Mysteries Of Pittsburgh Quotes

We've searched our database for all the quotes and captions related to Mysteries Of Pittsburgh. Here they are! All 51 of them:

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Drunk, Jane spoke as though she were Nancy Drew. I was a fool for a girl with a dainty lexicon.
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Michael Chabon (The Mysteries of Pittsburgh)
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Never say love is "like" anything... It isn't.
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Michael Chabon (The Mysteries of Pittsburgh)
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When I remember that dizzy summer, that dull, stupid, lovely, dire summer, it seems that in those days I ate my lunches, smelled another's skin, noticed a shade of yellow, even simply sat, with greater lust and hopefulness - and that I lusted with greater faith, hoped with greater abandon. The people I loved were celebrities, surrounded by rumor and fanfare; the places I sat with them, movie lots and monuments. No doubt all of this is not true remembrance but the ruinous work of nostalgia, which obliterates the past, and no doubt, as usual, I have exaggerated everything.
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Michael Chabon (The Mysteries of Pittsburgh)
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But the first lie in the series is the one you make with the greatest trepidation and the heaviest heart.
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Michael Chabon (The Mysteries of Pittsburgh)
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My heart was simultaneously broken and filled with lust, I was exhausted, and I loved every minute of it. It was strange and elating to find myself for once the weaker.
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Michael Chabon (The Mysteries of Pittsburgh)
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Love is like falconry," he said. "Don't you think that's true, Cleveland?" "Never say love is like anything." said Cleveland. "It isn't.
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Michael Chabon (The Mysteries of Pittsburgh)
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I thought, I fanced, that in a moment, I would be standing on nothing at all, and for the first time in my life, I needed the wings none of us has.
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Michael Chabon (The Mysteries of Pittsburgh)
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Most science fiction seemed to be written for people who already liked science fiction; I wanted to write stories for anyone, anywhere, living at any time in the history of the world.
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Michael Chabon (The Mysteries of Pittsburgh)
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I smoked and looked down at the bottom of Pittsburgh for a little while, watching the kids playing tiny baseball, the distant figures of dogs snatching at a little passing car, a miniature housewife on her back porch shaking out a snippet of red rug, and I made a sudden, frightened vow never to become that small, and to devote myself to getting bigger and bigger and bigger.
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Michael Chabon (The Mysteries of Pittsburgh)
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That evening I rode downtown on an unaccountably empty bus, sitting in the last row. At the front I saw a thin cloud of smoke rising around the driver’s head. β€˜Hey, bus driver,’ I said. β€˜Can I smoke?’ β€˜May I,’ said the bus driver. β€˜I love you,’ I said.
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Michael Chabon (The Mysteries of Pittsburgh)
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I anticipate a coming season of dilated time and of women all in disarray.
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Michael Chabon (The Mysteries of Pittsburgh)
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Meeting a namesake is one of the most delicate and most brief surprises.
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Michael Chabon (The Mysteries of Pittsburgh)
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A gin and tonic under its tiny canopy of lime, I said, elevates character and makes for enlightened conversation
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Michael Chabon (The Mysteries of Pittsburgh)
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(He introduced me to a ton of books and authors. I never returned his copy of The Mysteries of Pittsburgh.)
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Val Emmich (Dear Evan Hansen)
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I thought I smelled an early hint of the mysterious bittersweet gas that fills Pittsburgh in the summertime, a smell at once industrial and aboriginal, river water and sulfur dioxide, burning tires and the coat of a fox.
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Michael Chabon (Wonder Boys)
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The woman is not just a pleasure, nor even a problem. She is a meniscus that allows the absolute to have a shape, that lets him skate however briefly on the mystery, her presence luminous on the ordinary and the grand. Like the odor at night in Pittsburgh’s empty streets after summer rain on maples and sycamore.
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Jack Gilbert (Collected Poems)
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I don't want to have 'carnal knowledge' with any old Zuni, asshole." From the way she seemed to relish the word asshole as it unwound from her lips, I guessed that she rarely used it. It sounded like a mark of esteem, and I was momentarily very jealous of Arthur. I wondered what it might take to get Jane to call me an asshole too.
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Michael Chabon (The Mysteries of Pittsburgh)
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I was conscious, then, of a different ache, deeper and more sharp than the feeling of bereavement that a hangover will sometimes uncover in the heart.
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Michael Chabon (The Mysteries of Pittsburgh)
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it is not love, but friendship, that truly eludes you.
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Michael Chabon (The Mysteries of Pittsburgh)
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You read my Cosmo?" "I read all of your magazines. I took all the love quizzes and pretended I was you answering the questions." "How did I do?" "You cheated," I said.
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Michael Chabon (The Mysteries of Pittsburgh)
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This song always kills me, I said. She sighed, and then gave up. Why? Oh, I don't know. It makes me feel nostalgia for a time I never even knew. I wasn't even alive. That's what I do to you too, she said, I'll just bet. I was what everything I loved did to me.
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Michael Chabon (The Mysteries of Pittsburgh)
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Jane
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Michael Chabon (The Mysteries of Pittsburgh)
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Finally I reached into my pocket and flipped a quarter. Heads was Phlox, tails was Arthur. It came up heads. I called Arthur.
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Michael Chabon (The Mysteries of Pittsburgh)
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because it was a drunken perception, it was perfect, entire, and lasted about half a second. I
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Michael Chabon (The Mysteries of Pittsburgh)
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The city was new again, and newly dangerous, and I would walk the streets quickly, eyes averted from those of passersby, like a spy in the employ of lust and happiness, carrying the secret deep within me but always on the tip of my tongue.
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Michael Chabon (The Mysteries of Pittsburgh)
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I was to spend the daytime summer stunned by air-conditioning, almost without a thought in my head, waiting for the engagement of evening.
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Michael Chabon (The Mysteries of Pittsburgh)
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for the first time in my life, I needed the wings none of us has.
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Michael Chabon (The Mysteries of Pittsburgh)
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The one copy of anything by Swift in the store, Gulliver’s Travels, finally couldn’t stand the indignity of living at Boardwalk anymore, and burst into righteous flames.
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Michael Chabon (The Mysteries of Pittsburgh)
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Whom the gods would destroy,” Cleveland said, β€œthey first make pasta.
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Michael Chabon (The Mysteries of Pittsburgh)
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I need to crawl beneath your aegis,
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Michael Chabon (The Mysteries of Pittsburgh)
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I saw that telling a good, simple lie was a sign of sanity;
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Michael Chabon (The Mysteries of Pittsburgh)
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Love is like falconry," he said. "Don't you think that's true, Cleveland?" "Never say love is like anything." said Cleveland. "It isn't.
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Michael Chabon (The Mysteries of Pittsburgh)
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When I remember that dizzy summer, that dull, stupid, lovely, dire summer, it seems that in those days I ate my lunches, smelled another's skin, noticed a shade of yellow, even simply sat, with greater lust and hopefulness--and that I lusted with greater faith, hoped with greater abandon. The people I loved were celebrities, surrounded by rumor and fanfare; the places I sat with them, movie lots and monuments. No doubt all of this is not true remembrance but the ruinous work of nostalgia, which obliterates the past, and no doubt, as usual, I have exaggerated everything.
”
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Michael Chabon (The Mysteries of Pittsburgh)
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My love of her (I say this despite Cleveland’s caveat) was like scholarship (not falconry)β€”an effort to master the loved one’s corpus, which, in Phlox’s case, was patchwork and vast as Africa.
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Michael Chabon (The Mysteries of Pittsburgh)
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I’d wanted to work in a true, old-fashioned bookshop, crammed with the mingled smells of literature and Pittsburgh blowing in through the open door. Instead I’d got myself hired by Boardwalk Books.
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Michael Chabon (The Mysteries of Pittsburgh)
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In my innocent cynicism I didn't see that Cleveland was not trying to look tough; he just didn't care. Which is to say, he knew what he was, and was, if not content with, at least resigned to knowing that he was an alcoholic. And an alcoholic is nothing if not sensitive to the proper time and place for his next drink; his death is one of the most carefully planned and prepared for events in the world.
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Michael Chabon (The Mysteries of Pittsburgh)
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I was to spend the daytime summer stunned by air-conditioning, almost without a thought in my head, waiting for the engagement of evening. Summer would happen after dinner. The job had no claim upon me.
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Michael Chabon (The Mysteries of Pittsburgh)
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There had been a time in high school, see, when I wrestled with the possibility that I might be gay, a torturous six-month culmination of years of unpopularity and girllessness. At night I lay in bed and cooly informed myself that I was gay and that I had better get used to it. The locker room became a place of torment, full of exposed male genitalia that seemed to taunt me with my failure to avoid glancing at them, for a fraction of a second that might have seemed accidental but was, I recognized, a bitter symptom of my perversion. Bursting with typical fourteen-year-old desire, I attempted to focus it in succession on the thought of every boy I knew, hoping to find some outlet for my horniness, even if it had to be perverted, secret, and doomed to disappointment. Without exception these attempts failed to produce anything but bemusement, if not actual disgust. This crisis of self-esteem had been abruptly dispelled by the advent of Julie Lefkowitz, followed swiftly by her sister Robin, and then Sharon Horne and little Rose Fagan and Jennifer Schaeffer; but I never forgot my period of profound sexual doubt. Once in a while I would meet an enthralling man who shook, dimly but perceptibley, the foundations laid by Julie Lefkowitz, and I would wonder, just for a moment, by what whim of fate I had decided that I was not a homosexual.
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Michael Chabon (The Mysteries of Pittsburgh)
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WHAT’S SO GREAT ABOUT WOMEN, ANYWAY? And, lower: HEY, EVERY WOMAN, PAL, IS A VOLUME OF STORIES A CATALOGUE OF MOVEMENTS A SPECTACULAR ARRAY OF IMAGES Then: PLUS THERE’S THE MYSTERY OF LEARNING ABOUT HER CHILDHOOD A fourth man had concluded: AND OF EVERYTHING
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Michael Chabon (The Mysteries of Pittsburgh)
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From the way she seemed to relish the word as it unwound from her lips, I guessed that she rarely used it. It sounded like a mark of esteem, a sign of her intimacy with Arthur, and I was momentarily very jealous of him. I wondered what it might take to get Jane to call me an asshole too.
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Michael Chabon (The Mysteries of Pittsburgh)
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I’d heard, somewhere in the past couple of days, the stealthy entrance of creepiness into my unsecured summer, a faint creaking of the woodwork, and I felt as though I ought to lie very still, not draw a breath, and listen for the something that might be there, for the next telltale footfall.
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Michael Chabon (The Mysteries of Pittsburgh)
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WHAT’S SO GREAT ABOUT WOMEN, ANYWAY? And, lower: HEY, EVERY WOMAN, PAL, IS A VOLUME OF STORIES A CATALOGUE OF MOVEMENTS A SPECTACULAR ARRAY OF IMAGES Then: PLUS THERE’S THE MYSTERY OF LEARNING ABOUT HER CHILDHOOD A fourth man had concluded: AND OF EVERYTHING THAT’S CONCEALED UNDER HER CLOTHES
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Michael Chabon (The Mysteries of Pittsburgh)
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We smoked it with damp fingers and talked blandly, looking mostly at the sky, which was blue as baby clothes. I felt as if I were talking to a friend from the fourth grade, when talking with a friend and sitting in the sun had felt different, had felt like this, more full of possibility than of any real matter.
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Michael Chabon (The Mysteries of Pittsburgh)
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On the way out again, I suddenly saw everything clearly: Sigmund Feud painting his cocaine onto his septum, the rising uproar of the past hour and a half, the idling Audi full of rash behavior that lay ahead, the detonating summer; and because it was a drunken perception, it was perfect, entire, and lasted about half a second.
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Michael Chabon (The Mysteries of Pittsburgh)
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Kate Chambers, amateur sleuth in "Ground Truth: A Pittsburgh Murder Mystery," believes that "One drink sharpens your wit, two drinks makes you a philosopher, three or more drinks just makes you stupid.
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Rebecca A. Miles
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Kate Chambers, amateur sleuth in "Ground Truth: A Pittsburgh Murder Mystery," was reminded of her mother's early death when reading Romeo and Juliet by Shakespeare. "DEATH LIES UPON HER LIKE AN EARLY FROST UPON THE SWEETEST FLOWER OF ALL THE FIELDS.
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ROMEO AND JULIET
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The Only Woman in the Room, The Mystery of Mrs. Christie, Carnegie's Maid, The Other Einstein, and Lady Clementine. All have been translated into multiple languages. She lives in Pittsburgh with her family.Β  Victoria Christopher Murray is an acclaimed author with more than one million books in print. She has written more than twenty novels, including Stand Your Ground, an NAACP Image Award Winner for Outstanding Fiction and a Library Journal Best Book of the Year.
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Marie Benedict (The Personal Librarian)
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Crime in Willow Creek is mostly limited to DUIs, jaywalking, and now and then a domestic violence issue. But he dealt with more than that in Pittsburgh. He’s witnessed a seedy side of life, and that’s what colors his thoughts and his memories.
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Karen Rose Smith (Murder with Lemon Tea Cakes (Daisy's Tea Garden Mystery #1))
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To everything we've become because of everything we've lost." Kate Chambers, amateur sleuth in "Ground Truth and Broken Glass," always offers this toast.
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Rebecca A. Miles (Broken Glass (A Pittsburgh Murder Mystery, #2))
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In the natural world, a vine that wraps itself around even the mightiest oak, in the end, suffocates it.
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Rebecca A. Miles (Locked Box (The Pittsburgh Murder Mysteries, #3))
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The answer to the polio mystery, also well known, came from Jonas Salk, who was born in New York City of Russian Jewish immigrant parents and eventually was appointed director of the Virus Research Laboratory at the University of Pittsburgh School of Medicine (by way of New York University and Michigan). His vaccine weakened the poliovirus with formaldehyde and mineral water. It effectively β€œkilled” the poliovirus. But it was recognizable enough for the immune system to pick it up. Ta-da! It cut the risk of infection in half. The country scrambled to produce and disseminate the vaccine as quickly as possible. Alas, this happy ending comes with an asterisk. The first big batch of vaccine wasn’t properly made. Cutter Laboratories in California, one of the main producers of the vaccine, inoculated more than 200,000 children in 1955, and within days there were reports of paralysis. Within a month, the program was discontinued, and investigations revealed that the Cutter vaccine had caused 40,000 cases of polio, leaving 200 children with varying degrees of paralysis and killing 10.
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Matt Richtel (An Elegant Defense: The Extraordinary New Science of the Immune System: A Tale in Four Lives)