Nail Obsession Quotes

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Van Houten, I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently. Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox. After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
John Green (The Fault in Our Stars)
Sometimes we whisper it quietly and other times we shout it out loud in front of a mirror. I hate how I look. I hate how my face looks my body looks I am too fat or too skinny or too tall or too wide or my legs are too stupid and my face is too smiley or my teeth are dumb and my nose is serious and my stomach is being so lame. Then we think, “I am so ungrateful. I have arms and legs and I can walk and I have strong nail beds and I am alive and I am so selfish and I have to read Man’s Search for Meaning again and call my parents and volunteer more and reduce my carbon footprint and why am I such a self-obsessed ugly asshole no wonder I hate how I look! I hate how I am!
Amy Poehler (Yes Please)
But I’m practically a guy. I mean, except for these fucking hormones that make me want to jump Ty and Justin Timberlake. I don’t obsess over things that other girls care about, like clothes, movie stars, hair, painting nails, knitting, or whatever shit they’re into.
Miranda Kenneally (Catching Jordan (Hundred Oaks, #1))
Ten Best Song to Strip 1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly. 2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars. 3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.) 4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.) 5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude. 6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come." 7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.) 8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me. 9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else. 10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.
Diablo Cody
It's a physical sickness. Etienne. How much I love him. I love Etienne. I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent. I love that. I love sitting beside him in physics. Brushing against him during lands. His messy handwriting on our worksheets. I love handing him his backpack when class is over,because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll-I love that,too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes,and the way he bites his nails,and I love his hair so much I could die. There's only one thing I don't love about him. Her. If I didn't like Ellie before,it's nothing compared to how I feel now. It doesn't matter that I can count how many times we've met on one hand. It's that first image, that's what I can't shake. Under the streeplamp. Her fingers in his hair. Anytime I'm alone, my mind wanders back to that night. I take it further. She touches his chest. I take it further.His bedroom.He slips off her dress,their lips lock, their bodies press,and-oh my God-my temperature rises,and my stomach is sick. I fantasize about their breakup. How he could hurt her,and she could hurt him,and of all the ways I could hurt her back. I want to grab her Parisian-styled hair and yank it so hard it rips from her skull. I want to sink my claws into her eyeballs and scrape. It turns out I am not a nice person. Etienne and I rarely discussed her before, but she's completely taboo now. Which tortures me, because since we've gotten back from winter break, they seem to be having problems again. Like an obsessed stalker,I tally the evenings he spend with me versus the evening he spends with her. I'm winning.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
He shook his head in exasperation. “Are you sure you’re not a Succubus? You seem really obsessed with the sin of lust.” “It’s a good sin. I like gluttony an awful lot, too. Sloth has its moments, but I just don’t understand acedia at all. I mean, what the f**k is that anyway? Oh, and greed is good, to quote Gordon Gekko. Anger, envy and pride,” I ticked them off on my fingers. “I don’t often have much use for them. It’s a shortcoming that I’m hoping to correct in the next millennium or two. I’m not very old; I can’t be expected to have mastered them all yet.” “I think you’ve worked too hard on some of those,” he said dryly. “Maybe you should switch over to virtues instead. Give yourself a much needed break.” Virtues? Yeah, right. “Virtues are too difficult,” I told him, shaking my head. “Look how old you are and you’ve hardly made a dent in them. I’ll admit, you seem to have zeal nailed, as well as faith and temperance. Self control? I’ve got my doubts based on your recent actions. I’m not seeing the kindness, love or generosity, either. That humility thing seems to be pretty far beyond your reach, too. Really, really far. I’m sorry to tell you this, but from what I can see, the sin of pride is a major component of your character. Dude, you’re f**king old. You should have these things pretty well ticked off your shopping list by now. I’m seriously disappointed. Seriously.
Debra Dunbar (A Demon Bound (Imp, #1))
Faith is an expression of the fact that we exist so that the infinite God can dwell in us and work through us for the well-being of the whole creation. If faith denies anything, it denies that we are tiny, self-obsessed specks of matter who are reaching for the stars but remain hopelessly nailed to the earth stuck in our own self-absorption. Faith is the first part of the bridge from self-centeredness to generosity.
Miroslav Volf (Free of Charge: Giving and Forgiving in a Culture Stripped of Grace)
I don’t obsess over things that other girls care about, like clothes, movie stars, hair, painting nails, knitting or whatever shit they’re into. I just want to eat a bunch of hot wings, sleep, play ball, and maybe, someday, make out with Ty.
Miranda Kenneally (Catching Jordan (Hundred Oaks, #1))
Studying him then, it was hard not to notice how handsome Luke was, a fact that that most of the girls hadn't missed either. To their delight, his almost OCD obsession with having his hair no more than several inches long meant he regularly asked them to trim his sandy brown hair with nail scissors. An honour they held rock, paper, scissor tournaments for. It was all very serious stuff.
Violet Cross (Survivors: Secrets)
Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident. I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?” He shook his head. “That’s true, but that’s not the reason we do it.” But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.” Mr. B. shook his head and scratched the stubble on his neck. I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?” Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.” Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?” “Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people. “Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?” No one answered. But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.” Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left. After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?” There was a vacant silence. “Think, people! There must be a reason. Why the brain? What were they trying to preserve?” When no one answered, he answered his own question. “The mind!” he said, exasperated. “The soul!” As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me. Who is cuter? A. Professor Bliss B. Brett Steyers C. Dante Berlin D. The mummy I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
His unfinished book had become his obsession. He rarely left his room, which he insulated with sheaves of paper scribbled with beginnings and endings, nailing ideas to the walls and stretching long strips of sentences from the window to the door. Tall stacks of scenes and chapters sprouted from the floor, as if the papers had reincarnated themselves back into trees. The paper forest around him glimmered in the sun from the windows, weaving rays of light in yellow and purple and blue. Hunger squeezed his throat, but he turned his ravenousness toward writing. He almost never slept. During the shortages, he wrote between the columns of old newspapers, or on pieces of cardboard, or on bark pulled from trees. He traded potatoes for ink.
Dara Horn (The World to Come)
After more than twenty years as a transactional trader and businessman in what I called the “strange profession,” I tried what one calls an academic career. And I have something to report—actually that was the driver behind this idea of antifragility in life and the dichotomy between the natural and the alienation of the unnatural. Commerce is fun, thrilling, lively, and natural; academia as currently professionalized is none of these. And for those who think that academia is “quieter” and an emotionally relaxing transition after the volatile and risk-taking business life, a surprise: when in action, new problems and scares emerge every day to displace and eliminate the previous day’s headaches, resentments, and conflicts. A nail displaces another nail, with astonishing variety. But academics (particularly in social science) seem to distrust each other; they live in petty obsessions, envy, and icy-cold hatreds, with small snubs developing into grudges, fossilized over time in the loneliness of the transaction with a computer screen and the immutability of their environment. Not to mention a level of envy I have almost never seen in business. … My experience is that money and transactions purify relations; ideas and abstract matters like “recognition” and “credit” warp them, creating an atmosphere of perpetual rivalry. I grew to find people greedy for credentials nauseating, repulsive, and untrustworthy.
Nassim Nicholas Taleb (Antifragile: Things that Gain from Disorder)
Then we think, “I am so ungrateful. I have arms and legs and I can walk and I have strong nail beds and I am alive and I am so selfish and I have to read Man’s Search for Meaning again and call my parents and volunteer more and reduce my carbon footprint and why am I such a self-obsessed ugly asshole no wonder I hate how I look! I hate how I am!
Amy Poehler (Yes Please)
When I see a nail, I reach for a hammer. They study the nail and obsess over whether it might actually be, or could possibly be turned into, a bolt or a screw, and then they try playing mind games. As often as not, the nail screws them.
Brian Haig (The Night Crew (Sean Drummond, #7))
Bailey sat on the edge of the couch and fed Maddy grapes. The very swollen mommy-to-be initially complained about being fed like a pet. Eventually, she gave in and enjoyed the attention. Not to be outdone, Sawyer turned a fan towards Maddy and was painting her nails. I watched them baby her and wondered about when I would be that big and uncomfortable. “I’m in no hurry to have a baby,” Tawny said, maybe for the tenth time since arriving. “Not in any hurry at all.” Farah grinned from where she was cutting carrots into little perfect sticks for dipping. “Coop is obsessed with getting me pregnant. First, his little brother is about to have a baby then his best friend. I swear whenever we’re alone, he’s inside me,” she said then her smile grew. “It’s awesome.” “Huh,” Tawny muttered. “Judd is in me all the time too and not because he’s trying to plant his flag or lay his seed or whatever.” “Jealous?” Farah asked and Tawny fake glared at her. “Sometimes, my sister irritates me too,” I said and they both laughed. “I’m going to brush the baby’s hair,” Bailey announced to no one in particular. “When she’s old enough, I’m going to put those little barrettes in her hair and make her wear headbands and turn her into a doll. Then when she cries, I’m giving her back to Maddy.” “Yeah for me,” Maddy whispered with her eyes closed. “Are you suffering?” Bailey asked. “Like should I do more for you to ease away the horror of how huge you’ve become?” Opening her eyes a crack, Maddy muttered, “Stop charming me.” Bailey grinned. “Seriously, you look pretty miserable today.” “I’ve been having those Braxton Hicks contractions since yesterday.” “Is that bad?” Sawyer asked, looking up from her meticulous work on Maddy’s toes. “Is it like hemorrhoids?” When we laughed, Sawyer beamed, even though she likely had no idea what was funny. “They’re like practice contractions,” Maddy explained. “They don’t hurt much, but they’re uncomfortable.” Bailey frowned. “How do you know all this stuff?” “I read a book.” “Yeah, I did that once. Not a fan.” “You guys don’t have to hang out here,” Maddy said. “The guys are out having fun and you’re pampering me. You could go to the movies if you want.” “No,” Bailey said quickly. “I need to be super nice because I had a dream that being nice will lead to a handsome awesome guy who is the fucker. I want that guy. He belongs to me and I’m sick of waiting, so shut up and let me be nice to you.” “Sure,” Maddy said, sighing. “This is nice, but I’m going to have to pee soon.” “Do you need me to carry you?” Bailey asked. “Maybe. Ask me in a few minutes.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
Now I don’t even have to think about brushing my teeth at night: I shut everything down, wash my face, floss (yep, nailed that too), brush for two minutes, put my earplugs in, turn the light off, and fall asleep. None of it requires any PFC resources. I do it reflexively, and if I don’t, that’s when something feels off or amiss. My reward? The feeling of clean teeth (which I’m “addicted” to having now). This exact same process can get us into a new workout routine, or a new evening ritual that doesn’t include wine.
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
When Sasha was ten she had such an intense crush on Harrison Ford that sometimes she would lie in bed and cry with deep sorrow that they would never be together. She knew it was weird. He was a grown man and a famous actor and she was a child with a dawning awareness that little hairs were growing up and down her legs, and it all compounded into a tragedy so devastating that she could barely stand to watch him in movies when anyone else was in the room. Her brothers obviously noticed her mooning after him and taunted her mercilessly. Later in life, when she saw in some celebrity magazine at the nail salon that Harrison got an earring, she felt embarrassed all over again that she had been obsessed with someone so old.
Jenny Jackson (Pineapple Street)
pause suddenly at the cuts in my breast. I touch the X carefully. It’s scabbed over a bit, but at the scratching from my nail, it opens up again. There’s more blood on my chest, but it’s not all mine. Some on my other breast that my heart tells me is Miles’. He cut both of us open. For what?
S. Massery (Secret Obsession)
knowing that I wanted to be a piano player, and knowing that practicing, of course, was just something piano players did, I turned my daily practice into a habit. Now, habits get a bad rap; we tend to think of things like biting our nails or smoking when we talk about them. But really, a habit is defined as “a settled or regular tendency or practice, especially one that is hard to give up.” Tooth brushing is a habit (for most of us). So is showing up to work on time. Those are some good habits. Habits can be good; say it with me. Once you’ve trained your brain to view practicing as a habit, the next step is finding the motivation to adopt that habit. The key to motivation, I’ve learned, is coupling your profound inspiration to a strong belief in yourself, and that’s not something even the best teacher is able to instill. It has to come from within. Building a strong core identity to drive your motivation requires first believing that you’ll eventually master the skill you’ve set out to learn—no matter how farfetched that might initially seem to yourself and others. Having the correct image of yourself is really key here; you have to think of yourself as the thing you want to be long before other people think of you as that. You may only have taken one trumpet lesson and sound horrible, but you still must think of yourself as a trumpet player in order for the habit to stick. You are whatever you do repeatedly. Practicing became such a constant in my day—and in such a natural, unforced way—that I hardly had to think about it. It had become, in other words, a habit.
Scott Bradlee (Outside the Jukebox: How I Turned My Vintage Music Obsession into My Dream Gig)
That’s why, when it comes to generating business ideas, customers come first. Before the product or service. Even before the idea. To build a business, you need someone to sell to. I can’t tell you how many times someone has emailed me saying, “What do you think of this business idea?” My auto-reply? “Have you asked what the customer thinks?” Steve Jobs said, “You have to start with the customer experience and work backwards.” Jeff Bezos, too, insists everyone at Amazon use a Customer First Approach to generate ideas and decide which to develop. The first of his sixteen Leadership Principles—Customer Obsession—starts by saying, “Leaders start with the customer and work backwards.” Working backwards prioritizes access to a group of customers (a group you probably belong to) and focuses on an aspect of a customer’s life that doesn’t work. If you do it this way, you’re assured of nailing the three Ws of business right from the start: Who you are selling to What problem you’re solving Where they are Your goals in this chapter are to use the Customer First Approach, to narrow in on three markets that you’ll target, to use your knowledge and experience of these markets to generate lots of ideas, and then to choose the three you think are the most likely to succeed. It’s the first step in the three-part Million Dollar Weekend process, in which you’ll learn to sell ideas to a small early adopter group before you’ve built the product (or spent a cent) in order to validate that there is a market that will pay. Repeat, fast and cheap, until it hits. Experiment, experiment, experiment—BOOM!
Noah Kagan (Million Dollar Weekend: The Surprisingly Simple Way to Launch a 7-Figure Business in 48 Hours)
Bliss knew she was getting close to convincing me and put the nail in the coffin. “If you’re even considering Fang’s offer to let Vaughn and Kian in, you have to know who you’re getting in bed with.
Elle Thorpe (Rebel Obsession (Saint View Rebels, #2))
properly. If Vom was destruction incarnate, and Smorgaz was creation personified, then West was order in its ultimate obsessive-compulsive form. It wasn’t an easy job. He wasn’t perfect. He still hadn’t found the time to nail down the confusing jumble that humans foolishly labeled quantum physics. And once, when he’d eaten a bad hot dog and been sick in bed for a week, the result had been the ludicrousness of superstring theory. A few extra dimensions leaked through here and there at the wrong times, and the human race just couldn’t let it go. He’d never found the time to fix the error. And it’d probably work out fine in the end. Like when he’d accidentally let space-time become curved. At first it’d bugged him, but now he hardly noticed. And the humans seemed to get a kick out of it.
A. Lee Martinez (Chasing the Moon)
West again. His obsession with nailing Lloyd and now Maurice was suffocating and irked Burns to the core.
Leo Sullivan (Keisha & Trigga 3: A Gangster Love Story (Keisha & Trigga: A Gangster Love Story))
An odourless poison leaked out of him. His dearest childhood memories were of the practical jokes he had played on the servants. Stringing ropes to trip them up, setting off firecrackers under their beds, unscrewing the seat on the long drop. You could imagine that he had found his vocation in the process. His work, which involved jailing people for petty offences, was a malevolent prank. The way he spoke about it, forced removals, detention without trial, the troops in the townships were simply larger examples of the same mischief. I was struck by the intimacy of his racial obsession. His prejudice was a passion. It caused him an exquisite sort of pain, like worrying a loose tooth with your tongue or scratching a mosquito bite until it bleeds. In the mirror of his stories, however, the perspective was reversed. While he was always hurting someone, doing harm and causing trouble, he saw himself as the victim. All these people he didn’t like, these inferior creatures among whom he was forced to live, made him miserable. It was he who suffered. I understand this better now than I did then. At the time, I was trying to grasp my own part in the machinery of power and more often than not I misjudged the mechanism. Seid Sand, nicht das Öl im Getriebe der Welt, my friend Sabine had told me. Seid unbequem. Be troublesome. Be sand, not oil in the workings of the world. Sand? Must I be ground down to nothing? Should I let myself be milled? It was abject. Surely one could be a spanner in the works rather than a handful of dust? I’d rather be a hammer than a nail. These thoughts were driven from my mind by Louis’s suffering face, the downturned lips, the wincing eyes. Even his crispy hair looked hurt. You could see it squirming as he combed it in the mornings, gazing mournfully at his face in the shaving mirror. I could have shouted at him. ‘Look around you! See how privileged we are. We’ve all eaten ourselves sick, just look at the debris, paper plates full of bones and peels, crumpled serviettes and balls of foil, bloody juices. And yet we haven’t made a dent in the supply.’ The dish on the edge of the fire was full of meat, thick chops and coils of wors soldered to the stainless steel with grease. The fat of the land was still sizzling on the blackened bars of the grill. You would think the feast was about to begin." (from "Double Negative" by Ivan Vladislavic, Teju Cole)
Ivan Vladislavić, Teju Cole
I’m ready to go.” She smiled at St. Just. “Nice to see you, Vicar, and these”—she held out a package of buns—“are for you.” “My thanks.” He took the package then bowed over her hand, pressing a lingering kiss to her bare knuckles. St. Just silently ground his teeth at that shameless display and even let Bothwell hand Emmie up into the gig. As St. Just took the reins, the Kissing Vicar patted Emmie’s hand where it rested in her lap. Except it was more of a stroking pat, St. Just noted, a caress, the filthy bugger. “You’re quiet,” Emmie remarked, lifting her face to the sun. The relief in her expression suggested she hadn’t been interested in lingering in Bothwell’s company. “Is Bothwell pestering you, Emmie?” She glanced over at him, a furtive, assessing glance that he unfortunately caught and comprehended too well: It isn’t bothering if the lady welcomes it. “He is a friend,” she said, lapsing into silence when St. Just said nothing more. He reached over with one hand and gently peeled Emmie’s index finger from her teeth. “No biting your nails. Whatever it is, you have only to ask, and I will help.” “Is it possible to love someone and hate them at the same time?” “It is. I love my father, in a complicated, resentful, admiring sort of way, but when he gets to tormenting my brothers, which he used to do brilliantly, I would rather Bonaparte himself had sired me than that scheming, selfish old man.” Emmie grimaced and looked like she wanted desperately to bite her nail. “That is quite an indictment, especially coming from you.” “He’s
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
when in action, new problems and scares emerge every day to displace and eliminate the previous day’s headaches, resentments, and conflicts. A nail displaces another nail, with astonishing variety. But academics (particularly in social science) seem to distrust each other; they live in petty obsessions, envy, and icy-cold hatreds, with small snubs developing into grudges, fossilized over time in the loneliness of the transaction with a computer screen and the immutability of their environment.
Nassim Nicholas Taleb (Antifragile: Things that Gain from Disorder)
She’d always been as subtle as a bull in a China shop. But for those who she loved, she’d fight tooth and nail for them.
Kia Carrington-Russell (Fractured Obsession (Insidious Obsession #2))