Musical Chair Game Quotes

The game is an analogy for life: there are not enough chairs or good times to go around, not enough food, not enough joy, nor beds nor jobs nor laughs nor friends nor smiles nor money nor clean air to breathe...and yet the music goes on.

Simon's band never actually produced any music. Mostly they sat around in Simon's living room, fighting about potential names and band logos. She sometimes wondered if any of them could actually play an instrument. 'What's on the table?' 'We're choosing between Sea Vegetable Conspiracy and Rock Solid Panda.' Clary shook her head. 'Those are both terrible.' 'Eric suggested Lawn Chair Crisis.' 'Maybe Eric should stick to gaming.' 'But then we'd have to find a new drummer.' 'Oh, is that what Eric does?...

The modern job market is like a game of musical chairs. You need to be the one with a chair when the music stops, or you're out of luck.

In the vast game of Darwinian musical chairs, whenever the music stopped there were large numbers of people without a seat—and some smartass had sold them guns.

That was war for you, like a game of musical chairs where seats kept disappearing until only one was left, and people rarely stopped to ask who the hell was in charge of the music.

I sat, head down, quivering furiously at their inferences of female sell-by dates and life as game of musical chairs where girls without a chair/man when the music stops/they pass thirty are 'out.' Huh. As if.

Dating becomes a cutthroat game of musical chairs with everyone scrambling for available partners to avoid standing alone at 30 when the music stops.

It was as if I'd lost some cosmic game of musical chairs; the song had stopped, I was left standing, and there was simply nothing to be dine about it.

But she never could keep it straight. All the letters, the acronyms, the codes, the colors, changing like musical chairs, every week, every month. Games demons play. It meant nothing to her, except in a charming sort of way, as it had when Naganya wanted to play at interrogation, while the rest of them wanted chess.

If you truly loved someone and they couldn't be in your life you won't hurt them. You will pray for them. You will hope that they find their happiness and place in this world. You will want them to have the best life because love isn't about possession, fear or desperation. When you have a grasp on eternity you don't need to feel time is running out. Time is all you have. Love isn’t a game of musical chairs--grab a partner and sit down. It is a search for the right fit for your soul and life purpose. In a life that never ends you will either find the one that sees you as much as you see them, 0r who knows? Maybe, if there are such things as soulmates, God will introduce you, but keep you far enough apart, until each of you fulfill something more important for your growth or God’s plan. Regardless, when you can face eternity alone you will know what true love is and that letting go is not an insult to your soul. You can smile because the person you loved has your blessings of protection with them and God has your best interest also in mind. You will find that person to complete you because God wants you to, as much as you do.

like a game of musical chairs, where the chairs are rooms in this house and the music is hatred and it’s a game no one’s enjoying, but none of us can stop playing.

While Terry joined the others in the pool, I subjected myself to a dreadful thing called musical chairs, another cruel game. There's one chair short, and when the music stops you have to run for a seat. The life lessons never stop at a children's party. The music blares. You never know when it's going to stop. You're on edge the whole game; the tension is unbearable. Everyone dances in a circle around the ring of chairs, but it's no happy dance. Everyone has his eyes on the mother over by the radio, her hand poised on the volume control. Now and then a child wrongly anticipates her and dives for a chair. He's shouted at. He jumps off the seat again. He's a wreck. The music plays on. The children's faces are contorted in terror. No one wants to be excluded. The mother taunts the children by pretending to reach for the volume. The children wish she were dead. The game is an analogy for life: there are not enough chairs or good times to go around, not enough food, not enough joy, nor beds nor jobs nor laughs nor friends nor smiles nor money nor clean air to breathe...and yet the music goes on.

The whole economy suddenly felt like a game of musical chairs, and I was convinced I needed to grab a seat, any seat, as fast as I could.

You’d better marry her before she reaches eighteen and the spell wears off,” I said. “Spell?” “Yes. The one that’s hiding her fangs and pincers from plain sight.” “I don’t find them especially hidden,” he said mildly. “Then perhaps you’re a pair.” His brows lifted. “Now, that’s the cruelest thing you’ve said so far.” Mrs. Fredericks cleared off, and Chloe took her place before the piano. A beam of sunlight was just beginning its slide into the chamber, capturing her in light. She was a glowing girl with a glowing face, and Joplin at her fingertips. “Give me time,” I muttered, dropping my gaze to my plate. “I’ll come up with something worse.” “No doubt.” Armand pulled a flask from his jacket and shook it in front of my nose. “Whiskey. Conveniently the same color as tea. Are you game, waif?” I glanced around, but no one was looking. I lifted my cup, drained it to the dregs, and set it before him. He was right. It did look like tea. But it tasted like vile burning fire, all the way down my throat. “Sip it,” he hissed, as I began to cough. His voice lifted over my sputtering. “Dear me, Miss Jones, I do beg your pardon. The tea’s rather hot; I should have mentioned it.” “Quite all right,” I gasped, as the whiskey swirled an evil amber in my teacup. Chloe’s song grew bouncier, with lyrics about a girl with strawberries in a wagon. Several of the men had begun to cluster near, drawn to her soprano or perchance her bosom. Two were vying to turn the pages of her music. She had to crane her head to keep Armand in view. He sent her another smile from his chair, lifting his cup in salute. “I’m going to kiss you, Eleanore,” he said quietly, still looking at her. “Not now. Later.” His eyes cut back to mine. “I thought it fair to tell you first.” I stilled. “If you think you can do so without me biting your lip, feel free to try.” His gaze shone wicked blue. “I don’t mind if you bite.” “Biting your lip off, I should have said.” “Ah. Let’s see how it goes, shall we?

Did you ever play that game as a child- the one where there's a circle of chairs, and when the music stops playing you have to find a chair to sit in? But there's never enough chairs for everyone, so one person is always left without a seat in the circle and then tossed out of the game. That's how I feel, as if I missed my chance at a chair and now I've been tossed out of the game.

Her mother, an unshapely, chubby-cheeked creature from the rural gentry of Styria, permanently lost her hair at the age of forty after being treated for influenza by her husband, and prematurely withdrew from society. She and her husband were able to live in the Gentzgasse thanks to her mother's fortune, which derived from the family estates in Styria and then devolved upon her. She provided for everything, since her husband earned nothing as a doctor. He was a socialite, what is known as a beau, who went to all the big Viennese balls during the carnival season and throughout his life was able to conceal his stupidity behind a pleasingly slim exterior. Throughout her life Auersberger's mother-in-law had a raw deal from her husband, but was content to accept her modest social station, not that of a member of the nobility, but one that was thoroughly petit bourgeois. Her son-in-law, as I suddenly recalled, sitting in the wing chair, made a point of hiding her wig from time to time--whenever the mood took him--both in the Gentzgasse and at the Maria Zaal in Styria, so that the poor woman was unable to leave the house. It used to amuse him, after he had hidden her wig, to drive his mother-in-law up the wall, as they say. Even when he was going on forty he used to hide her wigs--by that time she has provided herself with several--which was a symptom of his sickness and infantility. I often witnessed this game of hide-and-seek at Maria Zaal and in the Gentzgasse, and I honestly have to say that I was amused by it and did not feel in the least bit ashamed of myself. His mother-in-law would be forced to stay at home because her son-in-law had hidden her wigs, and this was especially likely to happen on public holidays. In the end he would throw the wig in her face. He needed his mother-in-law's humiliation, I reflected, sitting in the wing chair and observing him in the background of the music room, just as he needed the triumph that this diabolical behavior brought him.

Why'd you quit?" "I guess I was fed up with the whole thing. But I gave it my best shot. Surprised myself, really. I learned to think about people other than me, but in the end I just got kicked around by a cop. The way I see it, sooner or later everyone returns to his post. Except yours truly. For me, it was a game of musical chairs -- there was no place I could call my own." "So what'll you do now?" The Rat toweled off his feet. "I might write a novel," he said a moment later. "What do you think?" "I think it's a great idea." The Rat nodded. "What kind of novel?" "A good novel. From where I stand, anyway. I doubt I have any special talent for writing, but if I stick with it at least I can become more enlightened. Otherwise, what's the point, right?" "Right." "So the novel will be for myself. Or maybe for the cicadas." "The cicadas?" "Yeah.

Later that day, Kestrel sat with Arin in the music room. She played her tiles: a pair of wolves and three mice. Arin turned his over with a resigned sigh. He didn’t have a bad set, but it wasn’t good enough, and beneath his usual level of skill. He stiffened in his chair as if physically bracing himself for her question. Kestrel studied his tiles. She was certain he could have done better than a pair of wasps. She thought of the tiles he had shown earlier in the game, and the careless way in which he had discarded others. If she didn’t know how little he liked to lose against her, she would have suspected him of throwing the game. She said, “You seem distracted.” “Is that your question? Are you asking me why I am distracted?” “So you admit that you are distracted.” “You are a fiend,” he said, echoing Ronan’s words during the match at Faris’s garden party. Then, apparently annoyed at his own words, he said, “Ask your question.

You have asked too many questions. If you want more, you will have to win them.” He showed no sign of distraction now. As they played, he ignored her attempts to provoke him or make him laugh. “I’ve seen your tricks on others,” he said. “They won’t work with me.” He won. Kestrel waited, nervous, and wondered if the way she felt was how he felt when he lost. His voice came haltingly. “Will you play for me?” “Play for you?” Arin winced. In a more determined tone, he said, “Yes. Something I choose.” “I don’t mind. It’s only…people rarely ask.” He stood from the table, searched the shelves along the wall, and returned with a sheaf of sheet music. She took it. “It’s for the flute,” he said. “It will probably take you time to transpose it for the piano. I can wait. Maybe after our next game--” She fanned the paper impatiently to silence him. “It’s not that hard.” He nodded, then sat in the chair farthest away from the piano, by the glass garden doors. Kestrel was glad for his distance. She settled on the piano’s bench, flipping through the sheet music. The title and notations were in Herrani, the page yellow with age. She propped the paper on the piano’s rack, taking more time than necessary to neaten the sheets. Excitement coursed through her fingers as if she had already plunged her hands into the music, but that feeling was edged with a metallic lace of fear.

School teaches us that life is a game to win against our peers. We’re graded on a uniform scale no matter our background, our strengths and weaknesses, or our future goals. Sometimes we’re even graded on a curve relative to our peers. This inane, pointless system of competition is baked into the twentieth-century educational model. We’re taught that life is a game of musical chairs and that if we don’t hustle, we’re going to be left standing without a seat. This in-it-to-win-it mentality is the polar opposite of a creative mindset, which is abundant, resilient, and full of potential. Aiming to be “better” is a dead end because it means you’re walking in someone else’s footsteps and trying to catch up.

Later that day, Kestrel sat with Arin in the music room. She played her tiles: a pair of wolves and three mice. Arin turned his over with a resigned sigh. He didn’t have a bad set, but it wasn’t good enough, and beneath his usual level of skill. He stiffened in his chair as if physically bracing himself for her question. Kestrel studied his tiles. She was certain he could have done better than a pair of wasps. She thought of the tiles he had shown earlier in the game, and the careless way in which he had discarded others. If she didn’t know how little he liked to lose against her, she would have suspected him of throwing the game. She said, “You seem distracted.” “Is that your question? Are you asking me why I am distracted?” “So you admit that you are distracted.” “You are a fiend,” he said, echoing Ronan’s words during the match at Faris’s garden party. Then, apparently annoyed at his own words, he said, “Ask your question.” She could have pressed the issue, but his distraction was a less interesting mystery compared to one growing in her mind. She didn’t think Arin was who he appeared to be. He had the body of someone born into hard work, yet he knew how to play a Valorian game, and play it well. He spoke her language like someone who had studied it carefully. He knew--or pretended to know--the habits of a Herrani lady and the order of her rooms. He had been relaxed and adept around her stallion, and while that might not mean anything--he had not ridden Javelin--Kestrel knew that horsemanship among the Herrani before the war had been a mark of high class. Kestrel though that Arin was someone who had fallen far.

In the city I never hid in bathrooms; I didn’t like them, they were too hard and white. The only city place I can remember hiding is behind opened doors at birthday parties. I despised them, the pew-purple velvet dresses with antimacassar lace collars and the presents, voices going Oooo with envy when they were opened, and the pointless games, finding a thimble or memorizing clutter on a tray. There were only two things you could be, a winner or a loser; the mothers tried to rig it so everyone got a prize, but they couldn’t figure out what to do about me since I wouldn’t play. At first I ran away, but after that my mother said I had to go, I had to learn to be polite; “civilized,” she called it. So I watched from behind the door. When I finally joined in a game of Musical Chairs I was welcomed with triumph, like a religious convert or a political defector.

To be watched made her uneasy, as though she had to compete with every other person he might gaze upon, and she had known for quite some time that competing was not what she did best. Even as a child this had been true; the game of musical chairs had filled her with panic — that dreadful, icy knowledge that when the music stopped someone would be out. It was better when she stopped trying, because there were so many things a young person was required to endure: spelling bees, endless games in gym class; in all these things she had stopped trying, or if she tried, she did so with little expectation of herself, so was not disappointed to misspell “glacier” in a fourth-grade spelling bee, or to strike out in softball because she never swung the bat. It became a habit, not trying, and in junior high, when the biggest prize of course was to be popular among the right friends, Amy found she lacked the fortitude once more to get in there and swing. Arriving at the point where she felt almost invisible, she was aware that her solitude was something she might have brought upon herself. But here was Mr. Robertson and she was not invisible to him. Not when he looked at her like that—she couldn't be. (Still, there was her inner tendency to flee, the recrudescence of self-doubt.) But his hand came forward and touched her elbow.

The school is teeming with activity. The rooms are small and large, many are special-purpose rooms, like shops and labs, but most are furnished like rather shabby living or dining rooms in homes: lots of sofas, easy chairs, and tables. Lots of people sitting around talking, reading, and playing games. On an average rainy day—quite different from a beautiful suddenly snowy day, or a warm spring or fall day—most people are inside. But there will also be more than a few who are outside in the rain, and later will come in dripping and trying the patience of the few people inside who think the school should perhaps be a “dry zone.” There may be people in the photo lab developing or printing pictures they have taken. There may be a karate class, or just some people playing on mats in the dance room. Someone may be building a bookshelf or fashioning chain mail armor and discussing medieval history. There are almost certainly a few people, either together or separate, making music of one kind or another, and others listening to music of one kind or another. You will find adults in groups that include kids, or maybe just talking with one student. It would be most unusual if there were not people playing a computer game somewhere, or chess; a few people doing some of the school’s administrative work in the office—while others hang around just enjoying the atmosphere of an office where interesting people are always making things happen; there will be people engaged in role-playing games; other people may be rehearsing a play—it might be original, it might be a classic. They may intend production or just momentary amusement. People will be trading stickers and trading lunches. There will probably be people selling things. If you are lucky, someone will be selling cookies they baked at home and brought in to earn money. Sometimes groups of kids have cooked something to sell to raise money for an activity—perhaps they need to buy a new kiln, or want to go on a trip. An intense conversation will probably be in progress in the smoking area, and others in other places. A group in the kitchen may be cooking—maybe pizza or apple pie. Always, either in the art room or in any one of many other places, people will be drawing. In the art room they might also be sewing, or painting, and some are quite likely to be working with clay, either on the wheel or by hand. Always there are groups talking, and always there are people quietly reading here and there. One

Or take fame for instance. For one brief moment, a man finds himself on a throne. And for a while he believes himself specialㅡa little bit better than everyone else. But then he discovers that his throne is just another seat in an ongoing game of musical chairs and eventually he's gong to lose his place. Sometimes he spends the rest of his life trying to get back to the chair.

Everybody, will you please just sit for a minute? Like children in a game of musical chairs, Tommy's three guests immediately reach for the nearest chair, pull it out from the table, and sit---even her brother. Well, says Tommy. Something in my life goes according to plan.

We're taught that life is a game of musical chairs and that if we don't hustle, we're going to be left standing without a seat

Now!’ Marvin interjected. ‘You must all be wondering why I invited you here. Well, you know why you’re here, Arthur; and I assume you’ve explained a little about the club to our members—’ ‘We’re looking at alternative truths, right?’ Bedivere asked. ‘The darker side to Britain, and all that.’ ‘Yes, yes, Bedivere, we shall cover that. We shall look at Europe, why we left and why ultimately the EU was disbanded; we shall look at the tragic situation in the United States, and we shall look at the abandonment of the Commonwealth states and the blight of Indonesia. But as well as that we shall also be looking closer to home, at our own histories, and I use the plural intentionally; at the rising rebels in the old Celtic countries, at the redefinition of New National Britain’s borders, and at our absolute ruler himself, George Milton, who thus far has used all his electoral power to claw hold of democratic immunity, whose Party has long since been a change-hand, change-face game of musical chairs with the same policies and people from one party to the next. This brings me to my former point of why I invited you here: because I believe that you three are the smartest, the most open, the most questioning, and that you will benefit most from hearing things from an alternative viewpoint—not always my own, and not always comfortable—that the three of you may one day take what you have learned here and remember it when the world darkens, and this country truly forgets that which it once was.’ There was a deep silence. Even Arthur, who was used to Marvin’s tangential speeches, was momentarily confounded, and in the quiet that followed he observed Bedivere to see what he thought of this side to their teacher. His eyes then slipped to Morgan, and he was surprised to find that she was transfixed. ‘But I must stress to all of you, it is my job at risk in doing this, my life at stake. So when you speak of this, speak only amongst yourselves, and tell no one what it is we discuss here. Understood?’ There was a series of dumbstruck nods of consent. Bedivere cleared his throat with a small cough. ‘And here I thought this was just going to be an extra-curricular history club,’ he joked.

Did you ever play that game as a child—the one where there's a circle of chairs, and when the music stops playing you have to find a chair to sit in? But there's never enough chairs for everyone, so one person is always left without a seat in the circle and then tossed out of the game. That's how I feel, as if I missed my chance at a chair and now I've been tossed out of the game.

Did you ever play that game as a child- the one where there's a circle of chairs, and when music stops playing you have to find a chair to sit in? But there's never enough chairs for everyone, so one person is always left without a seat in the circle and then tossed out of the game. That's how I feel, as if I missed my chance at a chair and now I've been tossed out of the game.

Her feet shifted underneath her. “I’m not sure what troubles you.” The wolf prowled, though he sat in a great chair. His uneasiness made her skin tight and her heart race. Hakan was a handsome man, very appealing to all of the fairer sex tonight with his black jerkin stretched across broad shoulders. He had shaved for the Glima festival, and his blonde hair, lighter from summer, loosened from the leather tie. “Many thoughts trouble me tonight, but Astrid’s not one of them.” In the dim light of the longhouse, his white teeth gleamed against his tanned face. “Does your head ail you?” She clasped her hands together, comfortable with the role of nurturing thrall. “Nay, but ‘twould please me if you sat close to me and played your harp.” “Music would be pleasant.” Skittish and studying him under the veil of her lashes, Helena retrieved her harp. She sat cross-legged on a pelt near his chair. ‘Twas easy to strum a soothing song and lose herself in the delicate notes her fingers plucked. But when the last note faded, the restless wolf stirred on his throne, unpacified. “Why did you play that game with Astrid? Letting her think more goes on between us?” Ice-blue eyes pinned her, yet, ‘twas his voice, dangerous and soft, that did things to her. “I…I don’t know.” Her own voice faltered as warmth flushed her skin. Glowing embers molded his face with dim light. Hakan leaned forward, resting both elbows on his knees. His sinewy hand plucked the harp from her, placing it on the ground. “Why?” Hakan’s fingertips tilted her chin.

Well do I remember the first night we met, how you questioned my opinion that first impressions are perfect. You were right to do so, of course, but even then I suspected what I’ve come to believe most passionately these past weeks: from that first moment, I knew you were a dangerous woman, and I was in great peril of falling in love.” She thought she should say something witty here. She said, “Really?” “I know it seems absurd. At first, you and I were the last match possible. I cannot name the moment when my feelings altered. I recall a stab of pain the afternoon we played croquet, seeing you with Captain East, wishing like a jealous fool that I could be the man you would laugh with. Seeing you tonight…how you look…your eyes…my wits are scattered by your beauty and I cannot hide my feelings any longer. I feel little hope that you have come to feel as I do now, but hope I must.” He placed his gloved hand on top of hers, as he had in the park her second day. It seemed years ago. “You alone have the power to save me this suffering. I desire nothing more than to call you Jane and be the man always by your side.” His voice was dry, cracking with earnestness. “Please tell me if I have any hope.” After a few moments of silence, he popped back out of his chair again. His imitation of a lovesick man in agony was very well done and quite appealing. Jane was mermerized. Mr. Nobley began to test the length of the room again. When his pacing reached a climax, he stopped to stare at her with clenched desperation. “Your reserve is a knife. Can you not tell me, Miss Erstwhile, if you love me in return?” Oh, perfect, perfect moment. But even as her heart pounded, she felt a sense of loss, sand so fine she couldn’t keep it from pouring through her fingers. Mr. Nobley was perfect, but he was just a game. It all was. Even Martin’s meaningless kisses were preferable to the phony perfection. She was craving anything real--bad smells and stupid men, missed trains and tedious jobs. But she remembered that mixed up in the ugly parts of reality were also those true moments of grace--peaches in September, honest laughter, perfect light. Real men. She was ready to embrace it now. She was in control. Things were going to be good. She stared at the hallway and thought of Martin. He’d been the first real man in a long time who’d made her feel pretty again, whom she’d allowed herself to fall for. And not the Jane-patended-oft-failed-all-or-nothing-heartbreak-love, but just the sky-blue-lean-back-happy-calm-giddy-infatuation. She looked at Mr. Nobley and back at the hallway, feeling like a pillow pulled in two, her stuffing coming out. “I don’t know. I want to, I really do…” She was replaying his proposal in her mind--the emotion behind it had felt skin-tingling real, but the words had sounded scripted, secondhand, previously worn. He was so delicious, the way he looked at her, the fun of their conversations, the simple rapture of the touch of his hand. But…but he was an actor. She would have liked to play into this moment, to live it wholeheartedly in order to put it behind her. An unease stopped her. The silence stretched, and she could hear him shift his feet. The lower tones of the dancing music trembled through the walls, muffled and sad, stripped of vigor and all high prancing notes. Surreal, Jane thought. That’s what you call this.

Just have coffee with me. With an old friend.” He wanted to say no, but the past had too strong a pull. He nodded, afraid to speak. They drove in silence to Starbucks and ordered their complicated coffees from an artist-wannabe barista with more attitude than the guy who works at the local record store. They added whatever condiments at the little stand, playing a game of Twister by reaching across one another for the nonfat milk or Equal. They sat down in metal chairs with too-low backs. The sound system was playing reggae music, a CD entitled Jamaican Me Crazy. Emily

The Halifax-Bank of Scotland merger brought to an end the greatest wave of consolidation in British banking history, wholly reshaping the industry in just a few years. It had begun with NatWest bidding for Legal & General; that caused the Bank of Scotland to make a surprise hostile bid for NatWest which it lost to Royal Bank of Scotland. In the meantime Lloyds bid for Abbey National which then approached Bank of Scotland – which merged with Halifax. It seemed like a great game of musical chairs, with Lloyds, which had earlier lost Midland to HSBC, the one left out.

In that huge game of musical chairs, I turned round one day and found I had no place to sit. At a loss, I became a Goth—it was where people who had nowhere else to go ended up.

That was war for you, like a game of musical chairs where seats kept disappearing until only one was left, and people rarely stopped to ask who the hell was in charge of the music. Mari released Eva and crossed her arms.

The Spanish economic system is like a game of musical chairs, in which there are only half as many seats as there are performers.

Thomas Edison was able to create these moments on demand by falling asleep in a chair with a spoon in his hand and a pan at his feet. When he would start to doze off, the spoon would fall from his hand onto the pan and wake him up. At those moments he would get his great ideas.

So many young artists get the impression that bigger is always better when it comes to record companies, booking agencies, and managers. This is true only to the degree that they believe in you, only when you have at least one important person that goes to bat for you every day. One of the problems with any music business entity is that there is always an internal game of musical chairs going on. There is a very good possibility that the person or persons that believe in you will be fired or move on to greener pastures, leaving you to the mercy of those who are not so impressed with you. I’ve had that happen to me a couple of times. It can really take the wind out of your sails for a while. But you just have to batten down the hatches and deal with it. More than likely if the new regime doesn’t believe in you, it’ll be willing to suspend any contracts and let you go anyway. If you’re in it for the long run, just pick up the pieces and move along.

A so-called Len Bias case is based in federal law. Under that law, a person who supplies drugs that cause a fatal overdose may be charged with a conspiracy that results in death—a charge that carries a twenty-year prison sentence. Cops have to prove the person died from the suspect’s drugs; a chain of custody has to be established. But if they can do that, they have a powerful prosecutorial tool and one that was getting a closer look in many parts of the country as the opiate epidemic and fatal drug overdoses spread across the nation. One place that refined the strategy was Portland, Oregon. The benefit prosecutors see in Len Bias is that it allows investigators to work up a chain of drug distribution. To save himself from a Len Bias prosecution, a dealer needs to flip, and quickly, burning the dealer one link above him in the chain, hoping for leniency at sentencing time. The last man detectives can trace the drugs to faces the twenty years if convicted—a fateful game of musical chairs.

They were married though they needn’t have married, and though both had sworn they never would be. It is hard to explain—in that game of musical chairs—why they should have stopped, finally, at each other. Kindness, as a quality, had something to do with it. Many things were easy to find on those dance floors, but kindness was rare. Her husband was kinder than any man Leah Hanwell had ever known, aside from her father. And then of course they had been surprised by their own conventionality.

The sounds of piano music and feminine voices drifted from one of the upper floors. Perhaps he was mistaken, but Devon thought he could hear a distinctly masculine tone filtering through the conversation. Noticing a housemaid cleaning the stair rails of the grand staircase with a banister brush, he asked, “Where is that noise coming from?” “The family is taking their afternoon tea in the upstairs parlor, milord.” Devon began to ascend the staircase with measured footsteps. By the time he reached the parlor, he had no doubt that the voice belonged to his incorrigible brother. “Devon,” West exclaimed with a grin as he entered the room. “Look at the charming little bevy of cousins I’ve discovered.” He was sitting in a chair beside a game table, pouring a hefty splash of spirits from his flask into a cup of tea. The twins hovered around him, busily constructing a dissected map puzzle. Sliding a speculative glance over his brother, West remarked, “You look as though you’d been pulled backward through the hedgerow.” “You shouldn’t be in here,” Devon told him. He turned to the room in general. “Has anyone been corrupted or defiled?” “Since the age of twelve,” West replied. “I wasn’t asking you, I was asking the girls.” “Not yet,” Cassandra said cheerfully. “Drat,” Pandora exclaimed, examining a handful of puzzle pieces, “I can’t find Luton.” “Don’t concern yourself with it,” West told her. “We can leave out Luton entirely, and England will be none the worse for it. In fact, it’s an improvement.

Paris skyscape. Paris was ‘less disposed than ever’ to be a centre for the sciences, Humboldt wrote to a friend in Geneva, as the funds for laboratories, research and teaching were slashed. The spirit of enquiry was stifled as scientists found themselves having to curry favours from the new king. The savants had become ‘pliant tools’ in the hands of politicians and princes, Humboldt told Charles Lyell in 1823, and even the great George Cuvier had sacrificed his genius as a naturalist for a new quest for ‘ribbons, crosses, titles and Court favours’. There was so much political wrangling in Paris that governmental positions seemed to change as quickly as in a game of musical chairs. Every man he met now, Humboldt said, was either a minister or an ex-minister. ‘They are scattered thick as the leaves in autumn,’ he told Lyell, ‘and before one set have time to rot away, they are covered by another and another.

are important sources of emotional, creative and spiritual nourishment for me. It seems there is never enough space at our kitchen table; the children need a surface to draw on, between the flowers and fruit bowls, and sometimes it feels like a game of musical chairs to seat everyone

sometimes it feels like a game of musical chairs to seat everyone for meals. It gets noisy too. Cheka giggles all the way through her three helpings of food, while Francis forsakes his meal because he is so busy entertaining her. It is a joy to bake after

the children need a surface to draw on, between the flowers and fruit bowls, and sometimes it feels like a game of musical chairs to seat everyone for meals. It gets noisy too. Cheka

between the flowers and fruit bowls, and sometimes it feels like a game of musical chairs to seat everyone for meals. It gets noisy too. Cheka giggles all the way through her three helpings of food, while Francis forsakes his meal because he is so busy entertaining her. It is a joy to bake

as in musical chairs when there’s one fewer seat than there are humans who need it, but so long as the music plays the number of seats is immaterial and everyone is still in the game. You have to not stop. You have to keep moving. You have this glorious orbit and when you’re orbiting you’re impact-proof and nothing can touch you. When the planet is galloping through space and you gallop after it through light and dark with your time-drunk brain, nothing can end. There could be no end, there can be only circles.