Mute My Status Quotes

We've searched our database for all the quotes and captions related to Mute My Status. Here they are! All 4 of them:

Okay, so I stopped posting status updates on Facebook a long time ago. I noticed that whenever someone posts something completely mundane and stupid, like 'Sushi 2nite!' seventeen people have to comment on that. 'I ♥ sushi!' and 'Spicy Tuna 4 meee!' But if you ever try to actually say something serious about your feelings or, like, your life, every one of your 386 "friends" is suddenly mute. So there you have it: My life is a post with no comments. Less interesting than spicy tuna.
J.J. Howard (That Time I Joined the Circus)
When we are taught that our anger is undesirable, selfish, powerless, and ugly, we learn that we are undesirable, selfish, powerless, andy ugly. When we forgo talking about anger, because it represents risk or challenge, or because it disrupts a comfortable status quo, we forgo valuable lessons about risk and challenge and the discomforts of the status quo. By naturalizing the idea that girls and women aren't angry but are sad, by instisting that they keep their anger to themselves, we render women's feelings and demands mute and with little social value. When we call our anger sadness instead of anger, we often fail to acknowledge what is wrong, specifically in a way that discourages us from imagining and pursuing change. Sadness, as an emotion, is paired with acceptance. Anger, on the other hand, invokes the possibility of change and of fighting back. What I wish I had taught my daughter in that moment was that she had every right to be angry, and subsequently demand that the adults around her pay attention to that anger. Only then can she feel she has the right to make demands on the world.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
In Amsterdam, I took a room in a small hotel located in the Jordann District and after lunch in a café went for a walk in the western parts of the city. In Flaubert’s Alexandria, the exotic had collected around camels, Arabs peacefully fishing and guttural cries. Modern Amsterdam provided different but analogous examples: buildings with elongated pale-pink bricks stuck together with curiously white mortar, long rows of narrow apartment blocks from the early twentieth century, with large ground-floor windows, bicycles parked outside every house, street furniture displaying a certain demographic scruffiness, an absence of ostentatious buildings, straight streets interspersed with small parks…..In one street lines with uniform apartment buildings, I stopped by a red front door and felt an intense longing to spend the rest of my life there. Above me, on the second floor, I could see an apartment with three large windows and no curtains. The walls were painted white and decorated with a single large painting covered with small blue and red dots. There was an oaken desk against a wall, a large bookshelf and an armchair. I wanted the life that this space implied. I wanted a bicycle; I wanted to put my key in that red front door every evening. Why be seduced by something as small as a front door in another country? Why fall in love with a place because it has trams and its people seldom have curtains in their homes? However absurd the intense reactions provoked by such small (and mute) foreign elements my seem, the pattern is at least familiar from our personal lives. My love for the apartment building was based on what I perceived to be its modesty. The building was comfortable but not grand. It suggested a society attracted to the financial mean. There was an honesty in its design. Whereas front doorways in London are prone to ape the look of classical temples, in Amsterdam they accept their status, avoiding pillars and plaster in favor of neat, undecorated brick. The building was modern in the best sense, speaking of order, cleanliness, and light. In the more fugitive, trivial associations of the word exotic, the charm of a foreign place arises from the simple idea of novelty and change-from finding camels where at home there are horses, for example, or unadorned apartment buildings where at home there are pillared ones. But there may be a more profound pleasure as well: we may value foreign elements not only because they are new but because they seem to accord more faithfully with our identity and commitments than anything our homeland can provide. And so it was with my enthusiasms in Amsterdam, which were connected to my dissatisfactions with my own country, including its lack of modernity and aesthetic simplicity, its resistance to urban life and its net-curtained mentality. What we find exotic abroad may be what we hunger for in vain at home.
Alain de Botton (The Art of Travel)
I thought the only threat against us came from the rogue noblemen who are plotting a revolt under our very noses. Not the Aveyonian commoners you've spent weeks assuring us are content, happy even." Bastien eyed her as though seeing her in a new light. "Threats can take many forms, madame. It would not be prudent in times like these to invite them into your home." "If we are willing to open our doors to the rich, then we must also be willing to open our doors to the poor. You speak as though wealth precludes someone from committing a crime, and that has not been true in my experience." "I think I speak for everyone, the king included, when I say you are perhaps not thinking clearly." "And I speak for myself alone when I say you're wrong. Do you forget that I am a commoner? That I grew up in a poor village with the very people you seek to malign? I do not fear them in the same way I fear a rich man who believes justice is a fluid concept and that innocence can be bought." She let them sit with what she had said for a few moments before continuing. "I called this meeting as a courtesy. This is how I envision the salon, and I believe it will be beneficial for all the people of our kingdom. You still get the prestige-raising, economy-boosting aspects, only now the doors are open for everyone. If you cannot abide by that, then I suggest you remain in your estates for the duration." If she had ruffled the feathers of the advisers before, it was nothing compared to how they viewed her now. "All in favor of the amendment to the salon?" They mutely assented with barely raised hands, but it was enough. In a way, it seemed they almost feared her. No one protested or voiced any concerns, and the meeting ended in near silence. She would take their unease over their disdain. She thought perhaps it was time for men like them to fear what a woman could do.
Emma Theriault (Rebel Rose (The Queen's Council, #1))