Naked Lunch Quotes

We've searched our database for all the quotes and captions related to Naked Lunch. Here they are! All 100 of them:

You were not there for the beginning. You will not be there for the end. Your knowledge of what is going on can only be superficial and relative
William S. Burroughs (Naked Lunch)
The junk merchant doesn't sell his product to the consumer, he sells the consumer to his product. He does not improve and simplify his merchandise. He degrades and simplifies the client.
William S. Burroughs (Naked Lunch)
A naked lunch is natural to us We eat reality sandwiches. But allegories are so much lettuce. Don't hide the madness.
Allen Ginsberg
Confusion hath fuck his masterpiece.
William S. Burroughs (Naked Lunch)
Last night I woke up with someone squeezing my hand. It was my other hand.
William S. Burroughs (Naked Lunch)
It is not the intensity but the duration of pain that breaks the will to resist.
William S. Burroughs (Naked Lunch)
When he smiled the fear flew away in little pieces of light...
William S. Burroughs (Naked Lunch)
The study of thinking machines teaches us more about the brain than we can learn by introspective methods. Western man is externalizing himself in the form of gadgets.
William S. Burroughs (Naked Lunch)
If all pleasure is relief from tension, junk affords relief from the whole life process, in disconnecting the hypothalamus, which is the center of psychic energy and libido.
William S. Burroughs (Naked Lunch)
Well as, one judge said to the other, 'Be just and if you can't be just be arbitrary.' Regret cannot observe customary obscenities.
William S. Burroughs (Naked Lunch)
I know this one pusher walks around humming a tune and everybody he passes takes it up. He is so grey and spectral and anonymous they don't see him and think it is their own mind humming the tune.
William S. Burroughs (Naked Lunch)
You see, control can never be a means to any practical end...It can never be a means to anything but more control...like junk..
William S. Burroughs (Naked Lunch)
Exterminate all rational thought
William S. Burroughs (Naked Lunch: The Restored Text)
There is only one thing a writer can write about: what is in front of his senses at the moment of writing... I am a recording instrument... I do not presume to impose “story” “plot” “continuity”... Insofar as I succeed in Direct recording of certain areas of psychic process I may have limited function... I am not an entertainer...
William S. Burroughs (Naked Lunch)
O death where is thy sting? The man is never on time...
William S. Burroughs (Naked Lunch)
The broken image of Man moves in minute by minute and cell by cell.... Poverty, hatred, war, police-criminals, bureaucracy, insanity, all symptoms of The Human Virus.
William S. Burroughs (Naked Lunch)
Breakfast is the only meal of the day that I tend to view with the same kind of traditionalized reverence that most people associate with Lunch and Dinner. I like to eat breakfast alone, and almost never before noon; anybody with a terminally jangled lifestyle needs at least one psychic anchor every twenty-four hours, and mine is breakfast. In Hong Kong, Dallas or at home — and regardless of whether or not I have been to bed — breakfast is a personal ritual that can only be properly observed alone, and in a spirit of genuine excess. The food factor should always be massive: four Bloody Marys, two grapefruits, a pot of coffee, Rangoon crepes, a half-pound of either sausage, bacon, or corned beef hash with diced chiles, a Spanish omelette or eggs Benedict, a quart of milk, a chopped lemon for random seasoning, and something like a slice of Key lime pie, two margaritas, and six lines of the best cocaine for dessert… Right, and there should also be two or three newspapers, all mail and messages, a telephone, a notebook for planning the next twenty-four hours and at least one source of good music… All of which should be dealt with outside, in the warmth of a hot sun, and preferably stone naked.
Hunter S. Thompson
I was standing outside myself trying to stop those hangings with ghost fingers... I am a ghost wanting what every ghost wants-a body-after the Long Time moving through odorless alleys of space where no life is, only the colorless no smell of death...Nobody can breath and smell it through pink convolutions of gristle laced with crystal snot, time shit and black blood filters of flesh.
William S. Burroughs (Naked Lunch)
He is a boy sleeping against the mosque wall, ejaculates wet dreaming into a thousand cunts pink and smooth as sea shells...
William S. Burroughs (Naked Lunch)
The boys eat happily looking into each other’s eyes. Blood runs down their chins.
William S. Burroughs (Naked Lunch)
Rock and Roll adolescent hoodlums storm the streets of all nations. They rush into the Louvre and throw acid in the Mona Lisa’s face.
William S. Burroughs (Naked Lunch)
Like pregnant women lose their teeth feeding the stranger, junkies lose their yellow fangs feeding the monkey.
William S. Burroughs (Naked Lunch)
Exterminate all rational thought. That is the conclusion I have come to. (William Lee-Naked Lunch)
David Cronenberg
Well, as you can plainly see, the possibilities are endless like meandering paths in a great big beautiful garden.
William S. Burroughs (Naked Lunch)
Mohammed? Are you kidding? He was dreamed up by the Mecca Chamber of Commerce.
William S. Burroughs (Naked Lunch)
See, you can't rewrite, 'cause to rewrite is to deceive and lie, and you betray your own thoughts. To rethink the flow and the rhythm, the tumbling out of the words, is a betrayal, and it's a sin, Martin, it's a sin." --Hank (Kerouac)to Martin (Ginsberg) in the film Naked Lunch
David Cronenberg
Unquestionably, this drug is is very useful to the artist, activating trains of association that would otherwise be inaccessible, and I owe many of the scenes in Naked Lunch directly to the use of cannabis.
William S. Burroughs
Have you ever found your heart's desire and then lost it? I had seen myself, a portrait of myself as a reader. My childhood: days home sick from school reading Nancy Drew, forbidden books read secretively late at night. Teenage years reading -trying to read- books I'd heard were important, Naked Lunch, and The Fountainhead, Ulysses and Women in Love... It was as though I had dreamt the perfect lover, who vanished as I woke, leaving me pining and surly.
Audrey Niffenegger (The Night Bookmobile)
The face of "evil" is always the face of total need. A dope fiend is a man in total need of dope. Beyond a certain frequency need knows absolutely no limit or control. In the words of total need: "Wouldn't you?" Yes you would. You would lie, cheat, inform on your friends, steal, do anything to satisfy total need. Because you would be in a state of total sickness, total possession, and not in a position to act in any other way. Dope fiends are sick people who cannot act other than they do. A rabid dog cannot choose but bite.
William S. Burroughs (Naked Lunch)
Naked Mr. America, burning frantic with self bone love, screams out: "My asshole confounds the Louvre! I fart ambrosia and shit pure gold turds! My cock spurts soft diamonds in the morning sunlight!
William S. Burroughs (Naked Lunch)
There is a Senate and a Congress who carry on endless sessions discussing garbage disposal and outhouse inspection, the only two questions over which they have jurisdiction.
William S. Burroughs (Naked Lunch)
What's with the serum?" I don't know, but it sounds ominous. We better put a telepathic direction finder on Benway. The man's not to be trusted. Might do almost anything...Turn a massacre into a sex orgy..." Or a joke." Precisely. Arty type...No principles...
William S. Burroughs (Naked Lunch)
Right, I breast feed baby camels in my backyard just for the freaking fun of it. Just tell me where you live, Pinocchio, and save the baloney for lunch.
David Sedaris (Naked)
A coprophage calls for a plate, shits on it and eats the shit, exclaiming, "Mmmm, that's my rich substance.
William S. Burroughs (Naked Lunch)
I believe that if a seven-year old kid has heard of Naked Lunch and is daring enough to want to read it, he’s old enough to read it.
John Waters
Did I ever tell you about the man who taught his asshole to talk? His whole abdomen would move up and down, you dig, farting out the words. It was unlike anything I ever heard. Bubbly, thick, stagnant sound. A sound you could smell. This man worked for the carnival,you dig? And to start with it was like a novelty ventriloquist act. After a while, the ass started talking on its own. He would go in without anything prepared... and his ass would ad-lib and toss the gags back at him every time. Then it developed sort of teethlike... little raspy incurving hooks and started eating. He thought this was cute at first and built an act around it... but the asshole would eat its way through his pants and start talking on the street... shouting out it wanted equal rights. It would get drunk, too, and have crying jags. Nobody loved it. And it wanted to be kissed, same as any other mouth. Finally, it talked all the time, day and night. You could hear him for blocks, screaming at it to shut up... beating at it with his fists... and sticking candles up it, but... nothing did any good, and the asshole said to him... "It is you who will shut up in the end, not me... "because we don't need you around here anymore. I can talk and eat and shit." After that, he began waking up in the morning with transparentjelly... like a tadpole's tail all over his mouth. He would tear it off his mouth and the pieces would stick to his hands... like burning gasoline jelly and grow there. So, finally, his mouth sealed over... and the whole head... would have amputated spontaneously except for the eyes, you dig? That's the one thing that the asshole couldn't do was see. It needed the eyes. Nerve connections were blocked... and infiltrated and atrophied. So, the brain couldn't give orders anymore. It was trapped inside the skull... sealed off. For a while, you could see... the silent, helpless suffering of the brain behind the eyes. And then finally the brain must have died... because the eyes went out... and there was no more feeling in them than a crab's eye at the end of a stalk.
William S. Burroughs (Naked Lunch)
Melancholy Baby dies from an overdose of time
William S. Burroughs (Naked Lunch)
Ever see a hot shot hit, kid? I saw the Gimp catch one in Philly. We rigged his room with a one-way whorehouse mirror and charged a sawski to watch it. He never got the needle out of his arm. They don't if the shot is right. That's the way they find them, dropper full of clotted blood hanging out of a blue arm. The look in his eyes when it hit --- Kid, it was tasty.
William S. Burroughs (Naked Lunch)
Take a shot in front of D.L. Probing for a vein in my dirty bare foot… Junkies have no shame… They are impervious to the repugnance of others. It is doubtful if shame can exist in the absence of sexual libido… The junky’s shame disappears with his nonsexual sociability which is also dependent on libido…
William S. Burroughs (Naked Lunch)
The symbologist made a cryptic sign. "That remains to be seen, as the cat said who voided into the sugar bowl.
Jack Vance (The Palace of Love (Demon Princes, #3))
But there are higher stakes than youth or Latah, games where only two players in the world know what the stakes are.
William S. Burroughs (Naked Lunch)
Where do they go when they walk out and leave the body behind?
William S. Burroughs (Naked Lunch)
There's a boy across the river with an ass like a peach; alas I was no swimmer and lost my Clementine.
William S. Burroughs (Naked Lunch)
I can feel the heat closing in, feel them out there making their moves.
William S. Burroughs (Naked Lunch)
I had seen myself, a portrait of myself as a reader. My childhood: hours spent in airless classrooms, days home sick from school reading Nancy Drew, forbidden books read secretively late at night. Teenage years reading - trying to read- books I'd heard were important, Naked Lunch and The Fountainhead, Ulysses and Women in Love." -The Night Bookmobile
Audrey Niffenegger
Did any of you ever see Doctor Tetrazzini perform? I say perform advisedly because his operations were performances. He would start by throwing a scalpel across the room into the patient and then make his entrance as a ballet dancer. His speed was incredible: "I don't give them time to die", he would say. Tumors put him in a frenzy of rage. "Fucking undisciplined cells!" he would snarl, advancing on the tumor like a knife-fighter.
William S. Burroughs (Naked Lunch: The Restored Text)
Squatting on old bones and excrement and rusty iron, in a white blaze of heat, a panorama of naked idiots stretches to the horizon. Complete silence - their speech centres are destroyed - except for the crackle of sparks and the popping of singed flesh as they apply electrodes up and down the spine. White smoke of burning flesh hangs in the motionless air. A group of children have tied an idiot to a post with barbed wire and built a fire between his legs and stand watching with bestial curiosity as the flames lick his thighs. His flesh jerks in the fire with insect agony.
William S. Burroughs (Naked Lunch)
Western man is externalizing himself in the form of gadgets.
William S. Burroughs (Naked Lunch)
If you wish to alter or annihilate a pyramid of numbers in a serial relation, you alter or remove the bottom number. If we wish to annihilate the junk pyramid, we must start with the bottom of the pyramid: the Addict in the Street, and stop tilting quixotically for the "higher ups" so called, all of whom are immediately replaceable. The addict in the street who must have junk to live is the one irreplaceable factor in the junk equation. When there are no more addicts to buy junk there will be no junk traffic. As long as junk need exists, someone will service it.
William S. Burroughs (Naked Lunch)
How many years threaded on a needle of blood? Hands slack on lap he sits looking out at the winter dawn with the cancelled eyes of junk.
William S. Burroughs (Naked Lunch)
Life is a school where every pupil must learn a different lesson.
William S. Burroughs (Naked Lunch)
In the City Market is the Meet Café. Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war... A place where the unknown past and the emergent future meet in a vibrating soundless hum... Larval entities waiting for a Live One...
William S. Burroughs (Naked Lunch)
The biggest battle I fought with the danger officer was over the fact that I insisted on keeping my lunch and a case of Beck’s beer in the same fridge in which I kept my radioactive isotopes.
Kary Mullis (Dancing Naked in the Mind Field)
Oh be careful! There they go again!" said the old queen as his string broke spilling his balls over the floor.... "Stop them will you, James, you worthless old shit! Don't just stand there and let the master's balls roll into the coal-bin!
William S. Burroughs (Naked Lunch)
El comerciante de basura no vende su producto al consumidor, vende el consumidor a su producto. Él no mejora ni simplifica su mercancía. Degrada y simplifica al cliente.
William S. Burroughs (Naked Lunch)
What does she care for the atom bomb, the bedbugs, the cancer rent, Friendly Finance waiting to repossess her delinquent flesh… Sweet dreams, Pantopon Rose.
William S. Burroughs (Naked Lunch)
Now, boys, you won't see this operation performed very often and there's a reason for that... You see it has absolutely no medical value. No one knows what the purpose of it originally was or if it had a purpose at all. Personally I think it was a pure artistic creation from the beginning.
William S. Burroughs (Naked Lunch)
The boy looks into Mugwump eyes blank as obsidian mirrors, pools of black blood, glory holes in a toilet wall closing on the Last Erection.
William S. Burroughs (Naked Lunch)
Which came first, the intestine or the tapeworm?
William S. Burroughs
A.J. is an agent like me, but for whom or for what no one has been able to discover. It is rumored that he represents a trust of giant insects from another galaxy...
William S. Burroughs (Naked Lunch)
And all that I was before is out there in the darkness looking for me.
William S. Burroughs (Naked Lunch)
The title means exactly what the words say: naked lunch, a frozen moment when everyone sees what is on the end of every fork.
William S. Burroughs
He kisses the D.S.'s hand thrusting his fingers into his mouth (the D.S. must feel his toothless gums) complaining he has lost teeth "inna thervith". "Please Boss Man. I'll wipe your ass, I'll wash out your dirty condoms, I'll polish your shoes with the oil on my nose....
William S. Burroughs (Naked Lunch)
In my early teens, I heard about Naked Lunch and its mutating typewriters and talking cockroaches. While I would hardly classify its dystopic vision as erotica now, at the time, Naked Lunch was my first foray into consuming smut. It was because of Burroughs that I knew about the particular musk that blooms when a rectum is penetrated, and that death-by-hanging produces spontaneous trouser tents. The first Burroughs I read was Naked Lunch, but I buried myself in a few of his stories, and thus the arc of my recollection is just as non-linear as his narrative.
Peter Dubé (Best Gay Stories 2012)
The junk virus is public health problem number one of the world today. Since Naked Lunch treats this health problem, it is necessarily brutal, obscene and disgusting. . . . As always the lunch is naked. If civilized countries want to return to Druid Hanging Rites in the Sacred Grove or to drink blood with the Aztecs and feed their Gods with blood of human sacrifice, let them see what they actually eat and drink. Let them see what is on the end of that long newspaper spoon.
William S. Burroughs (Naked Lunch)
While in general I avoid the use of torture - torture locates the opponent and mobilizes resistance - the threat of torture is useful to induce in the subject the appropriate feeling of helplessness and gratitude to the interrogator for withholding it. And torture can be employed to advantage as a penalty when the subject is far enough along with the treatment to accept punishment as deserved. To this end I devised several forms of disciplinary procedure. One was known as the Switchboard. Electric drills that can be turned on at any time are clamped against the subject's teeth; and he is instructed to operate an arbitrary switchboard, to put certain connections in certain sockets in response to bells and lights. Every time he makes a mistake the drills are turned on for twenty seconds. The signals are gradually speeded up beyond his reaction time. Half an hour on the Switchboard and the subject breaks down like an overloaded thinking machine.
William S. Burroughs (Naked Lunch)
Ever notice how many expressions carry over from queers to con men? Like 'raise,' letting someone know you are in the same line?
William S. Burroughs (Naked Lunch)
Nobody delivers on time except by accident.
William S. Burroughs (Naked Lunch, Restored Text)
In lifeproof houses they hover over the young, sop up a little of what they shut out. Only the young bring anything in, and they are not young very long.
William S. Burroughs (Naked Lunch)
America is not a young land: it is old and dirty and evil before the settlers, before the Indians. The evil is there waiting.
William S. Burroughs (Naked Lunch)
Having nothing left to fidget with, i rested against the counter and tried not to stare at Noah. But i wanted to. He had his jacket off and his black t-shirt fit him perfectly. Today, during lunch, Grace had tunred her nose up when she spotted the bottom of his tattoo on his right bicep. I'd silently agreed with Lila's comment-yum. My inides had melted when Noah produced his wicked grinand gazed at me like i was naked. Luke used to give me butterflies. Noah spawned mutant pterodactyls.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Democracy is cancerous, and bureaus are its cancer. A bureau takes root anywhere in the state, turns malignant like the Narcotic Bureau, and grows and grows, always reproducing more of its own kind, until it chokes the host if not controlled or excised. Bureaus cannot live without a host, being true parasitic organisms. (A cooperative on the other hand can live without the state. That is the road to follow. The building up of independent units to meet needs of the people who participate in the functioning of the unit. A bureau operates on opposite principles of inventing needs to justify its existence.) Bureaucracy is wrong as a cancer, a turning away from the human evolutionary direction of infinite potentials and differentiation and independent spontaneous action to the complete parasitism of a virus. (It is thought that the virus is a degeneration from more complex life-form. It may at one time have been capable of independent life. Now has fallen to the borderline between living and dead matter. It can exhibit living qualities only in a host, by using the life of another — the renunciation of life itself, a falling towards inorganic, inflexible machine, towards dead matter.) Bureaus die when the structure of the state collapse. They are as helpless and unfit for independent existence as a displaced tapeworm, or a virus that has killed the host.
William S. Burroughs (Naked Lunch)
If a weaker baboon be attacked by a stronger baboon the weaker baboon will either (a) present his hrump fanny I believe is the word, gentlemen, heh heh for passive intercourse or (b) if he is a different type baboon more extrovert and well-adjusted, lead an attack on an even weaker baboon if he can find one.
William S. Burroughs (Naked Lunch)
In the beginning his flesh was simply soft, so soft that he was cut to the bone by dust particles, air currents and brushing overcoats while direct contact with doors and chairs seemed to occasion no discomfort. No wound healed in his soft, tentative flesh... Long white tendrils of fungus curled round the naked bones.
William S. Burroughs (Naked Lunch)
The old junky has found a vein... blood blossoms in the dropper like a Chinese flower... he push home the heroin and the boy who jacked off fifty years ago shine immaculate through the ravaged flesh, fill the outhouse with the sweet nutty smell of young male lust.
William S. Burroughs (Naked Lunch, Restored Text)
¡Mi culo vale más que el Louvre! Mis pedos son de ambrosía y cago zurullos de oro puro. Mi pija arroja diamantes blandos al sol de la mañana.
William S. Burroughs (Naked Lunch)
dislodge the cultural brainwash that makes so many people so completely miserable. I
Mark Haskell Smith (Naked at Lunch: A Reluctant Nudist's Adventures in the Clothing-Optional World)
A freight train separates the Prof from the juveniles . . . When the train passes they have fat stomachs and responsible jobs . . .
William S. Burroughs (Naked Lunch)
Well, as one judge said to the other, “Be just and if you can’t be just be arbitrary.
William S. Burroughs (Naked Lunch)
The world network of junkies, tuned on a cord of rancid jissom, tying up in furnished rooms, shivering in the junk-sick morning.
William S. Burroughs (Naked Lunch)
New Orleans is a dead museum.
William S. Burroughs (Naked Lunch)
You think I am innarested to hear about your horrible old condition? I am not innarested at all.
William S. Burroughs (Naked Lunch)
But what does she care? She does not even bother to remove the splintered glass, looking down at her bloody haunch with the cold blank eyes of a meat trader. What does she care for the atom bomb, the bedbugs, the cancer rent, Friendly Finance waiting to repossess her delinquent flesh … Sweet dreams, Pantopon Rose.
William S. Burroughs (Naked Lunch)
A narcotics agent infiltrated the beatniks by writing bad poetry. WE are not bad writers but our purpose is ultimately the same: to expose and arrest Novia Criminals. In The Naked Lunch, The Soft Machine and The Novia Express i have shown who they are and what they are doing and what they will do if they are not arrested. These books were written to expose and arrest criminals. Minutes to go. This is war to extermination.
William S. Burroughs (Nova Express (The Nova Trilogy, #2))
So after a bit the channels wear out like veins, and the addict has to find new ones. A vein will come back in time, and by adroit vein rotation a junky can piece out the odds if he don’t become an oil burner. But brain cells don’t come back once they’re gone, and when the addict runs out of brain cells he is in a terrible fucking position.
William S. Burroughs (Naked Lunch)
Chicago: invisible hierarchy of decorticated wops, smell of atrophied gangsters, earthbound ghost hits you at North and Halsted, Cicero, Lincoln Park, panhandler of dreams, past invading the present, rancid magic of slot machines and roadhouses.
William S. Burroughs (Naked Lunch)
If his charge connection is cut off cold, the Oblique Addict falls into such violent electric convulsions that his bones shake loose, and he dies with the skeleton straining to climb out of its unendurable flesh and run in a straight line to the nearest cemetery.
William S. Burroughs (Naked Lunch)
The subject must not realize that the treatment is a deliberate attack of an anti-human enemy of his personal identity. He must be made to feel he deserves any treatment he receives because there is something (never specified) horribly wrong with him. The naked need of the control addicts must be decently covered by an arbitrary and intricate bureaucracy so that the subject cannot contact his enemy direct.
William S. Burroughs (Naked Lunch)
You know how old people lose all shame about eating, and it makes you puke to watch them? Old junkies are the same about junk. They gibber and squeal at sight of it. The spit hangs off their chin, and their stomach rumbles and all their guts grind in peristalsis while they cook up, dissolving the body’s decent skin, you expect any moment a great blob of protoplasm will flop right out and surround the junk. Really disgust you to see it. 'Well, my boys will be like that one day,' I thought philosophically. 'Isn’t life peculiar?
William S. Burroughs (Naked Lunch)
America is not a young land. It is old and dirty and evil before the settlers, before the Indians. The evil is there waiting...But there is no drag like U.S. drag. You can't see it, you don't know where it comes from. Take one of those cocktail lounges at the end of a subdivision street--every block of houses has its own bar and drug store and market and liquor store. You walk in and it hits you. But where does it come from? Not the bartender, not the customers nor the cream colored plastic, nor the dim neon. Not even the tv.
William S. Burroughs (Naked Lunch)
Doctor Benway is operating in an auditorium filled with students: "Now, boys, you won't see this operation performed very often and there's a reason for that ... You see it has absolutely no medical value. No one knows what the purpose of it originally was or if it had a purpose at all. Personally I think it was a pure artistic creation from the beginning. Just as a bull fighter with his skill and knowledge extricates himself from danger he has himself invoked, so in this operation the surgeon deliberately endangers his patient, and then, with incredible speed and celerity, rescues him from death at the last possible split second ... "Did any of you ever see Doctor Tetrazzini perform? I say perform advisedly because his operations were performances. He would start by throwing a scalpel across the room into the patient and then make his entrance like a ballet dancer. His speed was incredible: `I don't give them time to die,' he would say. Tumors put him in a frenzy of rage. `Fucking undisciplined cells!' he would snarl, advancing on the tumor like a knife-fighter.
William S. Burroughs (Naked Lunch)
I wrote that certain things were leaving me nauseated. I said that judges made me feel that way. Not most of them but all of them. I said that you for example, the judge I'm writing this to, made me feel nauseated. The nausea came from understanding that people produced by every conceivable advantage got to decide whether someone like Jalen lived or died and what was worse was they never fucking seemed to decide that the person should live, that a person's life, any person, was more important than whether some fat fuck at a country club thought you were hard enough on crime or whether you continue to get sufficient reelection campaign contributions you worthless retarded piece of shit. Why should you be allowed to decide anything beyond what you have for lunch you mental infant?
Sergio de la Pava (A Naked Singularity)
Followers of obsolete unthinkable trades, doodling in Etruscan, addicts of drugs not yet synthesized, black marketeers of World War III, excisors of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, officials of unconstituted police states, brokers of exquisite dreams and nostalgias tested on the sensitized cells of junk sickness and bartered for raw materials of the will, drinkers of the Heavy Fluid sealed in translucent amber of dreams.
William S. Burroughs (Naked Lunch)
Otto suspected that Franz would have been quite prepared to go to lunch naked if that was what was necessary and, despite his best efforts, a mental image of this formed that Otto feared might haunt him for ever. Wing looked at him with concern. ‘Are you all right, Otto? You’ve gone quite pale. Is the Contessa trying to manipulate you again?’ In Otto’s mind’s eye a naked Franz was pouring baked beans straight from the tin into his mouth. ‘No, Wing, it’s much worse than that . . .
Mark Walden (H.I.V.E. Higher Institute of Villainous Education (H.I.V.E., #1))
THE COUNTY CLERK: "So there I was sitting in front of Jed's store over in Cunt Lick my peter standing up straight as a jack pine under my Levis just a-pulsin' in the sun ... Weell, old Doc Scranton walks by, a good old boy too, there's not a finer man in this valley than Doc Scranton. He's got a prolapsed asshole and when he wants to get screwed he'll pass you his ass on three feet of in-tes-tine ... If he's a mind to it he can drop out a piece of gut reaches from his office clear over to Roy's Beer Place, and it go feelin' around lookin' for a peter, just a-feelin' around like a blind worm ... So old Doc Scranton sees my peter and he stops like a pointin' dog and he says to me, `Luke, I can take your pulse from here.
William S. Burroughs (Naked Lunch)
There were some hours to spare before his ship sailed, and having deposited his luggage, including a locked leather despatch-case, on board, he lunched at the Cafe Tewfik near the quay. There was a garden in front of it with palm trees and trellises gaily clad in bougainvillias: a low wooden rail separated it from the street, and Morris had a table close to this. As he ate he watched the polychromatic pageant of Eastern life passing by: there were Egyptian officials in broad-cloth frock coats and red fezzes; barefooted splay-toed fellahin in blue gabardines; veiled women in white making stealthy eyes at passers-by; half-naked gutter-snipe, one with a sprig of scarlet hibiscus behind his ear; travellers from India with solar tepees and an air of aloof British Superiority; dishevelled sons of the Prophet in green turbans, a stately sheik in a white burnous; French painted ladies of a professional class with lace-rimmed parasols and provocative glances; a wild-eyed dervish in an accordion-pleated skirt, chewing betel-nut and slightly foaming at the mouth. A Greek boot-black with box adorned with brass plaques tapped his brushes on it to encourage customers, an Egyptian girl squatted in the gutter beside a gramophone, steamers passing into the Canal hooted on their syrens. ("Monkeys")
E.F. Benson (The Mummy Walks Among Us)
Don't listen to Hassan i Sabbah," they will tell you. "He wants to take your body and all pleasures of the body away from you. Listen to us. We are serving The Garden of Delights Immortality Cosmic Consciousness The Best Ever In Drug Kicks. And love love love in slop buckets. How does that sound to you boys? Better than Hassan i Sabbah and his cold windy bodiless rock? Right?" At the immediate risk of finding myself the most unpopular character of all fiction—and history is fiction—I must say this: "Bring together state of news—Inquire onward from state to doer—Who monopolized Immortality? Who monopolized Cosmic Consciousness? Who monopolized Love Sex and Dream? Who monopolized Life Time and Fortune? Who took from you what is yours? Now they will give it all back? Did they ever give anything away for nothing? Did they ever give any more than they had to give? Did they not always take back what they gave when possible and it always was? Listen: Their Garden Of Delights is a terminal sewer—I have been at some pains to map this area of terminal sewage in the so called pornographic sections of Naked Lunch and Soft Machine—Their Immortality Cosmic Consciousness and Love is second-run grade-B shit—Their drugs are poison designed to beam in Orgasm Death and Nova Ovens—Stay out of the Garden of Delights—It is a man-eating trap that ends in green goo—Throw back their ersatz Immortality—It will fall apart before you can get out of The Big Store—Flush their drug kicks down the drain—They are poisoning and monopolizing the hallucinogen drugs—learn to make it without any chemical corn—All that they offer is a screen to cover retreat from the colony they have so disgracefully mismanaged. To cover travel arrangements so they will never have to pay the constituents they have betrayed and sold out. Once these arrangements are complete they will blow the place up behind them.
William S. Burroughs (Nova Express (The Nova Trilogy, #2))
Once there was and once there was not a devout, God-fearing man who lived his entire life according to stoic principles. He died on his fortieth birthday and woke up floating in nothing. Now, mind you, floating in nothing was comforting, light-less, airless, like a mother’s womb. This man was grateful. But then he decided he would love to have sturdy ground beneath his feet, so he would feel more solid himself. Lo and behold, he was standing on earth. He knew it to be earth, for he knew the feel of it. Yet he wanted to see. I desire light, he thought, and light appeared. I want sunlight, not any light, and at night it shall be moonlight. His desires were granted. Let there be grass. I love the feel of grass beneath my feet. And so it was. I no longer wish to be naked. Only robes of the finest silk must touch my skin. And shelter, I need a grand palace whose entrance has double-sided stairs, and the floors must be marble and the carpets Persian. And food, the finest of food. His breakfast was English; his midmorning snack French. His lunch was Chinese. His afternoon tea was Indian. His supper was Italian, and his late-night snack was Lebanese. Libation? He had the best of wines, of course, and champagne. And company, the finest of company. He demanded poets and writers, thinkers and philosophers, hakawatis and musicians, fools and clowns. And then he desired sex. He asked for light-skinned women and dark-skinned, blondes and brunettes, Chinese, South Asian, African, Scandinavian. He asked for them singly and two at a time, and in the evenings he had orgies. He asked for younger girls, after which he asked for older women, just to try. The he tried men, muscular men, skinny men. Then boys. Then boys and girls together. Then he got bored. He tried sex with food. Boys with Chinese, girls with Indian. Redheads with ice cream. Then he tried sex with company. He fucked the poet. Everybody fucked the poet. But again he got bored. The days were endless. Coming up with new ideas became tiring and tiresome. Every desire he could ever think of was satisfied. He had had enough. He walked out of his house, looked up at the glorious sky, and said, “Dear God. I thank You for Your abundance, but I cannot stand it here anymore. I would rather be anywhere else. I would rather be in hell.” And the booming voice from above replied, “And where do you think you are?
Rabih Alameddine
It was 2 a.m. in Harlem and it was hot. Even if you couldn’t feel it, you could tell it by the movement of the people. Everybody was limbered up, glands lubricated, brains ticking over like a Singer sewing-machine. Everybody was ahead of the play. There wasn’t but one square in sight. He was a white man. He stood well back in the recessed doorway of the United Tobacco store at the northwest corner of 125th Street and Seventh Avenue, watching the sissies frolic about the lunch counter in the Theresa building on the opposite corner. The glass doors had been folded back and the counter was open to the sidewalk. The white man was excited by the sissies. They were colored and mostly young. They all had straightened hair, conked like silk, waving like the sea; long false eyelashes fringing eyes ringed in mascara; and big cushiony lips painted tan. Their eyes looked naked, brazen, debased, unashamed; they had the greedy look of a sick gourmet. They wore tight-bottomed pastel pants and short-sleeved sport shirts revealing naked brown arms. Some sat to the counter on the high stools, others leaned on their shoulders. Their voices trilled, their bodies moved, their eyes rolled, they twisted their hips suggestively. Their white teeth flashed in brown sweaty faces, their naked eyes steamed in black cups of mascara. They touched one another lightly with their fingertips, compulsively, exclaiming in breathless falsetto, “Girl.…” Their motions were wanton, indecent, suggestive of an orgy taking place in their minds. The hot Harlem night had brought down their love.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
Marcelina loved that miniscule, precise moment when the needle entered her face. It was silver; it was pure. It was the violence that healed, the violation that brought perfection. There was no pain, never any pain, only a sense of the most delicate of penetrations, like a mosquito exquisitely sipping blood, a precision piece of human technology slipping between the gross tissues and cells of her flesh. She could see the needle out of the corner of her eye; in the foreshortened reality of the ultra-close-up it was like the stem of a steel flower. The latex-gloved hand that held the syringe was as vast as the creating hand of God: Marcelina had watched it swim across her field of vision, seeking its spot, so close, so thrillingly, dangerously close to her naked eyeball. And then the gentle stab. Always she closed her eyes as the fingers applied pressure to the plunger. She wanted to feel the poison entering her flesh, imagine it whipping the bloated, slack, lazy cells into panic, the washes of immune response chemicals as they realized they were under toxic attack; the blessed inflammation, the swelling of the wrinkled, lined skin into smoothness, tightness, beauty, youth. Marcelina Hoffman was well on her way to becoming a Botox junkie. Such a simple treat; the beauty salon was on the same block as Canal Quatro. Marcelina had pioneered the lunch-hour face lift to such an extent that Lisandra had appropriated it as the premise for an entire series. Whore. But the joy began in the lobby with Luesa the receptionist in her high-collared white dress saying “Good afternoon, Senhora Hoffman,” and the smell of the beautiful chemicals and the scented candles, the lightness and smell of the beautiful chemicals and the scented candles, the lightness and brightness of the frosted glass panels and the bare wood floor and the cream-on-white cotton wall hangings, the New Age music that she scorned anywhere else (Tropicalismo hippy-shit) but here told her, “you’re wonderful, you’re special, you’re robed in light, the universe loves you, all you have to do is reach out your hand and take anything you desire.” Eyes closed, lying flat on the reclining chair, she felt her work-weary crow’s-feet smoothed away, the young, energizing tautness of her skin. Two years before she had been to New York on the Real Sex in the City production and had been struck by how the ianqui women styled themselves out of personal empowerment and not, as a carioca would have done, because it was her duty before a scrutinizing, judgmental city. An alien creed: thousand-dollar shoes but no pedicure. But she had brought back one mantra among her shopping bags, an enlightenment she had stolen from a Jennifer Aniston cosmetics ad. She whispered it to herself now, in the warm, jasmine-and vetiver-scented sanctuary as the botulin toxins diffused through her skin. Because I’m worth it.
Ian McDonald (Brasyl)