Museums Should Not Be Free Quotes

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My contract had specified only that I 'should undertake work upon the fossil Arthropoda,' which left me free to roam through hundreds of millions of years. It might as well have said: 'Amuse yourself--for money.
Richard Fortey (Dry Store Room No. 1: The Secret Life of the Natural History Museum)
I'm no pessimist. I don't loathe art because I couldn't live without devoting all my time to it. I love it as the only end of my life. Everything I do connected with it gives me intense pleasure. But still, I don't see why the whole world should be taken up with art, demand its credentials, and on that subject give free rein to its own stupidity. Museums are just a lot of lies, and the people who make art their business are mostly imposters.' -Picasso
Ingo F. Walther (Pablo Picasso 1881-1973: Genius of the Century)
Someone stop them!” I yell. No one does. I think about Porter surrounded by people that horrible day on the beach years ago, when no one would help him save his dad from the shark. If strangers won’t help when someone is dying, they’re definitely not going to stop two kids from running out of a museum. Pulse swishing in my temples, I race around the information booth, pumping my arms, and watch them split up again. Polo is heading for the easy way out: the main exit, where there’s (1) only a set of doors to go through, and (2) Hector, the laziest employee on staff. But Backpack is headed for the ticketing booth and the connecting turnstiles. Freddy should be there, but no one’s entering the museum, so he’s instead chatting it up with Hector. The turnstiles are unmanned. Like a pro hustler who’s never paid a subway fare, Backpack hurdles over the turnstiles in one leap. Impressive. Or it would have been, had his backpack not slipped off his shoulder and the strap not caught on one of the turnstile arms. While he struggles to free it, I take the easier route and make for the wheelchair access gate. I unhitch the latch. He frees the strap. I slip through the gate, and just as he’s turning to run, I lurch forward and— I jump on his back. We hit the ground together. The air whooshes out of my lungs and my knee slams into tile. He cries out. I don’t. I freaking got him.
Jenn Bennett (Alex, Approximately)
the streets. So now everyone is afraid of it. Petr GINZ Today it’s clear to everyone who is a Jew and who’s an Aryan, because you’ll know Jews near and far by their black and yellow star. And Jews who are so demarcated must live according to the rules dictated: Always, after eight o’clock, be at home and click the lock; work only labouring with pick or hoe, and do not listen to the radio. You’re not allowed to own a mutt; barbers can’t give your hair a cut; a female Jew who once was rich can’t have a dog, even a bitch, she cannot send her kids to school must shop from three to five since that’s the rule. She can’t have bracelets, garlic, wine, or go to the theatre, out to dine; she can’t have cars or a gramophone, fur coats or skis or a telephone; she can’t eat onions, pork, or cheese, have instruments, or matrices; she cannot own a clarinet or keep a canary for a pet, rent bicycles or barometers, have woollen socks or warm sweaters. And especially the outcast Jew must give up all habits he knew: he can’t buy clothes, can’t buy a shoe, since dressing well is not his due; he can’t have poultry, shaving soap, or jam or anything to smoke; can’t get a license, buy some gin, read magazines, a news bulletin, buy sweets or a machine to sew; to fields or shops he cannot go even to buy a single pair of winter woollen underwear, or a sardine or a ripe pear. And if this list is not complete there’s more, so you should be discreet; don’t buy a thing; accept defeat. Walk everywhere you want to go in rain or sleet or hail or snow. Don’t leave your house, don’t push a pram, don’t take a bus or train or tram; you’re not allowed on a fast train; don’t hail a taxi, or complain; no matter how thirsty you are you must not enter any bar; the riverbank is not for you, or a museum or park or zoo or swimming pool or stadium or post office or department store, or church, casino, or cathedral or any public urinal. And you be careful not to use main streets, and keep off avenues! And if you want to breathe some air go to God’s garden and walk there among the graves in the cemetery because no park to you is free. And if you are a clever Jew you’ll close off bank accounts and you will give up other habits too like meeting Aryans you knew. He used to be allowed a swag, suitcase, rucksack, or carpetbag. Now he has lost even those rights but every Jew lowers his sights and follows all the rules he’s got and doesn’t care one little jot.
Petr Ginz (The Diary of Petr Ginz, 1941–1942)
The plastic world has colonized us. When we climb into the car, airplane, board ships, when we purchase contemporary cuisines, get involved in the television world, from the studio and materials up the image of the world, we enter the world of artificial chemical universes, those of the cinema and their advertisements, of what we should buy and acquire. It is like this with the café-bars and discos, in other words the pleasure of children, and the same with the food that we consume, and the hospitals and schools, the hotels, all chemicals, a substitute. The ventilation of hotels without windows, the doors without keys, similarly the walls and doors and beds and baths, the water, the carpet and the floors. Everything a sham, paradises for allergies. One can say the same of the tones and music, and the attack on clothing cannot be overlooked, as well as the attitude of men resulting from it. The computers are made of this material and therewith our thought, our memory, the simulation of life. And thus life in genetic research begins and ends as a plastic creation and plastic death. Already the announcement has come to us that the museum bring the entire program closer to us on video screens, enlarged, interpreted, free and democratic and individually accessible. We will live in Leonardo’s world. The ground is prepared, now begins the attack on the blood. Much strength will be necessary to survive it.
Hans-Jürgen Syberberg
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Separate vacations have become more popular among married couples. We don’t think this is a good idea. Over time, doing your own thing will cause you to lead separate lives. We are not talking about a three-day trip to Florida with your sister or best friend—if you want to take small trips like this, feel free to. But if you want to take a major vacation—say, to spend two weeks in Europe—your husband should be your travel companion. But suppose your idea of a fun vacation is going to Europe or lying on the beach in the Caribbean, while your husband loves tours of historic sites and museums. Our advice is to figure out a way to do a little of both. One year, you can go to the beach, the next year you can do a tourist package together, or go on a trip with a beach near some sites of cultural interest. Once you start planning separate vacations, you become like roommates, not lovers.
Ellen Fein (The Rules(TM) for Marriage: Time-tested Secrets for Making Your Marriage Work)
Staten Island      Best for: Views of Manhattan from the ferry      What you won’t find: Notable museums, nightlife, hotels, theaters, truly great restaurants, interesting architecture      And I’ll again be blunt: Except for the fun and free ferry ride here, there’s no reason a tourist should visit here. Yes, there are a handful of cultural and historic sites, but none that justify the commute.
Pauline Frommer (Frommer's EasyGuide to New York City 2014 (Easy Guides))