Mutiny On The Bounty Quotes

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Regrets and apologies are all very well, but there's things that happen in a person's life that are so scorched in the memory and burned into the heart that there's no forgetting them. They're like brands.
John Boyne (Mutiny on the Bounty)
There's things that happen in a person's life that are so scorched in the memory and burned into the heart that there's no forgetting them. John Boyne April 28, 1789: The real-life mutiny that inspired John Boyne's novel, Mutiny on the Bounty, took place aboard the HMS Bounty 224 years ago today. Half the ship's crew, seduced by several months of good life on Tahiti, rose up against Captain William Bligh. Some of the mutineers' descendants still live on Pitcairn Island
John Boyne (Mutiny on the Bounty)
So wait a minute. I go looking for the story of the guy who wrote this awesome wind scale tha tblew my mind. I start reading about his life, and before he's sixteen years old I've already run across a family's flight from the poorhouse, an early balloon flight, an eccentric father, a young man at sea, Malay pirates, shipwreck, castaways, buried treasure, and Captain Bligh, fresh off the mutiny on the Bounty. Not a single word about the wind, but honestly, at this point, who cares?
Scott Huler (Defining the Wind: The Beaufort Scale and How a 19th-Century Admiral Turned Science into Poetry)
The Court: Had there been a very recent quarrel? Mr. Fryer: The day before the mutiny, Mr. Bligh charged Christian with stealing his coconuts.
Charles Nordhoff (Mutiny on the Bounty)
Alimony: bounty after the mutiny.
Max Kaufmann
I haven’t said it yet, but it seemed implied, that cinema for me was the American one, current Hollywood productions. “My” period goes roughly from The Lives of a Bengal Lancer (Henry Hathaway, 1935) with Gary Cooper and Mutiny on the Bounty (Frank Lloyd, 1935) with Charles Laughton and Clark Gable, to the death of Jean Harlow (which I relived many years later like the death of Marilyn Monroe, in an era more aware of the neurotic power of every symbol), with lots of comedies in between, the mystery-romances with Myrna Loy and William Powell and the dog Asta, the musicals of Fred Astaire and Ginger Rogers, the crime pictures of Chinese detective Charlie Chan and the horror films of Boris Karloff. I didn’t remember the names of the directors as well as the names of the actors, except for a few like Frank Capra, Gregory La Cava, and Frank Borzage, who represented the poor rather than the millionaires, usually with Spencer Tracy: they were the good-natured directors from the Roosevelt era; I learned this later; back then I consumed everything without distinguishing between them too much. American cinema in that moment consisted of a collection of actors’ faces without equal before or after (at least it seemed that way to me) and the adventures were simple mechanisms to get these faces together (sweethearts, character actors, extras) in different combinations.
Italo Calvino (Making a Film)
Случаются мгновения, когда твоя жизнь перестает принадлежать тебе и кто-то хватает тебя, объявляет своей добычей и заставляет идти туда, куда тебе вовсе не хочется. Джентльмены, они такие: никогда пятью словами не обойдутся, если можно сказать пятьдесят. Ирландцев в Портсмуте терпеть не могли за их низкие привычки, отвратительные манеры и обыкновение размножаться с помощью родных сестер, поэтому их было легко обвинить в чем угодно. Он вел себя как человек, который отоспался этой ночью в чистой постели парижского дома терпимости, совершив предварительно нечто неудобосказуемое, и не один-два, а целых три раза. Несчастные случаи происходят с каждым из нас, – сказал капитан. – Но сможем ли мы выжить, если не будем честны друг с другом?
Джон Бойн (Mutiny on the Bounty)
Is not to-day enough, that you must think of to-morrow and the day after that?
James Norman Hall (Mutiny on the Bounty)
Yesterday is gone; you have to-day; to-morrow may never come!
James Norman Hall (Mutiny on the Bounty)
Being unwilling to admit a fault in his own conduct, it seemed necessary to convince himself, through anger, that the blame lay elsewhere.
James Norman Hall (Mutiny on the Bounty)
Entertaining Possibilities "Why sometimes I've believed as many as six impossible things before breakfast." - The Queen of Hearts, Alice in Wonderland riding bareback on a triceratops through green galaxies while you ride beside me on your favorite mastodon running a finger over those I love and like a highlighter pen turning them neon noting them forever so I can return to them easily when I need them thinking something good can come of "ethnic cleansing" swimming in an ocean deep and wet enough to fill the eternity of love between these two sheets walking into the vowels of a word like open and becoming it locking away Pandora's box putting evil back in its place for good and swallowing the key lighting myself with a single match then watching me melt warm and liquid over your body cooling gently in the shape of you sitting flat in round anticipation I will be page 233 in the book that you have just opened and I will chew on each delicious moment of every turn as you move page by page closer to me stowing away in your pillowcase and sailing your dreams so that when you are sent to walk the plank I can catch you together we can be the mutiny on any bounty letting my best ideas ripen beside yours on the vine then stomping it all juicy between toes yours and mine aging then bottling it all till the sun falls and we uncork our store one by one and drink forever in the twilight planting a memory watering the spot watching it grow tall, tender, familiar, then putting my ear to its blossom and hearing my grandmother's voice tell me again that I can be both the gift and the giver
Nancy Boutilier (On the Eighth Day Adam Slept Alone: New Poems)
the tortured master’s mate, his long hair loose, his shirt collar open, he with his gentlemanly pedigree and almost mythic name: Fletcher Christian.
Caroline Alexander (The Bounty: The True Story of the Mutiny on the Bounty)
Never, in maritime history, has an open boat been sailed such a distance, through such savage waters – a little more than 4000 miles, a sixth of the Earth’s circumference, over 47 days – and all without losing a man, at least not at sea.
Peter FitzSimons (Mutiny on the Bounty: A saga of sex, sedition, mayhem and mutiny, and survival against extraordinary odds)
looked about as romantic and welcoming as a tar pit. I later learned that producers of the 1962 Marlon Brando film Mutiny on the Bounty had imported white sand from America so Matavai Bay would match the Hollywood image of a tropical island.
Tony Horwitz (Blue Latitudes: Boldly Going Where Captain Cook Has Gone Before)
seen as soon as the reefs, from a ship’s mast
William Bligh (The Bounty Mutiny)
When conditions allowed, he ordered fires lit to dry his men’s sodden gear.
Caroline Alexander (The Bounty: The True Story of the Mutiny on the Bounty)
In these easygoing conditions he ordered the entire ship washed and then rinsed down with vinegar, which served as a disinfectant.
Caroline Alexander (The Bounty: The True Story of the Mutiny on the Bounty)
Mandatory, and soon despised, dancing sessions were implemented under this same improving philosophy.
Caroline Alexander (The Bounty: The True Story of the Mutiny on the Bounty)
It would seem that to Bligh, infliction of punishment was like sickness, and scurvy, something that had no place on a well-run ship. William Bligh had set out to make the perfect voyage.
Caroline Alexander (The Bounty: The True Story of the Mutiny on the Bounty)
Bligh made an announcement. “I now thought it for the Good of the Service to give Mr. Fletcher Christian an Acting Order as Lieut. I therefore Ordered it to be read to all hands.
Caroline Alexander (The Bounty: The True Story of the Mutiny on the Bounty)
So why write a book about an old ship that only a handful of people have ever heard of and even fewer could care anything about? Unlike most maritime subjects, the William Badger experienced no mutinies or revolts—like the Bounty or the Amistad. Although she indirectly provided inspiration for one of the most famous shipwreck poems in American literature, she herself was never wrecked—like the fictional Hesperus, the Pequod, or the non-fictional Nantucket whaleship Essex.
Peter Kurtz (Bluejackets in the Blubber Room: A Biography of the William Badger, 1828-1865)