Murakami Kafka On The Shore Quotes

Memories warm you up from the inside. But they also tear you apart.

If you remember me, then I don't care if everyone else forgets.

And once the storm is over, you won’t remember how you made it through, how you managed to survive. You won’t even be sure, whether the storm is really over. But one thing is certain. When you come out of the storm, you won’t be the same person who walked in. That’s what this storm’s all about.

It's like Tolstoy said. Happiness is an allegory, unhappiness a story.

Silence, I discover, is something you can actually hear.

Listen up - there's no war that will end all wars.

Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That’s part of what it means to be alive.

Taking crazy things seriously is a serious waste of time.

In everybody’s life there’s a point of no return. And in a very few cases, a point where you can’t go forward anymore. And when we reach that point, all we can do is quietly accept the fact. That’s how we survive.

Not just beautiful, though--the stars are like the trees in the forest, alive and breathing. And they're watching me.

Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.

A certain type of perfection can only be realized through a limitless accumulation of the imperfect.

Chance encounters are what keep us going.

Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe.

Closing your eyes isn't going to change anything. Nothing's going to disappear just because you can't see what's going on. In fact, things will even be worse the next time you open your eyes. That's the kind of world we live in. Keep your eyes wide open. Only a coward closes his eyes. Closing your eyes and plugging up your ears won't make time stand still.

What do you think? I'm not a starfish or a pepper tree. I'm a living, breathing human being. Of course I've been in love.

When you come out of the storm, you won’t be the same person who walked in. That’s what this storm’s all about.

It's hard to tell the difference between sea and sky, between voyager and sea. Between reality and the workings of the heart.

Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine. And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others. And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.

If you think God’s there, He is. If you don’t, He isn’t. And if that’s what God’s like, I wouldn’t worry about it.

Even chance meetings are the result of karma… Things in life are fated by our previous lives. That even in the smallest events there’s no such thing as coincidence.

Being with her I feel a pain, like a frozen knife stuck in my chest. An awful pain, but the funny thing is I'm thankful for it. It's like that frozen pain and my very existence are one. The pain is an anchor, mooring me here.

Each person feels pain in his own way, each has his own scars.

Time weighs down on you like an old, ambiguous dream. You keep on moving, trying to sleep through it. But even if you go to the ends of the earth, you won't be able to escape it. Still, you have to go there- to the edge of the world. There's something you can't do unless you get there.

Things outside you are projections of what's inside you, and what's inside you is a projection of what's outside. So when you step into the labyrinth outside you, at the same time you're stepping into the labyrinth inside.

When I open them, most of the books have the smell of an earlier time leaking out between the pages - a special odor of the knowledge and emotions that for ages have been calmly resting between the covers. Breathing it in, I glance through a few pages before returning each book to its shelf.

That’s how stories happen — with a turning point, an unexpected twist. There’s only one kind of happiness, but misfortune comes in all shapes and sizes. It’s like Tolstoy said. Happiness is an allegory, unhappiness a story.

It's easy to forget things you don't need anymore.

No matter how much time passes, no matter what takes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away.

Beyond the edge of the world there’s a space where emptiness and substance neatly overlap, where past and future form a continuous, endless loop. And, hovering about, there are signs no one has ever read, chords no one has ever heard.

I'll never see them again. I know that. And they know that. And knowing this, we say farewell.

As long as there's such a thing as time, everybody's damaged in the end, changed into something else. It always happens, sooner or later.

The sense of tragedy - according to Aristotle - comes, ironically enough, not from the protagonist's weak points but from his good qualities. Do you know what I'm getting at? People are drawn deeper into tragedy not by their defects but by their virtues. ... [But] we accept irony through a device called metaphor. And through that we grow and become deeper human beings.

Most things are forgotten over time. Even the war itself, the life-and-death struggle people went through is now like something from the distant past. We’re so caught up in our everyday lives that events of the past are no longer in orbit around our minds. There are just too many things we have to think about everyday, too many new things we have to learn. But still, no matter how much time passes, no matter what takes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away. They remain with us forever, like a touchstone.

Time expands, then contracts, all in tune with the stirrings of the heart.

A strange, terrific force unlike anything I've ever experienced is sprouting in my heart, taking root there, growing. Shut up behind my rib cage, my warm heart expands and contracts independent of my will--over and over.

I’ve built a wall around me, never letting anybody inside and trying not to venture outside myself

But if something did happen, it happened. Whether it's right or wrong. I accept everything that happens, and that's how I became the person I am now.

Love can rebuild the world, they say, so everything's possible when it comes to love.

Hey, Mr. Nakata. Gramps. Fire! Flood! Earthquake! Revolution! Godzilla's on the loose! Get up!

Distance might not solve anything, no matter how far you run.

The journey I'm taking is inside me. Just like blood travels down veins, what I'm seeing is my inner self and what seems threatening is just the echo of the fear in my heart.

Adults constantly raise the bar on smart children, precisely because they're able to handle it. The children get overwhelmed by the tasks in front of them and gradually lose the sort of openness and sense of accomplishment they innately have. When they're treated like that, children start to crawl inside a shell and keep everything inside. It takes a lot of time and effort to get them to open up again. Kids' hearts are malleable, but once they gel it's hard to get them back the way they were.

In dreams begins responsiblities.

When someone is trying very hard to get something, they don't. And when they're running away from something as hard as they can, it usually catches up with them.

Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That’s it. That’s my heart.

I go back to the reading room, where I sink down in the sofa and into the world of The Arabian Nights. Slowly, like a movie fadeout, the real world evaporates. I'm alone, inside the world of the story. My favourite feeling in the world.

People soon get tired of things that aren't boring, but not of what is boring.

I’m free, I think. I shut my eyes and think hard and deep about how free I am, but I can’t really understand what it means. All I know is I’m totally alone. All alone in an unfamiliar place, like some solitary explorer who’s lost his compass and his map. Is this what it means to be free? I don’t know, and I give up thinking about it.

When I wake up, my pillow’s cold and damp with tears. But tears for what? I have no idea.

According to Aristophanes in Plato's The Banquet, in the ancient world of legend there were three types of people. In ancient times people weren't simply male or female, but one of three types : male/male, male/female or female/female. In other words, each person was made out of the components of two people. Everyone was happy with this arrangment and never really gave it much thought. But then God took a knife and cut everyone in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing half.

My shadow is only half of what it should be." "Everyone has their shortcomings.

What I think is this: You should give up looking for lost cats and start searching for the other half of your shadow.

But metaphors help eliminate what separates you and me.

Pointless thinking is worse than no thinking at all.

That's why I like listening to Schubert while I'm driving. Like I said, it's because all his performances are imperfect. A dense, artistic kind of imperfection stimulates your consciousness, keeps you alert. If I listen to some utterly perfect performance of an utterly perfect piece while I'm driving, I might want to close my eyes and die right then and there. But listening to the D major, I can feel the limits of what humans are capable of - that a certain type of perfection can only be realized through a limitless accumulation of the imperfect. And personally I find that encouraging.

As long as you have the courage to admit mistakes, things can be turned around.

My grandpa always said asking a question is embarrassing for a moment, but not asking is embarrassing for a lifetime.

I don’t know what it means to live.

The strength I'm looking for isn't the type where you win or lose. I'm not after a wall that'll repel power coming from outside. What I want is the kind of strength to be able to absorb that kind of power, to stand up to it. The strength to quietly endure things - unfairness, misfortunes, sadness, mistakes, misunderstandings.

If you try to use your head to think about things, people don't want to have anything to do with you

We’re so caught up in our everyday lives that events of the past, like ancient stars that have burned out, are no longer in orbit around our minds. There are just too many things we have to think about every day, too many new things we have to learn. New styles, new information, new technology, new terminology … But still, no matter how much time passes, no matter what takes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away. They remain with us forever, like a touchstone.

Artists are those who can evade the verbose.

You've already decided what you're going to do, and all that's left is to set the wheels in motion. I mean, it's your life. Basically, you gotta go with what you think is right.

But if you knew you might not be able to see it again tomorrow, everything would suddenly become special and precious, wouldn’t it?

I'm not a fast reader. I like to linger over each sentence, enjoying the style. If I don't enjoy the writing, I stop.

Does G get angry because it follows F in the alphabet? Does page 68 in a book start a revolution because it follows 67?

Nakata's empty inside... Do you know what it means to be completely empty? Being empty is like a vacant house. An unlocked, vacant house. Anybody can come in, anytime they want. That's what scares me the most

This place is too calm, too natural--too complete. I don't deserve it. At least not yet.

When I was fifteen, all I wanted was to go off to some other world, a place beyond anybody’s reach. A place beyond the flow of time.” - But there’s no place like that in this world. - Exactly. Which is why I’m living here, in this world where things are continually damaged, where the heart is fickle, where time flows past without a break.

Strong and independent? I’m neither. I’m just being pushed along by reality, whether I like it or not.

Perhaps most people in the world aren’t trying to be free, Kafka. They just think they are. It’s all an illusion. If they really were set free, most people would be in a real pickle. You’d better remember that. People actually prefer not being free?

Symbolism and meaning are two separate things. I think she found the right words by bypassing procedures like meaning and logic. She captured words in a dream, like delicately catching hold of a butterfly’s wings as it flutters around. Artists are those who can evade the verbose.

Any one who falls in love is searching for the missing pieces of themselves. So anyone who’s in love gets sad when they think of their lover. It’ like stepping back inside a room you have fond memories of, one you haven’t seen in a long time. It’s just a natural feeling. You’re not the person who discovered that feeling, so don’t try to patent it, okay?

You're afraid of imagination and even more afraid of dreams. Afraid of the resposibility that begins in dreams. But you have to sleep and dreams are a part of sleep. When you're awake you can suppress imagination but you can't supress dreams.

But intolerant,narrow minds with no imagination are like parasites that transform the host,change form,and continue to thrive. They're a lost cause, and I don't want anyone like that coming in here.

The pillow smells like the sunlight, a precious smell.

In traveling, a companion, in life, compassion.

It's just like Yeats said. In dreams begin responsibilities. Flip this around and you could say that where there's no power to imagine, no responsibility can arise.

Listen up—there’s no war that will end all wars,’ Crow tells me. ‘War breeds war. Lapping up the blood shed by violence, feeding on wounded flesh. War is a perfect, self-contained being. You need to know that.

Everytime you see a flood like that on the news you tell yourself: That's it. That's my heart.

In traveling, a companion, in life, compassion,'" she repeats, making sure of it. If she had paper and pencil, it wouldn't surprise me if she wrote it down. "So what does that really mean? In simple terms." I think it over. It takes me a while to gather my thoughts, but she waits patiently. "I think it means," I say, "that chance encounters are what keep us going. In simple terms.

Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe. Of course it’s important to know what’s right and what’s wrong. Individual errors in judgment can usually be corrected. As long as you have the courage to admit mistakes, things can be turned around. But intolerant, narrow minds with no imagination are like parasites that transform the host, change form, and continue to thrive. They’re a lost cause, and I don’t want anyone like that coming in here.

He felt as if his heart had dried up. I needed her he thought. I needed someone like her to fill the void inside me. But I wasn’t able to fill the void inside her. Until the bitter end, the emptiness inside her was hers alone.

People are drawn deeper into tragedy not by their defects but by their virtues.

You sit at the edge of the world, I am in a crater that's no more. Words without letters Standing in the shadow of the door. The moon shines down on a sleeping lizard, Little fish rain from the sky. Outside the window there are soldiers, steeling themselves to die. (Refrain) Kafka sits in a chair by the shore, Thinking for the pendulum that moves the world, it seems. When your heart is closed, The shadow of the unmoving Sphinx, Becomes a knife that pierces your dreams. The drowning girl's fingers Search for the entrance stone, and more. Lifting the hem of her azure dress, She gazes -- at Kafka on the shore

My point is: in this whole wide world the only person you can depend on is you.

And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others. And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.

إغماض العينين لن يغير في شيء. لا شيء سيختفي لمجرد أنك لا تريد أن تراه. بل، ستجد أن الأمر ازداد سوءاً في المرة التالية التي تنظر فيها. هذا هو العالم الذي نحيا فيه. أبق عينيك مفتوحتين على وسعهما. الجبان فقط هو من يغمض عينيه. إغماض عينيك وسد أذنيك لن يوقف الزمن.

Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that has nothing to do with you, This storm is you. Something inside you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up the sky like pulverized bones.

Listen, Kafka. What you’re experiencing now is the motif of many Greek tragedies. Man doesn’t choose fate. Fate chooses man. That’s the basic worldview of Greek drama. And the sense of tragedy—according to Aristotle—comes, ironically enough, not from the protagonist’s weak points but from his good qualities. Do you know what I’m getting at? People are drawn deeper into tragedy not by their defects but by their virtues. Sophocles’ Oedipus Rex being a great example. Oedipus is drawn into tragedy not because of laziness or stupidity, but because of his courage and honesty. So an inevitable irony results.

It's all a question of imagination. Our responsibility begins with the power to imagine. It's just as Yeats said: In dreams begin responsibility. Turn this on its head and you could say that where there's no power to imagine, no responsibility can arise. Just as we see with Eichmann.

Oshima's silent for a time as he gazes at the forest, eyes narrowed. Birds are flitting from one branch to the next. His hands are clasped behind his head. "I know how you feel," he finally says. "But this is something you have to work out on your own. Nobody can help you. That's what love's all about, Kafka. You're the one having those wonderful feelings, but you have to go it alone as you wander through the dark. Your mind and body have to bear it all. All by yourself.

Every one of us is losing something precious to us... Lost opportunities, lost possibilities, feelings we can never get back again. That's what part of it means to be alive. But inside our heads- at least that's where I imagine it- there's a litle room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let fresh air in, change the water in the flower vases. In other words, you'll live for ever in your own private library.

You can’t look too far ahead. Do that and you’ll lose sight of what you’re doing and stumble. I’m not saying you should focus solely on the details right in front of you, mind you. You’ve got to look ahead a bit or else you’ll bump into something. You’ve got to conform to the proper order and at the same time keep an eye out for what’s ahead. That’s critical, no matter what you’re doing.

They tell us that the only thing we have to fear is fear itself,but I don't believe that." he said. Then, a moment later, he added: "Oh,the fear is there, all right. It comes to us in many different forms, at different times, and overwhelms us. But the most frightening thing we can do at such times is to turn our backs on it, to close our eyes. For then we take the most precious thing inside us and surrender it to something else. In my case, that something was the wave.

Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That’s what part of it means to be alive. But inside our heads — at least that’s where I imagine it — there’s a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let fresh air in, change the water in the flower vases. In other words, you’ll live for ever in your own private library.

In ancient times, people weren't just male or female, but one of three types: male/male, male/female, female/female. In other words, each person was made out of the components of two people. Everyone was happy with this arrangement and never really gave it much a thought. But then God took a knife and cut everybody in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing other half.

The world of the grotesque is the darkness within us. Well before Freud and Jung shined a light on the workings of the subconscious, this correlation between darkness and our subconscious, these two forms of darkness, was obvious to people. It wasn’t a metaphor, even. If you trace it back further, it wasn’t even a correlation. Until Edison invented the electric light, most of the world was totally covered in darkness. The physical darkness outside and the inner darkness of the soul were mixed together, with no boundary separating the two. They were directly linked. Like this.” Oshima brings his two hands together tightly. "But today things are different. The darkness in the outside world has vanished, but the darkness in our hearts remains, virtually unchanged. Just like an iceberg, what we label the ego or consciousness is, for the most part, sunk in darkness. And that estrangement sometimes creates a deep contradiction or confusion within us.

The world is a huge space, but the space that will take you in - and it doesn't have to be very big - is nowhere to be found. You seek a voice, but what do you get? Silence. You look for silence, but guess what? All you hear over and over and over is the voice of this omen. And sometimes this prophetic voice pushes a secret switch hidden deep inside your brain. Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That's it. That's my heart.