Museum Lover Quotes

You have to walk carefully in the beginning of love; the running across fields into your lover's arms can only come later when you're sure they won't laugh if you trip.

In the coming days and weeks, Laila would scramble frantically to commit it all to memory, what happened next. Like an art lover running out of a burning museum, she would grab whatever she could--a look, a whisper, a moan--to salvage from perishing to preserve. But time is the most unforgiving of fires, and she couldn't, in the end, save it all.

When two people love each other as we do, no one can come between them, no one," I said, amazed at the words I was uttering without preparation. "Lovers like us, because they know that nothing can destroy their love, even on the worst days, even when they are heedlessly hurting each other in the cruelest , most deceitful ways, still carry in their hearts a consolation that never abandons them." (p.191)

Like an art lover running out of a burning museum, she would grab whatever she could - a look, a whisper, a moan- to salvage from perishing, to preserve. But time is the most unforgiving of fires, and she couldn't, in the end, save it all.

I will help build your museum When you run out of space to hang your work You can hang your work in mine

where there are books, there will always be haters of books alongside the lovers of them.

This is what great masterpieces must feel like on museum walls—like sighing, like climbing out of their rigidly stretched frames, and falling, boneless, into a lover’s glance.

A crowd of drunken lovers. Newspaper hats, new couples falling from couches and love- seats—the pleasure remembered, never the regret.

He was determined to be delicate with the girl so as not to frighten her. “Are you a whore?” he asked.

Lust was a story I knew. There were many women I took to bed for the night. I yearned for them in the moment, but in the morning, any lover I'd had was already claimed by the past, even if she was still calling my name.

The Museum Two lovers went to the museum and wandered the rooms. He saw a painting and stood in front of it for too long. It was a few minutes before she realized he had gotten stuck. He was stuck looking at a painting. She stood next to him, looking at his face and then the face in the painting. What do you see? she asked. I don't know, he said. He didn't know. She was disappointed, then bored. He was looking at a face and she was looking at her watch. This is where everything changed. There was now a distance between them. He was looking at a face but it might as well have been a cabbage or a sugar beet. Perhaps it was something about yellow near pink. He didn't know how to say it. Years later he still didn't know how to say it, and she was gone.

Well, Inspector, it’s not every day you see a chick in a wedding dress bathed in tears and throwing back pints like an Englishman.

He was determined to be delicate with the girl so as not to frighten her.

I told you, Inspector, that place is enchanted. It’s not just me saying it. Everyone knows that strange things happen in there.

We saw diamonds dripping down the windows, and there was music like a waterfall.

One of the policemen took off his cap and put it over the offensive member, but that did not conceal it completely.

I’m certain that there was something vibrating in the air, like a murmur, like the river of words we say without thinking

a short-legged, mustachioed ape.

I’m a Leo because I was born in August. It’s a fire sign; that’s why I’m passionate and I fall in love without thinking.

The press, busy with the scandal at the Vatican, soon forgot the lovers.

More like butterflies, I would say. We fluttered through the galleries and breezed in and out of the paintings, and we drank the colors and got lost in the labyrinth and danced with the sculptures; then we landed.

American Arithmetic (excerpt) We are Americans, and we are less than 1 percent of Americans. We do a better job of dying by police than we do existing. --- At the National Museum of the American Indian, 68 percent of the collection is from the United States. I am doing my best to not become a museum of myself. I am doing my best to breathe in and out. I am begging: Let me be lonely but not invisible. But in an American room of one hundred people, I am Native American—less than one, less than whole—I am less than myself. Only a fraction of a body, let’s say, I am only a hand- and when I slip it beneath the shirt of my lover I disappear completely.

It was election time, there were terrorist threats, and the National Health System was on strike. The authorities had no time to waste with a couple in love. And the Guggenheim was just a museum, after all. Who cared about art?

After considering several possibilities, the astute detective determined that the lovers must’ve walked into the Guggenheim at the precise instant in which the museum entered the dimension of dreams, and they unwittingly fell into a time that is not marked by clocks.

However, in a later interview, housed in the archives of the Imperial War Museum, London, Beesly was less judicious. “As an Englishman and a lover of the Royal Navy,” he said, “I would prefer to attribute this failure to negligence, even gross negligence, rather [than] to a conspiracy deliberately to endanger the ship.” But, he said, “on the basis of the considerable volume of information which is now available, I am reluctantly compelled to state that on balance, the most likely explanation is that there was indeed a plot, however imperfect, to endanger the Lusitania in order to involve the United States in the war.” So much was done for the Orion and other warships, he wrote, but nothing for the Lusitania. He struggled with this. No matter how he arranged the evidence, he came back to conspiracy. He said, “If that’s unacceptable, will someone tell me another explanation to these very very curious circumstances?

The point is that I fell in love, to my bones. That’s how it was. I swear. Her face was swollen, her makeup was a mess, she looked like a clown, but those green eyes, like Cleopatra’s, pierced right through my heart. I’m telling you, Inspector, nothing like that had ever happened to me. I felt a brutal electric shock, like sticking a finger in a socket.

Poets may be the “unacknowledged legislators” but I don’t know if we’re that important. My fear overwhelms me at times; I gave you my fear, a withered gift. You are the true poet of the family. You gave me the cry of a baby in its mother’s arms, cotton candy at the circus, John Cage exhibits at the museum, lying under the light of the full moon. You gave me Fellini films and old Romances, a glass of Burgandy in a darkened restaurant where lovers cling to hope of passion and contentment. You gave me hope and love, but most of all, you gave me poetry.

Cajole, v. I didn`t understand how someone from a competently landlocked state could be so terrified of sharks. Even in the aquarium, I had to do everything to get you come close to the tank. Then,, in the Natural History Museum, I couldn`t stay quiet any longer. “It`s not alive,” I said. “It can`t hurt you.” But you held back, and I was compelled to push you into the glass. What did it matter to me? Did I think that by making you rational about one thing could make you rational about everything? Maybe. Or maybe I just wanted to save you from your fears.

There is a section of the museum (of memory and human rights) that I like the best...Guides describe it as the heart of the museum. From an observation platform surrounded by candles, which aren't actually candles but little bulbs, more than a thousand photographs of many of the regime's victims are visible, hung high op on one wall. The photographs were donated by the victims' families, so we see them at home, at celebrations, at the beach, smiling at teh camera the way we all do when we want to leave a record of ourselves at our best. There are beautiful women who look like movie stars, who must have fixed themselves up flirtatiously, thinking they'll give the photo to a boyfriend, a lover.

Having become—with the passage of time—the anthropologist of my own experience, I have no wish to disparage those obsessive souls who bring back crockery, artifacts, and utensils from distant lands and put them on display for us, the better to understand the lives of others and our own. Nevertheless, I would caution against paying too much attention to the objects and relics of “first love,” for these might distract the viewer from the depth of compassion and gratitude that now arose between us. So it is precisely to illustrate the solicitude in the caresses that my eighteen-year-old lover bestowed upon my thirty-year-old skin as we lay quietly in this room in each other’s arms, that I have chosen to exhibit this floral batiste handkerchief, which she had folded so carefully and put in her bag that day but never removed. Let this crystal inkwell and pen set belonging to my mother that Füsun toyed with that afternoon, noticing it on the table while she was smoking a cigarette, be a relic of the refinement and the fragile tenderness we felt for each other. Let this belt whose oversize buckles that I had seized and fastened with a masculine arrogance that I felt so guilty for afterwards bear witness to our melancholy as we covered our nakedness and cast our eyes about the filth of the world once again.

HEART ACTION Plan a tea party to gather together some old or new friends. Even having just one person over for a cup of tea and good conversation will create a time of hospitality and connection. Make it simple so that you enjoy it and can focus on sharing your heart with your guests. A TEA PARTY HAS ITS OWN MANNERS Serving tea is a wonderful excuse for sharpening etiquette around the table. Mothers can use this time to teach their young daughters about the importance of learning and practicing good manners. • The server of teas and all liquids will serve from the right. The person being served will hold their cups in the left hand. You may adjust this if the person receiving is left-handed. • To prevent from getting lipstick on your teacup, blot your lipstick before you sit down at the serving table. • Scones and crumpets should be eaten in small bite-sized pieces. If butter, jam, or cream is used, add them to each piece as it is eaten. • Good manners will dictate proper conversation. The goodies are theatre, museums, fine arts, music, movies, literature, and travel. The baddies are politics, religion, aches and pains, deaths, and negative discussion. Keep the conversation upbeat. • A knife and fork are usually used with open-faced sandwiches and cakes with icing. • Milk or cream is always added after the tea is poured.

There lies a paradox for a dedicated lover of art such as David or me: we devote a great deal of time and energy in the pursuit of art, diligently visiting museums, galleries, churches, mosques, temples and ruins where it is to be found. But of course much of what we look at was made for completely different reasons by pious Buddhists, Christians, Hindus and Moslems.

In my fantasy, I always strangled them as they slept. I don’t know why, but it seemed the most humane way. I knew from my earliest sexual awakenings that I was gay. I was always attracted to men and never really questioned why. I just accepted the fact that I liked men and not women. I was raised Lutheran, and I knew the faith frowned on gays. I saw that openly gay people could have a tough time of it, so I decided to keep this my little secret. This wasn’t hard, since I kept most thoughts to myself. “I don’t know why, but my fantasies always included cutting into the dead bodies of my lovers. I sliced their torso from chin to crotch and pulled out their inner viscera, laying it on their chest. The thought of the warm inner cavity excited me tremendously, and I masturbated thinking about it. The orgasm was always pleasurable and intense. I’m not sure, but I think this was an extension of something I got involved in as a kid. When I was lonely or when my mom and dad fought, I walked the country roads by my house in Bath. I noticed that occasionally there were dead animals along the roadside, hit by cars. I was interested in what they looked like on the inside. At first, I brought them home and cut them up, examining their insides, not telling anyone. But the more interested I became, the less pleasure I got from just cutting into them. “The inner workings of these creatures fascinated me and I wanted to preserve their bones. I remember that I talked to Dad about my interest. I told him that I would like to preserve the bones in some way for future study. Dad was a chemist and knew all about chemicals that could clean off the dead skin. I wanted to sterilize the bones so they could be handled safely. I actually think he was proud of my interest. He helped me by providing various solutions, and even helped me build a little cemetery along the side of our garage to bury my experiments after I was finished studying them. This phase of finding dead animals along the road lasted until I was about fourteen. I actually had the complete set of bones from a large dog I found dead along the side of the road. It was a beagle, and I severed all the flesh from its body, cleaned and polished the bones with various solutions, and reassembled the animal on a large piece of wood. It was just like something in a museum.

Still, the melancholy of this dying culture was all around us. Great as the desire to westernize and modernize may have been, the more desperate wish was probably to be rid of all the bitter memories of the fallen empire, rather as a spurned lover throws away his lost beloved’s clothes, possessions, and photographs. But as nothing, western or local, came to fill the void, the great drive to westernize amounted mostly to the erasure of the past; the effect on culture was reductive and stunting, leading families like mine, otherwise glad of republican progress, to furnish their houses like museums.

Still, the melancholy of this dying culture was all around us. Great as the desire to westernize and modernize may have been, the more desperate wish was probably to be rid of all the bitter memories of the fallen empire, rather as a spurned lover throws away his lost beloved's clothes, possessions, and photographs. But as nothing, western or local, came to fill the void, the great drive to westernize amounted mostly to the erasure of the past; the effect on culture was reductive and stunting, leading families like mine, otherwise glad of republican progress, to furnish their houses like museums.

Those millions of other people are—are our family. And the museums, and the galleries, and the High Line, skating at Rockefeller Center—the Broadway shows? You’re fine just giving all that up?” Giving me up.

I want to take our museum bodies and turn them into art galleries to show us how lovely we are. I want to dust off the fingerprints of old lovers, take down the signs that name our bodies ancient history, turn every wounded object inside us into something that can still be looked at and seen as beautiful, not an object from an era we are glad we are not living through any more. I want us to love ourselves like we love art. I want whole gallery walls dedicated to our soft hearts, vermilion and crimson and indigo across canvas after canvas framed in gold. I want sculptures made from the tears we cried over losing everything. I want our skins to be a celebration: The texture is what makes this art, all these lines and blemishes and spots that show the artist's love. I don't want us to look at ourselves as forgotten things we hate any more. I want us to look at ourselves and see art.

So can we arrive at a general principle as to why e-books have flopped in developed markets while audio and video streaming have triumphed? The technology commentator and best-selling author Edward Tenner argues that there are several reasons people are sometimes reluctant to abandon an old technology in favor of a new one. The first involves the potential vulnerabilities of the new thing. For instance, the fax machine is now a museum piece, but for a while people continued to prefer it over emailing scanned documents out of security concerns. Another potential reason involves aesthetics and nostalgia. Although dwarfed by music CDs and streaming, vinyl record sales continue to grow within the niche market of music aficionados. And despite improvements in automatic transmissions, certain car lovers prefer stick shifts. Perhaps the key to understanding format resilience is that technologies rise and fall as part of ecosystems, rarely on their own or by themselves. Those ecosystems need to evolve quickly, through open innovation, in order to appeal to new generations of users, transforming the landscape in the process. E-book platforms have remained fundamentally closed to external innovators, especially on the software side. As a result, the functionality of e-books remains limited. Moreover, research indicates that reading a physical book enables the reader to absorb information more efficiently than reading the same book on an e-reader or a tablet. “The implicit feel of where you are in a physical book turns out to be more important than we realized,” argues Abigail Sellen, a scientist and engineer at Microsoft Research Cambridge in England. “Only when you get an e-book do you start to miss it. I don’t think e-book manufacturers have thought enough about how you might visualize where you are in a book.

That night in her office back at the museum, she’d made a tongue-in-cheek wish for a sexy Highlander to sweep her off her feet. She’d gotten her wish and then some. She’d gotten a treasured friend, a passionate lover, and best of all, a wonderful father to her child—their child. She had her heart’s desire. Everything was perfect.

Separate vacations have become more popular among married couples. We don’t think this is a good idea. Over time, doing your own thing will cause you to lead separate lives. We are not talking about a three-day trip to Florida with your sister or best friend—if you want to take small trips like this, feel free to. But if you want to take a major vacation—say, to spend two weeks in Europe—your husband should be your travel companion. But suppose your idea of a fun vacation is going to Europe or lying on the beach in the Caribbean, while your husband loves tours of historic sites and museums. Our advice is to figure out a way to do a little of both. One year, you can go to the beach, the next year you can do a tourist package together, or go on a trip with a beach near some sites of cultural interest. Once you start planning separate vacations, you become like roommates, not lovers.

There are some works by Camille Claudel, his student and lover and sculptor in her own right, and she has her own museum, but it’s rather unknown and located in the suburbs, where few tourists venture. Le Musée de la Vie Romantique, a museum connected to the life of George Sand, is a bit off the beaten track.

During this wait too I retreat into my shell. I’m alone with sounds and sights, with my private questions marks and exclamation marks. It’s as though a huge deserted warehouse had opened its doors to me or I’d become my own museum and its only visitor after the guards have gone home to sleep and locked me in. I find fault with my acts, or the fewness of them, or the total lack of them, or their total ineffectiveness. I confront my faults like a courageous hero of the stage or make up hypocritical excuses for myself like any coward. I become a severe judge who refuses to accept the argument of the self, lovers, or relatives, and, in the same instant, I become the conniving, bribable judge who flees difficulties in favor of peace of mind. I open my small eyes to the ‘intellectual’s diseases’ that have taken root in my body. I say to myself, I’m just a poet.” (I Was Born There, I Was Born Here)

His book For Whom the Bell Tolls was an instant success in the summer of 1940, and afforded him the means to live in style at his villa outside of Havana with his new wife Mary Welsh, whom he married in 1946. It was during this period that he started getting headaches and gaining weight, frequently becoming depressed. Being able to shake off his problems, he wrote a series of books on the Land, Air and Sea, and later wrote The Old Man and the Sea for which he won the Pulitzer Prize in May 1954. Hemingway on a trip to Africa where he barely survived two successive airplane crashes. Returning to Cuba, Ernest worked reshaping the recovered work and wrote his memoir, A Moveable Feast. He also finished True at First Light and The Garden of Eden. Being security conscious, he stored his works in a safe deposit box at a bank in Havana. His home Finca Vigía had become a hub for friends and even visiting tourists. It was reliably disclosed to me that he frequently enjoyed swinger’s parties and orgies at his Cuban home. In Spain after divorcing Frank Sinatra Hemingway introduced Ava Gardner to many of the bullfighters he knew and in a free for all, she seduced many of hotter ones. After Ava Gardner’s affair with the famous Spanish bullfighter Luis Miguel Dominguín crashed, she came to Cuba and stayed at Finca Vigía, where she had what was termed to be a poignant relationship with Ernest. Ava Gardner swam nude in the pool, located down the slope from the Hemingway house, after which he told his staff that the water was not to be emptied. An intimate friendship grew between Hemingway’s forth and second wife, Mary and Pauline. Pauline often came to Finca Vigia, in the early 1950s, and likewise Mary made the crossing of the Florida Straits, back to Key West several times. The ex-wife and the current wife enjoyed gossiping about their prior husbands and lovers and had choice words regarding Ernest. In 1959, Hemingway was in Cuba during the revolution, and was delighted that Batista, who owned the nearby property, that later became the location of the dismal Pan Americana Housing Development, was overthrown. He shared the love of fishing with Fidel Castro and remained on good terms with him. Reading the tea leaves, he decided to leave Cuba after hearing that Fidel wanted to nationalize the properties owned by Americans and other foreign nationals. In the summer of 1960, while working on a manuscript for Life magazine, Hemingway developed dementia becoming disorganized and confused. His eyesight had been failing and he became despondent and depressed. On July 25, 1960, he and his wife Mary left Cuba for the last time. He never retrieved his books or the manuscripts that he left in the bank vault. Following the Bay of Pigs Invasion, the Cuban government took ownership of his home and the works he left behind, including an estimated 5,000 books from his personal library. After years of neglect, his home, which was designed by the Spanish architect Miguel Pascual y Baguer in 1886, has now been largely restored as the Hemingway Museum. The museum, overlooking San Francisco de Paula, as well as the Straits of Florida in the distance, houses much of his work as well as his boat housed near his pool.

There are many reasons why girls should not travel alone, and I won’t list them, because none of them are original reasons. Besides, there are more reasons why girls should. I have the utmost respect for girls who travel alone, because it’s hard work sometimes. But girls, we just want adventures. We want international best friends and hold-your-breath vistas out of crappy hostel windows. We want to discover moving works of art, sometimes in museums and sometimes in side-street graffiti. We want to hear soul-restoring jam sessions at beach bonfires and to watch celestial dawns spill over villages that haven’t changed since the Middle Ages. We want to fall in love with boys with say-that-again accents. We want sore feet from stay-up-all-night dance parties at just-one-more-drink bars. We want to be on our own even as we sketch and photograph the Piazza San Marco covered in pigeons and beautiful Italian lovers intertwined so that we’ll never forget what it feels like to be twenty-three and absolutely purposeless and single, but in love with every city we visit next. We want to be struck dumb by the baritone echoes of church bells in Vatican City and the rich, heaven-bound calls to prayer in Istanbul and to know that no matter what, there just has to be some greater power or holy magic responsible for all this bursting, delirious, overwhelming beauty in the great, wide, sprawling world. I tucked my passport into my bag. Girls, we don’t just want to have fun; we want a whole lot more out of life than that.

Since they had established a household at Riverton, Beatrix had increased the size of her menagerie, and was constantly occupied with animal-related charities and concerns. She had also compiled a report for the newly established natural history society in London. For some reason it had not been at all difficult to convince the group of elderly entomologists, ornithologists, and other naturalists to include a pretty young woman in their midst. Especially when it became clear that Beatrix could talk for hours about migration patterns, plant cycles, and other matters relating to animal habitats and behavior. There was even discussion of Beatrix's joining a board to form a new natural history museum, to provide a lady's perspective on various aspects of the project.