Nails Red Quotes

Victra murmurs. “You’re the bookish one. Was it a man who said ‘hell hath no fury like a woman scorned’?” A lancer brings her gauntlets. “It must have been—to imagine something so petty as scorn to be the utmost misery a woman could suffer. What, I wonder, would he make of a mother who has seen her husband sold like meat and her babe nailed to a tree?” She dons her gauntlets. “Perhaps: wrath, I am thee? They come for our children, Virginia.” She turns to me and cups my face with one hand. “Do not fear for me. Instead, pity them.

Her body faded away so far, she almost lost her connection to it. Utter blackness enveloped her, shutting off all warmth. All light. All love. All support. All hope. She was pinned, alone, naked, and freezing before a beast so terrifying she struggled to avert her gaze but could not. Horns arose from the top of what had to be a head. Fangs protruded obscenely from a frowning hole that must have been a mouth. Unsheathed claws threatened instant evisceration. Horrifying eyes. Two cesspits of black fury in which red flames churned like burning blood. They bore down on Helen, intensifying the pressure on her to the point of agony. Inside her head a message played over and over. You are helpless. Helen’s fragmented thoughts spun wildly. What to do? How to stop this nightmare? The wretched voice roared again, like nails clashing against slate. “Give me the stone! Now!

Can you pass me the slutty one, please?” I handed her the bottle of bright-red nail polish. “I think it’s actually called Crimson Cabaret,” I said. “Don’t be a slut-shamer.

Black Beauty" I paint my nails black, I dye my hair a darker shade of brown 'Cause you like your women Spanish, dark, strong and proud I paint the sky black You said if you could have your way You'd make a night time of today So it'd suit the mood of your soul Oh, what can I do? Nothing, my sparrow blue Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh I paint the house black My wedding dress black leather too You have no room for light Love is lost on you I keep my lips red The same like cherries in the spring Darling, you can't let everything Seem so dark blue Oh, what can I do? To turn you on or get through to you Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, ah ah Black beauty, ah ah Black beauty, ah ah ah ah Black beauty, baby Black beauty, baby Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, oh oh oh

You don't have to lie to me to be nice, Jake. You can just say, 'Wow, your nails look crappy.'" I did my best boy voice. "Well, I will tell you that's a crappy imitation of my voice." He smiled so wide I could see his eyetooth from across the table. "But you've got to know you're totally hot, chipped nails and all." He burned beet red all the way to the roots of his hair. "Man, you get me to say some embarrassing stuff, Brenna." He rubbed his hand on the back of his neck. "Hey, don't blame me when you feel moved to make strange declarations.

Keeper!" He inhaled slowly, took Azalea's outstretched hand-shudders went through her throat, he felt so solid-and pressed the brooch into her marked palm. "I was only picking it up," he said, quietly. His thumb rubbed the red nail mark on her hand. A smile crossed his lips. "Temper, temper.

I wanted so much to step over and pick them up. Several times I tried to move my feet, but they seemed to be nailed to the floor. I knew the pups were mine, all mine, yet I couldn't move. My heart started aching like a drunk grasshopper. I tried to swallow and couldn't. My Adam's apple wouldn't work. One pup started my way. I held my breath. On he came until I felt a scratchy little foot on mine. The other pup followed. A warm puppy tongue caressed my sore foot. I heard the stationmaster say, 'They already know you.' I knelt down and gathered them in my arms. I buried my face between their wiggling bodies and cried.

I let my hands fall to the bed. Her mouth crafts a warm path to mine. There we share the taste of my tears as her top lip slides between my own and her tongue warms the inside of my mouth. Her hand slides up my neck, nails grazing the skin, till she finds purchase in my hair, tugging slightly at the tangle. Shivers lance my body. Gone is any semblance of resistance. All the guilt that kept me from betraying Eo with Mustang is swept away in the chaos inside me. All the guilt I have for knowing she is a Gold and I am a Red vanishes. I'm a man, and she's the woman I want.

One of the things I liked about her [Dorothy] was that she had long fingernails that she would carefully manicure and paint to fit her mood. If she were in a happy mood, her nails would be bright red. If she were feeling like she wanted to eviscerate her mother she would paint her nails burgundy.

I didn't have a drill, so I had to make my own. First I heated a long nail in the fire, then drove it through a half a maize cob, creating a handle. I placed the nail back on the coals until it became red hot, then used it to bore holes into both sets of plastic blades.

It was like the sun had appeared again in my life, Sophia, You. You changed everything when you stepped into that room. You have a freshness, a strength, an allure, I’ve never seen before. The way you walk, talk, hold yourself. The way you move your hands, these long red nails. You’ve become the light of my life.

They want time to move fast so they can paint their nails a provocative red and wear high heels that crack walnuts and make people jump. He wants time to slow down so he can prolong the enjoyment of walking among them, of being next to this self-contained beauty.

Apply extreme caution when wearing red in the workplace. Even a simple demure red outfit -- a cashmere twinset -- can turn you into the office lightning rod. If you are crafty, you can use this to your advantage. To gain the upper hand in an upcoming negotiation, try wearing a flaming red silk blouse and painting your nails red.

you you’re a beast, she said your big white belly and those hairy feet. you never cut your nails and you have fat hands paws like a cat your bright red nose and the biggest balls I’ve ever seen. you shoot sperm like a whale shoots water out of the hole in its back. beast beast beast, she kissed me, what do you want for breakfast?

If you don’t know what to do with the rest of your life, make your bed. If you’re going to be a couch potato, at least fluff the pillows. If you can’t afford pearls, red nail polish is your best accessory. If you don’t have time to do your nails, smile and stand up straight.

We took a right at the fork, heading farther north. The charred houses continued. To the right, a large sign nailed to an old telephone post shouted DANGER in huge red letters. Underneath in crisp black letters was written: IM-1: Infectious Magic Area Do Not Enter Authorized Personnel Only A second smaller sign under the first one, written on a piece of plastic with permanent marker, read: Keep out, stupid. “We aren’t going to keep out, are we?” Ascanio asked. “No.” “Awesome.

Do you realize the illicit sensuous delight I get from picking my nose? I always have, ever since I was a child. There are so many subtle variations of sensation. A delicate, pointed-nailed fifth finger can catch under dry scabs and flakes of mucous in the nostril and draw them out to be looked at, crumbled between fingers, and flicked to the floor in minute crusts. Or a heavier, determined forefinger can reach up and smear down-and-out the soft, resilient, elastic greenish-yellow smallish blobs of mucous, roll them round and jellylike between thumb and forefinger, and spread them on the undersurface of a desk or chair where they will harden into organic crusts. How many desks and chairs have I thus secretively befouled since childhood? Or sometimes there will be blood mingled with the mucous: in dry brown scabs, or bright sudden wet red on the finger that scraped too rudely the nasal membranes. God, what sexual satisfaction!

Here in the city she had gilded her nails. They shone. And she had put on a velvet dress, this soft red one, which was heavy. The buttons were in the form of seashells.

I wanted a reminder that things can still grow out of emptiness. I wanted a reminder that things can still grow in this small, yellow room even though you’re not in it. And I keep buying books even though nothing holds my attention anymore. I have them stacked up to the ceiling. I have them stacked up to the moon. I broke a bottle of red nail polish all over the kitchen floor, but it almost all came up with just a little remover. It looked like cleaning up after a crime scene. It felt like cleaning up after you left me. Just takes a little elbow grease. Just takes a little time.

What do you think it is to be normal?' Why in the world would you want to be?' she says. I don't know. I guess that's the problem.' I don't think normal is that great.' But so many people choose it,' I reply. I don't think that's it at all. I think most everyone is normal and some of us, for whatever reason, choose to reject that and wear ruby red slippers or old black hats.' Well, why do we choose the hard road?

Jimmy let's out a whistle. "What?" "Your hand." I look at it. My ripped nail is still bleeding. I wipe the red off on my pants. "You should get it taken care of. It looks awful" he says. "I guess it does." "You must be in pain, kid. Does it hurt?" I nod. "Yeah, Jimmy. All the time.

Little Cinder Girl, they can't understand you. You rise from the as-heap in a blaze and only then do they recognize you as their one true love. While you pray beneath your mother's tree you carrve a phoenix into your palm wth aa hazel twig and coal; every night she devours more of you. You used to believe in angels. Now you believe in the makeover; if you can't get the grime off your face and your foot into a size six heel who will ever bother to notice you? The kettle and the broom sear in your grasp, snap into fragments. The turtledoves sing, "There's blood within the shoe." You deserve the palace, you think, as you signal the pigeons to attack, approve the barrel filled with red-hot nails. Its great hearth beckons, and the prince's flag rises crimson in the angry sun. He will love you for the heat you generate, for the flames you ignite around you, though he encase your tiny feet in glass to keep them from scorching the ground.

Regret nothing. Not the cruel novels you read to the end just to find out who killed the cook. Not the insipid movies that made you cry in the dark, in spite of your intelligence, your sophistication. Not the lover you left quivering in a hotel parking lot, the one you beat to the punchline, the door, or the one who left you in your red dress and shoes, the ones that crimped your toes, don’t regret those. Not the nights you called god names and cursed your mother, sunk like a dog in the livingroom couch,b chewing your nails and crushed by loneliness. You were meant to inhale those smoky nights over a bottle of flat beer, to sweep stuck onion rings across the dirty restaurant floor, to wear the frayed coat with its loose buttons, its pockets full of struck matches. You’ve walked those streets a thousand times and still you end up here. Regret none of it, not one of the wasted days you wanted to know nothing, when the lights from the carnival rides were the only stars you believed in, loving them for their uselessness, not wanting to be saved. You’ve traveled this far on the back of every mistake, ridden in dark-eyed and morose but calm as a house after the TV set has been pitched out the upstairs window. Harmless as a broken ax. Emptied of expectation. Relax. Don’t bother remembering any of it. Let’s stop here, under the lit sign on the corner, and watch all the people walk by.

When icicles hang by the wall, And Dick the shepherd blows his nail, And Tom bears logs into the hall, And milk comes frozen home in pail, When blood is nipp'd, and ways be foul, Then nightly sings the staring owl, To-whit! To-who!—a merry note, While greasy Joan doth keel the pot. When all aloud the wind doe blow, And coughing drowns the parson's saw, And birds sit brooding in the snow, And Marian's nose looks red and raw, When roasted crabs hiss in the bowl, Then nightly sings the staring owl, To-whit! To-who!—a merry note, While greasy Joan doth keel the pot.

My uniform felt like a costume. I put on a fresh coat of black nail polish. I twisted up a tube of Revlon Red and put my war paint on. I sharpened the tips of my Fierce Words so they were like a row of shiny arrows.

You've won," Jack said softly. He looked at Mimi with such fiery hatred that she almost cowered at his words. But she was no weakling. She was Azrael, and Azrael did not cower, not even to Abbadon. "I've won nothing," Mimi replied coldly. "Please remember that almost all of the Elders are dead, that the Dark Prince is ascendant, and what is left of the Conclave is being led by a broken man who used to be the strongest of us all. And yet all you seem to care about, my darling, is that you no longer get to play with your little love toy." Instead of answering her, Jack flew across the room and slapped her hard across the face, sending her crashing to the floor. But before he could wield another blow, Mimi leaped up and slammed him against the window, knocking him completely out of breath. "Is this what you want?" she hissed as she lifted him up by his shirt collar, his face turning a ghastly shade of red. "Don't let me destroy you," he sneered. "Just try, my sweet." Jack twisted out of her grasp and flipped her over, kicking her down the length of the room. She sprung up with her hands clenched, her nails sharp as claws, and fangs bared. They met halfway in the air, and Jack put a hand on her throat and began to squeeze. But she scratched at his eyes and wrenched her body so that she was rolling on top of him, her sword at his throat, with the upper hand. SUBMIT. Mimi sent. NEVER.

Then you’re mad, girl. Did you see those people? Did you see that hammer they hit me with? Me. That thing was meant to drive nails bigger than you. Huge hammer.” He has a point. He’s taller even than Darrow and has more muscle than all my brothers ever did put together. “Everyone saw the hammer, Cassius. You made us watch your feed.

Lay me on an anvil, O God. Beat me and hammer me into a crowbar. Let me pry loose old walls. Let me lift and loosen old foundations. Lay me on an anvil, O God. Beat me and hammer me into a steel spike. Drive me into the girders that hold a skyscraper together. Take red-hot rivets and fasten me into the central girders. Let me be the great nail holding a skyscraper through blue nights into white stars.

Off To The Races" My old man is a bad man but I can't deny the way he holds my hand And he grabs me, he has me by my heart He doesn't mind I have a Las Vegas past He doesn't mind I have an LA crass way about me He loves me with every beat of his cocaine heart Swimming pool glimmering darling White bikini off with my red nail polish Watch me in the swimming pool bright blue ripples you Sitting sipping on your black Cristal Oh yeah Light of my life, fire of my loins Be a good baby, do what I want Light of my life, fire of my loins Give me them gold coins, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Ready for you My old man is a tough man but He's got a soul as sweet as blood red jam And he shows me, he knows me Every inch of my tar black soul He doesn't mind I have a flat broke down life In fact he says he thinks it's why he might like about me Admires me, the way I roll like a Rolling Stone Likes to watch me in the glass room bathroom, Chateau Marmont Slippin' on my red dress, puttin' on my makeup Glass film, perfume, cognac, lilac Fumes, says it feels like heaven to him Light of his life, fire of his loins Keep me forever, tell me you own me Light of your life, fire of your loins Tell me you own me, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Now I'm off to the races, laces Leather on my waist is tight and I am fallin' down I can see your face is shameless, Cipriani's basement Love you but I'm going down God I'm so crazy, baby, I'm sorry that I'm misbehaving I'm your little harlot, starlet, Queen of Coney Island Raising hell all over town Sorry 'bout it My old man is a thief and I'm gonna stay and pray with him 'til the end But I trust in the decision of the Lord to watch over us Take him when he may, if he may I'm not afraid to say that I'd die without him Who else is gonna put up with me this way? I need you, I breathe you, I never leave you They would rue the day I was alone without you You're lying with your gold chain on, cigar hanging from your lips I said "Hon' you never looked so beautiful as you do now, my man." And we're off to the races, places Ready, set the gate is down and now we're goin' in To Las Vegas chaos, Casino Oasis, honey it is time to spin Boy you're so crazy, baby, I love you forever not maybe You are my one true love, you are my one true love You are my one true love

But all my love ever came to was a bad end. Red-hot shoes, barrels studded with nails. That's what it feels like, unrequited love.

Well, let's go. If the people in that city are going to cut our throats they may as well do it now, before the heat of the day begins.

Rebecca saw red.The urge she had to fly at Elizabeth with her nails bared was too compelling. She couldn't resist it. That Elizabeth immediately stomped off wasn't going to stop her. She was going to cause the worst scandal London had seen in decades,and she didn't care!

I've never been to the ocean, never heard the waves lick the sand in that quiet shushing you read about in books. I've never been to the zoo, smelled the elephant piss, and heard the cries of the monkeys. I've never had frozen yogurt from one of those places where you pull on the handle and fill your own cup with whatever you like. I've never eaten dinner at a restaurant with napkins that you set on your lap and silverware that isn't plastic. I've never painted my nails like the other girls at school, in bright neons and decadent reds. I've never been more than ten miles from home. Ten miles. It's like I live in the forever ago, not where buses rumble and trains have racks. I've never had a birthday cake, though I've wanted one very much. I've never owned a bra that is new, and had to cut the tags off with the scissors from the kitchen drawer. I've never been loved in a way that makes me feel as if I was supposed to be born, if only to feel loved. I've never, I've never, I've never. And it's my own fault. The things that we never do because someone makes us fearful of them, or makes us believe we don't deserve them. I want to do all my nevers-- alone or with someone who matters. I don't care. I just want to live.

Beside me, Brenna lowers her voice. “How was it?” “It was intense.” “I meant size, Summer. How was the dick? Big? Small? Long? Thick? Happy? Sad?” I bury my face in my lap, shaking with laughter. When I’ve calmed down, I ask, “How can a dick be sad?” “Trust me, I’ve seen some sad sausage.” She waves a hand, flashing her red-painted nails. “Fine, we can discuss measurements later."...

She can outstare anyone, and I am almost as good. We’re impervious, we scintillate, we are thirteen. We wear long wool coats with tie belts, the collars turned up to look like those of movie stars, and rubber boots with the tops folded down and men’s work socks inside. In our pockets are stuffed the kerchiefs our mothers make us wear but that we take off as soon as we’re out of their sight. We scorn head coverings. Our mouths are tough, crayon-red, shiny as nails. We think we are friends.

Orleon trembled with rage, his face matching his burgundy surcoat. He had no skill in hiding his emotions, and Erica knew exactly why. He is a man. His emotions are not considered a burden or a weakness. Not like mine, which I must keep hidden, so men might feel a little less threatened and a little more strong. Her fingers curled until she felt her own nails dig into her palms. Part of her wanted to claw Orleon’s red face right of and give him a mask to wear all the time, as she had to.

Mr. Sir stared at her. He had three long red marks slanting across the left side of his face. Stanley didn’t know if the redness was caused by her nail polish or his blood. It took a moment for the venom to sink in. Suddenly, Mr. Sir screamed and clutched his face with both hands. He let himself fall over, rolling off the hearth and onto the rug.

Vida Winter's appearance was not calculated for concealment. She was an ancient queen, sorceress or goddess. Her stiff figure rose regally out of a profusion of fat purple and red cushions. Draped around her shoulders, the folds of the turquoise-and-green cloth that had cloaked her body did not soften the rigidity of her frame. Her bright copper hair had been arranged into an elaborate confection of twists, curls and coils. Her face, as intricately lined as a map, was powdered white and finished with bold scarlet lipstick. In her lap, her hands were a cluster of rubies, emeralds and white, bony knuckles; only her nails, unvarnished, cut short and square like my own, struck an incongruous tone.

He was proud of his calloused hands with cracked nails and dry red skin. “Working hands, honest hands,” he’d say.

The tall Khitan lifted his head and gazed at Publio, so that the merchant broke into a profuse sweat. "What do you wish of me?" he stuttered. "A ship," answered the Khitan. "A ship well manned for a long voyage." "For how long a voyage?" stammered Publio, never thinking of refusing. "To the ends of the world, perhaps," answered the Khitan, "or to the molten seas of hell that lie beyond the sunrise.

the muddy little tracks of the ringtails, I bored a hole, dropped in a piece of tin, and drove my nails. On down the river I went, making my traps. I stopped when I ran out of nails. Altogether I had fourteen traps. That night Papa asked me how I was making out. “Oh, all right,” I said. “I’ve got fourteen of them made.” He laughed and said, “Well, you can’t ever tell. You may catch one.” The next morning I was up with the chickens. I took my pups with me as I just knew I’d have a big ringtail trapped and I wanted them to see it. I was a disappointed boy when I peeked out of a canebrake at my last trap and didn’t see a coon. All the way home I tried to figure out what I had done wrong. I went to Papa. He put his thinking cap on and thought the situation over. “Maybe you left too much scent around when you made those traps,” he said. “If you

But all my love ever came to was a bad end. Red-hot shoes, barrels studded with nails. That’s what it feels like, unrequited love. She had a baby, too. I was never allowed. Everything you ever wanted, I wanted also.

A stretch of time when I was rewarded with so many mystic moments, a chunk of red chalk, a chestnut, a rusted piece of scrap metal, a nail, a flat stone shaped like an ancient tablet. Although suggesting little of the magnificent work I had seen, these objects helped inspire my newfound contentedness. I placed them with the same care as a police detective into a clean plastic bag. Evidence of an awareness of the relative value of insignificant things.

There are no words, not in English, Spanish, Arabic, or Hebrew, that have been invented to explain what it’s like to lose a child. The nightmarish heartache of it. The unexplainable trepidation that follows. No mother loses a child without believing she failed as a parent. No father loses a child without believing he failed to protect his family from pain. The child may be gone, but the yearsthe child were meant to live remain behind, solid in the mind like an aging ghost. The birthdays, the holidays, the last days of school—they all remain, circled in red lipstick on a calendar nailed to the wall. A constant shadow that grows, even in the dark. As I was saying…there are no words.

I stood petrified. What had happened to me? My father had just been struck, in front of me, and I had not even blinked. I had watched and kept silent. Only yesterday, I would have dug my nails into this criminal’s flesh. Had I changed that much? So fast? Remorse began to gnaw at me. All I could think was: I shall never forgive them for this. My father must have guessed my thoughts, because he whispered in my ear: “It doesn’t hurt.” His cheek still bore the red mark of the hand.

Call for the robin-red-breast and the wren, Since o'er shady groves they hover, And with leaves and flow'rs do cover The friendless bodies of unburied men. Call unto his funeral dole The ant, the field-mouse and the mole, To rear him hillocks that shall keep him warm, And (when gay tombs are robbed) sustain no harm, But keep the wolf far thence, that's foe to men, For with his nails he'll dig them up again. Let holy Church receive him duly, Since he paid the church-tithes truly.

I never saw her again, but I know what she looks like now when cocktails, bonbons, late hours, and nearly forty years have done their work on the peach bloom of cheeks, the pearly, ripe but vigorous bosom, the supple midriff, the brooding, black, velvety-liquid eyes, the bee-stung lips, the luxurious thighs. She sits on a divan somewhere, held more or less in shape by the vigor of a masseuse and the bands of lastex which secretly sheathe her like a mummy, but bloated with the entire universe she has ingurgitated with a long delicious sigh. And now with a hand on which the pointed nails are as red as though she had just used them to rip greedily the guts from a yet living sacrificial fowl, she reaches out to a silver dish to pick up a chocolate.

Obara, rusted nails and boiled leather, with her angry, close-set eyes and rat-brown hair. Nymeria, languid, elegant, olive-skinned, her long black braid bound up in red-gold wire. Tyene, blue-eyed and blond, a child-woman with her soft hands and little giggles

She inhaled the steam rising from the coffee without touching it. “I’m very picky about my coffee.” “White chocolate peppermint latte, half skim, half soy, no whip, extra white chocolate sauce on the bottom and a drizzle on top.” Her gaze shot up, watching me over the rim of the cup with a hint of incredulity. “How’d you know?” I shrugged. “Maybe we like the same drinks.” Or maybe Wendy had told me the other day when she balanced three cups of coffee in the elevator. Liya clamped her mouth shut but covered the warm cup with her petite hands. Her glossy red nails clicked against the sturdy paper cup, drowning out the muted sounds of others in the hallway beyond the open door. “It’s okay,” I assured her. “I don’t think you did anything to the coffee.” “I mean it’s okay to smile because someone brought you your picky-ass latte.” She took a sip. “We’re not friends, you know?” “No one forgets being told they’re not friends,” I said teasingly, knowing full well she didn’t want to be friends but yet, here we were. A smile crept across her lips, even though she tried hard to stop it.

Jimi, a red scarf around his head and wearing a white fringed and beaded leather shirt, looked almost like a mystical holy man in meditation. His eyes closed, his head back, he'd merged with his music, his Strat--played upside down since he's a lefty--his magic wand. Though he was surrounded by his band, he projected the feeling he was all alone. ... Tom Law of the Hog Farm (on Jimi's rendition of the national anthem): I felt like he was the defining poet of the festival with that piece of music. It was like taking you right into the heart of the beast and nailing it.

destroying beauty a rose red sunlight; I take it apart in the garage like a puzzle: the petals are as greasy as old bacon and fall like the maidens of the world backs to floor and I look up at the old calendar hung from a nail and touch my wrinkled face and smile because the secret is beyond me.

My skin grew freckled, my nails bleached, and I began to feel a rare happiness at the simple pleasures of existing here – of walking on a beach, eating unfamiliar foods, swimming in warm, clear water where black fish gazed shyly from under volcanic rocks, or watching the sun sink fiery red into the horizon.

My "do" now consisted of some really nifty spikes on top. I looked like a punker, but it was kind of fun, if you want to know the truth. Next thing I knew I'd be getting my ears pierced and chewing gum in public, social sins my auntie had always warned me about, along with red nail polish and dingy bra straps.

I was surprised how easy it was, how effortless it felt to kiss along her neck, to whisper in her ear and elicit a wave of chills over her skin. It was amusing at first, a permanent smile on my face as I found which buttons I could push to make her gasp, or sigh, or arch into me, or dig her nails into my flesh.

You are the handsomest devil, with those hazel-green eyes and that curly dark hair. Why do you hide it under that ridiculous beanie?” She reached those blood-red nails toward his beanie. Ram veered away. “Why do you hide beneath that oversized towel?” She sucked in a breath—then laughed. Shocked, and yet entertained. “I like you.

Lifting a sabre-saw, feeling the heft of it, Mickelsson recognized his hand as his father's hand. They were the same size and shape and had much the same freckled redness; the only real difference was that his father's hand had always been barked, scabbed, cracked, and calloused, always at least one fingernail discolored by some mishap. He remembered a chest his uncle and father had let him help them make when he was seven or so, a pine chest longer and deeper than a coffin, no nails or screws, just wooden pegs, locust. It had served as a windowseat through most of his childhood; later they'd used it to hold cow-feed. In the bright, pleasant-smelling hardware store, the discovery that his father and uncle, all those years, had been playing, enjoying themselves—making art, in a way—came over Mickelsson like an awakening. He felt an extravagant inclination to pity himself. What foolishness his life was, in comparison to theirs! But the likeness of his hand to his father's hand distracted him, made him feel, almost unwillingly, a surge of joy.

Woman is but an engine of ecstacy, a mimic of the earth from the ends of her curled hair to her red-lacquered nails

a list of red things: I. his hair. II. our lips. III. my nails. IV. our breath. V. my sheets. –worth the wait.

Blast your soul, you hussy!" he exclaimed in exasperation.

Once the sword was drawn there was no turning back; for blood called for blood, and vengeance followed swift on the heels of atrocity.

He was regarding his petrified toes with an expression of fatigued bewilderment, as if he had just woken from a deep sleep only to find himself nailed red and forever to this world.

Sometimes, I feel discriminated against, but it does not make me angry. It merely astonishes me. How can any deny themselves the pleasure of my company? It's beyond me. But in the main, I feel like a brown bag of miscellany propped against a wall. Against a wall In company with other bags, white, red and yellow. Pour out the contents, and there is discovered a jumble of small, things priceless and worthless. A first water diamond, an empty spool bits of broken glass, lengths of string, a key to a door long since crumbled away, a rusty knife-blade, old shoes saved for a road that never was and never will be, a nail bent under the weight of things too heavy for any nail, a dried flower or two still a little fragrant. in your hand is the brown bag. On the ground before you is the jumble it held so much like the jumble in the bags could they be emptied that all might be dumped in a single heap and the bags refilled without altering the content of any greatly. A bit of colored glass more or less would not matter. Perhaps that is how the Great Stuffer of Bags filled them in the first place, who knows?

I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights. “Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back. “You’re safe,” he told me, in his usual soft, rumbling voice. “Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…” “I know, I believe you.” At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket. “Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger. Any hope I had felt bubbling up inside me burst into a thousand tiny pieces. “Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?” I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself. “You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—” I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!” “You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.” “No!” I shrieked. “No!” He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door. I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them. But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room. “—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!

Even in the warm faelight of the foyer, the gown glittered and gleamed like a fresh-cut jewel. We had taken my gown from Starfall and refashioned it, adding sheer silk panels to the back shoulders, the glittering material like woven starlight as it flowed behind me in lieu of a veil or cape. If Rhysand was Night Triumphant, I was the star that only glowed thanks to his darkness, the light only visible because of him. I scowled up the stairs. That is, if he bothered to show up on time. My hair, Nuala had swept into an ornate, elegant arc across my head, and in front of it... I caught Cassian glancing at me for the third time in less than a minute and demanded, 'What?' His lips twitched at the corners. 'You just look so...' 'Here we go,' Mor muttered from where she picked at her red-tinted nails against the stair banister. Rings glinted at every knuckle, on every finger; stacks of bracelets tinkled against each other on either wrist. 'Official,' Cassian said with an incredulous look in her direction. He waved a Siphon-topped hand to me. 'Fancy.' 'Over five hundred years old,' Mor said, shaking her head sadly, 'a skilled warrior and general, famous throughout territories, and complementing ladies is still something he finds next to impossible. Remind me why we bring you on diplomatic meetings?' Azriel, wreathed in shadows by the front door, chuckled quietly. Cassian shot him a glare. 'I don't see you spouting poetry, brother.' Azriel crossed his arms, still smiling faintly. 'I don't need to resort to it.

Slowly, however, her lips curled again, her jaw locking open, baring her teeth with too much gum in a wrenching scream. The bloodcurdling sound ringing through his ears while her nails clawed at her chest, hands violently digging through the soft connective tissue and tearing it to ribbons, blood gushed thick and black over the pink of her dress, painting it red. It was then that Henry saw that there was something terrible inside her, attempting to break its way out. It shattered the marrow of her ribs and slithered from her belly, melting away from her, into a grotesque creature with razor-sharp canines and claws drenched in blood. Her screaming becoming louder, Henry was sure his eardrums were about to burst, and he was caught in a state of paralysis, stuck watching her tear herself apart until all that was left of her was this monstrosity.

ISA22.25 In that day, saith the LORD of hosts, shall the nail that is fastened in the sure place be removed, and be cut down, and fall; and the burden that was upon it shall be cut off: for the LORD hath spoken it.

Anita Kleinman was a slight woman in her seventies. Her hair was thinning and white with a touch of pink, and was swept back from her face in unbroken waves. She wore a full-length Chinese silk gown covered with bright gold dragons on a blue background. Her fingers were tipped with long red nails and heavy with gold rings. She held out her arms in an expression of welcome and perhaps to show me the full extent of her dragons.

Heuristics also have a measurement or value associated with them—the duration for an animation or the red-green-blue values for an onscreen color, but there isn’t a similar “arrow of improvement” that always points the same way. Unlike evaluating algorithms, heuristics are harder to nail down. For instance, how quickly should a scrolling list glide to a stop after you’ve flicked it? We always made demos to evaluate the possibilities.

Home is where I take up such a tiny portion of the memory foam; home is a splintered word. His pillow is a sweat-stained map of an escape plot, also a map of love’s dear abandon. (When did he give way, at which breath?) Forgiveness may mean retrospectively abandoning the pillow and abandoning the photograph of someone with curious eyes, kissing my toes, poolside. I paint my toes Big Apple Red. I don’t know what to do about the shock of red nails on clean, white tiles except get used to it. (And when he gave way, was there room for feelings or the words for feeling?) While I brush my teeth, I can see him in my periphery at the other sink. The outline of him lulls and stings. (And when he gave way, was it the end of the beginning of suffering?) I draw his profile near, I make him brush his teeth with me, he spits and makes a mess. I could love another face, but why?

He was the one, however, with whom no one wanted his or her picture taken, the one to whom no one wanted to introduce his son or daughter. Louis and Gage knew him; they had met him and faced him down in New England, some time ago. He was waiting to choke you on a marble, to smother you with a dry-cleaning bag, to sizzle you into eternity with a fast and lethal boggie of electricity—Available at Your Nearest Switchplate or Vacant Light Socket Right Now. There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nurdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too—Shower with a Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who’s out there? you howled into the dark when you were frightened and all alone, and it was his answer that came back: Don’t be afraid, it’s just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let’s go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar blue cast of the fingernails following asphyxiation—in its final grim struggle to survive the brain takes all the oxygen that is left, even that in those living cells under the nails. Hi, folks, my name’s Oz the Gweat and Tewwible, but you can call me Oz if you want—hell, we’re old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can’t stay, got to see a woman about a breach birth, then I’ve got a little smoke-inhalation job to do in Omaha. And that thin voice is crying, “I love you, Tigger! I love you! I believe in you, Tigger! I will always love you and believe in you, and I will stay young, and the only Oz to ever live in my heart will be that gentle faker from Nebraska! I love you . . .” We cruise . . . my son and I . . . because the essence of it isn’t war or sex but only that sickening, noble, hopeless battle against Oz the Gweat and Tewwible. He and I, in our white van under this bright Florida sky, we cruise. And the red flasher is hooded, but it is there if we need it . . . and none need know but us because the soil of a man’s heart is stonier; a man grows what he can . . . and tends it.

Her mental list of items she’d need from her apartment was growing. There were things a girl just couldn’t live without, so Keegan would have to get them when he retrieved Muffin. “I need another purse. Can you get me my Prada knockoff? It’s in my closet on the shelf. Pink. It’s pink. I got it from a vendor in Manhattan. Jeez he was a tough negotiator, but it was worth the haggling. It’s soooo cute.” Keegan sighed, raspy and long. “Okay.” “Oh! And my nail polish. I have two new bottles in the bathroom under the sink in one of those cute organizer baskets, you know? Like the ones you get at Bed Bath and Beyond? God, I love those. Anyway, I need Retro Red and Winsome Wisteria.” Another sigh followed, and then a nod of consent. “My moisturizer. I never go anywhere, not even overnight, without my moisturizer. Not that I ever really go anywhere, but anyway I need it, or my skin will dehydrate and it could just be ugly. Top left side of my medicine cabinet.” “Er, okay.” “My shoes. I can’t be without shoes. Let’s see. I need my tennis shoes and my white sandals, because I don’t think there’s much hope for these, wouldn’t you say?” Marty looked up at him and saw impatience written all over his face. “And my laptop. I can’t check on my clients without my laptop, and they need me. Plus, there’s that no-good bitch Linda Fisher. I have to watch that she’s not stealing my accounts. Do you have all of that?” He gave her that stern look again. The one that made her insides skedaddle around even if it was meant in reproach. “I’m going too far, huh?” His smile was crooked. “Just a smidge.

The stories aren’t what I expected; they’re like German fairy tales, except for the absence of red-hot iron slippers and nail-studded casks. I wonder if this mercy descends from the original tellers, from the translator or from the publisher

Slow power can grind away any stagnant enemy. But fast power, one that can travel where you go, do what you wish it to as effectively as a hammer hitting a nail, that is the power that lops off heads and steals crowns. Can I trust you with it?

Who" The month of flowering’s finished. The fruit’s in, Eaten or rotten. I am all mouth. October’s the month for storage. The shed’s fusty as a mummy’s stomach: Old tools, handles and rusty tusks. I am at home here among the dead heads. Let me sit in a flowerpot, The spiders won’t notice. My heart is a stopped geranium. If only the wind would leave my lungs alone. Dogsbody noses the petals. They bloom upside down. They rattle like hydrangea bushes. Mouldering heads console me, Nailed to the rafters yesterday: Inmates who don’t hibernate. Cabbageheads: wormy purple, silver-glaze, A dressing of mule ears, mothy pelts, but green-hearted, Their veins white as porkfat. O the beauty of usage! The orange pumpkins have no eyes. These halls are full of women who think they are birds. This is a dull school. I am a root, a stone, an owl pellet, Without dreams of any sort. Mother, you are the one mouth I would be a tongue to. Mother of otherness Eat me. Wastebasket gaper, shadow of doorways. I said: I must remember this, being small. There were such enormous flowers, Purple and red mouths, utterly lovely. The hoops of blackberry stems made me cry. Now they light me up like an electric bulb. For weeks I can remember nothing at all.

I stalked into the moonlit garden and lost myself in its labyrinth of hedges and flower beds. I didn't care where I was going. After a while, I paused in the rose garden. The moonlight stained the red petals a deep purple and cast a silvery sheen on the white blooms. 'My father had this garden planted for my mother,' Tamlin said from behind me. I didn't bother to face him. I dug my nails into my palms as he stopped by my side. 'It was a mating present.' I stared the flowers without seeing anything. The flowers I'd painted on the table at home were probably crumbling or gone by now. Nesta might have even scraped them off. My nails pricked the skin of my palms. Tamlin providing for them or no, glamouring their memories or no, I'd been... erased from their lives. Forgotten. I'd let him erase me. He'd offered me paints and the space and time to practice; he'd shown me pools of starlight; he'd saved my life like some kind of feral knight in a legend, and I'd gulped it down like faerie wine.

He took the sacramental chalice, and stretching forth his bare arm, cried in a loud voice, 'Come ye viewless ministers of this dread hour! come from the fenny lake, the hanging rock, and the midnight cave! The moon is red - the stars are out - the sky is burning - and all nature stands aghast at what we do!' Then replacing the sacred vessel on the altar, he drew, one by one, from different parts of his body, from his knotted hair, from his bosom, from beneath his nails, the unholy things which he cast into it. 'This,' said he, 'I plucked from the beak of a raven feeding on a murderer's brains! This is the mad dog's foam! These the spurgings of a dead man's eyes, gathered since the rising of the evening star! This is a screech-owl's egg! This a single drop of black blood, squeezed from the heart of a sweltered toad! This, an adder's tongue! And here, ten grains of the gray moss that grew upon a skull which had lain in the charnel-house three hundred years! What! Not yet?' And his eyes seemed like balls of fire as he cast them upwards. 'Not yet? I call ye once! I call ye twice! Dare ye deny me! Nay, then, as I call ye thrice, I'll wound mine arm, and as it drops, I'll breathe a spell shall cleave the ground and drag you here!' ("The Forsaken Of God")

She was floating, arms outspread, water lapping her body, breathing in a summery fragrance of salt and coconut. There was a pleasantly satisfied breakfast taste in her mouth of bacon and coffee and possibly croissants. She lifted her chin and the morning sun shone so brightly on the water, she had to squint through spangles of light to see her feet in front of her. Her toenails were each painted a different color. Red. Gold. Purple. Funny. The nail polish hadn’t been applied very well. Blobby and messy. Someone else was floating in the water right next to her. Someone she liked a lot, who made her laugh, with toenails painted the same way. The other person waggled multicolored toes at her companionably, and she was filled with sleepy contentment. Somewhere in the distance, a man’s voice shouted, “Marco?” and a chorus of children’s voices cried back, “Polo!” The man called out again, “Marco, Marco, Marco?” and the voices answered, “Polo, Polo, Polo!” A child laughed; a long, gurgling giggle, like a stream of soap bubbles.

One thing in the school was captivating, lovely. Pictures of birds. Rose didn’t know if the teacher had climbed up and nailed them above the blackboard, too high for easy desecration, if they were her first and last hopeful effort, or if they dated from some earlier, easier time in the school’s history. Where had they come from, how had they arrived there, when nothing else did, in the way of decoration, illustration? A red-headed woodpecker; an oriole; a blue jay; a Canada goose. The colors clear and long-lasting. Backgrounds of pure snow, of blossoming branches, of heady summer sky. In an ordinary classroom they would not have seemed so extraordinary. Here they were bright and eloquent, so much at variance with everything else that what they seemed to represent was not the birds themselves, not those skies and snows, but some other world of hardy innocence, bounteous information, privileged lightheartedness. No stealing from lunch pails there; no slashing coats; no pulling down pants and probing with painful sticks; no fucking; no Franny.

I’m consumed. This is what it feels like. This is what right feels like. It was always wrong before. Kissing someone. Letting them touch me. I never had that burn low in my belly. I was never hungry. Until her. I sink into her mouth again, kissing, sucking, tasting… At least there’s this. I thought hating her was enough. If I couldn’t have this, at least I had her attention. Even if it was bad. At least I could destroy what I was going to lose anyway in three months when we graduated, and I couldn’t look at her every day anymore. But God, I do hate her. Her smile and her red lips. The way she smudges her dumb eyeliner, making her eyes look smoky and captivating, and her wild hair that always looks like it flew through the wind before she put it up in a ponytail. Her olive skin, how her bracelets make music every time she moves, her chipped, black nail polish, and those stupid biker boots with all the buckles she wears that make her legs so hard not to look at. The way she rolls her skirt up, and I can’t pay attention in calculus. I hate it all. How every part of her looks like it has a taste

His knowledge of ancient Greece was based entirely on a poem Edgar Allan Poe, a few homosexual encounters with restaurateurs (he ate free at almost every soda fountain in the city), and a plaster reproduction of the Akropolis which, for some reason, he had coated with red nail polish.

Mabel went on, and you Petites Cendres, you haven’t forgotten we’re throwing a party for your Doctor Dieudonné, oh yes, soon as he gets back, the entire Black Ancestral Choir’s going to celebrate Dieudonné, man of God taking care of the poor and never asking for one cent, why did he have to go away said Petites Cendres, carefree in the comfort of his bed, wasn’t his clinic enough, he mumbled into the dishevelled folds of his sloth, I mean why go volunteer there when we’re holding a party for him right here, Mabel’s singsong voice cut in, going from deep to nasal, he’s getting the town’s medal of honour for doctoring all you lazy layabouts and lost souls, and running two hospitals and a hospice, our very own choir director’s going to give him his plaque with those same fingers and long thin red nails of hers, the ideal man, says the doctor, is not one who piles up money but one who saves lives, why he’s even helped our Ancestral Choir a whole lot too, he’s going to need a nice black tuxedo, just what he hates, and Eureka, the head of the choir, will be so proud that day when Reverend Ézéchielle invites us all to sing in her church,

I've never seen a Jade in full feral mode before. Candy's nails have curved out into thick claws. Her eyes are red slit pupils in a sea of black ice. Her lips and tongue are as black as her eyes. Her mouth has a slightly different shape. Like she has a few more teeth or the ones she has are wider and sharper than before. A mouthful of pretty white shark's teeth. She's the most beautiful thing I've seen in eleven years. I want to have monster babies with her right here and now. But something explodes, someone screams, and I remember my other friends and the end of the world.

I don’t get it.” He sighed, standing up and throwing his dinner into the trash can. As he turned back to me, I saw total confusion in his eyes. “When I was thirteen, my dad bought my mom a new car. She came home from the grocery store one day, and bam—there it was. Red bow and everything. And she said all the same things you’re saying. It’s too much, you shouldn’t have done this—everything. And my dad kissed her, handed her the keys, and said, ‘Let’s go for a drive.’ And that was it. She gave in.” He leaned against a sawhorse, dragging his hands through his hair. “You know why? Because she knew how much it meant to him. Everything he did was to make her happy.” His voice deepened toward the end, sounding rough and a little choppy. His blue eyes were huge, and I could see his jaw clenching. He cleared his throat. Twice. Then he swallowed hard. Shit. “So keep the car, don’t keep the car, whatever. I just wanted to do something nice for you, because I could.” His voice wobbled a bit, and I couldn’t take it anymore. I was in front of him, pulling him close and wrapping his strong arms around me. I held him tight. A minute later, I felt him hang on. Sweet boy.

Oh, she had been some kind of fine-looking, all right, with that dynamite body and that gorgeous fall of red wavy hair. But she was weak . . . weak somehow. It was as if she was sending out radio signals which only he could receive. You could point to certain things—how much she smoked (but he had almost cured her of that), the restless way her eyes moved, never quite meeting the eyes of whoever was talking to her, only touching them from time to time and then leaping nimbly away; her habit of lightly rubbing her elbows when she was nervous; the look of her fingernails, which were kept neat but brutally short. Tom noticed this latter the first time he met her. She picked up her glass of white wine, he saw her nails, and thought: She keeps them short like that because she bites them. Lions may not think, at least not the way people think . . . but they see. And when antelopes start away from a waterhole, alerted by that dusty-rug scent of approaching death, the cats can observe which one falls to the rear of the pack, maybe because it has a lame leg, maybe because it is just naturally slower . . . or maybe because its sense of danger is less developed. And it might even be possible that

Nails scraping down his chest, yanking on his belt. His cock hard and pulsing in anticipation. "How much longer?" Fingers stroking. Hands in his boxers. The mind-numbing pleasure of her palm in his shaft. Time didn't matter. The need to have her was fierce and intense, demanding instant satisfaction. He wanted her. Here. Now. Hidden by blacked-out windows in the dead of night. With rough hands, he shoved her skirt over her hips. Red silk panties. Teasing. Tantalizing. "Tear them off." Her urgency pleased him, called to the animal frenzy of his lust. "Law? Indecent exposure?" "Fuck it." Her panties rendered with a soft whimper, fluttered to the floor. Soft and dark her secrets beckoned. He parted her folds and sank a thick finger deep inside her wet center. She gasped, arched against him. He gave her another finger, his free hand in her hair, holding her still, baring her neck for the heated slide of his lips. A third finger. Gentle strokes. Hungry kisses. His thumb stroked over her swollen nub. A guttural groan and she came, her inner walls tightening around him. Dazed, languid, she collapsed forward against his chest. He hissed in a breath when the down between her legs brushed against his cock.

Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.

So meaning is only a moment and a transition from absurdity to absurdity, and absurdity only a moment and a transition from meaning to meaning. Oh, that Siegfried, blond and blue-eyed, the German hero, had to fall by my hand, the most loyal and courageous! He had everything in himself that I treasured as the greater and more beautiful; he was my power, my boldness, my pride. I would have gone under in the same battle, and so only assassination was left to me. If I wanted to go on living, it could only be through trickery and cunning. Judge not! Think of the blond savage of the German forests, who had to betray the hammer-brandishing thunder to the pale Near Eastern god who was nailed to the wood like a chicken marten. The courageous were overcome by a certain contempt for themselves. But their life force bade them to go on living, and they betrayed their beautiful wild Gods, their holy trees and their awe of the German forests.

One night in Austin, I went out to karaoke with friends, and I was so loaded I jumped onstage and wrestled the microphone from some poor guy in the middle of “Little Red Corvette.” When I went to get a drink afterward, the bartender said, “I’m sorry, you’ve been cut off.” Cut off? Why? For nailing that fucking Prince song? There

Osho was very generous with his genius. When I went to Poona in 1988, he answered a question of mine. “Rumi says, ‘I want burning, burning.’ What does this burning have to do with my own possible enlightenment?” “You have asked a very dangerous question, Coleman. Burning has nothing to do with your enlightenment. This work you have done with Rumi is beautiful. It has to be, because it is coming out of Rumi’s love. But for you these poems can become ecstatic self-hypnosis.” He pretty much nailed me to the floor with that one. Sufism is good, but end up with Zen. It was a fine hit he gave me. I am still drawn to the Sufi longing and love-madness, but clarity is coming up strong on the inside. I have not assimilated his wisdom yet, but I mean to. I am very grateful to him. But it is not wisdom for everyone. Osho crafted his words to suit the individual. Ecstatic self-hypnosis might be just the thing for someone else. He was showing me a daylight beyond any beloved darkness, an ecstatic sobriety beyond any drunkenness.

It was during a misunderstanding conducted with crowbars with a fellow we used to call Hercules. He laid me out with a crusher alongside the head that made everything crack, and seemed to spring every joint in my skull and made it overlap its neighbor.  Then the world went out in darkness, and I didn't feel anything more, and didn't know anything at all—at least for a while. When I came to again, I was sitting under an oak tree, on the grass, with a whole beautiful and broad country landscape all to myself—nearly.  Not entirely; for there was a fellow on a horse, looking down at me—a fellow fresh out of a picture-book.  He was in old-time iron armor from head to heel, with a helmet on his head the shape of a nail-keg with slits in it; and he had a shield, and a sword, and a prodigious spear; and his horse had armor on, too, and a steel horn projecting from his forehead, and gorgeous red and green silk trappings that hung down all around him like a bedquilt, nearly to the ground. "Fair sir, will ye just?" said this fellow.

Do you realize the illicit sensuous delight I get from picking my nose? I always have, ever since I was a child. There are so many subtle variations of sensation. A delicate, pointed-nailed fifth finger can catch under dry scabs and flakes of mucus in the nostril and draw them out to be looked at, crumbled between fingers, and flicked to the floor in minute crusts. Or a heavier, determined forefinger can reach up and smear down-and-out the soft, resilient, elastic greenish-yellow smallish blobs of mucus, roll them round and jellylike between thumb and forefinger, and spread them on the under-surface of a desk or chair where they will harden into organic crusts. How many desks and chairs have I thus secretively befouled since childhood? Or sometimes there will be blood mingled with the mucus: in dry brown scabs, or bright sudden wet red on the finger that scraped too rudely the nasal membranes. God, what a sexual satisfaction! It is absorbing to look with new sudden eyes on the old worn habits: to see a sudden luxurious and pestilential “snot-green sea,” and shiver with the shock of recognition.

Landsman and Bina were married to each other for twelve years and together for five before that. Each was the other's first lover, first betrayer, first refuge, first roommate, first audience, first person to turn to when something -- even the marriage itself -- went wrong. For half their lives they tangled their histories, bodies, phobias, theories, recipes, libraries, record collections. They mounted spectacular arguments, nose-to-nose, hands flying, spittle flying, throwing things, kicking things, breaking things, rolling around on the ground grabbing up fistfuls of each other's hair. The next day he would bear the red moons of Bina's nails in his cheeks and on the meat of his chest, and she wore his purple fingerprints like an armlet.

I found the little bottle of nail varnish at the bottom of a charity box. It still had the price ticket on it. If I ever discover the person who gave it then I will tell them, for the cost of one British pound and ninety-nine pence, they saved my life. Because this is what I did in that place, to remind myself I was alive underneath everything; under my steel toe caps I wore bright red nail varnish.

When he meets my eyes, his expression is anguished. He cannot help me. I fight as they press me down to the floor. Bite when they try to pry open my mouth. But it's all for nothing. Two soldiers hold my wrists, and a third hooks a barbed instrument through the end of my tongue. He pulls it taut. Then a fourth begins slicing through it with a curved dagger. The sharp, searing pain makes me want to cry out, but I cannot with my tongue nailed in place. My mouth goes from dry from being held open to full of blood. Flooded with it. Gagging. Drowning. I choke as they release me, the scream dying in my throat. Scarlet flows over my chin. When I move, flecks of red fly. The pain swallows me whole so that I barely can concentrate, but I know I am losing too much blood. It spills from between my lips, slicks my neck, stains the collar of my dress. This is going to kill me. I am going to die, here on the ice floor of the Citadel.

Hey!” The male voice sliced through the noise. Terri ignored him, determined to get back to the bar for her next order. A harsh hand gripped her arm, jerking her back into a firm chest. “I asked your name.” Hot breath reeking of stale beer permeated her sinuses, making her stomach turn, as the tenor of his voice burrowed into her ear. Fear gripped her. Memories of the way Randy would grab her, and where it always ended, slammed into her, making her head spin. Shaking it off, Terri narrowed her eyes and whirled around, jabbing a red lacquered nail into his powder blue polo. “Back off,” she warned, snatching her arm back. He advanced on her, his large frame towering over her. “Just wanna know your name, sweetheart,” he said with a sleazy smile. “No need to get testy.” “You haven’t seen me testy.” As she turned her back on him and continued on her way, he called out to her. “Yet.” Terri--from Spring Cleaning--Coming Summer 2012

After three years of music-hall and theatre I'm still the same: always ready too soon. Ten thirty-five. . . . I'd better open that book lying on the make-up shelf, even though I've read it over and over again, or the copy of Paris-Sport the dresser was marking just now with my eyebrow pencil; otherwise I'll find myself all alone, face to face with that painted mentor who gazes at me from the other side of the looking-glass, with deep-set eyes under lids smeared with purplish grease-paint. Her cheek-bones are as brightly coloured as garden phlox and her blackish-red lips gleam as though they were varnished. She gazes at me for a long time and I know she is going to speak to me. She is going to say: "Is that you there? All alone, therr in that cage where idle, impatient, imprisoned hands have scored the white walls with interlaced initials and embellished them with crude, indecent shapes? On those plaster walls reddened nails, like yours, have unconsciously inscribed the appeal of the forsaken. Behind you a feminine hand has carved Marie, and the name ends in a passionate mounting flourish, like a cry to heaven. Is it you there, all alone under that ceiling booming and vibrating beneath the feet of dancers, like the floor of a mill in action? Why are you there, all alone? And why not somewhere else?" Yes, this is the dangerous, lucid hour. Who will knock at the door of my dressing-room, what face will come between me and the painted-mentor peering at me from the other side of the looking-glass? Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him----and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days. Faith, that is what it is, genuine faith, as blind as it sometimes pretends to be, with all the dissembling renunciations of faith, and that obstinacy which makes it continue to hope even at the moment if crying. "I am utterly forsaken!" There is no doubt that, if ever my heart were to call my master Chance by another name, I should make an excellent Catholic.

You are in his car and your words taste like honey. The suns yolk is stretching over the road, with hues of pink and red ribbon pressed against the bruises of the sky. He is talking about mechanics or sugar factories, and you are touching the rings on your fingers. The windows are open and the wind is making a home in your bones. Your jeans are ripped, your perfume smells like lilacs, your nails painted the color of sea weed. You forget about noise. You forget about color. It’s your lungs - I think, it’s your lungs that are morphing into purple butter. You are in his car and you are Mozart composing art, Claude Monet painting Water Lilies, you are Aphrodite, you are Shakespeare. You are in his car and you can’t remember what salt feels like against your tongue. You are in his car and you are ocean, fire - lip, tongue, breath, sweat. You are in his car and you are telling him you love him. You are in his car and he is telling you he loves you back.

Negro, and also that which was used to lead him from the jail, were eagerly sought by relic hunters. They almost fought for a chance to cut off a piece of rope, and in an incredibly short time both ropes had disappeared and were scattered in the pockets of the crowd in sections of from an inch to six inches long. Others of the relic hunters remained until the ashes cooled to obtain such ghastly relics as the teeth, nails, and bits of charred skin of the immolated victim of his own lust.

I select the right practice gun, the one about the size of a pistol, but bulkier, and offer it to Caleb. Tris’s fingers slide between mine. Everything comes easily this morning, every smile and every laugh, every word and every motion. If we succeed in what we attempt tonight, tomorrow Chicago will be safe, the Bureau will be forever changed, and Tris and I will be able to build a new life for ourselves somewhere. Maybe it will even be a place where I trade my guns and knives for more productive tools, screwdrivers and nails and shovels. This morning I feel like I could be so fortunate. I could. “It doesn’t shoot real bullets,” I say, “but it seems like they designed it so it would be as close as possible to one of the guns you’ll be using. It feels real, anyway.” Caleb holds the gun with just his fingertips, like he’s afraid it will shatter in his hands. I laugh. “First lesson: Don’t be afraid of it. Grab it. You’ve held one before, remember? You got us out of the Amity compound with that shot.” “That was just lucky,” Caleb says, turning the gun over and over to see it from every angle. His tongue pushes into his cheek like he’s solving a problem. “Not the result of skill.” “Lucky is better than unlucky,” I say. “We can work on skill now.” I glance at Tris. She grins at me, then leans in to whisper something to Christina. “Are you here to help or what, Stiff?” I say. I hear myself speaking in the voice I cultivated as an initiation instructor, but this time I use it in jest. “You could use some practice with that right arm, if I recall correctly. You too, Christina.” Tris makes a face at me, then she and Christina cross the room to get their own weapons. “Okay, now face the target and turn the safety off,” I say. There is a target across the room, more sophisticated, than the wooden-board target in the Dauntless training rooms. It has three rings in three different colors, green, yellow, and red, so it’s easier to tell where the bullets it. “Let me see how you would naturally shoot.” He lifts up the gun with one hand, squares off his feet and shoulders to the target like he’s about to lift something heavy, and fires. The gun jerks back and up, firing the bullet near the ceiling. I cover my mouth with my hand to disguise my smile. “There’s no need to giggle,” Caleb says irritably. “Book learning doesn’t teach you everything, does it?” Christina says. “You have to hold it with both hands. It doesn’t look as cool, but neither does attacking the ceiling.” “I wasn’t trying to look cool!” Christina stands, her legs slightly uneven, and lifts both arms. She stares the target for a moment, then fires. The training bullet hits the outer circle of the target and bounces off, rolling on the floor. It leaves a circle of light on the target, marking the impact site. I wish I’d had this technology during initiation training. “Oh, good,” I say. “You hit the air around your target’s body. How useful.” “I’m a little rusty,” Christina admits, grinning.

The Woman Poet // Die Dichterin You hold me now completely in your hands. My heart beats like a frightened little bird's Against your palm. Take heed! You do not think A person lives within the page you thumb. To you this book is paper, cloth, and ink, Some binding thread and glue, and thus is dumb, And cannot touch you (though the gaze be great That seeks you from the printed marks inside), And is an object with an object's fate. And yet it has been veiled like a bride, Adorned with gems, made ready to be loved, Who asks you bashfully to change your mind, To wake yourself, and feel, and to be moved. But still she trembles, whispering to the wind: "This shall not be." And smiles as if she knew. Yet she must hope. A woman always tries, Her very life is but a single "You . . ." With her black flowers and her painted eyes, With silver chains and silks of spangled blue. She knew more beauty when a child and free, But now forgets the better words she knew. A man is so much cleverer than we, Conversing with himself of truth and lie, Of death and spring and iron-work and time. But I say "you" and always "you and I." This book is but a girl's dress in rhyme, Which can be rich and red, or poor and pale, Which may be wrinkled, but with gentle hands, And only may be torn by loving nails. So then, to tell my story, here I stand. The dress's tint, though bleached in bitter lye, Has not all washed away. It still is real. I call then with a thin, ethereal cry. You hear me speak. But do you hear me feel?

They are all slaves now. Mustang is making them as we speak. But ohhh, she’s in an odd mood.” He spits out a bone. “Ha! This him then? The Jackal? He looks pale as a Red’s ass.” He peers closer. “Shit. You nailed him down!” “I think you’ve taken bigger shits than him, Pax,” Sevro adds. “Prime have. More colorful ones too. He’s drab as a Brown.” “Guard your tongue, fool,” the Jackal tells Pax. “It may not always be there.” “Neither will your prick if you keep sassin’! Ha! Is it as small as you?” Pax booms. The

You’re the bookish one. Was it a man who said ‘hell hath no fury like a woman scorned’?” A lancer brings her gauntlets. “It must have been—to imagine something so petty as scorn to be the utmost misery a woman could suffer. What, I wonder, would he make of a mother who has seen her husband sold like meat and her babe nailed to a tree?” She dons her gauntlets. “Perhaps: wrath, I am thee? They come for our children, Virginia.” She turns to me and cups my face with one hand. “Do not fear for me. Instead, pity them.

We eat in silence for a few minutes, and then Alexandra says, “That reminds me. Matthew, could you escort me to a charity dinner the second Saturday in December? Steven is going to be out of town.” She looks toward me. “I would ask my darling brother to do it, but we all know he spends his Saturday nights with the city slu—” she glances at her daughter “—undesirables.” Before Matthew can answer, Mackenzie puts her two cents in. “I don’t think Uncle Matthew can come, Momma. He been too busy bein’ pussy whipped. Wha’s pussy whipped, Daddy?” As soon as the words leave her angelic little lips, a horrendous chain reaction is set off: Matthew chokes on the black olive in his mouth, which flies out and nails Steven right in the eye. Steven doubles over, holding his eye and yelling, “I’m hit! I’m hit!” and then goes on about how the salt from the olive juice is eating away at his cornea. My father starts coughing. George stands up and begins pounding on his back while asking no one in particular if he should perform the Heimlich. Estelle knocks over her glass of red wine, which quickly seeps into my mother’s lace tablecloth. She makes no move to clean up the mess, but instead chants, “Oh, my goodness. Oh, my goodness.” My mother runs around the dining room like a chicken with its head cut off, searching for non-cloth napkins to wipe up the stain, all the while assuring Estelle that everything’s fine. And Frank…well…Frank just keeps eating. While the chaos continues around us, Alexandra’s death-ray glare never wavers from Matthew and me. After squirming under it for about thirty seconds, Matthew caves. “It wasn’t me, Alexandra. I swear to Christ it wasn’t me.” Chicken shit. Thanks, Matthew. Way to leave my ass blowing in the wind. Remind me never to go to war with him as my wingman. But as The Bitch glower is turned full force on me alone, I forgive him. I feel like at any moment I’ll be reduced to a smoking pile of Drew ash on the chair. I dig deep and give her the sweetest Baby Brother smile I can manage. Take a look. Is it working? I’m so fucking dead. See, there’s one thing about Bitch Justice you should know. It’s swift and merciless. You won’t know when it’s coming; all you can be certain of is that it will come. And when it does, it will be painful. Very, very painful.

I wanted to write an adventure story, not, it's true, I really did. I shall have failed, that's all. Adventures bore me. I have no idea how to talk about countries, how to make people wish they had been there. I am not a good travelling salesman. Countries? Where are they , whatever became of them. When I was twelve I dreamed of Hongkong. That tedious, commonplace little provincial town! Shops sprouting from every nook and cranny! The Chinese junks pictured on the lids of chocolate boxes used to fascinate me. Junks: sort of chopped-off barges, where the housewives do all their cooking and washing on deck. They even have television. As for the Niagara Falls: water, nothing but water! A dam is more interesting; at least one can occasionally see a big crack at its base, and hope for some excitement. When one travels, one sees nothing but hotels. Squalid rooms, with iron bedsteads, and a picture of some kind hanging on the wall from a rusty nail, a coloured print of London Bridge or the Eiffel Tower. One also sees trains, lots of trains, and airports that look like restaurants, and restaurants that look like morgues. All the ports in the world are hemmed in by oil slicks and shabby customs buildings. In the streets of the towns, people keep to the sidewalks, cars stop at red lights. If only one occasionally arrived in a country where women are the colour of steel and men wear owls on their heads. But no, they are sensible, they all have black ties, partings to one side, brassières and stiletto heels. In all the restaurants, when one has finished eating one calls over the individual who has been prowling among the tables, and pays him with a promissory note. There are cigarettes everywhere! There are airplanes and automobiles everywhere.

Della & I are drunk at the top of Mont-Royal. We have an open blue plastic thermos of red wine at our feet. It's the first day of spring & it's midnight & we've been peeling off layers of winter all day. We stand facing each other, as if to exchange vows, chests heaving from racing up & down the mountain to the sky. My face is hurting from smiling so much, aching at the edges of my words. She reaches out to hold my face in her hands, dirty palms form a bowl to rest my chin. I’m standing on a tree stump so we’re eye to eye. It’s hard to stay steady. I worry I may start to drool or laugh, I feel so unhinged from my body. It’s been one of those days I don’t want to end. Our goal was to shirk all responsibility merely to enjoy the lack of everyday obligations, to create fullness & purpose out of each other. Our knees are the colour of the ground-in grass. Our boots are caked in mud caskets. Under our nails is a mixture of minerals & organic matter, knuckles scraped by tree bark. We are the thaw embodied. She says, You have changed me, Eve, you are the single most important person in my life. If you were to leave me, I would die. At that moment, our breath circling from my lungs & into hers, I am changed. Perhaps before this I could describe our relationship as an experiment, a happy accident, but this was irrefutable. I was completely consumed & consuming. It was as though we created some sort of object between us that we could see & almost hold. I would risk everything I’ve ever known to know only this. I wanted to honour her in a way that was understandable to every part of me. It was as though I could distill the meaning of us into something I could pour into a porcelain cup. Our bodies on top of this city, rulers of love. Originally, we were celebrating the fact that I got into Concordia’s visual arts program. But the congratulatory brunch she took me to at Café Santropol had turned into wine, which had turned into a day for declarations. I had a sense of spring in my body, that this season would meld into summer like a running-jump movie kiss. There would be days & days like this. XXXX gone away on a sojurn I didn’t care to note the details of, she simply ceased to be. Summer in Montreal in love is almost too much emotion to hold in an open mouth, it spills over, it causes me to not need any sleep. I don’t think I will ever feel as awake as I did in the summer of 1995.

The retaliation came in all varieties. One variety came largely from the Soviet soldiers. When they entered East Prussia in January, their propaganda officers hung up huge banners: ‘Soldier, you are now entering the lair of the fascist beast!’ The village of Nemmersdorf (now Mayakovskoya) was taken by the 2nd Red Army Guard, a few days later German troops launched a counteroffensive and entered the town again. They found bodies everywhere: refugees crushed under tanks, children shot in their gardens, raped women nailed to barn doors. The cameras rolled, the images were shown all over Germany: this is what happens when the Russians come in.

O my body! I dare not desert the likes of you in other men and women, nor the likes of the parts of you, I believe the likes of you are to stand or fall with the likes of the soul, (and that they are the soul,) I believe the likes of you shall stand or fall with my poems, and that they are my poems, Man’s, woman’s, child’s, youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s poems, Head, neck, hair, ears, drop and tympan of the ears, Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids, Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges, Nose, nostrils of the nose, and the partition, Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue, Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest, Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones, Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints, finger-nails, Broad breast-front, curling hair of the breast, breast-bone, breast-side, Ribs, belly, backbone, joints of the backbone, Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root, Strong set of thighs, well carrying the trunk above, Leg fibres, knee, knee-pan, upper-leg, under-leg, Ankles, instep, foot-ball, toes, toe-joints, the heel; All attitudes, all the shapeliness, all the belongings of my or your body or of any one’s body, male or female, The lung-sponges, the stomach-sac, the bowels sweet and clean, The brain in its folds inside the skull-frame, Sympathies, heart-valves, palate-valves, sexuality, maternity, Womanhood, and all that is a woman, and the man that comes from woman, The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings, The voice, articulation, language, whispering, shouting aloud, Food, drink, pulse, digestion, sweat, sleep, walking, swimming, Poise on the hips, leaping, reclining, embracing, arm-curving and tightening, The continual changes of the flex of the mouth, and around the eyes, The skin, the sunburnt shade, freckles, hair, The curious sympathy one feels when feeling with the hand the naked meat of the body, The circling rivers the breath, and breathing it in and out, The beauty of the waist, and thence of the hips, and thence downward toward the knees, The thin red jellies within you or within me, the bones and the marrow in the bones, The exquisite realization of health; O I say these are not the parts and poems of the body only, but of the soul, O I say now these are the soul!

Only then did he hear the small gasp—a soundless cry—and feel his mother’s cold fingers tightening on his arm. He turned toward her. Saw the red stain spreading across the front of her dress where the sword had driven in. Through him. Through her. There, just above her heart. The too-small hole of a too-great wound. His mother’s eyes met his. “Rhy,” she said, a small, disconcerted crease between her brows, the same face she’d made a hundred times whenever he and Kell got into trouble, whenever he shouted or bit his nails or did anything that wasn’t princely. The furrow deepened, even as her eyes went glassy, one hand drifting toward the wound, and then she was falling. He caught her, stumbled as the sudden weight tore against his open, ruined chest. “No, no, no,” he said, sinking with her to the prismed floor. No, it wasn’t fair. For once, he’d been fast enough. For once, he’d been strong enough. For once— “Rhy,” she said again, so gently—too gently. “No.” Her bloody hands reached for his face, tried to cup his cheek, and missed, streaking red along his jaw. “Rhy …” His tears spilled over her fingers. “No.” Her hand fell away, and her body slumped against him, still, and in that sudden stillness, Rhy’s world narrowed to the spreading stain, the lingering furrow between his mother’s eyes. Only then did the pain come, folding over him with such sudden force, such horrible weight, that he clutched his chest and began to scream.

The last summer of his life he sat hours together on the old chintz-covered swing-bed in front of the willow tree, chain-smoking Woodbines and watching the shadows flood the lawn until they swallowed him and only the tip of his ciggarette still showed, a faint red pulse. How she had longed to bring him in, to rescue him as he had rescued his sergeant. Her mother wasn't up to it, sitting all day in the kitchen listening to Alma Cogan and Ronnie Hilton on the wireless, biting her nails until they bled. So, it was she who had gone, crossing the lawn at dusk to stand in front of him, waiting for the right words to come into her head, for a dove that would bring her the gift of speech. But nothing came, and he had gazed at her through the smoke of his ciggarette as though from the far side of a pane of glass. He felt sorry for her perhaps, knowing why she had come out, knowing the impossibility of it. But instead of saying, sit down beside me Alice, sit down, daughter, and we will try to understand together the unbearable truth that love is not always enough, that people cannot always be brought back in, he had said, very conservatively, as though in reference to a discussion he had been having with her in his head for weeks, 'They used flame-throwers, you know'. And she had nodded, yes, Daddy, and left him, and gone to her room, and pushed her face into the pillow and bawled. Because she should have done it, should have, and she had failed.

People assumed Melissa was vegetarian out of cussedness, or maybe as an outlet for the empathy she didn’t expend on human beings, but it was sloppy thinking she hated. She cared little for the suffering of cattle or sheep but why eat them and not dogs? It wasn’t so much a belief as the obvious thing to do. She hated injustice without feeling much sympathy for those who had been treated unjustly. She thought that all drugs should be legal and that giving money to charity was pointless. And she liked the fact that these opinions made her distinctive and intelligent. In many respects she was like her father. Not the dirt under his nails, not the prickly pride in his under-education but the way his sense of self depended so much on other people being in the wrong.

Old Ironsides" Aye tear her tattered ensign down long has it waved on high, And many an eye has danced to see That banner in the sky; Beneath it rung the battle shout, And burst the cannon's roar;-- The meteor of the ocean air Shall sweep the clouds no more. Her deck, once red with heroes' blood, Where knelt the vanquished foe, When winds were hurrying o'er the flood, And waves were white below, No more shall feel the victor's tread, Or know the conquered knee;-- The harpies of the shore shall pluck The eagle of the sea! Oh, better that her shattered hulk Should sink beneath the wave; Her thunders shook the mighty deep, And there should be her grave; Nail to the mast her holy flag, Set every threadbare sail, And give her to the god of storms, The lightning and the gale!

Sleeping Wrestler You are a murderer No you are not, but really a wrestler Either way it's just the same For from the ring of your entangled body Clean as leather, lustful as a lily Will nail me down On your stout neck like a column, like a pillar of tendons The thoughtful forehead (In fact, it's thinking nothing) When the forehead slowly moves and closes the heavy eyelids Inside, a dark forest awakens A forest of red parrots Seven almonds and grape leaves At the end of the forest a vine Covers the house where two boys Lie in each others arms: I'm one of them, you the other In the house, melancholy and terrible anxiety Outside the keyhole, a sunset Dyed with the blood of the beautiful bullfighter Escamillo Scorched by the sunset, headlong, headfirst Falling, falling, a gymnast If you're going to open your eyes, nows the time, wrestler

Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip. He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says. "Sweet pea, what happened? Can't be that bad." He nods. "It is. I knocked Emma unconscious." Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now." "Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel. "Oh?" Rachel says. "That how she got your attention?" "She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-" Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous." "No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead. "Okay, good. Now, back up there, sweet pea. Why did she run from you?" "A misunderstanding." Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures." He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face." Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school." "No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers." "Don't worry. I'm not getting in the water at all." Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you." Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!" He laughs. "From Toraf? Why would I do that?" She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?" "Oops," Rachel says. They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry." As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner." Rachel clears her throat and nods behind them. "Rayna, that's very hurtful. After all we've been through," Toraf says. Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets. Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all." Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?" Galen grins.

An old man wearing a red seed cap was saying, "Little lady, one day you'll remember the days people told you that you had nice legs as a good memory." Adam braced for the explosion. It was nails and dynamite. "Good--memory? Oh, I wish I were as ignorant as you! What happiness! There are girls who kill themselves over negative body image and you--" "Is there a problem here?" Adam broke in. The man seemed relieved. People were always pleased to see clean, muted Adam, the deferential Southern voice of reason. "Your girlfriend's quite a firecracker." Adam stared at the man. Blue stared at Adam. He wanted to tell her it wasn't worth it--that he'd grown up with this sort of man and knew they were untrainable--but then she'd throw the thermos at Adam's head and probably slap the guy in the mouth. It was amazing that she and Ronan didn't get along better, because they were different brands of the same impossible stuff. "Sir," Adam started--Blue's eyebrows spiked--"I think maybe your mama didn't teach you how to talk to women." The old man shook his head at Adam, like in pity. Adam added, "And she's not my girlfriend." Blue flashed him a brilliant look of approval, and then she got into the car with a dramatic door slam Ronan would have approved of. "Look, kid," the old man started. Adam interrupted, "Your fuel door's open, by the way." He climbed back into his little, shitty car, the one Ronan called the Hondayota. He felt heroic for no good reason. Blue simmered righteously as they pulled out of the station. For a few moments, there was nothing but the labored sounds of the little car's breathing. Then Noah said, "You do have nice legs, though." Blue swung at him. A helpless laugh escaped Adam, and she hit his shoulder too.

The nail in the coffin of my brief career as a linguist was probably a seminar I took that winter about the philosophy of language. The aim of this seminar was to formulate a theory that would explain to a Martian "what it is that we know when we know a language." I could not imagine a more objectless, melancholy project. The solution turned out to consist of a series of propositions having the form "'Snow is white' is true iff snow is white." The professor, a gaunt logician with a wild mane of red hair and a deep concern about Martians, wrote this sentence on the board during nearly every class, and we would discuss why it wasn't trivial. Outside the window, snow piled deeper and deeper. (...) I had expected linguistics (the general study of language) to resemble a story, and Russian (the study of a particular language) to resemble a set of rules, but the reality was just the opposite.

I jumped then. It seemed I heard a child laugh. My imagination, of course. And then, when I should have known better, I headed for the closet and the high and narrow door at the very back end and the steep and narrow dark stairs. A million times I’d ascended these stairs. A million times in the dark, without a candle, or a flashlight. Up into the dark, eerie, gigantic attic, and only when I was there did I feel around for the place where Chris and I had hidden our candles and matches. Still there. Time did stand still in this place. We’d had several candle holders, all of pewter with small handles to grasp. Holders we’d found in an old trunk along with boxes and boxes of short, stubby, clumsily made candles. We’d always presumed them to be homemade candles, for they had smelled so rank and old when they burned. My breath caught! Oh! It was the same! The paper flowers still dangled down, mobiles to sway in the drafts, and the giant flowers were still on the walls. Only all the colors had faded to indistinct gray—ghost flowers. The sparkling gem centers we’d glued on had loosened, and now only a few daisies had sequins, or gleaming stones, for centers. Carrie’s purple worm was there only now he too was a nothing color. Cory’s epileptic snail didn’t appear a bright, lopsided beach ball now, it was more a tepid, half-rotten squashy orange. The BEWARE signs Chris and I had painted in red were still on the walls, and the swings still dangled down from the attic rafters. Over near the record player was the barre Chris had fashioned, then nailed to the wall so I could practice my ballet positions. Even my outgrown costumes hung limply from nails, dozens of them with matching leotards and worn out pointe shoes, all faded and dusty, rotten smelling. As in an unhappy dream I was committed to, I drifted aimlessly toward the distant schoolroom, with the candelight flickering. Ghosts were unsettled, memories and specters followed me as things began to wake up, yawn and whisper. No, I told myself, it was only the floating panels of my long chiffon wings . . . that was all. The spotted rocking-horse loomed up, scary and threatening, and my hand rose to my throat as I held back a scream. The rusty red wagon seemed to move by unseen hands pushing it, so my eyes took flight to the blackboard where I’d printed my enigmatic farewell message to those who came in the future. How was I to know it would be me? We lived in the attic, Christopher, Cory, Carrie and me— Now there are only three. Behind the small desk that had been Cory’s I scrunched down, and tried to fit my legs under. I wanted to put myself into a deep reverie that would call up Cory’s spirit that would tell me where he lay.

Say you want me.” His mouth moved over her throat, closed over her aching breast. Every strong pull sent an answering rush of liquid heat. “You know I do.” She pressed him to her, wound a leg around his. She could barely breathe with her need, clawing at him to get closer, to crawl inside the shelter of his body, his mind, to feel his body in hers, taking possession as he was meant to, to feel his mouth at her breast, dragging her further into his world. “All of it,” he said hoarsely, his fingers probing the nest of tiny curls, stroking, caressing. “Mate with me my way.” She moved in a kind of anguish against his hand. “Yes, Mikhail.” She was frantic for release, frantic to relieve him. She was consumed with the same red haze, not separating love from lust or hunger from need. She was on fire, hurting, aching, body and mind, even her soul in torment, not knowing where his wild, uninhibited emotions left off and hers began. Mikhail lifted her easily with his enormous strength, slid her slowly, erotically down his clenching belly until she was pressed against the broad head of his raging erection. Her heat seared him, beckoned. Raven’s arms slid around his neck, her legs around his hips, opening for him. Slowly he lowered her body over his, impaled her on the thick length of fire so that she surrounded him with such a moist, tight sheath he shuddered, somewhere beyond mere pleasure, a kind of erotic heaven and hell. Her nails dug into his shoulders. “Stop, Mikhail. You’re too big this way.” Alarm spread across her face. “Relax, little one. We belong together, our bodies were made for one another.” He slid in farther, began to move in a long, slow rhythm, his hands caressing, soothing. He shifted his shoulders so that he could see her face, his body claiming hers with deep, sure, possessive strokes. Without conscious thought, the words formed in his mind. Te avio päläfertiilam--You are my lifemate.

Where Western tales begin by shifting us to another time – ‘Once upon a time’ they say, meaning elsewhen, meaning then rather than now – Russian skazki make an adjustment of place. ‘In a certain land’, they start; or, ‘In the three-times-ninth kingdom …’ Meaning elsewhere, meaning there rather than here. Yet these elsewheres are always recognisable as home. In the distance will always be a woodwalled town where the churches have onion domes. The ruler will always be a Tsar, Ivan or Vladimir. The earth is always black. The sky is always wide. It’s Russia, always Russia, the dear dreadful enormous territory at the edge of Europe which is as large as all Europe put together. And, also, it isn’t. It is story Russia, not real Russia; a place never quite in perfect overlap with the daylight country of the same name. It is as near to it as a wish is to reality, and as far away too. For the tales supplied what the real country lacked, when villagers were telling them, and Afanaseyev was writing them down. Real Russia’s fields grew scraggy crops of buckwheat and rye. Story Russia had magic tablecloths serving feasts without end. Real Russia’s roads were mud and ruts. Story Russia abounded in tools of joyful velocity: flying carpets, genies of the rushing air, horses that scarcely bent the grass they galloped on. Real Russia fixed its people in sluggish social immobility. Story Russia sent its lively boys to seek the Firebird or to woo the Swan Maiden. The stories dreamed away reality’s defects. They made promises good enough to last for one evening of firelight; promises which the teller and the hearers knew could only be delivered in some Russian otherwhere. They could come true only in the version of home where the broke-backed trestle over the stream at the village’s end became ‘a bridge of white hazelwood with oaken planks, spread with purple cloths and nailed with copper nails’. Only in the wish country, the dream country. Only in the twenty-seventh kingdom.

The cyst turned out to be a benign tumor. Kat liked that use of benign, as if the thing had a soul and wished her well. It was big as a grapefruit, the doctor said. “Big as a coconut,” said Kat. Other people had grapefruits. “Coconut” was better. It conveyed the hardness of it, and the hairiness, too. The hair in it was red—long strands of it wound round and round inside, like a ball of wet wool gone berserk or like the guck you pulled out of a clogged bathroom-sink drain. There were little bones in it too, or fragments of bone; bird bones, the bones of a sparrow crushed by a car. There was a scattering of nails, toe or finger. There were five perfectly formed teeth. “Is this abnormal?” Kat asked the doctor, who smiled. Now that he had gone in and come out again, unscathed, he was less clenched. “Abnormal? No,” he said carefully, as if breaking the news to a mother about a freakish accident to her newborn. “Let’s just say it’s fairly common.” Kat was a little disappointed. She would have preferred uniqueness.

Karl was the last to be with him. He found him calm and almost gay. After he had gone, Ludwig put his few things in order and wrote for some time. Then he drew a chair to the window and set a basin with warm water on the table beside him. He locked the door, sat himself on the settle and with his arm in the water, he cut the artery. The pain was slight. He saw the blood flowing, a scene he had often thought on—to let this hateful, poisoned blood pour out of his body. His room became very clear. He saw every hook, every nail, every glint of the quartzes, the iridescence, the colours; he absorbed it: his room. It gathered about him, it passed in with his breath and was one with his life. Then it receded, uncertain. His youth began, in pictures. Eichendorff, the woods, homesickness. Reconciled, without pain. Beyond the woods rose up barbed-wire entanglements, little white shrapnel clouds, the burst of heavier shells. But they alarmed him no longer. They were muffled, almost like bells. The bells became louder, but the woods were still there. The bells pealed in his head so loudly that he felt it must burst. Then it grew darker. The pealing sounded fainter, and the evening came in at the window, clouds floated up under his feet. He had wished once in his life to see flamingoes; now he knew; these were flamingoes, with broad, pinkish-grey wings, lots of them, a phalanx—Did wild ducks not once fly so toward the very red moon, red as poppies in Flanders? —The landscape receded farther and farther, the woods sank deeper, rivers rose up, gleaming, silver, and islands; the pinkish-grey wings flew ever higher and higher, and the horizon became ever brighter—Now, suddenly, a dark cry swelled in his throat, hot, insistent, a last thought spilled over out of the brain into the failing consciousness: fear, rescue, bind it up! —He tried to rise, staggering, to lift his hand; the body jerked, but already it was too weak. —It spun round and spun round, then it vanished; and the giant bird with dark pinions came very gently with slow sweeps and the wings closed noiselessly over him. A

She was floating, arms outspread, water lapping her body, breathing in a summery fragrance of salt and coconut. There was a pleasantly satisfied breakfast taste in her mouth of bacon and coffee and possibly croissants. She lifted her chin and the morning sun shone so brightly on the water, she had to squint through spangles of light to see her feet in front of her. Her toenails were each painted a different color. Red. Gold. Purple. Funny. The nail polish hadn’t been applied very well. Blobby and messy. Someone else was floating in the water right next to her. Someone she liked a lot, who made her laugh, with toenails painted the same way. The other person waggled multicolored toes at her companionably, and she was filled with sleepy contentment. Somewhere in the distance, a man’s voice shouted, “Marco?” and a chorus of children’s voices cried back, “Polo!” The man called out again, “Marco, Marco, Marco?” and the voices answered, “Polo, Polo, Polo!” A child laughed; a long, gurgling giggle, like a stream of soap bubbles. A voice said quietly and insistently in her ear, “Alice?” and she tipped back her head and let the cool water slide silently over her face. Tiny dots of light danced before her eyes. Was it a dream or a memory? “I don’t know!” said a frightened voice. “I didn’t see it happen!” No need to get your knickers in a knot. The dream or memory or whatever it was dissolved and vanished like a reflection on water, and instead fragments of thought began to drift through her head, as if she were waking up from a long, deep sleep, late on a Sunday morning. Is cream cheese considered a soft cheese? It’s not a hard cheese. It’s not . . . . . . hard at all. So, logically, you would think . . . . . . something. Something logical. Lavender is lovely. Logically lovely. Must prune back the lavender! I can smell lavender. No, I can’t. Yes, I can. That’s when she noticed the pain in her head for the first time. It hurt on one side, a lot, as if someone had given her a good solid thwack with a baseball bat. Her thoughts sharpened. What was this pain in the head all about?

Miserable beings, who, during their ragged infancy, ran barefoot in the mud of the crossings; shivering in winter near the quays, or seeking to warm themselves from the kitchens of M. Véfour, where you happen to be dining; scratching out, here and there, a crust of bread from the heaps of filth, and wiping it before eating; scraping in the gutter all day, with a rusty nail, in the hopes of finding a farthing; having no other amusement than the gratuitous sight of the king’s fête, and the executions — that other gratuitous sight: poor devils! whom hunger forces to theft, and theft to all the rest; children disinherited by their step-mother, the world; who are adopted by the house of correction, in their twelfth year, by the galleys at eighteen, and by the guillotine at forty! Unfortunate beings, whom, by means of a school and a workshop, you might have rendered good, moral, useful; and with whom you now know not what to do; flinging them away like a useless burthen, sometimes into the red antheaps of Toulon, sometimes into the silent cemetery of Clamart; cutting off life after taking away liberty.

My honors thesis project was my first interactive exhibit, in which two facing chairs were activated by a motion sensor when the viewer walked by. One was a cofortable armchair of plush red velvet, with a dildo sticking out of a hole in the seat. When activated, the dildo moved up and down and a strobe light pulsed. The facing chair was hard and uncomfortable, with spikes protruding from the seat, and when the viewer walked by it a dog would bark. The juxtaposition of the two chairs was meant to represent how forces of repression censor the desire for liberation. In that same exhibition, I showed a handmade box in the shape of a cross, decorated with a beautiful painting of the Holy Trinity. The viewer was encouraged to open the box, where they would find a dildo wrapped in the American flag and nailed to a cross-- this was meant to symbolize the hypocrisy and repression that is hidden under the attractive facade of organized religion. The dildo was surrounded by pages from the Bible, which were themselves surrounded by images of the sickness and starvation caused by the embargo in Iraq, a comment on the effects of imposing one culture and religion on another.

But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched;--at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.

When I pull my hand away, my fingertips are not stained red, but silver. I stare at my nails, trying to make sense of what I see when out of the formless gloom, a monster emerges. I do scream when a pair of blue-white eyes appear, a pinprick of black in their center. Slowly, a shape coalesces into being- a long, elegant face, whorls of inky shadows swirling over moon-pale skin, ram's horns curling around pointed, elfin ears. He is more terrifying and more real than the vision I experienced in the labyrinth. But worst of all are the hands, gnarled and curled and with one too many joints in each finger. With a silver ring around the base of one. A wolf's-head ring, with two gems of blue and green for eyes. My ring. His ring. The symbol of our promise I had returned to the Goblin King back in the Goblin Grove. Mein Herr? For a brief moment, those blue-white eyes regain some color, the only color in this gray world. Blue and green, like the gems on the ring about his finger. Mismatched eyes. Human eyes. The eyes of my immortal beloved. Elisabeth, he says, and his lips move painfully around a mouth full of sharpened teeth, like the fangs of some horrifying beast. Despite the fear knifing my veins, my heart grows soft with pity. With tenderness. I reach for my Goblin King, longing to touch him, to hold his face in my hands the way I had done when I was his bride. Mein Herr. My hands lift to stroke his cheek, but he shakes his head, batting my fingers away. I am not he, he says, and an ominous growl laces his words as his eyes return to that eerie blue-white. He that you love is gone. Then who are you? I ask. His nostrils flare and shadows deepen around us, giving shape to the world. He swirls a cloak about him as a dark forest comes into view, growing from the mist. I am the Lord of Mischief and the Ruler Underground. His lips stretch thin over that dangerous mouth in a leering smile. I am death and doom and Der Erlkönig. No! I cry, reading for him again. No, you are he that I love, a king with music in his soul and a prayer in his heart. You are a scholar, a philosopher, and my own austere young man. Is that so? The corrupted Goblin King runs a tongue over his gleaming teeth, those pale eyes devouring me as though I were a sumptuous treat to be savored. Then prove it. Call him by name. A jolt sings through me- guilt and fear and desire altogether. His name, a name, the only link my austere young man has to the world above, the one thing he could not give me. Der Erlkönig throws his head back in a laugh. You do not even know your beloved's name, maiden? How can you possibly call it love when you walked away, when you abandoned him and all that he fought for? I shall find it, I say fiercely. I shall call him by name and bring him home. Malice lights those otherworldly eyes, and despite the monstrous markings and horns and fangs and fur that claim the Goblin King's comely form, he turns seductive, sly. Come, brave maiden, he purrs. Come, join me and be my bride once more, for it was not your austere young man who showed you the dark delights of the Underground and the flesh. It was I.

I turn my body from the sun. What ho, Tashtego! Let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow, - death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! Thus, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the groove; - ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths. For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight. But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched; - at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

Through the breach, they heard the waters pour, as mountain torrents down a flume. "The ship! The hearse!--the second hearse!" cried Ahab from the boat; "its wood could only be American!" Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab's boat, where, for a time, he lay quiescent. "I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the grooves;--ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths. For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight. But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched;--at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.

Months beforehand I started focusing my Manhattanite efficiency on getting registered in Italy, Andrea leading me by the hand through the wilderness of Old World red tape. The first step was “getting my documents together,” an Italian ritual repeated before every encounter with officialdom. Sticking to a list kindly provided by the Italian Consulate, I collected my birth certificate, passport, high school diploma, college diploma, college transcript, medical school diploma, medical school transcript, certificates of internship and residency, National Board Examination certificates, American Board of Internal Medicine test results, and specialization diploma. Then I got them transfigured into Italian by the one person in New York authorized by the Italian Consulate to crown his translation with an imprimatur. We judiciously gave him a set of our own translations as crib notes, tailored by my husband to match the Rome medical school curriculum. I wrote a cover letter from Andrea’s dictation. It had to be in my own hand, on a folded sheet of double-sized pale yellow ruled Italian paper embossed with a State seal, and had to be addressed “To the Magnificent Rector of the University of Rome.” You have to live in Italy a while to appreciate the theatrical elegance of making every fiddler a Maestro and every teacher a Professoressa; even the most corrupt member of the Italian parliament is by definition Honorable, and every client of a parking lot is by default, for lack of any higher title, a Doctor (“Back up, Dotto’, turn the wheel hard to the left, Dotto’”). There came the proud day in June when I got to deposit the stack of documents in front of a smiling consular official in red nail polish and Armani. After expressing puzzlement that an American doctor would want to move to her country (“You medical people have it so good here”), she Xeroxed my certificates, transcripts, and diplomas, made squiggles on the back to certify the Xeroxes were “authentic copies,” gave me back the originals, and assured me that she’d get things processed zip zip in Italy so that by the time I left for Rome three months later I’d have my Italian license and be ready to get a job. Don’t call me, I’ll call you. When we were about to fly in September and I still hadn’t heard from her, I went to check. Found the Xeroxes piled up on Signora X’s desk right where I’d left them, and the Signora gone for a month’s vacation. Slightly put out, I snatched up the stack to hand-carry over (re-inventing a common expatriate method for avoiding challenges to the efficiency of the Italian mails), prepared to do battle with the system on its own territory.

Resting his elbows on a wooden rail, he eagerly breathed in the cool, salty air. It took a few minutes for Fra Armando to notice how odd the southward rushing waters looked. The twilight-colored river had turned to blood. The Friar followed the dizzying rush of lenticular red cells, the size of loaves of bread, the amoeba-like gliding of the white cells, transparent enough to show their darkened nuclei, the snaking spiral worms that must have been malaria germs, the unusual fluorescence of lymph, the currents of glucose and protein. Fascinated and deathly tired, the Friar suddenly sensed that everything was alive, that everything lives, and that the universe does not at all operate like clockwork. Instead, it is a malleable architecture like the human body, a temple of skin, a basilica of scratches, a cenotaph of snot, with no right angles or durable materials, where the person creates his dreams, thoughts, and illusions, his time and his language like a cell secretes a hair or the crystal horn of a nail. And still, the least important cell in the universal body receives, through angel hormones and neural visions, the imperious commandments of God.

And love? What had love ever been to Travis but harsh peals of laughter, a glare of hate from behind a cigarette, held in hands with sharp red nails?

There came a day when we were to make dumplings. We filled them with dark berries. We filled them with meat. We lowered them into boiling water. Watched them sink to the bottom only to come rushing back to the surface, like drowning schoolboys full of desperation. The perforated ladle scooped them up and rescued them to a hand-painted plate of thick porcelain. A complicated pattern of roses and insects. I imagined the hand that had painted the plate. Thin and bony and with red-painted nails.

He was glad of the smell of floor wax and fresh linen. But the room was full of dreadful religious artifacts. On the marble dresser stood a statue of the Virgin with the naked red heart on her breast, lurid, and disgusting to look at. A crucifix lay beside it, with a twisting, writhing body of Christ in natural colors even to the dark blood flowing from the nails in his hands. He looked at the bearded Jesus, the finger pointing to the crown of thorns around his heart. Maybe they were all crazy. Maybe he would go crazy himself if he didn't get out of this house.

Rhys lunged against his hold, but Amren stepped to their side and hissed, “Listen.” Nesta whispered, “I give it all back.” Her shoulders heaved as she wept. Rhys began shaking his head, his power a palpable, rising wave that could destroy them all, destroy the world if it meant Feyre was no longer in it, even if he only had seconds to live beyond her, but Amren grabbed the nape of his neck. Her red nails dug into his golden skin. “Look at the light.” Iridescent light began flowing from Nesta’s body. Into Feyre. Nesta kept holding her sister. “I give it back. I give it back. I give it back.” Even Rhys stopped fighting. No one moved. The light glimmered down Feyre’s arms. Her legs. It suffused her ashen face. Began to fill the room. Cassian’s Siphons guttered, as if sensing a power far beyond his own, beyond any of theirs. Tendrils of light drifted between the sisters. And one, delicate and loving, floated toward Mor. To the bundle in her arms, setting the silent babe within glowing bright as the sun. And Nesta kept whispering, “I give it back. I give it all back.” The iridescence filled her, filled Feyre, filled the bundle in Mor’s arms, lighting his friend’s face so the shock on it was etched in stark relief. “I give it back,” Nesta said, one more time, and Mask and Crown tumbled from her head. The light exploded, blinding and warm, a wind sweeping past them, as if gathering every shard of itself out of the room. And as it faded, dark ink splashed upon Nesta’s back, visible through her half-shredded shirt, as if it were a wave crashing upon the shore. A bargain. With the Cauldron itself.

The raw tips of Odie’s fingers are rough on Rachel’s own. “Don’t they hurt?” she asks. The nail beds are ragged, with red crescents of dried blood. Odie’s eyes are big and brown. “It helps me be good, Mommy.

At dinner the waiter wore white gloves and served a lump of burnt lamb that bounced on the plate. Spread over the restaurant wall was an immense canvas of gauchos herding cattle into an orange sunset. An old-fashioned blonde gave up on the lamb and sat painting her nails. An Indian came in drunk and drank through three jugs of wine. His eyes were glittering slits in the red leather shield of his face. The jugs were of green plastic in the shape of penguins.

The crime,” said Poirot, “was committed by a man of medium height with red hair and a cast in the left eye. He limps slightly on the right foot and has a mole just below the shoulder blade.” “Poirot?” I cried. For the moment I was completely taken in. Then the twinkle in my friend’s eye undeceived me. “Poirot!” I said again, this time in reproach. “Mon ami, what will you? You fix upon me a look of dog-like devotion and demand of me a pronouncement à la Sherlock Holmes! Now for the truth—I do not know what the murderer looks like, nor where he lives, nor how to set hands upon him.” “If only he had left some clue,” I murmured. “Yes, the clue—it is always the clue that attracts you. Alas that he did not smoke the cigarette and leave the ash, and then step in it with a shoe that has nails of a curious pattern. No—he is not so obliging. But at least, my friend, you have the railway guide. The A B C, that is a clue for you!

Attract love by wearing a nail polish colour that is based on your Ascendant Zodiac Sign. Don't just follow the red nail polish trend.

And I don’t care that you’re in the mafia. I don’t care that you’re a murderer and my stalker. I don’t give a shit about your past any longer. It doesn’t matter to me that you spent ten years in the nuthouse. I. Don’t. Care.” She takes my face between her palms and her nails dig into my skin. “I know I should run far away from you. But damn my heart. Damn my soul and my legs and my feet… Because all I really want to do is run toward you.” Her voice breaks. “Damn you, Dubh Burton. Damn you…

My love, I can see it so vividly―you torturing your husband. What was it that Daisy Scott did first? She cut off his fingers one by one? For ever daring to put his hands on her? You would look so pretty with blood all over your face. But you would look even prettier completely bare for me, taking me inside. Letting me worship your body and make you bleed as I dig my nails into your silky skin. You would love that. I promise you.

At school, Pablo found it hard to concentrate. Rather than completing classwork, he filled the margins of his notebook with pencil sketches of animals, birds, and people. His teacher grew exasperated with his lack of attention. She wrote a note to his mother saying: “Pablo should stop drawing in class and pay attention to his lessons.” It was clear that Pablo hated rules, and he took every opportunity to disobey them. When adults told him what to do, he did the opposite. He once got in trouble for coloring the sky a bright red instead of the “normal” blue. Pablo was often banished to the “calaboose,” a bare cell with white walls and a bench, which served as a holding pen for unruly students. “I liked it there, because I took along a sketch pad and drew incessantly,” Pablo later said. “I could have stayed there forever drawing without stopping.” He even began misbehaving on purpose so that he would be sentenced to detention and sent to the calaboose. The one person who understood that Pablo wasn’t acting out for no reason was his father. One day when Pablo’s mother caught him drawing on the wall with a nail, Don José took him to the beach to blow off steam. As Don José stretched out to take a nap, Pablo sat beside him and drew a dolphin in the wet sand. When Don José awoke, he was astonished by the beauty of his son’s drawing. “Could it be Pablo who drew this?” he wondered. That afternoon, Don José took a closer look at the image Pablo had drawn on their living room wall. What at first looked like random scratches soon took shape. Don José recognized a reindeer and a bison running away from a group of men on horseback who were armed with bows and arrows. At that moment, Don José knew what to do to get Pablo to stop misbehaving. He decided to take him into his studio and teach his son how to paint. From that day onward, Pablo and his father were inseparable art partners. In search of new subjects to portray, they began going to the bullfights. Pablo was mesmerized by the sight of the brave picadors as they charged ferocious bulls. He saw El Lagartijo—“The Lizard”—one of the most famous bullfighters in Spain, and he met Cara Ancha,

I have this dream where words, millions of them, are on wings around me. Some are grey and brown. There are some that are easy to grab and I've soon got a fistful of those. But some of them glow in shiny, shiny colours and they pirouette at my out- stretched fingertips. I drop the easy ones like litter at my feet. I climb a chair to get at the glittery stuff. Then a ladder. When I've climbed I see the gold one - a long, long word that's just lovely in the mouth. I'm soon teetering on a chimney pot but it goes as I snatch at it. It flies on purpose a millimetre from my nail tips as I swat about. Precariously on tiptoes now. Eyes shut, jumping to grab. My fingers are crammed with words in silver colours, copper colours, reds like autumn leaves. But I still bat uselessly towards the gold word, which flaps higher and higher until I loose my footing on the chimney and fall, fall into the stark white of the empty page.

They don’t have what you have, Christine. You know, that thing—and here I grabbed her hand, threaded her slender brown fingers with my own, brushed my fingertips along her red polished nails—where you close your eyes and touch my forehead and make my pain lift from me and you fly it away into the sky? You think when I do that the pain just flies off to the sky? That’s pretty cute, Reg.

Poor lass,” he growls devilishly from behind me as he digs his nails into my hips, pounding into me with a crazed mania. “There won’t be a day where I won’t fuck you like this from now on out.” I curse and scream, but he doesn’t relent, not even for a second. “But don’t worry. I’ll kiss away the pain each time I’m done with you.

What does his lordship dae? He buys up a bunch o' islands in the Hebrides; carts in the native crofter population to Stornoway; runs them through a sapple o' Sunlight Soap, cuts their nails; learns them the English language; gets them an eight-'oors day, and starts them fishin' on scientific principles. Stornoway becomes the Port Sunlight of the North; every man has a nice wee red-tiled cottage, and a picture palace at the door, and the cod fish is fair worried oot o' its life.

Little Lamby might be a snob. Thinks she’s too good to hang out at the Palisades.” “I don’t think that,” I whispered. Tristan’s arm pressed on my chest like an iron bar as his hand inched down to the curve of my breast. My nails dug into my thighs, my mind racing with ideas of how to get out of here. If I could get my voice to work, I’d scream, but my throat was too tight from fear. At the same time Tristan squeezed my breast, the screen door flew open. Helen stood in the doorway like an avenging angel, her hair flowing in the breeze, tapping a bat against her palm. “Knock, knock, boys. I seem to have a problem. I have batting practice, but I don’t have a ball.” Her red lips fell open, and she pointed to each of the guys with her bat. “Oh, wait, I see three pairs of balls my bat would just love to smash. Who volunteers to go first?

Their nails were long, polished pink or orange, their lips red as tulips.

You’re heartless.” “You would know. There’s still blood under your lovely red nails from ripping it out of my chest.

I shoot Stevie a hundred dollars via Venmo with the caption “Red, please,” but she denies it, sending it right back. Stevie Girl: You’re not paying to pick my nail color. I send the Venmo payment again.

When Dink looked up, he saw a small sign nailed to a tree trunk. Someone had painted three words in red:

Jacob interrupted my thoughts. “There’s clowns in there.” My gut twisted just a little. I placed my hand on the back of his neck. “Can you see someone inside there?” “No, but clowns live in red tents.” He was at the age where he constantly asked about how the world worked. “At the doctor they give you shots?” “Saws are for cutting boards, but hammers are for nails?” “When I’m five, I will be as tall as you?” His declaration about clowns living in red tents must be a law of the universe that he’d extrapolated from a picture book or Disney Plus cartoon.

Maggie chortled behind her hand. Her nails were painted. creamy off-white speckled with light blue stars. Today, Petes were painted dark red. I wondered if manicures were something Maggie had gotten her into, a bit of her wife that had rubbed off on her over the years. I always liked that thought, the way two people really did seem to grow into one. Or at least two overlapping parts, trees with tangled roots.

Golden Gold Vine Part Two This miser did prize her, this golden gold vine. His smile would gleam at all of her shine. He gave her his all, so she’d answer his call. Rejoiced every inch that her length grew up tall. But soon she outgrew his garden, until, she then made her way into his house on the hill. She twisted and curled in every inch. No room to move, he was prodded and pinched. He shoved out his furniture to be left in the rain, abandoned front door, knocked out window panes. Every offering he made, she grew larger still. Her metallic glint covered each floorboard and sill. This miser hoarded every petal and thorn. Skin marred with scratches where sharp barbs had torn. When his hair was all gone, but he still wanted more, he gave up his nails, taking them, peel from core. He presented them all, onto stems he did pour. Not once did he ask, what’s it all for? Her flowers, so pretty, grew heavy with gold. Though his fingers too sore to take them to hold. So he split them away by the work of his teeth. Bit them from vine and hid them in sheaths. All gathered, so heavy, hundreds of blooms. All golden, these flowers, but he ran out of room. The old miser didn’t dare ever take some to town. If they knew of his treasure, they’d surely come ‘round. So spend them he never, and stayed home forever. Loved ones he severed, (he thought himself clever.) He murmured and pet, each golden rosette. Her vine he let twine, all while whispering, “mine.” But without reparation, she’d quickly go dim, so frantic, he’d cut, blade into limb. When his nails were all gone, from ten fingers and toes, he had to give up his ears and his nose. The blood that he spilt, he staunched with petals of guilt. But the drips of his red made the vine rightly fed. This miser bled freely so his wealth may yet grow. He let veins collapse, let his heartbeat go slow. Her vine slurped his life like nectar to birds, and he lay in the room, his body submerged. While she grew out of the house and over the hill, a contagion that caught every space up to fill. But he wanted still, he had to have more, so out plucked his eyes, sockets empty and sore. He had no room to sleep, and no eyes to weep, but from this golden gold vine, ever more would he seek. To be continued...

It’s a wax apple, brilliantly red, and there are seven nails sticking out of it. Still many more to go.

The man who encompasses heaven and hell is a perfect man. But there are many heavens and more hells. The artist snatches fire from both. Surely the assassin feels no more intensely the lust of murder than the poet who depicts it in glowing words. The things he writes are as real to him as the things that he lives. But in his realm the poet is supreme. His hands may be red with blood or white with leprosy: he still remains king. Woe to him, however, if he transcends the limits of his kingdom and translates into action the secret of his dreams. The throng that before applauded him will stone his quivering body or nail to the cross his delicate hands and feet.

And so the Red Cyclists duly arrived, accompanied by the Chief Cyclist (in Berlin he would be called General Director to the Messenger Boys). The box in question was big and oblong, and I had taken great pains to provide admonitions such as "Glass!", "Fragile!", "Careful!" and "This side up!" The old egg box contained nothing more than my humble remains, of course, but I had refrained from letting them nail the lid shut because I emphatically wanted to be seen as the beautiful corpse that I was. I also wanted to keep a watchful eye on the proceedings at hand. "My Burial

Montreal November 1704 Temperature 34 degrees “Girl! English, eh? What is your name? Indians stole you, eh? I’ll send news to your people.” His excellent speech meant that he did a lot of trading with the English. It meant, Mercy prayed, that he liked the English. She found her tongue. “Will you take me to France, sir? Or anywhere at all? Wherever you are going--I can pay.” He raised his eyebrows. “You do not belong to an Indian?” She flushed and knew her red cheeks gave their own answer, but rather than speaking, she held out the cross. The sun was bright and the gemstones even brighter. The man sucked in his breath. He leaned very close to her to examine the cross. “Yes,” he said. “It is worth much.” He straightened up slowly, his eyes traveling from her waist to her breast to her throat to her hair. The other sailors also straightened, and they too left their work, drawn by the glittering cross. “So you want to sail with me, girl?” He stroked her cheek. His nails were yellow and thick like shingles, and filthy underneath. He twined her hair into a hank, circling it tighter and tighter, as if to scalp. “You are the jewel,” he said. “Come. I get a comb and fix this hair.” The other sailors slouched over. They pressed against her and she could not retreat. He continued to hold her by the hair, as if she were a rabbit to be skinned. She could see neither river nor sky, only the fierce grins of sailors leaning down. “Eh bien,” said the Frenchman, returning to his own tongue. “This little girl begs to sail with us,” he told his men. “What do you say, boys?” He began laughing. “Where should she sleep? What am I bid?” She did not have enough French to get every word, but it was the same in any language. The sailors laughed raucously. Indians had strong taboos about women. Men would not be with their women if they were going hunting or having important meetings, and certainly not when going off to war. She had never heard of an Indian man forcing himself on a woman. But these were not Indians. She let the cross fall on its chain and pushed the Frenchman away, but he caught both her wrists easily in his free hand and stretched her out by the wrists as well as by the hair. Tannhahorens pricked the white man’s hand with the tip of his scalping knife. White men loading barrels stood still. White sailors on deck ceased to move. White passersby froze where they walked. The bearded Frenchman drew back, holding his hands up in surrender. A little blood ran down his arm. “Of course,” he said, nodding. “She’s yours. I see.” The sailors edged away. Behind them now, Mercy could see two pirogues of Indians drifting by the floating dock. They looked like Sauk from the west. They were standing up in the deep wells of their sturdy boats, shifting their weapons to catch the sun. Tannhahorens did not look at Mercy. The tip of his knife advanced and the Frenchman backed away from it. He was a very strong man, possibly stronger than Tannhahorens. But behind Tannhahorens were twenty heavily armed braves. The Frenchman kept backing and Tannhahorens kept pressing. No sailor dared move a muscle, not outnumbered as they were. The Sauk let out a hideous wailing war cry. Mercy shuddered with the memory of other war cries. Even more terrified, all the French took another step back--and three of them fell into the St. Lawrence River. The Sauk burst into wild laughter. The voyageurs hooted and booed. The sailors threw ropes to their floundering comrades, because only Indians knew how to swim.

blocks away. And Selfridge’s department store will have anything you need.” “I do need a dress for the weekend.” She claps her well-manicured hands, nails painted in fire engine red. “Ooh, shopping. I’ll go with you if you want.” “It’ll have to be tonight after work.” “No

blocks away. And Selfridge’s department store will have anything you need.” “I do need a dress for the weekend.” She claps her well-manicured hands, nails painted in fire engine red. “Ooh, shopping. I’ll go with you if you want.” “It’ll have to be tonight after work.” “No problem. Girls’ night out. Can’t

Miss Kate!” Kiernan exclaimed, pointing. “What happened to your toes?” “What?” I glanced down, half expecting to see a leech or a cut or some other trauma, but there was nothing odd. “What are you talking about?” “Your toenails. They’re all red—it looks like blood!” “Oh,” I laughed. “That’s just nail polish. It’s chipped off in a few places.” “It looks like paint.” Kiernan sniffed disapprovingly. I sighed. This was one of the anachronisms that Katherine would probably have caught as I prepared to leave. Did young women paint their nails in the 1890s? Had nail polish even been invented yet? I had no clue. “Well, it is paint, sort of,” I said. “Me mom says…” He shook his head and fell silent. “What does your mom say, Kiernan?” He didn’t answer. “No, really, I won’t be angry. What does she say?” “She says only whores wear paint,” he said, staring down at the grass. “They usually wear it on their faces, though. I never even heard of painted toes.

The Devourer’s dress of metal and bone clings to her like darkness. Her red eyes are bright behind the helmet of bone. She traces her long, pointed nails along Rishi’s cheek.

What happened to us yesterday,” said Dominika, “when we survived last night, and later on with you, I found something that was lacking from before. How do you say ravnovesie?” “Equilibrium,” said Nate. He saw where this was going, and it scared him, because he was thinking the same thing. “Yes, equilibrium. Balance. I did not feel that before, but now we have it. I need it.” She put her hands on his shoulders, and dug her nails in softly. She looked coyly at him. “I need you.” “Last night. Last night was wonderful …, ” said Nate. “But you can’t work inside if we’re having an affair. We need focus, calculation, a clear—” “Bozhe, Oh God,” said Dominika. “I am having an affair, I cannot go back inside. Gore mne, woe is me!” “Keep your voice down, for God’s sake,” said Nate. “Dushka, listen to me,” said Dominika. “What we have, it makes things stronger, it makes me stronger. There is nothing wrong in this. Bratok is wrong, you all are wrong.

Bozhe, another nail-curling evening of his sweat dripping on her face and his chest hairs in her mouth. Dominika lay in her bed after Yevgeny had left, listening to her heart beating. His latest gossip from Line KR had nearly made her vomit with the shock. In two weeks TRITON would be delivering a list of assets’ names—her name certainly included—to Zarubina. Benford could not protect her. The wolves were drawing close. Dominika strangely felt no fear, simply a rising determination to survive, for the sole purpose of destroying Their corrupt world. She had two weeks to live. That realization, and Putin’s silky invitation to the seaside mansion on the Gulf of Finland, finally had been the trigger to feverish thought that morphed into a plan—impossible, suicidal—she knew she would carry out: Ruin the piyavki, the leeches that attached themselves thick on the belly of the country. She would do it, if it was her last act.

Barbara Shanahan, sometimes known as Battering Ram Shanahan. She was over six feet tall and had freckles and wore her light red hair cut short and wore a blue suit with white hose. She worked hard and was a good prosecutor, and I had always wanted to like her. But she seldom smiled and she went about her job with the abrasiveness of a carpenter building coffins with a nail gun.

Applying nail polish is an art. You need non-shaky hands. And a calm and Zen-like nature. I am not calm and have but a nodding acquaintance with Zen. At the best of times, I’m not great at applying nail polish, and if anyone has attempted to apply nail polish when they are in a rush, they will understand the difficulties involved. Your hands will shake. Your hands will take the nail polish beyond the boundaries of your nail and onto the surrounding skin, you will carefully loop it off your skin with a handy ear bud, only to realise you have now got it onto your fingernails, which were also pale pink to begin with, but will now have to be made post-box red—you could never live down the indignity of mottled red and pink nail polish that looks like the visage of a rabid dog, and will spend the entire evening holding your hand petulantly behind your back and refusing to extend it even when you are being introduced to folk you cannot air-kiss and must shake hands with, aka senior corporate types.

The sky is the color of blood underneath a dead nail as we fly away from the Spires.

He went into the hall bathroom that separated the two bedrooms and lifted the lid. He yawned. He scratched his head and felt foreign objects in his hair. While he continued to aim the stream into the commode, he leaned to the left to look in the small mirror over the sink and almost had heart failure. He actually might have jumped and briefly missed the pot. Sean had little-girl “things” in his short hair—clips, bows, ponytail bands, jeweled bobby pins. And there was something else—he scraped off some Scotch Tape. His hair was too short so some of that stuff was taped on! But that was the least of it—he had a bright red Angelina Jolie mouth that went way out of the lines. Blue eyelids and pink cheeks. He looked like a clown. He zipped his pants. Then he wet a finger under the faucet and rubbed it over his eyelid. Nothing changed, except that he saw his fingernails were bright green. He washed his hands vigorously. Oh, God—he’d been tattooed in his sleep! He took the bar of soap to his lips; no amount of scrubbing helped. “Frannnnn-ciiiii!” he yelled. A moment later she tapped at the door and he jerked it open. She was casually drying her hands on a dish towel while he was scowling. “Magic marker, I think,” she said, before he could ask the question. “Why?” he asked desperately, totally stunned. Franci shrugged. “She’s not allowed to touch my makeup. And she thinks you look wonderful.” Then she grinned. He stiffened and pursed his lips. “I’m pretty sure I’m out of uniform.” She chuckled. “We’ll think of something. Are you staying for dinner?” “I can’t go out like this!” “Okay, let’s try some fingernail polish remover on your green nails, have some dinner, and then I’ll see what I can do about your, ah, makeup. Really, Sean, rule number one—never close your eyes on a three-year-old.” *

Michaels’ eyes rolled at the feeling of being bare inside Judge that way. It felt so real, he felt loved. The moonlight shining on Judge’s dark skin. Every thrust took him closer to nirvana, but he kept his tempo steady, in no rush to reach their final destination. They rode the ride of pleasure until once again the heat became too much. Every nerve ending was frayed with fire. Michaels squeezed the back of Judge’s neck, turned his head so he could kiss him some more. Tangled his fingers in that mass of dark messy hair. He pulled on it until Judge’s throat was exposed. He sucked hard on the point above Judge’s pulse, his man was so excited for him, and it fed Michaels’ dominant ego. He snapped his hips, making Judge curse him again. Michaels’ head rushed with authority. The easy lovemaking was long gone and hard fucking was all he could do. His nails dug into Judge’s scalp. Scarred him there before he trailed down Judge’s spine, leaving long red welts behind. The marks were stunning. His personal inscription on his property. That was all it took. “I’m ‘bout to come,” he groaned. Judge

Mustapha then had some of the bodies of the knights and a Maltese priest—“some mutilated, some without heads, some with their bellies ripped open”—dressed in their distinctive red-and-white surcoats and nailed to wooden crosses in parody of the crucifixion. The bodies were launched into the water off Saint Elmo’s point, where the current washed them across to Birgu.

When red wine has you nailed to the sofa and Glee is on TV,that would be a good time for a jet engine to crash through your ceiling alla Donnie Darko.

where did these people their food? i'm hungry.

Her jaw nearly hit the table. “This was just taken!” Our favorite architect makes progress with his latest project, but will he drive the nail home tonight? Miss Cruz is becoming Red River’s darling, but if she’s going to DATE him while he remodels her inn, she could at least let him stay the night.

Thus when Hiroko came up and said, “Nadia, this crescent wrench is absolutely frozen in this position,” Nadia sang to her, “That’s the only thing I’m thinking of— baby!” and took the crescent wrench and slammed it against a table like a hammer, and twiddled the dial to show Hiroko it was unstuck, and laughed at her expression. “The engineer’s solution,” she explained, and went humming into the lock, thinking how funny Hiroko was, a woman who held their whole ecosystem in her head, but couldn’t hammer a nail straight.

He looks up and up and up to get to her face. His mama's a tall lady, and he's only seven. He's overwhelmed by red. Red heels, red nails, red lips, red hair, red eyes. So help him, the boy has always thought his mama's copper-colored eyes damn near shined red. He looks into those eyes and knows she's come home funny.

Judge: Mr. Larch, you've heard the case for the prosecution. Is there anything you wish to say before I pass sentence? Mr. Larch: Well... I'd just like to say, m'lud, I've got a family ... a wife and six kids ... and I hope very much you don't have to take away my freedom ... because ... well, because m'lud, freedom is a state much prized within the realm of civilized society. It is a bond wherewith the savage man may charm the outward hatchments of his soul, and soothe the troubled breast into a magnitude of quiet. It is most precious as a blessed balm, the savior of princes, the harbinger of happiness, yea, the very stuff and pith of all we hold most dear. What frees the prisoner in his lonely cell, chained within the bondage of rude walls, far from the owl of Thebes? What fires and stirs the woodcock in his springe or wakes the drowsy apricot betide? What goddess doth the storm-tossd mariner offer most tempestuous prayers to? Freedom! Freedom! Freedom! Judge: It's only a bloody parking offence.

For the customs of the people are vain: for one cutteth a tree out of the forest, the work of the hands of the workman, with the axe. JER10.4 They deck it with silver and with gold; they fasten it with nails and with hammers, that it move

The room we entered housed a large TV, a pool table, and a few other games for the inmates to enjoy, including a collapsible table tennis set that had been folded in half with someone still inside it, crushing the man to death. Three massive couches had been upturned and thrown to the sides, exposing a large, empty section of floor. A lone arm, torn off from the shoulder, sat in the very center in a pool of blood. At the far end of the room, the TV had been torn from the wall and tossed aside. In its place was a body. Or at least the remains of one. Two pool cue ends protruded out of his chest, and blood had sprayed from his torso where his arms should have been, drenching the wall in red on either side of him. Identification would be difficult since the victim’s head was missing. “What the fuck happened here?” I asked, not sure if I wanted to know. Olivia turned away from talking to one of her agents. “The best Doctor Grayson can determine is that Neil was nailed to the wall by those pool cues after having his arms and his head ripped off and thrown into the nearest bin.” “That’s Neil Hatchell?” Olivia nodded.

He might be mortal, but he was a skilled adversary, a dangerous foe with espionage skills that far surpassed even Denae’s. As an ally, Henry was clever, shrewd, cunning, and brilliant. A perfect partner for the Kings. “I’ll take him to safety if he’s such a danger here,” Rhi told Usaeil. The queen lifted a black brow. “You surprise me again.” “It’s my new thing.” Rhi looked down at her black nails with two small hearts painted in red—Big Apple Red—on each ring finger.

By dinnertime, Amanda had managed to pick off all of her red nail polish purely out of habit. She was disappointed and silently cursed at herself when she remembered not having anymore to put on. She stared at her fingernails for about twenty minutes for lack of something better to do.

At the Institute, I'd wake up in the morning. And I'd think I was still in my dreams. Then I'd feel the cold. And I'd slowly start remembering where I was, and there's dirt and blood under my nails. And all I want to do was go back to sleep. To be warm. But I knew I had to get up and face a world that didn't give a sh*t.

Ida dragged her nails along the lockers. They'd been mud brown in my day but had since been painted red, the color dry and faded. A whole generation had come and gone since I'd last been here. The remnants of whom we'd been lingered in the old brick walls and dusty trophy cases.

Red wine and Hennessy She fell out of her bottle when she fell into love, cup running over, overflowing emotions in glass- red stained palet, on a pallet on the grass, to a quilt on the floor -affixed between lips and red lipstick on a shirt that he wore. A familiar place, she know she's been here before Reminiscent of the evening On his shirt that she tore ............ Drop by drop, puddle in glass getting lower- impressions in her gut, rim of her glass, hour glass figure moves counter clockwise - while absorbing the contents of merlot. Hard liquor and fine wine ............. Red Wine and Hennessy A wicked twist on some champagne tips French nails, manicures over grapes Whoever said wine and liquor don't mix? Last night I had six Bottle caps, corks, bedazzled juice Merlot was her name - slim waist - good taste slinger neck, red lace. Long stem, pedestal - hands embraced her face ............. room temperature, her body temperature ... personality of two, she's mellow and chill... aged to perfection- pop the seal- watch the erection ... splatters on the floor- covers the rug, Residue of red lipstick- Merlot stained lips match the kiss on his neck ............ Chasing fantasy through the Red Sea While chasing that with a white BC How much will she pour- how much will she drink How much more before her ship sinks ........... A full body lush, blackberry crush Medium sized Bordeaux Intense velvety plum I asked her where she's from She said she's international She's longer thinking rational .......... Sips in sync with blinking eyes She sips too much to realize Every time you pour into me, my bottle gets more empty- Glass falling to the floor She staggers to the door Glass shatters her feet She stumbles to her seat She's still asking for more But she falls to the floor Red lipstick in the mud She covers up the blood ............ She lays in her wine She forgot about the time Clock on the wall Footsteps in the hall Pounding in her head She rushes to the bed ......... She lays motionless ... but her head is racing Her heart is pacing Her lungs are gasping - air, she needs air Rolls to her side, brings her self to sit up She gags and gags until She throws it all up- ........... Wakes up the next morning Dazed and confused She's laying in a bed That she's not used to She moves slowly, where did everyone go? She checks the time- it's a quarter pass 4 sounds on the other side of the door Are Muffled by the sound of a knock at the door ........... Looks around for her little red dress Notices a blotch - a red stain on her breast Lipstick smeared an accessory to her mess She reached for her clothes and saw a note on the desk. .......... Dearly beloved, I want to see you again I'd love to have to back I think we make a great blend I tried to wake you Because I had to go And Oh by the way, my name is merlot "Little Black Bird

But that afternoon there was an orchestra playing. Music filling the brownstone. Black fingers pulling violin bows and strumming cellos, dark lips around horns, a small brown girl with pale pink nails on flute. Malcolm’s younger brother, his dark skin glistening, blowing somberly into a harmonica. A broad‐shouldered woman on harp. From my place on the stairs, I could see through the windows curious white people stopping in front of the building to listen.

He kept digging, kept scratching — every finger, both hands, until he could feel the wood scraping on raw flesh. His wrists throbbed, the plastic cutting into them. He called out as one of his nails peeled back off the bed, screaming with a voice barely his own. But he couldn’t give up. And after who knows how long, he could get his fingers around the tip. Now he needed to get it out. He didn’t really wear man-jewellery, but he had a ring he wore around his index finger. A ring she’d given him — stolen for him. For them. Grace. He had to get back to her. Tell her he was okay. He got the flat side against the point and pushed, wedging himself under it.  Whether it took an hour or five, he didn’t know. He could feel blood in his palms as the steel stabbed at his skin with every slip.  But slowly he made progress, a millimetre at a time, forcing it upwards. And then it landed softly in the dirt next to the box. He managed to fold himself up under the new hole and shove his heel against it.  With what little strength he had left he pushed upwards, feeling the wood bow in the absence of the nail. He kicked at it, then kicked at it again. And again. And again. Until the pain in his foot was unbearable. And then he kept kicking, not feeling it moving, but knowing that staying inside meant death. People didn’t get nailed into boxes if they were going to survive.  The fuzz of whatever was in his system was still lingering. He didn’t seem to be able to concentrate on more than one thing at a time — but Grace was always there. Thin, brown hair, pretty in all the right ways. She was all he had now. He had to get back to her. The lid came loose, nails creaking in the wood, and in a blur he was out. Sweat-soaked, filthy, crying, he flopped out and into the dirt.  The room smelled like a swimming pool and polythene sheets hung from the ceiling. He didn’t wait to see what else there was. At the far side of the room, he could make out a door, outlined in the dim red glow of a tiny bulb above the frame. Next to it there was a crowbar, rusted and rough, silhouetted in the half-light. He limped over, his legs numb from the box and the drugs, and pulled it open, grabbing the bar. The light blinked off, the little plastic control unit next to it clicking, but he didn’t care. He had to get out.  The stairs beyond creaked under his weight as he dragged himself up on bloody fingers, the crowbar clanging against the mouldy stonework walls.

Alice felt drunk on the idea of how many of her friends smoked, how adult they had all seemed and felt. How the cigarettes had been giant flashing signposts, to themselves and each other. you could never trust someone who smoked Marlboro Lights, the Diet Coke of cigarettes-those were for the girls with pale lipstick and overplucked eyebrows, the girls who maybe also played volleyball and had sex with their boyfriends in their beds which were still covered with stuffed animals. Girls who smoked Parliments were neutral-it was as close as you could get to not smoking, but still, you could flick your thumb against the recessed filter, and you could bum one to anybody, the Type O negative of smoking. Girls who smoked Marboro Reds were wild-those were for the girls who had no fear, and in their whole school, there was only one, a tiny girl with brown, wavy hair to her waist whose parents had been in a cult and then escaped. Newport girls were equally harsh but listened to hip-hop, and those girls, like Phoebe, wore lipstick and nail polish like vampire blood, rich and purple. Newport Lights girls were like that, only virgins. The girls who smoked American spirits were beyond everyone-they were grown-ups. with keys to their boyfriends' houses. Alice had to laugh at the secret rooms of her brain, where this information lived and had been sleeping. She had smoked Newport Lights, and yes, she was a virgin.

Gary Carter never cursed. Never. To him expletives like 'F-bomb' and 'Gosh darn it!' were strong enough. But when he saw CONGRATULATIONS RED SOX! and could hear Dennis Boyd cackling from the edge of the Boston dugout, mockingly waving good-bye to the Mets players. The veteran catcher was pissed. With a two-balls, one-strike count, Carter looked up at Schiraldi, whose brow was glistening with sweat. 'The kid was scared' he says. 'You could see it.' (Schiraldi, by way of disagreeing with this assessment, says 'Gary Carter can suck my ass.') On the next pitch, he lined a Schiraldi fastball to left for a single. Upon reaching first, Carter slapped Bill Robinson's hand. 'I'll be damned," he said, 'if I'm gonna make the last fuckin' out in this fuckin' World Series!

A plate of food appeared, dumped unceremoniously onto the place mat. Even the House hated her. Nesta scowled at the red-stoned room. 'Wine.' None appeared. She lifted the glass before her. 'Wine.' Nothing. She tapped her nails on the table's smooth surface. 'Were you told to not give me wine?' Talking to a house: a new low. But as if in answer, the glass filled with water. Nesta snarled toward the open archway at her back. 'Funny.' ... Nesta stood and aimed for the doorway. 'Keep your wine. I'll get my own.

Get an apple, put an iron nail in it, and leave it there overnight. Then take it out and eat the apple. You’ll see the red streak of the sanguine humor, which is what you need.

And do you know what the worst part of all of this is? I was actually feeling the beat. For an on-the-spot performance, I was nailing that shit. And I don’t care what Madison says, red is becoming on me.

THE SUN IS warm upon my arms as I push the bright red lawn cutter that started with one pull of its rope and I smell benzine and that American scent of green grass that is cut in the heat. The engine is loud but still I hear the work of the najars upon the bungalow. The afternoon remains in their first workday, but already they have completed building the frame of the widow’s walk into the roof and I push the cutter from one end of the property to the next and I see them lay new boards of lumber across the structure and drive nails with their steel hammers in the sun. The tall grass falls away beneath my machine like dead soldiers, and I am grateful for the silly blue hat upon my head, for it keeps the skin there in the shade, and even my forehead and eyes are protected.

I- Karly takes their fingers in me when I masturbate, just thought you would like to know. Jenny and boy, we-we’s she takes them all, sometimes she has two going in the same whole, two boys in there rubbing their crap seem guy to me even if it’s a three-way. Maybe… all of this is not what I wanted to be remembered for. I guess what I am saying is, I wanted to be remembered for how I have- ‘Fallen to You!’ However, before I kicked the bucket… I did think of Ray, or anyone- or another boy. No one is other than my selfish self. The clueless girl I was, living for the now, and not the happily ever after! Hell no…! I did not think about that. I did not think about all the dangerous, shocking, and even offensive things I have done with my friends. I did not even think about my family, like if they would even care about me being or not being around. Nope, I was too busy sucking off chill dogs and running around silly doing honorable things. I did not even think about my adorable girly bedroom, and how the sun shined silky waves of light, in the window. Besides, how it woke me up as my days started. I did not think about the soft and cozy things in that room either, or the selfie photograph of me, and Ray kissing sitting on my night table. I did not think about how you can smell the rain rolling in on a spring day, as the window was open, or feel the chill in the air as I stood by it in the middle of December. ‘Oh, let the sun beat down on my face, and let the sounds caress my ears, I have been blind!’ I do not think about all the smells and feelings of food and family coming from down the steps or in the home at all. I completely ignored everything and it all just to be the cool girl. Instead, I thought of Jenny and Maddie back in the third grade how we used to play kickball and miss in our gym class. I also thought about that girl that no one liked too that no one wanted on the team including me. I think her name was Madilyn, I remember this because I was the last one to pick, and she looked so sad and I did not say anything as she sat crying in the grass picking yellow dandelions the whole class. I was such an ass for my friends. I guess that guilt gets you at some point. I member how they and I said she was too weird and disgusting to play with us, and that she could not see what she was doing, because of her blue-eyed four- eyes. Meaning her glass on the fragile flushed face. I guess I get to be friends with these girls because they were what I wanted to be. I was not always friends with them I remember from second grade and back. Yes, I was just like her before, I joined their team. I would have done anything to be one of them, which is what I did. ‘Look at the little freak over there sitting’ Jenny said, and we all giggled. ‘Let’s kick our balls in her face, so she runs off crying for her mommy again like before.’ And that is what we all did; the goal was to break her glass of her face. ‘Like she is not even going to try to move said Maddie.’ BAM smack one! BAM smack two…! Me- direct hit- BAM! Furthermore, she goes running away just the way we wanted! Jenny always found a way of making us snicker at the dumbest crap, like that. I- we- never forget that girl’s face! Red with pain, and dripping with her tears, dandelions in hand that she picked for us. Just so, we would like her! That all faded away from me. Just like the furry white ball of seeds that blows away as she rains inside. I can’t believe that is what, I remembered! This was more my beforehand death instant when I was theoretic Madilyn meant to be having some kind of vast revelation about my past. My moment froze like in time to the recollections of the slight of nail polish, and the squeak of my white dollar store flats as I walked on the waxed high school floor. The tightness of my skinny blue jeans, with one of my lacey junior’s nine-dollar Walmart thongs.

By the Cauldron,' a familiar male voice said beside Cassian, and he turned to find Lucien in the archway to the training area. ... 'Feyre said she was training, but I hadn't realised she was... well, training.' ... 'Did you think she was filing her nails?' Lucien's mechanical eye clicked. His face tightened as Nesta threw a spectacular left hook into the wood beam. It shuddered with the impact. 'I wonder if there are some things that should not be awoken,' he murmured. Cassian cut him a glare. 'Mind your own business, fireling.' Lucien just watched Nesta attack, his golden skin a little pale. 'Why are you here?' Cassian asked, unable to help the sharpness. 'Where's Elain?' 'I am not always in the city to see my mate.' The last two words dripped with discomfort. 'And I came up here because Feyre said I should. I need to kill a few hours before I'm to meet with her and Rhys. She thought I might enjoy seeing Nesta at work.' 'She's not a carnival attraction,' Cassian said through his teeth. 'It's not for entertainment.' Lucien's red hair gleamed in the dimness of the rainy day. 'I think Feyre wanted a progress assessment from someone who hasn't seen her in a while. 'And?' Cassian bit out. Lucien threw him a withering look. 'I'm not your enemy, you know. You can drop the aggressive brute act.' Cassian gave him a grin that didn't meet his eyes. 'Who says it's an act?' Lucien let out a long sigh. 'Very well.

I stop thinking anything at all. I launch myself at Adrian. I throw myself at him, scratching and punching and hitting. ‘My daughter, my baby,’ I hear myself screaming over and over again. My nails pull away flesh on his cheeks, my fingers pull out a chunk of hair and the car swerves all over the road. The noise of other cars hooting fills my head and Adrian speeds up as he tries to lift his arms to fend off my attack. Blood trickles down the side of his face, thick and red. He turns to me, his eyes show real fear. He is looking at me as though he has discovered a wild animal inside his car. He’s right. I am all animal now, I am the mother lion and I am attacking the man who hurt my cub. He slams on the brake, veering the car sideways. The wheezing scream of his brakes invade my ears as they jolt the car to a full stop in the middle of the road. I take a deep breath because my lungs have run out of air and turn to look at him, just as another car comes straight for us, hitting us on the driver-side door. There is no slowing down of those last few moments, no watching of my life passing before my eyes. Instead the car hits us at exactly the same time our car stops. The smell of burning rubber seeps in through my window as smoke from desperate brakes fills the air. I catch a glance of the driver as his car hits us. His mouth is open as he screams, shock and despair written across his face. I feel, rather than hear, the crunch of metal and the shattering of glass. Then I hear noise everywhere. I think I am screaming and there are other screams and then lights and then I close my eyes. I need to get out of the car, I think, but I need a minute. I just need a minute.

Rose was sixteen, and the only light in her dark world had been extinguished. She’d tried to kill herself with a rusty nail that night. Sylous had come to her for the first time then. Whispered to her about how he could protect her, save her, and set her on a different path. A chosen path on which she would be safe from all the cruel people who lived in sin. All she had to do was agree. Would she? She had. And as his first show of power, Sylous had killed her father in his home office as Rose looked on. He showed Pastor monsters terrifying enough to send him into cardiac arrest. It was the first time Rose had seen a Fury—the true wrath of God, not the manipulated version Pastor used to justify his violence.

A large red squirrel leap-frogged the couch, the loveseat, slid across the dining room table, grabbed a nut from a bowl in the center as she passed, and flew off the edge and through the air the last couple of feet before coming to an abrupt halt in front of my coffee cup. “You called?” Her voice and cadence was like the old movie star Mae West’s, only on helium. She cracked the walnut on the counter and picked away at the shell with a pretty pink painted nail. Through all this, she barely glanced at me.

you’re going to need a blade. Now …” He moved to the next box, tearing off the lid, nails and all. “Why don’t you make yourself useful and look through a few of these yourself? See if anything jumps out at you. Remember, you’re looking for a blade. Not a mace or a maul or a huge spiked chain that you’d probably hurt yourself with trying to learn.” “Fine.” I wandered down the aisle, looking at random articles. “But I still say the flail looked like it could bash in a vamp’s head pretty efficiently.” “Allison—” “I’m going, I’m going.” More wooden boxes lined the aisle to either side, covered in dust. I brushed back a film of cobwebs and grime to read the words on the side of the nearest carton. Longswords: Medieval Europe, 12th century. The rest was lost to time and age. Another read: Musketeer Rapie … something or other. Another apparently had a full suit of gladiator armor, whatever a gladiator was. A clang from Kanin’s direction showed him holding up a large, double-bladed ax, before he laid it aside and moved on to another shelf. One box caught my attention. It was long and narrow, like the other boxes, but instead of words, it had strange symbols printed down the side. Curious, I wrenched off the lid and reached in, shifting through layers of plastic and foam, until my fingers closed around something long and smooth. I pulled it out. The long, slightly curved sheath was black and shiny, and a hilt poked out of the end, marked with diamond pattern in black and red. I grasped that hilt and pulled the blade free, sending a metallic shiver through the air and down my spine. As soon as I drew it, I knew I had found what Kanin wanted. The blade gleamed in the darkness, long and slender, like a silver ribbon. I could sense the razor sharpness of the edge without even touching it. The sword itself was light and graceful, and fit perfectly into my palm, as if it had been made for me. I swept it in a wide arc, feeling it slice through the air, and imagined this was a blade that could pass through a snarling rabid without even slowing down. A chuckle interrupted me. Kanin stood a few yards away, arms crossed, shaking his head. His mouth was pulled into a resigned grin. “I should have known,” he said, coming forward. “I should have known you would be drawn to that. It’s very fitting, actually.

I jog upstairs, head into my secret room, and touch the apple on my desk. It’s a wax apple, brilliantly red, and there are seven nails sticking out of it. Still many more to go.

The man who waits for ‘someday’ waits all his life …” She swirled her straw lazily, her nails lacquered red.

watched her peel the wrapper from the cupcake, my eyes on her fingers. They were long and slender, and her nails were painted to match her toes in a bright, fiery red. The thought of that hand wrapped around my cock jumped into my head uninvited.