My Bags Are Packed Quotes

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People in the real world always say, when something terrible happens, that the sadness and loss and aching pain of the heart will “lessen as time passes,” but it isn’t true. Sorrow and loss are constant, but if we all had to go through our whole lives carrying them the whole time, we wouldn’t be able to stand it. The sadness would paralyze us. So in the end we just pack it into bags and find somewhere to leave it.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
The Friday before winter break, my mom packed me an overnight bag and a few deadly weapons and took me to a new boarding school.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
He looks up at my approach and the second my eyes meet with his, whatever sense I had just talked myself into, packs its bags and fucks off, leaving me to the mercy of my hormones.
Samantha Towle (The Mighty Storm (The Storm, #1))
I have my own e-reader, but I hardly ever use it. I need to fold down pages and flag passages with sticky notes. I need to experience books, not just read them. I never go anywhere without a book in my bag, and to travel across the ocean, I'd packed more than my fair share.
Lauren Morrill (Meant to Be)
My ticket's been bought, and my luggage is packed. I'm storing both of my bags under my eyes. Or am I just tired from lying awake daydreaming of you?
Jarod Kintz (Write like no one is reading 3)
Once upon a time,” I began. “There was a little boy born in a little town. He was perfect, or so his mother thought. But one thing was different about him. He had a gold screw in his belly button. Just the head of it peeping out. “Now his mother was simply glad he had all his fingers and toes to count with. But as the boy grew up he realized not everyone had screws in their belly buttons, let alone gold ones. He asked his mother what it was for, but she didn’t know. Next he asked his father, but his father didn’t know. He asked his grandparents, but they didn’t know either. “That settled it for a while, but it kept nagging him. Finally, when he was old enough, he packed a bag and set out, hoping he could find someone who knew the truth of it. “He went from place to place, asking everyone who claimed to know something about anything. He asked midwives and physickers, but they couldn’t make heads or tails of it. The boy asked arcanists, tinkers, and old hermits living in the woods, but no one had ever seen anything like it. “He went to ask the Cealdim merchants, thinking if anyone would know about gold, it would be them. But the Cealdim merchants didn’t know. He went to the arcanists at the University, thinking if anyone would know about screws and their workings, they would. But the arcanists didn’t know. The boy followed the road over the Stormwal to ask the witch women of the Tahl, but none of them could give him an answer. “Eventually he went to the King of Vint, the richest king in the world. But the king didn’t know. He went to the Emperor of Atur, but even with all his power, the emperor didn’t know. He went to each of the small kingdoms, one by one, but no one could tell him anything. “Finally the boy went to the High King of Modeg, the wisest of all the kings in the world. The high king looked closely at the head of the golden screw peeping from the boy’s belly button. Then the high king made a gesture, and his seneschal brought out a pillow of golden silk. On that pillow was a golden box. The high king took a golden key from around his neck, opened the box, and inside was a golden screwdriver. “The high king took the screwdriver and motioned the boy to come closer. Trembling with excitement, the boy did. Then the high king took the golden screwdriver and put it in the boy’s belly button.” I paused to take a long drink of water. I could feel my small audience leaning toward me. “Then the high king carefully turned the golden screw. Once: Nothing. Twice: Nothing. Then he turned it the third time, and the boy’s ass fell off.” There was a moment of stunned silence. “What?” Hespe asked incredulously. “His ass fell off.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
DADDY You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to kill you. You died before I had time― Marble-heavy, a bag full of God, Ghastly statue with one grey toe Big as a Frisco seal And a head in the freakish Atlantic When it pours bean green over blue In the waters of beautiful Nauset. I used to pray to recover you. Ach, du. In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My Polack friend Says there are a dozen or two. So I never could tell where you Put your foot, your root, I never could talk to you. The tongue stuck in my jaw. It stuck in a barb wire snare. Ich, ich, ich, ich, I could hardly speak. I thought every German was you. And the language obscene An engine, an engine Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen. I began to talk like a Jew. I think I may well be a Jew. The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gypsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew. I have always been scared of you, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You― Not God but a swastika So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you. You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not And less the black man who Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack, And they stuck me together with glue. And then I knew what to do. I made a model of you, A man in black with a Meinkampf look And a love of the rack and the screw. And I said I do, I do. So daddy, I’m finally through. The black telephone’s off at the root, The voices just can’t worm through. If I’ve killed one man, I’ve killed two― The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There’s a stake in your fat black heart And the villagers never like you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you bastard, I’m through.
Sylvia Plath (Ariel)
Racing up the wide staircase, I barreled through the double doors and smacked right into a brick wall. Stumbling backward, my arms flailed like a cracked-out crossing guard. My over-packed messenger bag slipped, pulling me to one side. My hair flew it front of my face, a sheet of auburn that obscured everything as I teetered dangerously. Oh dear God, I was going down. There was no stopping it. Visions of broken necks danced in my head. This was going to suck so— Something strong and hard went around my waist, stopping my free fall. My bag hit the floor, spilling overpriced books and pens across the shiny floor. My pens! My glorious pens rolled everywhere. A second later I was pressed against the wall. The wall was strangely warm. The wall chuckled. “Whoa,” a deep voice said. “You okay, sweetheart?
J. Lynn (Wait for You (Wait for You, #1))
My common sense had already packed a bag, prepared to abandon me for the evening.
Ann Aguirre (Outpost (Razorland, #2))
I opened the bag and packed the boots in; and then, just as I was going to close it, a horrible idea occurred to me.  Had I packed my tooth-brush?  I don’t know how it is, but I never do know whether I’ve packed my tooth-brush. My tooth-brush is a thing that haunts me when I’m travelling, and makes my life a misery.  I dream that I haven’t packed it, and wake up in a cold perspiration, and get out of bed and hunt for it.  And, in the morning, I pack it before I have used it, and have to unpack again to get it, and it is always the last thing I turn out of the bag; and then I repack and forget it, and have to rush upstairs for it at the last moment and carry it to the railway station, wrapped up in my pocket-handkerchief.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
Why don’t you pack a bigger bag and come stay with me?” My stomach flutters at the thought of going to sleep in Cash’s arms every night and waking up in them every morning. Of going to sleep with his taste on my tongue and waking up with his tongue in my mouth. That’s what it would be like. At least for a while. For a few days. It sounds like heaven.
M. Leighton (Down to You (The Bad Boys, #1))
I don’t think we’re in love anymore. I think about sex constantly. I hate your parents. I’m pretty sure they hate me. Do you have any idea how fucked up this is? I’ve been sleeping with my back to you for months now, and you haven’t touched me once. I almost went home with the guy who gave me change at the bank. I almost asked his name. I don’t think we’re in love anymore. We don’t kiss like we used to. Your lips are always cold and mine are always chapped. Neither of us even apologize. I haven’t shaved in days and you haven’t noticed. I am insatiable. I am a disaster just waiting to remember the storm in her bones. I am proud of this. I want someone to fuck me so hard that something inside of me snaps and I can’t stop screaming ‘I love you, oh my God, I love you.’ I don’t think we’re in love anymore. Sometimes, I genuinely think the sky is bleeding, and I don’t know how to stop it. I don’t think I am capable of staying put. My bags are already packed. I’ve been waiting for you to check the bedroom. I don’t think we’re in love anymore. I don’t know whose fault it is. Let’s stop trying to make a broken thing work. We were brave for trying. We were brave for trying.
Caitlyn Siehl
There is no better people-watching than at the airport: the whole world packed into such a tight space, moving fast with all their essentials in their rolling bags. And what caught my attention, as I took a few breaths and lay my eyes on the crowds, were all the imperfections. Everybody had them. Every single person that walked past me had some kind of flaw. Bushy eyebrows, moles, flared nostrils, crooked teeth, crows'-feet, hunched backs, dowagers' humps, double chins, floppy earlobes, nose hairs, potbellies, scars, nicotine stains, upper arm fat, trick knees, saddlebags, collapsed arches, bruises, warts, puffy eyes, pimples. Nobody was perfect. Not even close. And everybody had wrinkles from smiling and squinting and craning their necks. Everybody had marks on their bodies from years of living - a trail of life left on them, evidence of all the adventures and sleepless nights and practical jokes and heartbreaks that had made them who they were. In that moment, I suddenly loved us all the more for our flaws, for being broken and human, for being embarrassed and lonely, for being hopeful or tired or disappointed or sick or brave or angry. For being who we were, for making the world interesting. It was a good reminder that the human condition is imperfection. And that's how it's supposed to be.
Katherine Center (Everyone is Beautiful)
I settle on a lounge chair, all prepared to dive into Kristen Ashley’s latest novel, Breathe. This woman makes me want to pack my bags and move to Colorado in order to find a bad-ass Alpha man. You know, if I ever plan on finding a man again. As I power up my Kindle, all ready to get to know Chace and Faye
Tessa Teevan (Ignite (Explosive, #1))
I got uncertain from this, I'll be perfect from now on. But all my promises, they're out the window once you're gone. You pack your bags. You say I love you but I cannot stay.
Tegan Quin
This life is a hospital in which each patient is possessed by the desire to change beds. One wants to suffer in front of the stove and another believes that he will get well near the window. It always seems to me that I will be better off there where I am not, and this question of moving about is one that I discuss endlessly with my soul "Tell me, my soul, my poor chilled soul, what would you think about going to live in Lisbon? It must be warm there, and you'll be able to soak up the sun like a lizard there. That city is on the shore; they say that it is built all out of marble, and that the people there have such a hatred of the vegetable, that they tear down all the trees. There's a country after your own heart -- a landscape made out of light and mineral, and liquid to reflect them!" My soul does not reply. "Because you love rest so much, combined with the spectacle of movement, do you want to come and live in Holland, that beatifying land? Perhaps you will be entertained in that country whose image you have so often admired in museums. What do you think of Rotterdam, you who love forests of masts and ships anchored at the foot of houses?" My soul remains mute. "Does Batavia please you more, perhaps? There we would find, after all, the European spirit married to tropical beauty." Not a word. -- Is my soul dead? Have you then reached such a degree of torpor that you are only happy with your illness? If that's the case, let us flee toward lands that are the analogies of Death. -- I've got it, poor soul! We'll pack our bags for Torneo. Let's go even further, to the far end of the Baltic. Even further from life if that is possible: let's go live at the pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and augments monotony, that half of nothingness. There we could take long baths in the shadows, while, to entertain us, the aurora borealis send us from time to time its pink sheaf of sparkling light, like the reflection of fireworks in Hell!" Finally, my soul explodes, and wisely she shrieks at me: "It doesn't matter where! It doesn't matter where! As long as it's out of this world!
Charles Baudelaire (Paris Spleen)
When Pidge wakes up, let me know, okay?” he said in a soft voice. “I got spaghetti, and pancakes, and strawberries, and that oatmeal shit with the chocolate packets, and she likes Fruity Pebbles cereal, right, Mare?” he asked, turning. When he saw me, he froze. After an awkward pause, his expression melted, and his voice was smooth and sweet.“Hey, Pigeon.” I couldn’t have been more confused if I had woken up in a foreign country. Nothing made sense. At first I thought I had been evicted, and then Travis comes home with bags full of my favorite foods. He took a few steps into the living room, nervously shoving his hands in his pockets. “You hungry, Pidge? I’ll make you some pancakes. Or there’s uh…there’s some oatmeal. And I got you some of that pink foamy shit that girl’s shave with, and a hairdryer, and a… a….just a sec, it’s in here,” he said, rushing to the bedroom. The door opened, shut, and then he rounded the corner, the color gone from his face. He took a deep breath and his eyebrows pulled in. “Your stuff’s packed.” “I know,” I said. “You’re leaving,” he said, defeated.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
I'm packing my life in a bag again, saying goodbye and writing the last letters. It's been a long journey, back and forth, hide and seek, but this time it's different. This time I am different. I'm not sure where I want to end up but I know how to get there, or at least the first direction, the first turn, the first sunset. I'm longing for peace. I'm longing for borrowed guitars and detachment. Horizons, cheap whiskey straight from the bottle and your hands in mine.
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
He was breathing heavily. “I honestly don’t understand what’s wrong with you,” he said. “You’re telling me to pack my bags, to leave our house, knowing you’re going to have a baby?” “And this surprises you why? Have you seen what’s been happening in our house?” “Stop talking to me like this in our bed, Tatiana. My white flag is up,” said Alexander. “I have no more.” “My white flag is up, too, Shura,” she said. “You know when mine went up? June 22, 1941.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
This girl needs a vacation, so I’m taking one right now. I’m packing my bags and leaving on a motherf’ing Jäger plane.
Renee Ericson (After Tuesday (These Days, #1))
I think my eyebrows had packed bags and migrated three counties north.
Naomi Novik (The Last Graduate (The Scholomance, #2))
If you cannot understand my argument, and declare "It's Greek to me", you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger; if your wish is farther to the thought; if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise -why, be that as it may, the more fool you , for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; if you think it is early days and clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop) without rhyme or reason, then - to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare; even if you bid me good riddance and send me packing, if you wish I was dead as a door-nail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - by Jove! O Lord! Tut tut! For goodness' sake! What the dickens! But me no buts! - it is all one to me, for you are quoting Shakespeare.
Bernard Levin
Our first night in the house, my wife and I were lying in bed. I was thanking God for my blessings. Thanking God for not having to pull aside a dining room curain to have my children near—that they were right down the hall, asleep in their Superman underwear, their little chests rising and falling to the pulse of their dreams. I thought how some blessings are fickle guests. Just when we think they're here to stay, they pack their bags and move. When we're in the midst of blessing, we think it's our due—that blessing lasts forever. Next thing you know we're sitting helpless beside a hospital bed. All we're left with is a name on a wall, a toy in a desk, and memories that haunt our sleep. Sometimes we come to gratitute too late. It's only after blessing has passed on that we realize what we had.
Philip Gulley (Home to Harmony (Harmony, #1))
Your cat doesn’t like you? How come?” I shrug. “I don’t know. He’s very mean though and I think about telling him to pack his kitty bags and move out.
Heidi McLaughlin (Forever My Girl (Beaumont Series, #1))
I wanted to join the rebels. I waited for my Hogwarts letter to come. I longed for Gandalf to show up and tell me we’re going on an adventure. When a white rabbit shows up in my life and says ‘I want to take you to Wonderland’, you’d better believe I’m going to pack my bags.
Kendra Moreno (Late as a Rabbit (Sons of Wonderland #2))
My husband has no more consideration for me than a dog, she said. He goes off and screws little girls with the other men and we sit home like good little women and wash their shirts and pack their bags for their sex trips. We keep their houses warm and clean for when they’re ready to come home and shower off some other woman’s perfume before tucking their children into bed. For years I’ve pretended I don’t know where he goes, or who those girls are on the phone, but every time he comes home, I lie there in bed beside my husband, who doesn’t touch me, who doesn’t talk to me, who doesn’t love me, and I pretend I can’t smell some twenty-year-old’s body on him
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
What do you have to say for yourself, boy?" Cgerise "Sorry, Ma, I'm a sexy demon magnet?" Nick "Cherise!" Bubba "Don't you even take that tone with me, Mr. Triple-Threat-I-don't-have-to-listen-to-anyone-because-I'm-the-size-of-a-tabk. You're in the doghouse, buster. You might as well pack a bag 'cause you're going to be in there so long your name's going to be engraved on the mailbox." Cherise "Ah, what'd I do, cher?" Bubba "You dragged my baby into danger, and you-- Are you one of them?" Cherise "I'm going with whatever answer doesn't get me swatted with that bat." Savitar "Cherise, calm down. What are you doing here?" Bubba "What do you think? I'm protecting my boys. Both of you ... Because Mark values his own life and inparticular his male body parts, he called me after he got off the phone with you to tell me what the two of you were doing. You didn't honestly believe that I've been ignorant of what you and Mark do at night all these years? Did you?" Cherise "Um, yeah." Bubba "Well then you're a fool,Michael Burdette. And I'm not." Cherise
Sherrilyn Kenyon (Illusion (Chronicles of Nick, #5))
I'm not sure when it happened, but sometime in my late teens or early twenties, it was as if Jesus packed his bags and moved from my heart into my head. He became an idea, a sort of theological mechanism by which salvation was attained. I described him in terms of atonement, logos, the object of my faith, and absolute truth. He was something I agreed to, not someone I followed. . . . This radial Jesus wanted to live not only in my heart and in my head but also in my hands, as i fed the hungry, reached out to my enemies, healed the sick, and comforted the lonely. Being a Christian, it seemed, isn't about agreeing to a certain way. It is about embodying a certain way. It is about living as an incarnation of Jesus, as Jesus lived as an incarnation of God.
Rachel Held Evans (Evolving in Monkey Town: How a Girl Who Knew All the Answers Learned to Ask the Questions)
And now she was found, no longer lost. Like a bag I'd given up for good suddenly reappearing in the middle of the night on my doorstep, packed for a journey I'd long ago forgotten. It was odd, considering I'd gotten accustomed to her being nowhere and anywhere, to finally know where my mother was. An exact location, pinpointed. Like she'd crossed over from my imagination, where I'd created a million different lives for her, back into this one.
Sarah Dessen (Lock and Key)
I have a lifelong habit for dealing with dejection: I leave town. I first ran away from home at three. Mother helped pack my bag.
Jinx Schwartz (Just The Pits (Hetta Coffey Mystery, #5))
I’ve been strong and responsible for too many people for too long. This girl needs a vacation, so I’m taking one right now. I’m packing my bags and leaving on a motherf’ing Jäger plane.
Renee Ericson (After Tuesday (These Days #1))
Holy shit. Rowen Sterling. Glowing. Married. I suppose now’s the time to start packing our bags for the apocalypse.” Jesse slugged my arm. Rowen got the other. “Holy shit. Garth Black. Present. Accounted for. Sober. Quick, no time to pack your bags for the apocalypse because it’s here.
Nicole Williams (Finders Keepers (Lost & Found, #3))
looking enraptured while Orion murmured to me that their kind could step right into the pages of a story. They didn’t just see it in their head, they lived every word, the whole thing playing out in their minds as if they were the main character, and that sounded pretty awesome. It must have been incredible to experience your favourite books first hand, to fall so deeply between the pages that it seemed as if those worlds really existed. “Which book would you go into?” I asked Orion, brushing my fingers over the thick stubble on his jaw. “There is no story I would choose to live in but ours,” he answered simply, and damn this man to hell for his silver tongue. My heart all but packed up its bags and moved out of my chest to go and live in his instead. He already owned it that completely anyway.
Caroline Peckham (Heartless Sky (Zodiac Academy, #7))
Honey, have you seen my measuring tape?” “I think it’s in that drawer in the kitchen with the scissors, matches, bobby pins, Scotch tape, nail clippers, barbecue tongs, garlic press, extra buttons, old birthday cards, soy sauce packets thick rubber bands, stack of Christmas napkins, stained take-out menus, old cell-phone chargers, instruction booklet for the VCR, some assorted nickels, an incomplete deck of cards, extra chain links for a watch, a half-finished pack of cough drops, a Scrabble piece I found while vacuuming, dead batteries we aren’t fully sure are dead yet, a couple screws in a tiny plastic bag left over from the bookshelf, that lock with the forgotten combination, a square of carefully folded aluminum foil, and expired pack of gum, a key to our old house, a toaster warranty card, phone numbers for unknown people, used birthday candles, novelty bottle openers, a barbecue lighter, and that one tiny little spoon.” “Thanks, honey.” AWESOME!
Neil Pasricha (The Book of (Even More) Awesome)
She packed everything into the shopping bags with the urgent efficiency of someone building a sand castle at sundown, as the tide comes in. Like a dream you know will end. If I move fast enough, I won't wake the gods.
Ottessa Moshfegh (My Year of Rest and Relaxation)
I’d come across a strap-on penis. It seemed pretty old and was Band-Aid colored, about three inches long and not much bigger around than a Vienna sausage, which was interesting to me. You’d think that if someone wanted a sex toy she’d go for the gold, sizewise. But this was just the bare minimum, like getting AAA breast implants. Who had this person been hoping to satisfy, her Cabbage Patch doll? I thought about taking the penis home and mailing it to one of my sisters for Christmas but knew that the moment I put it in my knapsack, I’d get hit by a car and killed. That’s just my luck. Medics would come and scrape me off the pavement, then, later, at the hospital, they’d rifle through my pack and record its contents: four garbage bags, some wet wipes, two flashlights, and a strap-on penis.
David Sedaris (Calypso)
How could I sit here and ask this stranger to help me pick up the facts of my life? The shopping bags had burst and all my things were rolling out over a packed pavement with me scurrying after them, stooping and bumping and tripping: Excuse me, I'm sorry. Could you just...Excuse me.
Steven Hall (The Raw Shark Texts)
No, no, no. No way!” I shook my head and looked at the offending black motorcycle. “I am not getting on that thing!” “Sophie, it’s a motorcycle, it doesn’t bite.” I turned my head to look at the beast. “Really? It looks like it could bite, to me.” “Please, Sophie,” he held out a helmet. I crossed my arms over my chest. “What if I fall off?” “You’re supposed to hang on to me, Soph. What happened to my mighty little she-wolf?” “She packed her bags and left,” I said.
Micalea Smeltzer
I thought about packing my bags, I thought about jumping out a window, I sat on the bed and thought, I thought about you. What kind of food did you life, what was your favorite song, who was the first girl you kissed, and where, and how, I'm running out of room, I want an infinitely long blank book and forever.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
You know, I'm really trying to cut down on this stuff. But..." Peabody ripped into the pack of cookies. "Thing is, weird, McNab doesn't think I'm chubby. And when a guy sees you naked, he knows where the extra layers are." "Peabody, do you have some delusion that I want to hear how McNab sees you naked?" She crunched into a cookie. "I'm just saying. Anyway, you know we have sex, so you've probably reached the conclusion we're naked when we're having it. You being an ace detective and all." "Peabody, in the chain of command, you may, on rare occasions and due to my astonishing good nature, respond to sarcasm with sarcasm. You are not permitted to lead with it. Give me a damn cookie." "They're coconut crunchies. You hate coconut." "Then why did you buy coconut?" "To piss you off." Grinning now, Peabody pulled another pack of cookies from her bag. "Then I bought chocolate chip, just for you." "Well, hand them over then." "Okay, so ..." Peabody ripped open the second pack, offered Eve a cookie. "Anyway, McNab's got a little, bitty butt, and hardly any shoulders. Still -- " "Stop. Stop right there. If I get an image of a naked McNab in my head, you're going back to traffic detail." Peabody munched, hummed, waited. "Damn it! There he is." Hooting with laughter, Peabody polished off the last cookie. "Sorry. Dallas, I'm sorry. I couldn't help it. Kinda cute, isn't he?
J.D. Robb (Witness in Death (In Death, #10))
the thought entered my mind that it wouldn’t be so terrible if I just packed a bag and left everything behind me without a word to anyone.
Liliana Hart (Dirty Little Secrets (J.J. Graves Mystery #1))
Yes, my bug-out bag is packed,” Faith said and grimaced. “‘Where’s your bug-out bag?’ ‘Is your bug-out bag packed?’ ‘What’s your inventory?’ ‘Why did I get the insane parents?
John Ringo (Under a Graveyard Sky (Black Tide Rising, #1))
In my small, black, rolling bag, all my clothes are packed, and I mean all my clothes, including my only suit. Which happens to be black. My only tie, which happens to be black.
Nicola Rendell (Professed)
My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don’t wait very long.
Patricia Evangelista (Some People Need Killing: A Memoir of Murder in My Country)
them the whole time, we wouldn’t be able to stand it. The sadness would paralyze us. So in the end we just pack it into bags and find somewhere to leave it.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
Hey,’ Wildgirl says, ‘let me into your backpack. I’ve got a light on my keys that I totally forgot about.’ I turn my back to her and feel her fumbling with the zip of my pack. It’s a lot lighter now. ‘I’m glad you hung on to your bag. I would have had to kick your ass if you lost all my stuff.’ I probably wouldn’t mind that, although if I were given a choice, I’d opt for another kiss. It’s the first time I’ve been so close to someone since I’ve changed. Kissing felt better than I remembered, but it also felt like it was something I had to be careful about. It never felt that way before.
Leanne Hall (This Is Shyness (This Is Shyness, #1))
to Russell Vernon Hunter New York Spring 1932 My dear Vernon Hunter Your letter gives me such a vivid picture of some thing I love in space — love almost as passionately as I can love a person — that I am almost tempted to pack my little bag and go — but I will not go to it right this morning — No matter how much I love it — There is some thing in me that must finish jobs once started — when I can —. So I am here — and what you write of me is there The cockscomb is here too — I put it in much cold water and it came to life from a kind of flatness it had in the box when I opened it — tho it was very beautiful as it lay in the box a bit wilted when I opened it —. I love it — Thank you. I must confess to you — that I even have the desire to go into old Mexico — that I would have gone — undoubtedly — if it were only myself that I considered — You are wise — so wise — in staying in your own country that you know and love — I am divided between my man and a life with him — and some thing of the outdoors — of your world — that is in my blood — and that I know I will never get rid of — I have to get along with my divided self the best way I can —. So give my greetings to the sun and the sky — and the wind — and the dry never ending land —Sincerely Georgia O'Keeffe
Georgia O'Keeffe
In a whodunnit, when a detective hears that Sir Somebody Smith has been stabbed thirty-six times on a train or decapitated, they accept it as a quite natural occurrence. They pack their bags and head off to ask questions, collect clues, ultimately to make an arrest. But I wasn't a detective. I was an editor—and, until a week ago, not a single one of my acquaintances had managed to die in an unusual and violent manner. Apart from my own parents and Alan, I hardly knew anyone who had died at all. It's strange when you think about it. There are hundreds and hundreds of murders in books and television. It would be hard for narrative fiction to survive without them. And yet there are almost none in real life, unless you happen to live in the wrong area. Why is it that we have such a need for murder mystery and what is it that attracts us—the crime or the solution? Do we have some primal need of bloodshed because our own lives are so safe, so comfortable? I made a mental note to check out Alan's sales figures in San Pedro Sula in Honduras (the murder capital of the world). It might be that they didn't read him at all.
Anthony Horowitz (Magpie Murders (Susan Ryeland, #1))
A few days ago he asked what I like to eat, said he wanted to have my favorites on hand, and he shows me the three pints of expensive ice cream in the freezer, a six-pack of Cherry Coke in the fridge, two big bags of potato chips on the counter.
Kate Elizabeth Russell (My Dark Vanessa)
Pack a bag,” Mom had said, shortly after the stabbing incident. “We’re going to visit Grandma for the weekend.” This is how my mother informed us she was leaving my father and moving us to Florida. Not knowing any better, I packed for the weekend.
Patric Gagne (Sociopath)
She puckered her bubble gum mouth until its exaggerated sensuality drew attention away from the blood-blue crescents beneath her eyes. “My bags may be packed, but I haven't left town. No wonder Ricki finds me irresistible. She's only human.” Leaning
Tom Robbins (Jitterbug Perfume)
Sometimes I picture my heart like the carry-on suitcase I dream I carry around the world. There's not enough room for everything in that carry-on. So I must choose carefully, wisely. I could pack the pain I have felt in the past, especially dealing with Mom. I could stuff all those grievances into my bag and drag them with me on my adventure-but that's a lot of weight to carry. So I carry with me the things I do love about my mom-her whimsical, childlike spirit, her positive attitude, her love for animals, her love for me.
Lauren Fern Watt (Gizelle's Bucket List: My Life with a Very Large Dog)
Summer, in pursuit of greener pastures, packed its bags and left New Hampshire, ushering autumn to Red Grove. Overnight, the trees grew bolder personalities, dressing in garnet and persimmon and welcoming my Jeep home with an increasing number of free-spirited leaves.
Genevieve Jack (The Ghost and the Graveyard (Knight Games, #1))
friendship nostalgia i miss the days when my friends knew every mundane detail about my life and i knew every ordinary detail about theirs adulthood has starved me of that consistency​ ​that us those walks around the block those long conversations when we were too lost in the moment to care what time it was when we won-and celebrated when we failed and celebrated even harder when we were just kids now we have our very important jobs that fill up our very busy schedules we have to compare calendars just to plan coffee dates that one of us will eventually cancel because adulthood is being too exhausted to leave our apartments most days i miss belonging to a group of people bigger than myself it was that belonging that made life easier to live how come no one warned us about how we'd graduate and grow apart after everything we'd been through how come no one said one of life's biggest challenges would be trying to stay connected to the people that make us feel alive no one talks about the hole a friend can leave inside you when they go off to make their dreams come true in college we used to stay up till 4 in the morning dreaming of what we'd do the moment we started earning real paychecks now we finally have the money to cross everything off our bucket lists but those lists are collecting dust in some lost corridor of our minds sometimes when i get lonely ​i​ still search for them i'd give anything to go back and do the foolish things we used to do i feel the most present in your presence when we're laughing so hard the past slides off our shoulders and worries of the future slip away the truth is​ ​i couldn't survive without my friends they know exactly what i need before i even know that i need the way we hold each other is just different so forget grabbing coffee i don't want to have another dinner where we sit across from each other at a table reminiscing about old times when we have so much time left to make new memories with how about you go pack your bags and i'll pack mine you take a week off work i'll grab my keys and let's go for ride we've got years of catching up to do
Rupi Kaur
I’d been trying to escape the rez for years. After all, Indian reservations were created by white men to serve as rural concentration camps, and I think that’s still their primary purpose. So, of course, I ran away from home in third grade. I packed a small bag with comic books, peanut butter sandwiches, and my eyeglasses, and made it almost two miles down the road before my mother found me. After that incident, she often said, “Junior, you were born with a suitcase in your hand.” That might have been a complimentary thing to say to a nomad. But my
Sherman Alexie (You Don't Have to Say You Love Me)
No. It's not bad at all." The words rush out of me, outrunning countless Miami echoes and Cuban roots, and everything I packed in my bag for this cold, foreign place. It's entirely true. I'm wearing his sweater and it's okay and a new kind of good that I'm starting to wear his city, too.
Laura Taylor Namey (A Cuban Girl's Guide to Tea and Tomorrow)
Now you've done it." His tone was quietly playful. I couldn't help it.I looked up at him questioningly. "You've added a third word to your repitoire. Hi,thanks,and now yes." His lips turned up at the corners,and the heat rushed to my face. He noticed. "At least that much hasn't changed." I turned back to my notebook,my hands trembling. He leaned toward me. "Now that we have our first conversation out of the way, do you want to tell me where you've been?" From the way he spoke I knew his smile was gone. I could feel little beads of sweat form on my forehead. "You left me.Without a word," he said. He sounded tentative, as if he were trying to keep his voice even. I took in a deep breath,but I couldn't figure out what he was feeling. There wasn't one singular emotion that was stronger than the others. "Don't you have anything to say to me?" He waited. My heart felt like it would burst through my chest into a million little pieces,and I could see this wasn't going to work. I started to close my book. "Don't-" he blurted, and I froze. "Don't go.You don't have to talk to me.I'm the one who should go." His voice sounded achingly sad. I could hear him packing his bag. Say something.Say something. "Um..." Jack paused, as if further movement might stop my words. He was the reason I came back.I couldn't scare him off. As hard as it would be to talk to him,it would be much harder to watch him walk out that door. "No," I said. I took a shaky breath. "You don't...have to leave. Please." He took his book back out and put it on his desk. I followed,setting my own books out. "Thank you," Jack whispered. We didn't talk for the rest of the hour.
Brodi Ashton (Everneath (Everneath, #1))
I sat with my back to the door, muffling my tears, wishing my dead liberal mother were here, to tell them all to leave me alone, pack my bags for me, and take me home to our little stucco house a few short blocks from Penny, my best friend, who didn’t deserve to be a “major policy issue,” who I swore, I swore, I would never, ever apologize for.
Jennifer Marie Thorne (The Wrong Side of Right)
He felt a little cheated. He'd fallen in love with a rootless girl who wanted nothing but to pack a bag of plimsolls and jeans and go on any adventure he took her on. Who embroidered his initials into jumpers and spent the entirety of a party locked in a bathroom with him, sitting in the empty bath, staring at his face with eyes like saucers. He ended up with a woman with her own adult identity and a preoccupation with her work. I felt our relationship had been one of the most enriching experiences of my life, and I knew he would always be a huge part of the person I'd become, but we had outgrown each other. I knew I had to let him go, so he could be with someone who really wanted to be in a relationship, with all the love and commitment he deserved.
Dolly Alderton (Everything I Know About Love)
For years he’d lived by the maxim Henry Green put so beautifully in his public-school memoir Pack My Bag: ‘The safest way to avoid trouble if one may not be going to fit is to take as great a part as possible in what is going on.’12 To gain approval, to avoid trouble, he had to mirror what was around him: it was how he had tried to win love from his mother as a child. It was a life of perpetual disguise.
Helen Macdonald (H is for Hawk)
Tis oft I wonder, which way I should go At times the long road also reaches my goal The dangers are less, wonders are more The difference often to open another door I sit by the window watching travelers go past Wondering for some if their good luck will last Whether you roll the dice or draw a card The decision decides if it is easy or hard My bags now pack the time comes to go I open the door, my own private portal
Neil Leckman
He was the one, however, with whom no one wanted his or her picture taken, the one to whom no one wanted to introduce his son or daughter. Louis and Gage knew him; they had met him and faced him down in New England, some time ago. He was waiting to choke you on a marble, to smother you with a dry-cleaning bag, to sizzle you into eternity with a fast and lethal boggie of electricity—Available at Your Nearest Switchplate or Vacant Light Socket Right Now. There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nurdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too—Shower with a Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who’s out there? you howled into the dark when you were frightened and all alone, and it was his answer that came back: Don’t be afraid, it’s just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let’s go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar blue cast of the fingernails following asphyxiation—in its final grim struggle to survive the brain takes all the oxygen that is left, even that in those living cells under the nails. Hi, folks, my name’s Oz the Gweat and Tewwible, but you can call me Oz if you want—hell, we’re old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can’t stay, got to see a woman about a breach birth, then I’ve got a little smoke-inhalation job to do in Omaha. And that thin voice is crying, “I love you, Tigger! I love you! I believe in you, Tigger! I will always love you and believe in you, and I will stay young, and the only Oz to ever live in my heart will be that gentle faker from Nebraska! I love you . . .” We cruise . . . my son and I . . . because the essence of it isn’t war or sex but only that sickening, noble, hopeless battle against Oz the Gweat and Tewwible. He and I, in our white van under this bright Florida sky, we cruise. And the red flasher is hooded, but it is there if we need it . . . and none need know but us because the soil of a man’s heart is stonier; a man grows what he can . . . and tends it.
Stephen King (Pet Sematary)
By December 1975, a year had passed since Mr. Harvey had packed his bags, but there was still no sign of him. For a while, until the tape dirtied or the paper tore, store owners kept a scratchy sketch of him taped to their windows. Lindsey and Samuel walked in the neighboorhood or hung out at Hal's bike shop. She wouldn't go to the diner where the other kids went. The owner of the diner was a law and order man. He had blown up the sketch of George Harvey to twice its size and taped it to the front door. He willingly gave the grisly details to any customer who asked- young girl, cornfield, found only an elbow. Finallly Lindsey asked Hal to give her a ride to the police station. She wanted to know what exactly they were doing. They bid farewell to Samuel at the bike shop and Hal gave Lindsey a ride through a wet December snow. From the start, Lindsey's youth and purpose had caught the police off guard. As more and more of them realized who she was, they gave her a wider and wider berth. Here was this girl, focused, mad, fifteen... When Lindsey and Hal waited outside the captain's office on a wooden bench, she thought she saw something across the room that she recognized. It was on Detective Fenerman's desk and it stood out in the room because of its color. What her mother had always distinguished as Chinese red, a harsher red than rose red, it was the red of classic red lipsticks, rarely found in nature. Our mother was proud of her ability fo wear Chinese red, noting each time she tied a particular scarf around her neck that it was a color even Grandma Lynn dared not wear. Hal,' she said, every muscle tense as she stared at the increasingly familiar object on Fenerman's desk. Yes.' Do you see that red cloth?' Yes.' Can you go and get it for me?' When Hal looked at her, she said: 'I think it's my mother's.' As Hal stood to retrieve it, Len entered the squad room from behind where Lindsey sat. He tapped her on the shoulder just as he realized what Hal was doing. Lindsey and Detective Ferman stared at each other. Why do you have my mother's scarf?' He stumbled. 'She might have left it in my car one day.' Lindsey stood and faced him. She was clear-eyed and driving fast towards the worst news yet. 'What was she doing in your car?' Hello, Hal,' Len said. Hal held the scarf in his head. Lindsey grabbed it away, her voice growing angry. 'Why do you have m mother's scarf?' And though Len was the detective, Hal saw it first- it arched over her like a rainbow- Prismacolor understanding. The way it happened in algebra class or English when my sister was the first person to figure out the sum of x or point out the double entendres to her peers. Hal put his hand on Lindsey's shoulder to guide her. 'We should go,' he said. And later she cried out her disbelief to Samuel in the backroom of the bike shop.
Alice Sebold
Travelers,” she rasps. “I see you have made your way through my swamp. What is it that you seek?” Oak steps forward and bows. “Honored lady, finder of lost things, we have come to ask you to use your power in our behalf.” From his pack, he pulls a bottle of honey wine, along with a bag of powdery white doughnuts and a jar of chili oil, and sets them down on the earth in front of her. “We’ve brought gifts.” The Thistlewitch looks us over. I do not think she is particularly impressed.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
I've been developing killer updated versions of things like Black Forest cake, now with bittersweet devil's food cake, a dried-cherry conserve, and whipped vanilla creme fraiche. I've perfected a new carrot cake, adding candied chunks of parsnips and rum-soaked golden raisins to the cake and mascarpone to the frosting. And my cheeky take on homemade Pop-Tarts will be available in three flavors- blueberry, strawberry, and peanut butter and jelly- and I've even ordered fun little silver Mylar bags to pack them in.
Stacey Ballis (Wedding Girl)
There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nurdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too—Shower with a Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who’s out there? you howled into the dark when you were frightened and all alone, and it was his answer that came back: Don’t be afraid, it’s just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let’ s go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar blue cast of the fingernails following asphyxiation—in its final grim struggle to survive the brain takes all the oxygen that is left, even that in those living cells under the nails. Hi, folks, my name’s Oz the Gweat and Tewwible, but you can call me Oz if you want— hell, we’re old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can’t stay, got to see a woman about a breach birth, then I’ve got a little smoke-inhalation job to do in Omaha.
Stephen King (Pet sematary)
ASSIMILATION We never unpacked, dreaming in the wrong language, carrying our mother’s fears in our feet— if he raises his voice we will flee if he looks bored we will pack our bags unable to excise the refugee from our hearts, unable to sleep through the night. The refugee’s heart has six chambers. In the first is your mother’s unpacked suitcase. In the second, your father cries into his hands. The third room is an immigration office, your severed legs in the fourth, in the fifth a uterus—yours? The sixth opens with the right papers. I can’t get the refugee out of my body, I bolt my body whenever I get the chance. How many pills does it take to fall asleep? How many to meet the dead? The refugee’s heart often grows an outer layer. An assimilation. It cocoons the organ. Those unable to grow the extra skin die within the first six months in a host country. At each and every checkpoint the refugee is asked are you human? The refugee is sure it’s still human but worries that overnight, while it slept, there may have been a change in classification.
Warsan Shire (Bless the Daughter Raised by a Voice in Her Head: Poems)
When we’re in line for food, Peter reaches for a brownie and I say, “Don’t--I brought cookies,” and he gets excited. “Can I have one now?” he asks. I pull my Tupperware out of my bag and Peter grabs one. “Let’s not share with anybody else,” he says. “Too late,” I say, because our friends have spotted us. Darrell is singing, “Her cookies bring all the boys to the yard,” as we walk up to the table. I set the Tupperware down on the table and the boys wrestle for it, snatching cookies and gobbling them up like trolls. Pammy manages to snag one and says, “Y’all are beasts.” Darrell throws his head back and makes a beastlike sound, and she giggles. “These are amazing,” Gabe groans, licking chocolate off his fingers. Modestly I say, “They’re all right. Good, but not amazing. Not perfect.” I break a piece off of Peter’s cookie. “They taste better fresh out of the oven.” “Will you please come over to my house and bake me cookies so I know what they taste like fresh out of the oven?” Gabe bites into another one and closes his eyes in ecstasy. Peter snags one. “Stop eating all my girlfriend’s cookies!” Even a year later, it still gives me a little thrill to hear him say “my girlfriend” and know that I’m her. “You’re gonna get a gut if you don’t quit with that shit,” Darrell says. Peter takes a bite of cookie and lifts up his shirt and pats his stomach. “Six-pack, baby.” “You’re a lucky girl, Large,” Gabe says. Darrell shakes his head. “Nah, Kavinsky’s the lucky one.” Peter catches my eye and winks, and my heart beats quicker. I have a feeling that when I’m Stormy’s age, these everyday moments will be what I remember: Peter’s head bent, biting into a chocolate chip cookie; the sun coming through the cafeteria window, bouncing off his brown hair; him looking at me.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
In chemistry class I write Peter a note You were right about Josh. I tap him on the back and slip the note in his hand. When he reads it, he sits up straight and immediately scrawls something back. Be more specific. He kissed me. When Peter stiffens, I am ashamed to say that I feel a little bit vindicated. I wait for him to write back, but he doesn’t. As soon as the bell rings, he turns around and says, “What the hell? How did that even happen?” “He came over to help us trim the tree.” “And then what? He kissed you in front of Kitty?” “No! It was just the two of us at the house.” Peter looks really irritated, and I’m starting to regret mentioning it. “What the hell is he thinking, kissing my girlfriend? It’s fucking ridiculous. I’m gonna say something to him.” “Wait, what? No!” “I have to, Lara Jean. He can’t just get away with it.” I stand up and start packing up my bag. “You’d better not say anything to him, Peter. I mean it.” Peter watches me silently. And then he asks, “Did you kiss him back?” “What does it matter?” He looks taken aback. “Are you mad at me for something?” “No,” I say. “But I will be if you say anything to Josh.” “Fine,” he says. “Fine,” I say back.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Love Me Like There's No Tomorrow You had to kill the conversation You always had the upper hand Got caught in love and stepped in sinking sand You had to go and ruin all our plans Packed your bags and you're leaving home Got a one-way ticket and you're all set to go But we have one more day together, so Love me like there's no tomorrow Hold me in your arms, tell me you mean it This is our last goodbye and very soon it will be over But today just love me like there's no tomorrow I guess we drift alone in separate ways I don't have all that far to go God knows I learnt to play the lonely man I've never felt so low in all my life We were born to be just losers So I guess there's a limit on how far we go But we only have one more day together so Love me like there's no tomorrow Hold me in your arms, tell me you mean it This is our last goodbye and very soon it will be over But today just love me like there's no tomorrow Tomorrow god knows just where I'll be Tomorrow who knows just what's in store for me Anything can happen but we only have one more day together, yeah Just one more day forever, so Love me like there's no tomorrow Hold me in your arms, tell me you mean it This is our last goodbye and very soon it will be over But today just love me like there's no tomorrow
Freddie Mercury
My aversion to over-packing and its uptight cousin, over-planning, stems from the belief that neither tendency is a fake problem. These are not amusing tics. They are not superfluous reflections on the personality of the packer, but profound ones. They suggest a dubiousness of other lifestyles (racist), a conviction that the world won’t have what you need (princess), and a lack of faith that you’ll continue being human when it doesn’t (misanthrope). Plus, you’ll probably have to check your bags. And how hard is it, really? It’s just the one planet. I think by now we can all agree that the foundation of world travel goes something like “bring a cardigan.
Sloane Crosley (Up the Down Volcano)
I didn’t pack very much. Some clothes, some weapons. I threw out the perishable food, and stripped my bed of its sheets and blankets. Akos helped in silence, his arm still wrapped in a bandage. His bag of possessions was already on the table. I had watched him pack some clothes and some of the books I had given him, his favorite pages folded over. Though I had already read all those books, I wanted to open them again just to search out the parts he most treasured; I wanted to read them as if immersed in his mind. “You’re acting weird,” he said once we were finished, and all there was left to do was wait. “I don’t like going home,” I said. It was true, at least. Akos looked around, and shrugged. “Seems like this is your home. There’s more of you in here than anywhere in Voa.” He was right, of course. I was happy that he knew what “more of me” really was--that he might know as much about me, from observation, as I knew about him. And I did know him. I could pick him out in a crowd from his gait alone. I knew the shade of the veins that showed on the backs of his hands. And his favorite knife for chopping iceflowers. And the way his breath always smelled spiced, like hushflower and sendes leaf mixed together. “Maybe next time I’ll do more to my room,” he said. You won’t be back next time, I thought. “Yeah.” I forced a smile. “You should.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Packing to leave Atlanta is a lot easier than packing to come here. We bundle most everything up in our bedsheets and cram clothing into duffel bags, leaving the rugs and thrift store findings to whoever the next tenant may be. We leave the next morning, Scarlett waving a sarcastic farewell to the junkie downstairs before we take of in the hatchback, pop music blaring and me leaning toward Silas, both to avoid the door of death and to rest my head against his biceps. Ellison hasn’t changed, unsurprisingly. Buildings here are yellow and pale gold instead of harsh steel and silver. Trees dapple the sunlight across the car. The air is warmer, like loving arms that swirl around me for comfort. It’s so good to be home.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
If you could have a gigantic billboard anywhere with anything on it, what would it say and why? “Discipline equals freedom.” Everyone wants freedom. We want to be physically free and mentally free. We want to be financially free and we want more free time. But where does that freedom come from? How do we get it? The answer is the opposite of freedom. The answer is discipline. You want more free time? Follow a more disciplined time-management system. You want financial freedom? Implement long-term financial discipline in your life. Do you want to be physically free to move how you want, and to be free from many health issues caused by poor lifestyle choices? Then you have to have the discipline to eat healthy food and consistently work out. We all want freedom. Discipline is the only way to get it. What is one of the best or most worthwhile investments you’ve ever made? Ever since I have had a home with a garage, I have had a gym in my garage. It is one of the most important factors in allowing me to work out every day regardless of the chaos and mayhem life delivers. The convenience of being able to work out any time, without packing a gym bag, driving, parking, changing, then waiting for equipment . . . The home gym is there for you. No driving. No parking. No little locker to cram your gear into. In your home gym, you never wait for equipment. It is waiting for you. Always. And, perhaps most important: You can listen to whatever music you want, as loud as you want. GET SOME.
Timothy Ferriss (Tribe Of Mentors: Short Life Advice from the Best in the World)
It was ten at night and everyone had gone home. I trudged up the dark stairway to clean out my desk. There was no sadness or nostalgia, only disgust that I’d wasted so much time on unnecessary labor when I could have been sleeping and feeling nothing. I’d been stupid to believe that employment would add value to my life. I found a shopping bag in the break room and packed up my coffee mug, the spare change of clothes I kept in my desk drawer along with a few pairs of high heels, panty hose, a push-up bra, some makeup, a stash of cocaine I hadn’t used in a year. I thought about stealing something from the gallery—the Larry Clark photo hanging in Natasha’s office, or the paper cutter. I settled on a bottle of champagne—a lukewarm, and therefore appropriate, consolation.
Ottessa Moshfegh (My Year of Rest and Relaxation)
On September 30, 1988, I got another summons to the dean’s office. This time, the president of the college, all of the deans, and two Resident Assistants were present, each holding a 3 x 5 card. I knew exactly what this was, an intervention. I didn’t give anyone a chance to read their cards; I simply started crying and asked them what I had to do. One of the deans said that they had made a reservation for me at a treatment facility in Atlanta and that I had until 8 PM to get there or be terminated. I went back to the dorm, packed a small suitcase, gathered up the liquor bottles and threw them in a trash bag. Before I left, I taped a purple sheet of construction paper to my door saying, “Ms. Davis will be away for the weekend.” Six weeks later, I returned from treatment.
Marilyn L. Davis
Butterhorn?” Ben asked, holding out a bag full of pastries. “Well, you did condemn yourself to bad luck just to get them for me,” I said, “So absolutely!” “Yeah,” Ben agreed, “they’d better be worth it.” “Mmmm, completely worth it,” I said with my mouth full. “The rest of you have to have some of these.” “Hmmm,” Sage mused, examining his, “no garlic. I’m not entirely sure my taste buds will know how to handle this.” “Um, you guys,” Rayna asked, “where am I driving?” “Excellent question-let’s find out!” I pulled the cribbage board out of duffel bag and handed it to Sage, pointing out the longitude and latitude notations on the back. “Where is that?” Sage took out his phone, then entered the coordinates. “Interesting.” “What?” I asked. “It’s not Antarctica, is it? I didn’t pack a parka.
Hilary Duff (Elixir (Elixir, #1))
He unlocked the safe and pulled out three guns and several magazines, as well as his FIB badge, an extra harness, and an extra pair of knives. Some of these disappeared to various concealed locations under his clothes and the rest went in his duffel bag. I blinked at the haul. “Are you planning to go to war? Sure you don’t want to pack an assault rifle as well?” He looked up from the bag. “You have met yourself, right?” He zipped the bag closed. “So should I get a gun too?” “I’d fear the day.” He grabbed a blazer and pulled it over his shoulder rig. “You do have a good blade,” he said, nodding toward the dagger concealed in my boot. “It was a gift.” “I never doubted as much. If you’re going to carry a dagger, you need to learn to use it.” I frowned at him. “I know how to use it. I stick the pointy end in things I don’t like.
Kalayna Price
into my room. *   *   * The last time I had sex was the night I left my husband. I packed my bags while he was at work and loaded most of them into the car. The furniture, the mementos, everything except my clothes was his to keep—where I was going, I wouldn’t need them. Then I waited in the hallway, sitting on a suitcase. Aiden arrived home at the usual time. The door jammed on my suitcase as he flicked on the light. “Hey,” he said, “what are you doing?” “Leaving you,” I said. Aiden continued hooking his coat on the hall tree. “Oh yeah?” “Mmm-hmm,” I said. “You seem to be taking it well.” He turned, taking in my suitcase and somber expression. “You’re … serious?” I’d never threatened to leave him before, but we had a certain way of talking, a light way, that made everything seem like a joke. As I held his gaze and nodded, realization dawned. “Shit, Anna.” He raked his hands through his hair. “I know we have problems but—” “I have Alzheimer
Sally Hepworth (The Things We Keep)
My parents died one after the other my junior year of college—first my dad from cancer, then my mother from pills and alcohol six weeks later. All of this, the tragedy of my past, came reeling back with great force that night I woke up in the supply closet at Ducat for the last time. It was ten at night and everyone had gone home. I trudged up the dark stairway to clean out my desk. There was no sadness or nostalgia, only disgust that I’d wasted so much time on unnecessary labor when I could have been sleeping and feeling nothing. I’d been stupid to believe that employment would add value to my life. I found a shopping bag in the break room and packed up my coffee mug, the spare change of clothes I kept in my desk drawer along with a few pairs of high heels, panty hose, a push-up bra, some makeup, a stash of cocaine I hadn’t used in a year. I thought about stealing something from the gallery—the Larry Clark photo hanging in Natasha’s office, or the paper cutter. I settled on a bottle of champagne—a lukewarm, and therefore appropriate, consolation.
Ottessa Moshfegh (My Year of Rest and Relaxation)
argumentative.” “Sorry. It wasn’t on the schedule.” “Sarcasm’s also typical, but it’s unbecoming.” Susan opened her briefcase, checked the contents. “We’ll talk about all this when I get back. I’ll make an appointment with Dr. Bristoe.” “I don’t need therapy! I need a mother who listens, who gives a shit about how I feel.” “That kind of language only shows a lack of maturity and intellect.” Enraged, Elizabeth threw up her hands, spun in circles. If she couldn’t be calm and rational like her mother, she’d be wild. “Shit! Shit! Shit!” “And repetition hardly enhances. You have the rest of the weekend to consider your behavior. Your meals are in the refrigerator or freezer, and labeled. Your pack list is on your desk. Report to Ms. Vee at the university at eight on Monday morning. Your participation in this program will ensure your place in HMS next fall. Now, take my garment bag downstairs, please. My car will be here any minute.” Oh, those seeds were sprouting, cracking that fallow ground and pushing painfully through. For the first time in her life, Elizabeth looked straight
Nora Roberts (The Witness)
The children slept late, and washed and dressed almost in silence. Both of them were afraid to speak. Maia packed her belongings in an old canvas bag and stroked the dog. “I’ll come over in a minute to say good-bye,” said Finn. The Carters’ boat was ready to leave, breakfast tidied away, ropes coiled. The professor was sorting out the firebox and feeding in fresh logs. Miss Minton, sitting in the stern, had a parcel wrapped in burlap on her knees. “I’m ready,” said Maia, trying to keep her voice steady. She mustn’t cry. Above all, she mustn’t sulk. “Finn’s coming over to say good-bye.” “No need,” said Miss Minton. “He’d like to.” “All the same, there is no need.” Maia looked at her governess. Miss Minton seemed different…Softer? Rounder? More at peace? “Why?” she asked. “Why is there no need?” “Because we’re coming with you. We’re going on. Get back on the Arabella and tell Finn we’ll follow three lengths behind.” As Maia turned to go, hardly believing that there could be such happiness, she heard a loud splash. Miss Minton was leaning over the side, watching the parcel she had held on her knees floating away downriver. “What was that?” asked Maia. Miss Minton straightened herself. If you must know,” she said, “it was my corset.
Eva Ibbotson (Journey to the River Sea)
At Angelita’s, my favorite food was a plain bean burrito in a flour tortilla. It was simple, but tasty! I loved bean burritos. They were my comfort food. They were my “little friends!” For my first day at school, my aunt made me three of them. She wrapped them up tightly in aluminum foil and then packed them in a brown paper sack. At lunchtime, in the cafeteria, I got ready to greet my little friends. I was nervous, as it was my first day of school, but I knew the burritos would soon warm my stomach and comfort me. I looked around the lunch room and saw other kids with their cafeteria trays and their perfect peanut butter and jelly sandwiches with the crust neatly trimmed off and their bottle of juices and bags of Fritos and then . . . I pulled out a burrito. “Hey! What’s that?” A gringa girl shouted at me, pointing at my burrito. “Uh . . . nothing! Nada!” I replied as I quickly shoved it back into the sack. I was hungry, but every time I got ready to pull one out, it seemed as if there was another kid ready to stare and point at me. I was embarrassed! I loved my burritos, but in that cafeteria, I was ashamed of them. They suddenly felt very heavy and cold. They suddenly felt very Mexican. I was ashamed of my little friends and so . . . I went hungry.
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
One of the things I loved about Chris was his sense of humor, which seemed perfectly matched with mine, even at its most offbeat. April Fools’ Day was always a major highlight. A month before our daughter was due, I woke him up in the middle of the night. “Don’t panic,” I told him, “but I think I’m going into labor.” “Do we have a bag?” he asked, jumping up immediately. “No, no, don’t worry.” I slipped out of bed and went to take a shower. Chris immediately got dressed and, calmly but very quickly, gathered my clothes and packed a suitcase. “I’m ready!” he announced, barging into the bathroom. “Babe, do you know what day it is?” I asked sweetly. It was two A.M., April 1. “Are you kidding me?” he said, disbelieving. I laughed and plunged back into the shower. He quickly got revenge by flushing the toilet, sending a burst of cold water across my body. In retrospect, maybe I’d been a little cruel, but we did love teasing each other. At our wedding, we’d smooshed cake into each other’s faces. That began a tradition that continued at each birthday--whether it was ours or not. The routine never seemed to get old. We’d giggle and laugh, chasing each other as if we were crazy people. Our friends and neighbors got used to it--and learned to stay out of the line of fire.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Saying goodbye to everyone, I picked up my bag and began walking away as a deep husky voice called my name. I didn’t stop walking, but looked over my shoulder in time to see Brandon walking around the table toward me, and Chase holding the brunette’s head away from his as he watched us, she just continued onto his neck. Falling into step with me, he held out a hand, “We haven’t met yet, I’m Brandon Taylor.” Dear Lord that voice could warm me on the coldest day of the year. “Harper Jackson, nice to meet you.” He smiled as he held the door open for me, “You too. You seem to know the rest of the guys pretty well though we’re just meeting, they said you’re Bree’s roommate?” “Uh, yeah. I am, but I don’t really know them well. I’ve only talked to them for a total of about ten minutes before today.” “Really?” The corners of his mouth twitched up, “You seem to make quite an impression in a short amount of time then.” “Oh I definitely made an impression with them.” I muttered. He looked at me quizzically but I shook my head so he wouldn’t push it. We stopped walking when we got to the path that would take me to the dorms and him to his next class. I turned towards him and shamelessly took in his worn jeans resting low on his narrow hips and fitted black shirt before going back to his face. I hadn’t realized how tall he was when we were walking out, but he had to be at least a foot taller than me. His height and muscled body made me want to curl up in his arms, it looked like I’d fit perfectly there. I nervously bit my bottom lip while I watched his cloudy eyes slowly take in my small frame. It didn’t feel like the guys at the party, looking at me like I was something to eat. His eyes made me feel beautiful, and it thrilled me that they were on me. Thrilled me that they were on me? Get a grip Harper you just met him two seconds ago. “Come on PG, let’s go.” Chase grabbed my arm and started dragging me away. “Chase! Stop!” I yanked my arm out and shot him a dirty look. “What is your problem?” “I’m taking you and Bree to the house, and you need to pack for the weekend so let’s go.” He grabbed for me again but I dodged his hand. “The weekend, what?” “You’re staying with me, go pack.” I narrowed my eyes and started to turn towards Brandon, “Fine, hold on.” “Harper.” “Go away Chase, I’ll meet you in the room in a minute. Go find Bree.” He moved to stand closer behind me so I just sighed and gave Brandon a lame smile. “Sorry, apparently I have to go. I’ll see you tonight?” I don’t know why I asked, he actually lived there. A sexy smile lit up his face as his hand reached out to quickly brush against my arm, “See you then.” With a hard nod directed towards Chase, he turned and walked away.
Molly McAdams (Taking Chances (Taking Chances, #1))
I had abandoned Elana; I deserved her uncertainty. I closed my eyes and focused on her touch. Perhaps she wouldn't have understood had I tried to explain it to her, but to me Elana was not only Elana--she was the sad-eyed love of mine who used to bag groceries at Woodley's in Buffalo; she was the sweet one who always sat across from me on the city bus in Niagara Falls; she was the girl I'd picked up hitchhiking in Mobile and dropped off in New Orleans, brash, full of sarcastic humor, but truly lonely and scared; she was the one I'd nabbed pinching Newports for her dad from the Marathon station I'd worked at in Bakersfield (I'd softened and paid for the pack myself); yes, she was the girl playing basketball with all the boys in the park, collecting cans by the side of the road, keeping secret pet kittens in an empty boxcar in the woods, walking alone at night through the rail yards, teaching her little sisters how to kiss, reading out loud to herself, so absorbed by the story, singing sadly in the tub, building a fort from the junked cars out in the meadow, by herself in the front row at the black-and-white movies or in the alley, gazing at an eddy of cigarette stubs and trash and fall leaves, smoking her first cigarette at dusk by a pile of dead brush in the desert, then wishing at the stars-she was all of them, and she was so much more that was just her that I still didn't know.
Davy Rothbart
My Father Comes Home From Work" My father comes home from work sweating through layers of bleached cotton t-shirts sweating through his wool plaid shirt. He kisses my mother starching our school dresses at the ironing board, swings his metal lunchbox onto the formica kitchen table rattling the remnants of the lunch she packed that morning before daylight: crumbs of baloney sandwiches, empty metal thermos of coffee, cores of hard red apples that fueled his body through the packing and unpacking of sides of beef into the walk-in refrigerators at James Allen and Sons Meat Packers. He is twenty-six. Duty propels him each day through the dark to Butcher Town where steers walk streets from pen to slaughterhouse. He whispers Jesus Christ to no one in particular. We hear him-- me, my sister Linda, my baby brother Willy, and Mercedes la cubana’s daughter who my mother babysits. When he comes home we have to be quiet. He comes into the dark living room. Dick Clark’s American Bandstand lights my father’s face white and unlined like a movie star’s. His black hair is combed into a wavy pompadour. He sinks into the couch, takes off work boots thick damp socks, rises to carry them to the porch. Leaving the room he jerks his chin toward the teen gyrations on the screen, says, I guess it beats carrying a brown bag. He pauses, for a moment to watch.
Barbara Brinson Curiel
Go grab one of those little baskets over there,” I said to Connor as I pointed by the door. “You aren’t seriously buying that much, are you?” “Ok Mr. Black, if you must know the truth, it’s my PMS time.” He took a step back and put his hands up, “Whoa, enough said.” I grinned as I picked up a bag of Fritos, Cheetos, a Hersey bar(king size), a Twix bar, a small pack of chocolate donuts, 3 cans of coke, a bag of tiny twist pretzels and a jar of Nutella. Connor looked in the basket and then at me with a horrified look on his face. “Hey, you’re the one who wanted to take me on this road trip. I’m just trying to keep the peace because without these foods for a woman at that time of the month,” I waved my hand. “Well, you don’t really want to know.” I put the basket on the counter. The cashier overheard our conversation, she looked at Connor and said, “Trust her; we girls are two sheets short of psycho when it comes to our special little time.” He just stood there and looked at both of us, speechless, as she rang up the food. She gave me the total, and I looked at Connor. He looked at me in confusion, “Really? You want me to pay for this crap?” The cashier leaned over the counter and looked him straight in the eyes, “Remember, 2 sheets short of psycho.” He pulled out his wallet and paid as he was mumbling under his breath. He took the bag and headed out. I looked at the cashier and high fived her, “Thank you.
Sandi Lynn (Forever Black (Forever, #1))
Lady Rose, you grow lovelier every time I see you.” Had it been a stranger who spoke she might have been flustered, but since it was Archer, Grey’s younger brother, she merely grinned in response and offered her hand. “And your eyesight grows poorer every time you see me, sir.” He bowed over her fingers. “If I am blind it is only by your beauty.” She laughed at that, enjoying the good-natured sparkle in his bright blue eyes. He was so much more easy-natured than Grey, so much more full of life and flirtation. And yet, the family resemblance could not be denied even if Archer’s features were a little thinner, a little sharper. How would Grey feel if she found a replacement for him in his own brother? It was too low, even in jest. “Careful with your flattery, sir,” she warned teasingly. “I am trolling for a husband you know.” Archer’s dark brows shot up in mock horror. “Never say!” Then he leaned closer to whisper. “Is my brother actually fool enough to let you get away?” Rose’s heart lurched at the note of seriousness in his voice. When she raised her gaze to his she saw only concern and genuine affection there. “He’s packing my bags as we speak.” He laughed then, a deep, rich sound that drew the attention of everyone on the terrace, including his older brother. “Will you by chance be at the Devane musicale next week, Lord Archer?” “I will,” he remarked, suddenly sober. “As much as it pains me to enter that viper’s pit. I’m accompanying Mama and Bronte. Since there’s never been any proof of what she did to Grey, Mama refuses to cut the woman. She’s better than that.” Archer’s use of the word “cut” might have been ironic, but what a relief knowing he would be there. “Would you care to accompany Mama and myself as well?” He regarded her with a sly smile. “My dear, Lady Rose. Do you plan to use me to make my brother jealous?” “Of course not!” And she was honest to a point. “I wish to use your knowledge of eligible beaux and have you buoy my spirits. If that happens to annoy your brother, then so much the better.” He laughed again. This time Grey scowled at the pair of them. Rose smiled and waved. Archer tucked her hand around his arm and guided her toward the chairs where the others sat enjoying the day, the table before them laden with sandwiches, cakes, scones, and all kinds of preserves, cream, and biscuits. A large pot of tea sat in the center. “What are you grinning at?” Grey demanded as they approached. Archer gave his brother an easy smile, not the least bit intimidated. “Lady Rose has just accepted my invitation for both she and her dear mama to accompany us to the Devane musicale next week.” Grey stiffened. It was the slightest movement, like a blade of grass fighting the breeze, but Rose noticed. She’d wager Archer did too. “How nice,” he replied civilly, but Rose mentally winced at the coolness of his tone. He turned to his mother. “I’m parched. Mama, will you pour?” And he didn’t look at her again.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
My shrink suggested that if I was going to continue traveling so much that I could look into getting a service animal expressly trained to provide emotional support to people with anxiety disorders. I considered getting Hunter S. Thomcat trained, but then I remembered that he gets spontaneous nervous diarrhea every time he's in a moving car, and I'd imagine that holding a cat who seems to have explosive plane dysentery wouldn't necessarily *help* my anxiety as give me something new (and horribly unsanitary) to be anxious about. I called around to different service-animal specialists and spoke to a woman who told me it's better to get an animal who has already been trained and has the right temperament. She also told me cats aren’t preferred emotional-support animals for anxiety disorder, but my cats hate dogs so I figured I was fucked, but then she told me that the Americans with Disabilities Act was recently interpreted as allowing “people with anxiety disorders to travel with an emotional-support pony on airlines.” So basically I could bring a goddamn pony on board with me. I’m pretty sure a pony wouldn’t fit under my seat or in my lap, but I rather liked the idea of a small medicinal horse standing in the aisle beside me while I braided his mane. Plus, Pony Danza would make a great pack animal and instead of bringing suitcases I could just put my extra clothes on him and that way I wouldn’t have to pay to check a bag. Plus, the pony wouldn’t get cold because it would be wearing my pajamas.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
checked the load, and slipped it under my belt behind my right hip. “Are you supposed to be wearing a bulletproof vest, are you supposed to be carrying a gun?” a guard asked. “Isn’t that against the rules?” “What rules?” I said. He didn’t have an answer for that. I put on my leather coat. The money was still packed in the gym bags, the gym bags strapped to the dolly in the center of my living room. I grabbed the handle and started wheeling it to the back door of my house. I had a remote control hanging from the lock on the window overlooking my unattached garage. I used it to open the garage door. “There’s no reason for you guys to hang around anymore,” I said. The guards followed me out of my back door, across the driveway, and into the garage just the same. They stood by and watched while I loaded the dolly and the gym bags into the trunk of the Audi. “Nice car,” one of them said. If he had offered me ten bucks, I would have sold the Audi and all of its contents to him right then and there. Because he didn’t, I unlocked the driver’s door and slid behind the wheel. “Good luck,” the guard said and closed the door for me. He smiled like I was a patient about to be wheeled into surgery; smiled like he felt sorry for me. I put the key in the ignition, started up the car, depressed the clutch, put the transmission in reverse, and—sat there for five seconds, ten, fifteen … Why are you doing this? my inner voice asked. Are you crazy? The guard watched me through the window, an expression of concern mixed with puzzlement on his face. “McKenzie, are you okay?” he asked. “Never better,” I said. I slowly released the clutch and backed the Audi out of my driveway
David Housewright (Curse of the Jade Lily (Mac McKenzie, #9))
And for the four remaining days - the ninety-six remaining hours - we mapped out a future away from everything we knew. When the walls of the map were breached, we gave one another courage to build them again. And we imagined our home an old stone barn filled with junk and wine and paintings, surrounded by fields of wildflowers and bees. I remember our final day in the villa. We were supposed to be going that evening, taking the sleeper back to England. I was on edge, a mix of nerves and excitement, looking out to see if he made the slightest move toward leaving, but he didn’t. Toiletries remained on the bathroom shelves, clothes stayed scattered across the floor. We went to the beach as usual, lay side by side in our usual spot. The heat was intense and we said little, certainly nothing of our plans to move up to Provence, to the lavender and light. To the fields of sunflowers. I looked at my watch. We were almost there. It was happening. I kept saying to myself, he’s going to do it. I left him on the bed dozing, and went out to the shop to get water and peaches. I walked the streets as if they were my new home. Bonjour to everyone, me walking barefoot, oh so confident, free. And I imagined how we’d go out later to eat, and we’d celebrate at our bar. And I’d phone Mabel and Mabel would say, I understand. I raced back to the villa, ran up the stairs and died. Our rucksacks were open on the bed, our shoes already packed away inside. I watched him from the door. He was silent, his eyes red. He folded his clothes meticulously, dirty washing in separate bags. I wanted to howl. I wanted to put my arms around him, hold him there until the train had left the station. I’ve got peaches and water for the journey, I said. Thank you, he said. You think of everything. Because I love you, I said. He didn’t look at me. The change was happening too quickly. Is there a taxi coming? My voice was weak, breaking. Madame Cournier’s taking us. I went to open the window, the scent of tuberose strong. I lit a cigarette and looked at the sky. An airplane cast out a vivid orange wake that ripped across the violet wash. And I remember thinking, how cruel it was that our plans were out there somewhere. Another version of our future, out there somewhere, in perpetual orbit. The bottle of pastis? he said. I smiled at him. You take it, I said. We lay in our bunks as the sleeper rattled north and retraced the journey of ten days before. The cabin was dark, an occasional light from the corridor bled under the door. The room was hot and airless, smelled of sweat. In the darkness, he dropped his hand down to me and waited. I couldn’t help myself, I reached up and held it. Noticed my fingertips were numb. We’ll be OK, I remember thinking. Whatever we are, we’ll be OK. We didn’t see each other for a while back in Oxford. We both suffered, I know we did, but differently. And sometimes, when the day loomed gray, I’d sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on the stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible./
Sarah Winman (Tin Man)
Syn finished with dispatch then called his first officer. While waiting for the phone to be answered he told Furi to pack a bag with whatever he would need for the next couple of days. Furi didn’t move. “Furious,” Syn growled. He wanted to get the hell out of that apartment just in case Sasha wanted to come finish the job. “I’m not leaving. She is not going to run me out of my own damn place.” Furi jutted out his chin in defiance. Syn forgot about his phone call and came to stand directly in front of Furi. “Go and pack a bag now. That crazy bitch is not going to get a second chance if I have anything to say about it.” “You don’t have anything to say about it.” “The hell I don’t,” Syn barked. “Your foolish pride will get you killed. Let's deal with her and then you’re more than welcome to come home. Don’t let your stubbornness make you an easy target, because that’s just stupid.” “You calling me stupid?” Furi snapped right back. Syn rolled his eyes in frustration. “Are you fuckin’ kiddin’ me? Furious we don’t have time for this Mickey Mouse bullshit right now. Go get your shit and let’s move.” Syn went over to the only window in Furi’s apartment and stood watch while Furi threw some clothes, toiletries, books and a laptop into a bag, grumbling curses the entire time. Syn let him say whatever he wanted to, as long as he was doing what needed to be done. Furi had a large duffle draped over his shoulder when he came to stand in front of Syn. “Done, Detective. Anything else you want to order me to do?” Syn took a quick calming breath. He took Furi’s duffle off his shoulder and set it gently at his feet. He put his arms around Furi’s waist and pulled him to him. “I’m not trying to order you around. I just can’t let anyone hurt you.” Syn squeezed his eyes shut.
A.E. Via
it’s like planning a fabulous vacation trip—to Italy. You buy a bunch of guide books and make your wonderful plans. The Coliseum. The Michelangelo David. The gondolas in Venice. You may learn some handy phrases in Italian. It’s all very exciting. After months of eager anticipation, the day finally arrives. You pack your bags and off you go. Several hours later, the plane lands. The flight attendant comes in and says, “Welcome to Holland.” “Holland?!?” you say. “What do you mean Holland?? I signed up for Italy! I’m supposed to be in Italy. All my life I’ve dreamed of going to Italy.” But there’s been a change in the flight plan. They’ve landed in Holland and there you must stay. The important thing is that they haven’t taken you to a horrible, disgusting, filthy place, full of pestilence, famine and disease. It’s just a different place. So you must go out and buy new guide books. And you must learn a whole new language. And you will meet a whole new group of people you would never have met. It’s just a different place. It’s slower-paced than Italy, less flashy than Italy. But after you’ve been there for a while and you catch your breath, you look around . . . and you begin to notice that Holland has windmills . . . and Holland has tulips. Holland even has Rembrandts. But everyone you know is busy coming and going from Italy . . . and they’re all bragging about what a wonderful time they had there. And for the rest of your life, you will say “Yes, that’s where I was supposed to go. That’s what I had planned.” And the pain of that will never, ever, ever, ever go away . . . because the loss of that dream is a very, very significant loss. But . . . if you spend your life mourning the fact that you didn’t get to Italy, you may never be free to enjoy the very special, the very lovely things . . . about Holland.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
When you’re going to have a baby, it’s like planning a fabulous vacation trip—to Italy. You buy a bunch of guide books and make your wonderful plans. The Coliseum. The Michelangelo David. The gondolas in Venice. You may learn some handy phrases in Italian. It’s all very exciting. After months of eager anticipation, the day finally arrives. You pack your bags and off you go. Several hours later, the plane lands. The flight attendant comes in and says, “Welcome to Holland.” “Holland?!?” you say. “What do you mean Holland?? I signed up for Italy! I’m supposed to be in Italy. All my life I’ve dreamed of going to Italy.” But there’s been a change in the flight plan. They’ve landed in Holland and there you must stay. The important thing is that they haven’t taken you to a horrible, disgusting, filthy place, full of pestilence, famine and disease. It’s just a different place. So you must go out and buy new guide books. And you must learn a whole new language. And you will meet a whole new group of people you would never have met. It’s just a different place. It’s slower-paced than Italy, less flashy than Italy. But after you’ve been there for a while and you catch your breath, you look around . . . and you begin to notice that Holland has windmills . . . and Holland has tulips. Holland even has Rembrandts. But everyone you know is busy coming and going from Italy . . . and they’re all bragging about what a wonderful time they had there. And for the rest of your life, you will say “Yes, that’s where I was supposed to go. That’s what I had planned.” And the pain of that will never, ever, ever, ever go away . . . because the loss of that dream is a very, very significant loss. But . . . if you spend your life mourning the fact that you didn’t get to Italy, you may never be free to enjoy the very special, the very lovely things . . . about Holland.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
On a sloping promontory on its wooded north shore was a modestly sized building called the National Capital Exhibition, and I called there first, more in the hope of drying off a little than from any expectation of extending my education significantly. It was quite busy. In the front entrance, two friendly women were seated at a table handing out free visitors' packs - big, bright yellow plastic bags - and these were accepted with expressions of gratitude and rapture by everyone who passed. "Care for a visitors' pack, sir?" called one of the women to me. "Oh, yes, please," I said, more thrilled than I wish to admit. The visitors' pack was a weighty offering, but on inspection it proved to contain nothing but a mass of brochures - the complete works, it appeared, of the visitors' center I had visited the day before. The bag was so heavy that it stretched the handles until it was touching the floor. I dragged it around for a while and then thought to abandon it behind a potted plant. A here's the thing. There wasn't room behind the potted plant for another yellow bag! There must have been ninety of them there. I looked around and noticed that almost no one in the room still had a plastic bag. I leaned mine up against the wall beside the plant and as I straightened up I saw that a man was advancing toward me. "Is this where the bags go?" he asked gravely. "Yes, it is." I replied with equal gravity. In my momentary capacity as director of internal operations I watched him lean the bag carefully against the wall. Then we stood for a moment together and regarded it judiciously, pleased to have contributed to the important work of moving hundreds of yellow bags from the foyer to a mustering station in the next room. As we stood, two more people came along, "Put them just there," we suggested, almost in unison, and indicated where we were sandbagging the wall. Then we exchanged satisfied nods and moved off into the museum.
Bill Bryson
So your theory is that Nancy plans to marry Samuel, pass off as her own the child he fathered on her maid, and then raise it, assuming it’s a boy, to be heir to the title. That doesn’t gain Nancy much, does it? It’s not her son, and she’s not Samuel’s only lover. He and his mistress and the son get everything; she gets only the privilege of knowing she’s married to a seducer.” Dom ignored the fact that some of what she said made sense. “She gains an exalted rank as mother to the new viscount. She gains a husband she’s always coveted. And she might not even care if Samuel was having an affair with her maid--you said yourself that Nancy wasn’t fond of the intimate side of marriage.” The moment Jane paled, he realized what he’d said. Something highly inappropriate. Something that revealed just how frank he and Jane had been in their conversations. God only knew what Blakeborough would make of that. Bloody hell. Whatever it was, it wouldn’t help Dom’s situation with Jane any. Not that any of this would. Damn Nancy for coming between them yet again. Jane’s gaze turned stormy as she poked him in the chest. “You’ve got it all figured out, don’t you? But as usual, you ignore all the ways that your theory doesn’t fit.” He stared her down. “Such as what?” Again she poked him in the chest. “Why did Samuel mention coming to London to see a doctor if they were sure that Nancy had lost the baby?” Another poke. “Why did she leave York in such strange circumstances that she roused our suspicions?” Poke. “Why did she not even pack bags for the journey?” When she started to poke him once more, he grabbed her hand. “Perhaps she and Barlow worked up the scheme once she got to York.” Jane snatched her hand free. “And she didn’t try to return to Rathmoor Park to allay the servants’ suspicions or pack or even take her dogs?” “Nancy didn’t take her dogs?” Sadler echoed. “That’s not right, not right at all. That girl carries those deuced dogs everywhere. Many is the trip I’ve taken with her when I’ve had to endure the mutts in my lap.” Sadler approached to stand beside Jane. “I tell you, the only way she’d leave them behind is if Barlow abducted her and forced her to do his bidding. That’s what has happened. I know it!” With a smug lift of her eyebrow, Jane crossed her arms over her chest and dared Dom to refute that. He couldn’t. Because until he could investigate more, he simply couldn’t be sure of the truth, damn it.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Mark came home late one frozen Sunday carrying a bag of small, silver fish. They were smelts, locally known as icefish. He’d brought them at the store in the next town south, across from which a little village had sprung up on the ice of the lake, a collection of shacks with holes drilled in and around them. I’d seen the men going from the shore to the shacks on snowmobiles, six-packs of beer strapped on behind them like a half dozen miniature passengers. “Sit and rest,” Mark said. “I’m cooking.” He sautéed minced onion in our homemade butter, added a little handful of crushed, dried sage, and when the onion was translucent, he sprinkled n flour to make a roux, which he loosened with beer, in honor of the fishermen. He added cubed carrot, celery root, potato, and some stock, and then the fish, cut into pieces, and when they were all cooked through he poured in a whole morning milking’s worth of Delia’s yellow cream. Icefish chowder, rich and warm, eaten while sitting in Mark’s lap, my feet so close to the woodstove that steam came off my damp socks.
Kristin Kimball (The Dirty Life: On Farming, Food, and Love)
It was true Paige and I had dinner alone. She wanted to stop by and pick up some books — poetry books I’d owned in college. Back then I always had a copy of Dante or Rilke in my bag and a pack of cigarettes. I was surprised that Paige, who was pre-med (a fact I was very proud of) even wanted them. She seemed surprised to find I owned them. She’d discovered them on the bottom shelf of the bookcase in my bedroom. When I found her, sitting on my bed, running her finger down their spines like she was checking for scoliosis, she demanded to know, Whose are these? Where did they come from?
Elissa Schappell (Blueprints for Building Better Girls)
I could either wait it out or pack my bags, but I could't force a confrontation with a man who refused to be confronted. So I did what a lot of women do: I kept my head in the sand. And I waited for winter to be over.
Christina Bartolomeo