Mute And Blind Quotes

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I hate the thought of her being forced into a box that doesn't fit her. Of having her wings cut off, her sight blinded, her hearing muted, her voice stilled.
Charles de Lint (Dreams Underfoot (Newford, #1))
I recall certain moments, let us call them icebergs in paradise, when after having had my fill of her –after fabulous, insane exertions that left me limp and azure-barred–I would gather her in my arms with, at last, a mute moan of human tenderness (her skin glistening in the neon light coming from the paved court through the slits in the blind, her soot-black lashes matted, her grave gray eyes more vacant than ever–for all the world a little patient still in the confusion of a drug after a major operation)–and the tenderness would deepen to shame and despair, and I would lull and rock my lone light Lolita in my marble arms, and moan in her warm hair, and caress her at random and mutely ask her blessing, and at the peak of this human agonized selfless tenderness (with my soul actually hanging around her naked body and ready to repent), all at once, ironically, horribly, lust would swell again–and 'oh, no,' Lolita would say with a sigh to heaven, and the next moment the tenderness and the azure–all would be shattered.
Vladimir Nabokov (Lolita)
A man who denies his past is a man who truly denies himself a future, for he refuses to know himself, and to deny knowledge of oneself is to stumble through life as handicapped as the blind mute.
Tobsha Learner (The Witch of Cologne)
Mize knew that the outcome of today’s hearing was all about politics. Lady Justice wasn’t blind. She was wearing see-no-evil lenses and had been cursed with a more troubling disability—muteness. There existed no doubt in his mind that political machinations had suffocated legal precedent on this day.
Chad Boudreaux (Scavenger Hunt)
There is a master way with words which is not learned but is instead developed: a deaf man develops exceptional vision, a blind man exceptional hearing, a silent man, when given a piece of paper...
Criss Jami (Venus in Arms)
Love is blind, and a deaf-mute too.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
Don't be an asshole" Rhage summed up the regurgitation with two words: "Kettle.Black." Fucking hell. "Did you guys plan that out?" "Yeah and if you don't fight us"- Hollywood bit down on the grape Tootsie Pop-"we'll do it again- only with the dance moves this time" "Spare me." "Fine.Unless you agree to home it,we WILL rock the dance moves." To prove the point ,the moron linked his palms behind his head and started doing something obscene with his hips. Which was backed up by a series of,"Uh-huh,uh-huh,ohhhh, yeeeeeeah,who's your daddy..." The others looked at Rhage like he'd grown a horn in the middle of his forehead. Nothing unusual there. And Tohr knew that, in spite of this ridiculous diversion,if he didn't cave,the lot of them would crawl so far up his ass,he'd be coughing up shitkickers. Rhage wheeled around,shoved out his butt,and started slapping his moneymaker like it was bread dough. "For the love of the Virgin Scribe,"Z muttered "put us out of this misery, and go the fuck home" Someone else chimed in, "You know, I never thought there were advantages to being blind..." "Or deaf" "Or mute," somebody added
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
Painting is mute poetry, and poetry is blind painting
Leonardo da Vinci (Thoughts on Art and Life)
The Couple Overfloweth We sometimes go on as though people can’t express themselves. In fact they’re always expressing themselves. The sorriest couples are those where the woman can’t be preoccupied or tired without the man saying “What’s wrong? Say something…,” or the man, without the woman saying … and so on. Radio and television have spread this spirit everywhere, and we’re riddled with pointless talk, insane quantities of words and images. Stupidity’s never blind or mute. So it’s not a problem of getting people to express themselves but of providing little gaps of solitude and silence in which they might eventually find something to say. Repressive forces don’t stop people expressing themselves but rather force them to express themselves; What a relief to have nothing to say, the right to say nothing, because only then is there a chance of framing the rare, and ever rarer, thing that might be worth saying. What we’re plagued by these days isn’t any blocking of communication, but pointless statements. But what we call the meaning of a statement is its point. That’s the only definition of meaning, and it comes to the same thing as a statement’s novelty. You can listen to people for hours, but what’s the point? . . . That’s why arguments are such a strain, why there’s never any point arguing. You can’t just tell someone what they’re saying is pointless. So you tell them it’s wrong. But what someone says is never wrong, the problem isn’t that some things are wrong, but that they’re stupid or irrelevant. That they’ve already been said a thousand times. The notions of relevance, necessity, the point of something, are a thousand times more significant than the notion of truth. Not as substitutes for truth, but as the measure of the truth of what I’m saying. It’s the same in mathematics: Poincaré used to say that many mathematical theories are completely irrelevant, pointless; He didn’t say they were wrong – that wouldn’t have been so bad. (Negotiations)
Gilles Deleuze (Negotiations 1972-1990)
And somewhat as in blind night, on a mild sea, a sailor may be made aware of an iceberg, fanged and mortal, bearing invisibly near, by the unwarned charm of its breath, nothingness now revealed itself: that permanent night upon which the stars in their expiring generations are less than the glinting of gnats, and nebulae, more trivial than winter breath; that darkness in which eternity lies bent and pale, a dead snake in a jar, and infinity is the sparkling of a wren blown out to sea; that inconceivable chasm of invulnerable silence in which cataclysms of galaxies rave mute as amber.
James Agee (A Death in the Family)
While all doctors treat diseases, neurosurgeons work in the crucible of identity: every operation on the brain is, by necessity, a manipulation of the substance of our selves, and every conversation with a patient undergoing brain surgery cannot help but confront this fact. In addition, to the patient and family, the brain surgery is usually the most dramatic event they have ever faced and, as such, has the impact of any major life event. At those critical junctures, the question is not simply whether to live or die but what kind of life is worth living. Would you trade your ability - or your mother's - to talk for a few extra months of mute life? The expansion of your visual blind spot in exchange for eliminating the small possibility of a fatal brain hemorrhage? Your right hand's function to stop seizures? How much neurologic suffering would you let your child endure before saying that death is preferable? Because the brain mediates our experience of the world, any neurosurgical problem forces a patient and family, ideally with a doctor as a guide, to answer this question: What makes life meaningful enough to go on living?
Paul Kalanithi (When Breath Becomes Air)
Make no mistake about it. We are born blind, deaf, and mute. It is neither these eyes that give us sight, nor these ears that give us sound. It is not even these lips that give us voice. It is only love. Love makes us seek beauty and truth. Love yearns to connect. To experience. To understand. So close your eyes at once. Don’t utter a word. Perk up your ears and listen to that silent sound inside you where all this is found.
Kamand Kojouri
At those critical junctures, the question is not simply whether to live or die but what kind of life is worth living. Would you trade your ability--or your mother's--to talk for a few extra months of mute life? The expansion of your visual blind spot in exchange for the small possibility of a fatal brain hemorrhage? Your right hand's function to stop seizures? How much neurological suffering would you let your child endure before saying that death is preferable? Because the brain mediates our experience of the world, any neurosurgical problem forces a patient, and family, ideally with a doctor as a guide, to answer this question: What makes life meaningful enough to go on living?
Paul Kalanithi (When Breath Becomes Air)
If suddenly you do not exist, if suddenly you no longer live, I shall live on. I do not dare, I do not dare to write it, if you die. I shall live on. For where a man has no voice, there, my voice. Where blacks are beaten, I cannot be dead. When my brothers go to prison I shall go with them. When victory, not my victory, but the great victory comes, even though I am mute I must speak; I shall see it come even though I am blind. No, forgive me. If you no longer live, if you, beloved, my love, if you have died, all the leaves will fall in my breast, it will rain on my soul night and day, the snow will burn my heart, I shall walk with frost and fire and death and snow, my feet will want to walk to where you are sleeping, but I shall stay alive, because above all things you wanted me indomitable, and, my love, because you know that I am not only a man but all mankind.
Pablo Neruda
If I was blind, I would still see you. If I was deaf, I would still hear you. If I was mute, I would still speak to you. If I was crippled, I would still carry you. If I was dying, I would still live for you.
Matshona Dhliwayo
The blind can see God, the deaf can hear Him, the mute can speak to Him, and the lame can run to Him.
Matshona Dhliwayo
I have seen the face of sorrow She looks away in the distance Across all these bridges From whence I came And those spans, trussed and arched Hold up our lives as we go back again To how we thought then To how we thought we thought then I have seen sorrow's face, But she is ever turned away And her words leave me blind Her eyes make me mute I do not understand what she says to me I do not know if to obey Or attempt a flood of tears I have seen her face She does not speak She does not weep She does not know me For I am but a stone fitted in place On the bridge where she walks Lay of the Bridgeburners Toc the Younger
Steven Erikson
For Socrates, all virtues were forms of knowledge. To train someone to manage an account for Goldman Sachs is to educate him or her in a skill. To train them to debate stoic, existential, theological, and humanist ways of grappling with reality is to educate them in values and morals. A culture that does not grasp the vital interplay between morality and power, which mistakes management techniques for wisdom, which fails to understand that the measure of a civilization is its compassion, not its speed or ability to consume, condemns itself to death. Morality is the product of a civilization, but the elites know little of these traditions. They are products of a moral void. They lack clarity about themselves and their culture. They can fathom only their own personal troubles. They do not see their own bases or the causes of their own frustrations. They are blind to the gaping inadequacies in our economic, social, and political structure and do not grasp that these structures, which they have been taught to serve, must be radically modified or even abolished to stave off disaster. They have been rendered mute and ineffectual. “What we cannot speak about” Ludwig Wittgenstein warned “we must pass over in silence.
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
I have seen the face of sorrow She looks away in the distance Across all these bridges From whence I came And those spans, trussed and arched Hold up our lives as we go back again To how we thought then To how we thought we thought then I have seen sorrow`s face, And her words leave me blind Her eyes make me mute I do not understand what she says to me I do not know if to obey Or attempt a flood of tears I have seen her face She does not speak She does not weep She does not know me For I am but a stone fitted in place On the bridge where she walks
Steven Erikson (Reaper's Gale (Malazan Book of the Fallen, #7))
Blind people are the best audience; they will be treated according to the formula; it’s easy to excite them; it’s easy to wake them up from a dream in which they dull, mute and helpless, await excitement—another product of the plastic reality, another star-studded name.
Dejan Stojanovic (Serbian Satire and Aphorisms)
The blind can see love, the deaf can hear love, the mute can express love, and the disabled can carry love.
Matshona Dhliwayo
Though love may be blind, it sees much; though it may be deaf, it hears much; though it may be mute, it says much; and though it may be lame, it does much.
Matshona Dhliwayo
My voice is blind, my hearing is mute, my sight is deaf. Art is science, mathematics is conversation, and music is something that bleeds. I am so far away that I am inside myself. I barely notice colors unless I taste them. Not the yellows or the greens. I taste the deeper blues. The darker reds.
David Levithan (Every You, Every Me)
In the wild cathedral evening the rain unraveled tales for the disrobed faceless forms of no position. Tolling for the tongues with no place to bring their thoughts - all down in taken-for-granted situations. Tolling for the deaf an' blind, tolling for the mute, and the mistreated mateless mother, the mistitled prostitute, for the misdemeanor outlaw, chained an' cheated by pursuit. And we gazed upon the chimes of freedom flashing.
Bob Dylan (Lyrics, 1962-1985)
One of the windows shatters with enough force to tear down the blinds, saturating my place with muted light. I see a red figure standing in my living room at the same time I spot the daggers flying toward me. I leap onto the edge of the sink and hear the triple thud of knives slicing into the kitchen wall—to the hilt. I
Jayci Lee (Nine Tailed (Realm of Four Kingdoms, #1))
...O deaf and mute and blind and beautiful and interminable rose who into time, attar and verse transmute
Cecília Meireles
At that moment the universe appeared to me a vast machine constructed only to produce evil. I almost doubted the goodness of God, in not annihilating man on the day he first sinned. "The world should have been destroyed," I said, "crushed as I crush this reptile which has done nothing in its life but render all that it touches as disgusting as itself." I had scarcely removed my foot from the poor insect when, like a censoring angel sent from heaven, there came fluttering through the trees a butterfly with large wings of lustrous gold and purple. It shone but a moment before my eyes; then, rising among the leaves, it vanished into the height of the azure vault. I was mute, but an inner voice said to me, "Let not the creature judge his Creator; here is a symbol of the world to come. As the ugly caterpillar is the origin of the splendid butterfly, so this globe is the embryo of a new heaven and a new earth whose poorest beauty will infinitely exceed your mortal imagination. And when you see the magnificent result of that which seems so base to you now, how you will scorn your blind presumption, in accusing Omniscience for not having made nature perish in her infancy. God is the god of justice and mercy; then surely, every grief that he inflicts on his creatures, be they human or animal, rational or irrational, every suffering of our unhappy nature is only a seed of that divine harvest which will be gathered when, Sin having spent its last drop of venom, Death having launched its final shaft, both will perish on the pyre of a universe in flames and leave their ancient victims to an eternal empire of happiness and glory.
Emily Brontë (Devoirs de Bruxelles)
The electric technology is within the gates, and we are numb, deaf, blind and mute about its encounter with the Gutenberg technology, on and through which the American way of life was formed.
Marshall McLuhan (Understanding Media: The Extensions of Man)
Their passion invaded me, disturbed me. I loved them both and so I couldn’t love myself, feel myself, affirm myself with a need for life of my own, one that had the same blind, mute force as theirs
Elena Ferrante (The Story of a New Name)
A blanket could be used to say hello to all the goodbyes I was too blind to hear. I’m hungry for a bowl full of mute, but my favorite restaurant is out of the Helen Keller Special. When they are out it, it means they are fully stocked.

Jarod Kintz (Brick and Blanket Test in Brick City (Ocala) Florida)
Who is blind? One who cannot see another world! Who is mute? One who cannot say anything sweet at the right moment! Who is poor? One who cannot give anything to the desperately poor! Who is rich? One who can be content to the bottom of his heart! Indian Proverb
Anonymous
Moses said to the LORD, “Oh, my Lord, I am not eloquent, either in the past or since you have spoken to your servant, but  o I am slow of speech and of tongue.” 11Then the LORD said to him, “Who has made man’s mouth? Who makes him mute, or deaf, or seeing, or blind? Is it not I, the LORD?
Anonymous (Holy Bible: English Standard Version (ESV))
I must exist in shadows, while you live under exquisitely blue skies, and yet I don't hate you for the freedom that you take for granted-although I do envy you. I don't hate you because, after all, you are human, too, and therefore have limitations of your own. Perhaps you are homely, slow-witted or too smart for your own good, deaf or mute or blind, by nature given to despair or to self-hatred, or perhaps you are unusually fearful of Death himself. We all have burdens. On the other hand, if you are better-looking and smarter than I am, blessed with five sharp senses, even more optimistic than I am, with plenty of self-esteem, and if you also share my refusal to be humbled by the Reaper. . . well, then I could almost hate you if I didn't know that, like all of us in this imperfect world, you also have a haunted heart and a mind troubled by grief, by loss, by longing.
Dean Koontz (Seize the Night (Moonlight Bay, #2))
I wonder how I will love Ma when she is at the end. How will I be able to look after her when the woman I know as my mother is no longer residing in her body? When she no longer has a complete consciousness of who she is and who I am, will it be possible for me to care for her the way I do now, or will I be negligent, the way we are with children who are not our own, or voiceless animals, or the mute, blind and deaf, believing we will get away with it, because decency is something we enact in public, with someone to witness and rate our actions, and if there is no fear of blame, what would the point of it be?
Avni Doshi (Burnt Sugar)
I would have seen it all, had I been able to see, but I could see none of it because I had spent my entire life blind and deaf and mute and ignorant, devoid of any senses save the one that governed my sexual compulsions and that had brought me to this terrible place from which, I was certain, there could be no return.
John Boyne
XII. If there pushed any ragged thistle-stalk Above its mates, the head was chopped, the bents Were jealous else. What made those holes and rents In the dock's harsh swarth leaves, bruised as to baulk All hope of greenness? Tis a brute must walk Pashing their life out, with a brute's intents. XIII. As for the grass, it grew as scant as hair In leprosy; thin dry blades pricked the mud Which underneath looked kneaded up with blood. One stiff blind horse, his every bone a-stare, Stood stupified, however he came there: Thrust out past service from the devil's stud! XIV. Alive? he might be dead for aught I knew, With that red gaunt and colloped neck a-strain. And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain. XV. I shut my eyes and turned them on my heart, As a man calls for wine before he fights, I asked one draught of earlier, happier sights, Ere fitly I could hope to play my part. Think first, fight afterwards, the soldier's art: One taste of the old time sets all to rights. XVI. Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm to mine to fix me to the place, The way he used. Alas, one night's disgrace! Out went my heart's new fire and left it cold. XVII. Giles then, the soul of honour - there he stands Frank as ten years ago when knighted first, What honest man should dare (he said) he durst. Good - but the scene shifts - faugh! what hangman hands Pin to his breast a parchment? His own bands Read it. Poor traitor, spit upon and curst! XVIII. Better this present than a past like that: Back therefore to my darkening path again! No sound, no sight as far as eye could strain. Will the night send a howlet or a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train. XIX. A sudden little river crossed my path As unexpected as a serpent comes. No sluggish tide congenial to the glooms; This, as it frothed by, might have been a bath For the fiend's glowing hoof - to see the wrath Of its black eddy bespate with flakes and spumes. XX. So petty yet so spiteful! All along, Low scrubby alders kneeled down over it; Drenched willows flung them headlong in a fit Of mute despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, rolled by, deterred no whit. XXI. Which, while I forded - good saints, how I feared To set my foot upon a dead man's cheek, Each step, of feel the spear I thrust to seek For hollows, tangled in his hair or beard! - It may have been a water-rat I speared, But, ugh! it sounded like a baby's shriek. XXII. Glad was I when I reached the other bank. Now for a better country. Vain presage! Who were the strugglers, what war did they wage, Whose savage trample thus could pad the dank soil to a plash? Toads in a poisoned tank Or wild cats in a red-hot iron cage - XXIII. The fight must so have seemed in that fell cirque, What penned them there, with all the plain to choose? No footprint leading to that horrid mews, None out of it. Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews.
Robert Browning
If you look at another woman, I’ll rip your eyes out. Touch one and I’ll cut off your hands. Kiss her and I’ll sever your tongue from your mouth. “You don’t want to know what I’ll do if I find out your dick got anywhere near another woman. So the choice is yours, you can live life as a blind, mute eunuch with stubs at the end of your arms or you can close the club...
Jenny Penn
Focused on nothing, open to everything- it's a state I fall into, where all my senses swap. My voice is blind, my hearing is mute, my sight is deaf. Art is science, mathematics is conversation, and music is something that bleeds. I am so far away that I'm inside myself. I barely notice colors unless I taste them. Not the yellows or the greens. I taste the deeper blues. The darker reds.
David Levithan (Every You, Every Me)
Lend your ears to the deaf, your eyes to the blind, your hands to the weak, your tongue to the mute, your mind to the perplexed, and your heart to the weary. You have been given a mind to solve problems for others, a heart to feel compassion for others, a mouth to speak kind words to others, ears to hear the plight of others, eyes to look out for others, and hands to sustain others.
Matshona Dhliwayo
it’s poetry that’s taught me everything I know. Poetry has shown me the world; I owe a debt of gratitude to poetry for the love I feel for nature, the earth, the trees, the ocean. Before I had read any poetry I resembled nothing so much as a blind woman—and a mute one, too, because I had no idea how to put my thoughts in order, no idea how to speak, the words wouldn’t come. Poetry taught me how to talk.
Zoé Valdés (Dear First Love)
Mrs Hogan and her son Henry, however, lived in the house next door – the former entirely mute, the latter completely blind – and yet between them they monitored our comings and goings with all the efficiency of a government intelligence agency. Like conjoined twins, the two were never seen apart, Henry’s arm permanently attached to his mother’s as she led him to and from Mass every morning and up and down the street for his evening constitutional.
John Boyne
Humans are organisms, subject to physical laws, including, alas, the one that says entropy always increases. Diseases are molecules misbehaving; the basic requirement of life is metabolism, and death its cessation. While all doctors treat diseases, neurosurgeons work in the crucible of identity: every operation on the brain is, by necessity, a manipulation of the substance of our selves, and every conversation with a patient undergoing brain surgery cannot help but confront this fact. In addition, to the patient and family, the brain surgery is usually the most dramatic event they have ever faced and, as such, has the impact of any major life event. At those critical junctures, the question is not simply whether to live or die but what kind of life is worth living. Would you trade your ability—or your mother’s—to talk for a few extra months of mute life? The expansion of your visual blind spot in exchange for eliminating the small possibility of a fatal brain hemorrhage? Your right hand’s function to stop seizures? How much neurologic suffering would you let your child endure before saying that death is preferable? “Because the brain mediates our experience of the world, any neurosurgical problem forces a patient and family, ideally with a doctor as a guide, to answer this question: What makes life meaningful enough to go on living?
Paul Kalanithi (When Breath Becomes Air)
This is why questions must be asked and answered truthfully and why we must train our emotions to coincide with what is actually true. Doubt is a necessary part of faith, otherwise it is a blind faith and a deaf faith that deserves to be a mute faith. For, when Helen Keller, who was deaf, blind and had to learn to speak can come closer to the truth than persons with full sensory capacity, perhaps there is something wrong with our religious and spiritual traditions.
Leviak B. Kelly (Religion: The Ultimate STD: Living a Spiritual Life without Dogmatics or Cultural Destruction)
It was a dead hole, smelling of synthetic leather and disinfectant, both of which odors seemed to emanate from the torn scratched material of the seats that lined the three walls. It smelled of the tobacco ashes which had flooded the two standing metal ashtrays. On the chromium lip of one, a cigar butt gleamed wetly like a chewed piece of beef. There was the smell of peanut shells and of the waxy candy wrappers that littered the floor, the smell of old newspapers, dry, inky, smothering and faintly like a urinal, the smell of sweat from armpits and groins and backs and faces, pouring out and drying up in the lifeless air, the smell of clothes—cleaning fluids imbedded in fabric and blooming horribly in the warm sweetish air, picking at the nostrils like thorns—all the exudations of the human flesh, a bouquet of animal being, flowing out, drying up, but leaving a peculiar and ineradicable odor of despair in the room as though chemistry was transformed into spirit, an ascension of a kind, …Light issuing from spotlights in the ceiling was sour and blinding like a sick breath. There was in that room an underlying confusion in the function of the senses. Smell became color, color became smell. Mute started at mute so intently they might have been listening with their eyes, and hearing grew preternaturally acute, yet waited only for the familiar syllables of surnames. Taste died, mouth opened in the negative drowsiness of waiting.
Paula Fox (Desperate Characters)
After that he began to talk excitedly about the plays of Beckett: Ah, how he liked those guys buried in the ground up to their necks; and how beautiful the statement was about the fire that the present kindles inside you; and, even though among the thousand evocative things that Maddy and Dan Rooney said he had had a hard time picking out the precise point cited by Lila, well, the concept that life is felt more when you are blind, deaf, mute, and maybe without taste or touch was objectively interesting in itself.
Elena Ferrante (The Story of a New Name (Neapolitan Novels #2))
We’re riddled with pointless talk, insane quantities of words and images. Stupidity’s never blind or mute. So it’s not a problem of getting people to express themselves but of providing little gaps of solitude and silence in which they might eventually find something to say. Repressive forces don’t stop people expressing themselves but rather force them to express themselves; what a relief to have nothing to say, the right to say nothing, because only then is there a chance of framing the rare, and ever rarer, thing that might be worth saying.
Jenny Odell (How to Do Nothing: Resisting the Attention Economy)
Now when the Pharisees heard it [that Jesus had delivered a man possessed by a blind and mute spirit] they said, “This fellow does not cast out demons except by Beelzebub, the ruler of the demons.” (Matthew 12:24) The Pharisees made a terrible accusation! They said, in effect, “He can cast out demons because He is in league with the ruler of the demons.” Jesus answered them, Every kingdom divided against itself is brought to desolation, and every city or house divided against itself will not stand. If Satan casts out Satan, he is divided against himself. How then will his kingdom stand? (Matthew 12:25–26)
Derek Prince (Pulling Down Strongholds (pocket size): Mighty Weapons for Spiritual Warfare)
We continued through the dark, quiet waters of the river, feeling we owned it, as far as the estuary. We passed industrial buildings, their lights muted, faint as stars, as if we were in a time capsule of the war years when blackouts and curfews had been in effect, when there was just warlight and only blind barges were allowed to move along this stretch of river. I watched the welterweight boxer whom I once had perceived as harsh and antagonistic turn and look towards me, talking gently as he searched for the precise words about the ankles of Olive Lawrence, and about her knowledge of cyan charts and wind systems. I realised he had probably stored away that information for some aspect of his work, even as it also diverted him from that slow blue pulse at her neck.
Michael Ondaatje (Warlight)
On the American desert are horses which eat the locoweed and some are driven made by it; their vision is affected, they take enormous leaps to cross a tuft of grass or tumble blindly into rivers. The horses which have become thus addicted are shunned by the others and will never rejoin the herd. So it is with human beings: those who are conscious of another world, the world of the spirit, acquire an outlook which distorts the values of ordinary life; they are consumed by the weed of non-attachment. Curiosity is their one excess and therefore they are recognized not by what they do, but by what they refrain from doing, like those Araphants or disciples of Buddha who are pledged to the "Nine Incapabilities." Thus they do not take life, they do not compete, they do not boast, they do not join groups of more than six, they do not condemn others; they are "abandoners of revels, mute, contemplative" who are depressed by gossip, gaiety and equals, who wait to be telephoned to, who neither speak in public, nor keep up with their friends, nor take revenge upon their enemies. Self-knowledge has taught them to abandon hate and blame and envy in their lives, and they look sadder than they are. They seldom make positive assertions because they see, outlined against any statement, as a painter sees a complementary color, the image of its opposite. Most psychological questionnaires are designed to search out these moonlings and to secure their non-employment. They divine each other by a warm indifference for they know that they are not intended to forgather, but, like stumps of phosphorus in the world's wood, each to give forth his misleading radiance.
Cyril Connelly
to the patient and family, the brain surgery is usually the most dramatic event they have ever faced and, as such, has the impact of any major life event. At those critical junctures, the question is not simply whether to live or die but what kind of life is worth living. Would you trade your ability—or your mother’s—to talk for a few extra months of mute life? The expansion of your visual blind spot in exchange for eliminating the small possibility of a fatal brain hemorrhage? Your right hand’s function to stop seizures? How much neurologic suffering would you let your child endure before saying that death is preferable? Because the brain mediates our experience of the world, any neurosurgical problem forces a patient and family, ideally with a doctor as a guide, to answer this question: What makes life meaningful enough to go on living?
Paul Kalanithi (When Breath Becomes Air)
As already suggested, when the individual first learns who it is that he must now accept a his own, he is likely, at the very least, to feel some ambivalence; for these others will not only be patently stigmatized, and thus not like the normal person he knows himself to be, but ma also have other attributes with which he finds it difficult to associate himself. What may end up as a freemasonry may begin with a shudder. A newly blind girl on a visit to The Lighthouse [probably the Chicago Lighthouse, one of the oldest social service agencies in Chicago serving the blind or visually impaired] directly from leaving the hospital provides an illustration: „My questions about a guide dog were politely turned aside. Another sighted worker took me in tow to show me around. We visited the Braille library; the classrooms; the clubrooms where the blind members of the music and dramatic groups meet; the recreation hall where on festive occasion the blind play together; the cafeteria, where all the blind gather to eat together; the huge workshops where the blind earn a subsistence income by making mops and brooms, weaving rugs, caning chairs. As we moved from room to room, I could hear the shuffling of feet, the muted voices, the tap-tap-tapping of canes. Here was the safe, segregated world of the sightless — a completely different world, I was assured by the social worker, from the one I had just left…. I was expected to join this world. To give up my profession and to earn my living making mops. The Lighthouse would be happy to teach me how to make mops. I was to spend the rest of my life making mops with other blind people, eating with other blind people, dancing with other blind people. I became nauseated with fear, as the picture grew in my mind. Never had I come upon such destructive segregation.“ (p.37)
Erving Goffman (Stigma: Notes on the Management of Spoiled Identity)
I recall certain moments, let us call them icebergs in paradise, when after having had my fill of her—after fabulous, insane exertions that left me limp and azure-barred—I would gather her in my arms with, at last, a mute moan of human tenderness (her skin glistening in the neon light coming from the paved court through the slits in the blind, her soot-black lashes matted, her grave gray eyes more vacant than ever—for all the world a little patient still in the confusion of a drug after a major operation)—and the tenderness would deepen to shame and despair, and I would lull and rock my lone light Lolita in my marble arms, and moan in her warm hair, and caress her at random and mutely ask her blessing, and at the peak of this human agonized selfless tenderness (with my soul actually hanging around her naked body and ready to repent), all at once, ironically, horribly, lust would swell again—and “oh, no” Lolita would say with a sigh to heaven, and the next moment the tenderness and the azure—all would be shattered
Vladimir Nabokov (Lolita)
W.J. was a warm, affable man, and the two hemispheres of his brain seemed to be working fine together, although they were no longer in direct communication. One of them talked, one of them didn’t. Given the way the brain is wired, that meant the left, talking brain viewed the visual world to the right of a fixated point and the right, non-talking hemisphere viewed all the visual information to the left of the same point. Given this surgical state, I wondered: If I flashed a light over to the right, would W.J. say he saw it? Light should go to the left hemisphere, and the left hemisphere had speech; it should be easy. It was, and W.J. easily declared he saw it. A bit later, I flashed the same light over to the left side of space and waited to see if he would say anything. He didn’t. I pressed him and asked if he had seen anything, and he firmly said “No.” Was he blind on that side? Or was that simple spot of light no longer communicated to the half brain that talked? Did the seemingly mute right brain know it had viewed a light? Was it conscious? What was going on?
Michael S. Gazzaniga (The Consciousness Instinct: Unraveling the Mystery of How the Brain Makes the Mind)
He fell to his knees, half-blind, every breath aching, a sound coming out of him like the keen of wood in the flames. Dimly, he heard the witch speak. "I'll take it back, if you don't want it. In return for a small favor, of course.” "No," he whispered, between breaths of fire, "I want it." "Why? Why would anyone want such a terrible thing?" "I don't know, but it is mine and I must take it. He got to his feet somehow; still racked, barely able to walk, he stumbled to the door. He tripped on the bone that was the witch's threshold, and fell headlong back into night. He lay there on the forest floor, dazed and half-dreaming, while his life pieced itself together with a needle as sharp as sorrow drawing threads of every color from gold to blood to bone. He gazed at every memory out of his heart's eye, relearned all the words he had forgotten, including wonder that such enormities could be contained in such small, brief sounds as love, grief, life, death. Such words grew out of the wordless, wild language of the heart. That, he realized finally, was what he had so carelessly given to the witch: without that wordless language, he had left himself mute.
Patricia A. McKillip (In the Forests of Serre)
The bast, dispersing in shreds in the sunset whispered "Time has begun." The son, Adam, stripped naked, descended into the Old Testament of his native land and arrayed himself in bast; a wreath of roadside field grass he placed upon his brow, a staff, not a switch, he pulled from the ground, flourishing the birch branch like a sacred palm. On the road he stood like a guard. The dust-gray road ran into the sunset. And a crow perched there, perched and croaked, there where the celestial fire consumed the earth. There were blind men along the dust-gray road running into the twilight. Antique, crooken, they trailed along, lonely and sinister silhouettes, holding to one another and to their leader's cane. They were raising dust. One was beard-less, he kept squinting. Another, a little old man with a protruding lip, was whispering and praying. A third, covered with red hair, frowned. Their backs were bent, their heads bowed low, their arms extended to the staff. Strange it was to see this mute procession in the terrible twilight. They made their way immutable, primordial, blind. Oh, if only they could open their eyes, oh if only they were not blind! Russian Land, awake! And Adam, rude image of the returned king, lowered the birch branch to their white pupils. And on them he laid his hands, as, groaning and moaning they seated themselves in the dust and with trembling hands pushed chunks of black bread into their mouths. Their faces were ashen and menacing, lit with the pale light of deadly clouds. Lightning blazed, their blinded faces blazed. Oh, if only they opened their eyes, oh, if only they saw the light! Adam, Adam, you stand illumined by lightnings. Now you lay the gentle branch upon their faces. Adam, Adam, say, see, see! And he restores their sight. But the blind men turning their ashen faces and opening their white eyes did not see. And the wind whispered "Thou art behind the hill." From the clouds a fiery veil began to shimmer and died out. A little birch murmured, beseeching, and fell asleep. The dusk dispersed at the horizon and a bloody stump of the sunset stuck up. And spotted with brilliant coals glowing red, the bast streamed out from the sunset like a striped cloak. On the waxen image of Adam the field grass wreaths sighed fearfully giving a soft whistle and the green dewy clusters sprinkled forth fiery tears on the blind faces of the blind. He knew what he was doing, he was restoring their sight. ("Adam")
Andrei Bely (Silver Age of Russian Culture (An Anthology))
I work as fast as I can. Binah will come soon looking for me. It’s Mother, however, who descends the back steps into the yard. Binah and the other house slaves are clumped behind her, moving with cautious, synchronized steps as if they’re a single creature, a centipede crossing an unprotected space. I sense the shadow that hovers over them in the air, some devouring dread, and I crawl back into the green-black gloom of the tree. The slaves stare at Mother’s back, which is straight and without give. She turns and admonishes them. “You are lagging. Quickly now, let us be done with this.” As she speaks, an older slave, Rosetta, is dragged from the cow house, dragged by a man, a yard slave. She fights, clawing at his face. Mother watches, impassive. He ties Rosetta’s hands to the corner column of the kitchen house porch. She looks over her shoulder and begs. Missus, please. Missus. Missus. Please. She begs even as the man lashes her with his whip. Her dress is cotton, a pale yellow color. I stare transfixed as the back of it sprouts blood, blooms of red that open like petals. I cannot reconcile the savagery of the blows with the mellifluous way she keens or the beauty of the roses coiling along the trellis of her spine. Someone counts the lashes—is it Mother? Six, seven. The scourging continues, but Rosetta stops wailing and sinks against the porch rail. Nine, ten. My eyes look away. They follow a black ant traveling the far reaches beneath the tree—the mountainous roots and forested mosses, the endless perils—and in my head I say the words I fashioned earlier. Boy Run. Girl Jump. Sarah Go. Thirteen. Fourteen . . . I bolt from the shadows, past the man who now coils his whip, job well done, past Rosetta hanging by her hands in a heap. As I bound up the back steps into the house, Mother calls to me, and Binah reaches to scoop me up, but I escape them, thrashing along the main passage, out the front door, where I break blindly for the wharves. I don’t remember the rest with clarity, only that I find myself wandering across the gangplank of a sailing vessel, sobbing, stumbling over a turban of rope. A kind man with a beard and a dark cap asks what I want. I plead with him, Sarah Go. Binah chases me, though I’m unaware of her until she pulls me into her arms and coos, “Poor Miss Sarah, poor Miss Sarah.” Like a decree, a proclamation, a prophecy. When I arrive home, I am a muss of snot, tears, yard dirt, and harbor filth. Mother holds me against her, rears back and gives me an incensed shake, then clasps me again. “You must promise never to run away again. Promise me.” I want to. I try to. The words are on my tongue—the rounded lumps of them, shining like the marbles beneath the tree. “Sarah!” she demands. Nothing comes. Not a sound. I remained mute for a week. My words seemed sucked into the cleft between my collar bones. I rescued them by degrees, by praying, bullying and wooing. I came to speak again, but with an odd and mercurial form of stammer. I’d never been a fluid speaker, even my first spoken words had possessed a certain belligerent quality, but now there were ugly, halting gaps between my sentences, endless seconds when the words cowered against my lips and people averted their eyes. Eventually, these horrid pauses began to come and go according to their own mysterious whims. They might plague me for weeks and then remain away months, only to return again as abruptly as they left.
Sue Monk Kidd (The Invention of Wings)
She fell asleep rapidly, swimming through a haze of pleasant images... walking through the forest in Hampshire... dangling her feet in a cool pond on a hot day... pausing in the kissing gate, while the smell of sun-warmed meadowsweet rose thickly to her nostrils. She closed her eyes and tilted her chin upward, relishing the sultry rays, while a butterfly's wings brushed lightly against her cheek. Entranced by the delicate tickle, she held very still. The silken strokes moved over the tip of her nose, the sensitive periphery of her upper lip, the tender corners of her mouth. Searching blindly, she lifted her face to the brushes of warmth and was rewarded by a gentle pressure that opened her lips and drew a moan from the upper part of her lungs. Lord Sydney was standing with her in the kissing gate, his arms trapping her against the painted ribs of latticework. His mouth searched hers so gently, his body firm against hers, and she writhed in a mute plea for him to hold her more tightly. Seeming to know exactly what she wanted, he pushed his knee into her skirts, right against the place that felt swollen and yearning. Gasping, she curled her fingers in his glossy hair, and he whispered for her to relax, that he would take care of her, satisfy her- "Oh." Blinking hard, she stirred from the sensuous dream as she realized that she was not alone. The bed curtains had been drawn aside, and Nick Gentry's long body was entangled with hers. One large hand was cupped beneath her hips, while his leg wedged more intimately between hers. His breath surged against her ear, filling the shell with moist heat, and then his lips wandered back to hers in a searing path. He absorbed her protest as he kissed her, his tongue searching her mouth, his body levering over hers.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
I had an auto-repair man once, who, on these intelligence tests, could not possibly have scored more than 80, by my estimate. I always took it for granted that I was far more intelligent than he was. Yet, when anything went wrong with my car I hastened to him with it, watched him anxiously as he explored its vitals, and listened to his pronouncements as though they were divine oracles - and he always fixed my car.Well, then, suppose my auto-repair man devised questions for an intelligence test. Or suppose a carpenter did, or a farmer, or, indeed, almost anyone but an academician. By every one of those tests, I’d prove myself a moron, and I’d be a moron, too. In a world where I could not use my academic training and my verbal talents but had to do something intricate or hard, working with my hands, I would do poorly. My intelligence, then, is not absolute but is a function of the society I live in and of the fact that a small subsection of that society has managed to foist itself on the rest as an arbiter of such matters.Consider my auto-repair man, again. He had a habit of telling me jokes whenever he saw me. One time he raised his head from under the automobile hood to say: “Doc, a deaf-and-mute guy went into a hardware store to ask for some nails. He put two fingers together on the counter and made hammering motions with the other hand. The clerk brought him a hammer. He shook his head and pointed to the two fingers he was hammering. The clerk brought him nails. He picked out the sizes he wanted, and left. Well, doc, the next guy who came in was a blind man. He wanted scissors. How do you suppose he asked for them?”Indulgently, I lifted my right hand and made scissoring motions with my first two fingers. Whereupon my auto-repair man laughed raucously and said, “Why, you dumb jerk, He used his voice and asked for them.” Then he said smugly, “I’ve been trying that on all my customers today.”“Did you catch many?” I asked.“Quite a few,” he said, “but I knew for sure I’d catch you.”“Why is that?” I asked.“Because you’re so goddamned educated, doc, I knew you couldn’t be very smart.
Isaac Asimov (It's Been a Good Life)
They could not speak. To be in Alexander’s arms, to smell him, to hear his breathing, his voice again… Shh, shh, he was still whispering and holding her, pulling off her hat, her hairnet, her hairpins, letting her black hair fall down. His hands were in it. His eyes were closed. Perhaps he was imagining her hair was not black but blonde again. The way Alexander was touching her now, she could tell that he was blind and had not yet learned to see—he was holding her in that impossible choke that had to do not quite with love or passion, but somehow with both and with neither. The embrace wasn’t an alloy, it was a conflagration of anguish and bitter relief and fear. Tatiana could tell Alexander would like to have spoken more, but he couldn’t, and so he sat on the hay with his legs open, while she kneeled in front of him, folded into his arms, and every once in a while from his shuddering body would come a Shh, shh… Not for her. Not for Tatiana. For himself. Continuing to hold her, Alexander lowered her onto the straw. His trembling limbs surrounded her. Tatiana was barely breathing, her own body convulsing. To rage, to quell— They didn’t know what to do—to undress? To stay clothed? She couldn’t move, nor want to. His lips were on her neck, her clavicles, he was clawing at her, ripping open her tunic, baring her breasts to his desperate gasping mouth. She wanted to whisper his name, to moan maybe. Tears kept trickling down her temples. He removed from himself and her only what was necessary. He didn’t so much enter her as break her open. Her mouth remained in a mute screaming O, her hands clutched him, not close enough, and through the whisper of grief, through the cry of desire, Tatiana felt that Alexander, in his complete abandon, was making love to her as if he were being pulled from the cross to which he was still attached by nails. His gripping her, his ferocious, unremitting movement was so intense that Tatiana felt consciousness yield to— Oh my God, Shura, please…she mouthed inaudibly. But it could not be any other way. Violent release came for Alexander at the expense of Tatiana’s momentary lapse of reason, as she cried out, her pleas carrying through the barn, to the basin, to the river, to the sky. He remained on top of her without moving, without pulling away. His body was shaking. He couldn’t be any closer. She held him closer still…And then… Shh, shh. That wasn’t Alexander. That was Tatiana. They both fell asleep. Still they hadn’t spoken.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
Official history has it that Vasco Nunez de Balboa was the first man to see, from a summit in Panama, two oceans at once. Were the natives blind? Who first gave names to corn and potatoes and tomatoes and chocolate and the mountains and rivers of America? Were the natives mute? The Pilgrims on the Mayflower heard Him: God said America was the promised land. Were the natives deaf? Later on, the grandchildren of the Pilgrims seized the name and everything else. Now they are the Americans. And those of us who live in the other Americas, who are we?
Eduardo Galeano (Mirrors: Stories of Almost Everyone)
Yahweh said to him, “Who made the human mouth? Who makes him mute or deaf, seeing or blind? Is it not I, Yahweh? i 12 Now go! I will help C you speak and I will teach you what to say.” j
Anonymous (HCSB Study Bible)
And Jesus cast demons out of several of you.” “I was blind and mute by a demon,” said a man, who was obviously seeing clearly and speaking freely. Demas thought, A demon or your own captivating fears and madness? Peter’s mother-in-law added, “And there were those tormented by long maladies.” She pointed at a middle-aged woman. “Sarah, you had an issue of blood for twelve years.” Sarah spoke out, “Yes! I simply touched his garment and I was made well.” Peter’s mother-in-law continued, looking at two men in the corner. “And Josiah and Daniel. We all know you were blind until a week ago.” More amens where whispered.
Brian Godawa (Jesus Triumphant (Chronicles of the Nephilim, #8))
HELP! Theatre, come to my rescue! I am asleep. Wake me I am lost in the dark, guide me, at least towards a candle I am lazy, shame me I am tired, raise me up I am indifferent, strike me I remain indifferent, beat me up I am afraid, encourage me I am ignorant, teach me I am monstrous, make me human I am pretentious, make me die of laughter I am cynical, take me down a peg I am foolish, transform me I am wicked, punish me. I am dominating and cruel, fight against me I am pedantic, make fun of me I am vulgar, elevate me I am mute, untie my tongue I no longer dream, call me a coward or a fool I have forgotten, throw Memory in my face I feel old and stale, make the Child in me leap up I am heavy, give me Music I am sad, bring me Joy I am deaf, make Pain shriek like a storm I am agitated, let Wisdom rise within me I am weak, kindle Friendship I am blind, summon all the Lights I am dominated by Ugliness, bring in conquering Beauty I have been recruited by Hatred, unleash all the forces of Love.
Ariane Mnouchkine
I wonder, what are the dreams of blind be like? I wonder, what are the songs that the mute hears in his heart? - Midnight thoughts
Jyoti Patel (ANAMIKA: BEYOND WORDS)
One wonders about how to be what one wants to be - that genius of a writer who takes literature to a new level or that genius of a writer who brings humanity forward or that genius of a writer who tells a simple, gorgeous story or that genius of a writer who holds hands with Dostoyevsky or Tolstoy or that genius of a writer who lets the mute speak, especially the last, letting the mute speak. Can one make a sound that the deaf can hear? Can one write a narrative visually accessible to the blind? Can one write for the dispossessed, the marginalized, the tortured?
Andrea Dworkin (Heartbreak: The Political Memoir of a Feminist Militant)
(Knife) Something just now moved through my heart like the thinnest of blades as that red-tail pumped once with its great wings and flew above the gray, cracked rock wall. It wasn’t about the bird, it was something about the way stone stays mute and put, whatever goes flashing by. Sometimes, when I sit like this, quiet, all the dreams of my blood and all outrageous divisions of time seem ready to leave, to slide out of me. Then, I imagine, I would never move. By now the hawk has flown five miles at least, dazzling whoever else has happened to look up. I was dazzled. But that wasn’t the knife. It was the sheer, dense wall of blind stone without a pinch of hope or a single unfulfilled desire sponging up and reflecting, so brilliantly, as it has for centuries, the sun’s fire.
Mary Oliver (Dream Work)
Mind Magic Spells ~Mind Control Programming Mind control, thought projection, mental manipulation, and brainwashing. These are spells that either affect another's mind or body or mind- altering magic. They make things a bit more realistic. The following spells can be considered 'mental' magic: Death Trance, See Aura, Sense Evil, Sense Magic, Befuddle, Fear, Levitation, Paralysis: Lesser, Telekinesis, Astral Projection, Blind, Repel Animals, Traitorous Hand, Trance, Calling, Domination, Sleep, Compulsion, Memory Bank, Agony, Second Sight, Hallucination, Locate, Oracle, Curse: Phobia, Mute, Curse; Temporary  Insanity, Transferable, Curse; Paranoia, Friend in the Head, Curse; Neurosis, Psychic Drain, Id Barrier, and Someone Makes Them. We might extend this category to include spirit spells (like Commune with Spirit, Banishment,
Pat Holliday (Spirit of Rejection: Deliverance Root Systems)
Let him find no rest but be fathered and found, I prayed in the crouching room, by his blind bed, In the muted house, one minute before Noon, and night, and light. The rivers of the dead Veined his poor hand I held, and I saw Through his faded eyes to the roots of the sea. Go calm to your crucifixed hill, I told The air that drew away from him.
Dylan Thomas (Collected Poems)
O, the thrill when each knows its own guilt, travels the thorny paths. Thus did he find the white form of the child in the thorn bush, bleeding after the cloak of its bride-groom. Yet he stood before her buried in his steely hair, mute and suffering. O, the radiant angels scattered by the purple night winds. Long nights did he dwell in a crystal cave and leprosy grew all silvery upon his brow. A shadow, he walked down the boundary path beneath autumnal stars. Snow fell and the blue darkness filled the house. As a blind man's, Father's harsh voice resounded and called up dread. Woe, the bowed appearance of women. Beneath petrified hands fruit and implements mouldered to the appalled race. A wolf devoured the first-born and my sisters fled into dark gardens to skeletal old men. A deranged seer, that man sang by the derelict walls and God's wind consumed his voice. O ecstasy of death. O you children of a midnight race. All silver the evil flowers of the blood shimmer about that man's brow, the cold moon within his broken eyes. O, the creatures of night; O, those who are accursed.
Georg Trakl (Poems and Prose)
It was crazy, thought Gregorius: both men, father and son, had lived on opposite hills of the city like opposing actors in an ancient drama, linked in an archaic fear of each other and in an affection they didn’t find the words for and had written letters to each other that they didn’t trust themselves to send. Clasped in a muteness neither understood, and blind to the fact that one muteness produced the other.
Pascal Mercier (Night Train to Lisbon)
The Bible's blind, the Torah's deaf, the Qu'ran is mute If you burned them all together you'd get close to the truth Still, they're pouring over sanskrit under ivy league moons While shadows lengthen in the sun Cast on a school of meditation built to soften the times And hold us at the center while the spiral unwinds It's knocking over fences, crossing property lines Four winds, cry until it comes And it's the Sum of Man Slouching towards Bethlehem A heart just can't contain All of that empty space It breaks, it breaks, it breaks
Conor Oberst (Bright Eyes)
Do not awaken what is sleeping under my skin. Let me be blind and deaf and mute; let me be innocent, ignorant, naïve. Otherwise, I will be a murderer.
Richard Denoncourt (Ascendant (Bloodcrier #1))
Traumatic symptoms not only affect our emotional and mental states, but our physical health as well. When no other cause for a physical malady can be found, stress and trauma are likely candidates. Trauma can make a person blind, mute, or deaf; it can cause paralysis in legs, arms, or both; it can bring about chronic neck and back pain, chronic fatigue syndrome, bronchitis, asthma, gastrointestinal problems, severe PMS, migraines, and a whole host of so-called psychosomatic conditions. Any physical system capable of binding the undischarged arousal caused by trauma is fair game. The trapped energy will use any aspect of our physiology available to it.
Ann Frederick (Waking the Tiger: Healing Trauma)
And all that was left of the past, trickling inside her, quick and tremulous, was a little of the old water through pebbles, shadowy, cool under the trees, dead brown leaves lining the banks. Dear God, how sweetly she sank into the incomprehension of herself. And how, even more so, she was able to let herself go with the firm, soft ebb. And return. She would reunite with herself one day, without the hard, solitary words . . . She would weld herself and be once again the mute brusque strong wide unmoving blind living sea. Death would connect her with childhood.
Clarice Lispector (Near to the Wild Heart)
One time before the fire when Dad was still blind he thought when I came down the basement stairs I was Randy the mute plumber. He said Randy, it’s one of those days I’d kill for some blow. That plus the three-ring binder of X-rated cake photos under his bed is how I know we haven’t always been holy rollers.
Holly Wilson
The American stake in literacy as a technology or uniformity applied to every level of education, government, industry, and social life is totally threatened by the electric technology. The threat of Stalin or Hitler was external. The electric technology is within the gates, and we are numb, deaf, blind and mute about its encounter with the Gutenberg technology, on and through which the American way of life was formed.
Marshall McLuhan (Understanding Media: The Extensions of Man)
She would reunite with herself one day, without the hard, solitary words . . . She would weld herself and be once again the mute brusque strong wide unmoving blind living sea. Death would connect her with childhood.
Clarice Lispector (Near to the Wild Heart)
I have seen the face of sorrow She looks away in the distance Across all these bridges From whence I came And those spans, trussed and arched Hold up our lives as we go back again To how we thought then To how we thought we thought then I have seen sorrow's face, But she is ever turned away And her words leave me blind Her eyes make me mute I do not understand what she says to me I do not know if to obey Or attempt a flood of tears I have seen her face She does not speak She does not weep She does not know me For I am but a stone fitted in place On the bridge where she walks.
Steven Erikson
Only time—that plodding mute—will tell. And only the blind will see it coming.
Hugh Howey (Molly Fyde and the Blood of Billions (The Bern Saga #3))
A mute mentor & blind novice I grabbed your hand; made me wise..." -Shahzaib
Shahzaib Ansari
Love is blind. sometimes so myopic eyes to see which ones need to be sacrificed which ones to be saved. romance was deaf, ears sometimes so faint to hear where is counsel where is incitement Passion was mute, sometimes mouth can not speak. let alone conscience, Only simple words could suddenly disappear. that's why people fall in love sometimes act like the disabled!
ikke achmad
If we worship idols, we become like the idols.4 Idolatry is the vain attempt to find ultimate meaning in finite things that we can craft and hold in our hands. This is extremely clear in Scripture: to love and worship a dead idol is to become like the idol. If our idols have no hands to embrace us, no eyes to see us, no mouths to assure us, and no ears to hear us, then we who worship idols become like them: spiritually powerless, blind, mute, and deaf. Our idols dehumanize us; they petrify our souls, and dumb and dull and deaden all of our spiritual senses.5 Idols can only distort us (as we’ll see more fully later). Therefore, to worship anything that is not God is to fundamentally live in identity confusion.
Tony Reinke (12 Ways Your Phone Is Changing You)
I knew I would be forever isolated, desolate, useless. Life? To be born for no reason, to suffer constantly, to die ignorant. God? Extant but unreachable. Blind, deaf, and mute for His creatures. Human society? A prison filled with lunatics, thieves, and drunks.
Alejandro Jodorowsky (Where the Bird Sings Best)
Well, love exists even you are muted and one another is blind
DreamingYou
Lend your ears to the deaf, your eyes to the blind, your hands to the weak, your tongue to the mute, your mind to the perplexed, and your heart to the weary.
Matshona Dhliwayo
The LORD said to him, "Who gave man his mouth? Who makes him deaf or mute? Who gives him sight or makes him blind? Is it not I, the LORD?" (Exodus 4:11)
Vincent Cheung (The Author of Sin)
The Lord said to him, “Who gave human beings their mouths? Who makes them deaf or mute? Who gives them sight or makes them blind? Is it not I, the Lord? Now go; I will help you speak and will teach you what to say.” —Exodus 4:11–12 (NIV)
Guideposts (Daily Guideposts 2018: A Spirit-Lifting Devotional)
Jesse was moaning in her sleep. She was a delicate woman of thirty-five with long curly red hair. She lay deep in a shapeless feather mattress, cradled in a wooden bed which hung from the ceiling on four rusted chains. Somewhere in the big rambling house a clock chimed. She must wake up. Two hours until the Vampire Lestat’s concert. But she could not leave the twins now. This was new to her, this part unfolding so rapidly, and the dream was maddeningly dim as all the dreams of the twins had been. Yet she knew the twins were in the desert kingdom again. The mob surrounding the twins was dangerous. And the twins, how different they looked, how pale. Maybe it was an illusion, this phospherescent luster, but they appeared to glow in the semidarkness, and their movements were languid, almost as if they were caught in the rhythm of a dance. Torches were thrust at them as they embraced one another; but look, something was wrong, very wrong. One of them was now blind. Her eyelids were shut tight, the tender flesh wrinkled and sunken. Yes, they have plucked out her eyes. And the other one, why she make those terrible sounds? “Be still, don’t fight anymore,” said the blind one, in the ancient language which was always understandable in the dreams. And out of the other win came a horrid, gutteral moaning. She couldn’t speak. They’d cut out her tongue! I don’t want to see any more, I want to wake up. But the soldiers were pushing their way through the crowd, something dreadful was to happen, and the twins became suddenly very still. The soldiers took hold of them, dragged them apart. Don’t separate them! Don’t you know what this means to them? Get the torches away. Don’t set them on fire! Don’t burn their red hair. The blind twin reached out for her sister, screaming her name: “Mekare!” And Mekare, the mute one, who could not answer, roared like a wounded beast. The crowd was parting, making way for two immense stone coffins, each carried in a great heavy bier. Crude these sarcophagi, yet the lids had the roughened shape of human faces, limbs. What have the twins done to be put in these coffins? I can’t stand it, the biers being set down, the twins dragged towards the coffins, the crude stone lids being lifted. Don’t do it! The blind one is fighting as if she can see it, yet they are overpowering her, lifting her and putting her inside the stone box. In mute terror, Mekare is watching, though she herself is being dragged to the bier. Don’t lower the lid, or I will scream for Mekare! For both of them- Jesse sat up, her eyes opened. She had screamed. Alone in the house, with no one to hear her, she’d screamed and she could feel the echo still. Then nothing but the quiet settling around her, and the faint creaking of the bed as it moved on its chains. The song of the birds outside in the forest, the deep forest; and her own curious awareness that the clock had struck six.
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
Stupidity’s never blind or mute. So it’s not a problem of getting people to express themselves but of providing little gaps of solitude and silence in which they might eventually find something to say.
Jenny Odell (How to Do Nothing: Resisting the Attention Economy)