Murders Death Quotes

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Ah, my daughter,ʺ he said. ʺEighteen, and already youʹve been accused of murder, aided felons, and acquired a death count higher than most guardians will ever see.ʺ He paused. ʺI couldnʹt be prouder.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
You see, cuckoos are parasites. They lay their eggs in other birds' nests. When the egg hatches, the baby cuckoo pushes the other baby birds out of the nest. The poor parent birds work themselves to death trying to find enough food to feed the enormous cuckoo child who has murdered their babies and taken their places." "Enormous?" said Jace. "Did you just call me fat?" "It was an analogy." "I am not fat.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Nobody owns life, but anyone who can pick up a frying pan owns death.
William S. Burroughs
Men should think twice before making widowhood women's only path to power.
Gloria Steinem
One to be a murderer. One to be a Martyr. One to be a Monarch. One to go Mad
Marissa Meyer (Heartless)
God is dead. God remains dead. And we have killed him. How shall we comfort ourselves, the murderers of all murderers? What was holiest and mightiest of all that the world has yet owned has bled to death under our knives: who will wipe this blood off us? What water is there for us to clean ourselves? What festivals of atonement, what sacred games shall we have to invent? Is not the greatness of this deed too great for us? Must we ourselves not become gods simply to appear worthy of it?
Friedrich Nietzsche
Her growing possessiveness felt both good and bad.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
You sound like you’re enjoying my suffering.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
She must feel like Lucifer’s frigid breath is running down the back of her delicate neck.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
Death rides on all of our shoulders from the day we are born.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
I knew I rode a rugged crest of turmoil that might crash on the rocky shore of irrational behavior.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
The verdict got both the fish and me off the hook.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
What the hell, if you are going to roll the dice with Lucifer, I say go the distance.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
The steps leading to the porch looked worn, cracked, and unpainted, ready for a nice hot fire.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
I watched her undress with moonlight shivering across the room from behind sheer curtains that moved with the currents from the hearth fire.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
It was as if we played chess after denying me both bishops and knights.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
Death is the ultimate test of faith.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
I swallowed a sigh since, truthfully, I was glad she found the cabin.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
The final sound of the rifle shot bounced around the lake.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
A look of absolute terror locked onto her features.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
Kill me, or you are a murderer.
Franz Kafka
Plants are more courageous than almost all human beings: an orange tree would rather die than produce lemons, whereas instead of dying the average person would rather be someone they are not.
Mokokoma Mokhonoana
My name is Salmon, like the fish; first name, Susie. I was fourteen when I was murdered.
Alice Sebold (The Lovely Bones)
For the murder of Jest, the court joker of Hearts, I sentence this man to death.’ She spoke without feeling, unburdened by love or dreams or the pain of a broken heart. It was a new day in Hearts, and she was the Queen. ‘Off with his head
Marissa Meyer (Heartless)
Murtagh was right about women. Sassenach, I risked my life for ye, committing theft, arson, assault, and murder into the bargain. In return for which ye call me names, insult my manhood, kick me in the ballocks and claw my face. Then I beat you half to death and tell ye all the most humiliating things have ever happened to me, and ye say ye love me." He laid his head on his knees and laughed some more. Finally he rose and held out a hand to me, wiping his eyes with the other. "You're no verra sensible, Sassenach, but I like ye fine. Let's go.
Diana Gabaldon (Outlander (Outlander, #1))
May she wake in torment!" he cried, with frightful vehemence, stamping his foot, and groaning in a sudden paroxysm of ungovernable passion. "Why, she's a liar to the end! Where is she? Not there—not in heaven—not perished—where? Oh! you said you cared nothing for my sufferings! And I pray one prayer—I repeat it till my tongue stiffens—May she wake in torment!" he cried, with frightful vehemence, stamping his foot, and groaning in a sudden paroxysm of ungovernable passion. "Why, she's a liar to the end! Where is she? Not there—not in heaven—not perished—where? Oh! you said you cared nothing for my sufferings! And I pray one prayer—I repeat it till my tongue stiffens—Catherine Earnshaw, may you not rest as long as I am living; you said I killed you—haunt me, then! The murdered do haunt their murderers, I believe. I know that ghosts have wandered on earth. Be with me always—take any form—drive me mad! only do not leave me in this abyss, where I cannot find you! Oh, God! it is unutterable! I cannot live without my life! I cannot live without my soul!
Emily Brontë (Wuthering Heights)
Once you’ve been to Cambodia, you’ll never stop wanting to beat Henry Kissinger to death with your bare hands. You will never again be able to open a newspaper and read about that treacherous, prevaricating, murderous scumbag sitting down for a nice chat with Charlie Rose or attending some black-tie affair for a new glossy magazine without choking. Witness what Henry did in Cambodia – the fruits of his genius for statesmanship – and you will never understand why he’s not sitting in the dock at The Hague next to Milošević.
Anthony Bourdain
A true opium of the people is a belief in nothingness after death - the huge solace of thinking that for our betrayals, greed, cowardice, murders we are not going to be judged.
Czesław Miłosz
I wanted to kill the me underneath. That fact haunted my days and nights. When you realize you hate yourself so much, when you realize that you cannot stand who you are, and this deep spite has been the motivation behind your behavior for many years, your brain can’t quite deal with it. It will try very hard to avoid that realization; it will try, in a last-ditch effort to keep your remaining parts alive, to remake the rest of you. This is, I believe, different from the suicidal wish of those who are in so much pain that death feels like relief, different from the suicide I would later attempt, trying to escape that pain. This is a wish to murder yourself; the connotation of kill is too mild. This is a belief that you deserve slow torture, violent death.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
Death cannot stop true love. That’s why it’s pointless for me to try to murder all my adoring female fans.
Jarod Kintz (The Days of Yay are Here! Wake Me Up When They're Over.)
Our love was a two-person game. At least until one of us died, and the other became a murderer.

Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
morning night and noon the traffic moves through and the murder and treachery of friends and lovers and all the people move through you. pain is the joy of knowing the unkindest truth that arrives without warning. life is being alone death is being alone. even the fools weep morning night and noon.
Charles Bukowski (The People Look Like Flowers at Last)
He possessed the power. He held it in his hand. A power stronger than the power of money or the power of terror or the power of death: the invincible power to command the love of mankind. There was only one thing that power could not do: it could not make him able to smell himself.
Patrick Süskind (Perfume: The Story of a Murderer)
It's not catastrophes, murders, deaths, diseases, that age and kill us; it's the way people look and laugh, and run up the steps of omnibuses.
Virginia Woolf (Jacob's Room)
It's like when a kitten tries to bite something to death. The kitten clearly has the cold-blooded murderous instinct of a predator, but at the same time, it's this cute little kitten, and all you want to do is stuff it in a shoebox and shoot a video of it for grandmas to watch on YouTube.
Jesse Andrews (Me and Earl and the Dying Girl)
The man had a smooth voice, like velvet. “I’m Detective Inspector Me. Unusual name, I know. My family were incredibly narcissistic. I’m lucky I escaped with any degree of humility at all, to be honest, but then I’ve always managed to exceed expectations. You are Kenny Dunne, are you not?” “I am.” “Just a few questions for you, Mr Dunne. Or Kenny. Can I call you Kenny? I feel we’ve become friends these past few seconds. Can I call you Kenny?” “Sure,” Kenny said, slightly baffled. “Thank you. Thank you very much. It’s important you feel comfortable around me, Kenny. It’s important we build up a level of trust. That way I’ll catch you completely unprepared when I suddenly accuse you of murder.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
Fine, you do that, and you tell them that at the very first opportunity, I'm coming down there and killing all of them. Mass murder. And after they're all dead, I'm going to kick the bodies around, dance on top of them, and sing a happy song. No jury will convict me.
J.D. Robb (Conspiracy in Death (In Death, #8))
The poor parent birds work themselves to death trying to find enough food to feed the enormous cuckoo child who has murdered their babies and taken their places." Jace: " Enormous? Did you just call me fat?" Inquisitor: "It was an analogy." Jace: "I am not fat.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
The Inquisitor stared at him as if he were a talking cockroach. "Do you know about the cuckoo bird, Jonathan Morgenstern?" Jace wondered if perhaps being the Inquisitor—it couldn't be a pleasant job—had left Imogen Herondale a little unhinged. "The cuckoo bird," she said. "You see, cuckoos are parasites. They lay their eggs in other birds' nests. When the egg hatches, the baby cuckoo pushes the other baby birds out of the nest. The poor parent birds work themselves to death trying to find enough food to feed the enormous cuckoo child who has murdered their babies and taken their places." "Enormous?" said Jace. "Did you just call me fat?" "It was an analogy." "I am not fat.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Don't forget the real business of war is buying and selling. The murdering and violence are self-policing, and can be entrusted to non-professionals. The mass nature of wartime death is useful in many ways. It serves as spectacle, as diversion from the real movements of the War. It provides raw material to be recorded into History, so that children may be taught History as sequences of violence, battle after battle, and be more prepared for the adult world. Best of all, mass death's a stimolous to just ordinary folks, little fellows, to try 'n' grab a piece of that Pie while they're still here to gobble it up. The true war is a celebration of markets.
Thomas Pynchon (Gravity’s Rainbow)
For God's sake, let us sit upon the ground And tell sad stories of the death of kings; How some have been deposed; some slain in war, Some haunted by the ghosts they have deposed; Some poison'd by their wives: some sleeping kill'd; All murder'd: for within the hollow crown That rounds the mortal temples of a king Keeps Death his court and there the antic sits, Scoffing his state and grinning at his pomp, Allowing him a breath, a little scene, To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life, Were brass impregnable, and humour'd thus Comes at the last and with a little pin Bores through his castle wall, and farewell king!
William Shakespeare (Richard II)
THERE were two “Reigns of Terror,” if we would but remember it and consider it; the one wrought murder in hot passion, the other in heartless cold blood; the one lasted mere months, the other had lasted a thousand years; the one inflicted death upon ten thousand persons, the other upon a hundred millions; but our shudders are all for the “horrors” of the minor Terror, the momentary Terror, so to speak; whereas, what is the horror of swift death by the axe, compared with lifelong death from hunger, cold, insult, cruelty, and heart-break? What is swift death by lightning compared with death by slow fire at the stake? A city cemetery could contain the coffins filled by that brief Terror which we have all been so diligently taught to shiver at and mourn over; but all France could hardly contain the coffins filled by that older and real Terror—that unspeakably bitter and awful Terror which none of us has been taught to see in its vastness or pity as it deserves.
Mark Twain (A Connecticut Yankee in King Arthur's Court)
Do you remember the sight we saw, my soul, that soft summer morning round a turning in the path, the disgusting carcass on a bed scattered with stones, its legs in the air like a woman in need burning its wedding poisons like a fountain with its rhythmic sobs, I could hear it clearly flowing with a long murmuring sound, but I touch my body in vain to find the wound. I am the vampire of my own heart, one of the great outcasts condemned to eternal laughter who can no longer smile. Am I dead? I must be dead.
Charles Baudelaire
HELPED are those who are content to be themselves; they will never lack mystery in their lives and the joys of self-discovery will be constant. HELPED are those who love the entire cosmos rather than their own tiny country, city, or farm, for to them will be shown the unbroken web of life and the meaning of infinity. HELPED are those who live in quietness, knowing neither brand name nor fad; they shall live every day as if in eternity, and each moment shall be as full as it is long. HELPED are those who love others unsplit off from their faults; to them will be given clarity of vision. HELPED are those who create anything at all, for they shall relive the thrill of their own conception, and realize an partnership in the creation of the Universe that keeps them responsible and cheerful. HELPED are those who love the Earth, their mother, and who willingly suffer that she may not die; in their grief over her pain they will weep rivers of blood, and in their joy in her lively response to love, they will converse with the trees. HELPED are those whose ever act is a prayer for harmony in the Universe, for they are the restorers of balance to our planet. To them will be given the insight that every good act done anywhere in the cosmos welcomes the life of an animal or a child. HELPED are those who risk themselves for others' sakes; to them will be given increasing opportunities for ever greater risks. Theirs will be a vision of the word in which no one's gift is despised or lost. HELPED are those who strive to give up their anger; their reward will be that in any confrontation their first thoughts will never be of violence or of war. HELPED are those whose every act is a prayer for peace; on them depends the future of the world. HELPED are those who forgive; their reward shall be forgiveness of every evil done to them. It will be in their power, therefore, to envision the new Earth. HELPED are those who are shown the existence of the Creator's magic in the Universe; they shall experience delight and astonishment without ceasing. HELPED are those who laugh with a pure heart; theirs will be the company of the jolly righteous. HELPED are those who love all the colors of all the human beings, as they love all the colors of the animals and plants; none of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them. HELPED are those who love the lesbian, the gay, and the straight, as they love the sun, the moon, and the stars. None of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them. HELPED are those who love the broken and the whole; none of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them. HELPED are those who do not join mobs; theirs shall be the understanding that to attack in anger is to murder in confusion. HELPED are those who find the courage to do at least one small thing each day to help the existence of another--plant, animal, river, or human being. They shall be joined by a multitude of the timid. HELPED are those who lose their fear of death; theirs is the power to envision the future in a blade of grass. HELPED are those who love and actively support the diversity of life; they shall be secure in their differences. HELPED are those who KNOW.
Alice Walker
You’re going to murder him too?” “Of course I am. Slowly, too. Start with snipping the Achille’s heel so he can’t run, and then—” “That's fucked up, you're going to jail,” she cuts in, disgust curling her lip. “Actually, I hope you go to prison and are sentenced to death.” She turns with a snarl, but she doesn’t make it a step before my hand snaps out, capturing her arm and whipping her back around, directly into my chest. Addie inhales sharply, her eyes dilating as I seize the back of her neck with one hand and grab her delectable ass with the other, lifting her up against my body. "Will you be my last meal, baby?
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
I thought about suicide all the time, but it seemed toomuch effort, swallowing all those pills or jumping off things. If I'd lived out in the country I would have found a quiet stretch of railway track, and lain on it, fallen asleep, so that I would never have known when my last moment came. In London, the minimum tube fare had gone up so much that even to get near the line cost a fortune. Suicide seemed an extravagance I couldn't afford. People never leave you alone, either; I knew that if I'd tried to lie down on the line, any number of commuters would have pulled me off again, so that I didn't delay their train. There must have been murderers out there who wanted to kill, with no way of finding those who wanted to be dead. If there had been some way of contacting them, a date-with-death line, I would have called them to set up a meeting. The current ways of death seemed too haphazard; it was all left up to chance. Had Chance come up, tapped me on the shoulder, said "Oi, you - long black tunnel, white light, off you go," I wouldn't have complained. It was like having frostbite all over - feeling numb and in pain at the same time.
Helena Dela (The Count)
The worst thing is not that the world is unfree, but that people have unlearned their liberty. The more indifferent people are to politics, to the interests of others, the more obsessed they become with their own faces. The individualism of our time. Not being able to fall asleep and not allowing oneself to move: the marital bed. If high culture is coming to an end, it is also the end of you and your paradoxical ideas, because paradox as such belongs to high culture and not to childish prattle. You remind me of the young men who supported the Nazis or communists not out of cowardice or out of opportunism but out of an excess of intelligence. For nothing requires a greater effort of thought than arguments to justify the rule of nonthought… You are the brilliant ally of your own gravediggers. In the world of highways, a beautiful landscape means: an island of beauty connected by a long line with other islands of beauty. How to live in a world with which you disagree? How to live with people when you neither share their suffering nor their joys? When you know that you don’t belong among them?... our century refuses to acknowledge anyone’s right to disagree with the world…All that remains of such a place is the memory, the ideal of a cloister, the dream of a cloister… Humor can only exist when people are still capable of recognizing some border between the important and the unimportant. And nowadays this border has become unrecognizable. The majority of people lead their existence within a small idyllic circle bounded by their family, their home, and their work... They live in a secure realm somewhere between good and evil. They are sincerely horrified by the sight of a killer. And yet all you have to do is remove them from this peaceful circle and they, too, turn into murderers, without quite knowing how it happened. The longing for order is at the same time a longing for death, because life is an incessant disruption of order. Or to put it the other way around: the desire for order is a virtuous pretext, an excuse for virulent misanthropy. A long time a go a certain Cynic philosopher proudly paraded around Athens in a moth-eaten coat, hoping that everyone would admire his contempt for convention. When Socrates met him, he said: Through the hole in your coat I see your vanity. Your dirt, too, dear sir, is self-indulgent and your self-indulgence is dirty. You are always living below the level of true existence, you bitter weed, you anthropomorphized vat of vinegar! You’re full of acid, which bubbles inside you like an alchemist’s brew. Your highest wish is to be able to see all around you the same ugliness as you carry inside yourself. That’s the only way you can feel for a few moments some kind of peace between yourself and the world. That’s because the world, which is beautiful, seems horrible to you, torments you and excludes you. If the novel is successful, it must necessarily be wiser than its author. This is why many excellent French intellectuals write mediocre novels. They are always more intelligent than their books. By a certain age, coincidences lose their magic, no longer surprise, become run-of-the-mill. Any new possibility that existence acquires, even the least likely, transforms everything about existence.
Milan Kundera
Night, forever. But within it, a city, shadowy and only real in certain ways. The entity cowered in its alley, where the mist was rising. This could not have happened! Yet it had. The streets had filled with… things. Animals! Birds! Changing shape! Screaming and yelling! And, above it all, higher than the rooftops, a lamb rocking back and forth in great slow motions, thundering over the cobbles… And then bars had come down, slamming down, and the entity had been thrown back. But it had been so close! It had saved the creature, it was getting through, it was beginning to have control… and now this… In the darkness of the inner city, above the rustle of the never-ending rain, it heard the sound of boots approaching. A shape appeared in the mist. It drew nearer. Water cascaded off a metal helmet and an oiled leather cloak as the figure stopped and, entirely unconcerned, cupped its had in front of its face and lit a cigar. Then the match was dropped on the cobbles, where it hissed out, and the figure said: “What are you?” The entity stirred, like an old fish in a deep pool. It was too tired to flee. “I am the Summoning Dark.” It was not, in fact, a sound, but had it been, it would have been a hiss. “Who are you?” “I am the Watchman.” “They would have killed his family!” The darkness lunged, and met resistance. “Think of the deaths they have caused! Who are you to stop me?” “He created me. Quis custodiet ipsos custodes? Who watches the watchmen? Me. I watch him. Always. You will not force him to murder for you.” “What kind of human creates his own policeman?” “One who fears the dark.” “And so he should,” said the entity, with satisfaction. “Indeed. But I think you misunderstand. I am not here to keep the darkness out. I am here to keep it in.” There was a clink of metal as the shadowy watchman lifted a dark lantern and opened its little door. Orange light cut through the blackness. “Call me… the Guarding Dark. Imagine how strong I must be.” The Summoning Dark backed desperately into the alley, but the light followed it, burning it. “And now,” said the watchman, “get out of town.
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
Let me tell you the truth about the world to which you so desperately want to return. It is a place of pain and suffering and grief. When you left it, cities were being attacked. Women and children were being blasted to pieces or burned alive by bombs dropped from planes flown by men with wives and children of their own. People were being dragged from their homes and shot in the street. Your world is tearing itself apart, and the most amusing thing of all is that it was little better before the war started. War merely gives people an excuse to indulge themselves further, to murder with impunity. There were wars before it, and there will be wars after it, and in between people will fight one another and hurt one another and maim one another and betray one another, because that is what they have always done. And even if you avoid warfare and violent death, little boy, what else do you think life has in store for you? You have already seen what it is capable of doing. It took your mother from you, drained her of health and beauty, and then cast her aside like the withered, rotten husk of a fruit. It will take others from you too, mark me. Those whom you care about--lovers, children--will fall by the wayside, and your love will not be enough to save them. Your health will fail you. You will become old and sick. Your limbs will ache, your eyesight will fade, and your skin will grow lined and aged. There will be pains deep within that no doctor will be able to cure. Diseases will find a warm, moist place inside you and there they will breed, spreading through your system, corrupting it cell by cell until you pray for the doctors to let you die, to put you out of your misery, but they will not. Instead you will linger on, with no one to hold your hand or soothe your brow, as Death comes and beckons you into his darkness. The life you left behind you is no life at all. Here, you can be king, and I will allow you to age with dignity and without pain, and when the time comes for you to die, I will send you gently to sleep and you will awaken in the paradise of your choosing, for each man dreams his own heaven.
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
We are all broken by something. We have all hurt someone and have been hurt. We all share the condition of brokenness even if our brokenness is not equivalent. I desperately wanted mercy for Jimmy Dill and would have done anything to create justice for him, but I couldn’t pretend that his struggle was disconnected from my own. The ways in which I have been hurt—and have hurt others—are different from the ways Jimmy Dill suffered and caused suffering. But our shared brokenness connected us. Paul Farmer, the renowned physician who has spent his life trying to cure the world’s sickest and poorest people, once quoted me something that the writer Thomas Merton said: We are bodies of broken bones. I guess I’d always known but never fully considered that being broken is what makes us human. We all have our reasons. Sometimes we’re fractured by the choices we make; sometimes we’re shattered by things we would never have chosen. But our brokenness is also the source of our common humanity, the basis for our shared search for comfort, meaning, and healing. Our shared vulnerability and imperfection nurtures and sustains our capacity for compassion. We have a choice. We can embrace our humanness, which means embracing our broken natures and the compassion that remains our best hope for healing. Or we can deny our brokenness, forswear compassion, and, as a result, deny our own humanity. I thought of the guards strapping Jimmy Dill to the gurney that very hour. I thought of the people who would cheer his death and see it as some kind of victory. I realized they were broken people, too, even if they would never admit it. So many of us have become afraid and angry. We’ve become so fearful and vengeful that we’ve thrown away children, discarded the disabled, and sanctioned the imprisonment of the sick and the weak—not because they are a threat to public safety or beyond rehabilitation but because we think it makes us seem tough, less broken. I thought of the victims of violent crime and the survivors of murdered loved ones, and how we’ve pressured them to recycle their pain and anguish and give it back to the offenders we prosecute. I thought of the many ways we’ve legalized vengeful and cruel punishments, how we’ve allowed our victimization to justify the victimization of others. We’ve submitted to the harsh instinct to crush those among us whose brokenness is most visible. But simply punishing the broken—walking away from them or hiding them from sight—only ensures that they remain broken and we do, too. There is no wholeness outside of our reciprocal humanity.
Bryan Stevenson (Just Mercy: A Story of Justice and Redemption)