My Replica Quotes

Close your eyes and picture it. Can you see it?" I nod, eyes closed. "Imagine it right there before you. See its texture, shape, and color—got it?" I smile, holding the image in my head. "Good. Now reach out and touch it. Feel its contours with the tips of your fingers, cradle its weight in the palms of your hands, then combine all of your senses—sight, touch, smell, taste—can you taste it?" I bite my lip and suppress a giggle. "Perfect. Now combine that with feeling. Believe it exists right before you. Feel it, see it, touch it, taste it, accept it, manifest it!" he says. So I do. I do all of those things. And when he groans, I open my eyes to see for myself. "Ever." He shakes his head. "You were supposed to think of an orange. This isn't even close." "Nope, nothing fruity about him." I laugh, smiling ateach of my Damens—the replica I manifested before me, and the flesh and blood version beside me. Both of them equally tall, dark, and so devastatingly handsome they hardly seem real.

These albums were thick with babies, but my replicas thinned out as I grew older, as if the population of my duplicates had been hit with some plague.

I didn't know what it was I was feeling. Then I realized it was seeing someone and knowing immediately that you love him.

This is why you need everyone you know after a disaster, because there is not one right response. It's what paralyzes people around the grief-stricken, of course, the idea that there are right things to say and wrong things and it's better to say nothing than something clumsy.

As for me, I believe that if there's a God - and I am as neutral on the subject as is possible - then the most basic proof of His existence is black humor. What else explains it, that odd, reliable comfort that billows up at the worst moments, like a beautiful sunset woven out of the smoke over a bombed city.

I want a book that acknowledges that life goes on, but death goes on too, that a person who is dead is a long, long story. You move on from it, , but the death will never disappear from view.

We do not read in order to turn great works of fiction into simplistic replicas of our own realities, we read for the pure, sensual, and unadulterated pleasure of reading.

For us what was killing was how nothing had changed. We'd been waiting to be transformed, and now here we were, back in our old life.

All I can say is, it's a sort of kinship, as though there is a family tree of grief. On this branch, the lost children, on this the suicided parents, here the beloved mentally ill siblings. When something terrible happens, you discover all of the sudden that you have a new set of relatives, people with whom you can speak in the shorthand of cousins.

Great. Lovely. Can I have your hat?” “My … hat?” The elderly woman looked up at the oversized hat. The sides drooped magnificently, and the thing was festooned with flowers. Like, oodles of them. Silk, he figured, but they were really good replicas. “You have a lady friend?” Aunt Gin asked. “You wish to give her the hat?” “Nah,” Wayne said. “I need to wear it next time I’m an old lady.” “The next time you what?” Aunt Gin grew pale, but that was probably on account of the fact that Wax went stomping by, wearing his full rusting mistcoat. That man never could figure out how to blend in.

In front is a sign that says: An exact replica of a figment of my imagination, and that is what this life feels like some days. It's a happy life, but someone is missing. It's a happy life, and someone is missing. It's a happy life-

I'm thinking of that Florida lady again, the one who wanted a book about the lighter side of a child's death, and I know: all she wanted was permission to remember her child with pleasure instead of grief. To remember that he was dead, but to remember him without pain: he's dead but of course she still loves him, and that love isn't morbid or bloodstained or unsightly, it doesn't need to be shoved away.

Learn from my mistakes,” she said. Learn what? Elena wondered. Avoid men? Avoid love? Avoid radiologists who buy movie-replica lightsabers?

I love the handful of the earth you are. Because of its meadows, vast as a planet, I have no other star. You are my replica of the multiplying universe.

And in the way fate works, the cruel and funny asshole that it can be, my father withheld love from my mom and my mom did whatever she could to get it, a replica of the environment she had growing up.

Blame is a compulsive behavior, the emotional version of obsessive hand washing, until all you can do is hold your palms out till your hands are full of it, and rub, and rub, and accomplish nothing at all.

I was new Christian. My conversation had been sudden and dramatic, a replica for me of the Damascus Road. My life had been turned upside down,, and I was filled with zeal for the sweetness of Christ. I was consumed with a new passion. To study the Scripture. To learn hoe to pray. To conquer the vices that assaulted my character. To grow in grace. I wanted desperately to make my life count for Christ. My soul was singing, "Lord, I want to be a Christian.

There is an empty space in my heart. It weighs me down and each step I take through life gets harder and harder, I realize now that I am no longer the man she once knew, but a bitter and hollow replica of him, unworthy of her love.

But even while Rome is burning, there’s somehow time for shopping at IKEA. Social imperatives are a merciless bitch. Everyone is attempting to buy what no one can sell.  See, when I moved out of the house earlier this week, trawling my many personal belongings in large bins and boxes and fifty-gallon garbage bags, my first inclination was, of course, to purchase the things I still “needed” for my new place. You know, the basics: food, hygiene products, a shower curtain, towels, a bed, and umm … oh, I need a couch and a matching leather chair and a love seat and a lamp and a desk and desk chair and another lamp for over there, and oh yeah don’t forget the sideboard that matches the desk and a dresser for the bedroom and oh I need a coffeetable and a couple end tables and a TV-stand for the TV I still need to buy, and don’t these look nice, whadda you call ’em, throat pillows? Oh, throw pillows. Well that makes more sense. And now that I think about it I’m going to want my apartment to be “my style,” you know: my own motif, so I need certain decoratives to spruce up the decor, but wait, what is my style exactly, and do these stainless-steel picture frames embody that particular style? Does this replica Matisse sketch accurately capture my edgy-but-professional vibe? Exactly how “edgy” am I? What espresso maker defines me as a man? Does the fact that I’m even asking these questions mean I lack the dangling brass pendulum that’d make me a “man’s man”? How many plates/cups/bowls/spoons should a man own? I guess I need a diningroom table too, right? And a rug for the entryway and bathroom rugs (bath mats?) and what about that one thing, that thing that’s like a rug but longer? Yeah, a runner; I need one of those, and I’m also going to need…

Staring at the magazine, as he dangled it before me like fish bait, I wanted it. I wanted it with a force that made the ends of my fingers ache. At the same time I saw this longing of mine as trivial and absurd, because I'd taken such magazines lightly enough once. I'd read them in dentists' offices, and sometimes on planes; I'd bought them to take to hotel rooms, a device to fill in empty time while I was waiting for Luke. After I'd leafed through them I would throw them away, for they were infinitely discardable, and a day or two later I wouldn't be able to remember what had been in them. Though I remembered now. What was in them was promise. They dealt in transformations; they suggested an endless series of possibilities, extending like the reflections in two mirrors set facing one another, stretching on, replica after replica, to the vanishing point. They suggested one adventure after another, one wardrobe after another, one improvement after another, one man after another. They suggested rejuvenation, pain overcome and transcended, endless love. The real promise in them was immortality.

Putting into words what exactly was off is not easy. I myself don’t even understand it. It was like a replica of my best friend was sitting in front of me, saying well-rehearsed lines at the wrong cues whilst I struggled to remember my dialogues. It was as if you had talked to me in some other language, a vernacular I used to be fluent in; but now, although the words sounded familiar, I really had no idea what you meant.

Perhaps it goes without saying that I believe in the geographic cure. Of course you can't out-travel sadness. You will find it has smuggled itself along in your suitcase. It coats the camera lens, it flavors the local cuisine. In that different sunlight, it stands out, awkward, yours, honking in the brash vowels of your native tongue in otherwise quiet restaurants. You may even feel proud of its stubbornness as it follows you up the bell towers and monuments, as it pants in your ear while you take in the view. I travel not to get away from my troubles but to see how they look in front of famous buildings or on deserted beaches. I take them for walks. Sometimes I get them drunk. Back at home we generally understand each other better.

I want a book that acknowledges that life goes on but that death goes on, too, that a person who is dead is a long, long story. You move on from it, but the death will never disappear from view. Your friends may say, Time heals all wounds. No, it doesn’t, but eventually you’ll feel better. You’ll be yourself again.

The addition of knitting needles and twirling yarn made Beckett’s forearm ink the exact replica of the tattoo on Mouse’s chest. “He was my friend and my brother.

Grace was against my will till God's grace changed me to accept His grace!

At that moment I felt so ruined by life that I couldn’t imagine it ever getting worse, which just shows that my sense of humor was slightly more durable than my imagination.

This is the happiest story in the world with the saddest ending.

When I was a teenager in Boston, a man on the subway handed me a card printed with tiny pictures of hands spelling out the alphabet in sign language. I AM DEAF, said the card. You were supposed to give the man some money in exchange. I have thought of that card ever since, during difficult times, mine or someone else's; surely when tragedy has struck you dumb, you should be given a stack of cards that explain it for you. When Pudding died, I wanted my stack. I still want it. My first child was stillborn, it would say on the front. It remains the hardest thing for me to explain, even now, or maybe I mean especially now - now that his death feels like a non sequitur. My first child was stillborn. I want people to know but I don't want to say it aloud. People don't like to hear it but I think they might not mind reading it on a card.

In my entire scientific life, extending over forty-five years, the most shattering experience has been the realization that an exact solution of Einstein's equations of general relativity, discovered by the New Zealand mathematician Roy Kerr, provides the absolute exact representation of untold numbers of massive black holes that populate the universe. This "shuddering before the beautiful," this incredible fact that a discovery motivated by a search after the beautiful in mathematics should find its exact replica in Nature, persuades me to say that beauty is that to which the human mind responds at its deepest and most profound level.

All I could remember was her smile. Unable to picture the loved face, however strenuously I tried to make myself remember it, I was for ever irritated to find that my memory had retained exact replicas of the striking and futile faces of the roundabout man and the barley-sugar woman, just as the bereaved, who each night search their dreams in vain for the lost beloved, will find their sleep is peopled by all manner of exasperating and unbearable intruders, whom they have always found, even in the waking world, more than dislikable. Faced with the impossibility of seeing clearly the object of their grief, they come close to accusing themselves of not grieving, just as I was tempted to believe that my inability to “remember the features of Gilberte’s face meant that I had forgotten her and had stopped loving her.

You were a wanted child, God knows, she would say at other moments, lingering over the photo albums in which she had me framed; these albums were thick with babies, but my replicas thinned out as I grew older, as if the population of my duplicates had been hit by some plague. She would say this a little regretfully, as though I hadn't turned out entirely as she'd expected. No mother is ever, completely, a child's idea of what a mother should be, and I suppose it works the other way around as well. But despite everything, we didn't do badly by one another, we did as well as most. I wish she were here, so I could tell her I finally know this.

As it unfolded, the structure of the story began to remind me of one of those Russian dolls that contain innumerable diminishing replicas of itself inside. Step by step the narrative split into a thousand stories, as if it had entered a gallery of mirrors, its identity fragmented into endless reflections. The minutes and hours glided by as in a dream. When the cathedral bells tolled midnight, I barely heard them. Under the warm light cast by the reading lamp, I was plunged into a new world of images and sensations peopled by characters who seemed as real to me as my surroundings. Page after page I let the spell of the story and its world take me over, until the breath of dawn touched my window and my tired eyes slid over the last page. I lay in the bluish half-light with the book on my chest and listened to the murmur of the sleeping city. My eyes began to close, but I resisted. I did not want to lose the story's spell or bid farewell to its characters just yet.

Projections change the world into the replica of one’s own unknown face. In the last analysis, therefore, they lead to an autoerotic or autistic condition in which one dreams a world whose reality remains forever unattainable. The resultant sentiment d’incomplétude and the still worse feeling of sterility are in their turn explained by projection as the malevolence of the environment, and by means of this vicious circle the isolation is intensified. The more projections are thrust in between the subject and the environment, the harder it is for the ego to see through its illusions. A forty-five-year-old patient who had suffered from a compulsion neurosis since he was twenty and had become completely cut off from the world once said to me: “But I can never admit to myself that I’ve wasted the best twenty-five years of my life!” It is often tragic to see how blatantly a man bungles his own life and the lives of others yet remains totally incapable of seeing how much the whole tragedy originates in himself, and how he continually feeds it and keeps it going. Not consciously, of course – for consciously he is engaged in bewailing and cursing a faithless world that recedes further and further into the distance. Rather, it is an unconscious factor which spins the illusions that veil his world. And what is being spun is a cocoon, which in the end will completely envelop him.

I love the handful of the earth you are. Because of its meadows, vast as a planet, I have no other star. You are my replica of the multiplying universe. Your wide eyes are the only light I know from extinguished constellations; your skin throbs like the streak of a meteor through rain. Your hips were that much of the moon for me; your deep mouth and its delights, that much sun; your heart, fiery with its long red rays, was that much ardent light, like honey in the shade. So I pass across your burning form, kissing you—compact and planetary, my dove, my globe. — Pablo Neruda, “XVI,” transl. Stephen Tapscott, from One Hundred Love Sonnets, The Poetry of Pablo Neruda, ed. Ilan Stavans (Farrar, Straus, and Giroux, 2003)

Sonny's lips twisted in a way I'd only seen once before. Barely restrained anger hid beneath the thick layer of his red-brown beard. "That f**king dumbass," he ground out. He cocked his head to one side, and then the other. A deep breath blew out from between his lips. "I'm gonna knock his teeth in." He was being completely serious. So, so serious about defending my honor, I couldn't help it. I started laughing. "It's fine." I snorted. "Son, it's really fine. Knock his teeth in another day." I laughed again. "Or maybe once I find another job, okay? Then you can bust all his teeth and his kneecaps for all I care." Those hazel eyes that were an exact replica of mine, narrowed. And then he quirked a little smile. "His kneecaps too?" I shrugged. "Why not? Call him a friggin' idiot while you do it." Sonny shook his head, full out grinning by that point. "To think I used to call you a good girl. My little sis telling me to break someone's kneecaps. You might make me cry, Ris." He leaned forward across the armchair I was sitting in and ruffled my hair. "Thatta girl." I snorted and batted his hand away.

The things we love weave themselves into the framework of our being. They are the trellises on which our thoughts grow; we shape ourselves, our habits, our vocabularies, to accommodate them. If someone asks, “Why do you love this?” the question is as impossible to answer as “Why are you?” You cannot isolate the part of you that loves from the rest of you, or mark its beginning and ending. Old couples grow to look like each other. Old ruins blur into their ivy. Star Wars fans name their kids Luke and Leia and show up at conventions dressed as Jabba the Hutt. At first we loved the Millennium Falcon, so we wanted to build a scale replica in our basement. Now we love the Millennium Falcon because of the scale replica in our basement. Every time I watched Star Wars I used to hold my breath to see if it felt the same. But now I know it won’t. It hasn’t moved, but I have. It’s always there. It’s magic, still, but a different magic every time. I turn off all the lights in the house so there’s no reflection or glare, shut all the doors and windows, and settle in a chair with my arms folded over my knees and wait for takeoff.

I know hiding your prejudice behind your ignorance isn’t enough. Because I have been the mom scrambling to provide my four-year-old with a somewhat intelligent, unproblematic answer when he went through a phase of questioning bindis (and fashioning his own replicas out of modeling clay). Ignoring things I don’t understand can’t be an option given that I am guiding the next generation.

I'm always trying to do what dead people tell me. And specially when I'm making a replica, spending days looking at and feeling and listening to some prehistoric object, I'm kind of trying to think their thoughts too. I mean, it would make sense, wouldn't it, that when I really concentrate on the spaces between decorative dots or the exact tension of a twist, my mind's doing what their minds did while my hands do what their hands did.

But I couldn’t have brought the child here, I never identified it as mine; I didn’t name it before it was born even, the way you’re supposed to. It was my husband’s, he imposed it on me, all the time it was growing in me I felt like an incubator. He measured everything he would let me eat, he was feeding it on me, he wanted a replica of himself; after it was born I was no more use. I couldn’t prove it though he was clever: he kept saying he loved me.

Annie, today I went outside and in the snow in the courtyard outside my dorm I built a replica of my childhood monster and wished you were with me. My snow monster was pure and white and guiltless, and I looked at it, Annie, and it struck me that it can never turn black and ugly like the monster of my childhood, because what is guiltless about it is what it is, not necessarily what it does. Even if sometimes what it does it bad, or cowardly, or foolish, it itself is okay, not evil.

I recognized the great monument from the illustration in the copy of /The Jungle Book/ that my mother kept in the top drawer of my bedside table. When I went with Sophia to the Taj Mahal for the first time, I was not as enchanted by the real mausoleum as I had been by its plaster, paint, and paper replica in the studio; the original posed a dreadfully seductive promise in cool marble of a strangely painful loveliness, a lover's lie that death itself might in some mysterious way, because of love, be lovely.

As far as I can tell from my observations, growing up seems to involve a lot of false starts, a lot of broken promises. The realization of the world as something neither for nor against you, but rather uninterested in you entirely. No matter how special you are, how many gold stars you receive, the world itself is incapable of loving you. When you're a kid, you don't care. You love what you love: your parents, your neighbor's angry cat, your favorite TV characters and their plastic replicas on your shelf, regardless of what you get in return. But growing up seems to be a lesson in loving only those who will love you back, and forsaking the rest.

Here are three things I know for sure: 1. When I was born, someone- I like to think it was my mother- wrapped me in a blue ball gown. 2. There is a color in this world that was named after a king's daughter, who always wore gowns that were made of exactly the same shade of blue. The stories about her make me wish sometimes I could have been friends with her; she smoked in public (at a time when women didn't), once jumped fully clothed into a swimming pool with the captain of a ship, often wore a boa constrictor around her neck, and another time shot at telegraph poles from a moving train. 3. My favorite story goes like this: once, on an island not far from here, there was a queen who climbed a tree waiting for her husband to return from a battle. She tied herself to a branch and vowed to remain there until he returned. She waited for so long that she slowly transformed into an orchid, which was an exact replica of the pattern on the blue gown she was wearing. Here's one more thing that I know for sure is true. On the day June told us she was going to hospital to bring you home, I was in the workshop pressing blue lady orchids. I've always loved them best because their centres are my favorite color: the color of the gown I was once wrapped in. The color of a king's wayward daughter favored. A color called Alice blue.

But if this is the sun, if this is absolutely the same as our sun,” I cried out, “then where is the earth?” And my companion pointed to the little star that shone in the darkness with an emerald brilliance. We were rushing straight toward her. “And are such replicas really possible in the universe, is that really the law of nature?… And if that is the earth there, is it really the same as our earth… absolutely the same, unfortunate, poor, but dear and eternally beloved, giving birth to the same tormenting love for herself even in her most ungrateful children?…” I cried out, shaking with irrepressible, rapturous love for that former native earth I had abandoned.

since beauty in a human being is different from the beauty of a thing, since we feel it belongs to a unique person with an awareness of the world and a will, no sooner had the girl’s individuality, a vague hint of soul, a will unknown to me, taken shape in a microscopic image, minute but complete, caught from her passing glance, than I could feel quickening within myself, like a mysterious replica of pollens ready for the pistils, the equally vague and minute embryo of the desire not to let this girl go on her way without having her consciousness register my presence, without my intervening between her and her desire for somebody else, without my being able to intrude upon her idle mood and take possession of her heart. The carriage passed the beautiful girl, leaving her behind us; and since her eyes, which had barely glimpsed me, had gathered nothing of the person in me, she had forgotten me already. Had I thought her so lovely only because I had caught a mere glimpse of her? Perhaps. For one thing, the impossibility of stopping and accosting a woman, the likelihood of not being able to find her again some other day, gives her the same sudden charm as is acquired by a place when illness or poverty prevents one from visiting it, or by the succession of drab days of one’s unlived future when it is forfeit to death in battle.

I turned to Kitty Sue and surprised myself by answering honestly, "I'm fine. Lee's fine. Lee's more fine than me. I'm having troubles adjusting. Lee seems pretty sure of himself. Lee seems pretty sure of everything." This, I realized, was true about Lee always. I'd never met someone as confident in my life. Well, maybe Hank, but Hank's confidence was quiet and assured. And there was Lee's best friend, Eddie, of course. But Eddie was like Lee's twin, separated at birth, cut from the same cloth. Lee's confidence, and Eddie's, wasn't like Hank's. It was cocky and assertive. "And you aren't sure?" Kitty Sue asked. I looked at her and thought maybe I should have lied. It was too late now. "Nope. He scares me," I admitted. She nodded. "Yep, he's pretty dang scary." I stared. My God, the woman was talking about her son. "You agree?" She looked at Lee then back at me. "Honey, that boy drives me to distraction. It's like he's not of my loins. I don't even know where he came from. If Ally hadn't been the exact replica of Lee, personality-wise, except female I would have wondered if there was a mix up at the hospital." I kept staring. Kitty Sue kept talking. "Hank's just like his Dad. Smart, cautious, controlled, taking only calculated risks. I'm sure Lee calculates his risks, but I think he allows for a much larger margin for error and counts on ... I don't know what he counts on to get him out of whatever scrapes he gets into." I couldn't stop staring. She kept talking, and everything that came out of her mouth was like a verbal car accident. If she was trying to convince me to stick with her son, she should have tried a different tact. "He does ... you know?" Kitty Sue said. I realized she was asking me a question, so I shook my head that no, I didn't know. She explained, "He gets out of every scrape. Always did and always did it on his own. Though it'll take some kind of woman to live a life like that, knowing what he's like, knowing the risks he takes." Her hand went to my knee and she squeezed it before she went on. "Not anyone here would think less of you if you aren't that woman. I'm telling you because it's true. We all love you both and we'll always love you both, no matter what happens between you." She stopped, sighed and continued, "Anyway, I don't even know if that kind of woman exists. I'm his mother. I've lived with him surviving scrapes that would make your hair stand on end and I worry about him every day. He scares the hell out of me.

Nah, you’re realizing I’m the total package. Beauty and brains—” “And super modest,” she noted. “Exactly! And, because my amazingness knows no bounds, I even come bearing presents!” He pulled a box of Prattles from his cape pocket with a dramatic flourish. “Today you’re getting my brilliant lesson and candy!” He tore open the box and fished out the tiny satchel, dumping the collectible pin into his hand. “Cool—the Prattles kraken! I’ve always wanted one of those!” He held up the tiny replica of the giant sea monster. “Remember when the Black Swan had us leap under the ocean and that kraken wanted to eat us?” “Kinda hard to forget,” Sophie told him. “And you can keep the pin.” “Uh-uh, it’s yours.” “But you want it.” “And I want you to have it! So how about we call him ours? We’ll name him Krakie, and he can live right here.” He pointed to the bandage covering her right hand. “That way Krakie can protect you from the echo—not that you need protection. He’ll just be your backup.

No one but she had realized that the ballroom bore a rather startling resemblance to the gardens at Charise Dumont’s country house, and that the arbor at the side, with its trellised entrance, was a virtual replica of the place where she and Ian had first waltzed that long-ago night. Across the room, the vicar was standing with Jake Wiley, Lucinda, and the Duke of Stanhope, and he raised his glass to her. Elizabeth smiled and nodded back. Jake Wiley watched the silent communication and beamed upon his little group of companions. “Exquisite bride, isn’t she?” he pronounced, not for the first time. For the past half-hour, the three men had been merrily congratulating themselves on their individual roles in bringing this marriage about, and the consumption of spirits was beginning to show in Duncan and Jake’s increasingly gregarious behavior. “Absolutely exquisite,” Duncan agreed. “She’ll make Ian an excellent wife,” said the duke. “We’ve done well, gentlemen,” he added, lifting his glass in yet another congratulatory toast to his companions. “To you, Duncan,” he said with a bow, “for making Ian see the light.” “To you, Edward,” said the vicar to the duke, “for forcing society to accept them.” Turning to Jake, he added, “And to you, old friend, for insisting on going to the village for the servingwomen and bringing old Attila and Miss Throckmorton-Jones with you.” That toast belatedly called to mind the silent duenna who was standing stiffly beside them, her face completely devoid of expression. “And to you, Miss Throckmorton-Jones,” said Duncan with a deep, gallant bow, “for taking that laudanum and spilling the truth to me about what Ian did two years ago. ‘Twas that, and that alone, which caused everything else to be put into motion, so to speak. But here,” said Duncan, nonplussed as he waved to a servant bearing a tray of champagne, “you do not have a glass, my dear woman, to share in our toasts.” “I do not take strong spirits,” Lucinda informed Duncan. “Furthermore, my good man,” she added with a superior expression that might have been a smile or a smirk, “I do not take laudanum, either.” And on that staggering announcement, she swept up her unbecoming gray skirts and walked off to dampen the spirits of another group. She left behind her three dumbstruck, staring men who gaped at each other and then suddenly erupted into shouts of laughter.

Translating how that latter fact came to life in the studio, engineer Chuck Zwicky explained from his own observations during the recording of the album that “the way that Prince’s music comes together has everything to do with how he views the individual instruments, and for example, when he’s sitting down at the drums, he’s derivatively thinking about Dave Gerbaldi, the drummer from Tower of Power, and that’s a real fascile and funky drummer; and when he plays keyboards, he’s thinking about James Brown’s horn player, on one aspect; and when he’s playing guitar, other elements creep in, because he loves Carlos Santana, and Jimi Hendrix, and this other guitar player named Bill Nelson, a rock guitar player from the 70s. And so these aspects all come together to make this unique sound that is Prince, and it’s not rock, it’s not funk, it’s not jazz, it’s not blues—it’s just his own kind of music. I remember there was one particular moment when he started playing this keyboard line, and I’m thinking ‘He can’t play that, that’s Gary Newman.’ And at that moment, he stops the tape, and turns and looks at me and asks ‘Do you like Gary Newman?’ And I said ‘You know, the album Replica never left my turntable in Jr. High School after my sister bought it for me. I listened to it until it wore out.’ And he said ‘There are people still trying to figure out what a genius he is.

The next morning, I went over to pick them up. I’d spent the night thinking of more things I should tell them--everything about Chris I thought they needed to know. It was all too much. “I don’t know how to tell you everything,” I confessed to Bradley as he got into the car. I started to cry. “There’s so many things and we have such a short amount of time.” “Just being here is all we need,” he said. “I’m not an impersonator. I’m just here to feel Chris’s life--I feel him here with me right now.” Bradley put me at ease and I calmed down. Back at the house, he and Clint became almost like family. Little bits of their personality came out as well--and I saw a glimmer of Clint’s famous Dirty Harry character later on in the day when I had to leave to go to Bubba’s basketball game. They’d talked about coming with me--which frankly would have created an impossible circus. But I did give them the option. As they stood trying to make up their minds, I snapped into anxious mom mode. “All right,” I told them both. “You’re welcome to come. But if you’re coming, we’re leaving now.” I guess my tone was a little too strident. “So you want to get tough with me, huh, lady?” said Clint in his best Dirty Harry voice as he raised his eyebrow. It’s amazing how threatening a simple facial tic can be. I left them home to study some of Chris’s replica guns and gear. Our own already had its ample share of lawmen.

Back in L.A., I’d remained friends with my freshman-year boyfriend, Collin, and we’d become even closer after he confided in me one dark and emotional night that he’d finally come to terms with his homosexuality. Around that time, his mother was visiting from Dallas, and Collin invited me to meet them at Hotel Bel Air for brunch. I wore the quintessential early-1990s brunch outfit: a copper-brown silk tank with white, dime-size polka dots and a below-the-knee, swinging skirt to match. A flawless Pretty Woman--Julia Roberts polo match replica. I loved that outfit. It was silk, though, and clingy, and the second I sat down at the table I knew I was in trouble. My armpits began to feel cool and wet, and slowly I noticed the fabric around my arms getting damper and damper. By the time our mimosas arrived, the ring of sweat had spread to the level of my third rib; by mealtime, it had reached the waistline of my skirt, and the more I tried to will it away, the worse it got. I wound up eating my Eggs Florentine with my elbows stuck to my hip bones so Collin and his mother wouldn’t see. But copper-brown silk, when wet, is the most unforgiving fabric on the planet. Collin had recently come out to his parents, so I’d later determined I’d experienced some kind of sympathetic nervousness on Collin’s behalf. I never wore that outfit again. Never got the stains out. Nor would I ever wear this suit again.

This is the best idea you’ve had all day. And you’ve had a ton of good ones. You are so the idea girl. Quitting your job? Great idea. Getting Lay to give you the latex replica of yourself? Stellar. Just gotta follow through. The excessive drinking? Also masterful. And now we’re going to kick ass in person. I love it. Let’s dress you up, though. We’ll make Hudson’s balls cry big, girly tears when he thinks of all the anal he could have had with you tonight.” “Did I tell you he has his tongue pierced? And his dick pierced?” Verity asked, holding Angie by her face. “Do you know what that means to a vagina? Are you aware of the commitment he’s made to my vagina’s happiness? He slapped his man meat out somewhere…” She waved a boozy hand at the city. “Thought about pleasure, and took a stab in his pee hole. Do you even understand that?” “You did mention that already. And the tongue one is hard to miss.” Angie nodded seriously. “Let’s find the hottest thing you own and pour your boobs in it. Have I told you you have great tits? Your tits are the sweetest friends with my tits.” They proceeded to bump their boobs together. “Okay, let’s go.” Angie dragged Verity to her closet.   Verity Michaels @VerityPics03 I’ve never thunk Fireball was a bad idea. #RageDrinking   Verity Michaels @VerityPics03 Angie made me sexlicious. #GreatTitBuddies   Verity Michaels @VerityPics03 Pierced dicks are fucktacular. #PoundTown

More or less the same can be said for Art Therapy, which is organized infantilism. Our class was run by a delirious young woman with a fixed, indefatigable smile, who was plainly trained at a school offering courses in Teaching Art to the Mentally Ill; not even a teacher of very young retarded children could have been compelled to bestow, without deliberate instruction, such orchestrated chuckles and coos. Unwinding long rolls of slippery mural paper, she would tell us to take our crayons and make drawings illustrative of themes that we ourselves had chosen. For example: My House. In humiliated rage I obeyed, drawing a square, with a door and four cross-eyed windows, a chimney on top issuing forth a curlicue of smoke. She showered me with praise, and as the weeks advanced and my health improved so did my sense of comedy. I began to dabble happily in colored modeling clay, sculpting at first a horrid little green skull with bared teeth, which our teacher pronounced a splendid replica of my depression. I then proceeded through intermediate stages of recuperation to a rosy and cherubic head with a “Have-a- Nice-Day” smile. Coinciding as it did with the time of my release, this creation truly overjoyed my instructress (whom I’d become fond of in spite of myself), since, as she told me, it was emblematic of my recovery and therefore but one more example of the triumph over disease by Art Therapy.

You may not recognize the name Steven Schussler, CEO of Schussler Creative Inc., but you are probably familiar with his very popular theme restaurant Rainforest Café. Steve is one of the scrappiest people I know, with countless scrappy stories. He is open and honest about his wins and losses. This story about how he launched Rainforest Café is one of my favorites: Steve first envisioned a tropical-themed family restaurant back in the 1980s, but unfortunately, he couldn’t persuade anyone else to buy into the idea at the time. Not willing to give up easily, he decided to get scrappy and be “all in.” To sell his vision, he transformed his own split-level suburban home into a living, mist-enshrouded rain forest to convince potential investors that the concept was viable. Yes, you read that correctly—he converted his own house into a jungle dwelling complete with rock outcroppings, waterfalls, rivers, and layers of fog and mist that rose from the ground. The jungle included a life-size replica of an elephant near the front door, forty tropical birds in cages, and a live baby baboon named Charlie. Steve shared the following details: Every room, every closet, every hallway of my house was set up as a three-dimensional vignette: an attempt to present my idea of what a rain forest restaurant would look like in actual operation. . . . [I]t took me three years and almost $400,000 to get the house developed to the point where I felt comfortable showing it to potential investors. . . . [S]everal of my neighbors weren’t exactly thrilled to be living near a jungle habitat. . . . On one occasion, Steve received a visit from the Drug Enforcement Administration. They wanted to search the premises for drugs, presuming he may have had an illegal drug lab in his home because of his huge residential electric bill. I imagine they were astonished when they discovered the tropical rain forest filled with jungle creatures. Steve’s plan was beautiful, creative, fun, and scrappy, but the results weren’t coming as quickly as he would have liked. It took all of his resources, and he was running out of time and money to make something happen. (It’s important to note that your scrappy efforts may not generate results immediately.) I asked Steve if he ever thought about quitting, how tight was the money really, and if there was a time factor, and he said, “Yes to all three! Of course I thought about quitting. I was running out of money and time.” Ultimately, Steve’s plan succeeded. After many visits and more than two years later, gaming executive and venture capitalist Lyle Berman bought into the concept and raised the funds necessary to get the Rainforest Café up and running. The Rainforest Café chain became one of the most successful themed restaurants ever created, and continues that way under Landry’s Restaurants and Tilman Fertitta’s leadership. Today, Steve creates restaurant concepts in fantastic warehouses far from his residential neighborhood!

So it’s not the sight of stromatolites that makes them exciting. It’s the idea of them – and in this respect they are peerless. Well, imagine it. You are looking at living rocks – quietly functioning replicas of the very first organic structures ever to appear on earth. You are experiencing the world as it was 3.5 billion years ago – more than three-quarters of the way back to the moment of terrestrial creation. Now if that is not an exciting thought, I don’t know what is. As the aforementioned palaeontologist Richard Fortey has put it: ‘This is truly time travelling, and if the world were attuned to its real wonders this sight would be as well-known as the pyramids of Giza.’ Quite right. Stromatolites are rather like corals in that all of their life is on the surface, and that most of what you are looking at is the dead mass of earlier generations. If you peer, you can sometimes see tiny bubbles of oxygen rising in streams from the formations. This is the stromatolite’s only trick and it isn’t much, but it is what made life as we know it possible. The bubbles are produced by primitive algae-like micro-organisms called cyanobacteria, which live on the surface of the rocks – about three billion of them to the square yard, to save you counting – each of them capturing a molecule of carbon dioxide and a tiny beat of energy from the sun and combining them to fuel its unimaginably modest ambitions to exist, to live. The byproduct of this very simple process is the faintest puff of oxygen. But get enough stromatolites respiring away over a long enough period and you can change the world. For two billion years this is all the life there was on earth, but in that time the stromatolites raised the oxygen level in the atmosphere to 20 per cent – enough to allow the development of other, more complex life forms: me, for instance. My gratitude was real. The

NBC News reporter David Gregory was on a tear. Lecturing the NRA president—and the rest of the world—on the need for gun restrictions, the D.C. media darling and host of NBC’s boring Sunday morning gabfest, Meet the Press, Gregory displayed a thirty-round magazine during an interview. This was a violation of District of Columbia law, which specifically makes it illegal to own, transfer, or sell “high-capacity ammunition.” Conservatives demanded the Mr. Gregory, a proponent of strict gun control laws, be arrested and charged for his clear violation of the laws he supports. Instead the District of Columbia’s attorney general, Irv Nathan, gave Gregory a pass: Having carefully reviewed all of the facts and circumstances of this matter, as it does in every case involving firearms-related offenses or any other potential violation of D.C. law within our criminal jurisdiction, OAG has determined to exercise its prosecutorial discretion to decline to bring criminal charges against Mr. Gregory, who has no criminal record, or any other NBC employee based on the events associated with the December 23, 2012 broadcast. What irked people even more was the attorney general admitted that NBC had willfully violated D.C. law. As he noted: No specific intent is required for this violation, and ignorance of the law or even confusion about it is no defense. We therefore did not rely in making our judgment on the feeble and unsatisfactory efforts that NBC made to determine whether or not it was lawful to possess, display and broadcast this large capacity magazine as a means of fostering the public policy debate. Although there appears to have been some misinformation provided initially, NBC was clearly and timely advised by an MPD employee that its plans to exhibit on the broadcast a high capacity-magazine would violate D.C. law. David Gregory gets a pass, but not Mark Witaschek. Witaschek was the subject of not one but two raids on his home by D.C. police. The second time that police raided Witaschek’s home, they did so with a SWAT team and even pulled his terrified teenage son out of the shower. They found inoperable muzzleloader bullets (replicas, not live ammunition, no primer) and an inoperable shotgun shell, a tchotchke from a hunting trip. Witaschek, in compliance with D.C. laws, kept his guns out of D.C. and at a family member’s home in Virginia. It wasn’t good enough for the courts, who tangled him up in a two-year court battle that he fought on principle but eventually lost. As punishment, the court forced him to register as a gun offender, even though he never had a firearm in the city. Witaschek is listed as a “gun offender”—not to be confused with “sex offender,” though that’s exactly the intent: to draw some sort of correlation, to make possession of a common firearm seem as perverse as sexual offenses. If only Mark Witaschek got the break that David Gregory received.

Too often have I seen human parents who were too young, too unstable, or otherwise unfit or unready for children produce child after doomed, mistreated child. I will have none of this for these, my gryphons. By watching them, and then training others what to watch for, I can discover which pairings are loving and stable, which would-be parents have the patience and understanding to be parents. And in this way, perhaps my creations will have a happier start in life than most of the humans around them. While I may not be an expert in such things, I have at least learned how to observe the actions of others, and experience may give me an edge in judging which couples are ready for little ones.- Those who desire children must not bring them into our dangerous world out of a wish for a replica of themselves, a creature to mold and control, a way to achieve what they could not, or the need for something that will offer unconditional love. For that, they must look elsewhere and most likely into themselves.

It's the knowledge I spit that's detrimental to those powerful. Mental elemental procedures to the mass of ignorance. It's an on-going, never-ending symbol of punishment for the suffering is due to its lack of acknowledgement. Masquerades, gimmicks, and monopoly games; giving your heart to this money instead of Almighty, so it's suffering and burning of flames, a burning of shame. Playing the game can never leave you the same so who is to blame? Complete conspiracy, committed theft of inherited immunity, live a life of misery and taxing our energy. A straw afloat on water of deceptive ingenuity. A false replica of me, an enemy with my name but non-resistant so I agree with my adversary.

My dick’s pretty fucking phenomenal. You should see it. Grown women have been known to weep when they behold it.” … “I’m sure your dick is magnificent,” I said, groaning under my breath. “I’m sure women across the country have carved wooden replicas of it that they worship daily. It’s probably the most stunning cock to have ever gotten a boner. But I’m gonna pass this time.

As I pass Logan’s room, I catch a glorious purple glow. My curiosity gets the best of me. I walk in and flick on the light switch. On the wall above a bookshelf hangs something truly magnificent. Delicately, I pick up the Mace Windulightsaber replica. It reminds me of those super expensive knives professional chefs use that are weighted perfectly for precision. I take a step back and brandish the weapon at a poster of Aragorn from Lord of the Rings on the wall. “Don’t worry, your highness. Your Jedi escort will see you to safety,” I say in my best Obi Wan accent. “The force is strong with this one.” The words come from behind me. I whip around out of pure freaked-out instinct, swinging the lightsaber in a big arc. It clashes with one just like it, except it’s blue. I look up into Dan’s smug face and wish these lightsabers weren’t replicas. Sure, it’s a cute face, but it’s a face I’m not in the mood to deal with at the moment. I swirl my saber to move his out of the way and put the point of it to his chin. “Don’t make me slice your nose off, you scruffy-looking nerf herder.” I’ve always wanted to call someone that, but the opportunity never presented itself until now. He tosses his lightsaber onto the bed and holds his hands up in surrender. “I yield, but only because that is a limited edition.

My good friend grows weary. Will we stop to rest soon?” “Yes.” “Your good friend is tired, too.” She glanced sideways at the stallion he rode, an almost exact replica of her own. “Can I ask something?” Hunter’s mouth lifted at one corner. “If I say no, you will be silent?” “Are you saying I talk too much?” Loretta hesitated, realizing it was true. Silence had been her prison for far too long. And while she had the chance, she hungered to learn all she could about him--to put her ghosts to rest. “I was just wondering, of these two horses, why did you choose that one as your good friend? Is he superior to this one in some way?” “Sup-ear-ee-or?” “Better.” “Not better. He has a crooked front hoof, like my good friend who is dead.” He paused and seemed to search for the right words. “He is his face on the water, no? How is it you say this?” Loretta leaned sideways to see the stallion’s tracks. His right front hoof left a notched-crescent print in the dust. “Reflection?” “Yes, he is his reflection.” “The spittin’ image of--What was your dead friend’s name?” “It is not to be spoken. He is dead, no? To say his name would not show respect. What is this to do with spit?” “It’s just a saying. When someone or something looks just like something else, it’s called a spittin’ image.

Kali purana or Kalki purana depicts many postulates about women transformation into Maha Kali, But I am not sure if it is right or wrong, Kali or durga loves all including asuras and Kali formation as girls when they rule they love all type of men then when questions are arised bu Shiv to Kali or Vishnu to Kali she has to answer and then she replies as she loves all just like shiv drank poison to protect the world from Paarkadal (i e Spiritual ocean - when devas or children of Indra where producing immortality medicine and poison also produced i e Negative Karmic people) she also had to protect asuras by love but when time to end Kali yuga , Vishnu manifests himself as destroyer rather than shiv as destroyer by engulfing shiv energy. Here the thing is that is ancient paar kadal (Spiritual ocean is present in heaven but the replica is also present still in my hometown Srivilliputhur, Tamilnadu and it is said that Andal(Avtar of lakshmi were doing bath on that pond) but currently it is just a Sewer due to environmental pollution. So I know it is Kali yuga and many girls are showcasing abilities to be Kali to be frank, But make sure one thing only Hindu girls should be Kali, protect Hinduism and Nalanda

Being perceived as an Indian, knowing how to signify this identity in America, and even in India, when I’ve lived there, feels a bit like being a replica—a cyborg.

Nabokov famously never had a home. In the United States he and his wife, Vera, always rented. At Cornell University in Ithaca, New York, where he taught for a decade, they occupied homes vacated by professors on sabbatical. The Nabokovs ended their days in a small suite of rooms at the Montreux Palace Hotel in Switzerland. When asked to explain his peripatetic life of exile, Nabokov said, “Nothing short of a replica of my childhood surroundings would have satisfied me.” His hero Pushkin was a wanderer, too, exiled from St. Petersburg by the czar for years at a time. Like Nabokov, “To the end of his life he remained deeply attached to what he considered his real home, the Lyceum, and to his former fellow students.

I was pissed at him for the prank he pulled earlier this week. That jerk spent a large sum of his money (and time) purchasing identical replicas of all my clothes, then swapped them out with a smaller size. It took me days to figure out what he did.

They had created four little replicas of themselves, each as powerful as each other so they’d never turn against one another. It was messed up if you asked me. And my guess was those kids were fucked in the head. But I still wanted to go taste the life they were going to live. Breathe in their beautiful academy, roll across their Pitball pitch naked, eat their food and drink their filtered-through-a-Pegasus’s butthole water, to just experience what that might have been like.

My men spoke to me of Miklagard, the city of the world’s desire, and home of my enemy. We’ll travel there, hiding in plain sight as they say. I want to see where the Kristin god lives.” “The Kristin god no more lives in Miklagard than Thorr lives in the oaks or the fields.” “I don’t mean literally. You’ve been there?” “I have travelled to many places. But yes, I have seen the brazen domes of their churches, heard the mournful tolling of bells, witnessed the ponderous parades of icons around their endless walls. I followed the Kristins there. I was not tempted.” “So why does it call to men, both in victory and in defeat? Why don’t the Kristins yield or succumb? Perhaps the City itself is their god. Perhaps their god is desire or fear, or both, a greed for glory, wealth or the life eternal. Perhaps that is why the Great City is sieged by Serkir, Bolgarar, Khazar and Húnar. I want to see their talismans, their relics, I want to understand how man may build a replica of Heaven.

But Archer reached into the box, looking resigned, and pulled out a replica black '67 Impala... just like Steele's car that we'd driven to the fight and the party. Just like the one that I'd been stuffed into the trunk of when I was overdosing on a drug ten times more lethal than heroin. "Let me guess," I drawled—or tried to because my voice was still all rough and painful, "there’s something in the trunk, isn’t there?

In 1971, there was the concert of all concerts, the Soul to Soul Music Festival, which was staged on March 6 as a celebration of Ghana’s fourteenth anniversary of independence. It was held in Accra, at Black Star Square, which is now called Independence Square, and it was fourteen hours long, ending at dawn. A number of Americans came to perform, like Wilson Pickett, Ike and Tina Turner, the Staple Singers, Santana, and Roberta Flack. For months before and for months afterward, Soul to Soul was the talk of the nation. Every town attempted their own mini replica, inviting multiple bands, trying to pack the venues and keep the show going until the crowd was knackered.

That’s right. I’m going to fill your ass until it feels like I’m hitting the back of your throat. Then I’ll slide a silicone replica of my cock into your sweet pussy and make you speak in tongues.

But if this is the sun, if this is absolutely the same as our sun,” I cried out, “then where is the earth?” And my companion pointed to the little star that shone in the darkness with an emerald brilliance. We were rushing straight toward her. “And are such replicas really possible in the universe, is that really the law of nature?… And if that is the earth there, is it really the same as our earth… absolutely the same, unfortunate, poor, but dear and eternally beloved, giving birth to the same tormenting love for herself even in her most ungrateful children?…” I cried out, shaking with irrepressible, rapturous love for that former native earth I had abandoned. The

Even my grandma could get this one, and she thinks that baseball is some sort of satanic ritual invented in 1812 by Communist kangaroos to help an alien tribe of sea creatures called Trout Mask Replicas build the ancient pyramids.” I

When incumbents step down, voters rarely opt for a replica of what they have, even when that outgoing leader is popular. They almost always choose change over the status quo. They want successors whose strengths address the perceived weaknesses in the departing leader.

Lester Maddox, later elected Governor of Georgia, was one of the protesting restaurateurs. After closing his fried chicken outlets, he opened a memorial to the death of freedom, featuring a copy of the Bill of Rights resting in a black-draped coffin. To support himself he sold clubs and ax handles in three different sizes—Daddy, Mama, and Junior—replicas of the clubs used to beat black civil rights demonstrators. I bought one of those ax handles with money earned from my paper route. Lester Maddox sometimes attended my church (his sister was a member), and it was there I learned a twisted theological basis for my racism.

Before she could say a word or throw herself in front of the oncoming disaster that was quickly becoming her life, a nude, Adonis-inspired statue slid down the ramp of the truck, landing gracefully on her lawn with a small thud. “Oh my,” Nora sighed with an expression of sheer appreciation. “Isn’t that an eyeful?” Eyeful indeed. Standing well over six feet tall, and except for the embellished bulge and generous amount of hair, the marble statue was a spot-on replica of her ex. Even down to the smarmy smile and trademarked wink.

I am strutting up to a beautiful skyscraper in downtown LA and why? Oh, to go help my porn star, ex-boyfriend make a mold of his huge dick so thousands of women can shove a silicone replica of it up their vaginas. I

Toward the final hallway, we found an attraction that hadn’t been there in previous years. Or maybe in other years we were more innocent and less observant, more eager to run to the next delight. Whatever the reason, as we neared the exit we were caught between two giant mirrors that faced each other, reflecting the image between them back and forth ad infinitum. We had dressed alike as we often did, or as often as cheap clothing and Goodwill bags would allow. We had on pale colored shorts and plain pink T’s, our heads covered with the fluorescent green bandanas we’d purchased, and flip flops on our feet. I was browner and a little heavier than Minnie—the chemo made her more susceptible to sunburn and killed her appetite, but other than that, we were still identical. Minnie and I stared at the rows of twins that had no end, one behind another in smaller and smaller replicas of the original. Bonnie and Minnie forever . . . and ever and ever. I reached for Minnie’s hand, and all our reflections joined hands as well, making the hair rise on my neck. Maybe it should have been comforting, the thought of the two of us going on forever, but it wasn’t. “There are twins, triplets, quadruplets, quintuplets, right? But what do you call that?” Minnie said, her eyes glued to the mirror in front of us. “Scary as hell,” I answered

I tugged fondly at the silver hammer I wore at my neck – a replica of Mjölnir,

by the fact of his own election, that audacity does not appear to challenge the system of power which has brought the nation an endless war, bankruptcy, recession, and high unemployment. Change aplenty and all feeding the drift toward the system described in the pages that follow. July 2009 Preface As a preliminary I want to emphasize certain aspects of the approach taken in this volume in order to avoid possible misunderstandings. Although the concept of totalitarianism is central to what follows, my thesis is not that the current American political system is an inspired replica of Nazi Germany’s or George W. Bush of Hitler.1 References to Hitler’s Germany are introduced to remind the reader of the benchmarks in a system of power that was invasive abroad, justified preemptive war as a matter of official doctrine, and repressed all opposition at home—a system that was cruel and racist in principle and practice, deeply ideological, and openly bent on world domination. Those benchmarks are introduced to illuminate tendencies

ANNALS OF LANGUAGE WORD MAGIC How much really gets lost in translation? BY ADAM GOPNIK Once, in a restaurant in Italy with my family, I occasioned enormous merriment, as a nineteenth-century humorist would have put it, by confusing two Italian words. I thought I had, very suavely, ordered for dessert fragoline—those lovely little wild strawberries. Instead, I seem to have asked for fagiolini—green beans. The waiter ceremoniously brought me a plate of green beans with my coffee, along with the flan and the gelato for the kids. The significant insight the mistake provided—arriving mere microseconds after the laughter of those kids, who for some reason still bring up the occasion, often—was about the arbitrary nature of language: the single “r” rolled right makes one a master of the trattoria, an “r” unrolled the family fool. Although speaking feels as natural as breathing, the truth is that the words we use are strange, abstract symbols, at least as remote from their objects as Egyptian hieroglyphs are from theirs, and as quietly treacherous as Egyptian tombs. Although berries and beans may be separated by a subtle sound within a language, the larger space between like words in different languages is just as hazardous. Two words that seem to indicate the same state may mean the opposite. In English, the spiritual guy is pious, while the one called spirituel in French is witty; a liberal in France is on the right, in America to the left. And what of cultural inflections that seem to separate meanings otherwise identical? When we have savoir-faire in French, don’t we actually have something different from “know-how” in English, even though the two compounds combine pretty much the same elements? These questions, about the hidden traps of words and phrases, are the subject of what may be the weirdest book the twenty-first century has so far produced: “Dictionary of Untranslatables: A Philosophical Lexicon,” a thirteen-hundred-page volume, originally edited in French by the French philologist Barbara Cassin but now published, by Princeton University Press, in a much altered English edition, overseen by the comp-lit luminaries Emily Apter, Jacques Lezra, and Michael Wood. How weird is it? Let us count the ways. It is in part an anti-English protest, taking arms against the imperializing spread of our era’s, well, lingua franca—which has now been offered in English, so that everyone can understand it. The book’s presupposition is that there are significant, namable, untranslatable differences between tongues, so that, say, “history” in English, histoire in French, and Geschichte in German have very different boundaries that we need to grasp if we are to understand the texts in which the words occur. The editors, propelled by this belief, also believe it to be wrong. In each entry of the Dictionary, the differences are tracked, explained, and made perfectly clear in English, which rather undermines the premise that these terms are untranslatable, except in the dim sense that it sometimes takes a few words in one language to indicate a concept that is more succinctly embodied in one word in another. Histoire in French means both “history” and “story,” in a way that “history” in English doesn’t quite, so that the relation between history and story may be more elegantly available in French. But no one has trouble in English with the notion that histories are narratives we make up as much as chronicles we discern. Indeed, in the preface, the editors cheerfully announce that any strong form of the belief to which their book may seem to be a monument is certainly false: “Some pretty good equivalencies are always available. . . . If there were a perfect equivalence from language to language, the result would not be translation; it would be a replica. . . . The constant recourse to the metaphor of loss in translation is finally too easy.” So their Dictionary is a self-exploding book,

Men were good for two things: opening jars and a good fuck. As far as I was concerned, Lea could open all the jars I needed and my vibrator would take care of the second.

Her journal is my journal. All mine is stale reading now. She has written down all my thoughts and forestalled me! Already I have found some heart-rending parallels. To think I am only a replica: how humiliating for a human being to find himself merely a duplicate of another.

My apologies,” Ethan said. “If that is true, someone has made a replica or copy. Camilla has found something in El Donuma and is offering it to the highest bidder. Kaden wants it.

I hadn’t thought it possible for him to put some of my larger toy replicas to shame, but I was wrong. Holy shit, he’s going to put that monster inside of me. How am I going to be able to walk tomorrow?

It's always unnerving to look at the two of them, because it's like looking in a mirror...except not. Their features are exact replicas of mine, closer than even twins. Some of the a'ani have different spacing to their features, or one might have a softer jaw or thicker brows. Ruth, Ruth-Ann and I really look as if we've just stepped out of a mirror funhouse. It's freaky, and I think that's why I'm so obsessed with piercings and shaving my head. I'm desperately trying to establish “me,” and that confidence gets eroded every time I look one of them in the eye.

I couldn’t tell whether amazing meant she was amazed at her own psychic abilities, or the nature of the coincidences, or the ability of a desperate mind to find meaning in a random assortment of visuals.

I looked at my reflection in the glass door at the entrance of the house. For the millionth time, I saw something entirely different from what I desperately wished to see. But to be fair, what I wished to see was a replica of the skeletons I had come to worship. I often wondered as to why my eyes couldn't see what the world around me could. Why did my eyes see differently than others?

In the few weeks we've been in residence, Schatzi has kicked dirt in the eye of a Chihuahua, resulting in a squealing of eardrum-perforating shrillness. She nipped the fingers of a very nice young woman walking her terrier mix when she tried to pet her. She growled at a Yorkie so menacingly the dog had immediate violently explosive diarrhea. All over my leg. It was like some invisible hand just squeezed her in the middle and hot liquid poop shot out of her with such velocity that despite being only like eight inches tall, she hit me from ankle to over the knee. I'm still grateful she wasn't a bigger dog. Schatzi was never mean to other dogs, or owners for that matter, when we were in the West Loop. She had her neighborhood pals, Otto the black Lab, who always tried to give her gifts of mangy tennis balls, Lucy, the sweet old arthritic collie who would nuzzle Schatzi like a doting grandmother, and her best buddy, Klaus, a giant schnauzer, the perfect replica of Schatzi herself, just supersized. They would romp around and then put their square bearded heads together and have what appeared to be very serious conversations about things. Jimmy, Klaus's dad, would always lean over and ask, "Do you think they're planning to invade Poland?" which never failed to make me laugh.

I woke up this morning and discovered that everything in my apartment had been stolen and replaced with an exact replica. I told my roommate, "Isn't this amazing? Everything in the apartment has been stolen and replaced with an exact replica." He said, "Do I know you?

It was a little past nine o'clock when I checked my watch at the entrance to his apartment building, a gray two-story factory for manufacturing hundreds of tired replicas of the American Dream. All the inmates imagined their dreams to be unique, but they were merely tin reproductions of a lost original.

I must surrender my free will just to be captive in the triumphs of Christ’s life, death, burial, and resurrection and if not, I have left the “Narrow Way!

(Claire Vaye Watkins wrote well on this in her essay “On Pandering”: “I have built a working miniature replica of the patriarchy in my mind.”)

This book was inspired by these words.” “The young man was a blacksmith in the village, a magnificent white charger horse was brought to him, and he was ordered to put iron shoes onto the horse's hooves. After doing this he took the horse for a ride in the open field, and thereby a Brook he met a fair maiden. He fell madly in love with her instantly, he claimed that he was a decorated knight, but she could see he was poor, and was a blacksmith. His black working hands betrayed him, but she never mentioned this to the young man. After talking, for about fifteen minutes, in perfect harmony and calm, their meeting was broken up when two ladies that were approached the maiden.” “The maiden took out her handkerchief and gave it to him, he took it without taking his eyes off of her. The maiden dashed off running towards the two women, assuring them that she was alright. That evening a guard came from the castle, took the white charger with the new horseshoes and left. The dashing young man got to work instantly. Making himself a beautiful sword like no other. He then made himself a silver shining armour, beautiful as any knight.” “The young man made wooden replicas of men in battle, and he would practice for hours, finding new ways of defeating the enemy. All of this because of a chance meeting in a field, and the handkerchief he kept pressed against his chest. The danger was looming and there was talk of an invasion, from another country. To preserve the dignity and the honour of the village and the castle that employed all the villagers. “ “The king asked for volunteers for the impending battle. The blacksmith went to the castle as one of the volunteers. He showed up on an old brown horse, that would not be able to stand the first charge in battle. Proudly he was dressed in his silver knight's armour, holding his handmade sword. One of the guards came and took away his horse, the young man looked on sadly as others around the courtyard mocked him. Another guard approached him with the white charger that he nailed the shoes to his hooves; “this will be your steed, the guard said and he helped him onto the horse. There was silence around the forecourt, he turned and rode with the knights out to meet the enemy.” “After five hours of battle, they had secured a brave victory. The young man performed above and beyond the call of duty. He was chosen to be knighted. As he entered the great hall in the castle, there were people on both sides of the hall as he walked up to the spot where he was to be knighted. Waiting patiently, to perform the ceremony of knighthood, was none other than the king himself, and next to him, his young daughter, a princess he met by chance in a field, after the ceremony of knighthood, the princess stepped forward and said, thank you for bringing my horse back to me, a young woman who overlooked his poverty, have him her white horse, and encouraged him with giving him her handkerchief, by speaking to him in a field with kindness, her father the king was rewarded with a knight of chivalry and virtue. All because of accidental meeting and events, that encouraged someone ready in life, to step forth, and take control of his dreams, as impossible, as they seemed at the time.

Maybe one day you'll see me latched barkside to that tree, teasing my way out of the skin I'm in until I plunk into the dirt. Until I slither then fly. Shiny and high. Leaving only an effigy— a hollowed-out replica behind.

We have bestowed on Africa just enough of the disposable junk of the modern world to create in African cities a junkyard replica of the West, a mirror image of our own failures—but no better than that. Writing about it, choosing the urban landscape and urban misery as a subject, is something for an obituarist. Such a vision, or a visit, represents everything in travel I have always wished to escape.

May I have more of his description?” A fond smile crossed her lips. “His eyes are a perfect replica of his father’s…an arctic color of such unusual beauty, more gray than blue. They no longer gleam with laughter or gentleness. They are unfathomable except for those moments where I see the savagery behind the veil. He spends most of his time outdoors deep inside the forest of his land, but I cannot imagine what he does out there. I love my son, but I find his manners barbaric and unacceptable.” Savagery. Jules didn’t understand the odd manner in which her heart jerked or the shakiness of her fingers. The picture drawn by the duchess…it did not repel her senses; in truth she was compelled…fascinated. And an odd part of her wasn’t sure if it was the budding scientist inside her or the hidden woman. She recoiled from the thought, lurching to stand, almost stumbling to the mantle and the decanter of brandy. Why would I even dare to think such a ridiculous thing? Any sort of relationship for Jules was unthinkable. Her entire life was an elaborate deception with unimaginable consequences should it ever be uncovered.

I don’t know about you, but I can’t wait to get my hands on some fucking gourds and arrange them in a horn-shaped basket on my dining room table. That shit is going to look so seasonal. I’m about to head up to the attic right now to find that wicker fucker, dust it off, and jam it with an insanely ornate assortment of shellacked vegetables. When my guests come over it’s gonna be like, BLAMMO! Check out my shellacked decorative vegetables, assholes. Guess what season it is—fucking fall. There’s a nip in the air and my house is full of mutant fucking squash. I may even throw some multi-colored leaves into the mix, all haphazard like a crisp October breeze just blew through and fucked that shit up. Then I’m going to get to work on making a beautiful fucking gourd necklace for myself. People are going to be like, “Aren’t those gourds straining your neck?” And I’m just going to thread another gourd onto my necklace without breaking their gaze and quietly reply, “It’s fall, fuckfaces. You’re either ready to reap this freaky-assed harvest or you’re not.” Carving orange pumpkins sounds like a pretty fitting way to ring in the season. You know what else does? Performing an all-gourd reenactment of an episode of Diff’rent Strokes—specifically the one when Arnold and Dudley experience a disturbing brush with sexual molestation. Well, this shit just got real, didn’t it? Felonies and gourds have one very important commonality: they’re both extremely fucking real. Sorry if that’s upsetting, but I’m not doing you any favors by shielding you from this anymore. The next thing I’m going to do is carve one of the longer gourds into a perfect replica of the Mayflower as a shout-out to our Pilgrim forefathers. Then I’m going to do lines of blow off its hull with a hooker. Why? Because it’s not summer, it’s not winter, and it’s not spring. Grab a calendar and pull your fucking heads out of your asses; it’s fall, fuckers. Have you ever been in an Italian deli with salamis hanging from their ceiling? Well, then you’re going to fucking love my house. Just look where you’re walking or you’ll get KO’d by the gauntlet of misshapen, zucchini-descendant bastards swinging from above. And when you do, you’re going to hear a very loud, very stereotypical Italian laugh coming from me. Consider yourself warned. For now, all I plan to do is to throw on a flannel shirt, some tattered overalls, and a floppy fucking hat and stand in the middle of a cornfield for a few days. The first crow that tries to land on me is going to get his avian ass bitch-slapped all the way back to summer. Welcome to autumn, fuckheads!

REFLECTION ON THE SAN DAMIANO CRUCIFIX: Read the section on the San Damiano Crucifix. Use a good sized photograph of the cross or, better yet, a replica of the crucifix, for this reflection. Try to pray daily, gazing at this crucifix. Ask yourself: What “leaps out” at me from this crucifix when I gaze at it prayerfully? Why do I think this is so? What might God be telling me through this? What parts of the crucifix do I not really notice unless I look very closely? Why do I think I miss those parts? Might there be any symbolic spiritual lessons in those parts that I may not want to see? Do I think that praying with this crucifix might impact my spiritual life? How?

The weird thing was—I couldn’t even call her my girlfriend. What do you call somebody when you fall in love with her replica shabti, then rescue the real person only to find she doesn’t share your feelings? And Sadie thinks her relationships are complicated.

These are the nuggets, the horror-film fan’s reward for sifting through films like Planet of the Vampires and The Monster from Green Hell. My own “discovery” (if you don’t object to the word) is a little film called Tourist Trap, starring Chuck Connors. Connors himself isn’t very good in the film—he tries gamely, but he’s simply miscast. Yet the film wields an eerie, spooky power. Wax figures begin to move and come to life in a ruined, out-of-the-way tourist resort; there are a number of effective, atmospheric shots of the dummies’ blank eyes and reaching hands, and the special effects are effective. As a film that deals with the queer power that inanimate dummies, mannequins, and human replicas can sometimes cast over us, it is a more effective film than the expensive and ill-advised film made from William Goldman’s bestseller, Magic.