My Crew Quotes

We've searched our database for all the quotes and captions related to My Crew. Here they are! All 100 of them:

I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.
Sylvia Plath (The Bell Jar)
Yes, my consuming desire is to mingle with road crews, sailors and soldiers, barroom regulars—to be a part of a scene, anonymous, listening, recording—all this is spoiled by the fact that I am a girl, a female always supposedly in danger of assault and battery. My consuming interest in men and their lives is often misconstrued as a desire to seduce them, or as an invitation to intimacy. Yes, God, I want to talk to everybody as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night...
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Being born a woman is my awful tragedy. From the moment I was conceived I was doomed to sprout breasts and ovaries rather than penis and scrotum; to have my whole circle of action, thought and feeling rigidly circumscribed by my inescapable feminity. Yes, my consuming desire to mingle with road crews, sailors and soldiers, bar room regulars--to be a part of a scene, anonymous, listening, recording--all is spoiled by the fact that I am a girl, a female always in danger of assault and battery. My consuming interest in men and their lives is often misconstrued as a desire to seduce them, or as an invitation to intimacy. Yet, God, I want to talk to everybody I can as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night...
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Silena, take the Aphrodite crew to the Queens-Midtown Tunnel." Oh my gods," one of her sisters said. "Fifth Avenue is so on our way! We could accessorize, and monsters, like, totally hate the smell of Givenchy.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
You can love a monster, it can even love you back, but that doesn’t change its nature. This isn’t Beauty and the Beast where my kiss would transform the monster to a prince. If anything, it’s Shrek, and his kiss brings out the ogre in me.
Eliza Crewe (Crushed (Soul Eaters, #2))
Earth is about to set. Resume 08:00 my time tomorrow morning. Tell family I’m fine. Give crew my best. Tell Commander Lewis disco sucks.
Andy Weir (The Martian)
Can I bring my friends?” “I will personally extend invitations to the entire Rampion crew. We’ll make a reunion out of it.” “Even Iko?” “I’ll find her a date.” “Because there’s a rule against androids coming to the ball, you know.” “I think I know someone who can change that rule.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
We make a good team, Mackenzie Bishop.” “We do.” We do, and that is the thing that tempers the heat beneath my skin, checks the flutter of girlish nerves. This is Wesley. My friend. My partner. Maybe one day my Crew. The fear of losing that keeps me in check.
Victoria E. Schwab (The Archived (The Archived, #1))
That's a big love letter," she says, squinting. I know what I'm going to say and for a moment I wish there was a film crew documenting my day-to-day life: "I've got a big heart," I say.
Joe Dunthorne (Submarine)
I used to love the ocean. Everything about her. Her coral reefs, her white caps, her roaring waves, the rocks they lap, her pirate legends and mermaid tails, Treasures lost and treasures held... And ALL Of her fish In the sea. Yes, I used to love the ocean, Everything about her. The way she would sing me to sleep as I lay in my bed then wake me with a force That I soon came to dread. Her fables, her lies, her misleading eyes, I'd drain her dry If I cared enough to. I used to love the ocean, Everything about her. Her coral reefs, her white caps, her roaring waves, the rocks they lap, her pirate legends and mermaid tails, treasures lost and treasures held. And ALL Of her fish In the sea. Well, if you've ever tried navigating your sailboat through her stormy seas, you would realize that her white caps are your enemies. If you've ever tried swimming ashore when your leg gets a cramp and you just had a huge meal of In-n-Out burgers that's weighing you down, and her roaring waves are knocking the wind out of you, filling your lungs with water as you flail your arms, trying to get someone's attention, but your friends just wave back at you? And if you've ever grown up with dreams in your head about life, and how one of these days you would pirate your own ship and have your own crew and that all of the mermaids would love only you? Well, you would realize... Like I eventually realized... That all the good things about her? All the beautiful? It's not real. It's fake. So you keep your ocean, I'll take the Lake.
Colleen Hoover
Simon: You're in a dangerous line of work, Jayne. Odds are you'll be under my knife again, often. So I want you to understand one thing very clearly: No matter what you do or say or plot, no matter how you come down on us, I will never, ever harm you. You're on this table, you're safe... 'cause I'm your medic. And however little we may like or trust each other, we're on the same crew. Got the same troubles, same enemies, and more than enough of both. Now, we could circle each other and growl, sleep with one eye open, but that thought wearies me. I don't care what you've done, I don't know what you're planning on doing, but I'm trusting you. I think you should do the same. 'Cause I don't see this working any other way. River: Also, I can kill you with my brain.
Ben Edlund
My nightly craft is winged in white, a dragon of night dark sea. Swift born, dream bound and rudderless, her captain and crew are me. We've sailed a hundred sleeping tides where no seaman's ever been And only my white-winged craft and I know the wonders we have seen.
Anne McCaffrey (Dragonsong (Harper Hall, #1))
I am a sailor, you're my first mate We signed on together, we coupled our fate Hauled up our anchor, determined not to fail For the heart's treasure, together we set sail With no maps to guide us, we steered our own course Rode out the storms when the winds were gale force Sat out the doldrums in patience and hope Working together, we learned how to cope. Life is an ocean and love it a boat In troubled waters it keeps us afloat When we started the voyage there was just me and you Now gathered round us we have our own crew Together we're in this relationship We built it with care to last the whole trip Our true destination's not marked on any chart We're navigating the shores of the heart
John McDermott
I had the feeling deep in my gut that there'd been lines I should have spoken, gestures I should have made, that would have made things better. But looking back, I didn't know what they were. As a friend, I was pretty much useless, apparently.
Megan Crewe (Give Up the Ghost)
It’s illegal, you know,” he murmurs. “Stealing.” I clear my throat. “Stealing?” “My heart. I could have you arrested.” I snort. “For that tiny thing? I’d get a misdemeanor at most.
Eliza Crewe (Crushed (Soul Eaters, #2))
Most Bolton students were scions of the city's wealthiest families. My crewe stuck out like hooker at church. We werent part of their pampered, priveliged world, and many of our classmates were quick to remind us of that fact. Taunting the "boat kids" was practically a varsity sport.
Kathy Reichs (Code (Virals, #3))
I suppose it should bother me to be so hated but, without it, I wouldn’t have the delight of torturing them with my presence. What can I say? My cheerful spirit can’t help but spot silver linings.
Eliza Crewe (Crushed (Soul Eaters, #2))
Valdin softened slightly. “Ramon you have been very well paid for this trip and I am sure that for a little extra gold the crew will not miss their shore leave. My job is done.” With that the huntsman shook Ramon’s hand and left the ship. Robert Reid – The Son
Robert Reid (The Son (The Emperor, the Son and the Thief, #2))
Why must you choose the only dignified person in this crew as the butt of your mockery?” “Because, my dear man,” Ham said, imitating Breeze’s accent, “you are, by far, the best butt we have.
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
I’m going to learn to sail.” Kaz’s brow furrowed, and he cast her a surprised glance. “Really? Why?” “I want to use my money to hire a crew and outfit a ship.” Saying the words wrapped her breath up in an anxious spool. Her dream still felt fragile. She didn’t want to care what Kaz thought, but she did. “I’m going to hunt slavers.” “Purpose,” he said thoughtfully. “You know you can’t stop them all.” “If I don’t try, I won’t stop any.” “Then I almost pity the slavers,” Kaz said. “They have no idea what’s coming for them.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
My name is Zak Bagans. I've never believed in ghosts until I came face to face with one. So I set out on a quest to capture what I once saw onto video....With no big camera crews following us around, I am joined only by my fellow investigator Nick Groff and our equipment tech Aaron Goodwin. The three of us will travel to the some of most highly active paranormal locations, where we will spend an entire night, being locked down from dusk until dawn....Raw...Extreme...These are our Ghost Adventures.
Zak Bagans
You were right. My whole crew. Gone. Arrested. Perfect. Shoot me now and save me the expense of a bullet later. (Tory)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
All things old become new again. In my youth the athletes had crew cuts and the hippies had long hair. Now the athletes have long hair and the hippies are bald.
Harley King
Grab onto my arm now. Hold tight. We are going into a number of dark places, but I think I know the way. Just don't let go of my arm. And if I should kiss you in the dark, it's no big deal; it's only because you are my love.
Stephen King (Skeleton Crew)
Crew slips his fingers beneath my chin, his thumb rubbing. “You belong to me,” he whispers.
Monica Murphy (A Million Kisses in Your Lifetime)
You said you’d cooperate.” I knew I’d regret my promise, just not quite this soon. “You don’t wear pink!” “Yeah, well, no one thinks I’m in league with the devil.” She shoves it into my chest. I narrow my eyes. “I do.
Eliza Crewe (Crushed (Soul Eaters, #2))
She heard footsteps thumping from the crew quarters and Jacin appeared in the cargo bay, eyes wide. “What happened? Why is the ship screaming?” “Nothing. Everything’s fine,” Cinder stammered. “No, everything is not fine,” said Iko. “How can they be invited? I’ve never seen a bigger injustice in all my programmed life, and believe me, I have seen some big injustices.” Jacin raised an eyebrow at Cinder. “We just learned that my former guardian received an invitation to the wedding.” She opened the tab beside her stepmother’s name, thinking maybe it was a mistake. But of course not. Linh Adri had been awarded 80,000 univs and an official invitation to the royal wedding as an act of gratitude for her assistance in the ongoing manhunt for her adopted and estranged daughter, Linh Cinder. “Because she sold me out,” she said, sneering. “Figures.” “See? Injustice. Here we are, risking our lives to rescue Kai and this whole planet, and Adri and Pearl get to go to the royal wedding. I’m disgusted. I hope they spill soy sauce on their fancy dresses.” Jacin’s concern turned fast to annoyance. “Your ship has some messed-up priorities, you know that?” “Iko. My name is Iko. If you don’t stop calling me the ‘ship,’ I am going to make sure you never have hot water during your showers again, do you understand me?” “Yeah, hold that thought while I go disable the speaker system.” “What? You can’t mute me. Cinder!
Marissa Meyer (Cress (The Lunar Chronicles, #3))
So our crew is back to being all girls, and stays that way for the rest of lunch. The only other guy who’d sit with us never bothers making an appearance in the cafeteria. But I pass Nate in the hallway afterward, and all the questions bubbling in my brain about Simon, Leah, and Janae disappear when he gives me a fleeting grin. Because God, it’s beautiful when that boy smiles.
Karen M. McManus (One of Us Is Lying (One of Us is Lying, #1))
Who are you?” he said. “And why are you shouting?” “I’m your first officer, sir,” said Slank. “Mr. Slank. I’m just relaying your orders to the crew.” “Ah,” said Pembridge. “The aft binnacle has been cast off, sir,” said Slank. “The what?” said Pembridge. “The aft binnacle,” said Slank. “As you ordered.” “I did?” said Pembridge, squinting suspiciously. “When?” “Just now, sir,” said Slank. Pembridge blinked at Slank. “Who are you, again?” he said. “You first officer, sir,” said Slank. Pembridge blinked again. “My head hurts,” he said. “Perhaps the captain would like to go to his cabin,” said Slank. “You don’t tell me was to do,” said Pembridge. “I’m the captain.” “Yes, sir,” said Slank. “I’m going to my cabin,” said Pembridge.
Dave Barry (Peter and the Starcatchers (Peter and the Starcatchers, #1))
Death is my art form--when I fight, I'm a ballerina. Graceful. Chi lacks my grace, but makes up for it in energy and enthusiasm. His fighting style is like breakdancing--strong and frenetic with some really sweet moves. Jo's is . . .the Macarena. Ugly but gets the job done.
Eliza Crewe (Cracked (Soul Eaters, #1))
My own crew back at the keep is nearly entirely composed of women. A fact I am proud of.
Tricia Levenseller (Daughter of the Pirate King (Daughter of the Pirate King, #1))
The Voyager We are all lonely voyagers sailing on life's ebb tide, To a far off place were all stripling warriors have died, Sometime at eve when the tide is low, The voices call us back to the rippling water's flow, Even though our boat sailed with love in our hearts, Neither our dreams or plans would keep heaven far apart, We drift through the hush of God's twilight pale, With no response to our friendly hail, We raise our sails and search for majestic light, While finding company on this journey to the brighten our night, Then suddenly he pulls us through the reef's cutting sea, Back to the place that he asked us to be, Friendly barges that were anchored so sweetly near, In silent sorrow they drop their salted tears, Shall our soul be a feast of kelp and brine, The wasted tales of wishful time, Are we a fish on a line lured with bait, Is life the grind, a heartless fate, Suddenly, "HUSH", said the wind from afar, Have you not looked to the heavens and seen the new star, It danced on the abyss of the evening sky, The sparkle of heaven shining on high, Its whisper echoed on the ocean's spray, From the bow to the mast they heard him say, "Hope is above, not found in the deep, I am alive in your memories and dreams when you sleep, I will greet you at sunset and with the moon's evening smile, I will light your path home.. every last lonely mile, My friends, have no fear, my work was done well, In this life I broke the waves and rode the swell, I found faith in those that I called my crew, My love will be the compass that will see you through, So don't look for me on the ocean's floor to find, I've never left the weathered docks of your loving mind, For I am in the moon, the wind and the whale's evening song, I am the sailor of eternity whose voyage is not gone.
Shannon L. Alder
Although who knows? Maybe this will be it, Katniss." "What?" I ask. "The time it sticks. Maybe we are witnessing the evolution of the human race. Think about that." And then he asks me if I'd like to perform on a new singing program he's launching in a few weeks. Something upbeat would be good. He'll send the crew to my house.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
We’ll have to figure out a way to spend our money,” said Kaz. “What money?” said Jesper. “It all got poured into the Shu coffers. Like they needed it.” “Did it?” Nina’s eyes narrowed and Jesper saw a bit of her spirit return. “Stop playing around, Brekker, or I’ll send my unholy army of the dead after you.” Kaz shrugged. “I felt the Shu could manage with forty million.” “The thirty million Van Eck owed us—” murmured Jesper. “Four million kruge each. I’m giving Per Haskell’s share to Rotty and Specht. It will be laundered through one of the Dregs’ businesses before it passes back through the Gemensbank, but the funds should be in separate accounts for you by the end of the month.” He paused. “Matthias’ share will go to Nina. I know money doesn’t matter to—” “It matters,” said Nina. “I’ll find a way to make it matter. What will you do with your shares?” “Find a ship,” said Inej. “Put together a crew.” “Help run an empire,” said Jesper. “Try not to run it into the ground,” said Wylan. “And you, Kaz?” Nina asked. “Build something new,” he said with a shrug. “Watch it burn.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Because my division watches immortals like your crew. It’s in the government’s best interest to keep tabs on people who could potentially be assets someday. Which is why I’m here.” He turned to Colton again. “I can use my contacts to locate the group holding the Holy Grail, but the American government can’t be tied to the recovery effort in any way.” “So what are you sayin’?” Colton held his breath. “I’m saying who better to steal it back than a band of pirates?
Lisa Kessler (Magnolia Mystic (Sentinels of Savannah, #1))
Let’s see! I’ll put you to work right away! Aye! No—first I’ll give you a tour! No—I’ll introduce you to my crew! No—I’ll let you rest! No—I’d better get you into uniforms! Aye! It’s important that everyone aboard wear a waterproof uniform in case the submarine collapses and we find ourselves underwater! Of course, in that case we’ll need diving helmets! Except Sunny because she can’t wear one! I guess she’ll drown! No—she can curl up inside a diving helmet! Aye! The helmets have a tiny door on the neck just for such purpose! Aye! I’ve seen it done! I’ve seen so many things in my time!” “Excuse me,” Violet said, “but could you tell us who you are?
Lemony Snicket (The Grim Grotto (A Series of Unfortunate Events, #11))
You think you’re being difficult, my little sausage? Have I ever told you about the time I drank eight vodka martinis, took all my clothes off in front of a film crew and then broke my manager’s nose?
Elton John (Me)
One thing' Erak said. 'Tell your men to keep their noses clean while they're in Hallasholm. I don't want any trouble.' Zavac nodded and smiled. 'I understand. This is a quiet town and you don't want the peace disturbed.' Erak smiled back, but it was like a smile on the face of a shark. 'No. This is a very violent town and if your men cause trouble, my people will break their heads a for them. I don't want to be paying any blood money for damage done to your crew. Understand?' Zavac's smile faded. He looked for some sign that the Oberjarl was joking, but he saw none. He nodded again, slowly this time.
John Flanagan (The Outcasts (Brotherband Chronicles, #1))
I nod and wave to my enemies like Miss America, pausing to blow kisses at the worst of them as I work my way across the cafeteria with a plate loaded with horridly healthy food.
Eliza Crewe (Crushed (Soul Eaters, #2))
At last, Sturmhond straightened the lapels of his teal frock coat and said, “Well, Brekker, it’s obvious you only deal in half-truths and outright lies, so you’re clearly the man for the job.” “There’s just one thing,” said Kaz, studying the privateer’s broken nose and ruddy hair. “Before we join hands and jump off a cliff together, I want to know exactly who I’m running with.” Sturmhond lifted a brow. “We haven’t been on a road trip or exchanged clothes, but I think our introductions were civilized enough.” “Who are you really, privateer?” “Is this an existential question?” “No proper thief talks the way you do.” “How narrow-minded of you.” “I know the look of a rich man’s son, and I don’t believe a king would send an ordinary privateer to handle business this sensitive.” “Ordinary,” scoffed Sturmhond. “Are you so schooled in politics?” “I know my way around a deal. Who are you? We get the truth or my crew walks.” “Are you so sure that would be possible, Brekker? I know your plans now. I’m accompanied by two of the world’s most legendary Grisha, and I’m not too bad in a fight either.” “And I’m the canal rat who brought Kuwei Yul-Bo out of the Ice Court alive. Let me know how you like your chances.” His crew didn’t have clothes or titles to rival the Ravkans, but Kaz knew where he’d put his money if he had any left. Sturmhond clasped his hands behind his back, and Kaz saw the barest shift in his demeanor. His eyes lost their bemused gleam and took on a surprising weight. No ordinary privateer at all. “Let us say,” said Sturmhond, gaze trained on the Ketterdam street below, “hypothetically, of course, that the Ravkan king has intelligence networks that reach deep within Kerch, Fjerda, and the Shu Han, and that he knows exactly how important Kuwei Yul-Bo could be to the future of his country. Let us say that king would trust no one to negotiate such matters but himself, but that he also knows just how dangerous it is to travel under his own name when his country is in turmoil, when he has no heir and the Lantsov succession is in no way secured.” “So hypothetically,” Kaz said, “you might be addressed as Your Highness.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
And my haunting instinct that somehow good was not merely a tool to be used, but a relic to be guarded, like the goods from Crusoe's ship--even that had been the wild whisper of something originally wise, for, according to Christianity, we were indeed the survivors of a wreck, the crew of a golden ship that had gone down before the beginning of the world.
G.K. Chesterton (Orthodoxy)
Jason had attended debutante balls. Knew the drill. My crew would have to conduct research on YouTube. Jason was popular on the cotillion scene. My guys weren’t even on the radar. Asking Jason would get Whitney off my back. Inviting only Morris Island boys might plummet her into a depression.
Kathy Reichs (Code (Virals, #3))
Oh, you may be sure that Columbus was happy not when he had discovered America, but when he was discovering it. Take my word for it, the highest moment if his happiness was just three days before the discovery of the New World, when the mutinous crew were on the point of returning to Europe in despair. It wasn't the New World that mattered, even if it had fallen to pieces. Columbus died almost without seeing it; and not really knowing what he had discovered. It's life that matters, nothing but life -- the process of discovering, the everlasting and perpetual process, not the discovery itself, at all.
Fyodor Dostoevsky (The Idiot)
Get him! My hormones scream. Don’t fall for it, my brain cautions. Pretty! They whine. Stupid hormones. Calm down, hormones. We are just pumping him – (really brain, you chose the word pumping?) – for information. He is literally evil. We need to keep our distance.
Eliza Crewe (Crushed (Soul Eaters, #2))
End production today. Wrap party as usual a little sad. Slow danced with Scarlett. Broke her toe. Not my fault. When she dipped me back, I stepped on it. Penélope and Javier anxious to work with me again. Said if I ever come up with another screenplay to try and find them. Goodbye drink with Rebecca. Sentimental moment. Everyone in cast and crew chipped in and bought me a ballpoint pen.
Woody Allen
It was only once I was in the car ... that the only two reasons I hadn't joined right in with the loon with the gray crew cut, beating my head and screaming "Fuck!" in primal syncopation, were (1) I'd be embarrassed and (2) I didn't want to get my cute vintage suit any dirtier than it already was. Performance anxiety and a dry-cleaning bill, those were the only things keeping me from stark raving lunacy.
Julie Powell (Julie and Julia: 365 Days, 524 Recipes, 1 Tiny Apartment Kitchen)
My main objective in writing is to open the minds of my readers, to say 'the world can be a wonderful place - its possibilities are open to you and your imagination'.
Gary Crew
Some might call me a “tease”, but don’t believe it. “Tease” implies that I owe him something, that I should feel guilty. As if my flirtation is forced on him and he merely tolerates it for an eventual pay-out. That’s bullshit. We both have goals in our little game; why should his goal (sex) take priority over mine (to mess with his head)? Is it because he’s a man? In that case I must object on principle. Superhero Meda establishing gender-equality one almost-kiss at a time!
Eliza Crewe (Crushed (Soul Eaters, #2))
Don't tell me about worth," Nita said. "My father commands fleets." "The wealthy measure everything with the weight of their money." Tool leaned close. "Sadna once risked herself and the rest of her crew to help me escape from an oil fire... Your father commands fleets. And thousands of half-men, I am sure. But would he risk himself to save a single one?
Paolo Bacigalupi
An early birthday present for my Birdy. A million kisses in your lifetime, from me to you. Love, Crew
Monica Murphy (A Million Kisses in Your Lifetime)
I am my monster. My monster is me
Laken Cane (Shiv Crew (Rune Alexander, #1))
And yet it was true: the responsibility was huge, but there is nothing about being a father that I don’t love. I even found the toddler tantrums weirdly charming. You think you’re being difficult, my little sausage? Have I ever told you about the time I drank eight vodka martinis, took all my clothes off in front of a film crew and then broke my manager’s nose?
Elton John (Me)
Any more bitching from the geriatric crew? What a bunch of old women. Should I hire another crewmate to change your bed diapers while I’m at it? Next time I’ll let The League have you. Vik, I’m relinquishing control back to you. (Devyn) It’s what I live for. By the way, ye organic life forms aren’t the only ones who’ve soiled themselves. Can I have a minute to attend my needs, Captain Asshole? (Vik)
Sherrilyn Kenyon (Born of Ice (The League: Nemesis Rising, #3; The League: Nemesis Legacy, #2))
His beard was nonexistent, except for a carefully trimmed goatee that met his mustache on both sides of his mouth. The overall effect was decidedly villainous. He needed a black horse and a barbarian horde to lead. That or a crew of cutthroats, a ship with blood-red sails, and some knucklehead heroine to lust after. “Look, I’ve had a bad day. How about you just walk away from my Jeep?” The volhv smiled wider, flashing even white teeth. If he started stroking his beard, I’d have to kill him on principle.“He raised his hand to his goatee. That does it. “Yeah. And what’s with the beard and the horse mane? You look like Rent-a-Villain.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
Forget them, Meda. Forget her.” He reaches up and puts his hand on the side of my face, tugging it toward him. “I like you as you are. Good, evil, whatever. All I care about is that you’re alive. Please, Meda.
Eliza Crewe (Crushed (Soul Eaters, #2))
And, lastly, there’s a small pack of wide-eyed innocents in awe of my Beacon-ness who follow me around expecting me to perform a miracle any minute. Sometimes I screw up my face like I’m trying. Or constipated.
Eliza Crewe (Crushed (Soul Eaters, #2))
Were you ever going to tell me?” “About the Grail?” He returned to the couch and handed her a glass. “I wasn’t planning on it.” She knocked back the rum and swallowed, setting the empty glass on the table. Impressive. She met his eyes. “So even if we had slept together last night, you were going to keep telling me you were descended from a pirate, not an actual pirate.” He took a swig, his gaze locked on hers. “Would you have believed me?” “No.” She shrugged. “Just wondering how long you would have lied to me.” “I could ask you the same thing.” She rolled her eyes. “I played you. There’s a difference.” She shrugged. “Besides that, was before our no lies between us deal.” “I see this as more of an omission.” He finished off his drink and placed the glass beside hers. “In my defense, I’ve never told anyone who I really am. You’re the first.” She raised a brow. “Are you saying I should feel…special?” “Aye.” He cleared his throat. “I’ve never taken a bullet for anyone either, not even my crew.” “Thanks for that.” A reluctant smile curved her lips as she met his eyes. “Pretty heroic for a pirate.” He chuckled. “It’s less heroic when you’re certain you won’t die.” “But you knew it would hurt.” He nodded slowly. “True.” She pinched her fingertips close together in the air. “It might’ve been a tiny bit heroic.” Her dark eyes sparkled with the mischief he was growing much too fond of. “Not bad for a pirate.” He admitted.
Lisa Kessler (Pirate's Pleasure (Sentinels of Savannah, #3))
My hands twitch and wiggle. Jo sees them, shakes her head and mouths, “Sit on your hands.” She can’t be serious. As if my butt would stop my hands even if it could. Does she not realize it’s in league with the rest of me?
Eliza Crewe (Crushed (Soul Eaters, #2))
Their bony branches grew barer with each tearing wind. Their tall, leaning forms looked like a gateway to a long-abandoned world. They lived. Their roots were much deeper than mine would ever be. One day my tree would fall and die, gnawed by serpents.
Heather Crews (Psychopomp)
EDMUND *Then with alcoholic talkativeness You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason! *He grins wryly. It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death! TYRONE *Stares at him -- impressed. Yes, there's the makings of a poet in you all right. *Then protesting uneasily. But that's morbid craziness about not being wanted and loving death. EDMUND *Sardonically The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.
Eugene O'Neill (Long Day’s Journey into Night)
What would Kathy say if she knew I let the whole crew eat those Oreos when they never did eat their carrot sticks (which I had so firmly required as prerequisite)? All three of my kids were probably heading for disease (not enough veggies) and jail (not enough discipline).
Dean Hughes (All Moms Go to Heaven)
Your words like wings gravity they defy. My heart like a leaf on the wind catchin' rides. We make too much sense to foolishly pass it by. So I'm taking a rainbow up to the 5th floor. Steppin' out to see that you're really worth more.
Group 1 Crew
But if you caught my informant,' said Achilles, 'why in the world would Chamrajnagar—or Graff, if it was him—launch the shuttle anyway? Was catching me doing something naughty so important they’d risk a shuttle and it’s crew just to catch me? I find that quite… flattering. Sort of like winning the Nobel Prize for scariest villain.
Orson Scott Card (Shadow Puppets (The Shadow Series, #3))
I study the little creature in front of me. What is it about these dwarfish little humans? They lack smarts, lack skills and they never seem to have much money. Yet they are powerful little monsters – adults dance to the tunes played by their chubby little fingers. Is it the disproportionately big head? Or the eyes too big for that head? Did I have this effect on my own mother? Was that why she believed in my goodness, despite all evidence to the contrary? Suddenly the lower lip pokes out and the eyes grow even bigger. I feel a tug in the region where my heart should be… I want to give it things… Ahhhhhh! Look away! Look away! Evil, ensnaring, hypnotic monster. Just kidding, but it is kind of cute. I feed it a cracker.
Eliza Crewe (Cracked (Soul Eaters, #1))
Predator is not property,” Grimm said in a calm, level tone. “She is not my possession. She is my home. Her crew are not my employees. They are my family. And if you threaten to take my home and destroy the livelihood of my family again, Commodore, I will be inclined to kill you where you stand.
Jim Butcher (The Aeronaut's Windlass (The Cinder Spires, #1))
Xav sprinkled olive oil on his lettuce. 'Lola was very particular that it all had to fit properly.' 'Lola?' squeaked Diamond. I wanted to warn her not to rise to the bait Xav was dangling in front of her but it was too late. Xav added some Parmesan and pepper. 'Suspicious, Diamond? You should be. This is a bachelor party I'm organizing, not a school outing, and it is going to tick all of Trace's boxes. Lola is either a very efficient water sports instructor or an exotic dancing girl; I'll leave it your imagination.' I rolled my eyes at Diamond. 'Myabe she's both. I mean the guys will really go for that, I guess. Don't worry,Di, Luigi and his crew will not disappoint us girls.' Luigi was in fact Contessa Nicoletta's little bespectacled chef with whom I had been consulting about the menu for Friday, but the Benedicts weren't to know that. 'He has promised to provide something suitably spicy for our tastes.
Joss Stirling (Seeking Crystal (Benedicts, #3))
I saw my life branching out before me like the green fig-tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and off-beat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out. I saw myself sitting in the crotch of this fig-tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose.
Sylvia Plath (The Bell Jar)
Once I am sure there's nothing going on I step inside, letting the door thud shut. Another church: matting, seats, and stone, And little books; sprawlings of flowers, cut For Sunday, brownish now; some brass and stuff Up at the holy end; the small neat organ; And a tense, musty, unignorable silence, Brewed God knows how long. Hatless, I take off My cycle-clips in awkward reverence. Move forward, run my hand around the font. From where I stand, the roof looks almost new - Cleaned, or restored? Someone would know: I don't. Mounting the lectern, I peruse a few Hectoring large-scale verses, and pronounce 'Here endeth' much more loudly than I'd meant. The echoes snigger briefly. Back at the door I sign the book, donate an Irish sixpence, Reflect the place was not worth stopping for. Yet stop I did: in fact I often do, And always end much at a loss like this, Wondering what to look for; wondering, too, When churches will fall completely out of use What we shall turn them into, if we shall keep A few cathedrals chronically on show, Their parchment, plate and pyx in locked cases, And let the rest rent-free to rain and sheep. Shall we avoid them as unlucky places? Or, after dark, will dubious women come To make their children touch a particular stone; Pick simples for a cancer; or on some Advised night see walking a dead one? Power of some sort will go on In games, in riddles, seemingly at random; But superstition, like belief, must die, And what remains when disbelief has gone? Grass, weedy pavement, brambles, buttress, sky, A shape less recognisable each week, A purpose more obscure. I wonder who Will be the last, the very last, to seek This place for what it was; one of the crew That tap and jot and know what rood-lofts were? Some ruin-bibber, randy for antique, Or Christmas-addict, counting on a whiff Of gown-and-bands and organ-pipes and myrrh? Or will he be my representative, Bored, uninformed, knowing the ghostly silt Dispersed, yet tending to this cross of ground Through suburb scrub because it held unspilt So long and equably what since is found Only in separation - marriage, and birth, And death, and thoughts of these - for which was built This special shell? For, though I've no idea What this accoutred frowsty barn is worth, It pleases me to stand in silence here; A serious house on serious earth it is, In whose blent air all our compulsions meet, Are recognized, and robed as destinies. And that much never can be obsolete, Since someone will forever be surprising A hunger in himself to be more serious, And gravitating with it to this ground, Which, he once heard, was proper to grow wise in, If only that so many dead lie round.
Philip Larkin
Nobody needed to get all that educated for being a miner, so they let the schools go to rot. And they made sure no mills or factories got in the door. Coal only. To this day, you have to cross a lot of ground to find other work. Not an accident, Mr. Armstrong said, and for once we believed him, because down in the dark mess of our little skull closets some puzzle pieces were clicking together and our world made some terrible kind of sense. The dads at home drinking beer in their underwear, the moms at the grocery with their SNAP coupons. The army recruiters in shiny gold buttons come to harvest their jackpot of hopeless futures. Goddamn. The trouble with learning the backgrounds is that you end up wanting to deck somebody, possibly Bettina Cook and the horse she rode in on. (Not happening. Her dad being head of the football boosters and major donor.) Once upon a time we had our honest living that was God and country. Then the world turns and there’s no God anymore, no country, but it’s still in your blood that coal is God’s gift and you want to believe. Because otherwise it was one more scam in the fuck-train that’s railroaded over these mountains since George Washington rode in and set his crew to cutting down our trees. Everything that could be taken is gone. Mountains left with their heads blown off, rivers running black. My people are dead of trying, or headed that way, addicted as we are to keeping ourselves alive. There’s no more blood here to give, just war wounds. Madness. A world of pain, looking to be killed.
Barbara Kingsolver (Demon Copperhead)
Kelsier: "You've got to have some idea what I could try, Fuzz." God: "What did you just call me?" Kelsier: "Fuzz, I've got to try something." Fuzz/God: "You could try 'My Lord,'" Fuzz said with a huff." Kelsier: "That's a terrible nickname for a crew member." ... "So," Fuzz said. "You are not only the first person to punch me, you're also the first to try and recruit me. You are a distinctively strange man." Kelsier: " You don't know my friends...
Brandon Sanderson (Secret History (Mistborn, #3.5))
I hear Jo in my head trying to douse the fire in my heart. “Be good, Meda.” Good, good, good, good, good. The word plays in a loop until it means nothing. I’ve been good and they refuse to feed me. I’ve been good and they won’t train me. I’ve been good and they changed the locks. I’ve been good and they want to send me away.
Eliza Crewe (Crushed (Soul Eaters, #2))
You get a tattoo like this and a ’do like this, and wear a shirt where the tattoo shows, and you walk into a room of people and feel the animosity, the disapproval, the how-dare-you. You can feel it coming off them like heat off a stove. And the thing I want to ask them is, how have I deserved this, what have I done that so offends you? I have not asked you to cut your hair this way. I have not asked you what you thought of it, or to approve it. So why do you feel this way towards me? If you can’t get past my 'too—my tattoo—and my 'do—the way I got my hair cut—it’s only because you have decided there are certain things that can be done with hair and certain things that cannot be done with hair. And certain of them are right and proper and decent, and the rest indicate a warped, degenerate nature; therefore I am warped and degenerate. 'Cause I got my hair cut a different way, man? You gonna really live your life like that? What’s wrong with you?
Harry Crews (Getting Naked with Harry Crews: Interviews)
It was tradition for every member of a crew to give a copper to the newest member as a show of good faith. I’d seen my father’s crews do the same many times. But in the years since I first set foot on Jeval, I’d never been given anything. Ever. I didn’t bother trying to hold back my tears. They streamed down my face one after the other as I hugged the hat to me. Like a weary bird flying out over the most desolate sea, I finally had a place to land.
Adrienne Young (Fable (Fable, #1))
That sounded like a great plan, in that it didn’t involve me. I said, “Dr. Mensah, do you need me for anything else?” She turned her chair to face me. “No, I’ll call if we have any questions.” I had worked for some contracts that would have kept me standing here the entire day and night cycle, just on the off chance they wanted me to do something and didn’t want to bother using the feed to call me. Then she added, “You know, you can stay here in the crew area if you want. Would you like that?” They all looked at me, most of them smiling. One disadvantage in wearing the armor is that I get used to opaquing the faceplate. I’m out of practice at controlling my expression. Right now I’m pretty sure it was somewhere in the region of stunned horror, or maybe appalled horror.
Martha Wells (All Systems Red (The Murderbot Diaries, #1))
He doesn’t back down under my accusations. Instead he leans in, his big frame curving over me like a wave. “I would do all that and more.” His tone betrays a carefully restrained ferocity, and I see in him, shifting and fluttering, behind his eyes the monster I’ve always known is there. It makes my breath catch, the beautiful horror of it. He doesn’t try to hide it, if anything he leans in closer, filling my vision until he fills the world. Him and his dark devil’s eyes.
Eliza Crewe (Crushed (Soul Eaters, #2))
I'd never been to the Unnamed Sea, but my mother was born there. Her leathered skin and callused hands made her look as if she'd grown up on a ship, but she'd come to the Narrows on her own when she was no more than my age, finding a place on Saint's crew as a dredger and leaving her past in the Unnamed Sea behind. She would wrap her arms around me as we sat up on the mast with our feet dangling, and she would tell me about Bastian, the port city she called home, and the huge ships that sailed those deep water. Once, I asked her if she'd ever go back. If she'd take me there one day. But she only said she'd been born for a different life, and so had I.
Adrienne Young (Fable (The World of the Narrows, #1))
I was in Sarasota, Florida, on a spring-break trip with my friends Bruce and Karen Moore. Bruce and I were waiting on the beach for the rest of our crew when and a man and his grown kids came strolling up the sand. They looked at me for a minute, sort of hesitating, and then asked, "Would you mind taking a picture?" "Sure," I said, and quickly arranged all of us in a line, putting myself in the middle and motioning to Bruce to come snap the photo. Right about that time, the father said, "Actually, we were wondering if you could take a picture just of us." An understandable mistake on my part, but really embarrassing. Bruce has had a field day reminding me of that one ever since. Lesson learned: Never assume anything about your own importance. It's a great big world, and all of us are busy living our lives. None of us knows all the time and effort that another person puts into his or her passion.
Amy Grant (Mosaic: Pieces of My Life So Far)
As inexplicable as the accidents that set it off, our imagination is a crucial privilege. I've tried my whole life simply to accept the images that present themselves to me without trying to analyze them. I remember when we were shooting That Obscure Object of Desire in Seville and I suddenly found myself telling Fernando Rey, at the end of a scene, to pick up a big sack filled with tools lying on a bench, sling it over his shoulder, and walk away. The action was completely irrational, yet it seemed absolutely right to me. Still, I was worried about it, so I shot two versions of the scene: one with the sack, one without. But during the rushes the following day, the whole crew agreed that the scene was much better with the sack. Why? I can't explain it, and I don't enjoy rummaging around in the cliches of psychoanalysis.
Luis Buñuel (My Last Sigh)
Some say freedom is a gift placed in our hands by our forefathers. Some say freedom is a human right that none should be denied. Some say freedom is a privilege that can and will be seized if taken for granted. Some say freedom is the key that opens doors otherwise meant to imprison. Some say freedom is power to do, to be, to say, and to accomplish what the oppressed cannot. Some say freedom is a responsibility—a weight to be carried and shared by those willing to protect it. Perhaps freedom is all these things. But in my eyes, I see freedom as a treasure. It is a gem so rare and precious the fiercest battles rage over it. The blood of thousands is spilled for it—past, present, and future. Where true and unblemished freedom exists, it shines with perfect clarity, drawing the greedy masses, both those who desire a portion of the spoils and those who would rob the possessor of the treasure, hoping to bury it away. Without freedom I am a slave in shackles on a ship lost at sea. With freedom I am a captain; I am a pirate; I am an admiral; I am a scout; I am the eagle souring overhead; I am the north star guiding a crew; I am the ship itself; I am whatever I choose to be.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
That's how, on the second-to-last day of the job, the convict crew that tarred the plate-factory roof in 1950 ending up sitting in a row at ten o'clock on a spring morning, drinking Black Label beer supplied by the hardest screw that ever walked a turn at Shawshank Prison. That beer was piss-warm, but it was still the best I ever had in my life. We sat and drank it and felt the sun on our shoulders, and not even the expression of half-amusement, half-contempt on Hadley's face - as if he was watching apes drink beer instead of men - could spoil it. It lasted twenty minutes, that beer-break, and for those twenty minutes we felt like free men. We could have been drinking beer and tarring the roof of one of our own houses.
Stephen King (Different Seasons)
America, is there lipstick on my teeth?" Zoe asked. I turned to my left and found her smiling maniacally, exposing all her pearly whites. "No, you're good," I answered, seeing out of the corner of my eye that Marlee was nodding in confirmation. "Thanks. How is he so calm?" Zoe asked, pointing over at Maxon, who was talking to a member of the crew. She then bent down and put her head between her legs and started doing controlled breathing. Marlee and I looked at each other, eyes wide with amusement, and tried not to laugh. It was hard if we looked at Zoe, so we surveyed the room and chatted about what others were wearing. There were several girls in seductive reds and lively greens, but no one else in blue. Olivia had gone so far as to wear orange. I'd admit that I didn't know that much about fashion, but Marlee and I both agreed that someone should have intervened on her behalf. The color made her skin look kind of green. Two minutes before the cameras turned on, we realized it wasn't the dress making her look green. Olivia vomited into the closest trash can very loudly and collapsed on the floor. Silvia swooped in, and a fuss was made to wipe the sweat off her and get her into a seat. She was placed in the back row with a small receptacle at her feet, just in case. Bariel was in the seat in front of her. I couldn't hear what she muttered to the poor girl from where I was, but it looked like Bariel was prepared to injure Olivia should she have another episode near her. I guessed that Maxon had seen or heard some of the commotion, and I looked over to see if he was having any sort of reaction to it all. But he wasn't looking toward the disturbance; he was looking at me. Quickly-so quickly it would look like nothing but scratching an itch to anyone else-Maxon reached up and tugged on his ear. I repeated the action back, and we both turned away. I was excited to know that tonight, after dinner, Maxon would be stopping by my room.
Kiera Cass (The Selection (The Selection, #1))
My mother called me Silver. I was born part precious metal part pirate. I have no father. There's nothing unusual about that -even children who do have fathers are often surprised to see them. My own father came out of the sea and went back that way. He was crew on a fishing boat that harboured with us one night when the waves were crashing like dark glass. His splintered hulll shored him for long enough to drop anchor inside my mother. Shoals of babies vied for life. I won.
Jeanette Winterson (Lighthousekeeping)
In a real road-construction situation, I would never get out of my car when traffic is backed up, walk over to the foreman of the crew, and ask if I can help make the road so that it all moves more quickly. Yet I found myself doing just that with God in my past when He was trying to repair me. Construction sites have caution cones and broken pavement and heavy equipment I'm not qualified to operate. I must have looked just as out of place trying to make repairs on myself all those years. When I put my trust in Him and have patience in Him as the foreman of my life--the One who is repairing a broken relationship with my mom, building me a stronger and healthier body and assembling healthier friendships and a marriage with a solid foundation--I live a life with much fewer obstructions on my ultimate commute to becoming fearless. And I trust that God has made the plans to finish the good work He has already begun. He will continue constructing the life He knows I'm meant to lead as I travel freely in my journey of "becoming.
Michelle Aguilar (Becoming Fearless: My Ongoing Journey of Learning to Trust God)
…Sam [Raimi] wanted the climactic sword fight to play out as elegantly as a Fred Astaire movie and he wanted it all in one crane shot. I must have rehearsed the routine for three weeks, but when it came time to shoot, the rigors of running up and down steps, fighting with both hands, and flipping skeletons over my head was too much to pull off without cuts. After ten takes, I knew Sam was pissed off, because he yanked the bullhorn from John Cameron. ‘Okay, obviously, this is NOT WORKING, and it’s NOT GOING TO WORK, so we’re going to break it up into A THOUSAND LITTLE PIECES.’ When Sam gets upset, he lets you know it, and he’ll torture you for days afterward because he’s one of those guys who never forgets. The first ‘little piece’ of the sequence was a shot of me ducking as a sword glances off the stone wall behind me. ‘So, you think you can do this, Bruce?’ he’d say, loud enough for the entire crew to hear. ‘Or should I break this ONE shot into THREE MORE SHOTS?’ Sam also threatened to put Ash in a chorus line with skeletons.
Bruce Campbell (If Chins Could Kill: Confessions of a B Movie Actor)
First item in the crew roster is given name, so I'll input 'Skippy'. Second item is surname-" "The Magnificent." "Really?" "It is entirely appropriate, Joe." "Oh, uh huh, because that's what everyone calls you," I retorted sarcastically, rolling my eyes. Not wanting to argue with him, I typed in 'TheMagnificent'. "Next question is your rank, this file is designed for military personnel." "I'd like 'Grand Exalted Field Marshall El Supremo'." "Right, I'll type in 'Cub Scout'. Next question-" "Hey! You jerk-" "-is occupational specialty." "Oh, clearly that should be Lord God Controller of All Things." "I'll give you that one, that is spelled A, S, S, H, O, L, E. Next-" "Hey! You shithead, I should-" "Age?" I asked. "A couple million, at least. I think." "Mentally, you're a six year old, so that's what I typed in." "Joe, I just changed your rank in the personnel file to 'Big Poopyhead'." Skippy laughed. "Five year old. You're a five year old." "I guess that's fair," he admitted. "Sex? I'm going to select 'n/a' on that one for you," I said. "Joe, in your personnel file, I just updated Sex to 'Unlikely'." "This is not going well, Skippy." "You started it!" "That was mature. Four year old, then. Maybe Terrible Twos." "I give up," Skippy snorted. "Save the damned file and we'll call it even, Ok?" "No problem. We should do this more often, huh?" "Oh, shut up.
Craig Alanson (SpecOps (Expeditionary Force, #2))
I used to draw a comparison between him, and Hindley Earnshaw, and perplex myself to explain satisfactorily, why their conduct was so opposite in similar circumstances. They had both been fond husbands, and were both attached to their children; and I could not see how they shouldn't both have taken the same road, for good or evil. But, I thought in my mind, Hindley, with apparently the stronger head, has shown himself sadly the worse and the weaker man. When his ship struck, the captain abandoned his post; and the crew, instead of trying to save her, rushed into riot, and confusion, leaving no hope for their luckless vessel. Linton, on the contrary, displayed the true courage of a loyal and faithful soul: he trusted God; and God comforted him. One hoped, and the other despaired; they chose their own lots, and were righteously doomed to endure them.
Emily Brontë (Wuthering Heights)
We got to the moment when I wake up from being "mostly dead" and say: "I'll beat you both apart! I'll take you both together!", Fezzik cups my mouth with his hand, and answers his own question to Inigo as to how long it might be before Miracle Max's pill begins to take effect by stating: "I guess not very long." As soon as he delivered that line, there issued forth from Andre' one of the most monumental farts any of us had ever heard. Now I suppose you wouldn't expect a man of Andre's proportions to pass gas quietly or unobtrusively, but this particular one was truly epic, a veritable symphony of gastric distress that roared for more than several seconds and shook the very foundations of the wood and plaster set were now grabbing on to out of sheer fear. It was long enough and loud enough that every member of the crew had time to stop what they were doing and take notice. All I can say is that it was a wind that could have held up in comparison to the one Slim Pickens emitted int eh campfire scene in Mel Brooks's Blazing Saddles, widely acknowledged as the champion of all cinematic farts. Except of course, this one wasn't in the script.
Cary Elwes (As You Wish: Inconceivable Tales from the Making of The Princess Bride)
It’s me and it’s not me at the same time. I’ve had to change completely in order to assimilate this new part that you say is also me. Which is flesh and yet not flesh. When I woke up after the operation I felt scared, but that soon wore off. Now I’m performing better than anyone. I’m a very useful tool to the crew. It gives me a certain position. The only thing I haven’t been able to get used to yet are the dreams. I dream that there’s nothing where the add-on is. That the add-on has detached itself, or perhaps was never a part of me. That it possesses a deep-seated antipathy towards me. That it hovers in the air above me and then starts to attack. When I wake up from one of these dreams, the add-on aches a bit, and it feels as though I’ve got two: one where it’s supposed to be, and, floating just above it, another one that can’t be seen with the naked eye, but which comes into being in the darkness where I sleep, arising out of my sleep.
Olga Ravn (De ansatte)
When they were only a few yards from the stone hull, Inej halted and watched the mists wreathing the branches. “He was going to break by legs,” she said. “Smash them with a mallet so they’d never heal….” She took a shaky breath. The words came like a string of gunshots, rapid-fire, as if she resented the very act of speaking them. “I didn’t know if you would come.” Kaz couldn’t blame Van Eck for that. Kaz has built that doubt in her with every cold word and small cruelty. “We’re your crew, Inej. We don’t leave our own at the mercy of merch scum.” It wasn’t the answer he wanted to give. It wasn’t the answer she wanted. When she turned to him, her eyes were bright with anger. “He was going to break my legs,” she said, her chin held high, the barest quaver in her voice. “Would you have come for me then, Kaz? When I couldn’t scale a wall or walk a tightrope? When I wasn’t the Wraith anymore?” Dirtyhands would not. The boy who could get them through this, get their money, keep them alive, would do her the courtesy of putting her out of her misery, then cut his losses and move on. “I would come for you,” he said, and when he saw the wary look she shot him, he said it again. “I would come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together—knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.” The wind rose. The boughs of the willows whispered, a sly, gossiping sound. Kaz held her gaze, saw the moon reflected there, twin scythes of light. She was right to be cautious. Even of him. Especially of him. Cautious was how you survived. At last she nodded, the smallest dip of her chin.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Bouncing hurt. Our ego is the part of us that cares about our status and what people think, about always being better than and always being right. I think of my ego as my inner hustler. It’s always telling me to compare, prove, please, perfect, outperform, and compete. Our inner hustlers have very little tolerance for discomfort or self-reflection. The ego doesn’t own stories or want to write new endings; it denies emotion and hates curiosity. Instead, the ego uses stories as armor and alibis. The ego has a shame-based fear of being ordinary (which is how I define narcissism). The ego says, “Feelings are for losers and weaklings.” Avoiding truth and vulnerability are critical parts of the hustle. Like all good hustlers, our egos employ crews of ruffians in case we don’t comply with their demands. Anger, blame, and avoidance are the ego’s bouncers. When we get too close to recognizing an experience as an emotional one, these three spring into action. It’s much easier to say, “I don’t give a damn,” than it is to say, “I’m hurt.” The ego likes blaming, finding fault, making excuses, inflicting payback, and lashing out, all of which are ultimate forms of self-protection. The ego is also a fan of avoidance—assuring the offender that we’re fine, pretending that it doesn’t matter, that we’re impervious. We adopt a pose of indifference or stoicism, or we deflect with humor and cynicism. Whatever. Who cares?
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
The morning grass was damp and cool with dew. My yellow rain slicker must have looked sharp contrasted against the bright green that spring provided. I must have looked like an early nineteenth century romantic poet (Walt Whitman, perhaps?) lounging around a meadow celebrating nature and the glory of my existence. But don’t make this about me. Don’t you dare. This was about something bigger than me (by at least 44 feet). I was there to unselfishly throw myself in front of danger (nothing is scarier than a parked bulldozer), in the hopes of saving a tree, and also procuring a spot in a featured article in my local newspaper. It’s not about celebrity for me, it’s about showing that I care. It’s not enough to just quietly go about caring anymore. No, now we need the world to see that we care. I was just trying to do my part to show I was doing my part. But no journalists or TV news stations came to witness my selfless heroics. In fact, nobody came at all, not even Satan’s henchmen (the construction crew). People might scoff and say, “But it was Sunday.” Yes, it was Sunday. But if you’re a hero you can’t take a day off. I’d rather be brave a day early than a day late. Most cowards show up late to their destiny. But I always show up early, and quite often I leave early too, but at least I have the guts to lay down my life for something I’d die for. Now I only laid down my life for a short fifteen-minute nap, but I can forever hold my chin high as I loudly tell anyone who will listen to my exploits as an unsung hero (not that I haven’t written dozens of songs dedicated to my bravery). Most superheroes hide anonymously behind masks. That’s cowardly to me. I don’t wear a mask. And the only reason I’m anonymous is that journalists don’t respond to my requests for interviews, and when I hold press conferences nobody shows up, not even my own mother. The world doesn’t know all the good I’ve done for the world. And that’s fine with me. Not really. But if I have to go on being anonymous to make this world a better place, I will. But that doesn’t mean I’m not thinking about changing my hours of altruism from 7-8 am Sunday mornings to 9-5 am Monday through Friday, and only doing deeds of greatness in crowded locations.
Jarod Kintz (Gosh, I probably shouldn't publish this.)
It is high time for me to put an end to your sitting in this place, which you have dishonored by your contempt of all virtue, and defiled by your practice of every vice; ye are a factious crew, and enemies to all good government; ye are a pack of mercenary wretches, and would like Esau sell your country for a mess of pottage, and like Judas betray your God for a few pieces of money. Is there a single virtue now remaining amongst you? Is there one vice you do not possess? Ye have no more religion than my horse; gold is your God; which of you have not barter'd your conscience for bribes? Is there a man amongst you that has the least care for the good of the Commonwealth? Ye sordid prostitutes have you not defil'd this sacred place, and turn'd the Lord's temple into a den of thieves, by your immoral principles and wicked practices? Ye are grown intolerably odious to the whole nation; you were deputed here by the people to get grievances redress'd, are yourselves gone! So! Take away that shining bauble there, and lock up the doors. In the name of God, go! -Oliver Cromwell on the Dissolution of Parliament (April 20, 1653)
Oliver Cromwell
I smiled at him, and told him that men in our circumstances were past the operation of fear: that seeing almost every condition that could be, was better than that which we were supposed to be in, we ought to expect that the consequence, whether death or life, would be sure to be a deliverance. I asked him what he thought of the circumstances of my life, and whether a deliverance were not worth venturing for. ‘And where, sir,’ said I, ‘is your belief of my being preserved here on purpose to save your life, which elevated you a little while ago? For my part,’ said I, ‘there seems to be but one thing amiss in all the prospect of it.’ ‘What’s that?’ says he. ‘Why,’ said I, ‘ ’tis that as you say, there are three or four honest fellows among them, which should be spared; had they been all of the wicked part of the crew, I should have thought God’s providence had singled them out to deliver them into your hands; for depend upon it, every man of them that comes a-shore are our own, and shall die or live as they behave to us.
Daniel Defoe (Robinson Crusoe)
Gradually, it sank in. The Mother Beast was dead. I had killed her. The taste of her blood burned in my mouth. Behind her, a deep black hole bore into the ground beneath the remnants of the railroad car. It must have been her underground lair. She had raised her brood there, safe and far away from everyone, until Kyle's crew invaded her den. Such an awful waste. None of this was necessary. At least one person died, many others were injured, and this great magnificient beast and her brood lost their lives all because Kyle Bell wanted to make a quick buck on the side. He stood by the remnants of the tent now, arms crossed, barking orders. I marched over to Kyle. He saw me, opened his mouth, and I backhanded him. The blow knocked him to the ground. «This is your fault. You brought these people here. You knew this place was dangerous.» I pulled him upright and spun him toward the dead beast. «Look! People died because of you. Do you understand that? If it wasn't for you, I wouldn't have had to murder her. She was just protecting her children.» «She tried to kill us!» I backhanded him again. «She tried to kill you because you broke into her house.» The workers stood around us, thier faces grim. Nobody made any move to help their boss. *** I found my bow and quiver and walked away. Ascanio jumped off the beast and joined me. His voice was a deep growl, shredded by his teeth. «It. Wash. Aweshome.» «This was a tragedy.» People came before animals. I knew that, but when you turn into an animal, your perspective is a little different. «Yesh. But aweshome.» He was a boy. What did he know?
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
This young woman,” said Diana, “was responsible for the destruction of the Triumvirate’s fleet.” “Well, I had a lot of help,” Lavinia said. “I don’t understand,” I said, turning to Lavinia. “You made all those mortars malfunction?” Lavinia looked offended. “Well, yeah. Somebody had to stop the fleet. I did pay attention during siege-weapon class and ship-boarding class. It wasn’t that hard. All it took was a little fancy footwork.” Hazel finally managed to pick her jaw off the pavement. “Wasn’t that hard?” “We were motivated! The fauns and dryads did great.” She paused, her expression momentarily clouding, as if she remembered something unpleasant. “Um…besides, the Nereids helped a lot. There was only a skeleton crew aboard each yacht. Not, like, actual skeletons, but—you know what I mean. Also, look!” She pointed proudly at her feet, which were now adorned with the shoes of Terpsichore from Caligula’s private collection. “You mounted an amphibious assault on an enemy fleet,” I said, “for a pair of shoes.” Lavinia huffed. “Not just for the shoes, obviously.” She tap-danced a routine that would’ve made Savion Glover proud. “Also to save the camp, and the nature spirits, and Michael Kahale’s commandos.” Hazel held up her hands to stop the overflow of information. “Wait. Not to be a killjoy—I mean, you did an amazing thing!—but you still deserted your post, Lavinia. I certainly didn’t give you permission —” “I was acting on praetor’s orders,” Lavinia said haughtily. “In fact, Reyna helped. She was knocked out for a while, healing, but she woke up in time to instill us with the power of Bellona, right before we boarded those ships. Made us all strong and stealthy and stuff.” Hazel asked, “Is it true about Lavinia acting on your orders?” Reyna glanced at our pink-haired friend. The praetor’s pained expression said something like, I respect you a lot, but I also hate you for being right. “Yes,” Reyna managed to say. “Plan L was my idea. Lavinia and her friends acted on my orders. They performed heroically.” Lavinia beamed. “See? I told you.” The assembled crowd murmured in amazement, as if, after a day full of wonders, they had finally witnessed something that could not be explained.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
I went to my room and put some water on my hair, but you can't really comb a crew cut or anything. Then I tested to see if my breath stank from so many cigarettes and the Scotch and sodas I drank at Ernie's. All you do is hold your hand under your mouth and blow your breath up toward the old nostrils. It didn't seem to stink much, but I brushed my teeth anyway. Then I put on another clean shirt. I knew I didn't have to get all dolled up for a prostitute or anything, but it sort of gave me something to do. I was a little nervous. I was starting to feel pretty sexy and all, but I was a little nervous anyway. If you want to know the truth, I'm a virgin. I really am. I've had quite a few opportunities to lose my virginity and all, but I've never got around to it yet. Something always happens. For instance, if you're at a girl's house, her parents always come home at the wrong time – or you're afraid they will. Or if you're in the back seat of somebody's car, there's always somebody's date in the front seat – some girl, I mean – that always wants to know what's going on all over the whole goddam car. I mean some girl in front keeps turning around to see what the hell's going on. Anyway, something always happens. I came quite close to doing it a couple of times, though. One time in particular, I remember. Something went wrong, though – I don't even remember what any more. The thing is, most of the time when you're coming pretty close to doing it with a girl – a girl that isn't a prostitute or anything, I mean – she keeps telling you to stop. The trouble with me is, I stop. Most guys don't. I can't help it. You never know whether they really want you to stop, or whether they're just scared as hell, or whether they're just telling you to stop so that if you do go through with it, the blame'll be on you not them. Anyway, I keep stopping. The trouble is, I get to feeling sorry for them. I mean most girls are so dumb and all. After you neck them for a while, you can really watch them losing their brains. You take a girl when she really gets passionate, she just hasn't any brains. I don't know. They tell me to stop, so I stop. I always wish I hadn't, after I take them home, but I keep doing it anyway.
J.D. Salinger (The Catcher in the Rye)
One also, in our milieu, simply didn't meet enough Americans to form an opinion. And when one did—this was in the days of crew-cuts and short-legged pants—they, too, often really did sport crew-cuts and trousers that mysteriously ended several inches short of the instep. Why was that? It obviously wasn't poverty. A colleague of my father's had a daughter who got herself married and found that an American friend she had met on holiday had offered to pay the whole cost of the nuptial feast. I forget the name of this paladin, but he had a crew-cut and amputated trouser-bottoms and a cigar stub and he came from a place called Yonkers, which seemed to me a ridiculous name to give to a suburb. (I, who had survived Crapstone… ) Anyway, once again one received a Henry Jamesian impression of brash generosity without overmuch refinement. There was a boy at my boarding school called Warren Powers Laird Myers, the son of an officer stationed at one of the many U.S. Air Force bases in Cambridgeshire. Trousers at The Leys School were uniform and regulation, but he still managed to show a bit of shin and to buzz-cut his hair. 'I am not a Yankee,' he informed me (he was from Norfolk, Virginia). 'I am a CON-federate.' From what I was then gleaning of the news from Dixie, this was unpromising. In our ranks we also had Jamie Auchincloss, a sprig of the Kennedy-Bouvier family that was then occupying the White House. His trousers managed to avoid covering his ankles also, though the fact that he shared a parent with Jackie Kennedy meant that anything he did was accepted as fashionable by definition. The pants of a man I'll call Mr. 'Miller,' a visiting American master who skillfully introduced me to J.D. Salinger, were also falling short of their mark. Mr. Miller's great teacher-feature was that he saw sexual imagery absolutely everywhere and was slightly too fond of pointing it out [...]. Meanwhile, and as I mentioned much earlier, the dominant images projected from the United States were of the attack-dog-and-firehose kind, with swag-bellied cops lying about themselves and the political succession changed as much by bullets as by ballots.
Christopher Hitchens (Hitch 22: A Memoir)
He surveyed what remained of his crew. Rotty still hovered by the wreckage of the longboat. Jesper sat with elbows on knees, head in hands, Wylan beside him wearing the face of a near-stranger; Matthias stood gazing across the water in the direction of Hellgate like a stone sentinel. If Kaz was their leader, then Inej had been their lodestone, pulling them together when they seemed most likely to drift apart. Nina had disguised Kaz’s crow-and-cup tattoo before they’d entered the Ice Court, but he hadn’t let her near the R on his bicep. Now he touched his gloved fingers to where the sleeve of his coat covered that mark. Without meaning to, he’d let Kaz Rietveld return. He didn’t know if it had begun with Inej’s injury or that hideous ride in the prison wagon, but somehow he’d let it happen and it had cost him dearly. That didn’t mean he was going to let himself be bested by some thieving merch. Kaz looked south toward Ketterdam’s harbors. The beginnings of an idea scratched at the back of his skull, an itch, the barest inkling. It wasn’t a plan, but it might be the start of one. He could see the shape it would take—impossible, absurd, and requiring a serious chunk of cash. “Scheming face,” murmured Jesper. “Definitely,” agreed Wylan. Matthias folded his arms. “Digging in your bag of tricks, demjin?” Kaz flexed his fingers in his gloves. How did you survive the Barrel? When they took everything from you, you found a way to make something from nothing. “I’m going to invent a new trick,” Kaz said. “One Van Eck will never forget.” He turned to the others. If he could have gone after Inej alone, he would have, but not even he could pull that off. “I’ll need the right crew.” Wylan got to his feet. “For the Wraith.” Jesper followed, still not meeting Kaz’s eyes. “For Inej,” he said quietly. Matthias gave a single sharp nod. Inej had wanted Kaz to become someone else, a better person, a gentler thief. But that boy had no place here. That boy ended up starving in an alley. He ended up dead. That boy couldn’t get her back. I’m going to get my money, Kaz vowed. And I’m going to get my girl. Inej could never be his, not really, but he would find a way to give her the freedom he’d promised her so long ago. Dirtyhands had come to see the rough work done.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
You were burning in the middle of the worst solar storm our records can remember. (...) Everyone else fled. All your companions and crew left you alone to wrestle with the storm. “You did not blame them. In a moment of crystal insight, you realized that they were cowards beyond mere cowardice: their dependence on their immortality circuits had made it so that they could not even imagine risking their lives. They were all alike in this respect. They did not know they were not brave; they could not even think of dying as possible; how could they think of facing it, unflinching? “You did not flinch. You knew you were going to die; you knew it when the Sophotechs, who are immune to pain and fear, all screamed and failed and vanished. “And you knew, in that moment of approaching death, with all your life laid out like a single image for you to examine in a frozen moment of time, that no one was immortal, not ultimately, not really. The day may be far away, it may be further away than the dying of the sun, or the extinction of the stars, but the day will come when all our noumenal systems fail, our brilliant machines all pass away, and our records of ourselves and memories shall be lost. “If all life is finite, only the grace and virtue with which it is lived matters, not the length. So you decided to stay another moment, and erect magnetic shields, one by one; to discharge interruption masses into the current, to break up the reinforcement patterns in the storm. Not life but honor mattered to you, Helion: so you stayed a moment after that moment, and then another. (...) “You saw the plasma erupting through shield after shield (...) Chaos was attempting to destroy your life’s work, and major sections of the Solar Array were evaporated. Chaos was attempting to destroy your son’s lifework, and since he was aboard that ship, outside the range of any noumenal circuit, it would have destroyed your son as well. “The Array was safe, but you stayed another moment, to try to deflect the stream of particles and shield your son; circuit after circuit failed, and still you stayed, playing the emergency like a raging orchestra. “When the peak of the storm was passed, it was too late for you: you had stayed too long; the flames were coming. But the radio-static cleared long enough for you to have last words with your son, whom you discovered, to your surprise, you loved better than life itself. In your mind, he was the living image of the best thing in you, the ideal you always wanted to achieve. “ ‘Chaos has killed me, son,’ you said. ‘But the victory of unpredictability is hollow. Men imagine, in their pride, that they can predict life’s each event, and govern nature and govern each other with rules of unyielding iron. Not so. There will always be men like you, my son, who will do the things no one else predicts or can control. I tried to tame the sun and failed; no one knows what is at its fiery heart; but you will tame a thousand suns, and spread mankind so wide in space that no one single chance, no flux of chaos, no unexpected misfortune, will ever have power enough to harm us all. For men to be civilized, they must be unlike each other, so that when chaos comes to claim them, no two will use what strategy the other does, and thus, even in the middle of blind chaos, some men, by sheer blind chance, if nothing else, will conquer. “ ‘The way to conquer the chaos which underlies all the illusionary stable things in life, is to be so free, and tolerant, and so much in love with liberty, that chaos itself becomes our ally; we shall become what no one can foresee; and courage and inventiveness will be the names we call our fearless unpredictability…’ “And you vowed to support Phaethon’s effort, and you died in order that his dream might live.
John C. Wright (The Golden Transcendence (Golden Age, #3))
The last time I’d been unwell, suicidally depressed, whatever you want to call it, the reactions of my friends and family had fallen into several different camps: The Let’s Laugh It Off merchants: Claire was the leading light. They hoped that joking about my state of mind would reduce it to a manageable size. Most likely to say, ‘Feeling any mad urges to fling yourself into the sea?’ The Depression Deniers: they were the ones who took the position that since there was no such thing as depression, nothing could be wrong with me. Once upon a time I’d have belonged in that category myself. A subset of the Deniers was The Tough Love people. Most likely to say, ‘What have you got to be depressed about?’ The It’s All About Me bunch: they were the ones who wailed that I couldn’t kill myself because they’d miss me so much. More often than not, I’d end up comforting them. My sister Anna and her boyfriend, Angelo, flew three thousand miles from New York just so I could dry their tears. Most likely to say, ‘Have you any idea how many people love you?’ The Runaways: lots and lots of people just stopped ringing me. Most of them I didn’t care about, but one or two were important to me. Their absence was down to fear; they were terrified that whatever I had, it was catching. Most likely to say, ‘I feel so helpless … God, is that the time?’ Bronagh – though it hurt me too much at the time to really acknowledge it – was the number one offender. The Woo-Woo crew: i.e. those purveying alternative cures. And actually there were hundreds of them – urging me to do reiki, yoga, homeopathy, bible study, sufi dance, cold showers, meditation, EFT, hypnotherapy, hydrotherapy, silent retreats, sweat lodges, felting, fasting, angel channelling or eating only blue food. Everyone had a story about something that had cured their auntie/boss/boyfriend/next-door neighbour. But my sister Rachel was the worst – she had me plagued. Not a day passed that she didn’t send me a link to some swizzer. Followed by a phone call ten minutes later to make sure I’d made an appointment. (And I was so desperate that I even gave plenty of them a go.) Most likely to say, ‘This man’s a miracle worker.’ Followed by: ‘That’s why he’s so expensive. Miracles don’t come cheap.’ There was often cross-pollination between the different groupings. Sometimes the Let’s Laugh It Off merchants teamed up with the Tough Love people to tell me that recovering from depression is ‘simply mind over matter’. You just decide you’re better. (The way you would if you had emphysema.) Or an All About Me would ring a member of the Woo-Woo crew and sob and sob about how selfish I was being and the Woo-Woo crew person would agree because I had refused to cough up two grand for a sweat lodge in Wicklow. Or one of the Runaways would tiptoe back for a sneaky look at me, then commandeer a Denier into launching a two-pronged attack, telling me how well I seemed. And actually that was the worst thing anyone could have done to me, because you can only sound like a self-pitying malingerer if you protest, ‘But I don’t feel well. I feel wretched beyond description.’ Not one person who loved me understood how I’d felt. They hadn’t a clue and I didn’t blame them, because, until it had happened to me, I hadn’t a clue either.
Marian Keyes