Muscular Women Quotes

We've searched our database for all the quotes and captions related to Muscular Women. Here they are! All 69 of them:

But I think the first real change in women’s body image came when JLo turned it butt-style. That was the first time that having a large-scale situation in the back was part of mainstream American beauty. Girls wanted butts now. Men were free to admit that they had always enjoyed them. And then, what felt like moments later, boom—Beyoncé brought the leg meat. A back porch and thick muscular legs were now widely admired. And from that day forward, women embraced their diversity and realized that all shapes and sizes are beautiful. Ah ha ha. No. I’m totally messing with you. All Beyonce and JLo have done is add to the laundry list of attributes women must have to qualify as beautiful. Now every girl is expected to have Caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama, and doll tits. The person closest to actually achieving this look is Kim Kardashian, who, as we know, was made by Russian scientists to sabotage our athletes.
Tina Fey (Bossypants)
Don’t tell thin women to eat a cheeseburger. Don’t tell fat women to put down the fork. Don’t tell underweight men to bulk up. Don’t tell women with facial hair to wax, don’t tell uncircumcised men they’re gross, don’t tell muscular women to go easy on the dead-lift, don’t tell dark-skinned women to bleach their vagina, don’t tell black women to relax their hair, don’t tell flat-chested women to get breast implants, don’t tell “apple-shaped” women what’s “flattering,” don’t tell mothers to hide their stretch marks, and don’t tell people whose toes you don’t approve of not to wear flip-flops. And so on, etc, etc, in every iteration until the mountains crumble to the sea. Basically, just go ahead and CEASE telling other human beings what they “should” and “shouldn't” do with their bodies unless a) you are their doctor, or b) SOMEBODY GODDAMN ASKED YOU.
Lindy West
I'm bored stiff by ballet. i can't bear those muscular white legs like unbaked plaited loaves, and I get quite hysterical every time one of the women sticks out her leg at right angles, and the man suddenly grabs it and walks round in a circle as though he were opening a tin.
Jilly Cooper (Jolly Super Too)
I stood in front of him, frustratedly imagining his naked muscular chest, and wanting his hot cock to spear me. My nipples were aroused, feeling as hard and long as coat hooks. They prodded fiercely through the thin blue material at him, like little calling signs of how horny and ready for sex I was. The best advertisement of all: erect nipples!
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
Thanks to our cinctures and corsets we have succeeded in making an artificial being out of woman. She is an anomaly, and Nature herself, obedient to the laws of heredity, aids us in complicating and enervating her. We carefully keep her in a state of nervous weakness and muscular inferiority, and in guarding her from fatigue, we take away from her possibilities of development. Thus modeled on a bizarre ideal of slenderness to which, strangely enough, we continue to adhere, our women have nothing in common with us, and this, perhaps, may not be without grave moral and social disadvantages.
Paul Gauguin (Noa Noa)
In the cage is the lion. She paces with her memories. Her body is a record of her past. As she moves back and forth, one may see it all: the lean frame, the muscular legs, the paw enclosing long sharp claws, the astonishing speed of her response. She was born in this garden. She has never in her life stretched those legs. Never darted farther than twenty yards at a time. Only once did she use her claws. Only once did she feel them sink into flesh. And it was her keeper's flesh. Her keeper whom she loves, who feeds her, who would never dream of harming her, who protects her. Who in his mercy forgave her mad attack, saying this was in her nature, to be cruel at a whim, to try to kill what she loves. He had come into her cage as he usually did early in the morning to change her water, always at the same time of day, in the same manner, speaking softly to her, careful to make no sudden movement, keeping his distance, when suddenly she sank down, deep down into herself, the way wild animals do before they spring, and then she had risen on all her strong legs, and swiped him in one long, powerful, graceful movement across the arm. How lucky for her he survived the blow. The keeper and his friends shot her with a gun to make her sleep. Through her half-open lids she knew they made movements around her. They fed her with tubes. They observed her. They wrote comments in notebooks. And finally they rendered a judgment. She was normal. She was a normal wild beast, whose power is dangerous, whose anger can kill, they had said. Be more careful of her, they advised. Allow her less excitement. Perhaps let her exercise more. She understood none of this. She understood only the look of fear in her keeper's eyes. And now she paces. Paces as if she were angry, as if she were on the edge of frenzy. The spectators imagine she is going through the movements of the hunt, or that she is readying her body for survival. But she knows no life outside the garden. She has no notion of anger over what she could have been, or might be. No idea of rebellion. It is only her body that knows of these things, moving her, daily, hourly, back and forth, back and forth, before the bars of her cage.
Susan Griffin (Woman and Nature: The Roaring Inside Her)
The theme of entitlement to space that emerges in many of my recollections of men, and in my own masculine development, is colonial code for claiming someone else's space. Whether it's through an emphasis on being large and muscular, or asserting power by an extended or intimidating stride on sidewalks, being loud in bars, manspreading on public transit, or enacting harm of violence on others, taking up space is a form of misogyny because so often the space that men try to seize and dominate belongs to women and gender-nonconforming people.
Vivek Shraya (I'm Afraid of Men)
The huge difficulty that so many women and men have in seeing femininity and masculinity as socially constructed rather than natural, attests to the strength and force of culture. Women are, of course, understood to be ``different'' from men in many ways, ``delicate, pretty, intuitive, unreasonable, maternal, non-muscular, lacking an organizing character''. Feminist theorists have shown that what is understood as ``feminine'' behaviour is not simply socially constructed, but politically constructed, as the behaviour of a subordinate social group. Feminist social constructionists understand the task of feminism to be the destruction and elimination of what have been called ``sex roles'' and are now more usually called ``gender''.
Sheila Jeffreys (Beauty and Misogyny: Harmful Cultural Practices in the West)
She is a woman of muscle twisted around bone.
Veronica Roth (Allegiant (Divergent, #3))
He was built like a mountain. Tall, dark haired ,silver eyed , muscular and rugged. Nathaniel Hawkins was a man that most men wouldn’t want to tangle with and most women fantasized about.
Grace Willows (The Ultimate Prize)
awe-inspiring shit we put on shelves.” These included live waxworms, a five-pound gummi bear, a diver’s speargun, a book titled Venus with Biceps: A Pictorial History of Muscular Women, a butt plug attached to a plush foxtail,
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
Coonskin caps and silly putty were just not going to cut it anymore. The good mother got her kids toys that were educational, that advanced gross and fine motor skills, that gave them the spatial sensibilities and design aptitude of Frank Lloyd Wright, and that taught Johnny how to read James Joyce at age three. God forbid that one second should pass where your child was idle and that you were not doing everything you could to promote his or her emotional, cognitive, imaginative, quantitative, or muscular development.
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
Théophile Gautier (Mademoiselle de Maupin)
Men need as many expressions of love as women do. They are still young boys in a strong, muscular body.
Linda Alfiori
The norms of femininity suppress the body potential of women. We grow up learning that the feminine body is soft, not muscular, passive, incapable, vulnerable. Our parents, teachers and friends suppress our natural urges to run, jump, risk, by cries that we should not act so boldly and move so daringly. . . . Developing a sense of our bodies as beautiful objects to be gazed at and decorated requires suppressing a sense of our bodies as strong, active subjects moving out to meet the world's risk and confront the resistances of matter and motion.
Iris Young
I fear,” he told me, “never experiencing love or appreciation or affection. On one level—on one day—I will believe myself unworthy of them, so my fears appear justified. On another day, I will very grandly believe I have been unjustifiably denied these things, deserve them in spades, and aggressively pursue them. The aggression I display at these times initially excites me, but afterwards—after the manic, muscular display—I am horrified.
James Grissom (Follies of God: Tennessee Williams and the Women of the Fog)
Elizabeth was counting on Marco to keep cousin Mary occupied until after the board meeting was over. A piece of cheese might catch a mouse, but an afternoon alone with a muscular masseur would ensnare her cousin far more effectively. And afterwards, while Mary lay sated and sleeping upon a massage table, wiser heads could determine the company's future. There were times, Elizabeth thought, when success in business demanded utter ruthlessness.
Barbara Taylor Bradford (Being Elizabeth (Ravenscar, #3))
Jesus of Nazareth is so entirely one of them they can hardly find anything special about him at all. He fits right in with the messy busyness of everyday life. And it is here, in their midst, with their routines of fish and wine and bread, that he proclaims the kingdom of heaven. The gospel, Jesus teaches, is in the yeast, as a woman kneads it with her bare hands into the cool, pungent dough. It is in the soil, so warm and moist when freshly turned by muscular arms and backs. It is in the tiny seeds of mustard and wheat, painstakingly saved and dried from last season's harvest... Jesus placed the gospel in these tactile things, with all the grit of life surrounding him, because it is through all this touching, tasting, and smelling that his own sheep- his beloved, hardworking, human flock- know. And it is through these most mundane, touchable, smellable, tasteable pieces of commonplace existence that he shows them, and us, to find God and know him. Jesus delivered the good news in a rough, messy, hands-on package of donkeys and dusty roads, bleeding women and lepers, water from the well, and wine from the water. Holy work in the world has always been like this: messy, earthy, physical, touchable.
Catherine McNiel (Long Days of Small Things: Motherhood as a Spiritual Discipline)
My approach to parenthood was conditional, and the conditions were strict. I did not want to mother an imbecile or a paraplegic; whenever I saw fatigued women wheeling their stick-limbed progeny with muscular dystrophy for water therapy at Nyack Hospital, my heart didn’t melt, it sank.
Lionel Shriver (We Need to Talk About Kevin)
Train that bitch to love you, a bitch like that, she's the type you have to train, and even then, she'll still try to fuck around on you and test the boundaries, unless you have something no other man has, but to her you're a dick, and her she likes big dicks and muscular men, I can tell.
Stephen Demone (Pathetic Pussy)
This is a subject I've given a lot of thought to, and I think I have the answer. I've tried to encompass in my theory all the sociological, mythological, religious, philosophical, muscular, economic, cultural, musical, physical, ethical, intellectual, metaphysical, anthropological, gynecological, historical, hormonal, environmental, judicial, legal, moral, ethnic, governmental, linguistic, psychological, schizophrenic, glottal, racial, poetic, dental [this was the logical link] artistic, military, and urinary considerations from prehistoric times to the present.I have been able to synthesize these considerations into one inescapable formulation: men can knock the shit out of women.
Fran Ross (Oreo)
The fact is, women aren’t having cosmetic surgery to stay beautiful. As Naomi Wolf wrote in The Beauty Myth more than twenty years ago, many women who undergo surgery are fighting to stay loved, relevant, employed, admired; they’re fighting against time running out. If they simply age naturally, don’t diet or dye their hair, we feel they’ve “let themselves go.” But if they continue to dress youthfully we feel they’re “trying too hard” or brand them as “slappers.” Poor Madonna, who has dared to be in her fifties. In order not to look like a woman in her sixth decade of life she exercises furiously, and is sniggered at by trashy magazines for having overly muscular arms and boytoy lovers. When Demi Moore’s marriage to Ashton Kutcher, fifteen years her junior, recently broke down, the media reaction was almost gleeful. Of course, it was what they had been waiting for all along: how long could a forty-eight-year-old woman expect to keep a thirty-three-year-old man? As allegations of his infidelity emerged, the Internet was flooded with images of Demi looking gaunt and unhappy—and extremely thin. Sometimes you want to say: just leave them alone. Then again, it’s mostly women who buy these magazines, and women who write the editorials and online comments and gossip columns, so you could say we’re our own worst enemies. There is already plenty of ageism and sexism out there—why do we add to the body hatred?
Emma Woolf (An Apple a Day: A Memoir of Love and Recovery from Anorexia)
Then, as she twisted to the right, she revealed her talking partner. I literally broke step, my body deciding before my brain that my presence would not be needed in their interaction. Carol was gorgeous. A tall, confident, amazon of a woman. The lines of her gold lamay dress skimming every curve of her body. She was clearly not wearing underwear. She looked like a glossy magazine perfume ad. And this man was her magazine equal. He was perfect. Tall. Substantial. He looked muscular without giving the impression that he worked out. Maybe he was a rower. Or it could be tennis. Maybe he chopped down trees. Yes, he'd be very good at chopping trees down. I remember feeling an unnaturally strong desire to watch him do that.
Catherine Steadman (Something in the Water)
This equation is very accurate for all but the extremely muscular and extremely obese, where it may overestimate caloric needs. Men: BMR = 66 + (13.7 × weight in kilograms) + (5 × height in centimeters) − (6.8 × age in years) Women: BMR = 655 + (9.6 × weight in kilograms) + (1.8 × height in centimeters) − (4.7 × age in years) Conversions: 1 inch = 2.54 centimeters 1 kilogram = 2.2 pounds
Tom Venuto (Burn the Fat, Feed the Muscle: Transform Your Body Forever Using the Secrets of the Leanest People in the World)
The real problem here is a massive elephant in the room: our own culture. Our social values, our media - so influential on impressionable young girls - that have been allowed, for millenia, to send out this powerful, alienating message about girls and sport: that sport is unfeminine, that sport makes you sweaty and muscular, that sport is swearing and violence, that sport is ugliness in a world where women’s sole priority, value and focus should be beauty and becoming an object of desire.
Anna Kessel (Eat Sweat Play: How Sport Can Change Our Lives)
From the outset of the program to solve the Jewish question there had arisen certain psychological problems for the executioners. Once the classic method of the firing squad had been dismissed as inappropriate, it had been replaced by a single bullet in the back of the neck. The victim would kneel before a ditch that he himself had dug, the pistol would be fired, and he would fall into his grave. Simple and quick. This had been tried for a few months in some marshy fields outside Warsaw, but the SS soldiers who did the job began to complain of lack of sleep. “They had bad dreams,” Vogl said. “They truly suffered.” It was the necks. The muscular necks of the men—the slender white necks of the young women. The wrinkled necks of the old that reminded a man of his parents… the frail necks of children, even the fleshy little necks of babies. The memory of the necks began to haunt the executioners. The soldiers began to miss the targets at point-blank range. A bullet would plow into a shoulder, or slice off an ear, or even strike the earth. “Then
Clifford Irving (The Angel of Zin)
He drew his fingers down over her collarbones drifting closer to her breasts. “The muscles here on our women are often as developed as ours.” Judging by the heated look in his eyes, he didn’t mind at all that she had breasts instead of muscular pecs. “And here.” Her pulse picked up as he cupped her breasts. “You’re rounder here. Softer. Fuller.” He squeezed them gently and drew his thumbs across the hard, sensitive peaks. Ava sucked in a breath as sensation shot through her. “Do that again.” He brushed his thumbs across the tight buds again., toyed with them and gave an experimental pinch. Ava jerked and arched against him. “You’re sensitive here,” he murmured. “Yes.” His lips captured hers once more, tasting and tempting as he explored her breasts and ratcheted up her need. She and Jak’ri had been nearly bare with each other countless times in their dreams as they swam and cavorted in Rounaka Sea, but they had been out in the open and the dreams had felt so real that she would never have thought of doing her lustful inclinations there for fear of being discovered. Now, however, they were alone. They were free and the cave enclosing them might has well have been a Honeymoon suite at a secluded resort. So there was no reason for her to hold back. She moaned. Jak’ri certainly wasn’t holding back. The women of Purvel might not have breasts like hers, but he sure as hell knew what to do with them, teasing and tweaking and squeezing until she squirmed against him. Her breath shortening. “Jak’ri,” she whispered, tunneling the fingers of one hand through his thick hair while she slid the other down his back and rocked against the thick, hard ridge concealed by his pants. “I want you.” Nodding he trailed heated kisses down her neck. “I want you too.” One of his big hands left her breast and cupped her ass, grinding her against him. “Are you ready to release your eggs?” Sensation shot through her. “Hmmm?” “Are you ready to release your eggs so I can fertilize them?” he murmured, clutching her closer. Her eyes flew open. “Wait, what?” She leaned back. “I assume your reproduce the same way Purveli’s do,” he said, dragging his eyes up from her breasts to meet hers. “You release your eggs, then I fertilize them.” She stared at him, stunned. Release her eggs? Did he mean like a…like a fish? Her gaze shot to the barely discernable scales that coated his broad chest and handsome face. Did Purveli’s not have sex the way humans and Lasaran’s did? His lips twitched as his eyes danced with mirth. Relief filled her. “Oh my gosh,” laughing Ava shoved one of his shoulders. “You are so bad.” He laughed. “Apologies, I couldn’t resist. My scales seemed to fascinate you.
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
My answer to Ona's question 'do boys of thirteen and fourteen pose a threat to the girls and women of Molotschna colony?' was yes. Possibly. Every one of us, male or female, poses a potential threat. Thirteen and fourteen-year-old boys are capable of causing great damage to girls and women and to each other. It is a brash age; these boys are possessed of wreckless urges, physical exuberance, an intense curiosity that often results in injury, unbridled emotion including deep tenderness and empathy and not quite enough experience or brain development to fully understand or appreciate the consequences of their actions or words. They are similar to the yearlings, young, awkward, gleeful, and powerful. They are tall, muscular, sexually inquisitive creatures with little to no impulse control. They are children. They are children and they can be taught. I'm a two-bit schoolteacher, a failed farmer, a "shinda", an effeminate man and above all a believer. I believe that with direction, firm love and patience these boys aged thirteen and fourteen are capable of relearning their roles as males in the Molotschna colony
Miriam Toews (Women Talking)
Once there was and once there was not a devout, God-fearing man who lived his entire life according to stoic principles. He died on his fortieth birthday and woke up floating in nothing. Now, mind you, floating in nothing was comforting, light-less, airless, like a mother’s womb. This man was grateful. But then he decided he would love to have sturdy ground beneath his feet, so he would feel more solid himself. Lo and behold, he was standing on earth. He knew it to be earth, for he knew the feel of it. Yet he wanted to see. I desire light, he thought, and light appeared. I want sunlight, not any light, and at night it shall be moonlight. His desires were granted. Let there be grass. I love the feel of grass beneath my feet. And so it was. I no longer wish to be naked. Only robes of the finest silk must touch my skin. And shelter, I need a grand palace whose entrance has double-sided stairs, and the floors must be marble and the carpets Persian. And food, the finest of food. His breakfast was English; his midmorning snack French. His lunch was Chinese. His afternoon tea was Indian. His supper was Italian, and his late-night snack was Lebanese. Libation? He had the best of wines, of course, and champagne. And company, the finest of company. He demanded poets and writers, thinkers and philosophers, hakawatis and musicians, fools and clowns. And then he desired sex. He asked for light-skinned women and dark-skinned, blondes and brunettes, Chinese, South Asian, African, Scandinavian. He asked for them singly and two at a time, and in the evenings he had orgies. He asked for younger girls, after which he asked for older women, just to try. The he tried men, muscular men, skinny men. Then boys. Then boys and girls together. Then he got bored. He tried sex with food. Boys with Chinese, girls with Indian. Redheads with ice cream. Then he tried sex with company. He fucked the poet. Everybody fucked the poet. But again he got bored. The days were endless. Coming up with new ideas became tiring and tiresome. Every desire he could ever think of was satisfied. He had had enough. He walked out of his house, looked up at the glorious sky, and said, “Dear God. I thank You for Your abundance, but I cannot stand it here anymore. I would rather be anywhere else. I would rather be in hell.” And the booming voice from above replied, “And where do you think you are?
Rabih Alameddine
If the body is no longer a site of otherness but of identification, then we have urgently to become reconciled with it, repair it, perfect it, turn it into an ideal object. Everyone treats their bodies the way men treat women in projective identification: they invest them as a fetish, making an autistic cult of them, subjecting them to a quasi-incestuous manipulation. And it is the body's resemblance to its model which becomes a source of eroticism and 'white' seduction -- in the sense that it effects a kind of white magic of identity, as opposed to the black magic of otherness. This is how it is with body-building: you get into your body as you would into a suit of nerve and muscle. The body is not muscular, but muscled. It is the same with the brain and with social relations or exchanges: body-building, brainstorming, word-processing. Madonna is the ideal specimen of this, our muscled Immaculate Conception, our muscular angel who delivers us from the weaknesses of the body (pity the poor shade of Marilyn!). The sheath of muscles is the equivalent of character armour. In the past, women merely wrapped themselves in their image and their finery -- Freud speaks of those people who live with a kind of inner mirror, in a fleshly, happy self-reference. That narcissistic ideal is past and gone; body-building has wiped it out and replaced it with a gymnastic Ego-Ideal -- cold, hard, stressed, artificial self-reference. The construction of a double, of a physical and mental identity shell. Thus, in `body simulation', where you can animate your body remotely at any moment, the phantasy of being present in more than one body becomes an operational reality. An extension of the human being. And not a metaphorical or poetic extension, as in Pessoa's heteronyms, but quite simply a technical one.
Jean Baudrillard (The Perfect Crime)
The savage knows nothing of 'the law of Christ.' He will bear no other's burden. The sick must die; the wounded must perish; the feeble must go to the wall. Only the mightiest and most muscular survive and produce another generation. 'The law of Christ' ends all that. The luggage of life must be distributed. The sick must be nursed; the wounded must be tended; the frail must be cherished. These, too, must be permitted to play their part in the shaping of human destiny. They also may love and wed, and become fathers and mothers. The weaknesses of each are taken back into the blood of the race. The frailty of each becomes part of the common heritage. And, in the last result, if our men are not all Apollos, and if our women do not all resemble Venus de Medici, it is largely because we have millions with us who, but for 'the law of Christ/ operating on rational ideals, would have had no existence at all. In a Christian land, under Christian laws, we bear each other's burdens, we carry each other's luggage. It is the law of Christ, the law of the cross, a sacrificial law. The difference between savagery and civilization is simply this, that we have learned, in our very flesh and blood, to bear each other's burdens and so fulfil the law of Christ.
F.W. Boreham (The Luggage of Life......Plus .....George Augustus Selwyn, Bishop of New Zealand (Illustrated))
I want to squeeze myself into this role assigned to me—doting wife, good mother, worshipper of the male voice, the male god, the muscular Jesus, that requires I only work in the children’s ministry, or go to women’s Bible studies. And what does that matter anyway? I don’t want to be a pastor, do I? Why can’t I just fit in? Why can’t I just make it work? And I had for many years. My whole life. I know the moves and the language. I know how to brush my hair, wear my earrings, which books to read, and when to stay silent. I’ve spent my whole life doing it, believing that this was the cost of my life. The sacrifice of faith was to constantly feel the blisters of this ill-fitting religion. So why now?
Lyz Lenz (God Land: A Story of Faith, Loss, and Renewal in Middle America)
I was just going to have a discreet “J R” done on my upper arm, but Victor the tattooist wasn’t having any of it. “Which one is she? ‘J’ or ‘R’?” “‘J.’” “And how long have you been seeing this ‘J’ bird, then?” I was frightened by the aggressive masculinity of the parlor—the other customers (who were all firmly wrestling-team muscular, and seemed inexplicably amused to see me), the nude women on the walls, the lurid examples of services offered, most of which were conveniently located on Victor’s forearms, even Victor’s mildly offensive language. “Long enough.” “I’ll fucking be the judge of that, not you.” This struck me as an odd way to do business, but I decided to save this observation for another time. “A couple of months.” “And you’re going to marry her, are you? Or have you knocked her up?” “No. Neither.” “So you’re just going out? You’re not stuck with her?” “Yeah.” “And how did you meet her?” “She used to go out with a friend of mine.” “Did she now. And when did they break up?” “Saturday.” “Saturday.” He laughed like a drain. “I don’t want your mum in here moaning at me. Fuck off out of it.” I fucked off out of it.
Nick Hornby (High Fidelity)
Baseball may be called the national pastime, but it survives on the sentimentality of middle-age men who wistfully dream of playing catch with their fathers and sons. Football, with its dull stoppages, lost its military-industrial relevance with the end of the Cold War, and has become as tired and predictable in performance as it is in political metaphor. The professional game floats on an ocean of gambling, the players' steroid-laced bodies having outgrown their muscular and skeletal carriages. Biceps rip from their moorings, ankles break on simple pivots. Achilles' tendons shrivel like slugs doused with salt. Soccer and basketball are the only mainstream sports that truly plug into the modem-pulse of a dot-com society. Soccer is perfectly suited for a country of the hamster-treadmill pace, the remote-control zap and the national attention deficit—two 45-minute halves, the clock never stops, no commercial interruptions, the final whistle blows in less than two hours. It is a fluid game of systemized chaos that, no matter how tightly scripted by coaches, cannot be regulated any more than information can be truly controlled on the Internet.
Jere Longman (The Girls of Summer: The U.S. Women's Soccer Team and How It Changed the World)
Along the shores of the Atlantic and the Mediterranean I went through fishing ports where the elegant poverty of the fishermen wounded my own. Without their seeing me, I would brush against men and women standing in a patch of shade, against boys plying on a square. The love that human beings seem to feel for one another tortured me at the time. If two men exchanged a greeting or a smile in passing, I would retreat to the farthest edges of the world. The glances exchanged by the two friends—and sometimes their words—were the subtlest emanation of a ray of love from the heart of each. A ray of very soft light, delicately coiled: a spun ray of love. I was amazed that such delicacy, so fine a thread and of so precious, and so chaste, a substance as love could be fashioned in so dark a smithy as the muscular bodies of those males, though they themselves always emitted that gentle ray in which there sometimes sparkled the droplets of a mysterious dew. I would fancy hearing the elder say to the other, who was no longer I, speaking of that part of the body which he must have loved dearly: "I'm going to dent your halo for you again tonight!" I could not take lightly the idea that people made love without me.
Jean Genet (The Thief's Journal)
Thirteen- and fourteen-year-old boys are capable of causing great damage to girls and women, and to each other. It is a brash age. These boys are possessed of reckless urges, physical exuberance, intense curiosity that often results in injury, unbridled emotion, including deep tenderness and empathy, and not quite enough experience or brain development to fully understand or appreciate the consequences of their actions or words. They are similar to the yearlings: young, awkward, gleeful, powerful. They are tall, muscular, sexually inquisitive creatures with little impulse control, but they are children. They are children and they can be taught. I’m a two-bit schoolteacher, a failed farmer, a schinda, an effeminate man, and, above all, a believer. I believe that with direction, firm love and patience these boys, aged thirteen and fourteen, are capable of relearning their roles as males in the Molotschna Colony. I believe in what the great poet Samuel Taylor Coleridge thought were the cardinal rules of early education: “To work by love and so generate love. To habituate the mind to intellectual accuracy and truth. To excite imaginative power.” In his Lecture on Education, Coleridge concluded with the words: “Little is taught by contest or dispute, everything by sympathy and love.
Miriam Toews (Women Talking)
If you hurt her, you will not leave here alive,” I growled at him. “I will kill you with my bare fucking hands, Bayle.” Bayle started to laugh. “Oh, you really think so?” Something flashed in Tilda’s eyes, and her body tensed up. Her expression hardened, and there was a resolve in her that I knew all too well from training with her. Tilda was a master of restraint, but she could destroy someone if she wanted to. “Wait,” Tilda said in a stilted voice. “This is Bayle Lundeen? Bayle, who conspired with Kennet? Bayle, who’s one of the reasons my husband is dead?” I nodded once. “Yeah. That’s him.” For the first time, Bayle seemed to realize he might have bitten off more than he could chew, and he looked down at Tilda with new appreciation. Tilda may be pregnant, but she was still tall and strong, with muscular arms and powerful legs. I was sure that when Bayle had first captured her, she’d been more docile so as not to risk him hurting the baby. But now she was pissed. With one sudden jerk, she flung her head backward, smashing into Bayle’s face. From where I stood several feet away from her, I heard the sound of his nose crunching. Before he could tilt the knife toward her, she grabbed his wrist, bent it backward, and, using her other arm as leverage, she broke his arm with a loud snap. It all happened within a few seconds, and Bayle screamed in pain and stumbled back. His arm hung at a weird angle, and blood streamed down his face. But Tilda wasn't done yet. With a swipe of her leg, she kicked his legs out from under him. He fell back into the mud, and Tilda kicked him hard in the groin, causing Konstantin to wince behind me. Then she jumped on top of him, punching him repeatedly in the face with both fists. His body had gone limp but I wasn't sure if that was because he was unconscious or dead. Either way, Tilda apparently decided that she wanted to be certain. She grabbed the knife that he’d dropped on the ground beside them, and she stabbed him straight through the heart. And then she just sat there, kneeling on his dead body and breathing hard. None of us said anything or moved. It felt like she needed the moment to herself. When she finally stood up, she shook her arms out, probably both because her fists hurt from hitting Bayle so hard and also to get rid of some of the blood. “Do you feel better?” I asked her. She nodded, still catching her breath as she walked over to me. “Yeah. We have to do something about these bodies, though. The humans will get suspicious.” “That girl is a fucking beast,” Konstantin whispered as she walked by, and he looked at her with newfound admiration. “You should see her when she’s not pregnant,” I said.
Amanda Hocking (Crystal Kingdom (Kanin Chronicles, #3))
Nikolay Anastasyevitch Ananyev, the engineer, was a broad-shouldered, thick-set man, and, judging from his appearance, he had, like Othello, begun the "descent into the vale of years," and was growing rather too stout. He was just at that stage which old match-making women mean when they speak of "a man in the prime of his age," that is, he was neither young nor old, was fond of good fare, good liquor, and praising the past, panted a little as he walked, snored loudly when he was asleep, and in his manner with those surrounding him displayed that calm imperturbable good humour which is always acquired by decent people by the time they have reached the grade of a staff officer and begun to grow stout. His hair and beard were far from being grey, but already, with a condescension of which he was unconscious, he addressed young men as "my dear boy" and felt himself entitled to lecture them good-humouredly about their way of thinking. His movements and his voice were calm, smooth, and self-confident, as they are in a man who is thoroughly well aware that he has got his feet firmly planted on the right road, that he has definite work, a secure living, a settled outlook. . . . His sunburnt, thicknosed face and muscular neck seemed to say: "I am well fed, healthy, satisfied with myself, and the time will come when you young people too, will be wellfed, healthy, and satisfied with yourselves. . . ." He was dressed in a cotton shirt with the collar awry and in full linen trousers thrust into his high boots. From certain trifles, as for instance, from his coloured worsted girdle, his embroidered collar, and the patch on his elbow, I was able to guess that he was married and in all probability tenderly loved by his wife.
Anton Chekhov (Love)
Back in the twentieth century, American girls had used baseball terminology. “First base” referred to embracing and kissing; “second base” referred to groping and fondling and deep, or “French,” kissing, commonly known as “heavy petting”; “third base” referred to fellatio, usually known in polite conversation by the ambiguous term “oral sex”; and “home plate” meant conception-mode intercourse, known familiarly as “going all the way.” In the year 2000, in the era of hooking up, “first base” meant deep kissing (“tonsil hockey”), groping, and fondling; “second base” meant oral sex; “third base” meant going all the way; and “home plate” meant learning each other’s names. Getting to home plate was relatively rare, however. The typical Filofax entry in the year 2000 by a girl who had hooked up the night before would be: “Boy with black Wu-Tang T-shirt and cargo pants: O, A, 6.” Or “Stupid cock diesel”—slang for a boy who was muscular from lifting weights—“who kept saying, ‘This is a cool deal’: TTC, 3.” The letters referred to the sexual acts performed (e.g., TTC for “that thing with the cup”), and the Arabic number indicated the degree of satisfaction on a scale of 1 to 10. In the year 2000, girls used “score” as an active verb indicating sexual conquest, as in: “The whole thing was like very sketchy, but I scored that diesel who said he was gonna go home and caff up [drink coffee in order to stay awake and study] for the psych test.” In the twentieth century, only boys had used “score” in that fashion, as in: “I finally scored with Susan last night.” That girls were using such a locution points up one of the ironies of the relations between the sexes in the year 2000. The continuing vogue of feminism had made sexual life easier, even insouciant, for men. Women had been persuaded that they should be just as active as men when it came to sexual advances. Men were only too happy to accede to the new order, since it absolved them of all sense of responsibility
Tom Wolfe (Hooking Up (Ceramic Transactions Book 104))
Moreland sired some decent sons,” Rothgreb remarked. “And that’s a pretty filly they have for a sister. Not as brainless as the younger girls, either.” “Lady Sophia is very pretty.” Also kind, intelligent, sweet, and capable of enough passion to burn a man’s reason to cinders. “She’s mighty attached to the lad, though.” His uncle shot him a look unreadable in the gloom of the chilly hallways. “Women take on over babies.” “He’s a charming little fellow, but he’s a foundling. I believe she intends to foster him. Watch your step.” He took his uncle’s bony elbow at the stairs, only to have his hand shaken off. “For God’s sake, boy. I can navigate my own home unaided. So if you’re attracted to the lady, why don’t you provide for the boy? You can spare the blunt.” Vim paused at the first landing and held the candle a little closer to his uncle’s face. “What makes you say I’m attracted to Lady Sophia? And how would providing for the child endear me to her?” “Women set store by orphans, especially wee lads still in swaddling clothes. Never hurts to put yourself in a good light when you want to impress a lady.” His uncle went up the steps, leaning heavily on the banister railing. “And why would I want to impress Lady Sophia?” “You ogle her,” Rothgreb said, pausing halfway up the second flight. “I do not ogle a guest under our roof.” “You watch her, then, when you don’t think anybody’s looking. In my day, we called that ogling. You fret over her, which I can tell you as a man married for more than fifty years, is a sure sign a fellow is more than infatuated with his lady.” Vim remained silent, because he did, indeed, fret over Sophie Windham. “And you have those great, strapping brothers of hers falling all over themselves to put the two of you together.” Rothgreb paused again at the top of the steps. Vim paused too, considering his uncle’s words. “They aren’t any more strapping than I am.” Except St. Just was more muscular. Lord Val was probably quicker with his fists than Vim, and Westhaven had a calculating, scientific quality to him that suggested each of his blows would count. “They were all but dancing with each other to see that you sat next to their sister.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Train that bitch to love you, a bitch like that, she's the type, you have to train, and even then, she'll still try to fuck around on you and test the boundaries, unless you have something no other man has, but to her you're a dick, and her she likes big dicks and muscular men, I can tell.
Stephen Demone (Pathetic Pussy)
She spotted him about twenty yards away at a table that sat among a stand of river birch, its four legs submerged in an inch or two of water. Clustered around the table were ten or so of the most wild-looking, barely clothes, heavily muscled men and women she'd ever seen. And at the head, standing on a branch a foot about them all was Parish. He was barefoot and tanned, and wearing only a pair of faded jeans, which rested just below his hipbones. His hair was wild and the scar near his mouth winked in the sunlight. Julia's gaze moved covetously over every inch of him. His narrow waist and ripped stomach that widened to a broad chest, powerful shoulders and lean, muscular arms. he looked ready to spring. And the muscles in Julia's belly turned to liquid fire as she watched him watch her.
Alexandra Ivy (Raphael/Parish (Bayou Heat, #1-2))
I knew Frank hadn’t been celibate since my disappearance. In his late forties, he was still lean and muscular, dark and sleek, a very handsome man. Women clustered about him at cocktail parties like bees round a honeypot, emitting small hums of sexual excitement.
Diana Gabaldon (Voyager (Outlander, #3))
1/10 I think I have made a friend. A woman named Malun. She came by today with some lovely little coconut shell drinking cups for us, a few cooking pots, & a full bilum bag of yams & smoked fish. She speaks several local languages but only a small bit of pidgin so we mostly flapped our arms and laughed. She is older, past childbearing, head shaved like all married women here, muscular & stern until she breaks into giggles which seem against her strong will. By the end of the visit she was trying on my shoes.
Lily King (Euphoria)
Not yet, Baird,” the one beside him cautioned. He was as tall as his friend and just as muscular but he had short, spiky blond hair that complimented his pale blue eyes. “Can’t wait much longer.” Long, strong fingers curled into a fist as though the amber-eyed male could grasp the slender figure in his hand and hold her through sheer force of will. “Been dreaming about her every night, Sylvan. I ache for her.” “What does she look like?” There was genuine curiosity in the question. Though Baird had never seen her outside his dreams, Sylvan had no doubt he could describe his chosen female to the last detail. “So fuckin’ beautiful it hurts to look at her. Yellow hair like yours but longer—more golden. And her eyes…” Baird shook his head. “Like jewels. A pale grey that’s almost silver.” “You find these human women appealing then?” “Only her—she’s the only one I can see.” The amber eyes stared hungrily across the road. “I need her soon. Need to be with her. In her.” “You’re sure she’s the one?” Sylvan stared doubtfully at the woman silhouetted in the window. She was humming softly to herself but despite the distance and the pane of glass between them he could hear her perfectly and knew Baird could too. As attuned as his half brother was to this human female, he could probably hear her heartbeat even from across the street. “I know she’s the one.” There wasn’t a shred of doubt in the deep, rumbling voice. “Didn’t I tell you we’ve been dream-sharing? And her scent…” He inhaled deeply and his dark gold eyes were suddenly half-lidded with desire. “It’s her all right and she’s ripe for bonding. I want her.” “I know you do, but Baird…” The other male shifted from foot to foot uneasily. “You haven’t been back that long—only three days and it’s a miracle you escaped alive. Don’t you think it might be a good idea to wait a while? To take some time to recover?” “Waited long enough,” was the rumbling reply. “Six months in that hell hole and the only thing keeping me alive and sane were the dreams I had of her. I won’t wait any longer—she’s mine, whether she knows it yet or not.” “You’ll scare her,” his half-brother objected. “Human women are frightened enough of us as it is.” “I won’t hurt her. Just need to take her—bond her.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
Something wet and cold fell into her lap. Aimee jumped in surprise, jolted out of her sensual daydreams. She stared as a large trout flopped up and down on her legs. Her gaze shot toward the river. Daniel wore a wolfish grin on his face. “You threw a fish at me?” she shouted in false anger. “I can’t believe you threw a fish at me!” In truth, it was hard to believe. Mr. Tall, Dark, and Scowly had actually done something funny. Imagine that. She bent down in pretense of picking up the wiggling fish, and gathered a handful of river mud from the bank, and squeezed it into a ball. As Daniel slowly waded toward her, still grinning from ear to ear, she aimed and threw the mud, hitting him in the shoulder. “Hah! Take that!”  Daniel’s grin faded quickly. “Two can play at that game.” Aimee kept taunting him, her hands on her hips. Daniel emerged from the river, and she swallowed hard. Her eyes roamed over his glistening wet body as he advanced. His feral virility stunned her. Several large jagged scars on his chest stood out against his olive skin. Why hadn’t she noticed them the day before? She swallowed nervously as her gaze traveled lower, and sighed in relief. He wasn’t completely nude. He wore a breechcloth, but it didn’t leave much to the imagination as to what it covered, and only served to accentuate his flat, rippled stomach and muscular thighs. The smoldering look in his eyes as he advanced sent her a few steps backwards, and the smile on her face froze. Oh God! Is he really this angry because I threw some mud at him?  In one lightning fast, predatory move, Daniel grabbed her up and flung her over his shoulder like a sack of potatoes, and turned back to the water. “What are you doing? Put me down!” Aimee shrieked. Her fists pounded his hard back while her feet kicked uselessly in the air. He waded into the water a few feet, and unceremoniously threw her into the river. Before she hit the water, her thought was one of disbelief that he carried the game this far. It seemed so uncharacteristic of him. “You slimeball,” she yelled as her head emerged from the water. She was actually pleasantly surprised at this new, playful side of him. At least it solved her dilemma of wanting to go for a swim earlier. “How dare you!” she squealed in mock anger. Daniel dove into the river after her and came up inches from her face. She splashed water at him to ward him off. Daniel’s hands shot up and encircled her wrists. Flashing a devilish grin, he asked, “What is a slimeball?” She couldn’t keep up her false anger any more. “A slippery snake,” she laughed. “Like you, who preys on helpless women.” Daniel’s eyebrows shot up. “I thought you said you weren’t helpless.” “You’re right, I’m not helpless,” she confirmed, and flapped like a fish to try and free herself from his iron grip.
Peggy L. Henderson (Yellowstone Heart Song (Yellowstone Romance, #1))
See now? I thought you were just a children’s story, Asher Lee.” “I’m not,” said Asher, clenching his fist. “Can I help you?” asked Lance, with a curious expression. “You laid hands on something that belongs to me.” “Oh. Oh, ho, ho.” Lance rocked lightly in his chair, a smarmy smile spreading across his face. “Now, this wouldn’t be about that cold Northern slut, Savannah Carmichael, would it?” Asher saw red. Raw, raging red. He leaned over the desk and grabbed Lance by the knot in his tie at the base of his throat and jerked him forward until his face hit the desk. Lance was so shocked, he didn’t have a moment to react. “Call her a slut again,” snarled Asher. “She’s just a cheap piece of Northern tail.” In an instant, Asher yanked Lance up, let go of the knot, drew back his muscular, corded arm, and smashed his fist into Lance’s already bruised nose. Blood spurted onto Lance’s desk and down his shirt as he drew back his fist to hit Asher, but Asher blocked the hit with his palm and pushed Lance backward. Lance crashed unsteadily backward into his desk chair, which tipped over, causing Lance to crash onto the floor. Asher rounded the desk and pounced, straddling the younger, less fit man, pinning his arms to his sides. His fist connected with Lance’s nose one more time, and the sickening sound of cartilage snapping preceded Lance’s shrill scream. “You broke my nose, you asshole!” “You want to roughhouse with someone? Fight with me.” “I was raised better’n to fight a cripple.” “The hell you were.” Lance tried to free his arms where Asher had them pinned to his sides, but Asher’s legs were too strong. “You’re garbage. You get off on hurting women, you sick twist.” “I never touched her. She’s a lying slut.” Asher spat on the bloody mess that was now Lance’s face. “I told you not to call her that.
Katy Regnery (The Vixen and the Vet (A Modern Fairytale, #1))
In a recent talk on Mary, Ruth Fox, a Benedictine sister who is president of the Federation of St. Gertrude, a group of women’s monasteries, reclaims Mary as a strong peasant woman and asks why, in art and statuary, she is almost always presented “as a teenage beauty queen, forever eighteen years old and ... perfectly manicured.” Depictions of Mary as a wealthy Renaissance woman do far outnumber those that make her look like a woman capable of walking the hill country of Judea and giving birth in a barn, and I believe that Fox has asked a provocative question, perhaps a prophetic one. I wonder if, as Christians, both Protestant and Catholic, seek to reclaim the Mary of scripture, we may well require more depictions of her as a robust, and even muscular, woman, in both youth and old age.
Kathleen Norris (Amazing Grace: A Vocabulary of Faith)
What is wrong with looking muscular? Muscles are beautiful. Strength is beautiful. Muscle tissue is beautiful. It is metabolically, medically, and philosophically beautiful. Muscles retreat when they’re not used, but they will always come back if you give them good reason. No matter how old you get, your muscles never lose hope. Few cells of the body are as capable as muscle cells are of change and reformation, of achievement and transcendence… Women need muscle, as much as they can muster. They need muscle to shield their light bones, and they need muscle to weather illness. And being strong in a blunt way, a muscleheaded way, is easier than being skilled at a sport. It is a democratic option, open to the klutzes and the latecomers, and women should seize the chance to become cheaply, fowzily strong, because the chance exists, and let’s be honest, we don’t have many. Being strong won’t make you happy or fulfilled, but it’s better to be sullen and strong than sullen and weak
Natalie Angier (Woman: An Intimate Geography)
Sexual differentiation begins approximately six weeks after conception, when in male children the gonads are formed and begin to manufacture male hormone, which has a profound effect on the future development of the embryo. In the female, on the other hand, the ovaries are not formed until the sixth month, by which time the greater size, weight, and muscular strength of the male is already established. This is the biological basis of the sexual dimorphism apparent in the great majority of societies known to anthropology, where child-rearing is almost invariably the responsibility of women, and hunting and warfare the responsibility of men. These differences have less to do with cultural `stereotypes' than some fashionable contemporary notions would have us believe. While it is true that at all ages males and females have far more in common than they have differences between them, there can be no doubt that some differences exist which have their roots in the biology of our species. Jung was quite clear about this. Again and again, he refers to the masculine and the feminine as two great archetypal principles, coexisting as equal and complementary parts of a balanced cosmic system, as expressed in the interplay of yin and yang in Taoist philosophy. These archetypal principles provide the foundations on which masculine and feminine stereotypes begin to do their work, providing an awareness of gender. Gender is the psychic recognition and social expression of the sex to which nature has assigned us, and a child's awareness of its gender is established by as early as eighteen months of age.
Anthony Stevens (Jung: A Very Short Introduction)
The women here are treated incredibly well by their mates. And they’re all ridiculously happy. It’s hard not to want that. And the guys are hot. Like seven-foot tall, muscular as all get out, flowing dark hair, every female’s fantasy kind of hot.
Ruby Dixon (Barbarian's Rescue (Ice Planet Barbarians, #14))
This no longer surprised me. I had seen other such cases since Jane had toiled her way upward through hashish and peyote in desperate search of feelings. I even had a rule-of-thumb about it: Frigid women and Marxist men were the ones who required the heaviest doses to turn on. I assumed that this had some connection with the chronic muscular tensions holding back emotions that the Reichian and Gestalt psychologists discuss.
Robert Anton Wilson (Sex, Drugs & Magick – A Journey Beyond Limits)
So, my program develops the entire spectrum of physical skills: Muscular Strength, Muscular Endurance, Cardiovascular Endurance, Power, Speed, Coordination, Balance, and Flexibility. The degree to which you possess these eight physical qualities defines your level of fitness. It is only by focusing on these seven skills, rather than appearance, that you will make your best gains, in ability, well-being, and in appearance. The washboard stomachs, big chests, round shoulders, and shirt-sleeve-stretching biceps of my men are testament to that, as are the toned legs, tight triceps and abs of the women I’ve trained.
Mark Lauren (You Are Your Own Gym: The Bible of Bodyweight Exercises)
Though undoubtedly deplorable sexism existed in this movement, astute women supporters picked up the truth behind muscular Christianity and challenged women as much as men. Fitness advocate Helen McKinstry asked what man contemplating marriage would choose a “delicate, anaemic, hothouse plant type of girl” over a “strong, full-blooded, physically courageous woman, a companion for her husband on the golf links and a playmate with her children? “2 Of course, even this sounds sexist to contemporary ears (getting in shape because otherwise men won’t want you), but some, such as YWCA secretary Mary Dunn, called women to fitness for the sake of the spiritual challenge that lay before them: Muscular women wanted, young women. What kind? Those to whom the Lord can say, “Do this or that for me,” and who can respond to the hardest command, the carrying out of which will mean endurance, a knowledge of the principles of the conservation of energy and the putting forth of will power through bodily power. It will mean the clear shining of a flowing soul through a transparent medium, instead of the cloudy glass of an … ill-used body.3
Gary Thomas (Every Body Matters: Strengthening Your Body to Strengthen Your Soul)
Aside from evidence for proactive violence among contemporary hunter-gatherers, two thorny facts don’t entirely square with the view that we stopped fighting ever since we became hunter-gatherers. The first fact is muscle. The average adult man today is 12 to 15 percent heavier than the average adult woman, but women have much higher percentages of body fat masking underlying differences in muscle mass. Whole-body scans show that males average 61 percent more muscle mass then females, with most of that difference in the upper body.30 Men’s extra brawn, moreover, is added during puberty, when testosterone levels shoot up, accelerating muscle growth in the arms, shoulders, and neck.31 In this regard, human men resemble male kangaroos, whose upper bodies also enlarge during adolescence to help them fight.32 Enhanced upper-body muscularity in male humans might also have been selected for hunting, but we cannot rule out aggression. The second fact is literally staring us in the face. Consider the faces of assorted males in the genus Homo lined up for you in figure 16. Note that until about 100,000 years ago, even in some of the earliest Homo sapiens, males tend to have massive, heavily built faces and menacingly large browridges. The earliest H. sapiens males have smaller, less robust faces than Neanderthals and other non-modern humans, but truly lightly built, “feminized” faces don’t appear until less than 100,000 years ago.33 It is intriguing to hypothesize that these big faces reflect higher levels of testosterone during adolescence. In males today, elevated testosterone contributes to not only higher libidos, more impulsivity, and more reactive aggression but also bigger browridges and larger faces.34 Another molecule that possibly affects facial masculinization is the neurotransmitter serotonin, which reduces aggression; less masculinized faces are associated with higher levels of serotonin.35
Daniel E. Lieberman (Exercised: Why Something We Never Evolved to Do Is Healthy and Rewarding)
The first obvious and generally controversy-free, fighting-related difference between men and women is that of physical strength. Men are considerably stronger than women, on average, of course, and all the following data are on average. To begin with, men are bigger than women. They are about nine percent taller and proportionately heavier. Even these facts do not tell the whole story, because in muscle and bone mass men's advantage is bigger still. Relative to body weight, men are more muscular and bony, with the main difference concentrated in the arms, chest and shoulders. Fat comprises only 15 per cent of their body weight, compared with 27 per cent in women.
Azar Gat (War in Human Civilization)
Eli Colter certainly sounds like a fitting name for someone who writes Western fiction. The moniker evokes the image of a cowboy, muscular, with sunburned cheeks and strong features peeking out from beneath a weather-worn Stetson. But Eli Colter is a woman, of course, the pen name of May Eliza Frost, born and raised in Portland, Oregon.
Lisa Kröger (Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction)
Possessing an undeniable charisma and powerful oratorical abilities, Sojourner Truth tore down the claims that female weakness was incompatible with suffrage—and she did this with irrefutable logic. The leader of the provocateurs had argued that it was ridiculous for women to desire the vote, since they could not even walk over a puddle or get into a carriage without the help of a man. Sojourner Truth pointed out with compelling simplicity that she herself had never been helped over mud puddles or into carriages. “And ain’t I a woman?” With a voice like “rolling thunder,”44 she said, “Look at me! Look at my arm,” and rolled up her sleeve to reveal the “tremendous muscular power” of her arm.45
Angela Y. Davis (Women, Race, & Class)
You and I have the most interesting jobs in the universe: We run the Intergalactic Steam Circus, a most outrageous and bizarre affair. Traveling in wildly colorful space clippers, we sail from planet to planet in a huge parade, landing just outside the major population centers, setting up our magnificent and gaudy tents, and selling the people our magic of noise, confusion, bright lights, and trickery. There are, of course, beautiful young women strutting like cats in scanty sequined outfits, and handsome young men with tanned and muscular bodies, their shirts open to the waist. But that’s not what draws the crowds, day after day, planet after planet. They come to see the machinery.
Kenn Amdahl (There Are No Electrons: Electronics for Earthlings)
The theme of entitlement to space that emerges in many of my recollections of men, and in my own masculine development, is colonial code for claiming someone else’s space. Whether it’s through an emphasis on being large and muscular, or asserting power by an extended or intimidating stride on sidewalks, being loud in bars, manspreading on public transit, or enacting harm or violence on others, taking up space is a form of misogyny because so often the space that men try to seize and dominate belongs to women and gender-nonconforming people.
Vivek Shraya (I'm Afraid of Men)
There is also the less-well-known double standard of testing for steroids and other strength-enhancing drugs. “Because they think women can’t get hard and muscular without drugs—which is wrong, some women can—” Bev said, “they started by testing all the contestants at every Olympia. Then they substituted random testing, which means you can be tested at any time during the year, without warning. But it’s only for the women. The men, they don’t test. They did it one year, and everyone looked so crappy they stopped it.
Gloria Steinem (Moving Beyond Words: Essays on Age, Rage, Sex, Power, Money, Muscles: Breaking the Boundaries of Gender)
great qualities that allow young athletes to discover their bodies and explore the limits of their movements. They need to have room to grow and discover through movement. Bring in the play element early and keep it there! A positive trend is the continued opportunities for women to compete in sport. Unfortunately the training and preparation have not kept pace with the opportunities to compete. Biologically and socioculturally, women are different from men. These differences must be accounted for in training and preparation. Women are certainly more susceptible to certain injuries, specifically ACL tears; this demands that prevention programs be incorporated in daily training. To do otherwise would be remiss. There is still much misunderstanding about the role of strength training with female athletes. Some athletes and coaches just do not recognize its importance. Culturally in many circles it is not acceptable for women to be muscular and fit. For female athletes to receive proper training, these barriers need to be broken down. There is no doubt about the need for more qualified women in coaching. The time commitment and lifestyle dissuade
Vern Gambetta (Athletic Development: The Art & Science of Functional Sports Conditioning)
Naomi stretched as she woke with an exaggerated yawn in her own bed. How the hell did I get here? Recollection of the dirty trick the two men played on her the previous night made her sit up abruptly. The sheet fell away and she noticed her clothing of the previous eve gone, replaced with a t-shirt and shorts. “Those dirty, rotten pigs,” she cursed as she swung her legs out of bed and sat on the edge. “You called?” A head topped with tousled hair poked out from around the door frame of the bathroom. Number sixty-nine’s dark eyes twinkled and his lips curled in a sensual smile. Despite her irritation, her body flooded with warmth. “You!” She pointed at him and shot him a dark glare. He grinned wider. “What about me, darling?” “I’m going to kick your balls so hard you’re going to choke on them. How dare you drug me and then do despicable things to my body while I was unconscious?” Stepping forward from the bathroom, he raised his arms in surrender and her eyes couldn’t help drinking in the sight of him. No one should look that delicious, especially in the morning, was her disgruntled thought. Shirtless, Javier’s tight and toned muscles beckoned. Encased in smooth, tanned skin, his muscular torso tapered down to lean hips where his jeans hung, partially unbuttoned and displayed a bulge that grew as she watched. Unbidden heat flooded her cleft and her nipples shriveled so tight she could have drilled holes with them. She forced herself to swallow and look away before she did something stupid— say, like, licking her way down from his flat nipples to the dark vee of hair that disappeared into his pants. “It would take a braver man than me to disobey your mother’s orders. Besides, you needed the sleep,” he added in a placating tone. Scowling, Naomi mentally planned a loud diatribe for her mother. “Let me ask you, how does your head feel now?” His question derailed her for a second, and she paused to realize she actually felt pretty damned good— but now I’m horny and it’s all his friggin’ fault. She dove off the bed and stalked toward him, five foot four feet of annoyed woman craving coffee, a Danish, and him— naked inside her body. The first two she’d handle shortly, the third, she’d make him pay for. He stood his ground as she approached, the idiot. “What did you do to me while I was out?” she growled as she patted her neck looking for a mating mark. “Nothing. Contrary to your belief, snoring women with black and blue faces just don’t do it for me.” His jibe hurt, but not as much as her foot when it connected with his undefended man parts. He ended up bent over, wheezing while Naomi smirked in satisfaction. “That’s for knocking me out. But, if I find out you did anything to me other than dress me, like cop a feel or take nudie pictures, I’m going hurt you a lot worse.” “Has anyone ever told you you’re hot when you’re mad?” said the man with an obvious death wish. Only his speed saved him from her swinging fist as she screeched at him. “Go away. Can’t you tell I’m not interested?” “Liar.” He threw that comment at her from the other side of her bed. “I can smell your arousal, sweetheart. And might I say, I can’t wait to taste it.
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
But maybe she’d have herself a little adventure in there somewhere. Maybe on her cruise, on one of her trips. Not with this kind of man, of course. He was too mature, for one thing. One look convinced her—he knew everything about men and women, while she knew very little. He looked a little dangerous and very, very physical. Scary. He had that warrior appearance, complete with tattoos. The sight of him bare-chested had rattled her, but the big horse beneath her had given her plenty of confidence. His shoulders were so large, strong and muscular, and he had a barbed-wire armband tattooed on his rippling left biceps. His belly was flat and hard with a trail of chest hair that disappeared into his jeans. The stubble along his jaw made his grin a little taunting and definitely naughty; it had made her shiver. And he had an aura of carelessness. He would take a bite of her, then pitch her out, forgetting her before morning. But while Shelby had looked him over, everything inside her had grown warm. Something about him, a forbidden quality, was absolutely delicious. Even the damn dirt looked good on him. Despite her common sense, she wondered, wouldn’t that be interesting? And her very next thought was, no, no, no, not him! My adventure will come in a polo shirt, cheeks as smooth as a baby’s butt, styled hair, no tattoos and hopefully an advanced degree. Not some scary Black Hawk pilot who has a Ph.D. in one-night stands! *
Robyn Carr (Temptation Ridge)
I kiss Orion deeply, one last time. “Are you sure you don’t want to come in with me?” I ask.               “I don’t think it’s going to help your case,” the raptor replies. “I mean, some people just don’t understand that love is real. You’ve gotta put yourself in there position. They’re so used to everything working a certain way, women kissing men, men kissing men… not men kissing dinosaurs.”               I want to protest but I know that he’s right. Even the most liberal of juries is going to have a hard time with this muscular dinosaur sitting there in the courtroom while I argue my case. It’s better if we part ways here.               “I’ll see you soon.” I tell him, my voice quaking. We both know that’s not going to happen, but we’re trying our best to pretend.               “I love you,” Orion says to me one last time.               “I love you, too” I assure him.               We kiss again and then I finally muster up the discipline to pull away and push out through the car’s door. I stand up on the sidewalk before the courthouse as flash bulbs burst with blinding luminescence. I shield my eyes, stunned for a moment as I struggle to collect my bearings.               “Mr. Tanner!” someone interjects, shoving a microphone in my face. “Is it true you hate unicorns?”               “What?” I stammer.               “We understand that your mission was funded off the profits of illegally traded unicorn tears, do you have anything to say to that?”               “I mean…” I’m still trying to collect my bearings, struggling to sort through her words. “No, wait, yeah I do. That’s really bad, I didn’t know anything about it.”               The reporter nods and repeats my words back to me. “Really bad… so you’re saying it’s not awful? Is that what you’re saying?”               “No, I just…” I start.               “Because it sounds like you’re not really coming out against the illegal trade of unicorn tears,” the reporter continues.               “I literally heard about it five seconds ago,” I counter. “That sounds terrible, I don’t really know anything about it but it sounds really bad and I don’t support that.”               The reporter nods. “Okay it’s really hard to understand you when you speak in code like this. Can you just answer the question? Do you or don’t you support bad guys doing bad things? Because you haven’t really come out against them.”               “I don’t support bad guys,” I try to say as clearly as I possibly can.               The reporter just stares at me blankly. “So you’re not going to come out against them?”               Suddenly, someone from the mob pushes me from behind and I stumble forward. The entire gang of hungry journalists and newscasters has reached a tipping point and I realize now that if I don’t continue onward there is going to be a problem.               I
Chuck Tingle (Space Raptor Butt Trilogy)
Anna sat down and studied her brothers. Both were nearly six feet tall. The older, Addison, was muscular with a darker shade of brown hair compared to the younger, blue-eyed Purl, who was leaner and lighter complexioned. Anna noticed that Purl’s wrists showed below his shirt and coat jacket, hand-me-downs from the uncles. All eight children had trouble adjusting after their parents’ death, but Purl’s situation was the most regrettable—three foster homes since he was fifteen. The moves had been hard on him emotionally. Anna suffered too. She’d felt helpless that she was too young to take him herself, and had watched him slowly lose his youthful vigor.
Ann Kathleen Otto (Yours in a Hurry: A novel)
Mark, at dinner, said he’d been re-reading “Anna Karenina”. Found it good, as novels go. But complained of the profound untruthfulness of even the best imaginative literature. And he began to catalogue its omissions. Almost total neglect of those small physiological events that decide whether day-to-day living shall have a pleasant or unpleasant tone. Excretion, for example, with its power to make or mar the day. Digestion. And, for the heroines of novel and drama, menstruation. Then the small illnesses—catarrh, rheumatism, headache, eyestrain. The chronic physical disabilities—ramifying out (as in the case of deformity or impotence) into luxuriant insanities. And conversely the sudden accessions, from unknown visceral and muscular sources, of more than ordinary health. No mention, next, of the part played by mere sensations in producing happiness. Hot bath, for example, taste of bacon, feel of fur, smell of freesias. In life, an empty cigarette-case may cause more distress than the absence of a lover; never in books. Almost equally complete omission of the small distractions that fill the greater part of human lives. Reading the papers; looking into shops; exchanging gossip; with all the varieties of day-dreaming, from lying in bed, imagining what one would do if one had the right lover, income, face, social position, to sitting at the picture palace passively accepting ready-made day-dreams from Hollywood Lying by omission turns inevitably into positive lying. The implications of literature are that human beings are controlled, if not by reason, at least by comprehensible, well-organized, avowable sentiments. Whereas the facts are quite different. Sometimes the sentiments come in, sometimes they don’t. All for love, or the world well lost; but love may be the title of nobility given to an inordinate liking for a particular person’s smell or texture, a lunatic desire for the repetition of a sensation produced by some particular dexterity. Or consider those cases (seldom published, but how numerous, as anyone in a position to know can tell!), those cases of the eminent statesmen, churchmen, lawyers, captains of industry—seemingly so sane, demonstrably so intelligent, publicly so high-principled; but, in private, under irresistible compulsion towards brandy, towards young men, towards little girls in trains, towards exhibitionism, towards gambling or hoarding, towards bullying, towards being whipped, towards all the innumerable, crazy perversions of the lust for money and power and position on the one hand, for sexual pleasure on the other. Mere tics and tropisms, lunatic and unavowable cravings—these play as much part in human life as the organized and recognized sentiments. And imaginative literature suppresses the fact. Propagates an enormous lie about the nature of men and women.
Aldous Huxley (Eyeless in Gaza)
They touched their faces, put their fingers in their mouths, tugged on their ears and stomped the ground, their bodies moving and creating a new rhythm that the men had to change their claps to fit, the claps now being determined by the dancers moving, while the men got to stomping and shouting joyfully, syncopating their palms to the women and children and if the men got off beat they fixed that by paying close attention to the feet blurring and kicking and stomping near the fire so they laid down their instruments and played a song with their bodies and their heads got to nodding and hips to rocking to gyrating to the claps pulsating around them changing changing changing and their mouths open and the funk of the body let loose the sweat the stink all in the hair until somebody hollered something beyond a word and they kept on hollering it the sound leading into another sound into a new sound loud from the mouth like a spirit trying to answer the bodies or the bodies trying to answer the spirit that wouldn’t be contained as their legs kicked and their heads rolled until their movements spoke in Tongues and the throat got to letting out a moan here and a groan there and the sound of pain left their flesh while their muscular bodies and their thin bodies and their fat bodies and their sickly bodies glistened in the fire and every child screamed as they jumped and spun and every man clapped moaned and testified with their feet to what sounded like it hurt so bad must have hurt them so bad coming up out the body out the burning well of the throat out the wet of their spit wailing lifting up from the bodies now contortion-flexed and contracting on the ground eyes fluttering in their heads the body creating a new way of being a new way of thinking creating a new knowledge that belonged to them—then Saint stopped moving and stood up; her body shook and shined.
Phillip B. Williams (Ours)
They seemed to think that the sight of a handsome face, muscular biceps, and a flat stomach would turn me into a helpless mass of hormones, willing to play their juvenile games. It usually worked, but that wasn’t the point.
Kelley Armstrong (Bitten (Women of the Otherworld, #1))