Muse Best Quotes

The best writers tend to look the roughest in photos. At least that's the excuse I use for why I look so bad in mine.

There are, it seems, two muses: the Muse of Inspiration, who gives us inarticulate visions and desires, and the Muse of Realization, who returns again and again to say "It is yet more difficult than you thought." This is the muse of form. It may be then that form serves us best when it works as an obstruction, to baffle us and deflect our intended course. It may be that when we no longer know what to do, we have come to our real work and when we no longer know which way to go, we have begun our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings.

Discipline allows magic. To be a writer is to be the very best of assassins. You do not sit down and write every day to force the Muse to show up. You get into the habit of writing every day so that when she shows up, you have the maximum chance of catching her, bashing her on the head, and squeezing every last drop out of that bitch.

I am my own muse. I am the subject I know best. The subject I want to know better.

Writing is the best anti-depressant.

There is a time in every man's education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given to him to till. The power which resides in him is new in nature, and none but he knows what that is which he can do, nor does he know until he has tried. Not for nothing one face, one character, one fact makes much impression on him, and another none. This sculpture in the memory is not without preéstablishcd harmony. The eye was placed where one ray should fall, that it might testify of that particular ray. We but half express ourselves, and are ashamed of that divine idea which each of us represents. It may be safely trusted as proportionate and of good issues, so it be faithfully imparted, but God will not have his work made manifest by cowards. A man is relieved and gay when he has put his heart into his work and done his best; but what he has said or done otherwise shall give hint no peace. It is a deliverance which does not deliver. In the attempt his genius deserts him; no muse befriends; no invention, no hope.

i am my own muse, i am the subject i know best. the subject i want to know better.

His lips caressed her ear. “Best dance of my entire life.

your best men are drunks and your worst men are locking them up, your best men are killers and your worst men are selling them bullets

You should have seen them, Thyon said. "It was surreal." As an afterthought, he added, "Though I can't believe none of them rode the dragon." "I know!" said Ruza. "What was Azareen's thinking, choosing a winged horse when she could have a dragon?" "I don't think she was really focused on which creature was best," said Tzara. "You shouldn't have to focus on it," said Ruza. "It's instinctive. Dragons are always best.

And if there is anybody out there who is crazy enough to want to become a writer, I'd say go ahead, spit in the eye of the sun, hit those keys, it's the best madness going, the centuries need help, the species cry for light and gamble and laughter. Give it to them. There are enough words for all of us.

My relationship with my muse is a delicate one at the best of times and I feel that it is my duty to protect her from influences that may offend her fragile nature. She comes to me with the gift of song and in return I treat her with the respect I feel she deserves — in this case this means not subjecting her to the indignities of judgement and competition.

What is the meaning of life?" "What is consciousness and the mind?” "Why am I here?" “What is my relationship to God and the universe?" These questions have been asked for centuries, but they are irrelevant to achieving social progress. These are unanswerable questions because they don’t have referents in the real world. The posing of such ambiguous questions doesn’t express concern for fellow human beings, or a desire to elevate their condition. Such musings are gibberish in terms of practicality, and as impotent as wailing over an injured person instead of seeking medical attention for them.

Writers often have the cleanest windows, floors, fridges and toilets, the most up-to-date filing system or the best record for returning calls or e-mails because, in the moment, just about any task seems more palatable than sitting down to write.” (p.136)

That," he mused, "was the best non-sex ever.

Uncertainty is a temptress. We may try our best to avoid her. But what is certain is that at some point of time, she will find us. The only question that remains is whether like Medusa, she will paralyze you, or whether like one of the nine muses of ancient Greece, she will drive you to greater things.

Evening Solace The human heart has hidden treasures, In secret kept, in silence sealed;­ The thoughts, the hopes, the dreams, the pleasures, Whose charms were broken if revealed. And days may pass in gay confusion, And nights in rosy riot fly, While, lost in Fame's or Wealth's illusion, The memory of the Past may die. But, there are hours of lonely musing, Such as in evening silence come, When, soft as birds their pinions closing, The heart's best feelings gather home. Then in our souls there seems to languish A tender grief that is not woe; And thoughts that once wrung groans of anguish, Now cause but some mild tears to flow. And feelings, once as strong as passions, Float softly back-­a faded dream; Our own sharp griefs and wild sensations, The tale of others' sufferings seem. Oh ! when the heart is freshly bleeding, How longs it for that time to be, When, through the mist of years receding, Its woes but live in reverie ! And it can dwell on moonlight glimmer, On evening shade and loneliness; And, while the sky grows dim and dimmer, Feel no untold and strange distress­ Only a deeper impulse given By lonely hour and darkened room, To solemn thoughts that soar to heaven, Seeking a life and world to come.

Books have always been among my most trusted of friends, Mr. Linden replied. The best of them allow the mind to wander wherever the author's musings lead.

In Summation A poem by Taylor Swift At this hearing I stand before my fellow members of the Tortured Poets Department With a summary of my findings A debrief, a detailed rewinding For the purpose of warning For the sake of reminding As you might all unfortunately recall I had been struck with a case of a restricted humanity Which explains my plea here today of temporary i n s a n i t y You see, the pendulum swings Oh, the chaos it brings Leads the caged beast to do the most curious things Lovers spend years denying what’s ill fated Resentment rotting away galaxies we created Stars placed and glued meticulously by hand next to the ceiling fan Tried wishing on comets. Tried dimming the shine. Tried to orbit his planet. Some stars never align. And in one conversation, I tore down the whole sky Spring sprung forth with dazzling freedom hues Then a crash from the skylight bursting through Something old, someone hallowed, who told me he could be brand new And so I was out of the oven and into the microwave Out of the slammer and into a tidal wave How gallant to save the empress from her gilded tower Swinging a sword he could barely lift But loneliness struck at that fateful hour Low hanging fruit on his wine stained lips He never even scratched the surface of me. None of them did. “In summation, it was not a love affair!” I screamed while bringing my fists to my coffee ringed desk It was a mutual manic phase. It was self harm. It was house and then cardiac arrest. A smirk creeps onto this poet’s face Because it’s the worst men that I write best. And so I enter into evidence My tarnished coat of arms My muses, acquired like bruises My talismans and charms The tick, tick, tick of love bombs My veins of pitch black ink All’s fair in love and poetry Sincerely, The Chairman of The Tortured Poets Department

Who knew happiness was the best muse of all?

The best cure for cranial constipation is emotional fiber. Feel 'something', anything. Pain, anger, joy; if your heart goes eerily cold or leaps erratically from your chest, your synaptic bowels will soon find release.

Teachers who enlighten, guide and equip us to become one later, are the best teachers one can ever ask for.

I am not trying to be funny, it is just that you're a joke.

Her hand tightened around the handle of the serving spoon. "Don't do it," he warned. "Do what?" "Throw the spoon." "I wouldn't dream of it," she said tightly. He laughed aloud. "Oh,yes you would. You're dreaming of it right now. You just wouldn't do it." Sophie's hand was gripping the spoon so hard it shook. Benedict was chuckling so hard his bed shook. Sophie stood,still holding the spoon. Benedict smiled. "Are you planning to take that with you?" Remember your place, Sophie was screaming at herself. Remember your place. "Whatever could you be thinking." Benedict mused, "to look so adorably ferocious? No,don't tell me," he added. "I'm sure it involves my untimely and painful demise." Slowly and carefully, Sophie turned her back to him and put the spoon down on the table. She didn't want to risk any sudden movements. One false move and she knew she'd be hurling it at his head. Benedict raised his brows approvingly. "That was very mature of you." Sophie turned around slowly. "Are you this charming with everyone or only me?" "Oh,only you." He grinned. "I shall have to make sure you take me up on my offer to find you employment with my mother.You do bring out the best in me, Miss Sophie Beckett." "This is the best?" she asked with obvious disbelief. "I'm afraid so.

A young woman attending the best medical school in the world," Ransom mused aloud, "far from home, taking classes in a foreign language. You're a determined woman, doctor." "No medical school here would admit a female," Garret said pragmatically. "I had no choice." "You could have given up." "That is never an option," she assured him, and he smiled.

When you feel overwhelmed or unfocused, what do you do? I have a friend at the gym who knew Jack LaLanne (Google him if the name is unfamiliar). Jack used to say it’s okay to take a day off from working out. But on that day, you’re not allowed to eat. That’s the short way of saying you’re not really allowed to get unfocused. Take a vacation. Gather yourself. But know that the only reason you’re here on this planet is to follow your star and do what the Muse tells you. It’s amazing how a good day’s work will get you right back to feeling like yourself.

You see, you are not so soft after all; you are rock and wave and the peeling barks of trees, you are ladybirds and the smell of a garden after the rain. When you put your best foot forward, you are taking the north side of a mountain with you.

It opened with the melancholy reflection that, in the lives of mortals the best days are the first to flee. ‘Optima dies ... prima fugit.’ I turned back to the beginning of the third book, which we had read in class that morning. ‘Primus ego in patriam mecum ... deducam Musas’; ‘for I shall be the first, if I live, to bring the Muse into my country.

Poetic Terrorism WEIRD DANCING IN ALL-NIGHT computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects. Kidnap someone & make them happy. Pick someone at random & convince them they're the heir to an enormous, useless & amazing fortune--say 5000 square miles of Antarctica, or an aging circus elephant, or an orphanage in Bombay, or a collection of alchemical mss. ... Bolt up brass commemorative plaques in places (public or private) where you have experienced a revelation or had a particularly fulfilling sexual experience, etc. Go naked for a sign. Organize a strike in your school or workplace on the grounds that it does not satisfy your need for indolence & spiritual beauty. Graffiti-art loaned some grace to ugly subways & rigid public monuments--PT-art can also be created for public places: poems scrawled in courthouse lavatories, small fetishes abandoned in parks & restaurants, Xerox-art under windshield-wipers of parked cars, Big Character Slogans pasted on playground walls, anonymous letters mailed to random or chosen recipients (mail fraud), pirate radio transmissions, wet cement... The audience reaction or aesthetic-shock produced by PT ought to be at least as strong as the emotion of terror-- powerful disgust, sexual arousal, superstitious awe, sudden intuitive breakthrough, dada-esque angst--no matter whether the PT is aimed at one person or many, no matter whether it is "signed" or anonymous, if it does not change someone's life (aside from the artist) it fails. PT is an act in a Theater of Cruelty which has no stage, no rows of seats, no tickets & no walls. In order to work at all, PT must categorically be divorced from all conventional structures for art consumption (galleries, publications, media). Even the guerilla Situationist tactics of street theater are perhaps too well known & expected now. An exquisite seduction carried out not only in the cause of mutual satisfaction but also as a conscious act in a deliberately beautiful life--may be the ultimate PT. The PTerrorist behaves like a confidence-trickster whose aim is not money but CHANGE. Don't do PT for other artists, do it for people who will not realize (at least for a few moments) that what you have done is art. Avoid recognizable art-categories, avoid politics, don't stick around to argue, don't be sentimental; be ruthless, take risks, vandalize only what must be defaced, do something children will remember all their lives--but don't be spontaneous unless the PT Muse has possessed you. Dress up. Leave a false name. Be legendary. The best PT is against the law, but don't get caught. Art as crime; crime as art.

I have to tell you the truth. But you are too ugly for it.

He does not always choose the best Who muses long.

Live joyfully this life. Once gone, who knows if we ever get it back. Atheists think we do not. Mystics say you will. Either way, chill.

If you're the only one that can see the genius in you, It's best you revisit the drawing board.

Laugh, and the world laughs with you. Don't, and the world laughs at you.

Some of the best victories in history came about when well thought-out plans went to shit.

Live boldly. Or be an oldie. Your call. As for me, well, I may have at times lived good, or even badly. But never ever not boldly.

The Abbe Paul looked at Agnes rather as Alain had, with respect. 'How sensible. People are desperate to probe mysteries which for the most part are best left unprobed. It is the modern curse: this demented drive to explain every blessed thing. Not everything can be explained. Nor should be, I think.

This is what you do to me," I breathe out, growling as her finger presses into my flesh harder. "You tear me apart from the inside out in the best fucking ways possible. You make me kill for you, you make me want to die for you. I'll burn this whole place down to ashes and paint you with them like the muse you are.

When it came down to it, she decided, she believed in a few important things. In humanity before Dogma. In religion of human kindness. In Poetry. In Sex. In being clear enough to ask for what she wanted, and detaching from ego enough to hear the answer. In the power of yoga. In being embodied. In owning her reality without apology. In embracing it all, the fuck-ups and the bliss. In the absolute necessity of dark chocolate to her continued existence. In the power of a hard swallow of whiskey to make everything clear. That most of the time we all do the very best we can. But most of all, she believed that nothing is fixed and unchanging, Not even the things she believed the most. That belief, it turns out, is the one that felt the most like freedom.

These sorrowful musings on my imperfection were nothing compared to the awful realization that I had gained precisely nothing from reading the books of the very best writers; no avenues had opened up, no light gleamed ahead and it had done nothing but depress me. Wormlike, the awful thought began to gnaw at my heart that I should never make a writer.

It can pay off, being a hack. Given the depraved state of American culture, a slick dude can make millions being a hack. But even if you succeed, you lose, because you've sold out your Muse, and your Muse is you, the best part of yourself, where your finest and only true work comes from.

We mused for a while over parents. Then I went on musing about why it was thought better and higher to love one's country than one's county, or town, or village, or house. Perhaps because it was larger. But then it would be still better to love one's continent, and best of all to love one's planet.

The berth belongs to you too. It will always be there when—if you want to come back.” Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.” His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.” “I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words. Kaz cast her a swift glance. “I thought you wanted to hunt slavers.” “I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.” “I’m a Barrel boss.” “You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.” “The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.” “Why not?” Inej asked. “One the seas and in the city. One by one.” “Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“ “This city doesn’t need a good man. It needs you.” “Inej—“ “How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.” He made a sound that might almost have been a laugh. One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach. Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away. “I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving. Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too. Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.

On the raptors kept for falconry: "They talk every night, deep into the darkness. They say about how they were taken, about what they can remember about their homes, about their lineage and the great deeds of their ancestors, about their training and what they've learned and will learn. It is military conversation, really, like what you might have in the mess of a crack cavalry regiment: tactics, small arms, maintenance, betting, famous hunts, wine, women, and song. Another subject they have is food. It is a depressing thought," he continued, "but of course they are mainly trained by hunger. They are a hungry lot, poor chaps, thinking of the best restaurants where they used to go, and how they had champagne and caviar and gypsy music. Of course, they all come from noble blood." "What a shame that they should be kept prisoners and hungry." "Well, they do not really understand that they are prisoners any more than the cavalry officers do. They look on themselves as being 'dedicated to their profession,' like an order of knighthood or something of that sort. You see, the member of the Muse [where Raptors are kept for falconry] is restricted to the Raptors, and that does help a lot. They know that none of the lower classes can get in. Their screened perches do not carry Blackbirds or such trash as that. And then, as for the hungry part, they're far from starving or that kind of hunger: they're in training, you know! And like everybody in strict training, they think about food.

This might not be what Emele pictured, but if I’m supposed to prod him from his self-imposed exile, I’m going to select a winning strategy rather than a conventional one. After musing over it for a few hours, Elle had decided that the best way to befriend His Illegitimate Highness Prince Severin, based on his personality and her observations, was to be as inconspicuous as possible and steadily invade his life. If she made him uncomfortable along the way, so be it. In fact, that would be preferred!

The best listeners I know pause over words. ‘That’s an interesting way of putting it,’ they muse, or they ask. ‘What exactly do you mean by that?’ The consciousness that every word is a choice, that each word has its own resonance, nuance, emotional coloring, and weight informs their sense of what is being communicated. This kind of listening comes close to what we engage in when we listen to music...A good listener loves words, respects them, pays attention to them, and recognizes vague approximations as a kind of falsehood.

the best writers have said very little and the worst, far too much.

We inspire each other. Poets and Artists are best friends and muses for each other.

I can assure you, as anyone who has ever met a muse knows, the best way to get a muse to hang around is to show you could be having fun without her.

She's my best friend." My muse, my brush, my artistry, my heart. All of its dead without her. "I love her.

Very few people are all anything, Vicente,” she mused. “Anyone can be the best or worst of persons. The greatest saints or horrors of your own kind were all human.

appetite.” “In retrospect, a six-course tasting menu was probably not the best idea,” Nick mused. Rachel nodded. “Every time the waiter lifted the silver

I am my own muse,’ wrote Frida Kahlo. ‘I am the subject I know best. The subject I want to know better.

Choose friends who care about your health and wealth. Those who do not contribute to your distress and are willing to help you become the best.

It has always been my opinion," Bea said musingly, "that there can be worse kinds of infidelity than the merely sexual. I'm a simple woman with a very simple outlook on life. I've always found that things work out best if you keep to certain simple rules. Right down the line. And one of the first rules for a successful marriage is loyalty to your partner. Total loyalty.

1 You said ‘The world is going back to Paganism’. Oh bright Vision! I saw our dynasty in the bar of the House Spill from their tumblers a libation to the Erinyes, And Leavis with Lord Russell wreathed in flowers, heralded with flutes, Leading white bulls to the cathedral of the solemn Muses To pay where due the glory of their latest theorem. Hestia’s fire in every flat, rekindled, burned before The Lardergods. Unmarried daughters with obedient hands Tended it. By the hearth the white-armd venerable mother Domum servabat, lanam faciebat. At the hour Of sacrifice their brothers came, silent, corrected, grave Before their elders; on their downy cheeks easily the blush Arose (it is the mark of freemen’s children) as they trooped, Gleaming with oil, demurely home from the palaestra or the dance. Walk carefully, do not wake the envy of the happy gods, Shun Hubris. The middle of the road, the middle sort of men, Are best. Aidos surpasses gold. Reverence for the aged Is wholesome as seasonable rain, and for a man to die Defending the city in battle is a harmonious thing. Thus with magistral hand the Puritan Sophrosune Cooled and schooled and tempered our uneasy motions; Heathendom came again, the circumspection and the holy fears … You said it. Did you mean it? Oh inordinate liar, stop. 2 Or did you mean another kind of heathenry? Think, then, that under heaven-roof the little disc of the earth, Fortified Midgard, lies encircled by the ravening Worm. Over its icy bastions faces of giant and troll Look in, ready to invade it. The Wolf, admittedly, is bound; But the bond wil1 break, the Beast run free. The weary gods, Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand, Will limp to their stations for the Last defence. Make it your hope To be counted worthy on that day to stand beside them; For the end of man is to partake of their defeat and die His second, final death in good company. The stupid, strong Unteachable monsters are certain to be victorious at last, And every man of decent blood is on the losing side. Take as your model the tall women with yellow hair in plaits Who walked back into burning houses to die with men, Or him who as the death spear entered into his vitals Made critical comments on its workmanship and aim. Are these the Pagans you spoke of? Know your betters and crouch, dogs; You that have Vichy water in your veins and worship the event Your goddess History (whom your fathers called the strumpet Fortune).

The hack is like the politician who consults the polls before he takes a position. He's a demagogue. He panders. It can pay off, being a hack. Given the depraved state of American culture, a slick dude can make millions being a hack. But even if you succeed, you lose, because you've sold out your Muse, and your Muse is you, the best part of yourself, where your finest and only true work comes from. I

The interstate seems to stretch for miles in a straight line as the fields and farms give way to a more barren landscape. "Loneliness has been good to me' is playing on my personal radio where I hear songs before I write them, and I wonder if this is just another mirage I will forget or if this will become a real song. It has been a long time since I've written a song, and the visits from the muse seem to be lessened by something. I still keep my faith that the muse knows best and whn I am ready the inspiration will be there. I am trying not to look too ready. I know that just invites false promise.

Your Creative Autobiography 1. What is the first creative moment you remember? 2. Was anyone there to witness or appreciate it? 3. What is the best idea you’ve ever had? 4. What made it great in your mind? 5. What is the dumbest idea? 6. What made it stupid? 7. Can you connect the dots that led you to this idea? 8. What is your creative ambition? 9. What are the obstacles to this ambition? 10. What are the vital steps to achieving this ambition? 11. How do you begin your day? 12. What are your habits? What patterns do you repeat? 13. Describe your first successful creative act. 14. Describe your second successful creative act. 15. Compare them. 16. What are your attitudes toward: money, power, praise, rivals, work, play? 17. Which artists do you admire most? 18. Why are they your role models? 19. What do you and your role models have in common? 20. Does anyone in your life regularly inspire you? 21. Who is your muse? 22. Define muse. 23. When confronted with superior intelligence or talent, how do you respond? 24. When faced with stupidity, hostility, intransigence, laziness, or indifference in others, how do you respond? 25. When faced with impending success or the threat of failure, how do you respond? 26. When you work, do you love the process or the result? 27. At what moments do you feel your reach exceeds your grasp? 28. What is your ideal creative activity? 29. What is your greatest fear? 30. What is the likelihood of either of the answers to the previous two questions happening? 31. Which of your answers would you most like to change? 32. What is your idea of mastery? 33. What is your greatest dream?

But what Rios-Parkinson really appreciated about the climate laws was how much control over the masses they provided the elite. Global warming, he mused, was the best thing that ever happened to progressivism.

You tear me apart from the inside out in the best fucking ways possible. You make me kill for you, you make me want to die for you. I'll burn this whole place down to ashes and paint you with them like the muse you are.

Stop waiting for something or someone to inspire you,’ she says. ‘Get inspired by your own life. Find a chaise; lie on it; be your own muse, for heaven’s sake. Can’t you see the best stories are already inside you, awaiting their release?

Things are as they are, and no amount of self-deception makes them otherwise. The friend who is incapable of depression depresses us as surely as the friend who is incapable of boredom bores us. Somewhere in our hearts is a strong, though dimly understood, desire to face realities, and to measure consequences, to have done with the fatigue of pretending. It is not optimism to enjoy the view when one is treed by a bull; it is philosophy. The optimist would say that being treed was a valuable experience. The disciple of gladness would say it was a pleasurable sensation. The Christian Scientist would say there was no bull, though remaining–if he were wise–on the tree-top. The philosopher would make the best of a bad job, and seek what compensation he could find.

since Apollo was Apollo, and the muses muses, and poets poets, no book as amusing or nonsensical has ever been written, and since, in its way, it is the best and most unusual book of its kind that has seen the light of day, anyone who has not read it can assume that he has never read anything entertaining.

He muses on the terrorists who brought down the World Trade Center (he muses on them often). Those clowns actually thought they were going to paradise, where they'd live in a kind of eternal luxury hotel being services by gorgeous young virgins. Pretty funny, and the best part? They joke was on them...not that they knew it. What they got was a momentary view of all those windows and a final flash of light. After that, they and their thousands of victims were just gone. Poof. Seeya later, alligator. Off you go, killers and killed alike, off you go into the universe null set that surrounds one lonely blue planet and all its mindlessly bustling denizens. Every religion lies. Every moral precept is a delusion. Even the stars are a mirage. The truth is darkness, and the only thing that matters is making a statement before one enters it. Cutting the skin of the world and leaving a scar. That's all history is, after all: scar tissue.

In a society like ours, to seek for literary glory seems to me an anachronism. Of what use is it to invoke an ancient sibyl when a muse is on the eve of birth? Pitiable actors in a tragedy nearing its end, that which it behooves us to do is to precipitate the catastrophe. The most deserving among us is he who plays best this part. Well, I no longer aspire to this sad success!

We’re connected. Somehow. Where he goes, I go. I’m my best self when I’m with him, and I help bring out things inside of him that nobody would ever be able to witness without me. I feel like I’m breathing polluted air when he’s too far away. The only time I can take a full, clean breath is when he comes back to me. I don’t remember a time in my life where it wasn’t like that. I don’t think there ever was.

And they spoke of their Antigonie, who they called Go, as if she were a friend. Leo hadn't yet written any music, but he had made drawings on butcher paper stolen from the kitchen. They curled around his walls, intricate doodles, extensions of the boy's own lean, slight body. The shape of Leo's jaw in profile, devestating. The way he gnawed his fingernails to the crescents, the fine shining hairs down the center of his nape, the smell of him, up close, pure and clean, bleaching. The ones made for music are the most beloved of all. Their bodies a container for the spirit within; the best of them is music, the rest only instrument of flesh and bone. The weather conspired. Snow fell softly in the windows. It was too cold to be out for long. The world colorless, a dreamscape, a blank page, the linger of woodsmoke on the back of the tongue.

I now understand that God may very well give us ideas, but often our talent (or lack of it) gets in the way of His musings. But while we cringe inwardly, God smiles and delights in the fact that His children took the time to listen to Him, and tried their best with what He gave them. I think we’re often more interested in the end result than God is. He seems to care more about faith and obedience than how wonderful or talented we are.

Epistle to Miss Blount, On Her Leaving the Town, After the Coronation" As some fond virgin, whom her mother’s care Drags from the town to wholesome country air, Just when she learns to roll a melting eye, And hear a spark, yet think no danger nigh; From the dear man unwillingly she must sever, Yet takes one kiss before she parts for ever: Thus from the world fair Zephalinda flew, Saw others happy, and with sighs withdrew; Not that their pleasures caused her discontent, She sighed not that They stayed, but that She went. She went, to plain-work, and to purling brooks, Old-fashioned halls, dull aunts, and croaking rooks, She went from Opera, park, assembly, play, To morning walks, and prayers three hours a day; To pass her time ‘twixt reading and Bohea, To muse, and spill her solitary tea, Or o’er cold coffee trifle with the spoon, Count the slow clock, and dine exact at noon; Divert her eyes with pictures in the fire, Hum half a tune, tell stories to the squire; Up to her godly garret after seven, There starve and pray, for that’s the way to heaven. Some Squire, perhaps, you take a delight to rack; Whose game is Whisk, whose treat a toast in sack, Who visits with a gun, presents you birds, Then gives a smacking buss, and cries – No words! Or with his hound comes hollowing from the stable, Makes love with nods, and knees beneath a table; Whose laughs are hearty, tho’ his jests are coarse, And loves you best of all things – but his horse. In some fair evening, on your elbow laid, Your dream of triumphs in the rural shade; In pensive thought recall the fancied scene, See Coronations rise on every green; Before you pass th’ imaginary sights Of Lords, and Earls, and Dukes, and gartered Knights; While the spread fan o’ershades your closing eyes; Then give one flirt, and all the vision flies. Thus vanish scepters, coronets, and balls, And leave you in lone woods, or empty walls. So when your slave, at some dear, idle time, (Not plagued with headaches, or the want of rhyme) Stands in the streets, abstracted from the crew, And while he seems to study, thinks of you: Just when his fancy points your sprightly eyes, Or sees the blush of soft Parthenia rise, Gay pats my shoulder, and you vanish quite; Streets, chairs, and coxcombs rush upon my sight; Vexed to be still in town, I knit my brow, Look sour, and hum a tune – as you may now.

My ideal was contained within the word beauty, so difficult to define despite all the evidence of our senses. I felt responsible for sustaining and increasing the beauty of the world. I wanted the cities to be splendid, spacious and airy, their streets sprayed with clean water, their inhabitants all human beings whose bodies were neither degraded by marks of misery and servitude nor bloated by vulgar riches; I desired that the schoolboys should recite correctly some useful lessons; that the women presiding in their households should move with maternal dignity, expressing both vigor and calm; that the gymnasiums should be used by youths not unversed in arts and in sports; that the orchards should bear the finest fruits and the fields the richest harvests. I desired that the might and majesty of the Roman Peace should extend to all, insensibly present like the music of the revolving skies; that the most humble traveller might wander from one country, or one continent, to another without vexatious formalities, and without danger, assured everywhere of a minimum of legal protection and culture; that our soldiers should continue their eternal pyrrhic dance on the frontiers; that everything should go smoothly, whether workshops or temples; that the sea should be furrowed by brave ships, and the roads resounding to frequent carriages; that, in a world well ordered, the philosophers should have their place, and the dancers also. This ideal, modest on the whole, would be often enough approached if men would devote to it one part of the energy which they expend on stupid or cruel activities; great good fortune has allowed me a partial realization of my aims during the last quarter of a century. Arrian of Nicomedia, one of the best minds of our time, likes to recall to me the beautiful lines of ancient Terpander, defining in three words the Spartan ideal (that perfect mode of life to which Lacedaemon aspired without ever attaining it): Strength, Justice, the Muses. Strength was the basis, discipline without which there is no beauty, and firmness without which there is no justice. Justice was the balance of the parts, that whole so harmoniously composed which no excess should be permitted to endanger. Strength and justice together were but one instrument, well tuned, in the hands of the Muses. All forms of dire poverty and brutality were things to forbid as insults to the fair body of mankind, every injustice a false note to avoid in the harmony of the spheres.

It is the inattentive reader who loses my subject, not I. Some word about it will always be found off in a corner, which will not fail to be sufficient, though it takes little room. I seek out change indiscriminately and tumultuously. My style and my mine alike go roaming. A man must be a little mad if he does not want to be even more stupid, say the precepts of our masters, and even more so their examples. A thousand poets drag and languish prosaically; but the best ancient prose — and I scatter it here indiscriminately as verse — shines throughout with the vigor and boldness of poetry, and gives the effect of its frenzy. To poetry we must certainly concede mastery and preeminence in speech. The poet, says Plato, seated on the tripod of the Muses, pours out in a frenzy whatever comes into his mouth, like the spout of a fountain, without ruminating and weighing it; and from him escape things of different colors and contradictory substance in an intermittent flow. He himself is utterly poetic, and the old theology is poetry, the scholars say, and the first philosophy. It is the original language of the Gods.

I mean, I sort of went insane and treated everyone like shit after my girlfriend died, so…" "You weren't exactly the picture of sane before, and if I lost James, I would have needed to be locked away. I'd either kill everyone else, or kill myself, so if you ask me, you handled yourself quite well, all things considered." "You don't know how I handled myself at all." "I don't need to. You're here now, and you look good. That tells me all I need to know." "You know, I appreciate that," Dorcas muses. Regulus chuckles, and then he's smiling, a full smile that Dorcas has never seen on his face before. As if she didn't walk out of his life, and every life, including her own, for the last year, he says, "James and I recently agreed to get married, like planning the wedding and such. You'll be in my lineup. James can't have you, which he's been pouting about, but he's not the best at multitasking when it comes to fighting. He's throwing his whole lot in with claiming Sirius." "I'm—in the wedding?" Dorcas asks. "Obviously." "Oh, obviously. You couldn't have known I'd be back in time." "No," Regulus agrees with a shrug, "but I hoped." Dorcas' heart clenches. "Thank you, for hoping.

Daisy and I need an aristocratic sponsor,” Lillian said with a sigh. “Not to mention some etiquette lessons. And unfortunately, Annabelle, since you’ve married a commoner, you’ve got no real social influence, and we’re no farther along than when we started.” Hastily she added, “No offense meant, dear.” “None taken,” Annabelle replied mildly. “However, Simon does have some friends in the peerage— Lord Westcliff in particular.” “Oh, no,” Lillian said firmly. “I want nothing to do with him.” “Why not?” Lillian raised her brows as if surprised by the need to explain. “Because he’s the most insufferable man I’ve ever encountered?” “But Westcliff is very highly placed,” Annabelle wheedled. “And he is Simon’s best friend. I have no great liking for him myself, but he could be a useful ally. They say that Westcliff’s title is the oldest one in England. Blood doesn’t get any bluer than his.” “And well he knows it,” Lillian said sourly. “Despite all his populist talk, one can see that he’s inwardly thrilled to be a peer with lots of minions he can order about.” “I wonder why Westcliff hasn’t married yet,” Daisy mused. “Despite his flaws, one has to admit that he is a whale-sized catch.” “I’ll be thrilled when someone harpoons him,” Lillian muttered, making the other two laugh.

Would we get on well together, do you think?” she asked dubiously, daring to play with the knot of his necktie, loosening the gray watered-silk fabric with her fingertips. “We’re opposites in nearly every regard.” Inclining his head, Marcus nuzzled the tender inside of her wrist, his lips brushing the blue-tinted veins that lay like fine lacework beneath the skin. “I am coming to believe that taking a wife who is exactly like myself would be the worst conceivable decision I could make.” “Perhaps you’re right,” Lillian mused, letting her fingertips curl into the gleaming close-cut hair at the side of his head. “You need a wife who won’t let you have your way all the time. One who…” She paused with a little shiver as his tongue touched a delicate spot near her inner elbow. “Who,” she continued, struggling to gather her thoughts, “would be willing to take you down a notch when you become too pompous…” “I am never pompous,” Marcus said, drawing the edge of her gown away from the vulnerable curve of her throat. Her breath hitched as he began to kiss the wing of her collarbone. “What would you call it when you carry on as if you always know best, and anyone who disagrees with you is an idiot?” “Most of the time, the people who disagree with me do happen to be idiots. I can’t help that.

We stood in the wings together, side by side. Reed's mouth was still agape. "It makes sense when you think about it," I mused. "You get two people together who have you-know-what, and sparks are going to fly." Reed's cue was about to start. He pointed at me and said, "Tonight. There's a party. And we're going to talk." "Yes" "Because this is crazy." "Totally." "Okay. Well." He tugged a strand of my hair. "Good luck out there." "You're not supposed to say that." "Fine. How about..." He squinted at me. "Here's looking at you kid." The smile melted off my face. "What did you say?" "It's a line. From a movie." He shrugged and burst onto the stage with a hee-haw. It was a line. From Casablanca. The same line KARL had said to me when I was Elsa. The same like Karl didn't recognize when I said it to him as Floressa. Which meant... nothing. Right? Lots of people know that line. Just because Reed said it, and Reed was a sub, it didn't mean he was... he was... "You're on," the stage manager whispered. I stumbled onto the stage. The lights were too bright. The theater was packed. Reed gave me a quick, crooked smile, and I knew. My crush on Karl was less complicated than I thought, because it wasn't Karl I'd been with that day in the garden. Now my crush on Reed... ? THAT was a scandal all on its own.

But Hannah's friend didn’t understand the volatile balancing act between art and sanity, that the act of creation was like walking a tightrope during an earthquake. She didn’t understand Hannah’s stupid need for validation, or that the size of the audience increased the stakes and multiplied the fear. She didn’t understand that creativity was dangerous, that, yes, there were some people who could stand before a canvas, paint a sunset that would bring the world to its knees, and return to their loved ones as a complete person who didn’t hurt, didn’t cry, didn’t spill blood to appease the host of fickle muses. But Hannah did. Hannah’s best ideas—sometimes her only ideas—were buried beneath the skin.

O guide my judgment and my taste, Sweet Spirit, author of the book Of wonders, told in language chaste And plainness, not to be mistook. O let me muse, and yet at sight The page admire, the page believe; "Let there be light, and there was light, Let there be Paradise and Eve!" Who his soul's rapture can refrain? At Joseph's ever pleasing tale Of marvels, the prodigious train, To Sinai's hill from Goshen's vale. The psalmist and proverbial seer, And all the prophets sons of song, Make all things precious, all things dear, And bear the brilliant word along. O take the book from off the shelf, And con it meekly on thy knees; Best panegyric on itself, And self-avouch'd to teach and please. Respect, adore it heart and mind. How greatly sweet, how sweetly grand, Who reads the most, is most refind'd, And polish'd by the Master's hand.

Well, she did say once that a disorganized closet was a sign of... a sign of..." she began, glancing around him and looking ready to bolt like a fawn in the forest. "A sign of what?" he asked, his hand reaching out and cradling her chin, stilling her movements. He gave her her due- she chucked up her chin and met his gaze with a steely one of her own. "Lady Essex says untidy closets are a sign of darker troubles." "Truly?" he mused as he leaned over her and inhaled deeply around the shell of her ear. "How dark?" She might be doing her best to look unmoved, but he could see her pulse fluttering in her neck, see her lips part slightly, her lashes waver as they softly closed. "I haven't the vaguest notion-" she began, and stopped as his lips brushed against a spot right behind her ear. "My lord! Whatever are you doing?" "Discovering your dark secrets.

You’re not from around here–you CIA?” he demanded. “I’m not CIA,” I replied wearily. “Just here to see the Buddhas.” “What Buddhas?” “The Buddhas of Bamiyan?” I suggested, doing my best not to let my contempt of this bandit’s ignorance show. “Carved into the mountainside itself ?” “Hell yeah,” mused the man on the truck. “I’ve seen them. You’re right to go now–twenty years from now they won’t even be standing!” I stepped back, surprised, and had another look at this ragged, smelling, dust-covered man. He grinned, touched his hand to his forelock and said, “Well, nice to meet you, even if you aren’t CIA.” He hopped down from the truck and began to head away. I called out, surprised at myself for even doing it, “Tiananmen Square.” He stopped, then swung round on the spot, toe pointing up and ankle digging into the dirt as he did, like a dancer. Still grinning his easy grin, he swaggered back towards me, stopping so close I could feel the stickiness coming off his body. “Hell,” he said at last. “You don’t look much like a Chinese spy neither.” “You don’t look like an Afghan warlord,” I pointed out. “Well, that’s because I’m only passing through this place on the way to somewhere else.” “Anywhere in particular?” “Wherever there’s action. We’re men of war, see–that’s what we do and we do it well–and there’s no shame in that because it’ll happen without us anyway, but with us–” his grin widened “–maybe it’ll happen that little bit faster. But what’s a nice old gentleman like you doing talking about Chinese geography, hey?” “Nothing,” I replied with a shrug. “The word just popped into my head. Like Chernobyl–just words.” Fidel’s eyebrows flickered, though his grin remained fixed. Then he gave a great chuckle, slapped me so hard on the shoulder that I nearly lost my footing, stepped back a little to admire his handiwork, and finally roared out loud. “Jesus, Joseph and the Holy Mary,” he blurted. “Michael fucking Jackson to you too.

In the strange, shadowed lighting of my small room Dutchy takes off his belt and dress shirt and hangs them over the only chair. He stretches out on the bed in his undershirt and trousers, his back against the wall, and I lean against him, feeling his body curve around mine. His warm breath is on my neck, his arm on my waist. I wonder for a moment if he'll kiss me. I want him to. "How can this be?" he murmurs. "It isn't possible. I've dreamed of it. Have you?" I don't know what to say. I never dared to imagine that I'd see him again. In my experience, when you lose somebody you care about, they stay gone. "What's the best thing that happened to you in the past ten years?" I ask. "Seeing you again," Smiling, I push back against his chest. "Besides that" "Meeting you the first time." We both laugh. "Besides that." "Hmm, besides that," he muses, his lips on my shoulder. "Is there anything besides that?" he pulls me close, his hand cupping my hip bone. And though I've never done anything like this before - have barely ever been alone with a man, certainly not a man in his undershirt - I'm not nervous. When he kisses me, my whole body hums.

This, the profoundest of all mysteries, would be left for the living to ponder. Soldiers who survived also would struggle to reconcile the greatest catastrophe in human history with what the philosopher and Army officer J. Glenn Gray called “the one great lyric passage in their lives.” The war’s intensity, camaraderie, and sense of high purpose left many with “a deplorable nostalgia,” in the phrase of A. J. Liebling. “The times were full of certainty,” Liebling later wrote. “I have seldom been sure I was right since.” An AAF crewman who completed fifty bomber missions observed, “Never did I feel so much alive. Never did the earth and all of the surroundings look so bright and sharp.” And a combat engineer mused, “What we had together was something awfully damned good, something I don’t think we’ll ever have again as long as we live.” They had been annealed, touched with fire. “We are certainly no smaller men than our forefathers,” Gavin wrote his daughter. Alan Moorehead, who watched the scarlet calamity from beginning to end, believed that “here and there a man found greatness in himself.” The anti-aircraft gunner in a raid and the boy in a landing barge really did feel at moments that the thing they were doing was a clear and definite good, the best they could do. And at those moments there was a surpassing satisfaction, a sense of exactly and entirely fulfilling one’s life.… This thing, the brief ennoblement, kept recurring again and again up to the end, and it refreshed and lighted the whole heroic and sordid story. In Moorehead’s view, the soldier to whom this grace was granted became, “for a moment, a complete man, and he had his sublimity in him.” For those destined to outlive the

Four Years Since Today I remember the day but to be honest it is everyday That day then, the moment then, when you left us all here More than just a father I call, a gem I treasure, that day I lost We four girls, my mom’s other half, my brothers best bud, our first love, we lost Holding the key to the future called You, I stand still facing the gate of the past Why I keep on asking the same question? Why you? Why out of all those people? Why too soon? Why? It has been years, 4 years exact, it seems like yesterday yes You were taken too soon, words aren’t enough to express It’s not fair, but who I am to blame, who Am I to question? My eyes express longing you cannot fathom From my open mouth my broken heart pours Words that try to capture that image so faint He is the picture I could not ever paint Yet our memories is in the solid bowl being kept Spare me even just 5 or 10 minutes of your presence To build up this longing I feel, I am asking I want to hear your nag; I want to hear your laugh In my dreams please see me there I won’t get afraid nor get frightened Like a waterfalls my tears keeps on flowing Like a bubble your voice keeps on vanishing He, his shadow, he himself starts from fading I don’t want to forget you please stop time from ticking I don’t want to open my eyes don’t wake me from dreaming You are the art of my painting, the muse of my poem My strength, my inspiration why I’m still holding on My king, my superman, name them all, you are my only one I miss the old golden days when you used to carry us one by one Look papa, how I am now, hoping always, you’ll be proud It pains me to know this inevitable truth, yes That I can’t see you for now yes it’s the truth, but My father’s love undeniable not easily obtained Something that few, many people rather don’t have But I’m blessed and proud I have mine claimed.

The Cretan and Spartan laws were found to be faulty because they did not permit their subjects to taste the greatest pleasures. [...] The pleasures of banquets are drinking and singing. In order to justify banquets one must therefore discuss also singing, music, and hence education as a whole: the music pleasures are the greatest pleasures which people can enjoy in public and which they must learn to control by being exposed to them. The Spartan and Cretan laws suffer then from the great defect that they do not at all, or at least not sufficiently, expose their subjects to the music pleasures. The reason for this is that these two societies are not towns but armed camps, a kind of herd: in Sparta and Crete even those youths who are by nature fit to be educated as individuals by private teachers are brought up merely as members of a herd. In other words, the Spartans and Cretans know only how to sing in choruses: they do not know the most beautiful song, the most noble music. In the Republic the city of the armed camp, a greatly improved Sparta, was transcended by the City of Beauty, the city in which philosophy, the highest Muse, is duly honored. In the Laws, where the best possible regime is presented, this transcending does not take place. The city of the Laws is, however, not a city of the armed camp in any sense. Yet it has certain features in common with the city of the armed camp of the Republic. Just as in the Republic, music education proves to be education toward moderation, and such education proves to require the supervision of musicians and poets by the true statesman or legislator. Yet while in the Republic education to moderation proves to culminate in the love of the beautiful, in the Laws moderation rather takes on the colors of sense of shame or of reverence. Education is surely education to virtue, to the virtue of the citizen or to the virtue of man.

Didn’t you ever notice that whatever you wanted or whatever you set out to do, Cora wanted to do it too?” Noah asked. “She wasn’t like that.” “She was, Mer. And it’s okay to admit it. One of the hardest things about Cora dying is that everyone wants to erase her—the real Cora. They talk about her as though she were perfect. She wasn’t. ‘Don’t talk ill of the dead,’ people say. But if we aren’t truthful about who our loved ones were, then we aren’t really remembering them. We’re creating someone who didn’t exist. Cora loved you. She loved me. But what she did was not okay. And I’m pissed off about it.” Mercedes reeled back, stunned. “Geez, Noah. Tell me how you really feel. She still deserves our compassion,” she rebuked. He nodded. “Everyone deserves compassion. And I know suicide isn’t always a conscious act. Most of the time it’s sheer desperation. It’s a moment of weakness that we can’t come back from. But regardless of illness or weakness, if we don’t own our actions and don’t demand that others own theirs, then what’s the point? We might as well give up now. We have to expect better of ourselves. We have to. I expect more of my patients, and when I expect more—lovingly, patiently—they tend to rise to that expectation. Maybe not all the way up, but they rise. They improve because I believe they can, and I believe they must. My mom was sick. But she didn’t try hard enough to get better. She found a way to cope—and that’s important—but she never varied from it. Life has to be more than coping. It has to be.” Mercedes nodded slowly, her eyes clinging to his impassioned face. She’d struck a nerve, and he wasn’t finished. “I know it’s not something we’re supposed to say. We’re supposed to be all-loving and all-compassionate all the time. But sometimes the things we aren’t supposed to say are the truths that keep us sane, that tether us to reality, that help us move the hell on! I know some of my colleagues would be shocked to hear it. But pressure—whether it’s the pressure of society, or the pressure of responsibility, or the pressure that comes with being loved and being needed—isn’t always a bad thing. You’ve heard the cliché about pressure and diamonds. It’s a cliché because it’s true. Pressure sometimes begets beautiful things.” Mercedes was silent, studying his handsome face, his tight shoulders, and his clenched fists. He was weary, that much was obvious, but he wasn’t wrong. “Begets?” she asked, a twinkle in her eye. He rolled his eyes. “You know damn well what beget means.” “In the Bible, beget means to give birth to. I wouldn’t mind giving birth to a diamond,” she mused. “You ruin all my best lectures.” There was silence from the kitchen. Silence was not good. “Gia?” Noah called. “What, Daddy?” she answered sweetly. “Are you pooping in your new princess panties?” “No. Poopin’ in box.” “What box?” His voice rose in horror. “Kitty box.” Noah was on his feet, racing toward the kitchen. Mercedes followed. Gia was naked—her Cinderella panties abandoned in the middle of the floor—and perched above the new litter box. “No!” Noah roared in horror, scooping her up and marching to the toilet. “Maybe it won’t be a turd, Noah. Maybe Gia will beget a diamond,” Mercedes chirped, trying not to laugh. “I blame you, Mer!” he called from the bathroom. “She was almost potty-trained, and now she wants to be a cat!

joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of

My musings were cut short when Jenna nudged me and pointed out Bruce Sims and his dearly departed wife's best friend, Wendy Haley, standing together across the room.

You … you are oddly familiar,” he mused. Aurora’s eyes narrowed. “I’ve been walking with you for the past forty minutes,” she said thickly. “Yes, but it’s best not to look directly at a mutt,” Luir explained casually. “Now that I really consider you, there’s something that strikes my memory … have I tried to kill you before?” I narrowed my own eyes and listened carefully for the answer. “You’re still alive,” the half-elf replied coolly. “So, I would guess not.

Unfortunately, there is no word for a man that is a muse, but there should be. How about we call him a “magnum”?

Conditions aren’t right. The economy hits a bump. There’s a health emergency. Our confidence is shaken. A particularly nasty comment gets through our filter. We’re rejected. The list is long indeed. And in those moments, our intentions might not be pure. We might want to hide, or seek the muse. We might want to sell out or settle or simply give up. But the practice saves us. Because the practice can be trusted. And because in this moment it’s simply the best next step.

With her and that someday He entered the quietness of his own mind, Where he could not be by anyone found, Neither by the rays of the bright sun, Nor by the deeds that seek him for acts still undone, But he lies in the silence of his mind, quiet and silent, Here he deals with million feelings, many permanent and a few transient, He thinks of her and her beautiful ways, In the darkness of nights and brightness of sunny days, Seeking something that would lead him to her, And then rest there, in that sacred space of his mind, forever with her, Time calls him but he appears to be heedless to its every call, The day invites him, but all its invitations collide against a robust wall, The wall of his mind that surrounds him permanently, Because there he likes to be with her virtual entity, Maybe he wants to escape from this state of morbid stillness, But in this stillness, a state of nothingness, he experiences a feeling of fullness, For imagination is the darling muse of every beautiful mind, And maybe there he lies with her, beyond the evil fangs of reality, in the imagination of his mind, Undisturbed by the evil intended men and women, Who always want to act in other’s lives as specialist foremen, Without realising winter can never know the feelings of the summer, And without having loved and lost, how can others think they are better, So they force him to digress and retire to his mind, and the quiet space there, A place that actually is nothing and nowhere, but for him for now, it is his only somewhere, Where love finds him because he always finds it, In her memories, in her imaginations, and in the strange devices of his own wit, So he has become anonymous for the world, but a sort of forced anonymity with a hidden intent, Because whenever I see him, I feel he did not go there, there he was forcefully sent, Maybe he is long dead now, and it is his ghost that visits this mind, Because he is obsessed with knowing the undefined, For most of us have to muster courage, But a few of us are born with it way above the normal average! And perhaps a typhoon of thoughts is on its way, Who knows when, because they murdered him a long ago, but his ghost is still seeking to resurrect him one day, that anonymous someday!

Some men do insane things for love. Some never acknowledge it and deny themselves a life full of God’s best gift in lieu of a career or a selfish bigger picture. They run from the notion of completion without a second thought to what they may miss. Some men embrace love to the point of no return, let it fill their lives, their only motive, their reason for being. Others, fueled by love’s strength, pick up their sword to fight selflessly and, without pride, lay it down for those they can’t live without. Some write songs or paint pictures to better express their appreciation or loss of life’s most potent drug. They hide away in a world of their creation with a muse of love’s past as their inspiration, never believing anything better than the world they’ve created could exist outside of it. And some men can’t handle the lethal dose of intensity that comes with loving another. These men are the most tragic, disillusioned, and helpless while staring it in the face.

Thirteen hundred years, and people are still people," Heineman mused with an edge of bitterness. "Still squabbling." "True, and not entirely true," Olmy said. "In your day, many people were so severely handicapped by personality disorders or faulty thinking structures that they often acted against their own best interests. If they had clearly defined goals, they could not reason or even intuit the clear paths attain to those goals. Often adversaries had the same goals, even very similar belief systems, yet hated each other bitterly. Now, no human has the excuse of ignorance or mental malfunction, or even lack of ability. Incompetence is inexcusable, because it can be remedied.

Kazuo Ishiguro was pushing for such an expansion in his 1917 Nobel Lecture. After speaking so movingly about the effect singers have on his writing and discussing a film, amidst his literary musings and remembrances, he ended with a plea that serves well as a conclusion to this Nobel Prize section with its comments on future generations, genre and form: “… we must widen our common literary world to include many more voices from beyond our comfort zones of the elite first world cultures. We must search more energetically to discover the gems from what remain today unknown literary cultures, whether the writers live in far away countries or within our own communities. Second: we must take great care not to set too narrowly or conservatively our definitions of what constitutes good literature. The next generation will come with all sorts of new, sometimes bewildering ways to tell important and wonderful stories. We must keep our minds open to them, especially regarding genre and form, so that we can nurture and celebrate the best of them.

Kazuo Ishiguro was pushing for such an expansion in his 1917 Nobel Lecture. After speaking so movingly about the effect singers have on his writing and discussing a film, amidst his literary musings and remembrances, he ended with a plea that serves well as a conclusion to this Nobel Prize section with its comments on future generations, genre and form: “… we must widen our common literary world to include many more voices from beyond our comfort zones of the elite first world cultures. We must search more energetically to discover the gems from what remain today unknown literary cultures, whether the writers live in far away countries or within our own communities. Second: we must take great care not to set too narrowly or conservatively our definitions of what constitutes good literature. The next generation will come with all sorts of new, sometimes bewildering ways to tell important and wonderful stories. We must keep our minds open to them, especially regarding genre and form, so that we can nurture and celebrate the best of them. In a time of dangerously increasing division, we must listen. Good writing and good reading will break down barriers. We may even find a new idea, a great humane vision, around which to rally.

The primacy of performance dominates their thoughts. To return to Dylan’s Nobel Lecture, we find him musing on the practicalities of ‘putting on a show’: “I began to think about William Shakespeare, the great literary figure. I would reckon he thought of himself as a dramatist. The thought that he was writing literature couldn’t have entered his head. His words were written for the stage. Meant to be spoken not read. When he was writing Hamlet, I’m sure he was thinking about a lot of different things: “Who’re the right actors for these roles?” “How should this be staged?” “Do I really want to set this in Denmark8?” His creative vision and ambitions were no doubt at the forefront of his mind, but there were also more mundane matters to consider and deal with. “Is the financing in place?” “Are there enough good seats for my patrons?” “Where am I going to get a human skull?” I would bet that the farthest thing from Shakespeare’s mind was the question “Is this literature? But, like Shakespeare, I too am often occupied with the pursuit of my creative endeavors and dealing with all aspects of life’s mundane matters. “Who are the best musicians for these songs?” “Am I recording in the right studio?” “Is this song in the right key?” Some things never change, even in 400 years. Not once have I ever had the time to ask myself, “Are my songs literature?

She reported that another hawk message had come in. Azania gave a very un-princess-like caper and a fist pump. “The reign of King Tyloric has ended!” YEEEERRRSSSS!! he thundered. Three windows up in the castle’s turrets shattered at the reverberation. Glass tinkled down. “Dragon, any chance we could think before we bellow?” Gnarr-t a chance. “I understand perfectly. Anyways, it is the best news since Ignis and Taramis decided to smile upon Solixambria.” He displayed at least fifty fangs in a grin so huge, the stretch caused his jaw joint to pop loudly. “Who’s the replacement, may I ask?” “Lord Harikic, who happens to be married to Queen Shariza’s younger sister, Immiriza.” “What is it with Humans and rhyming names?” “What is it with Dragons and silly Clan names, like Crusher, Grinder or Obliterator?” “That’s what they do.” “So practical,” she teased, inflicting a hug upon him. “Is it bad of me to feel vindicated? Before you ask, this man is a very different prospect. He –” “Knows what a bathtub is?” Consumed by a fit of helpless giggles, she gasped, “Dragon, I love you!” “Oh dear. Does Azerim know he’s lost your affections?” “Not like that, you ridiculous reptile.” Placing his right fist over his heart, he moaned in a high-pitched, knightly voice, “Oh, say it not, Azania, my verimost muse, for I have loved thee most fulsomely since the very first day I clapped paw upon thy peerless person! Woe, thou breakest at least one of mine five hearts. How shall this scorned creature ever become whole again?” This was too much for the Princess. She guffawed so hard that tears sprang into her eyes. She folded up in his paw, apparently unable to stand. He eyed the girl wriggling in his paw in a perfectly undignified state of hysterics. Ah, so this would be ‘rolling with laughter’ in Human parlance. The problem was that it was catching. What was it about yawns and laughter that was more infectious than the worst disease imaginable? Very soon, his roars of mirth shook the castle. Another two windows gave up the unequal battle and dropped their leaded glass into the courtyard with a loud crash. Inzashu, the Prince and at least twenty servants rushed out to see what the commotion was all about. “Celebrating Tyloric’s downfall,” Azania managed to explain between hiccoughs. Thundersong said, “This would be the same Tyloric who clapped Princess Azania in irons in his dungeon for a month, hoping she’d break and agree to marry Prince Floric.” “Floric the Flatulent? Gods, no!” several servants blurted out. One man ducked aside and deposited his breakfast in a nearby flowerbed. “Sorry …” “I understand perfectly,” Azania said.

Remember Friedrich Nietzsche, from earlier in our journey. “Only thoughts which come from walking have any value,” he maintained. Søren Kierkegaard felt similarly. “I have walked myself into my best thoughts,” remarked the Danish philosopher. Walking is “gymnastics for the mind,” observed the American writer Ralph Waldo Emerson. “I am unable to reflect when I am not walking; the moment I stop, I think no more, and as soon as I am again in motion, my head resumes its workings,” averred the Swiss-born philosopher Jean-Jacques Rousseau. The French philosopher and essayist Michel de Montaigne lamented that his thoughts often came to him when he was on the move, at moments when “I have nothing to jot them down on”; this was wont to happen “especially on my horse, the seat of my widest musings.

What is the best way to create a society full of people who are incentivized to harass, assault, extort, and murder others? Allow that society to be run by an organization called government, which specializes in all of the above.

It’s extraordinary,” Macduff mused, looking pensively at Ess Pu. “They feel fine only when they’re hating someone.

Even Margaret’s beloved Wordsworth fell short on the issue; for him, she quoted ruefully, the ideal woman should not be “Too bright and good / For Human nature’s daily food.” Margaret drew on examples from ancient myth, wherein “the idea of female perfection is as fully presented as that of male,” to show that women had been accorded greater respect in earlier times. In Egyptian mythology, “Isis is even more powerful than Osiris,” and “the Hindoo goddesses reign on the highest peaks of sanctification.” In Greek myth, “not only Beauty, Health and the Soul are represented under feminine attributes, but the Muses, the inspirers of all genius,” and “Wisdom itself . . . are feminine.” Margaret’s dream was to bring the dispirited “individual man” together with the disempowered woman—unite the two sides of the Great Hall’s classroom—and create, by merging the best attributes of each, “fully” perfected souls. Then, a nation of men and women will for the first time exist, she might have said, amending Waldo Emerson’s visionary claim.

When you were out traveling the good things raised your expectations a little, so when you got home you remembered them and wanted to concentrate some of the good ideas in the place you chose to settle down and live.

Stendhal felt his book would be best appreciated by that rare reader who had a taste for indolence, liked daydreaming, welcomed the emotions sparked by a performance of one of Mozart’s operas and could be catapulted into hours of bittersweet musing after catching just one glimpse of a beautiful face in a crowded street.

Have you seen a man's fangs? Try playfully biting his favorite ism. And not only will he show his teeth, but also his thirty two fangs.

September 23 "Be who you are and say what you feel, because those who mind don't matter and those who matter don't mind." Dr. Seuss (1904–1991) According to this advice from the good doctor, we are fine just the way we are. Whether we change dramatically or stay the same, we need not be aShamed of today’s thoughts, feelings and actions. Dr. Seuss tells us that while it may be prudent to hear out our critics, our self-image need not be swayed by their vantage points. Our best friends are not waiting for us to be better; they appreciate us completely—just the way we are. How long can we sustain belief in ourselves without becoming critical of ourselves? It will likely take practice. Somewhere along the line we became conditioned to never be satisfied. Where did that get us? Did we turn to pills, booze, bad relationships, Gambling, spending, eating and/or self-abuse? The doctor has prescribed a new medicine for the mind. Can we accept the remedy? Let’s look at ourselves through the eyes of those who consider us fine—right now, just like this. Why not start loving ourselves the way we are right now? When we hear the internal critic, how about showing that voice some compassion too? In being fair with myself I will avoid judging others. Bill W. said, “The way our ‘worthy’ alcoholics have sometimes tried to judge the ‘less worthy’ is, as we look back on it, rather comical. Imagine, if you can, one alcoholic judging another!” Now imagine needing the approval of another addict to feel worthy. We may hear in meetings, “Once I needed your approval and I would do anything to get it; today I appreciate your approval, but I am not willing to do anything to get it.” What situations challenge my ability to be authentic? How many minutes can I go without criticizing myself? Do I feel desperate for the approval of others?

In 1945, Muse said, “They call me anti-Jew and anti-nigger. Listen, we like the nigger—in his place….Our [right-to-work] amendment helps the nigger; it does not discriminate against him. Good niggers, not those Communist niggers. Jews? Why, some of my best friends are Jews. Good Jews.” Muse declared himself “a southerner and for white supremacy,” and the Christian Americans “considered the New Deal to be part of the broader assault of ‘Jewish Marxism’ upon Christian free enterprise.

Just like you silly bums, I have a personal sky god. I bow to him, as you do to your airy-fairy sod. He prefers I call him Mr. NOT.

In his book Satisfy Your Soul, Bruce Demarest writes, A quieted heart is our best preparation for all this work of God. . . . Meditation refocuses us from ourselves and from the world so that we reflect on God’s Word, His nature, His abilities, and His works. . . . So we prayerfully ponder, muse, and “chew” the words of Scripture. . . . The goal is simply to permit the Holy Spirit to activate the life-giving Word of God.[15]

So what’s the story your grandpa told you?” I leaned back against the blanket, propping my head in one hand and looking up at him. “It wasn’t about the pond, I guess. It’s more about the town. I didn’t ever come to Mona when I lived here. I never had reason to - so when I asked my grandpa if there were any good fishing spots around here, and he mentioned this pond, I asked him about the town. He said Burl Ives, the singer, was once thrown in jail here in Mona. It was before his time, but he thought it was a funny story.” “I’ve never heard about that!” “It was the 1940’s, and Burl Ives traveled around singing. I guess the authorities didn’t like one of his songs - they thought it was bawdy, so they put him in jail.” “What was the song?” I snickered. “It was called Foggy, Foggy Dew. My grandpa sang it for me.” “Let’s hear it!” I challenged. “It’s far too lewd.” Samuel pulled his mouth into a serious frown, but his eyes twinkled sardonically. “All right you’ve convinced me,” he said without me begging at all, and we laughed together. He cleared his throat and began to sing, with a touch of an Irish lilt, about a bachelor living all alone whose only sin had been to try to protect a fair young maiden from the foggy, foggy dew. One night she came to my bedside When I was fast asleep. She laid her head upon my bed And she began to weep She sighed, she cried, she damn near died She said what shall I do? So I hauled her into bed and covered up her head Just to keep her from the foggy, foggy dew. “Oh my!” I laughed, covering my mouth. “I don’t think I would have stuck Burl Ives in jail for that, but it is pretty funny,” “Marine’s are the lewdest, crudest, foulest talking bunch you’ll ever find. I’ve heard much, much worse. I’ve sung much, much worse. I tried to remain chaste and virtuous, and I still have the nickname Preacher after all these years - but I have been somewhat corrupted.” He waggled his eyebrows at his ribaldry. “I kind of liked that song…” I mused, half kidding. “Sing something else but without the Irish.” “Without the Irish? That’s the best part.” Samuel smiled crookedly. “I had a member of my platoon whose mom was born and raised in Ireland. This guy could do an authentic Irish accent, and man, could he sing. When he sang Danny Boy everybody cried. All these tough, lethal Marines, bawling like babies

The reason this is a serious issue is that both the pool of users and the pool of talent available to be recruited into open-source cooperation for any given product category is limited, and recruitment tends to stick. If two producers are the first and second to open-source competing code of roughly equal function, the first is likely to attract the most users and the most and best-motivated co-developers; the second will have to take leavings. Recruitment tends to stick, as users gain familiarity and developers sink time investments in the code itself.

A pretty young woman is a paradox: at once a figure of desire and disgust. Hers is the power that all women are supposed to want, the only power we’re really allowed to have, the power to please and to play up to male sexual attention – and so it is vital that her power be put in its place. Anyone succeeding at the pretty girl game, however briefly, has to face the suspicion and hostility of other women as well as the worshipful contempt of men. She is assumed to be without consequence, to be intellectually void, to exist only for the pleasure of others; at best, she is a muse, a fascinating enigma. She is permitted hidden depths as long as they stay that way – hidden.

Live and let live is the best religion.

Such a shame that I didn’t get to say good-bye to my fellow inmates,” he said sarcastically. “Actually, Puchalski was the only guy I liked. I still can’t figure out what got into him.” As Jordan used her chopsticks to pick up a piece of hamachi, she decided it was best to get her brother off that topic as fast as possible. “Sounds like he just snapped.” “But why would he have a fork in his shoe?” Kyle mused. “That makes me think he was planning the attack, which doesn’t make sense.” Let it go, Kyle. She shrugged. “Maybe he always keeps a fork in his shoe. Who understands why any of these felon types do what they do?” “Hey. I am one of those felon types.” Grey tipped his glass of wine. “And who would’ve thought you would do what you did?” “It was Twitter,” Kyle mumbled under his breath. Maybe we should change the subject,” Jordan suggested, sensing the conversation could only spiral downward from there. “Okay. Let’s talk about you instead,” Grey said. “I never asked—how did Xander’s party go?” Now there was a potential land mine of a topic. “It went fine. Pretty much the same party as usual.” Except for a little domestic espionage. She threw Kyle a look, needing help. Change the subject. Fast. He stared back cluelessly. Why? She glared. Just do it. He made a face. All right, all right. “Speaking of wine, Jordo, how was your trip to Napa?” Great. Leave it to her genius of a brother to pick the other topic she wanted to avoid. “I visited that new winery I told you about. We should have a deal this week so that my store will be the first to carry their wine in the Chicago area.” Grey’s tone was casual. “Did you bring Tall, Dark, and Smoldering with you on the trip?” Jordan set down her chopsticks and looked over at her father. He smiled cheekily as he took a sip of his wine. “You read Scene and Heard, too?” she asked. Grey scoffed at that. “Of course not. I have people read it for me. Half the time, it’s the only way I know what’s going on with you two. And don’t avoid the question. Tell us about this new guy you’re seeing. I find it very odd that you’ve never mentioned him.” He fixed his gaze on her like the Eye of Sauron. Jordan took a deep breath, suddenly very tired of the lies and the secret-agent games. Besides, she had to face the truth at some point. “Well, Dad, I don’t know if you have to worry about Tall, Dark, and Smoldering anymore. He’s not talking to me right now.” Kyle’s face darkened. “Tall, Dark, and Smoldering sounds like a moron to me.” Grey nodded, his expression disapproving. “I agree. You can do a lot better than a moron, kiddo.” “Thanks. But it’s not that simple. His job presents some . . . challenges.” That was definitely the wrong thing to say. “Why? What kind of work does he do?” her father asked immediately. Jordan stalled. Maybe she’d overshot a little with the no more lies promise. She threw Kyle another desperate look. Do something. Again. Kyle nodded. I’m on it. He eased back in his chair and stretched out his intertwined hands, limbering up his fingers. “Who cares what this jerk does? Send me his e-mail address, Jordo—I’ll take care of it. I can wreak all sorts of havoc on Tall, Dark, and Smoldering’s life in less than two minutes.” With an evil grin, he mimed typing at a keyboard. Their father looked ready to blow a gasket. “Oh no—you do not get to make the jokes,” he told Kyle. “Jordan and I make the jokes. You’ve been out of prison for four days and I seriously hope you learned your lesson, young man . . .

You cannot catch the Muse. The Muse catches you.

The best revenge in life is living.

The Lockean logic of custom suggests strongly that open-source hackers observe the customs they do in order to defend some kind of expected return from their effort. The return must be more significant than the effort of homesteading projects, the cost of maintaining version histories that document “chain of title”, and the time cost of making public notifications and waiting before taking adverse possession of an orphaned project. Furthermore, the “yield” from open source must be something more than simply the use of the software, something else that would be compromised or diluted by forking. If use were the only issue, there would be no taboo against forking, and open-source ownership would not resemble land tenure at all. In fact, this alternate world (where use is the only yield, and forking is unproblematic) is the one implied by existing open-source licenses. We can eliminate some candidate kinds of yield right away. Because you can’t coerce effectively over a network connection, seeking power is right out. Likewise, the open-source culture doesn’t have anything much resembling money or an internal scarcity economy, so hackers cannot be pursuing anything very closely analogous to material wealth (e.g. the accumulation of scarcity tokens). There is one way that open-source activity can help people become wealthier, however — a way that provides a valuable clue to what actually motivates it. Occasionally, the reputation one gains in the hacker culture can spill over into the real world in economically significant ways. It can get you a better job offer, or a consulting contract, or a book deal. This kind of side effect, however, is at best rare and marginal for most hackers; far too much so to make it convincing as a sole explanation, even if we ignore the repeated protestations by hackers that they’re doing what they do not for money but out of idealism or love. However, the way such economic side effects are mediated is worth examination.

My god, Mr. NOT, would like to kiss your inherited fancy, the only God. Could you forward the address of your pal up there? If you do not, then, my personal fancy says it is my fundamental religious duty to religiously kick yours, and his ass!

I have not lived for millennia to be bested by a half-blood whore and her puppet prince." ~ Valenti

As I read my poems aloud, I paid still more attention to sound in my writing. One morning as I revised, I set down a word that I knew was not right, and I heard myself think: But I can say it so that it’s right. Immediately, I knew that I had understood one of the hazards of reading aloud. Performance can paper over bad writing, or substitute for the best language. Performance is a problem, and most performance poets or slammers are actors or standup comedians and not poets; we never hear a line break and seldom a new metaphor. There are other problems with the popularity of the poetry reading, but largely the reading has been good for poetry because poets watch their own poems come back to them on the faces of listeners. One addresses not only the Muse but actual people.

Is it possible to wait for God’s best for you? Is it even possible to trust that there is a God’s best for your life concerning your heart?

Keri answered the door, looking frazzled and not having the best hair day he’d ever seen. “Hi, Sean. I was just thinking, gee, I need more Kowalskis in my life right now.” He laughed and stepped into the big foyer. “Baby acting up?” “I thought the Kowalski men were royal pains in the ass—no offense—but you guys have nothing on the girls.” “Joe writing?” She blew out a sharp breath and put her hands on her hips. “No. Joe is pretending to write so I won’t dump Brianna in his lap, but he’s probably playing some stupid game.” From the other room came a pissed-off howl that Sean hoped was their daughter and not a wild animal foraging for table scraps. “So he’s in his office?” Keri nodded and waved a hand in that direction before making a growling sound and heading off to appease her daughter. Welcome to the jungle, he mused before heading to Joe’s office. He rapped twice on the door, then let himself in. Joe looked up with a guilty start and Sean knew his wife had him all figured out. “She knows you’re only pretending to write so you don’t have to deal with the kid.” “You know what really sucks? Everybody keeps saying to just wait till she’s older. Like it gets worse. How can it get worse?” Sean lifted his hands in a “don’t ask me” gesture. “For years I’ve been writing about boogeymen and the evil that lurks in the hearts of men. I had no idea there’s nothing scarier than a baby girl.” Sean laughed. “She can’t be that bad. What does she weigh? Ten pounds?” “Fifteen. But it’s fifteen pounds of foul temper and fouler smells. Trust me.” “I’ll take your word for it.” Joe leaned back in his leather office chair and sighed. “Let’s talk about your life. She still on the couch?” “Yes, she is.” “Good. I said you’d last three weeks.” Maybe, but Sean wouldn’t bet on it. Or he shouldn’t have bet on it, anyway. Especially a whole month. His balls ached just thinking about it. “You guys come up with a plan for the kids for Saturday yet?” “Yeah, but it’s going to cost you.” “Not a problem. I’ll just take it out of all the money I’m going to collect from you idiots at the end of the month.” Joe grinned. “You keep telling yourself that, buddy.” He was. With as much oomph as he could muster. And he’d probably keep telling himself that up to the minute he got Emma naked.

Chanel wondered if her mother would have been her role model, her muse, her inspiration, her best friend, personal diary.

All it takes is for me to try and not think of Garrett, and suddenly, he’s consuming my every idle musing. Picking a radio station? Garrett only listened to NPR. Browsing the refrigerator for orange juice? Garrett likes the pulp style best.

I was sitting in a movie theater at 4:13 in the morning, with a faerie muse who had vaguely psychic vampire tendencies, watching The Sixth Sense. At this point in my life I’d had some pretty freaky, surreal experiences already, such as (1) watching my best friend move things with her mind, (2) being dragged from my wrecked car by a soulless faerie assassin, and (3) feeling the inexorable pull of the king of the dead’s nightly song. And really, sitting with Nuala and watching a crazy little boy tell Bruce Willis that he saw dead people should’ve been included amongst them.

You can tell someone to stop saying nasty things about your best friend a hundred times,” she mused over a forkful of pasta. “But you only have to rip their tongue out once.

The best place to let a compliment go is directly to your heart- since that is (most times) where they come from." From the book The spark of a muse, by Cheri Bauer

February 17 MORNING “Isaac dwelt by the well Lahai-roi.” — Genesis 25:11 HAGAR had once found deliverance there and Ishmael had drank from the water so graciously revealed by the God who liveth and seeth the sons of men; but this was a merely casual visit, such as worldlings pay to the Lord in times of need, when it serves their turn. They cry to Him in trouble, but forsake Him in prosperity. Isaac dwelt there, and made the well of the living and all-seeing God his constant source of supply. The usual tenor of a man’s life, the dwelling of his soul, is the true test of his state. Perhaps the providential visitation experienced by Hagar struck Isaac’s mind, and led him to revere the place; its mystical name endeared it to him; his frequent musings by its brim at eventide made him familiar with the well; his meeting Rebecca there had made his spirit feel at home near the spot; but best of all, the fact that he there enjoyed fellowship with the living God, had made him select that hallowed ground for his dwelling. Let us learn to live in the presence of the living God; let us pray the Holy Spirit that this day, and every other day, we may feel, “Thou God seest me.” May the Lord Jehovah be as a well to us, delightful, comforting, unfailing, springing up unto eternal life. The bottle of the creature cracks and dries up, but the well of the Creator never fails; happy is he who dwells at the well, and so has abundant and constant supplies near at hand. The Lord has been a sure helper to others: His name is Shaddai, God All-sufficient; our hearts have often had most delightful intercourse with Him; through Him our soul has found her glorious Husband, the Lord Jesus; and in Him this day we live, and move, and have our being; let us, then, dwell in closest fellowship with Him. Glorious Lord, constrain us that we may never leave Thee, but dwell by the well of the living God.

Sierra, You always have been, always will be, my muse. You inspire me in countless ways every day.  Your influence has made me a better artist, and more importantly, a better man. I only hope in some small way I have inspired you to be the best you can be. I believe in you more than I have ever believed in anyone, myself included. I know you will accomplish great things in life; this is only the beginning of your journey. I am so proud to call you my wife, my lover, my best friend. I love you, Trey

What do we do?” Gallagher echoes, unfolding from his crouch. He stares at her like she’s crazy. “We get out of here. We run. Now.” “Not yet we don’t,” Parks says deliberately. And then when they turn to him, “Better to roll than to run. I’m maybe an hour away from getting the generator working–and from where I stand, this bucket still gives us our best chance. So we don’t make a break for it. We lock down until we’re good and ready.” “It’s anomalous behaviour,” Caldwell muses. Parks gives her a shrewd glance. “From the junkers? Yeah, it is.” “They

If Steve is not careful, his metaphysical musings will turn theological. Steve might form a belief in a “Programmer,” a being with the capability of programming pixels in such a way as to result in a law-governed world. For certainly, if the field metaphysic is true, nothing in Steve’s world would be capable of doing this, since everything in Steve’s world is itself a product of the field metaphysic. The Programmer would have to exist beyond time and space, with powers that would be omnipotent, in Steve’s understanding. This Programmer, for whatever reason, saw it was right and good to create Steve and his world with a wonderful economy of causes and laws that reflected the Programmer’s own creative glory. And so Steve might then go on to found the First Temple of Notch, and sing praises unto the creator of this best of all possible worlds. . . . Of course, we know that Steve is basically right in these conclusions—at least, we know that there truly is a programmer of his world, or a team of them. But Steve does not know what we know, and he might be a bit more cautious in his reasoning.

Here comes the best part,” I say, realizing that I’ve spoken aloud the words I always tease Haddie for when she announces them at the bridge of the song. The lyrics come and I sing along as the words wash over me, moving me as they always do, bringing goose bumps to my flesh. “There you are, sitting in the garden, clutching my coffee, calling me sugar. You called me sugar.” “I don’t get it,” Colton says, “Why is that the best part?” “Because it’s the moment she realizes that he loves her,” I muse, a soft smile on my face.

The world moves on, and you are forgotten. Which is as it should be, I suppose. But sometimes you can spend a lot of sorrow trying to change things for the better when what was first was best. It's only that you were too foolish to realize it.

The best thing that can happen to anyone is that they get to be themselves." He paused and tilted his head. "I might put that in a song," he mused.

If you believe in Modern Art History . . . it follows that the best breeding ground for good art is where competing ideas, esthetics, and artists are thickest and where regional niceties are thinnest — New York. . . . The 'regions'. . . . are short on white-hot overpopulation, edifice complexes, and career fights to the death. . . . Should it be gauged against the 'mainstream' . . . or should it be sized up from exactly the opposite point of view?

It’s been said the best poets have many private works unpublished. She illuminated from within… A kind of enchanting light that comes with overcoming… She was the inspiration of poets… Not the muse that inspires what they share… But the fantasy they keep to themselves

Dick delves in subsequent letters into the possible Jungian meaning of all this, the significance of ancient Rome in his mystical experiences, and the sibyl as representing his “anima,” the inner source of his own prophetic capacity. Recall here Morgan Robertson’s belief that his own muse was likewise a feminine spirit of some sort. We can observe Dick here beginning to weave these dream images into his evolving self-mythology and what became a major metaphysical strand in his Exegesis, as well as the novel VALIS that was based on his experiences. In his search for a meaning behind all these coincidences—an answer to the question “why me?”—Dick understandably gropes in many different directions for an explanation and attaches great, mostly Jungian significance to the symbols. Yet he does not go down the path of thinking he is simply accessing archetypes in the collective unconscious. Rather, he is drawn to the conclusion that somehow the ancient world is still present, only camouflaged—or indeed, that we are still in it. It all seems to confirm a dream remembered from his youth that was much like the “B___ Grove” dreams, in which he had searched for a story in Astounding Stories called “The Empire Never Ended.” That story, he had felt certain, contained all the mysteries of existence. As a result of some of his visions and experiences in 1974, Dick came to believe he was possibly a reincarnated Christian from ancient Rome.38 We are rewarded best by bracketing the various interpretations, the Exegesis per se, and looking at Dick’s project as a making of something, a creation of meaningful narratives to be read by other people, a reaching out. The term “cry for help” may sound a bit extreme, but it is not. It was during this black period of his life, most specifically in February 1976, when Tessa left him and took their son, that he attempted suicide via drug overdose, slitting his wrists, and carbon monoxide poisoning in his garage, all at the same time. Fortunately, all three plans failed. Setting aside the metaphysics and cosmology, what was Dick trying to say in his writing during this period—to Claudia, to Tessa, to his readers, and to posterity? And what whispered message was he straining to hear from his own precognitive unconscious? Arguably, he wanted to hear the same thing Morgan Robertson managed to hear, loud and clear, when news of the Titanic’s fatal collision with an iceberg splashed across the front page of The New York Times on April 15, 1912. Both in his Exegesis and in his private correspondence with friends like Claudia, Dick flickered between two basic stances on his experience: the secret persistence of the ancient world underneath the veneer of mid-1970s Orange County, and the idea that he was haunting himself from his own future. These are not incompatible ideas in the sense that they both point to our old friend Mister Block Universe, where the past still exists and the future already exists—and by implication, nothing is subject to alteration.

Yucca Flats, Malone thought, certainly deserved its name. It was about as flat as land could get, and it contained millions upon millions of useless yuccas. Perhaps they were good for something, Malone thought, but they weren't good for him. The place might, of course, have been called Cactus Flats, but the cacti were neither as big nor as impressive as the yuccas. Or was that yucci? Possibly, Malone mused, it was simply yucks. And whatever it was, there were millions of it. Malone felt he couldn't stand the sight of another yucca. He was grateful for only one thing.

There, in one of his essays, the young poet mused over why nobody died for love anymore, and why sinners and outlaws always had the best luck with women. As usual, Donne answered his own question: "Because fortune herself is a whore.

Poet has no power over the muse, It's the muse who powers the poet. Best of poetry is an act of selfless care, As the poet pens the pain through hopelessness.

Almost no one I know calls friends merely to have the kind of long, reflective, intimate conversations that were common in earlier decades; phones are for practical exchanges—renegotiating plans, checking in on arrangements. Emails, which in the 1990s seemed to resemble letters, now resemble texting, brief bursts of words in a small space, not to be composed as art, archived, or mused over much. A lot of people are too busy to hang out without a clear purpose, or don’t know that you can, and the often combative arenas and abstracted contact of social media replace physical places (including churches) to hang out in person. Correspondence, that beautiful word, describes both an exchange of letters and the existence of affinities; we correspond because we correspond. As a young woman, I had long, intense conversations with other young women about difficult mothers, unreliable men, about heartaches and ambitions and anxieties. Sometimes these conversations were circular; sometimes they got bogged down by our inability to accept that we weren’t going to get what seemed right or fair. But at their best, they reinforced that our perceptions and emotions were not baseless or illegitimate, that others were on our side and shared our experiences, that we had value and possibility. We were strengthening ourselves and our ties to one another. Conversation is a principal way that we convey our support and love to each other; it’s how we find out who our friends are and often how friendship takes place. A friendship could be imagined as an ongoing conversation, and a conversation as a collaboration of minds, and that collaboration as a brick out of which a culture or a community is built.

Twelve Years Ago Mama makes the best vegetable lasagna on Aplana Island.

I want to eat it. I want to spend breakfast, lunch, and dinner drenching my chin between your thighs, doing my best to get my fill of you.

In the 1970s, the literary critic Lionel Trilling mused that the authentic self, though best left undefined, was most likely the 'distinction between an inner true self and an outer false self'. The internet has created a strict line between these selves, where we understand our extrinsic self to be one crouching inside our smartphone and our intrinsic self to be hiding at home on the sofa. But it is not enough to have these separate selves; it is inauthentic to present one self online and another at home. And so we attempt to break down these boundaries through endless sharing, turning ourselves inside out for the consumption of others. Sharing has become how we socialise.

Forgive me, but," he begins, and I know this can be going nowhere good, "what about the men who watch our channel? Do we really want to look so biased? We can't alienate half our viewership." I see Katherine open her mouth to respond, but then I must enter some kind of alternate reality in which I think I'm the best one to take these questions, as I open my big mouth and beat her to the punch. "Who's to say they'll be alienated, though? Men watch plenty of TV shows and movies led by women. Or if they don't, they certainly should. We've been put through five million Fast and the Furious and James Bond movies, for goodness' sake. And if they're opposed to watching and learning from women, because they think we're boring or don't get our perspectives, well, I reckon they're part of the problem." I fold my arms over my chest defiantly, then lose my remaining nerve and avert my eyes from those of the CEO. When I look at the other women instead, they're all staring at me with some measure of shock, some looking amused and impressed on top of that. Katherine is the first one to shake herself out of it and narrows her gaze on Geoffrey Block, CEO, once more. "It may also be of interest to you that if this series doesn't happen at Friends of Flavor, I plan on hosting it on my personal site, the Kat's Muse. I have advertisers who have long expressed interest in helping me launch my own videos, but I've been reluctant to take any of FoF's thunder. I would feel obligated to make it clear, though, that I was only hosting the series because this channel had rejected the proposal." My jaw drops along with Katherine's figurative mic. She kept that little contingency plan from us yesterday, but damn. Of course she had a secret weapon in her back pocket. Lily pipes up, "And if you all didn't know, men do not make up half of Friends of Flavor viewers. More like thirty percent. Meaning women are seventy percent. Maybe worth looking at who's really getting alienated." Well okay, Lily. For someone who spends so much of the time off in her own mental universe, she sure knows how to pop back down to earth and spit facts when needed.

It was the kind of trip, sooner or later, you have to make. Especially if you are a motorcyclist and always looking for a good reason to travel. Or in my case even a fairly mediocre reason of practically no discernable consequence or socially redeeming value.

I said I’d be good, and if being good is what makes that fucking sound come from her, then I’ll be the best damn boy she’s ever encountered.

A Harlot Crashes the Party A very “nice” man named Simon, a Pharisee, brought Jesus to dinner at his home in Capernaum (Luke 5). As they were reclining around the table, a woman known to be a harlot somehow came in, bringing with her an expensive flask of perfumed lotion. She certainly had overheard Jesus teaching and had seen his care for others. She was moved to believe that she too was loved by him and by the heavenly Father of whom he spoke. She was seized by a transforming conviction, an overwhelming faith. Suddenly there she was, down on the floor by Jesus, tears of gratitude for him pouring down upon his feet. Drying them away with her hair, she then rained kisses upon his feet and massaged them with the lotion. What a scene! That nice man, Simon, was taking it in, and—no doubt battling a surge of disapproval—he tried to put the best possible construction on it. It just could not be that Jesus wasn’t nice. Clearly he was a righteous man. So the only reason he would be letting this woman touch him, or even come near him, was that he didn’t know she was a prostitute. And that, unfortunately, proved that Jesus didn’t have “it” after all. “If this fellow really were a prophet,” Simon mused, “he would know what this woman does, for she is filthy.” Perhaps Simon consoled himself with the thought that it is at least no sin not to be a prophet. It never occurred to him that Jesus would know exactly who the woman was and yet let her touch him. But Jesus did know, and he also knew what Simon was thinking. So he told him a story of a man who lent money to two people: $50,000 to one and $5 to the other, let us say. When they could not repay, the man simply forgave the debts. “Now Simon,” Jesus asked, “which one will love the man most?” Simon replied that it would be the one who had owed most. That granted, Jesus positioned Simon and the streetwalker side by side to compare their hearts: “Look at this woman,” he said. “When I entered your home, you didn’t bother to offer me water to wash the dust from my feet, but she has washed them with her tears and wiped them with her hair. You refused me the customary kiss of greeting, but she has kissed my feet again and again from the time I first came in. You neglected the usual courtesy of olive oil to anoint my head, but she has covered my feet with rare perfume. Therefore her sins—and they are many—are forgiven, for she loved me much; but one who is forgiven little, shows little love.” (Luke 7:44–47 LB) “Loved me much!” Simply that, and not the customary proprieties, was now the key of entry into the rule of God.

You know,” I mused aloud, “they say the person you most want is the person you're best without.” Aros chuckled lightly, his gaze never leaving mine. “Whoever said that,” he countered, “has never truly been in love.

It is commonplace, nowadays, to hark back to a time when Christmas was simpler, more authentic, and less commercial than it has become. Even professional historians have tended to write about the pre-twentieth-century in that way. Generally when people muse along these lines it is to associate the noncommercial holiday with the years of their own childhood, or perhaps the childhood of their parents or (at most) their grandparents. As it happens, such musings have been commonplace for a long time--for more than a century and a half. Consider the theme of a short story dating back to the middle of the nineteenth century, a story that commented on the profusion of presents bought and sold during the holiday season--and the trouble many comfortably-off Americans had in finding something meaningful to give their loved ones at Christmas. The author of the story was soon to become America's best-known writer--Harriet Beecher Stowe....When she was a child of 10, explained Stowe...'the very idea of a present was so new' that a child would be 'perfectly delighted' with the gift of even a single piece of candy. In those days, 'presents did not fly about as they do now.' But nowadays, things seem different: 'There are worlds of money wasted, at this time of year, in getting things that nobody wants, and nobody cares for after they are got.' Just as many people do today, Harriet Beecher Stowe seems to have believed that this change took place within her own generation (she was born in 1811).

It all comes back to remembering what you always knew. You have to learn to love yourself. Face your shit. You are not broken, you have faltered, as all do. Own up to it. Carry on with your head high. For you are doing your best.

I do my best not to look down, sure that whatever I find there will humanize him. That I won’t be able to resist the brokenness, and my attraction will let loose and morph into something real. Something that can hurt me.

I do my best to commit it all to memory, in case this has been a fluke, and I wake up tomorrow with him ignoring me all over again. The dread swirling around in my stomach promises it is. Nothing good can last.

I chose you the day I met you. I saw you sitting there in class, and all I could think was, will she look at me with the smile she had when she walked in? Every single day you’ve shared that smile with me has been the best. I choose you now, who you are inside and out. “I promise to laugh with you in good times and in bad. I will endure with you when the road gets hard. I will always respect you as Frankie, my heart, my best friend, my muse. I promise to love you always. And I will always have their backs, my brother boyfriends, as Mom decided to dub them and then the name stuck.

Even if he does see me as a needy little brother, I consider him my best friend, and maybe a too frequently indulged fantasy.

I sink into him the best I can, using my tongue to draw moans and whimpers from his throat.

Do the best you can to attain a licence to greatness. It is found in the pursuit of excellence.

Infuse a pinch of excellence into your daily plans. Let every step reflect your best self.

Be extra prepared to use the time you have to your optimum best. Use your time with utmost diligence.

Do not dwell on the past or worry about the future. Live in the present and use the time in your hands to the best of your ability.

I don’t know what I fear the most, the pain or the fact that my masochist side will enjoy it. The fact that I’m saying goodbye to my childhood best friend, or that I am meeting the merciless man he has become. Ruthless, lethal, yet still very much in love with me. Sam is a passionate artist who never tired of observing his muse and is now ready to make her his masterpiece.

The best place to find wisdom is Above. Allow God to fill your mind with wisdom that no man can surpass, like a field of endless grass.

Be a hero to the generations to come. Let them know that you did your best to tackle the problems that existed in your time. Let them realize how you made a substantial effort to do what is right. Let them notice that you stood up when it mattered. That you inspired change even when it was tough. Let them see how you left behind a legacy of courage, compassion, conviction, and collaboration without any fear or doubt. Let your actions resonate through the echoes of time and ignite a flame of hope in their hearts. Let it empower them to be courageous and rise to the challenges of their era as they continue forward.

Son, Do your best with the time you have right now, in case tomorrow never comes.

Son, With each passing year, you should yearn to say, "I made the best decisions of my life." So, think more than twice before you decide.

Son, As you go into business, be prudent about your investments and make sure they yield the best dividends.

Son, Make sure that every day, you allow others to see your talents and gifts. Make the best use of your skills. You owe it to yourself to win.

Son, No one can take your talents from you. Just keep becoming the best version of you. One day, you will be grateful.

The most beautiful demon in all of Hell. The most beautiful fairy on Tyrnigg. The best angel to ever step foot in Heaven. You are my woman, Satan's love, and Samyaza's desire. You are Lucifer's impossible bargain, and the question Ronwe cannot stop thinking about. That is all that matters.

These laws speak of a far more violent world than the one captured by the privileged men of Roman literature. This is a world of cut-throats and infant killings, a place that endures homicides and parricides, rapes and beatings, thefts and robberies. It is a world that frets not over which wine is better to drink under the shade of a tree, but instead muses over how much violence should be involved in ‘the disciplinary correction of slaves’ (in summary: as much as you like, up to and including death, provided that death is ‘accidental’).10 This is not a world of bored poets on riverbanks; it is a harder place, in which parents sell and kill their own children frequently enough for the law to have views on such matters. It is a world of pains and passions and sorrows far beyond the pens of cultured men, and it would, were it not for Rome’s legal fastidiousness, have been all but swept from the pages of history.

Do not just plan. Let your actions be congruent with your plans. Go out there and do your best.

Braeden sighed and looped his arm across my shoulders again and steered me toward a stack of books. “So innocent,” he mused. “Tutor girl, as your man’s best friend and your self-appointed big brother, I feel like it’s time I teach you about the real world.” “You’re my self-appointed big brother?” I asked, looking up at him. He nodded like it was obvious. “You and Rome… you’re an exception to the rule. You two are the real deal, but most guys, guys like me, aren’t looking to settle down. They like—” “To have fun?” I finished for him, slightly amused. “Exactly.” “But what about the girls?” I asked. He gave me a clueless look. I sighed. “Maybe it’s me who needs to teach you, brother.” He lifted an eyebrow. “Guys might want to have fun,” I said, using his words, “but girls have a harder time keeping their feelings from getting involved.” “Relax, tutor girl,” Braeden said. “I know how to handle things.” -Braeden & Rimmel

You shouldn’t think of me as your responsibility,” she finally said. He gave her a rather superior glance. “I told you I would find you a new position.” “But—” “What could there possibly be to discuss?” “Nothing,” she grumbled. “Nothing at all.” Clearly, it was no use arguing with him just then. “Good.” He leaned back contentedly against his pillows. “I’m glad you see it my way.” Sophie stood. “I should be going.” “To do what?” She felt rather stupid as she said, “I don’t know.” He grinned. “Have fun with it, then.” Her hand tightened around the handle of the serving spoon. “Don’t do it,” he warned. “Do what?” “Throw the spoon.” “I wouldn’t dream of it,” she said tightly. He laughed aloud. “Oh, yes you would. You’re dreaming of it right now. You just wouldn’t do it.” Sophie’s hand was gripping the spoon so hard it shook. Benedict was chuckling so hard his bed shook. Sophie stood, still holding the spoon. Benedict smiled. “Are you planning to take that with you?” Remember your place, Sophie was screaming at herself. Remember your place. “Whatever could you be thinking,” Benedict mused, “to look so adorably ferocious? No, don’t tell me,” he added. “I’m sure it involves my untimely and painful demise.” Slowly and carefully, Sophie turned her back to him and put the spoon down on the table. She didn’t want to risk any sudden movements. One false move and she knew she’d be hurling it at his head. Benedict raised his brows approvingly. “That was very mature of you.” Sophie turned around slowly. “Are you this charming with everyone or only me?” “Oh, only you.” He grinned. “I shall have to make sure you take me up on my offer to find you employment with my mother. You do bring out the best in me, Miss Sophie Beckett.” “This is the best?” she asked with obvious disbelief. “I’m afraid so.” Sophie just shook her head as she walked to the door. Conversations with Benedict Bridgerton could be exhausting. “Oh, Sophie!” he called out. She turned around. He smiled slyly. “I knew you wouldn’t throw the spoon.” What happened next was surely not Sophie’s fault. She was, she was convinced, temporarily and fleetingly possessed by a demon. Because she absolutely did not recognize the hand that shot out to the small table next to her and picked up a stump of a candle. True, the hand appeared to be connected quite firmly to her arm, but it didn’t look the least bit familiar as it drew back and hurled the stump across the room. Straight at Benedict Bridgerton’s head. Sophie didn’t even wait to see if her aim had been true. But as she stalked out the door, she heard Benedict explode with laughter. Then she heard him shout out, “Well done, Miss Beckett!” And she realized that for the first time in years, her smile was one of pure, unadulterated joy. -Sophie & Benedict

Do you think I have good character?” “The best.” Smiling, she ran her fingers down my cheek and tapped the cobra’s face. “I’m really loyal,” Lark said, focusing on the snake instead of me. “My mom said I get stuck in the mud a lot. If I like something, I just like it forever. I don’t change. I wasn’t just saying that the first night.” Leaning down, I kissed her “And you like me?” “I should play coy, right? I should make you work for it, but I can’t. I don’t want to lie, so I’ll just tell the truth. I like you more than I’ve liked any guy ever. I’m a little obsessed with you. Like if you dumped me, I would stalk you.” My smile widened. “Your honesty is really hot.” “Would you stalk me if I dumped you?” “Of course not,” I said, pulling a blanket over us. “I wouldn’t need to because I’d kidnap you and keep you as my muse slave.” “I’d escape. I’m wily like that.” “I bet you would, but we’ll never have to find out.” Lark and I stared at each other as if waiting for the other one to be brave enough to say it. “You’re mine,” I whispered. “No one else.” Lark gave a gentle smile like in the studio. “I love you too.” Finally, it was out in the open. The words sounded perfect and natural. “I loved you last weekend,” I admitted. “I should have said that, but I was a jackass.” “I loved you on our first date. I would have mentioned it, but I’m a bigger jackass.” Laughing, I leaned her back on the couch. “I want to celebrate the love between two jackasses.” “No,” she said, squirming free. “I want to be on top. I like exploring.” “And what you like, you’ll always like.” Tugging off her tee, Lark grinned. “I’ll be an old woman and still enjoying my cobra. Oh, and the hot guy attached to it.

All went smoothly for the first fifteen minutes--my mother was, after all, very adept at making people comfortable. She chatted, though not excessively, primarily with me. As I had predicted, Narian was silent and observant, letting me carry the conversation while he tried to get a feel for the woman across from us, not quite trusting that she was on our side. He was never rude, and never short with her; he simply hid himself behind good etiquette. During a natural pause in conversation, my mother perused Narian and me, and her mood became contemplative. “When was it that you fell in love?” she asked. “Was it right under our noses?” “More or less,” I said with a laugh, glancing at Narian. “We became friends when he first came to Hytanica. All those trips Miranna and I made to Baron Koranis’s estate were really so I could see him.” Mother smiled and Narian glanced at me as if this were news to him. Then she picked up the thread of the conversation. “I remember falling in love,” she mused, and I wondered how far she would venture into her story, knowing it was not a wholly happy one. “I was fifteen, going through the very difficult experience of losing my family in a fire. I was brought to live in the palace, for I’d been betrothed for years to Andrius, Alera’s uncle, who later died in the war before we could be married.” I realized she was not talking to me, and that, though he was still aloof, she had captured Narian’s interest, for his deep blue eyes were resting attentively upon her. “At the time, I was so lost and alone and frightened. And then Andrius and I grew close. With him, my life made sense again. I had something to hold on to, something to steady me. What was the worst time of my life became the best.” There was a pause, and she innocently met Narian’s gaze. But her story was not innocent at all. If I could recognize the parallel she was drawing to his life in the aftermath of learning of his Hytanican heritage, then he surely could, as well. He didn’t say a word, however, and she dropped the veiled attempt to connect with him before it became awkward, turning to me instead. “I’ve told you before, Alera--Andrius lives on in you. I see him in you every day.” I smiled, tipping my head in acceptance of the compliment. “And in you--” she said, once more turning to Narian, tapping a finger against her lips in thought “--I see Cannan.” She was lightly cajoling him, exactly as a parent would do. I couldn’t imagine what was going on in his mind, but he was no longer eager to leave, his eyes never once flicking toward me or the door.

Madlon’s voice broke into his musings. “It’s kind of funny, but I just happened to notice that all the trail horses are males—” Her husband’s laughter cut off the rest of the question, but Ward had gotten the gist of it. “Shame on you, Pug, for checking out other guys’ equipment!” Madlon blushed at her husband’s teasing. “I noticed, that’s all. It stuck out.” Her husband whooped again. Ward fought a grin. “You’re right, our trail horses are geldings. We’ve found the rides go better with single sex horses, especially as we often have novice riders. Mares are great. They’re actually harder workers—” “Of course they are. That applies to females of all species,” Madlon said. “True. But when a mare goes into heat she sometimes gets a little tetchy and even gelded horses get distracted—” And just like that, an image of Tess and her huge dark eyes, saucy ponytail, and exquisite curves popped into his mind. He had no doubt she would do her best to clock—or geld—him if he were foolish enough to ask if she was in heat.

know that the only reason you’re here on this planet is to follow your star and do what the Muse

While Jasper pushes, Patrick and I talk a great deal about the Basque man who affectionately slapped my cheek so many days ago. “A stranger in the middle of the Pyrenees has turned into a bit of a prophet.” “Yeah! I wonder if he will ever understand the power of his words?” Patrick muses. “I hope so, but do any of us ever know the power of our words?” “No, I guess not. That’s why we should make sure they are filled with hope.” It has been exactly one month since we heard the man shout, “The impossible is possible!” And we have seen more examples of this truth than we could ever imagine. Our journey has led Patrick and me over three mountain ranges, through days of self-exploration and discovery, and into the arms of strangers waiting to help us in ways we didn’t know we needed. What an experience.

The transition from the best regime to the inferior regimes was explicitly ascribed to the Muses speaking “tragically,” and the transition from the best man to the inferior men has in fact a somewhat “comical” touch: poetry takes the lead when the descent from the highest theme—justice understood as philosophy—begins. The return to poetry, which is preceded by the account of the inferior regimes and the inferior souls, is followed by a discussion of “the greatest rewards for virtue,” i.e., the rewards not inherent in justice or philosophy itself.

For instance, look at Malgiolio. He takes no responsibility for his personal life and has no interest in the public. In varying degrees this might be true of all of us. If one is not absolutely destitute and downtrodden or physically handicapped, one probably gets the life one deserves. From this it follows that one gets the sort of government one deserves. I mean, if my fellow citizens are fighting in the streets, am I not to some degree responsible? ...Things happen to a person; that is, life deals you a set of cards and you play them as you are able. If I do my best I can and make no trouble for my neighbors, then surely I cannot be blamed either for my existence or my government. There are forces that buffet us through life that nor mere individual can withstand. Better to stick to my books and musings about literature and leave the government to those who know best. That was certainly was what I believed for years, but this evening I had begun to wonder, foolishly perhaps, if it wasn't that sort of thinking which had helped bring about this current state of affairs.

On April 13, 1955, Mayor Robert F. Wagner of New York City had wired President Eisenhower to URGENTLY REQUEST ESTABLISHMENT OF FEDERAL SUPERVISORY ALLOCATIONS OF SALK VACCINE SIMILAR TO THOSE SET UP IN THE EARLY DAYS OF PENICILLIN. The mayor wasn’t alone. Even those who opposed a large government role in this matter were shocked to learn that the Eisenhower administration had made no plans for the distribution of polio vaccine, believing that the drug companies could best handle it on their own. When asked by a Senate committee whether this inaction had led directly to the current shortage, Mrs. Hobby gave a candid, if suicidal, response. “I would assume that this is an incident unique in medical history,” she mused. “I think no one could have foreseen the public demand.”15

People hate sales, but little do they know that life is sales. You sell the best parts of yourself to your future partner, you sell your intellect and ability to follow instructions to teachers and bosses, you sell your favourite parts of yourself to your friends and you sell your lessons to your children. If you aren't good at selling then the things you want to share won't be accepted. In order to reach your dreams, you have to sell something to your fans. You have to share something of yourself and package in a way that people will love it.

And speaking of fair, why is it we use A new set of words for female abuse, Different from men, and twice as offensive, That often puts women upon the defensive? And their best defense, sometimes is attack And then they all hurl the same insults back Upon other women, and judge them as harshly As they were once judged, incredibly starkly, And so they begin the whole cycle once more

I'd have kicked your ass as too your head were both not full of shit, butthead.

the best writers have said very little and the worst, far too much." Charles Bukowsi from the poem "as the poems go" 'Betting on the Muse-Poems and Stories' p.211

Every religious nut must have his or her say, condemning the infidels to hell, every which way. But then so should those opposing them, lampooning these nutcases as they choose, or as they may.

school stood. He wished he’d had the guts to choose something honest, like the entry Andi had been bold enough to submit. While most students, like him, had produced anodyne statements calculated not to offend, she had mused about the private nature of journaling and how carefully curated everyone’s senior page actually was, before concluding with a poem: These Best Years Bridging the gap between childhood and adulthood Prepared, precisely prepped, on the path to our predestination Are we about to wake up? Or have we just fallen asleep? Every time Ian read her senior page, he thought about one of his entries from freshman year—the day he met her, September 20, 1993. A new girl started today. Her name’s Andi Bloom. She just showed up in algebra

Yoga means to be in perfect tune. Your body, mind and spirit and the existence are in absolute harmony. When you fine-tune yourself to such a point where everything functions so beautifully within you, naturally the best of your abilities will just flow out of you. When you're happy, your energies always function better. Do you see that when you're happy you have endless energy? Even if you don't eat, if you don't sleep, it doesn't matter; you can go on and on. Have you noticed this? So just knowing a little happiness is liberating you from your normal limitations of energy and capability. Now yoga is the science of activating your inner energies in such a way that your body, mind and emotions function at their highest peak. If I don't sleep for two days, you won't notice any difference in me. I can still have a full day of activity. When your body and mind function in a completely different state of relaxation and a certain level of blissfulness, you can be released from so many things that most people are suffering from. Right now, you come and sit in your office, and you have a nagging headache. Your headache isn't a major disease, but it takes away your whole capability for that day. Just that throbbing takes away everything. With the practice of yoga, your body and mind will be kept at their highest possible peak.

Let me start by saying a true sensual woman is a tastemaker. What do I mean by that? I mean she sets the standard of what is pleasurable, desirable, sophisticated, refined, intoxicating, elegant, classy, sexy, healthy, delicious, saucy. Women naturally possess the power to create ANY taste. "There are not more than five cardinal tastes, yet combinations of them yield more flavours than can ever be tasted" (Sun Tzu). The sensually awakened ones are cognisant of this and use it to their advantage while those who are not awakened often see it as some form of "female oppression." They say, "You're putting women under pressure." But what about men, Lebo? Well, men are not tastemakers like women are. Why? Because, unlike women, MEN CAN'T AND ARE NOT ALLOWED TO PLAY WITH THEIR INNER CHARACTER TOO MUCH. For instance, a man is essentially restricted only to pants. A man can’t wear a dress, high heels, lipstick and the list goes on. This limits a man from becoming a significant contributor in the tastemaking process of life and love, except financially of course. But it doesn’t limit a woman in any way, shape or form. Women can wear dressess, even men's pants, etc.. They can put on ANYTHING actually and still be celebrated. Marilyn Monroe wore a potatoe sack. Lady Gaga wore an infamous dress made of raw beef. That's why I believe being a woman is the greatest privilege of all. Marilyn Monroe said, "One of the best things that ever happened to me is that I'm a woman." Marilyn understood that women are THE REAL TASTEMAKERS IN LIFE and relationships, not men. BEING A MAN DOESN'T REQUIRE AS MUCH AMBITION AS BEING A WOMAN. Women are relationship navigators because they are naturally more ambitious than men. That's why again, Marilyn said, "Women who seek to be equal with men lack ambition." Our ultimate quest as men, whether we realize it or not, is to live under a woman's spell. That makes us happy, and seem stupid at times. Sadly, most women are not sensually awakened enough to realize that. They don't know that the ultimate secret to keeping a man content with one woman lies in her sensuality.

It’s been said the best poets have many private works unpublished. She illuminated from within… A kind of enchanting light that comes with overcoming… She was the inspiration of poets… Not the muse that inspires what they share… But the fantasy they keep to themselves.

When you finally achieve success, never forget those who were there as your cheerleaders and supporters. They helped you, encouraged you, and inspired you to do your best. They deserve your recognition and respect.

Success is what everyone longs for, but not everyone can go through the road to success and conquer. It is only given to those who do their best in their endeavours.

Never let the struggles of yesterday stand in your way to success. Use them as lessons and opportunities to become your best self.

When situations attempt to distract you from success, look ahead and look at God's goodness. Remind yourself of the reasons why you embarked on this journey of success, and allow it to inspire you to do your utmost best.

Do your level best to pursue your purpose on earth and God in His faithfulness, will grant you the wisdom to become a success.

Success is about doing what you can, to express yourself the best way you can, with the gifts you have.

Work hard and excel. Do your best, and watch God grant you an endorsement for success.

The God who created the heavens and the earth can empower you to enter the realm of success. You have to keep doing your best, and follow the due process.

A cunning smile tilted up the corners of Calli's mouth. "Clio said it best during our concert for the gods. Those other writers had better move to the side, because there's a new voice in town, and I plan to write the most epic tales this world has ever seen. And after I write them, the Muses will sing them in our own unique style." Thalia lifted her hands in the air and sang, "And that's the gospel truth!

Do your best. If things turn out well, you will be pleased that you did not neglect the dreams you had, and if they do not go as planned, you will still be glad that you tried your best.

The best sight is that of your dreams coming alive. Do not let your eyes deceive your heart.