β
It's bullshit to think of friendship and romance as being different. They're not. They're just variations of the same love. Variations of the same desire to be close.
β
β
Rachel Cohn (Naomi and Ely's No Kiss List)
β
We always see our worst selves. Our most vulnerable selves. We need someone else to get close enough to tell us weβre wrong. Someone we trust.
β
β
David Levithan (Naomi and Ely's No Kiss List)
β
You intolerable lunatic," he snarled at me, and then he caught my face between his hands and kissed me.
β
β
Naomi Novik (Uprooted)
β
Women who love themselves are threatening; but men who love real women, more so.
β
β
Naomi Wolf (The Beauty Myth)
β
Things that matter are not easy. Feelings of happiness are easy. Happiness is not. Flirting is easy. Love is not. Saying youβre friends is easy. Being friends is not.
β
β
David Levithan (Naomi and Ely's No Kiss List)
β
A culture fixated on female thinness is not an obsession about female beauty, but an obsession about female obedience. Dieting is the most potent political sedative in womenβs history; a quietly mad population is a tractable one.
β
β
Naomi Wolf (The Beauty Myth)
β
If you don't want a man dead, don't bludgeon him over the head repeatedly.
β
β
Naomi Novik (Uprooted)
β
A Mother who radiates self-love and self-acceptance actually VACCINATES her daughter against low self-esteem.
β
β
Naomi Wolf
β
Beauty provokes harassment, the law says, but it looks through men's eyes when deciding what provokes it.
β
β
Naomi Wolf (The Beauty Myth)
β
truth didnβt mean anything without someone to share it with; you could shout truth into the air forever, and spend your life doing it, if someone didnβt come and listen.
β
β
Naomi Novik (Uprooted)
β
There is no such thing as a soulmateβ¦and who would want there to be? I donβt want half of a shared soul. I want my own damn soul.β
Ely in Naomi and Elyβs No Kiss List Rachel Cohn and David Levithan
β
β
Rachel Cohn (Naomi and Ely's No Kiss List)
β
But I had not known that I was strong enough to do any of those things until they were over and I had done them. I had to do the work first, not knowing.
β
β
Naomi Novik (Spinning Silver)
β
What an unequaled gift for disaster you have.
β
β
Naomi Novik (Uprooted)
β
And I wasn't old enough to be wise, so I loved her more, not less, because I knew she would be taken from me soon.
β
β
Naomi Novik (Uprooted)
β
I love the solitude of reading. I love the deep dive into someone else's story, the delicious ache of a last page.
β
β
Naomi Shihab Nye
β
Sadly, the signals that allow men and women to find the partners who most please them are scrambled by the sexual insecurity initiated by beauty thinking. A woman who is self-conscious can't relax to let her sensuality come into play. If she is hungry she will be tense. If she is "done up" she will be on the alert for her reflection in his eyes. If she is ashamed of her body, its movement will be stilled. If she does not feel entitled to claim attention, she will not demand that airspace to shine in. If his field of vision has been boxed in by "beauty"--a box continually shrinking--he simply will not see her, his real love, standing right before him.
β
β
Naomi Wolf (The Beauty Myth)
β
It's a total lie to say there's only one person you're going to be with for the rest of your life. If you're lucky - and if you try really hard - there will always be more than one.
β
β
Rachel Cohn (Naomi and Ely's No Kiss List)
β
I turn to see Ansel leaning against the door frame. His eyes swept over the room.
"Whoa, Hurricane Naomi strikes, leaving no survivers.
β
β
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
β
Listen, you impossible creature," he said, "I'm a century and more older than--"
"Oh, be quiet," I said impatiently.
β
β
Naomi Novik (Uprooted)
β
But the world I wanted wasn't the world I lived in, and if I would do nothing until I could repair every terrible thing at once, I would do nothing forever.
β
β
Naomi Novik (Spinning Silver)
β
A cultural fixation on female thinness is not an obsession about female beauty but an obsession about female obedience.
β
β
Naomi Wolf
β
It doesn't matter that she shouldn't, that she never would. What matters is that she could, if she wanted. The power to hurt is a kind of wealth.
β
β
Naomi Alderman (The Power)
β
And more to the point, I was reasonably certain he wasnβt going to try and devour my soul. My expectations for a husband had lowered.
β
β
Naomi Novik (Spinning Silver)
β
I was a glaring blot on the perfection. But I didn't care: I didn't feel I owed him beauty.
β
β
Naomi Novik (Uprooted)
β
Men are visually aroused by women's bodies and less sensitive to their arousal by women's personalities because they are trained early into that response, while women are less visually aroused and more emotionally aroused because that is their training. This asymmetry in sexual education maintains men's power in the myth: They look at women's bodies, evaluate, move on; their own bodies are not looked at, evaluated, and taken or passed over. But there is no "rock called gender" responsible for that; it can change so that real mutuality--an equal gaze, equal vulnerability, equal desire--brings heterosexual men and women together.
β
β
Naomi Wolf (The Beauty Myth)
β
We're meant to go. We're not meant to stay forever.
β
β
Naomi Novik (Uprooted)
β
To live in a culture in which women are routinely naked where men aren't is to learn inequality in little ways all day long. So even if we agree that sexual imagery is in fact a language, it is clearly one that is already heavily edited to protect men's sexual--and hence social--confidence while undermining that of women.
β
β
Naomi Wolf (The Beauty Myth)
β
I should rather have you than a heap of gold, even if it were very comfortable to sleep on.
β
β
Naomi Novik (His Majesty's Dragon (Temeraire, #1))
β
Democracy is not just the right to vote, it is the right to live in dignity.
β
β
Naomi Klein
β
I love having existential crises at bedtime, it's so restful.
β
β
Naomi Novik (A Deadly Education (The Scholomance, #1))
β
Kalau aku mengatakannya, reaksi apa yang akan kau berikan? Apakah kau akan menerima pengakuanku? Apakah kau akan percaya padaku? Apakah kau masih akan menatapku seperti ini? Atau apakah justru kau akan menjauh dariku? Meninggalkanku? Tapi aku tahu aku harus mengatakannya padamu. Aku tidak mungkin menyimpannya selamanya. Entah bagimana reaksimu nanti setelah mendengarnya, aku hanya berharap satu hal padamu. Jangan pergi dariku. Tetaplah disisiku
β
β
Ilana Tan
β
I don't want more sense!" I said loudly, beating against the silence of the room. "Not if sense means I'll stop loving anyone. What is there besides people that's worth holding on to?
β
β
Naomi Novik (Uprooted)
β
Nice people made the best Nazis. My mom grew up next to them. They got along, refused to make waves, looked the other way when things got ugly and focused on happier things than βpolitics.β They were lovely people who turned their heads as their neighbors were dragged away. You know who werenβt nice people? Resisters.
β
β
Naomi Shulman
β
The person you have known a long tme is embedded in you like a jewel. The person you have just met casts out a few glistening beams & you are fascinated to see more of them. How many more are there? With someone you've barely met the curiosity is intoxicating.
β
β
Naomi Shihab Nye
β
What becomes of a man who acquires a beautiful woman, with her "beauty" his sole target? He sabotages himself. He has gained no friend, no ally, no mutual trust: She knows quite well why she has been chosen. He has succeeded in buying something: the esteem of other men who find such an acquisition impressive.
β
β
Naomi Wolf (The Beauty Myth)
β
But she hadn't been able to take root. She'd remembered the wrong things, and forgotten too much. She'd remembered how to kill and how to hate, and she'd forgotten how to grow.
β
β
Naomi Novik (Uprooted)
β
One of them says, 'Why did they do it?'
And the other answers, 'Because they could.'
That is the only answer there ever is.
β
β
Naomi Alderman (The Power)
β
When we know ourselves to be connected to all others, acting compassionately is simply the natural thing to do.
β
β
Rachel Naomi Remen
β
The beauty myth is always actually prescribing behaviour and not appearance.
β
β
Naomi Wolf (The Beauty Myth)
β
It comes, I suppose,β I said thoughtfully, speaking to the air, βof spending too much time alone indoors, and forgetting that living things donβt always stay where you put them.
β
β
Naomi Novik (Uprooted)
β
Youβve been inexpressibly lucky,β he said finally. βAnd inexpressibly mad, although in your case the two seem to be the same thing
β
β
Naomi Novik (Uprooted)
β
Gender is a shell game. What is a man? Whatever a woman isn't. What is a woman? Whatever a man is not. Tap on it and it's hollow. Look under the shells: it's not there.
β
β
Naomi Alderman (The Power)
β
Extreme violence has a way of preventing us from seeing the interests it serves.
β
β
Naomi Klein (The Shock Doctrine: The Rise of Disaster Capitalism)
β
His name tasted of fire and wings, of curling smoke, of subtlety and strength and the rasping whisper of scales.
β
β
Naomi Novik (Uprooted)
β
Maybe your history just repeats and repeats until it batters you enough to snap the seams that hold you together
β
β
David Levithan (Naomi and Ely's No Kiss List)
β
You actually cannot sell the idea of freedom, democracy, diversity, as if it were a brand attribute and not reality -- not at the same time as you're bombing people, you can't.
β
β
Naomi Klein
β
I've never understood why looking hot had to be equated with sex and conquest. Whatever happened to anticipation, to courtship, to true love? Can't a person look hot and not have it mean something? Call me an old-fashioned Naomi bitch, but I'm holding out for true love. Even if it's an unattainable fantasy
β
β
David Levithan (Naomi and Ely's No Kiss List)
β
The Victorian woman became her ovaries, as today's woman has become her "beauty.
β
β
Naomi Wolf (The Beauty Myth)
β
She wins who calls herself beautiful and challenges the world to change to truly see her.
β
β
Naomi Wolf (The Beauty Myth)
β
For I conclude that the enemy is not lipstick, but guilt itself; that we deserve lipstick, if we want it, AND free speech; we deserve to be sexual AND serious--or whatever we please; we are entitled to wear cowboy boots to our own revolution.
β
β
Naomi Wolf
β
Just because a person is beautiful doesn't mean there's no soul beneath. Doesn't mean that person hasn't suffered like everyone else, doesn't mean they don't hope to still be a good human being in an awful world.
β
β
David Levithan (Naomi and Ely's No Kiss List)
β
Wounding and healing are not opposites. They're part of the same thing. It is our wounds that enable us to be compassionate with the wounds of others. It is our limitations that make us kind to the limitations of other people. It is our loneliness that helps us to to find other people or to even know they're alone with an illness. I think I have served people perfectly with parts of myself I used to be ashamed of.
β
β
Rachel Naomi Remen
β
I am very tired of this Government, which I have never seen, and which is always insisting that I must do disagreeable things, and does no good to anybody.
β
β
Naomi Novik (Throne of Jade (Temeraire, #2))
β
A robber who steals a knife and cuts himself cannot cry out against the woman who kept it sharp.
β
β
Naomi Novik (Spinning Silver)
β
This is the trouble with history. You can't see what's not there. You can look at an empty space and see that something's missing, but there's no way to know what it was.
β
β
Naomi Alderman (The Power)
β
READER, I RAN the fuck away.
β
β
Naomi Novik (A Deadly Education (The Scholomance, #1))
β
A consequence of female self-love is that the woman grows convinced of social worth. Her love for her body will be unqualified, which is the basis of female identification. If a woman loves her own body, she doesn't grudge what other women do with theirs; if she loves femaleness, she champions its rights. It's true what they say about women: Women are insatiable. We are greedy. Our appetites do need to be controlled if things are to stay in place. If the world were ours too, if we believed we could get away with it, we would ask for more love, more sex, more money, more commitment to children, more food, more care. These sexual, emotional, and physical demands would begin to extend to social demands: payment for care of the elderly, parental leave, childcare, etc. The force of female desire would be so great that society would truly have to reckon with what women want, in bed and in the world.
β
β
Naomi Wolf (The Beauty Myth)
β
There was a song in this forest, too, but it was a savage song, whispering of madness and tearing and rage.
β
β
Naomi Novik (Uprooted)
β
My mother had enough magic to give me three blessings before she died,β I said, and he instinctively bent in to hear it. βThe first was wit; the second beauty, and the thirdβthat fools should recognize neither.β Irina
β
β
Naomi Novik (Spinning Silver)
β
It's bullshit to think of friendship and romance as being different. They're not. They're just variations of the same love. Variations of the same desire to be close.
β
β
David Levithan (Naomi and Ely's No Kiss List)
β
But it was all the same choice, every time. The choice between the one death and all the little ones.
β
β
Naomi Novik (Spinning Silver)
β
Temeraire said, 'It is very nice how many books there are, indeed. And on so many subjects!
β
β
Naomi Novik (His Majesty's Dragon (Temeraire, #1))
β
Most of us lead far more meaningful lives than we know. Often finding meaning is not about doing things differently; it is about seeing familiar things in new ways.
β
β
Rachel Naomi Remen (My Grandfather's Blessings : Stories of Strength, Refuge, and Belonging)
β
I decided that Orion needed to die after the second time he saved my life.
β
β
Naomi Novik (A Deadly Education (The Scholomance, #1))
β
Magic was singing in me, through me; I felt the murmur of his power singing back that same song.
β
β
Naomi Novik (Uprooted)
β
The most basic and powerful way to connect to another person is to listen. Just listen. Perhaps the most important thing we ever give each other is our attentionβ¦. A loving silence often has far more power to heal and to connect than the most well-intentioned words.
β
β
Rachel Naomi Remen
β
I want to be famous in the way a pulley is famous,
or a buttonhole, not because it did anything spectacular,
but because it never forgot what it could do.
β
β
Naomi Shihab Nye
β
Was I starting to feel evil? Yes, now I was worrying I'd be turned to the dark side by too much crochet.
β
β
Naomi Novik (A Deadly Education (The Scholomance, #1))
β
We always see the worst in our selves. Our most volnerable selves. We need someone to get close enough to tell us that we're wrong. Someone we trust.
β
β
Rachel Cohn (Naomi and Ely's No Kiss List)
β
The parties with the most gain never show up on the battlefield.
β
β
Naomi Klein (The Shock Doctrine: The Rise of Disaster Capitalism)
β
So the fairy silver brought you a monster of fire for a husband, and me a monster of ice. We should put them in a room together and let them make us both widows.
β
β
Naomi Novik (Spinning Silver)
β
Our economic system and our planetary system are now at war. Or, more accurately, our economy is at war with many forms of life on earth, including human life. What the climate needs to avoid collapse is a contraction in humanityβs use of resources; what our economic model demands to avoid collapse is unfettered expansion. Only one of these sets of rules can be changed, and itβs not the laws of nature.
β
β
Naomi Klein (This Changes Everything: Capitalism vs. The Climate)
β
It is quite uninteresting; that is why one comes out."
β Temeraire, on being inside an egg
β
β
Naomi Novik (Black Powder War (Temeraire, #3))
β
Cosmetic surgery processes the bodies of woman-made women, who make up the vast majority of its patient pool, into man-made women.
β
β
Naomi Wolf (The Beauty Myth)
β
You were challenged beyond the bounds of what could be done, and found a path to make it true.
β
β
Naomi Novik (Spinning Silver)
β
Pain is real when you get other people to believe in it. If no one believes in it but you, your pain is madness or hysteria.
β
β
Naomi Wolf
β
I don't think I can do it alone," I said. I had a feeling the Summoning wasn't really meant to be cast alone: as if truth didn't mean anything without someone to share it with.
β
β
Naomi Novik (Uprooted)
β
Being good felt like a heavy coat, so I took it off.
β
β
Naomi Shihab Nye
β
The truth has always been a more complex commodity than the market can easily package and sell.
β
β
Naomi Alderman (The Power)
β
Iβm not stupid, nor a liar,β I said, βand if I canβt do any good, I can at least do something
β
β
Naomi Novik (Uprooted)
β
You do not win by struggling to the top of a caste system, you win by refusing to be trapped within one at all.
β
β
Naomi Wolf (The Beauty Myth)
β
He would only shrug and look at me expectantly again, waiting for high magic: magic that came only when you made some larger version of yourself with words and promises, and then stepped inside and somehow grew to fill it.
β
β
Naomi Novik (Spinning Silver)
β
It is really hard to be lonely very long in a world of words. Even if you don't have friends somewhere, you still have language, and it will find you and wrap its little syllables around you and suddenly there will be a story to live in.
β
β
Naomi Shihab Nye (I'll Ask You Three Times, Are You OK?: Tales of Driving and Being Driven)
β
The Dragon hissed under his breath with annoyance: how dare a chimaera inconvenience him, coming out of season.
β
β
Naomi Novik (Uprooted)
β
I leaned against his side, his irritation oddly comforting. After a moment he grudgingly put his arm around me. The deep quiet was already settling back upon the grove, as if all the fire and rage we'd brought could make only a brief interruption in its peace.
β
β
Naomi Novik (Uprooted)
β
Kindness
Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.
Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.
Before you know kindness as the deepest thing
inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and
purchase bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.
β
β
Naomi Shihab Nye (Words Under the Words: Selected Poems (A Far Corner Book))
β
A man is unlikely to be brought within earshot of women as they judge men's appearance, height, muscle tone, sexual technique, penis size, personal grooming, or taste in clothes--all of which we do. The fact is that women are able to view men just as men view women, as objects for sexual and aesthetic evaluation; we too are effortlessly able to choose the male "ideal" from a lineup and if we could have male beauty as well as everything else, most of us would not say no. But so what? Given all that, women make the choice, by and large, to take men as human beings first.
β
β
Naomi Wolf (The Beauty Myth)
β
Because, underneath all of this is the real truth we have been avoiding: climate change isnβt an βissueβ to add to the list of things to worry about, next to health care and taxes. It is a civilizational wake-up call. A powerful messageβspoken in the language of fires, floods, droughts, and extinctionsβtelling us that we need an entirely new economic model and a new way of sharing this planet. Telling us that we need to evolve.
β
β
Naomi Klein
β
He darted a look at the uncovered basket behind me, saw what I was eating, and glared at me. "That's appalling," he said.
"They're wonderful!" I said. "They're all coming ripe."
"All the better to turn you into a tree," he said.
"I don't want to be a tree yet," I said.
β
β
Naomi Novik (Uprooted)
β
You have been taught that you are unclean, that you are not holy, that your body is impure and could never harbour the divine. You have been taught to despise everything you are and to long only to be a man. But you have been taught lies.
β
β
Naomi Alderman (The Power)
β
Women could probably be trained quite easily to see men first as sexual things. If girls never experienced sexual violence; if a girl's only window on male sexuality were a stream of easily available, well-lit, cheap images of boys slightly older than herself, in their late teens, smiling encouragingly and revealing cuddly erect penises the color of roses or mocha, she might well look at, masturbate to, and, as an adult, "need" beauty pornography based on the bodies of men. And if those initiating penises were represented to the girl as pneumatically erectible, swerving neither left nor right, tasting of cinnamon or forest berries, innocent of random hairs, and ever ready; if they were presented alongside their measurements, length, and circumference to the quarter inch; if they seemed to be available to her with no troublesome personality attached; if her sweet pleasure seemed to be the only reason for them to exist--then a real young man would probably approach the young woman's bed with, to say the least, a failing heart.
β
β
Naomi Wolf (The Beauty Myth)
β
She says it's too easy to call people evil instead of their choices and that lets people justify making evil choices. Because they convince themselves that it's okay because they're still good people overall inside their own heads. And yes, fine. But I think that after a certain number of evil choices, it's reasonable shorthand to decide that someone's an evil person who oughtn't have the chance to make any more choices. And the more power someone has, the less slack they ought to be given.
β
β
Naomi Novik (A Deadly Education (The Scholomance, #1))
β
They all had stories. They had mothers or fathers, sisters or lovers. They weren't alone in the world, mattering to no one but themselves. It seemed utterly wrong to treat them like pennies in a purse. I felt the soldiers understood perfectly well that we were making sums out of them-- this many safe to spend, this number too high, as if each one wasn't a whole man.
β
β
Naomi Novik (Uprooted)
β
Perhaps the most important thing we bring to another person is the silence in us, not the sort of silence that is filled with unspoken criticism or hard withdrawal. The sort of silence that is a place of refuge, of rest, of acceptance of someone as they are. We are all hungry for this other silence. It is hard to find. In its presence we can remember something beyond the moment, a strength on which to build a life. Silence is a place of great power and healing.
β
β
Rachel Naomi Remen
β
Hush, sweetheart. You don't have a mother anymore, but let me to speak to you with her voice a minute. Listen. Stepon told us what happened in your house. There are men who are wolves inside, and want to eat up other people to fill their bellies. That it what was in your house with you, all your life. But here you are with your brothers, and you are not eaten up, and there is not a wolf inside you. You have fed each other, and you kept the wolf away. That is all we can do for each other in the world, to keep the wolf away.
β
β
Naomi Novik (Spinning Silver)
β
Whatever is deeply, essentially female--the life in a woman's expression, the feel of her flesh, the shape of her breasts, the transformations after childbirth of her skin--is being reclassified as ugly, and ugliness as disease. These qualities are about an intensification of female power, which explains why they are being recast as a diminution of power. At least a third of a woman's life is marked with aging; about a third of her body is made of fat. Both symbols are being transformed into operable condition--so that women will only feel healthy if we are two thirds of the women we could be. How can an "ideal" be about women if it is defined as how much of a female sexual characteristic does not exist on the woman's body, and how much of a female life does not show on her face?
β
β
Naomi Wolf (The Beauty Myth)
β
Men who read it [beauty pornography] don't do so because they want women who look like that. The attraction of what they are holding is that it is not a woman, but a two-dimensional woman-shaped blank. The appeal of the material is not the fantasy that the model will come to life; it is precisely that she will not, ever. Her coming to life would ruin the vision. It is not about life.
Ideal beauty is ideal because it does not exist; The action lies in the gap between desire and gratification. Women are not perfect beauties without distance. That space, in a consumer culture, is a lucrative one. The beauty myth moves for men as a mirage, its power lies in its ever-receding nature. When the gap is closed, the lover embraces only his own disillusion.
β
β
Naomi Wolf (The Beauty Myth)
β
We do not have to spend money and go hungry and struggle and study to become sensual; we always were. We need not believe we must somehow earn good erotic care; we always deserved it.
Femaleness and its sexuality are beautiful. Women have long secretly suspected as much. In that sexuality, women are physically beautiful already; superb; breathtaking.
Many, many men see this way too. A man who wants to define himself as a real lover of women admires what shows of her past on a woman's face, before she ever saw him, and the adventures and stresses that her body has undergone, the scars of trauma, the changes of childbirth, her distinguishing characteristics, the light is her expression. The number of men who already see in this way is far greater than the arbiters of mass culture would lead us to believe, since the story they need to tell ends with the opposite moral.
β
β
Naomi Wolf (The Beauty Myth)
β
You could see the signs of female aging as diseased, especially if you had a vested interest in making women too see them your way. Or you could see that a woman is healthy if she lives to grow old; as she thrives, she reacts and speaks and shows emotion, and grows into her face. Lines trace her thought and radiate from the corners of her eyes as she smiles. You could call the lines a network of 'serious lesions' or you could see that in a precise calligraphy, thought has etched marks of concentration between her brows, and drawn across her forehead the horizontal creases of surprise, delight, compassion and good talk. A lifetime of kissing, of speaking and weeping, shows expressively around a mouth scored like a leaf in motion. The skin loosens on her face and throat, giving her features a setting of sensual dignity; her features grow stronger as she does. She has looked around in her life and it shows. When gray and white reflect in her hair, you could call it a dirty secret or you could call it silver or moonlight. Her body fills into itself, taking on gravity like a bather breasting water, growing generous with the rest of her. The darkening under her eyes, the weight of her lids, their minute cross-hatching, reveal that what she has been part of has left in her its complexity and richness. She is darker, stronger, looser, tougher, sexier. The maturing of a woman who has continued to grow is a beautiful thing to behold.
β
β
Naomi Wolf (The Beauty Myth)
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Their [girls] sexual energy, their evaluation of adolescent boys and other girls goes thwarted, deflected back upon the girls, unspoken, and their searching hungry gazed returned to their own bodies. The questions, Whom do I desire? Why? What will I do about it? are turned around: Would I desire myself? Why?...Why not? What can I do about it?
The books and films they see survey from the young boy's point of view his first touch of a girl's thighs, his first glimpse of her breasts. The girls sit listening, absorbing, their familiar breasts estranged as if they were not part of their bodies, their thighs crossed self-consciously, learning how to leave their bodies and watch them from the outside. Since their bodies are seen from the point of view of strangeness and desire, it is no wonder that what should be familiar, felt to be whole, become estranged and divided into parts. What little girls learn is not the desire for the other, but the desire to be desired. Girls learn to watch their sex along with the boys; that takes up the space that should be devoted to finding out about what they are wanting, and reading and writing about it, seeking it and getting it. Sex is held hostage by beauty and its ransom terms are engraved in girls' minds early and deeply with instruments more beautiful that those which advertisers or pornographers know how to use: literature, poetry, painting, and film.
This outside-in perspective on their own sexuality leads to the confusion that is at the heart of the myth. Women come to confuse sexual looking with being looked at sexually ("Clairol...it's the look you want"); many confuse sexually feeling with being sexually felt ("Gillete razors...the way a woman wants to feel"); many confuse desiring with being desirable. "My first sexual memory," a woman tells me, "was when I first shaved my legs, and when I ran my hand down the smooth skin I felt how it would feel to someone else's hand." Women say that when they lost weight they "feel sexier" but the nerve endings in the clitoris and nipples don't multiply with weight loss. Women tell me they're jealous of the men who get so much pleasure out of the female body that they imagine being inside the male body that is inside their own so that they can vicariously experience desire.
Could it be then that women's famous slowness of arousal to men's, complex fantasy life, the lack of pleasure many experience in intercourse, is related to this cultural negation of sexual imagery that affirms the female point of view, the culture prohibition against seeing men's bodies as instruments of pleasure? Could it be related to the taboo against representing intercourse as an opportunity for a straight woman actively to pursue, grasp, savor, and consume the male body for her satisfaction, as much as she is pursued, grasped, savored, and consumed for his?
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Naomi Wolf (The Beauty Myth)