a PhD investigating that very question, under Fernand Gobet, the psychologist and chess international master. Connolly’s primary finding was that early in their careers, those who later made successful transitions had broader training and kept multiple “career streams” open even as they pursued a primary specialty. They “traveled on an eight-lane highway,” he wrote, rather than down a single-lane one-way street. They had range. The successful adapters were excellent at taking knowledge from one pursuit and applying it creatively to another, and at avoiding cognitive entrenchment. They employed what Hogarth called a “circuit breaker.” They drew on outside experiences and analogies to interrupt their inclination toward a previous solution that may no longer work. Their skill was in avoiding the same old patterns. In the wicked world, with ill-defined challenges and few rigid rules, range can be a life hack. Pretending the world is like golf and chess is comforting. It makes for a tidy kind-world message, and some very compelling books. The rest of this one will begin where those end—in a place where the popular sport is Martian tennis, with a view into how the modern world became so wicked in the first place.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
It was at night,” I say. “What was?” “What happened. The car wreck. We were driving along the Storm King Highway.” “Where’s that?” “Oh, it’s one of the most scenic drives in the whole state,” I say, somewhat sarcastically. “Route 218. The road that connects West Point and Cornwall up in the Highlands on the west side of the Hudson River. It’s narrow and curvy and hangs off the cliffs on the side of Storm King Mountain. An extremely twisty two-lane road. With a lookout point and a picturesque stone wall to stop you from tumbling off into the river. Motorcycle guys love Route 218.” We stop moving forward and pause under a streetlamp. “But if you ask me, they shouldn’t let trucks use that road.” Cool Girl looks at me. “Go on, Jamie,” she says gently. And so I do. “Like I said, it was night. And it was raining. We’d gone to West Point to take the tour, have a picnic. It was a beautiful day. Not a cloud in the sky until the tour was over, and then it started pouring. Guess we stayed too late. Me, my mom, my dad.” Now I bite back the tears. “My little sister. Jenny. You would’ve liked Jenny. She was always happy. Always laughing. “We were on a curve. All of a sudden, this truck comes around the side of the cliff. It’s halfway in our lane and fishtailing on account of the slick road. My dad slams on the brakes. Swerves right. We smash into a stone fence and bounce off it like we’re playing wall ball. The hood of our car slides under the truck, right in front of its rear tires—tires that are smoking and screaming and trying to stop spinning.” I see it all again. In slow motion. The detail never goes away. “They all died,” I finally say. “My mother, my father, my little sister. I was the lucky one. I was the only one who survived.
James Patterson (I Funny: A Middle School Story)
FALL, SIERRA NEVADA This morning the hermit thrush was absent at breakfast, His place was taken by a family of chickadees; At noon a flock of humming birds passed south, Whirling in the wind up over the saddle between Ritter and Banner, following the migration lane Of the Sierra crest southward to Guatemala. All day cloud shadows have moved over the face of the mountain, The shadow of a golden eagle weaving between them Over the face of the glacier. At sunset the half-moon rides on the bent back of the Scorpion, The Great Bear kneels on the mountain. Ten degrees below the moon Venus sets in the haze arising from the Great Valley. Jupiter, in opposition to the sun, rises in the alpenglow Between the burnt peaks. The ventriloquial belling Of an owl mingles with the bells of the waterfall. Now there is distant thunder on the east wind. The east face of the mountain above me Is lit with far off lightnings and the sky Above the pass blazes momentarily like an aurora. It is storming in the White Mountains, On the arid fourteen-thousand-foot peaks; Rain is falling on the narrow gray ranges And dark sedge meadows and white salt flats of Nevada. Just before moonset a small dense cumulus cloud, Gleaming like a grape cluster of metal, Moves over the Sierra crest and grows down the westward slope. Frost, the color and quality of the cloud, Lies over all the marsh below my campsite. The wiry clumps of dwarfed whitebark pines Are smoky and indistinct in the moonlight, Only their shadows are really visible. The lake is immobile and holds the stars And the peaks deep in itself without a quiver. In the shallows the geometrical tendrils of ice Spread their wonderful mathematics in silence. All night the eyes of deer shine for an instant As they cross the radius of my firelight. In the morning the trail will look like a sheep driveway, All the tracks will point down to the lower canyon. “Thus,” says Tyndall, “the concerns of this little place Are changed and fashioned by the obliquity of the earth’s axis, The chain of dependence which runs through creation, And links the roll of a planet alike with the interests Of marmots and of men.
Kenneth Rexroth (Collected Shorter Poems)
My dear Marwan, in the long summers of childhood, when I was a boy the age you are now, your uncles and I spread our mattress on the roof of your grandfathers’ farmhouse outside of Hom. We woke in the mornings to the stirring of olive trees in the breeze, to the bleating of your grandmother's goat, the clanking of her cooking pots, the air cool and the sun a pale rim of persimmon to the east. We took you there when you were a toddler. I have a sharply etched memory of your mother from that trip. I wish you hadn’t been so young. You wouldn't have forgotten the farmhouse, the soot of its stone walls, the creek where your uncles and I built a thousand boyhood dams. I wish you remembered Homs as I do, Marwan. In its bustling Old City, a mosque for us Muslims, a church for our Christian neighbours, and a grand souk for us all to haggle over gold pendants and fresh produce and bridal dresses. I wish you remembered the crowded lanes smelling of fried kibbeh and the evening walks we took with your mother around Clock Tower Square. But that life, that time, seems like a dream now, even to me, like some long-dissolved rumour. First came the protests. Then the siege. The skies spitting bombs. Starvation. Burials. These are the things you know You know a bomb crater can be made into a swimming hole. You have learned dark blood is better news than bright. You have learned that mothers and sisters and classmates can be found in narrow gaps between concrete, bricks and exposed beams, little patches of sunlit skin shining in the dark. Your mother is here tonight, Marwan, with us, on this cold and moonlit beach, among the crying babies and the women worrying in tongues we don’t speak. Afghans and Somalis and Iraqis and Eritreans and Syrians. All of us impatient for sunrise, all of us in dread of it. All of us in search of home. I have heard it said we are the uninvited. We are the unwelcome. We should take our misfortune elsewhere. But I hear your mother's voice, over the tide, and she whispers in my ear, ‘Oh, but if they saw, my darling. Even half of what you have. If only they saw. They would say kinder things, surely.' In the glow of this three-quarter moon, my boy, your eyelashes like calligraphy, closed in guileless sleep. I said to you, ‘Hold my hand. Nothing bad will happen.' These are only words. A father's tricks. It slays your father, your faith in him. Because all I can think tonight is how deep the sea, and how powerless I am to protect you from it. Pray God steers the vessel true, when the shores slip out of eyeshot and we are in the heaving waters, pitching and tilting, easily swallowed. Because you, you are precious cargo, Marwan, the most precious there ever was. I pray the sea knows this. Inshallah. How I pray the sea knows this.
Khaled Hosseini (Sea Prayer)
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with. “Now, then,” he said. “We can do this the easy way, or we can make things difficult.” With a soft snort, she turned her head. It was as if he’d ceased to exist. Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored. “Listen sharp now.” He gave her ear a rough tweak and sank his voice to a low threat. “If you know what’s good for you, you’ll do as I say.” Though she spoke not a word, her reply was clear: You can kiss my great woolly arse. Confounded sheep. “Ah, the English countryside. So charming. So…fragrant.” Colin approached, stripped of his London-best topcoat, wading hip-deep through the river of wool. Blotting the sheen of perspiration from his brow with his sleeve, he asked, “I don’t suppose this means we can simply turn back?” Ahead of them, a boy pushing a handcart had overturned his cargo, strewing corn all over the road. It was an open buffet, and every ram and ewe in Sussex appeared to have answered the invitation. A vast throng of sheep bustled and bleated around the unfortunate youth, gorging themselves on the spilled grain-and completely obstructing Bram’s wagons. “Can we walk the teams in reverse?” Colin asked. “Perhaps we can go around, find another road.” Bram gestured at the surrounding landscape. “There is no other road.” They stood in the middle of the rutted dirt lane, which occupied a kind of narrow, winding valley. A steep bank of gorse rose up on one side, and on the other, some dozen yards of heath separated the road from dramatic bluffs. And below those-far below those-lay the sparkling turquoise sea. If the air was seasonably dry and clear, and Bram squinted hard at that thin indigo line of the horizon, he might even glimpse the northern coast of France. So close. He’d get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn’t stopping for anything. Except sheep. Blast it. It would seem they were stopping for sheep. A rough voice said, “I’ll take care of them.” Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle. “We can’t simply shoot them, Thorne.” Obedient as ever, Thorne lowered his gun. “Then I’ve a cutlass. Just sharpened the blade last night.” “We can’t butcher them, either.” Thorne shrugged. “I’m hungry.” Yes, that was Thorne-straightforward, practical. Ruthless. “We’re all hungry.” Bram’s stomach rumbled in support of the statement. “But clearing the way is our aim at the moment, and a dead sheep’s harder to move than a live one. We’ll just have to nudge them along.” Thorne lowered the hammer of his rifle, disarming it, then flipped the weapon with an agile motion and rammed the butt end against a woolly flank. “Move on, you bleeding beast.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
I'm glad to hear you got what you came for," he drawled slowly, trying to capture Brenna's undivided attention, "but actually it's a little hard to believe. You're still empty-handed." He motioned at her hands and the small satchel she carried. "Whatever you came for must be in there? Am I right?" Her eyes narrowed. "Mr. Rose, did anyone ever tell you that curiosity killed the cat?" He let go a laugh that spooked a flock of common yellowthroats from a fir tree along the road. They swooped into the sky and Brenna's lips curled up as she watched them fly away. She was softening... "Yes, they have, Mrs. Lane," he said. "They most surely have. But I've also been told that satisfaction brought it back. What about you?
Caroline Fyffe (West Winds of Wyoming (Prairie Hearts, #3))
Travel is fatal to prejudice, bigotry, and narrow-mindedness.” —MARK TWAIN
Karen Mills-Francis (Stay in Your Lane: Judge Karen's Guide to Living Your Best Life)
There were very few things to do in Toms River, New Jersey, however it was the closest thing resembling civilization near the school. When I wasn’t being restricted to the campus, for one infraction or another, that’s where I would go. Toms River was two and a half miles west of the school. Making the round trip was a five-mile walk, but it was worth it, just to get away. To get there I walked down Prospect Avenue, and then cut corners to Bayside Avenue. In the winter, the frozen snow and ice made the walk cold and miserable. There was always a wind blowing off the river, but I would trudge on relentlessly. The wet slush soaked through my shoes, ruining a shine I had worked on for hours. My feet became wet and frozen, but I pressed on regardless. Eventually I would reach Route 166, which was narrow and only had two lanes; still it was the only north-south highway along the coast at the time. I then crossed the concrete bridge that had a year engraved on it, indicating that it was built as a WPA project during the Great Depression. On the west side of the road was the Toms River Diner. It was classic in appearance and was a warm haven, where I could thaw out. Thelma, the waitress, was always friendly and one of the sexiest women I ever knew. She laughed at my silliness, knew just how much cleavage to show, and moved and turned like a fashion model. There was always “Country Music” playing, especially that of Hank Williams who was Thelma’s favorite. Hey, Good Lookin’, Your Cheatin’ Heart, and I’m So Lonesome I Could Cry were all songs he had written and that she sang along with. Thelma knew that I could not keep my eyes off of her, and she enjoyed playing the part, letting me look far down the unbuttoned section of her waitress uniform, while pouring me another cup of coffee. The way she looked over her shoulder, throwing aside her hair while asking what else I wanted, would send shivers down my back and feelings into my loins that set me on fire. Just this alone was worth the five-mile round trip. During warmer weather, the walk was more pleasant, but the constant wind off the Atlantic Ocean and the river, never let up.
Hank Bracker
I turn my face to the window as the train starts to move. Charles suggested I take the car, but I prefer this strange elevated route out of town, the rooftop tour of south London as the carriages rattle between spires and old smokestacks and the tips of poplars; the sudden glimpses into school playgrounds and street markets and quiet litter-strewn alleys, narrow avenues of blackened brick. Little by little the city falls away, like something giving up, and then the acoustics of the carriage change, and we're out in the open: meadows riven with streams, the fast blue shadows of clouds on the hills.
Harriet Lane (Her)
He was watching her. As if her gaze was important to him as he worked himself. As he touched his 'cock.' She inhaled on the thought of the word, looking back down. He'd pushed his shirt out of the way with his other hand and she could see the flat muscles of his belly flexing as he worked himself. A tangle of dark hair surrounded his navel, narrowing abruptly below to a thin line that disappeared into the thicket of curls around his cock. He sat, spread-legged, still dressed in white shirt and gold waistcoat, his scarlet coat spread wide around his thighs. His feet were braced against the floorboards and she could see his hips begin to move, thrusting up into the steady rhythm of his fist. He looked like a debauched satyr, all sex and male desire, and she had a sudden wish that he'd taken off 'all' of his clothes off. She wanted to see his nipples and his buttocks, wanted to discover the broad sweep of his nude chest.
Elizabeth Hoyt (Sweetest Scoundrel (Maiden Lane, #9))
So they went out for a walk. They went through narrow, lightless lanes, where houses that were silent but gave out smells of fish and boiled rice stood on either side of the road. There was not a single tree in sight; no breeze and no sound but the vaguely musical humming of mosquitoes. Once, an ancient taxi wheezed past, taking a short-cut through the lane into the main road, like a comic vintage car passing through a film-set showing the Twenties into the film-set of the present, passing from black and white into colour. But why did these houses – for instance, that one with the tall, ornate iron gates and a watchman dozing on a stool, which gave the impression that the family had valuables locked away inside, or that other one with the small porch and the painted door, which gave the impression that whenever there was a feast or a wedding all the relatives would be invited, and there would be so many relatives that some of them, probably the young men and women, would be sitting bunched together on the cramped porch because there would be no more space inside, talking eloquently about something that didn’t really require eloquence, laughing uproariously at a joke that wasn’t really very funny, or this next house with an old man relaxing in his easy-chair on the verandah, fanning himself with a local Sunday newspaper, or this small, shabby house with the girl Sandeep glimpsed through a window, sitting in a bare, ill-furnished room, memorising a text by candlelight, repeating suffixes and prefixes from a Bengali grammar over and over to herself – why did these houses seem to suggest that an infinitely interesting story might be woven around them? And yet the story would never be a satisfying one, because the writer, like Sandeep, would be too caught up in jotting down the irrelevances and digressions that make up lives, and the life of a city, rather than a good story – till the reader would shout "Come to the point!" – and there would be no point, except the girl memorising the rules of grammar, the old man in the easy-chair fanning himself, and the house with the small, empty porch which was crowded, paradoxically, with many memories and possibilities. The "real" story, with its beginning, middle and conclusion, would never be told, because it did not exist.
Amit Chaudhuri (A Strange and Sublime Address)
An alleyway ran from Christ Church Lane (on the western edge of the cathedral) to the Courts’ rear. As dark as it was narrow, the passage, like a trench, lay partly below ground. Along the path, a door opened onto the central hall inside, just to the left of the Court of Exchequer. Owing either to the passage’s appearance or to its terminus, it was famously dubbed “Hell.” An advertisement for nearby lodgings announced the availability of “furnished apartments in Hell.” “They are well suited to a lawyer,” the ad declared.3
A. Roger Ekirch (Birthright)
a bit too straight and narrow for my liking. What's the point in having a confessional if you don't want your congregation to get up
Emily Harvale (The Cottage on Lily Pond Lane - New Beginnings: Part One (Lily Pond Lane, #1))
And this"- the duke stroked the mound beneath her thumb- "do you know what this is called?" Bridget cleared her throat, but her voice emerged a bit rusty nonetheless. "I could not say, Your Grace." "The Mount of Venus." He arched his eyebrows at her. Devastatingly beautiful. Lethally charming. "My Greek girl told me that this foretells how passionate a woman may be. You, Mrs. Crumb, must have untold depths of sensual need within you." She narrowed her eyes at him. He bent and bit the base of her thumb. She gasped and snatched her hand away. The duke laughed and sat back, smoothing his bottom lip with his beringed thumb slowly.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
People like me—like the Roussels—are a dying breed, our gifts of little value to a world that no longer believes in la magie. For generations, my family has been part of a kind of conte de fée—a fairy tale. Though perhaps fairy tale is the wrong term. Fairy tales have happy endings. Fables are meant as cautionary tales, lessons intended to teach us about life and its consequences. And over the years, the Roussels have learned much about consequences. There are many names for what we are. Gypsies, hexers, white witches, and shamans. In England we’re called cunning folk, though I’ve always hated the term. Perhaps because it conjures thoughts of slick-handed cheats, waiting to separate the unsuspecting passerby from the few pennies in his pocket, the charlatans with their phony magic and vulgar showmanship, making up fortunes and doling out platitudes. We are not those people. For us, The Work is sacred, a vocation. In France, where I come from, we are les tisseuses de sort—Spell Weavers—which is at least closer to the truth. We possess certain skills, talents with things like charms and herbs, cards and stones—or in our case, needle and thread. There are not many of us left these days, or at least not many who depend on the craft for their living. But there are a few still, if one knows where to look. And for a time, I was one of them, like my mother and her mother before her, living in the narrow, twisty lanes of Paris discreetly known as the craft district.
Barbara Davis (The Keeper of Happy Endings)
Still you think yourself lonely; in the silence of night Your lament is heard by the stone, and flees from you often To wail away from mortals on a wingéd wave to heaven. Because the precious favorites never lived with you, Who worshiped you, who once made stunning temples and cities To wreathe your shores, and always searched and always missed, For the wreath will always need its heroes, the consecrated ones Glorified to eminence in the hearts of sensitive men. Tell me, then, where is Athens? Above the urns of the masters Is the most beloved of your cities, on the sacred shores, In mourning for God, and collapsed completely into ashes, Or is there still an indication from her that the skipper, When he arrives, perhaps he will remember her and call? In the columns that rose upward there, did nothing shine Below but the figurines of God on castle rooftops? Didn't people's voices, vociferous and wild, rustle Through the agora, and rush away through the gateways of joy Along the narrow lanes and down to the holiest of harbors? . . . Alas! It wanders in the night, it dwells as in Orcus, With nothing godlike, our race. To their own bustle Alone they are fastened, and in the raging workshop Each hears only himself, and the wild ones with mighty arms Work much without respite; yet ever more Sterile, like the Furies, remains the toil of the poor.
Friedrich Hölderlin (El archipiélago)
As we approached Glory's stall, she grinned as she looked between Chase and me. "Delegation! I love it. You've got some good leadership skills there, Emme honey." I said, "It wasn't so much delegation as appropriation." Chase's eyes widened in surprise and then narrowed as he reassess me. "Hold up now. I was being a gentleman.
Heather Webber (In the Middle of Hickory Lane)
Aunt Glory mentioned that you weren't able to see Emme's true colors, so you don't know what she's like deep down." I recalled the look in Emme's eyes last night while we stood in the garage. "I know enough to know she's not going to steal my silver." Mama's voice rose. "You're being narrow-minded." "Me?" I snapped, suddenly hurting all over. "I think that phrase better suits you right now.
Heather Webber (In the Middle of Hickory Lane)
I’m sorry I left you at your dad’s.” Now his eyes narrowed, and I knew how pissed he’d been. “That was an interesting choice. Whyfor did you do that?” I sighed and turned off
Amy Lane (Christmas Kitsch)
scratched his head. ‘But he went home to have dinner with his mother. She’s just come up to London. Mind you, that’s not so far.’ He thought for a minute. ‘I think you’re right, sir. He said something about its being near the river –’ ‘My God!’ gasped James. ‘Wait a minute.’ Oliver was speaking now. ‘Is there a street … let me think. All Saints? All Fellows?’ ‘Allhallows Lane?’ said the clerk, and Oliver let out a shout. ‘That’s it! Allhallows Lane. And there’s a tavern there. The Black … Swan?’ ‘The Black Raven. There’s a public house called The Black Raven.’ The clerk was praying that these men had found what they were looking for and he could go back to sleep. James nodded. ‘Come down and instruct our coachman.’ ‘It’s easy enough to explain –’ ‘Come down!’ and he hurried out, with the others following in his wake. A damp fog was rolling up the Thames by the time Charles arrived at the narrow, cobbled street that led to the tavern.
Julian Fellowes (Belgravia)
Down a narrow, nondescript Bangkok lane, the graceful red roofs of a traditional Thai residence rise above a lush tropical garden, in serene contrast with the city's modern clamor all around. This was the home of an American named Jim Thompson, and it stands today as a continuing memorial to a remarkable man and to his love for Thailand's rich culture.
William Warren (Jim Thompson House Booklet)
I ran every day. In the morning before it got too hot. I wasn’t used to that kind of heat. Like more than half the year too. Reaching the hundreds often. Good thing there was that lake to cool off in. I came to love running in the heat. I’d run along the highway and it was scary, those two-lane highways are pretty narrow and people drive hella fast but I bought one of those shiny vests with reflectors on it to make sure people could see me. I kept building miles. Started running once in the morning and once at sunset. It stayed hard. Like I had to keep at it and make the effort every day. And then one day it felt like I needed it in a way that kind of scared me. It wasn’t not like addiction. I went to running for a feeling. How it felt after the run. But something else happened on the runs. I wasn’t running away from anything anymore. I was running at whatever in me had needed the way I needed before. I was running at whatever I’d been afraid of. And I would cry. That shit would make me emotional. Not short runs. Not the first few miles, not even five. But after seven and eight miles something else is happening. The running outruns the running. Slow as I probably looked, sweating all the way through my shirt to where there wasn’t a dry spot left on it. It could feel like flying. I got way into numbers, into when I started and ended my run, how long the run would take, I would reduce the numbers by adding them together, it was something they did in numerology, and if I was doing right inside, if things were good the numbers would boil down to four or eight or nine, those three numbers were my favorite, felt lucky to me I guess, I guess I became superstitious, or had always been without knowing it, and I shuffled all the music on my phone and felt things were most right if the songs I liked best came on during my runs and crucial moments, I guess it might sound crazy if I were to ever tell anyone, but I never would.
Tommy Orange (Wandering Stars)
Different specialities are stuck in their own narrow lanes, blinkered to the possibilities of others. One of the first obstacles we must face, a key ‘switch’ we need to flick, is to shift our mindset so that we no longer see plants merely as resources for carbon capture or safeguarding food production, but as actors alongside us in the climate crisis.
Paco Calvo (Planta Sapiens: Unmasking Plant Intelligence)
Naskar is an act of oneness, not cleverness or creed. Beyond the narrow lanes of habit, one day you and I shall meet.
Abhijit Naskar (The Humanitarian Dictator)
The scream reached the ears of Simon Fronwieser along with the sound of pounding downstairs at the front door. The physician’s house in the Hennengasse was just a stone’s throw from the river. Earlier, Simon had looked up from his books several times, distracted by the shouting of the raftsmen. Now that the screams were resounding through the narrow lanes of the town, he knew that something must have happened. The knock at the door grew more urgent. With a sigh he closed one of his hefty anatomy volumes. Like all the others, this book never went below the surface of the human body. The composition of the humors, bleeding as a universal remedy…Simon had read these same litanies far too many times, but they hadn’t really taught him anything about the inside of the body. And nothing would change today, as along with the knocking there was now shouting downstairs.
Oliver Pötzsch (The Hangman's Daughter (The Hangman's Daughter, #1))
Like many toilets in Goa, it was nothing more than a smooth, steep slope behind the squatting keyhole. Waste matter rolled down the slope to a narrow lane. Wild, hairy, black Goan pigs roamed the lanes, eating the waste.
Gregory David Roberts (Shantaram)
Many years ago I saw a short film sequence of a little girl. She was wearing a pretty dress as she skipped down a narrow cobbled lane. The people around smiled fondly as she passed. The grainy, black-and-white image did nothing to detract from the happy scene, and the light, summery music gave a feeling of well-being. The audience’s attention was focused entirely on the child. Then the identical film was shown again, but this time with sinister music playing. There was a gasp from the audience. For the first time, every person in the room noticed an unsmiling man standing at the mouth of a dark alley, smoking a cigarette and watching the girl. In spite of already knowing the ending, there was a sigh of relief when the child was reunited with her mother. Same film. Different music. For some people, life is like that. They filter out the positive and focus on the negative. They make assumptions about what somebody else is thinking, and believe only in the worst possible outcome. They are listening to a sinister tune. Is this you? If so, change the music, and focus on the positive. Listen to a happy tune, and see if the man skulking in the doorway disappears from view. “Human beings, by changing the inner attitudes of their minds, can change the outer aspects of their lives.” William James
Rachel Abbott (The Back Road (DCI Tom Douglas #2))
Come out my friend. Come out from the narrow lanes of darkness. Come out into the vivacious light of the day where all the glory resides.
Abhijit Naskar (The Islamophobic Civilization: Voyage of Acceptance (Neurotheology Series))
There, just off the path, was a tiny opening in the trees that Lex had passed right by without even noticing. It led to a narrow dirt lane that twisted through a mass of craggy shrubberies and ultimately disappeared in a patch of trees. “Here we are,” said Driggs in a chipper voice. “Off you go, special superpowery second-generation Grim.” Lex bit her lip and stared at the scary path. “Okay.” “Okay then.” “I’m going.” “Bon voyage.” He wasn’t letting her back out of this one, not when she’d been so cocky. Tentatively, she tiptoed through the opening and into the trees, her sneakers kicking up leaves left and right. One minute and seven seconds later she burst back out onto the path, panting and clutching her stomach. “Ready to move in?” Driggs asked wryly. Lex was so grateful he didn’t say “I told you so,” she fell in love with him all over again. “I don’t think Ikea delivers to creepy enchanted forests,” she choked out. “Pity. I so love the neighborhood.
Gina Damico (Scorch (Croak, #2))
the arm and pulled her along with him until she ran once more. That one so crude might manhandle her indicated that the woman was of no consequence. This startled Josce, for there was something of command in her bearing. He watched them round the corner onto a nearby lane and disappear behind a row of narrow two- and three-storey homes, regretting he could no longer see her. Beside him Lady Haydon’s mare stumbled a little on the rutted street. Josce’s stepmother made a quiet startled sound and clutched more tightly at her reins. No great rider was Beatrice of Haydon. He studied her. Afternoon light streamed through her hat brim’s open weave to reveal the dark rings beneath her eyes. Her flesh sagged from her cheekbones. Her linen riding attire,
Denise Domning (The Warrior's Maiden (The Warrior Series #2))
The little town of Stormhaven struggled up the hill, narrow clapboard houses following a zigzag of cobblestone lanes.
Douglas Preston (Riptide - Mörderische Flut)
Some 17 million barrels of oil transit the Strait of Hormuz daily, making it the biggest choke point in the world’s oil supply. The strait is narrow — it has only two shipping lanes, and at a little less than two miles wide, it would be relatively easy to disrupt. Any threat of conflict would greatly reduce the flow that passes through it. Closure of the strait would instantly remove 20 percent of the world’s oil from the market, causing an immediate supply shock similar to that of 1973. This would be among the most delicate of possible operations to execute. But as Putin has repeatedly demonstrated, he is willing to take great risks to reshape global affairs.
Anonymous
Didn’t happen. Won’t want this again.” He sighed and wrenched himself back. “Yeah, we will,” Galen said soberly. John swallowed, legitimately afraid. “I’m a recovering addict—” “And I’m not recovering,” Galen said. Those luminous green eyes narrowed and glittered. “Not yet. But I want you. And you need someone. So you need to decide how this is or is not going to happen, because it’s an issue.
Amy Lane (Black John (Johnnies, #4))
settling down. Suddenly as we came around a bend in the road, a Heinie tank loomed up in front of us. This one was what was called a Panther tank. Fortunately it was facing the other way and in a moment we realized it was done for, for dead Germans were lying beside it. As we came closer to examine it more carefully we noticed that a short distance off to the left facing down a narrow, dirt lane were four American half-tracks, the vehicles which carry the armored infantry of an armored division. They were all perfectly spaced at regular intervals, but they were all stopped. There was a deathly stillness about everything but the half-tracks looked as though they were at least partially filled with soldiers. I was curious and got out of my jeep and started
Brenton G. Wallace (Patton And His Third Army)
In The Death and Life of Great American Cities, Jane Jacobs described the ballet that takes place on crowded pavements as people make eye contact and find their way around one another. I felt a similar, if supercharged dynamic coming to life in Paris’s traffic lanes. With cars and bikes and buses mixed together, none of us could be sure what we would find on the road ahead of us. We all had to be awake to the rhythm of asymmetrical flow. In the contained fury of the narrow streets we were forced to choreograph our movements, but with so many other bicycles flooding the streets, cycling in Paris was actually becoming safer. As more people took to bicycles in Vélib”s first year, the number of bike accidents rose, but the number of accidents per capita fell. This phenomenon seems to occur wherever cities see a spike in cycling: the more people bike, the safer the streets get for cyclists, partly because drivers adopt more cautious habits when they expect cyclists on the road. There is safety in numbers.fn7, 15, 16
Charles Montgomery (Happy City: Transforming Our Lives Through Urban Design)
I let my thoughts bare little feet ramble on the narrow cobblestone alleys, hoping they find their way out of the petite lanes and make it to the highway of eternity.
Bhuwan Thapaliya
Still drinking it black like the real macho man you are? Or wait, don’t tell me, you and your tech-bro buddies drink fair trade coffee blended with organic butter.” He narrows his eyes at me. “No, I prefer that coffee made from elephant dung. It’s a delicacy.” “Only you would think drinking shit is a delicacy.
Sophia Travers (One Billion Reasons (Kings Lane Billionaires, #1))
He gives Ivan a narrow look. With a good-natured harrumph, the café owner departs in search of a more available partner. Darius pulls me to him. A scant column of air separates us. Flames rise in my blood. “Hmm.” I slide my arms around his waist. “If I were a gambler, I’d bet you were jealous.” “Ante up, baby.” He tightens his hold on me, his breath stirring my hair. “You’d win the whole pot.
Nina Lane (Feather & Flame (Birdsong Trilogy #2))
The protesters remained defiant. They called for a meeting to be held at one ofthe town’s public parks, Jallianwala Bagh, on the afternoon of 13 April. General Dyer issued a proclamation banning the meeting, sending soldiers with megaphones into the streets to warn people against attending. A crowd of several thousand gathered nonetheless. Enraged that his proclamation was disregarded, Dyer proceeded to the meeting place with some fifty soldiers and two armoured cars. The 13th of April was Baisakhi, Sikh New Year’s Day. From the morning, pilgrims had filed into the Golden Temple. After visiting the shrine, many worshippers walked over to the nearby Jallianwala Bagh, to rest and chat in the park before returning home. By the time Dyer reached the park, this mixed crowd of protesters and worshippers was several thousand strong. The armoured cars could not negotiate the narrow lanes of the old town, so Dyer and his men disembarked and proceeded on foot. Having deployed his troops, the general at once gave orders to open fire on the crowd facing him in the enclosure. In panic the crowd dispersed, towards the park’s single entrance, now blocked by the troops. Dyer shouted to his men to continue shooting. Asking them to reload their magazines, he personally directed fire at the densest parts of the crowd. Some 1650 rounds were fired. Almost 400 people died in the carnage.
Ramachandra Guha (Gandhi 1915-1948: The Years That Changed the World)
What? What’s that look?” she asks, and my smile grows. “You’re bringing me back to life, Laney,” I whisper. “You’re just so you.” “Don’t make fun of me.” She narrows her eyes. “I’m thinking.
Sophia Travers (One Billion Reasons (Kings Lane Billionaires, #1))
She narrows her eyes. Fuck, I love when she does that. She doesn’t do that with anyone else.
Sophia Travers (One Wealthy Wedding (Kings Lane Billionaires, #3))
Why do men subject her and every woman she knows to this kind of harassment and humiliation? Is it only by forcing touch or by having an audience for their display that they know the organ exists? Earlier that year, when the ladies’ hostel bus brought them back from a sari exhibition, a closed section of road forced the driver to detour through a narrow lane behind the men’s hostel. A male student sat reading the paper while stark naked on the balcony. In an instant, he covered his face rather than his base. That was understandable—he wanted to spare himself the embarrassment of being recognized. But what she could not understand was his decision to stand up, face still covered but all else on display, while the bus and its passengers crawled by.
Abraham Verghese (The Covenant of Water)
The twilights of ancient cities, with lost traditions inscribed in the black stones of their massive buildings; tremulous dawns over inundated fields, swampy and damp like the air before the sun comes out; the narrow lanes where anything could happen; the heavy chests in age-old sitting rooms; the well behind the farmhouse on a moonlit night; the letter dating from when our grandmother whom we never met was first in love; the mildew in the rooms where the past is stored; the rifle no one knows how to use any more; the fever of hot afternoons next to the window; not a soul on the road; fitful slumber; the blight in the vineyards; church bells; the cloistral grief of living…
Fernando Pessoa (The Book of Disquiet)
Every time she gives me those narrowed eyes, I want to do more of whatever is annoying her.
Sophia Travers (One Wealthy Wedding (Kings Lane Billionaires, #3))