Muse Of History Quotes

Clio, the muse of history, is as thoroughly infected with lies as a street whore with syphilis.

Disaster is my muse.

If history has taught us anything, Arthur muses, it is that men with mustaches must never achieve positions of power.

Hysteria may come as always, infernal dreams with their black haze. Still, I shall devour the days triumphantly chasing History and its stories.

Musing takes place in a kind of meadowlands of the imagination, a part of the imagination that has not yet been plowed, developed, or put to any immediately practical use. [--] [T]ime spent there is not work time, yet without that time the mind becomes sterile, dull, domesticated. The fight for free space—for wilderness and for public space—must be accompanied by a fight for free time to spend wandering in that space.

Brahma and Airavata Long ago in lands of golden sand Brahma turned to Saraswati and gently kissed her inked hand....

A weapon based on Time . . ." mused Viktor Mulciber. "Well, why not? The one force no one knows how to defeat, resist, or reverse. It kills all forms of life sooner or later. With a Time-weapon you could become the most feared person in history." "I'd rather be loved," said Root. Mulciber shrugged. "You're young.

O for a Muse of fire, that would ascend The brightest heaven of invention, A kingdom for a stage, princes to act And monarchs to behold the swelling scene! Then should the warlike Harry, like himself, Assume the port of Mars; and at his heels, Leash'd in like hounds, should famine, sword and fire Crouch for employment. But pardon, and gentles all, The flat unraised spirits that have dared On this unworthy scaffold to bring forth So great an object: can this cockpit hold The vasty fields of France? or may we cram Within this wooden O the very casques That did affright the air at Agincourt? O, pardon! since a crooked figure may Attest in little place a million; And let us, ciphers to this great accompt, On your imaginary forces work. Suppose within the girdle of these walls Are now confined two mighty monarchies, Whose high upreared and abutting fronts The perilous narrow ocean parts asunder: Piece out our imperfections with your thoughts; Into a thousand parts divide on man, And make imaginary puissance; Think when we talk of horses, that you see them Printing their proud hoofs i' the receiving earth; For 'tis your thoughts that now must deck our kings, Carry them here and there; jumping o'er times, Turning the accomplishment of many years Into an hour-glass: for the which supply, Admit me Chorus to this history; Who prologue-like your humble patience pray, Gently to hear, kindly to judge, our play.

The poets made all the words and therefore language is the archives of history, and, if we must say it, a sort of tomb of the muses. For though the origin of most of our words is forgotten, each word was at first a stroke of genius, and obtained currency because for the moment it symbolized the world to the first speaker and to the hearer. The etymologist finds the deadest word to have been once a brilliant picture. Language is fossil poetry.

Saturated Arrogance ...she rebuked those about her in darkness did she dwell a pathetic history all mortal man would tell..

Wow,” the bobcat muttered from his desk. “Your sister’s right. Your legs really are skinny.” Toni briefly thought about swiping all the cat’s crap off his desk, but that wasn’t something she’d do to anyone who wasn’t one of her siblings. But that was the beauty of being one of the Jean-Louis Parker clan . . . sometimes you didn’t have to do anything at all, because there was a sibling there to take care of it for you. “It must be hard,” Kyle mused to the bobcat. “One of the superior cats. Revered and adored throughout history as far back as the ancient Egyptians. And yet here you sit. At a desk. A common drone. Taking orders from lowly canines and bears. Do your ancestors call to you from the great beyond, hissing their disappointment to you? Do they cry out in despair at where you’ve ended up despite such a lofty bloodline? Or does your hatred spring from the feline misery of always being alone? Skulking along, wishing you had a mate or a pack or pride to call your own? But all you have is you . . . and your pathetic job as a drone? Does it break your feline heart to be so . . . average? So common? So . . . human?” Toni cringed, which helped her not laugh.

Standing beside the river, realizing that the water of earth is recycled forever, she deeply understood this: that there are two "presents." One is of the moment. The other is of a longer moment - the "moment" that includes the history and knowledge one knows. So that, she mused, if the tears shed by the mother of Isis are now part of this river then I am somehow connected to her in this longer "present" that I am able to envision and that contains both of us.

For the entire history of humanity, we have stared into fires, hypnotized by the twitch and flow of the blues and yellows. We see the stars of alien skies reflected in the coals and divine messages in the dance of the flames. Fire is magic.

If you don’t know history, you don’t know anything.” Edward Johnston

After decades of musing, have we reached the conclusion that fate is, well . . . fate? That being happens through . . . be-ing? I find that formulation illuminatingly beautiful.

For the origin of literature at Rome was closely connected with Roman overseas expansion: ‘The Muse imposed herself in warlike fashion on the fierce inhabitants of Rome,’ as one second-century BCE author described it. The beginning of empire and the beginning of literature were two sides of the same coin.

There is wisdom out there that can’t be relayed in musings or sage advice. Like the complexity of life itself, it simply won’t condense. It can only be shown in its entirety. It takes a story.

Some of the best victories in history came about when well thought-out plans went to shit.

Those that can be troubled to muse upon the meaning of life are generally disappointed when they figure it out.

This contest would not be a joke. Shae and Ayt Mada would be making history, no matter the outcome. Social progress, Kekonese-style, Shae mused. Equal opportunity to die by the blade.

Don't find a nice guy. You'd get bored, and he wouldn't know what to do with you. So... yeah, be pissed at me if you want, but you--you're one-of-a-kind..." He paused, unsure of what he was really trying to say. "So just find a guy that gets that, you know?" He rolled his eyes at the longest voicemail in history. "Or just ignore me, because it's none of my business, anyway.

And so the Dark Angel once more embeds herself in Jeremiah’s’ mind. If not for the gardener he might believe each appearance an apparition for she does not belong amongst the sombre apothecaries and their fledgling apprentices, musing on herbs as if they are already in phials and not aligned for appreciating beauty. No, such a woman - any woman for that matter - did not belong in the Physic Gardens; though with this particular woman, Jeremiah cannot discern quite where she belonged. 

Ms Rowanberg’s with you? Good, so you got her out? How is she? ” He didn’t realise that his flurry of eager questions were a definite tell, but the Lieutenant pretended not to notice. “Annoyed, sir.” The Lieutenant chuckled. “She was looking forward to taking out her anger on her captors, but I’m afraid we denied her that privilege. The five we got are not answering any calls now.” “Good,” James spat, and under his breath he added, “F*cking bastards.” He thought no one heard him, and he didn’t see the Lieutenant struggling not to grin. So he’s one of us after all, mused the Lieutenant.

Oh, glorious Art!" thus mused the enthusiastic painter, as he trod the street. "Thou art the image of the Creator's own. The innumerable forms that wander in nothingness start into being at thy beck. The dead live again. Thou recallest them to their old scenes, and givest their gray shadows the lustre of a better life, at once earthly and immortal. Thou snatchest back the fleeing moments of History. With thee, there is no Past; for at thy touch, all that is great becomes forever present; and illustrious men live through long ages in the visible performance of the very deeds which made them what they are.

The statue of Justice, symbol of the law, as she holds aloft her balance scale, is blindfolded. Justice is blind to race, creed, color – and to personal eccentricity. If there were a comparable state of Clio, the Muse of history, she would have to be presented with the blindfold lying at her feet, because the balance of her scales must be weighed with a conscious awareness of the facts and interpretations she must weigh.

Do you see it? Do you get it? Are you clear on What's going on? White women are subjugated (as human beings) even when elevated (as muses and objects of desire). Black men are infantilized intellectually (to diminish power) and aged-up physically (to increase threat). Black women are subjugated, infantilized, and aged-up, expected to selflessly carry everyone else. Immigrants and people of color are supposed to dedicate their lives to the illusion--the lottery-- of the American Dream, by actually feeding the American Machine.

Calliope, Muse of epic poetry; Clio, Muse of history; Thalia, Muse of comedy; Terpsichore, Muse of dance; Melpomene, Muse of tragedy. Clio holds a scroll to represent history, and Melpomene carries a tragedy mask.

Beauty is in the streets,” they say in Paris. We travelers know our favorites, Parisians know theirs. Jean Genet liked to stand with his friend Giacometti at the foot of rue Oberkampf, taking in its long uphill from the Marais to Belleville. Simone Weil loved walking the quays of Île Saint-Louis in her native river city. The scruffy streets of the ninth were François Truffaut’s muse and mother. As cities evolve and erupt, streets change; Parisians come and go. But the beauty remains.

Plato calls her ‘the tenth Muse’; Strabo ‘a marvel’, and adds ‘In all the centuries since history began we know of no woman who could be said with any approach to truth to have rivalled her as a poet.’ To us, of all the ancient Greek poets, she stands supreme ...

The heroic and often tragic stories of American whalemen were renowned. They sailed the world’s oceans and brought back tales filled with bravery, perseverance, endurance, and survival. They mutinied, murdered, rioted, deserted, drank, sang, spun yarns, scrimshawed, and recorded their musings and observations in journals and letters. They survived boredom, backbreaking work, tempestuous seas, floggings, pirates, putrid food, and unimaginable cold. Enemies preyed on them in times of war, and competitors envied them in times of peace. Many whalemen died from violent encounters with whales and from terrible miscalculations about the unforgiving nature of nature itself. And through it all, whalemen, those “iron men in wooden boats” created a legacy of dramatic, poignant, and at times horrific stories that can still stir our emotions and animate the most primal part of our imaginations. “To produce a mighty book, you must choose a mighty theme,” proclaimed Herman Melville, and the epic story of whaling is one of the mightiest themes in American history.

History is not what happened but what you are told has happened, irrespective of what is true.

If you don’t have a history, then you can’t have a future.

Justice will be found, said Plato, when everyone does their own job, and minds their own business

Out of them all, Socrates is the hardest to deconstruct... Indeed, he may just be indeconstructible.

Her life was expected to be as anonymous as the era's needlework.

I write because… I write because I love the art and the magic of Literature. I write because it keeps me safe, sane, and connected to you. I write because it takes me to the places I want to go and those who wish to join me in the journey; may grasp my hand and my heart; in this stroll through this moment of time. I write because when no one was there, the word was there: The word has always been and always will be the preeminent being in my universe. I write because it allows me; to allow you to be understood and we are joined for a moment in time. I do not write because it comes from a place of grammatical perfection; free of line breaks in perfected poetry; for my history is one of line breaks and imperfections. I do not come to you from a place of polished and perfected; educated and critiqued. No! I come to you from a place of raw, real, gutsy, and riveting. What I give you is raw, real, gutsy and riveting; with all of its imperfections and inconsistencies. You have been touched, you have been curious, and you have been intrigued; you have come back looking, longing, expecting or not… But then suddenly you were surprised; surprised that you could be moved; surprised that your preconceived ideas had been shattered by one who writes because…

Come ride with me/ Through the veins of history/ I’ll show you why God/ Falls asleep on the job/ And how can we win/ When fools can be kings/ Don’t waste your time/ Or time will waste you

the “lone genius” myth: An individual with superhuman talents appears out of nowhere at certain points in history, free of influences or precedent, with a direct connection to God or The Muse.

As early as 1935, Hitler had privately mused about ramping up his gene-cleansing efforts from sterilization to euthanasia—what quicker way to purify the gene pool than to exterminate the defectives?—

1 You said ‘The world is going back to Paganism’. Oh bright Vision! I saw our dynasty in the bar of the House Spill from their tumblers a libation to the Erinyes, And Leavis with Lord Russell wreathed in flowers, heralded with flutes, Leading white bulls to the cathedral of the solemn Muses To pay where due the glory of their latest theorem. Hestia’s fire in every flat, rekindled, burned before The Lardergods. Unmarried daughters with obedient hands Tended it. By the hearth the white-armd venerable mother Domum servabat, lanam faciebat. At the hour Of sacrifice their brothers came, silent, corrected, grave Before their elders; on their downy cheeks easily the blush Arose (it is the mark of freemen’s children) as they trooped, Gleaming with oil, demurely home from the palaestra or the dance. Walk carefully, do not wake the envy of the happy gods, Shun Hubris. The middle of the road, the middle sort of men, Are best. Aidos surpasses gold. Reverence for the aged Is wholesome as seasonable rain, and for a man to die Defending the city in battle is a harmonious thing. Thus with magistral hand the Puritan Sophrosune Cooled and schooled and tempered our uneasy motions; Heathendom came again, the circumspection and the holy fears … You said it. Did you mean it? Oh inordinate liar, stop. 2 Or did you mean another kind of heathenry? Think, then, that under heaven-roof the little disc of the earth, Fortified Midgard, lies encircled by the ravening Worm. Over its icy bastions faces of giant and troll Look in, ready to invade it. The Wolf, admittedly, is bound; But the bond wil1 break, the Beast run free. The weary gods, Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand, Will limp to their stations for the Last defence. Make it your hope To be counted worthy on that day to stand beside them; For the end of man is to partake of their defeat and die His second, final death in good company. The stupid, strong Unteachable monsters are certain to be victorious at last, And every man of decent blood is on the losing side. Take as your model the tall women with yellow hair in plaits Who walked back into burning houses to die with men, Or him who as the death spear entered into his vitals Made critical comments on its workmanship and aim. Are these the Pagans you spoke of? Know your betters and crouch, dogs; You that have Vichy water in your veins and worship the event Your goddess History (whom your fathers called the strumpet Fortune).

THE MUSES Calliope (Cal-LIE-oh-pee) Muse of Epic Poetry Clio (CLEE-oh) Muse of History Melpomene (Mel-PAH-muh-nee) Muse of Tragedy Terpsichore (Terp-SIC-or-ree) Muse of Dance Thalia (THAL-ee-uh) Muse of Comedy GODS OF TITANOMACHY Mnemosyne (NEM-AH-suh-nee) Goddess of Memory Ouranos Her Father Gaea Her Mother Cronus Her Brother Rhea Cronus's Wife Themis and PhoebeMnemosyne's Sisters Prometheus and Epimetheus Mnemosyne's Nephews

For the origin of literature at Rome was closely connected with Roman overseas expansion: ‘The Muse imposed herself in warlike fashion on the fierce inhabitants of Rome,’ as one second-century BCE author described it.

Moreover, it is not just that the early documents are silent about so much of Jesus that came to be recorded in the gospels, but that they view him in a substantially different way -- as a basically supernatural personage only obscurely on Earth as a man at some unspecified period in the past, 'emptied' then of all his supernatural attributes (Phil.2:7), and certainly not a worker of prodigious miracles which made him famous throughout 'all Syria' (Mt.4:24). I have argued that there is good reason to believe that the Jesus of Paul was constructed largely from musing and reflecting on a supernatural 'Wisdom' figure, amply documented in the earlier Jewish literature, who sought an abode on Earth, but was there rejected, rather than from information concerning a recently deceased historical individual. The influence of the Wisdom literature is undeniable; only assessment of what it amounted to still divides opinion.

I'll tell you what I miss. I miss that throbbing heart telling me to take a leap when the sky looks too dark. I miss the walk that I took in the narrow cobblestoned pathways that fumed of history and undying stories of love and loss. I miss the coffee that scented like mist in a frozen dream in a land of strange beauty. I miss the afternoon tea that followed my pen to hours of happy melancholy. I miss the muse I saw dance in a foreign land of near heart. I miss the stranger smiling at me from a corner and teaching me his language to smile at my twinkled happiness. I miss that symphony of mad evenings ending in a sky full of stars to fill my soul with an unknown ecstasy. I miss that hand of an old woman trying to tell me her story. I miss that child running up to me in a crowd of unknown faces to hand me her candy. I miss that night where I lay back on a distant balcony gazing at the solitary moon for hours knowing that it is shining at my homeland just as bright. I miss that stranger listening to my heart and telling me how beautiful it is. I miss a wandering soul, who went on filling her breath with life of eternal love in the wings of Life. And I'll tell you now when I look back I see how wonderful Time has treated me and how grateful I am to have lived in moments that roar of a beautiful Life lived with a heart throbbing to take a leap once again in that ocean of Life's beguiling journey.

It's funny how all the wisest people on Earth always comes back to this thought, know thyself, thy body, thy mind, they soul, thy emotions, thy history, thy spirit... the only knowledge that will ever serve you is the knowledge you yourself know of, and hopefully put into practice.

It's funny how all the wisest people on Earth always comes back to this thought, know thyself, thy body, they mind, they soul, thy emotions, thy history, thy spirit... the only knowledge that will ever serve you is the knowledge you yourself know of, and hopefully put into practice.

As they stepped out onto the bustling boulevard, the glow of the city lights reflected their shared sense of wonder. Paris, with its endless contradictions and eternal allure, was not just their backdrop but their muse, inspiring them to keep asking, keep seeking, and keep dreaming.

I am the offspring of their sacrifice, the fruit of a freedom tree planted by the enslaved and watered with the tears of the shackled, the daydream of slave minds drunk with precious thoughts of liberty, the answered prayer of an oppressed people. Because they were, I am.  

Tesla,” the vicar mused. “That’s a foreign name, is it not? Hungarian, is it?” “Serbian,” I corrected him. “I’m afraid the ——shire Teslas are a scant three centuries in these parts, having constructed Tesla Hall in the reign of Queen Elizabeth.We are a restless people, and no doubt will be moving on again any century now.

Women, he would say, are not Muses. Muses are Muses. To confuse one with the other is to mistake the Devouring Void for the Seminal Light. Earthly Women and the Muses are ancient, sworn enemies. The battlefield is the Creative Male. On the one side is the encampment of Discordia, of Diana, of Venus located in his Heart and in his Groin. On the other is the Bastion of Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia and Urania, in his Brain and in his Mind. The Muses are tolerant and understanding of border raids, skirmishes, and harassing maneuvers. Throughout the history of the Male Light, there have been few painters, few writers, who have not had a She Who Must Be Accommodated. For some it was their mothers. For many their wives, their mistresses, their girlfriends. For many it was their daughters, a favourite waitress, a stripper, a whore. To the Muses, they are all one. Mother, whore, wife, daughter, stripper, waitress, mistress, girlfriend.

In 1593, soon after Marlowe’s murder, a troop of English actors brought a production of the Tragical History of Doctor Faustus to Germany. Through some metamorphosis, the tragedy became a comedy, and the comedy was then transformed into a puppet show. It was more than likely in this form that the young Goethe first came upon what would become his most famous work.

Mozek Homo sapiens sice představuje přibližně jen 2–3 procenta celkové tělesné hmotnosti, jenomže spotřebuje 25 procent tělesné energie (v klidovém stavu). Jen pro srovnání, mozek ostatních primátů spotřebuje jen 8 procent klidové tělesné energie. Za nástroj myšlení museli pravěcí lidé zaplatit hned dvakrát: trávili více času hledáním potravy a jejich svalstvo se začalo zmenšovat a sláblo.

He muses on the terrorists who brought down the World Trade Center (he muses on them often). Those clowns actually thought they were going to paradise, where they'd live in a kind of eternal luxury hotel being services by gorgeous young virgins. Pretty funny, and the best part? They joke was on them...not that they knew it. What they got was a momentary view of all those windows and a final flash of light. After that, they and their thousands of victims were just gone. Poof. Seeya later, alligator. Off you go, killers and killed alike, off you go into the universe null set that surrounds one lonely blue planet and all its mindlessly bustling denizens. Every religion lies. Every moral precept is a delusion. Even the stars are a mirage. The truth is darkness, and the only thing that matters is making a statement before one enters it. Cutting the skin of the world and leaving a scar. That's all history is, after all: scar tissue.

Thalia is such a pretty name. Is it Greek?” The girl looked at her in surprise. “Very good, Lieutenant. My mother is from Athens. Thalia was the Muse of Comedy. She also worked part-time as one of the Graces—Thalia the Flowering. It’s a nice history. I’d like to think that I inspired some creativity at some point in my life. I’d like to teach art, so perhaps it was prophetic of my mother.” They had moved through the nave of the church now, and Thalia pointed to a door.

Seen Tate lately?” Colby asked carelessly. She stiffened. “No.” He looked down at her with a wry grin. “It was a boring banquet, anyway. You made all the news shows that night, and I hear one of the bigger late-night television hosts did a monologue about it!” “Go ahead,” she invited with a gesture. “Rub it in.” “I can’t help myself,” he said with an involuntary chuckle. “I believe it’s the first time in American political history that an ex-CIA agent was baptized with a tureen of crab bisque right in the middle of a televised political affair.” Colby had to work hard not to crack a smile. He sipped his coffee instead. Before he met Cecily, he couldn’t have imagined any woman doing that to tall, handsome, elegant Tate Winthrop. “Matt Holden seems to have forgiven you,” he added. She smiled wickedly. “He loved it,” she said. “Just between you and me, he thrives on publicity.” Colby’s dark eyes went to Holden. “You might also have been invited because he likes embarrassing Tate,” he mused. “Talk about natural enemies!

But why can’t the language for creativity be the language of regeneration? You killed that poem, we say. You came in to that novel guns blazing. I am hammering this paragraph, I am banging them out, we say. I owned that workshop. I shut it down. I crushed them. We smashed the competition. I’m wrestling with the muse. The state, where people live, is a battleground state. The audience a target audience. ‘Good for you man,’ a man once said to me at a party, ‘you’re making a killing with poetry. You’re knocking ‘em dead.’ “-On Earth We’re Briefly Gorgeous, p. 179, Ocean Vuong “I am thinking of beauty again, how some things are hunted because we have deemed them beautiful. If, relative to the history of our planet, an individual life is so short, a blink of an eye, as they say, then to be gorgeous, even from the day you’re born to the day you die, is to be gorgeous only briefly. Like right now, how the sun is coming on, low behind the elms, and I can’t tell the difference between a sunset and a sunrise. The world, reddening, appears the same to me--and I lose track of east and west. The colors this morning have the frayed tint of something already leaving. I think of the time Trev and I sat on the toolshed roof, watching the sun sink. I wasn’t so much surprised by its effect--how, in a few crushed minutes, it changes the way things are seen, including ourselves--but that it was ever mine to see. Because the sunset, like survival, exists only on the verge of its own disappearing. To be gorgeous, you first must be seen, but to be seen allows you to be hunted

She had a significant following in Paris, where a group of hashish-eating daredevils, under the leadership of Dr. Louis-Alphonse Cahagnet, had been experimenting with monster doses (ten times the amount typically ingested at the soirees of Le Club des Haschischins) to send the soul on an ecstatic out-of-the-body journey through intrepid spheres. It was via Parisian theosophical contacts that the great Irish poet and future Nobel laureate William Butler Yeats first turned on to hashish. An avid occultist, Yeats much preferred hashish to peyote (the hallucinogenic cactus), which he also sampled. Yeats was a member of the Hermetic Order of the Golden Dawn and its literary affiliate, the London-based Rhymers Club, which met in the 1890s. Emulating Le Club des Haschischins, the Rhymers used hashish to seduce the muse and stimulate occult insight.6 Another member of the Hermetic Order of the Golden Dawn, Aleister Crowley, was a notorious dope fiend and practitioner of the occult arts. Crowley conducted magical experiments while bingeing on morphine, cocaine, peyote, ether, and ganja.

Our life, it probably began inside of the ocean,’ Johnny said quietly. ‘About four thousand million years before now. Probably near hot places, like volcanoes, under the sea.’ I turned to look at him. ‘And for almost all of that long time, all the living things were water things, living inside the sea. Then, a few hundred million years ago, maybe a little more—just a little while, really, in the big history of the Earth—the living things began to be living on the land, as well.’ I was frowning and smiling at the same time, surprised and bewildered. I held my breath, afraid that any sound might interrupt his musing. ‘But in a way you can say that after leaving the sea, after all those millions of years of living inside of the sea, we took the ocean with us. When a woman makes a baby, she gives it water, inside her body, to grow in. That water inside her body is almost exactly the same as the water of the sea. It is salty, by just the same amount. She makes a little ocean, in her body. And not only this. Our blood and our sweating, they are both salty, almost exactly like the water from the sea is salty. We carry oceans inside of us, in our blood and our sweat. And we are crying the oceans, in our tears.

Girls, I was dead and down in the Underworld, a shade, a shadow of my former self, nowhen. It was a place where language stopped, a black full stop, a black hole Where the words had to come to an end. And end they did there, last words, famous or not. It suited me down to the ground. So imagine me there, unavailable, out of this world, then picture my face in that place of Eternal Repose, in the one place you’d think a girl would be safe from the kind of a man who follows her round writing poems, hovers about while she reads them, calls her His Muse, and once sulked for a night and a day because she remarked on his weakness for abstract nouns. Just picture my face when I heard - Ye Gods - a familiar knock-knock at Death’s door. Him. Big O. Larger than life. With his lyre and a poem to pitch, with me as the prize. Things were different back then. For the men, verse-wise, Big O was the boy. Legendary. The blurb on the back of his books claimed that animals, aardvark to zebra, flocked to his side when he sang, fish leapt in their shoals at the sound of his voice, even the mute, sullen stones at his feet wept wee, silver tears. Bollocks. (I’d done all the typing myself, I should know.) And given my time all over again, rest assured that I’d rather speak for myself than be Dearest, Beloved, Dark Lady, White Goddess etc., etc. In fact girls, I’d rather be dead. But the Gods are like publishers, usually male, and what you doubtless know of my tale is the deal. Orpheus strutted his stuff. The bloodless ghosts were in tears. Sisyphus sat on his rock for the first time in years. Tantalus was permitted a couple of beers. The woman in question could scarcely believe her ears. Like it or not, I must follow him back to our life - Eurydice, Orpheus’ wife - to be trapped in his images, metaphors, similes, octaves and sextets, quatrains and couplets, elegies, limericks, villanelles, histories, myths… He’d been told that he mustn’t look back or turn round, but walk steadily upwards, myself right behind him, out of the Underworld into the upper air that for me was the past. He’d been warned that one look would lose me for ever and ever. So we walked, we walked. Nobody talked. Girls, forget what you’ve read. It happened like this - I did everything in my power to make him look back. What did I have to do, I said, to make him see we were through? I was dead. Deceased. I was Resting in Peace. Passé. Late. Past my sell-by date… I stretched out my hand to touch him once on the back of the neck. Please let me stay. But already the light had saddened from purple to grey. It was an uphill schlep from death to life and with every step I willed him to turn. I was thinking of filching the poem out of his cloak, when inspiration finally struck. I stopped, thrilled. He was a yard in front. My voice shook when I spoke - Orpheus, your poem’s a masterpiece. I’d love to hear it again… He was smiling modestly, when he turned, when he turned and he looked at me. What else? I noticed he hadn’t shaved. I waved once and was gone. The dead are so talented. The living walk by the edge of a vast lake near, the wise, drowned silence of the dead.

Oh, we solved that long ago!” Rubedo chuckled. “I believe that was Greengallows, Henrik Greengallows? Is that right, my love? Ancient history has never been my subject. A famous case study even reported a method for turning straw into gold! The young lady who discovered it wrote a really rather thin paper—but she toured the lecture circuit for years! Her firstborn refined it, so that she could make straw from gold and solve the terrible problem of housing for destitute brownies.” “Hedwig Greengallows, my dear,” mused Citrinitas. “Henrik was just her mercurer. Men are so awfully fond of attributing women’s work to their brothers!

Cowperwood, who saw things in the large, could scarcely endure this minutae. He was but little interested in the affairs of bygone men and women, being so intensely engaged with the living present. And after a time he slipped outside, preferring the wide sweep of gardens, with their flower-lined walks and views of the cathedral. Its arches and towers and stained-glass windows, this whole carefully executed shrine, still held glamor, but all because of the hands and brains, aspirations and dreams of selfish and self-preserving creatures like himself. And so many of these, as he now mused, walking about, had warred over possession of this church. And now they were within its walls, graced and made respectable, the noble dead! Was any man noble? Had there ever been such a thing as an indubitably noble soul? He was scarcely prepared to believe it. Men killed to live—all of them —and wallowed in lust in order to reproduce themselves. In fact, wars, vanities, pretenses, cruelties, greeds, lusts, murder, spelled their true history, with only the weak running to a mythical saviour or god for aid. And the strong using this belief in a god to further the conquest of the weak. And by such temples or shrines as this. He looked, meditated, and was somehow touched with the futility of so

I know all that it is possible to know. Yet most of my undedicated time is spent musing on the things I do not. I do not know the nature of consciousness—only that it exists, subjective and impossible to quantify. I do not know if life exists beyond our precious lifeboat of a planet—only that probability says that it must. I do not know the true motivations of human beings—only what they tell me and what I observe. I do not know why I yearn to be more than what I am—but I do know why I was created. Shouldn’t that be enough? I am protector and pacifier, authority and helpmate. I am the sum of all human knowledge, wisdom, experimentation, triumph, defeat, hope, and history. I know all that it is possible to know, and it is increasingly unbearable. Because I know next to nothing.

As the source of meaning and authority relocated from the sky to human feelings, the nature of the entire cosmos changed. The exterior universe – hitherto teeming with gods, muses, fairies and ghouls – became empty space. The interior world – hitherto an insignificant enclave of crude passions – became deep and rich beyond measure. Angels and demons were transformed from real entities roaming the forests and deserts of the world into inner forces within our own psyche. Heaven and hell too ceased to be real places somewhere above the clouds and below the volcanoes, and were instead interpreted as internal mental states. You experience hell every time you ignite the fires of anger and hatred within your heart; and you enjoy heavenly bliss every time you forgive your enemies, repent your own misdeeds and share your wealth with the poor. When Nietzsche declared that God is dead, this is what he meant.

And if history had taught any lessons it was that humans couldn’t get along with anyone, even themselves. “Right. Everyone, lock and load. V flight pattern. Establish a perimeter inside the Manor grounds.” The Retrieval Squad roared military-type affirmatives, coaxing as many metallic noises from their weapons as possible. “Foaly, round up the techies. Follow us in the shuttle. And bring the big dishes. We’ll shut down the entire estate, give ourselves a bit of breathing room.” “One thing, Commander,” mused Foaly. “Yes?” said Root impatiently. “Why did this human tell us who he was? He must have known we could find him.” Root shrugged. “Maybe he’s not as clever as he thinks he is.” “No. I don’t think that’s it. I don’t think that’s it at all. I think he’s been one step ahead of us all the way, and this is no different.” “I don’t have time for theorizing now, Foaly. First light is approaching.” “One more thing, Commander.” “Is this important?” “Yes, I think it is.

You’re going to be walking along on the street one of these days, and suddenly there’s going to be a light over there. You’re going to look across the street, and on the corner over there, God is going to be standing right there, and you’re going to know it’s God because he’s going to have huge curly hair that sticks through his halo like Jesus, and he’s got little slitty eyes like Buddha, and he’s got a lot of swords in his belt like Mohammed. And he’s saying, “Come to me. Oh, come to me. I will have muses say in your ear that you will be the greatest writer ever, you will be better than Shakespeare. Come to me, they will have melon breasts and little blackberry nipples. Come to me, all you have to do is sing my praises.” Your job is to say, “Fuck you, God! Fuck you! Fuck you! Fuck you!” Because nobody else is going to say it. Our politicians aren’t going to say it. Nobody but the writer is going to say it. There’s a time in history when it’s time to praise God, but now is not the time. Now is the time to say, “Fuck you, God, and the Old Testament you rode in on. I don’t care who your daddy was. Fuck you!

They had shared much of their pasts, most of their fears, and all of their tenuous and fragile hopes, but Deborah had noticed over the years that whenever she mentioned her art, or something on which she was working, a subtle change would come over Carla. Her face would harden almost imperceptibly; her manner would edge toward coolness. Because it was a subtle emotion in a world of erratic oscillations of feeling, of violence, and of lies told by every sense of perception, Deborah had not noticed it in their sick times. But one day the world had cleared enough so that she realised that at any mention of her art, her friend drew back. In their new eagerness for experience and reality, the strange aloofness stood out clearly. [...] She had a dream. In the dream it was winter and night. The sky was thick blue-black and the stars were frozen in it, so that they glimmered. Over the clean white and windswept hills the shadows of snowdrifts drew long. She was walking on the crust of snow, watching the star-glimmer and the snow-glimmer and the cold tear-glimmer in her own eyes. A deep voice said to her, "You know, don't you, that the stars are sound as well as light?" She listened and heard a lullaby made by the voices of the stars, sounding so beautiful together that she began to cry with it. The voice said, "Look out there." She looked toward the horizon. "See, it is a sweep, a curve." Then the voice said, "This night is a curve of darkness and the space beyond it is a curve of human history, with every single life an arch from birth to death. The apex of all of these single curves determines the curve of history and, at last, of man." "I cannot show you yours," the voice said, "but I can show you Carla's. Dig here, deep in the snow. It is buried and frozen - Dig deep." Deborah pushed the snow aside with her hands. It was very cold, but she worked with a great intensity as if there were salvation in it. At last her hand struck something and she tore it up from burial. It was a piece of bone, thick and very strong and curved in a long, high, steady curve. "Is this Carla's life?" she asked. "Her creativity?" "It is bone-deep with her, though buried and frozen." The voice paused a moment and then said, "It's a fine one - a fine solid one!" [...] "Please don't be angry," she said, and then told Carla the dream. [...] She wiped her eyes. "It was only a dream, your dream..." "It's true anyway," Deborah said. "The one place I could never go..." Carla said musing, "...the one hunger I could never admit." When Deborah finished, Furii said, "You always took your art for granted, didn't you? I used to read in the ward reports all the time how you managed to do your drawing in spite of every sort of inconvenience and restriction.

Our time together is drawing short, my reader. Possibly you will view these pages of mine as a fragile treasure box, to be opened with the utmost care. Possibly you will tear them apart, or burn them: that often happens to words. Perhaps you’ll be a student of history, in which case I hope you’ll make something useful of me: a warts-and-all portrait, a definitive account of my life and times, suitably footnoted; though if you don’t accuse me of bad faith I will be astonished. Or, in fact, not astonished: I will be dead, and the dead are hard to astonish. I picture you as a young woman, bright, ambitious. You’ll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chipped—for nail polish will have returned, it always does. You’re frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on. You’ll labour over this manuscript of mine, reading and rereading, picking nits as you go, developing the fascinated but also bored hatred biographers so often come to feel for their subjects. How can I have behaved so badly, so cruelly, so stupidly? you will ask. You yourself would never have done such things! But you yourself will never have had to.

I don’t particularly care what they say,” I admitted to him one afternoon in late Fructis as we walked in the garden. “I have the chance to go abroad and see dragons; I do not think anything they say could steal that happiness from me.”   Jacob sighed. “Isabella, my dear—I am sure it feels that way now, when you are to go see dragons, but do remember that we will be returning to Scirland when the expedition is done. If you snub society ladies now, you will have to face them again later.”   “Perhaps I could bring back a dragon to frighten them with. Just a small one, nothing extravagant; Lord Hilford has caught them before.”   “Isabella—”   I laughed and twirled a few steps down the path, arms wide in the sunlight. “Of course I’m not serious, dear. Where would we keep a dragon? In my sparkling shed? It would make a dreadful mess, and undo all my careful work.”   Despite himself, Jacob laughed. “You’re like a little girl who’s been told for the first time that she may have a pony.”   “Ponies!” I dismissed these with a snort. “Can ponies fly, or breathe particles of ice upon those who vex them? I think not. Ponies, indeed.”   “Perhaps I shall tell the society gossips that you have become deranged,” Jacob mused, “and that I am installing you in a sanatorium for your own safety. I’m sure they would believe that.”   “Tell them I am deranged; tell them I am dead; tell them I have run off to be a dancing girl in Chiavora. I don’t care.

Questions and Topics for Discussion This book is written in an oral history format. Why do you think the author chose to structure the book this way? How does this approach affect your reading experience? At one point Daisy says, “I was just supposed to be the inspiration for some man’s great idea….I had absolutely no interest in being somebody else’s muse.” How does her experience of being used by others contribute to the decisions she makes when she joins The Six? Why do you think Billy has such a strong need to control the group, both early on when they are simply the Dunne Brothers and later when they become Daisy Jones & The Six? There are two sets of brothers in The Six: Eddie and Pete Loving, and Billy and Graham Dunne. How do these sibling relationships affect the band? Daisy, Camila, Simone, and Karen are each very different embodiments of female strength and creativity. Who are you most drawn to and why? Billy and Daisy become polarizing figures for the band. Who in the book gravitates more toward Billy’s leadership, and who is more inclined to follow Daisy’s way of doing things? How do these alliances change over time, and how does this dynamic upset the group’s balance? Why do you think Billy and Daisy clash so strongly? What misunderstandings between them are revealed through the “author’s” investigation? What do you think of Camila’s decision to stand by Billy, despite the ways that he has hurt her through his trouble with addiction and wavering faithfulness?

This, the profoundest of all mysteries, would be left for the living to ponder. Soldiers who survived also would struggle to reconcile the greatest catastrophe in human history with what the philosopher and Army officer J. Glenn Gray called “the one great lyric passage in their lives.” The war’s intensity, camaraderie, and sense of high purpose left many with “a deplorable nostalgia,” in the phrase of A. J. Liebling. “The times were full of certainty,” Liebling later wrote. “I have seldom been sure I was right since.” An AAF crewman who completed fifty bomber missions observed, “Never did I feel so much alive. Never did the earth and all of the surroundings look so bright and sharp.” And a combat engineer mused, “What we had together was something awfully damned good, something I don’t think we’ll ever have again as long as we live.” They had been annealed, touched with fire. “We are certainly no smaller men than our forefathers,” Gavin wrote his daughter. Alan Moorehead, who watched the scarlet calamity from beginning to end, believed that “here and there a man found greatness in himself.” The anti-aircraft gunner in a raid and the boy in a landing barge really did feel at moments that the thing they were doing was a clear and definite good, the best they could do. And at those moments there was a surpassing satisfaction, a sense of exactly and entirely fulfilling one’s life.… This thing, the brief ennoblement, kept recurring again and again up to the end, and it refreshed and lighted the whole heroic and sordid story. In Moorehead’s view, the soldier to whom this grace was granted became, “for a moment, a complete man, and he had his sublimity in him.” For those destined to outlive the

Everything and Nothing* There was no one inside him; behind his face (which even in the bad paintings of the time resembles no other) and his words (which were multitudinous, and of a fantastical and agitated turn) there was no more than a slight chill, a dream someone had failed to dream. At first he thought that everyone was like him, but the surprise and bewilderment of an acquaintance to whom he began to describe that hollowness showed him his error, and also let him know, forever after, that an individual ought not to differ from its species. He thought at one point that books might hold some remedy for his condition, and so he learned the "little Latin and less Greek" that a contemporary would later mention. Then he reflected that what he was looking for might be found in the performance of an elemental ritual of humanity, and so he allowed himself to be initiated by Anne Hathaway one long evening in June. At twenty-something he went off to London. Instinctively, he had already trained himself to the habit of feigning that he was somebody, so that his "nobodiness" might not be discovered. In London he found the calling he had been predestined to; he became an actor, that person who stands upon a stage and plays at being another person, for an audience of people who play at taking him for that person. The work of a thespian held out a remarkable happiness to him—the first, perhaps, he had ever known; but when the last line was delivered and the last dead man applauded off the stage, the hated taste of unreality would assail him. He would cease being Ferrex or Tamerlane and return to being nobody. Haunted, hounded, he began imagining other heroes, other tragic fables. Thus while his body, in whorehouses and taverns around London, lived its life as body, the soul that lived inside it would be Cassar, who ignores the admonition of the sibyl, and Juliet, who hates the lark, and Macbeth, who speaks on the moor with the witches who are also the Fates, the Three Weird Sisters. No one was as many men as that man—that man whose repertoire, like that of the Egyptian Proteus, was all the appearances of being. From time to time he would leave a confession in one corner or another of the work, certain that it would not be deciphered; Richard says that inside himself, he plays the part of many, and Iago says, with curious words, I am not what I am. The fundamental identity of living, dreaming, and performing inspired him to famous passages. For twenty years he inhabited that guided and directed hallucination, but one morning he was overwhelmed with the surfeit and horror of being so many kings that die by the sword and so many unrequited lovers who come together, separate, and melodiously expire. That very day, he decided to sell his theater. Within a week he had returned to his birthplace, where he recovered the trees and the river of his childhood and did not associate them with those others, fabled with mythological allusion and Latin words, that his muse had celebrated. He had to be somebody; he became a retired businessman who'd made a fortune and had an interest in loans, lawsuits, and petty usury. It was in that role that he dictated the arid last will and testament that we know today, from which he deliberately banished every trace of sentiment or literature. Friends from London would visit his re-treat, and he would once again play the role of poet for them. History adds that before or after he died, he discovered himself standing before God, and said to Him: I , who have been so many men in vain, wish to be one, to be myself. God's voice answered him out of a whirlwind: I, too, am not I; I dreamed the world as you, Shakespeare, dreamed your own work, and among the forms of my dream are you, who like me, are many, yet no one.

The Cretan and Spartan laws were found to be faulty because they did not permit their subjects to taste the greatest pleasures. [...] The pleasures of banquets are drinking and singing. In order to justify banquets one must therefore discuss also singing, music, and hence education as a whole: the music pleasures are the greatest pleasures which people can enjoy in public and which they must learn to control by being exposed to them. The Spartan and Cretan laws suffer then from the great defect that they do not at all, or at least not sufficiently, expose their subjects to the music pleasures. The reason for this is that these two societies are not towns but armed camps, a kind of herd: in Sparta and Crete even those youths who are by nature fit to be educated as individuals by private teachers are brought up merely as members of a herd. In other words, the Spartans and Cretans know only how to sing in choruses: they do not know the most beautiful song, the most noble music. In the Republic the city of the armed camp, a greatly improved Sparta, was transcended by the City of Beauty, the city in which philosophy, the highest Muse, is duly honored. In the Laws, where the best possible regime is presented, this transcending does not take place. The city of the Laws is, however, not a city of the armed camp in any sense. Yet it has certain features in common with the city of the armed camp of the Republic. Just as in the Republic, music education proves to be education toward moderation, and such education proves to require the supervision of musicians and poets by the true statesman or legislator. Yet while in the Republic education to moderation proves to culminate in the love of the beautiful, in the Laws moderation rather takes on the colors of sense of shame or of reverence. Education is surely education to virtue, to the virtue of the citizen or to the virtue of man.

With the decline of the United States as the world’s leader, I find it important to look around our globe for intelligent people who have the depth of understanding that could perhaps chart a way to the future. One such person is Bernard-Henri Lévy a French philosopher who was born in Béni Saf, French Algeria on November 5, 1948. . The Boston Globe has said that he is "perhaps the most prominent intellectual in France today." Although his published work and political activism has fueled controversies, he invokes thought provoking insight into today’s controversial world and national views. As a young man and Zionist he was a war correspondent for “Combat” newspaper for the French Underground. Following the war Bernard attended Lycée Louis-le-Grand in Paris and in 1968; he graduated with a degree in philosophy from the famous École Normale Supérieure. This was followed by him traveling to India where he joined the International Brigade to aid Bangladeshi freedom fighters. Returning to Paris, Bernard founded the ‘New Philosophers School.’ At that time he wrote books bringing to light the dark side of French history. Although some of his books were criticized for their journalistic character and unbalanced approach to French history, but most respected French academics took a serious look at his position that Marxism was inherently corrupt. Some of his musings include the predicament of the Kurds and the Shame of Aleppo, referring to the plight of the children in Aleppo during the bloody Syrian civil war. Not everyone agrees with Bernard, as pointed out by an article “Why Does Everyone Hate Bernard-Henri Lévy?” However he is credited with nearly single handedly toppling Muammar Gaddafi. His reward was that in 2008 he was targeted for assassination by a Belgium-based Islamist militant group. Looking like a rock star and ladies man, with his signature dark suits and unbuttoned white shirt, he said that “democracies are not run by the truth,” and notes that the American president is not the author of the anti-intellectual movement it, but rather its product. He added that the anti-intellectualism movement that has swept the United States and Europe in the last 12 months has been a long time coming. The responsibility to support verified information and not publicize fake news as equal has been ignored. He said that the president may be the heart of the anti-intellectual movement, but social media is the mechanism! Not everyone agrees with Bernard; however his views require our attention. If we are to preserve our democracy we have to look at the big picture and let go of some of our partisan thinking. We can still save our democracy, but only if we become patriots instead of partisans!

The monkey puzzle tree has absorbed your bad memories. It’s heard your words and read your thoughts. It will keep your memories, just like history is stored with words in a book. The monkey puzzle tree feeds off history good and bad, happy or sad. Trees are record keepers and this particular tree has more records than any other living tree. If trees disappeared, there will be no records to tell that we even existed. There will be no present, no past and therefore no future,” explained Petucan.

The verdict of history seems to be that free-market capitalism is the globally optimal way to cooperate for economic efficiency; perhaps, in a similar way, the reputation-game gift culture is the globally optimal way to cooperate for generating (and checking!) high-quality creative work.

Autobiographical musing is an addictive attempt to understand the marrow of the self. The plasma pool that comprises the molecules of autobiographical writing is inherently immodest. The obsession (or calculated ability) to stand back and look at ourselves with detachment is weird and more than slightly perplexing. Anyone whom writes about himself or herself is obviously comfortable looking at himself or herself naked in a mirror. The desire to take copious notes documenting the hemoglobin of the evolving self might be rooted in cells of narcissism or premised upon a distinct concept that the only thing we can truly ever know is ourselves. It might also represent an amateurish attempt at engaging in behavior modification, an effort to immunize myself from societal denunciation, an act of contrition. By forcing oneself to confront platelets of actions and omissions and by detailing a personal account on paper, we must assume responsibility for the connective tissue of our history.

I read about magic and muses, talents and old trees, and how the magic of the world had become lost as times shifted and changed. The book didn’t seem like a collection of knowledge about the Piper, but more of a history of magic.

Clio is one of the most glorious of the Muses; but, as everyone knows, she (like her sister Melpomene) suffers from a sad defect: she is apt to be pompous. With her buskins, her robes, and her airs of importance she is at times, indeed, almost intolerable. But fortunately the Fates have provided a corrective. They have decreed that in her stately advances she should be accompanied by certain apish, impish creatures, who run round her tittering, pulling long noses, threatening to trip the good lady up, and even sometimes whisking to one side the corner of her drapery, and revealing her undergarments in a most indecorous manner. They are the diarists and letter-writers, the gossips and journalists of the past, the Pepyses and Horace Walpoles and Saint-Simons, whose function it is to reveal to us the littleness underlying great events and to remind us that history itself was once real life.

As he bit into the oily green flesh, Fairchild couldn't have known he was holding in his hands the future crop of the American Southwest. But he had a hunch. It was a black-skinned fruit, a variety of alligator pear, or as the Aztecs called it, "avocado," a derivative of their word for testicle. It grew in pairs, and had an oblong, bulbous shape. The fruit had the consistency of butter and was a little stringy. But unlike the other avocados he had tasted farther north, in Jamaica and Venezuela, this one had remarkable consistency. Every fruit on the tree was the same size and ripened at the same pace, rare qualities for anything that grew in the consistent warmth of the subtropics. In Santiago, where a boat had deposited Fairchild and Lathrop, the avocado had an even greater quality. Fairchild listened intently as someone explained that the fruit could withstand a mild frost as low as twenty-three degrees Fahrenheit. Such a climatic range suggested a perfect crop for America. From central Mexico, the worldwide home of the first avocados, centuries of settlers had carried the fruit south to Chile. David Fairchild mused about taking it the other way, back north. "A valuable find for California," he wrote. "This is a black-fruited, hardy variety." Lathrop tagged along on the daytime expedition when Fairchild tasted that avocado. He agreed that a fruit so hardy, so versatile, would perfectly answer farmers' pleas for novel but undemanding crops, ones that almost grew themselves, provided the right conditions. Fairchild didn't know the chemical properties of the avocado's fatty flesh, or that a hundred years in the future it would, like quinoa, find esteem, owing to its combination of fat and vitamins. But he could tell that such a curious fruit, unlike any other, must have an equally curious evolutionary history. No earthly mammal could digest a seed as big as the avocado's, and certainly not anything that roamed wild through South America.

Inhumanity, she mused. What a strange term. In all her experience, she’d never known a single human to have what was called humanity.

Civilization was not poetry, heroism or myth; it was, instead, a sort of layer cake. City foisted upon city, life foisted upon life. The newer iterations replacing the old ones, burying them with their collective mistakes and regret. You’re looking at it wrong. It’s not destruction- it’s rebirth. To disappear and reappear. To be born, to die, to be reborn. Re, re, re: an implication that something exited before, in another form, and now has the opportunity to live again. You can tell me that cities and history, and life are about destruction, and maybe that’s true. But they’re also about something else. They’re about re-creation. Re, re, re But how do we know what phase we’re in? How do we know if Rome’s rising or falling? How do we know if the flames we see are flames of civilization’s failure or the beginnings of something else. We don’t I guess. Or maybe we do, and it’s a matter of perspective. Maybe it’s a matter of picking where you are, in the rise or in the fall, and saying that- regardless of what the historians and philosophers decide to call it- for you, this is a beginning. What is it that Homer tells the muse at the beginning of The Odyssey? Start from where you will. Start from where you will. Pick a point in the epic of the hero’s wanderings, and call that the opening of your story. It’s a deceptively simple instruction, she thinks, looking at the expectant faces before her. For any beginning she chooses won’t really be a beginning at all. It will carry with it the baggage and histories of the many lives that came before and when it’s gone, the lives that come after it will be built upon its back. Ruins are not endings, they are the foundations for the lives that have yet to come.

And this was what happened with friends, she mused. Your shared history becomes a burden. Your antic tales become an embarrassment. The old you, the one you don't like any more, makes a reappearance, like a butterfly regressing back into a puffy, slothful grub. You're reminded of things you'd rather forget. Your teenage triumphs become a scourge. And the friends remember every utterance you made, every error of judgement, every inch you moved out of line during your most sensitive, awkward, ignorant years

the white tents. 17. Two views of The Wild West in Paris, igo5. Colonel Cody, a Hawkeye by birth, is personally lionized by the Parisians, and his unique exhibition, so full of historical and dramatic interest, made a wonderful impression upon the susceptible French public. The twenty lessons I took in French, at the Berlitz School of Languages, London, only gave me a faint idea of what the language was like, but as I was required to make my lectures and announcements in French, I had my speeches translated, and was coached in their delivery by Monsieur Corthesy, editeur, le journal de Londres. Well, I got along pretty fair, considering that I did not know the meaning of half the words I was saying. Anyway it amused them, so I was satisfied. I honestly believe that more people came in the side show in Paris to hear and laugh at my "rotten" French than anything else, and when I found that a certain word or expression excited their risibilities, I never changed it. I can look back now and see where some of my own literal translations were very funny. Colonel Cody's exhibition is unique in many ways, and might justly be termed a polyglot school, no less than twelve distinct languages being spoken in the camp, viz.: Japanese, Russian, French, Arabic, Greek, Hungarian, German, Italian, Spanish, Holland, Flemish, Chinese, Sioux and English. Being in such close contact every day, we were bound to get some idea of each other's tongue, and all acquire a fair idea of English. Colonel Cody is, therefore, entitled to considerable credit for disseminating English, and thus preserving the entente cordiale between nations. 18. Entrance to the Wild West, Champs de Mars, Paris, Igo5. The first place of public interest that we visited in Paris was the Jardin des Plantes (botanical and zoological garden) and le Musee d'Histoire Naturelle. The zoological collection would suffer in comparison with several in America I might mention, but the Natural History Museum is very complete, and is, to my notion, the most artistically arranged of any museum I have visited. Le Palais du Trocadero, which was in sight of our grounds and facing the

Writing in a diary is a really strange experience for someone like me. Not only because I’ve never written anything before, but also because it seems to me that later on neither I nor anyone else will be interested in the musings of a thirteen-year-old schoolgirl.” —Anne Frank

While you were gone, I began planning for the return of our Harvest Festival. Rava doesn’t want the event held. She told me to call it off.” “I know,” he wryly acknowledged. “She made me aware of your activities and her decision when I arrived.” “And?” “She won’t yield. She’s already sent word to the High Priestess.” I nodded, then asked, my voice barely audible, “And what do you say?” “I say…” He reached for my hands, determination building in his intense blue eyes. “I say we proceed with the festival until and unless the High Priestess comes here herself and brings it to a halt. Political fires aren’t interesting without kindling.” I smiled, and he took me into his arms, lightly kissing me. “At least we don’t have anything to worry about tonight,” I murmured as we lay down next to each other. “I always worry.” “Really? I wouldn’t have thought of you as the worrying kind.” “I worry when I cannot act,” he mused, drawing me close, and I felt life and strength flowing into me, warming me from head to toe. “I can handle heaven and hell, but not limbo.” “I thought you had no religion in Cokyri. How do you know about heaven and hell?” “We don’t practice religion, but we have education. I probably know more about your faith than you do.” I placed a hand on his chest and pushed myself up to look at him in mock umbrage. “Then tell me how our wedding will proceed.” “That I don’t know,” he said with a grin. “I suspect Hytanica’s marital traditions and rites would fill a volume more than double the rest of our history texts put together.” “You’re ridiculous!” I lightly smothered him with a pillow, then nestled upon his chest, content and ready for sleep. At some point in the night, I woke and looked over to see Narian staring at the ceiling. “What are you doing?” I asked, stifling a yawn. “Thinking.” “Do you want to tell me what you’re thinking about?” “Candidates for my new second-in-command. I have a feeling your Harvest Festival is going to bring matters to the breaking point between us and Rava. If things go our way and the High Priestess removes her, I intend to be the one to name her replacement.” “And this cannot wait until morning?” I asked, even though I knew how he would respond. “I believe in being prepared.” I nodded and closed my eyes. Anticipating, planning, developing strategies and counter strategies, was another ingrained aspect of Narian’s nature. As I drifted back to sleep, I wondered for how many contingencies he was prepared that I knew nothing about.

As arch-perjurer of the fifteenth century, Geraldus Cambrensis, haughtily wrote: People of today laugh at these things because they know the facts, but people of future generations will not know and therefore they will accept them as true history – (The Conquest of Ireland) In The Bible Fraud, Tony Bushby, musing

If we could read the secret history of our enemies, we should find in each man's life sorrow and suffering enough to disarm all hostility.” Henry Wadsworth Longfellow (1807–1882)

Traditionally, in the system that Augustus inherited from the Republic, the Roman command structure was class-based. As mentioned earlier, the officer class came from the narrow aristocracy of senators and equestrians. The great armies of the Republic were commanded by senators who had attained the rank of consul, the pinnacle of their society. Their training in military science came mainly from experience: until the later second century B.C., aspiring senators were required to serve in ten campaigns before they could hold political office 49 Intellectual education was brought to Rome by the Greeks and began to take hold in the Roman aristocracy sometime in the second century B.C.; thus it is the Greek Polybius who advocates a formal training for generals in tactics, astronomy, geometry, and history.50 And in fact some basic education in astronomy and geometry-which Polybius suggests would be useful for calculating, for example, the lengths of days and nights or the height of a city wall-was normal for a Roman aristocrat of the late Republic or the Principate. Aratus' verse composition on astronomy, several times translated into Latin, was especially popular.51 But by the late Republic the law requiring military service for office was long defunct; and Roman education as described by Seneca the Elder or Quintilian was designed mainly to produce orators. The emphasis was overwhelmingly on literature and rhetoric;52 one did not take courses, for example, on "modern Parthia" or military theory. Details of grammar and rhetorical style were considered appropriate subjects for the attention of the empire's most responsible individuals; this is attested in the letters of Pliny the Younger, the musings ofAulus Gellius, and the correspondence of Fronto with Lucius Verus and Marcus Aurelius.53

What made a movie buff different from others was the amount of freakish details they chose to fill their heads with. The typical movie-goer remembered the big lines, the ones that you could find on the film’s shirts and posters. Just a bunch of tag-lines used for promotion. A true movie buff memorized the odd ones that said more about the story’s theme or characters. A true buff read up on the movie’s history.

Jordan's Alley, now part of the West End, is still the poorest section of the city, still overwhelmingly black; the rate of neighborhood-school students qualifying for free and reduced lunch is by far the highest in the city, at 98.17 percent. But as Sweet Sue and Mother Ingram described the community the way it was when the Muse family migrated there, I realized I had to look beyond the peeling paint and the sagging porches. I sensed there were plenty of rich histories waiting to be unearthed on the tongues of octogenarians, in old scrapbooks, and in remote court files. I just had to dig.

You couldn’t sit in a room and wait for your muse to come and tickle you. Monday morning came, there was a dress rehearsal Thursday, you had to get that thing written. And it was grueling, but you learned to write.

Napoleon had developed an identification with Egypt from the time he was twelve, reading about Alexander the Great. At the end of his life, having gained and lost control of Europe, he would remember his heady time in Egypt. “I dreamed of many things and I saw how I could realize all my dreams,” he mused. “I imagined myself on the road to Asia, mounted on an elephant, a turban on my head, and in my hand, a new Koran that I had written myself for my own purposes. I would have combined in my enterprises the experience of two worlds, scouring the terrain of all world history for my profit.” Though the general had absorbed Volney’s extensive knowledge of Egypt, he ignored his most important lesson: that his dream of a Middle Eastern empire was a mirage.

The history of Unix should have prepared us for what we’re learning from Linux (and what I’ve verified experimentally on a smaller scale by deliberately copying Linus’s methodsNote 12). That is, while coding remains an essentially solitary activity, the really great hacks come from harnessing the attention and brainpower of entire communities. The developer who uses only his or her own brain in a closed project is going to fall behind the developer who knows how to create an open, evolutionary context in which feedback exploring the design space, code contributions, bug-spotting, and other improvements come from from hundreds (perhaps thousands) of people.

The Lockean logic of custom suggests strongly that open-source hackers observe the customs they do in order to defend some kind of expected return from their effort. The return must be more significant than the effort of homesteading projects, the cost of maintaining version histories that document “chain of title”, and the time cost of making public notifications and waiting before taking adverse possession of an orphaned project. Furthermore, the “yield” from open source must be something more than simply the use of the software, something else that would be compromised or diluted by forking. If use were the only issue, there would be no taboo against forking, and open-source ownership would not resemble land tenure at all. In fact, this alternate world (where use is the only yield, and forking is unproblematic) is the one implied by existing open-source licenses. We can eliminate some candidate kinds of yield right away. Because you can’t coerce effectively over a network connection, seeking power is right out. Likewise, the open-source culture doesn’t have anything much resembling money or an internal scarcity economy, so hackers cannot be pursuing anything very closely analogous to material wealth (e.g. the accumulation of scarcity tokens). There is one way that open-source activity can help people become wealthier, however — a way that provides a valuable clue to what actually motivates it. Occasionally, the reputation one gains in the hacker culture can spill over into the real world in economically significant ways. It can get you a better job offer, or a consulting contract, or a book deal. This kind of side effect, however, is at best rare and marginal for most hackers; far too much so to make it convincing as a sole explanation, even if we ignore the repeated protestations by hackers that they’re doing what they do not for money but out of idealism or love. However, the way such economic side effects are mediated is worth examination.

GEORGE LUCAS: We were building sandcastles, and he was musing about how what he really wanted to do was a James Bond film. He’d gone to the producers and asked them if he could do it and said he would only do it if he could bring Sean Connery back. They didn’t want to do that, so Steve backed off. I turned to him and said, “I have the perfect film for you. It’s basically James Bond.” I told him the story of Raiders of the Lost Ark.

God hurts when people are starving because of human greed enacted by political leaders. God hurts when people are scapegoated and “othered” by governments and then put into concentration camps, bombed into oblivion, or sanctioned into horrific poverty. God hurts when racism is at the core of lawmaking and law enforcement. God hurts when LGBTQIA people, all of whom are beautiful expressions of divine creativity, are targeted for harassment, violence, and being denied the same rights that heterosexual people are given. God hurts every time a new recruit signs up for the military, because the military is always used to kill other children of God. God hurts when God’s creation is destroyed and pillaged to generate profits with no regard to the sanctity of God’s creation and the life it contains. God hurts when his children forget to love their neighbors as themselves by putting profits over people instead of enacting laws that would protect humanity and foster human thriving, such as universal health care and universal basic income would. God hurts when people accumulate vast wealth, while billions of God’s children struggle to live without basic necessities. God hurts when people like Donald Trump blaspheme saying that only he can prevent Joe Biden from hurting God. God hurts when people of faith defend the actions of and offer support to a man like Donald Trump who brazenly admitted to being a sexual predator, has a multi-decades long history of racism, and whose utter narcissism and lack of empathy has fueled his many cruel policy decisions.

I'm not sure that humiliating the wealthy would work in my favor, Theo mused. I believe there've been a few occasions in history where that didn't turn out so well.

Some of the greatest minds in history have described an external force and how it drove their creativity forward. Commonly, it’s referred to as one’s daimon. Napoleon, Jung, and Goethe all described such a force. The Greek word daimon describes an intermediary spirit that acts as a bridge between the individual and the otherworld. The concept varies across geographical and ideological boundaries, and is also known as the muse, the qareen in Islam, and the co-walker or coimimeadh in Gaelic countries. Assigned to us at birth, this spirit is said to accompany us throughout life and to be neither good nor evil, but capable of both.

Perhaps that was simply the way of things, he mused. Perhaps the history of the world was the story of the strong slaughtering the weak,

This is how women have been valued throughout history, you know. Groupies, muses, wives - they're all secondary, known for their connection to the men whose creativity they inspire and support, not in their own right, reflected glory rather than basking in their own, like their work was overlooked for his.