Mumbai Quotes

We've searched our database for all the quotes and captions related to Mumbai. Here they are! All 100 of them:

Much of what was said did not matter, and that much of what mattered could not be said.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Fate gives all of us three teachers, three friends, three enemies, and three great loves in our lives. But these twelve are always disguised, and we can never know which one is which until we’ve loved them, left them, or fought them.
Gregory David Roberts (Shantaram)
Life isn't about having, it's about being. You could surround yourself with all that money can buy, and you'd still be as miserable as a human can be. I know people with perfect bodies who don't have half the happiness I've found. On my journeys I've seen more joy in the slums of Mumbai and the orphanages of Africa than in wealthy gated communities and on sprawling estates worth millions. Why is that? You'll find contentment when your talents and passion are completely engaged, in full force. Recognise instant self-gratification for what it is. Resist the temptation to grab for material objects like the perfect house, the coolest clothes or the hottest car. The if I just had X, I would be happy syndrome is a mass delusion. When you look for happiness in mere objects, they are never enough. Look around. Look within.
Nick Vujicic
What you don't want is always going to be with you What you want is never going to be with you Where you don't want to go, you have to go And the moment you think you're going to live more, you're going to die
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
I tell Allah I love Him immensely, immensely. But I tell Him I cannot be better, because of how the world is.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
It seemed to him that in Annawadi, fortunes derived not just from what people did, or how well they did it, but from the accidents and catastrophes they dodged. A decent life was the train that hadn’t hit you, the slumlord you hadn’t offended, the malaria you hadn’t caught.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
the flames are silent, Peace is violent, Tears are frozen ’cause massacre was chosen. ~~ 26/11– Mumbai terror attack memories
Ankita Singhal
Your little boat goes west and you congratulate yourself, "What a navigator I am!" And then the wind blows you east.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
...and maybe because of the boiling April sun, he thought about water and ice. Water and ice were made of the same thing. He thought most people were made of the same thing, too. He himself was probably a little different from the corrupt people around him. Ice was distinct from - and in his view, better than - what it was made of. He wanted to be better than what he was made of. In Mumbai's dirty water, he wanted to be ice. He wanted to have ideals.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
He wanted to be better than what he was made of. In Mumbai's dirty water, he wanted to be ice...He wanted to be recognized as better than the dirty water in which he lived. He wanted a verdict of ice.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
.. becoming attached to a country involves pressing, uncomfortable questions about justice and opportunity for its least powerful citizens.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
The Indian criminal justice system was a market like garbage, Abdul now understood. Innocence and guilt could be bought and sold like a kilo of polyurethane bags.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
An Indian lies in the eyes of the beholder…what you choose to see. You can travel the length and breadth of India, from Kashmir to Kanyakumari and from Mumbai to Kolkota, and not see a single Indian. You will see Hindus, Muslims, Sikhs, Christians, Jains, Buddhists, etc. You will see Maharashtrians, Gujaratis, UPites, Biharis, Bengalis, Tamils, Telugus, Malayalis, etc. Or you will see Indians.
An Indian (India Was One)
What was unfolding in Mumbai was unfolding elsewhere, too. In the age of global market capitalism, hopes and grievances were narrowly conceived, which blunted a sense of common predicament. Poor people didn't unite; they competed ferociously amongst themselves for gains as slender as they were provisional. And this undercity strife created only the faintest ripple in the fabric of the society at large. The gates of the rich, occasionally rattled, remained unbreached. The politicians held forth on the middle class. The poor took down one another, and the world's great, unequal cities soldiered on in relative peace.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
In this city, every deserted street corner conceals a crowd. It appears in a minute when something disrupts the way in which the world is supposed to work. It can disappear almost as instantaneously.
Jerry Pinto (Em and The Big Hoom)
Man's most dangerous enemy is the one he was once closest to.
S. Hussain Zaidi (Dongri To Dubai : Six Decades of The Mumbai Mafia)
And at the moment of contact, they do not know if the hand that is reaching for theirs belongs to a Hindu or Muslim or Christian or Brahmin or untouchable or whether you were born in this city or arrived only this morning or whether you live in Malabar Hill or New York or Jogeshwari; whether you’re from Bombay or Mumbai or New York. All they know is that you’re trying to get to the city of gold, and that’s enough. Come on board, they say. We’ll adjust.
Suketu Mehta (Maximum City: Bombay Lost and Found)
You thought I didn’t notice the way you two looked at each other? I may be old but I’m not blind. I remember that feeling. The spark, the electricity... ” I had to interject before I got the unabridged version of Anjali Does Mumbai.
Nicola Marsh (Busted in Bollywood)
Like most people in the slum, and in the world, for that matter, he believed his own dreams properly aligned to his capacities.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Because in some other universe, you are me, I am you, and we are perfectly happy together. Or perhaps not… and just like this…
Abhimanyu Jha (A Dilli-Mumbai Story ...when Love Won Over Terror)
Sunil and Abdul sat together more often than before, but when they spoke, it was with the curious formality of people who shared the understanding that much of what was said did not matter, and that much of what mattered could not be said.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Being terrorized by living people seemed to have diminished his fear of the dead
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
In places where government priorities and market imperatives create a world so capricious that to help a neighbor is to risk your ability to feed your family, and sometimes even your own liberty, the idea of the mutually supportive poor community is demolished. The poor blame one another for the choices of governments and markets, and we who are not poor are ready to blame the poor just as harshly.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Life isn’t about having, it’s about being. You could surround yourself with all that money can buy, and you’d still be as miserable as a human can be. I know people with perfect bodies who don’t have half the happiness I’ve found. On my journeys I’ve seen more joy in the slums of Mumbai and the orphanages of Africa than in wealthy gated communities and on sprawling estates worth millions.
Nick Vujicic (Life Without Limits: Inspiration for a Ridiculously Good Life)
No umbrella had yet been invented successfully for the Mumbai rains.
Anita Shirodkar (Nights In Pink Satin)
As every slumdweller knew, there were three main ways out of poverty: finding an entrepreneurial niche, as the Husains had found in garbage; politics and corruption, in which Asha placed her hopes; and education.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
I know now that it's the sweet, sweating smell of hope, which is opposite of hate; and it's the sour, stifled smell of greed, which is the opposite of love.
Gregory David Roberts (Shantaram)
As Abdul and his family had already learned, the police station was not a place where victimhood was redressed and public safety held dear. It was a hectic bazaar, like many other public institutions in Mumbai, and investigating Kalu’s death was not a profit-generating enterprise.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
In the West, and among some in the Indian elite, this word, corruption, had purely negative connotations; it was seen as blocking India’s modern, global ambitions. But for the poor of a country where corruption thieved a great deal of opportunity, corruption was one of the genuine opportunities that remained.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
God has it in for the poets, that's obvious, but the Bombaywallahs hold a special place in his dispensation.
Jeet Thayil (The Book of Chocolate Saints)
We lived in Bombay and we lived in Mumbai and sometimes, I lived in both of them at the same time.
Suketu Mehta (Maximum City: Bombay Lost and Found)
I know you don’t like the traffic here. I’m sorry that you’re burdened with this.” I muttered, “Not liking the traffic is an understatement. People don’t know how to drive here. They’re crazy.” “We can take back roads with the least traffic on the way, and we’ll be driving only to the outskirts of Mumbai, not through the city as before. It shouldn’t be too bad. You’re a good driver.” “Ha, easy for you to say. You’ll just sleep in the back the whole way.” Ren touched my cheek with his fingers and gently turned my face to his. “Rajkumari, I want to say thank you. Thank you for staying and helping me. You don’t know what this means to me.” I mumbled, “You’re welcome. And rajkumari means?” He flashed me a brilliant white smile and deftly changed the subject.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
At the heart of her bad nature, like many bad natures, was probably envy. And at the heart of envy was possibly hope—that the good fortune of others might one day be hers.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
The lack of effective and charismatic leaders always forced the Muslim youth to choose the wrong role models.
S. Hussain Zaidi (Dongri To Dubai : Six Decades of The Mumbai Mafia)
In America and Europe, it was said, people know what is going to happen when they turn on the water tap or flick on the light switch. In India, a land of few safe assumptions, chronic uncertainty was said to have helped produce a nation of quick-witted, creative problem-solvers.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Never follow the crowd.... Until and unless you're crossing the road...
Sanhita Baruah
If the house is crooked and crumbling, and the land on which it sits uneven, is it possible to make anything lie straight?
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Midnight was closing in, the one-legged woman was grievously burned, and the Mumbai police were coming for Abdul and his father.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Advisers were numberless in Kabul, like stray dogs in Mumbai.
Zia Haider Rahman (In the Light of What We Know)
Mumbai is not a city, it's life...
Subhasis Das (Mom Says No Girlfriend)
There are no silicon mines in Silicon Valley. The wealth resides in the minds of Google engineers and Hollywood script doctors, directors and special-effects wizards, who would be on the first plane to Bangalore or Mumbai long before the Chinese tanks rolled into Sunset Boulevard.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Do you ever think when you look at someone, when to you listen to someone, does that person really have a life?" Abdul was asking the boy who was not listening. "Like that woman who just went to hang herself, or her husband, who probably beat her before she did this? I wonder what kind of life is that," Abdul went on. "I go through tensions just to see it. But it is a life. Even the person who lives like a dog still has a kind of life. Once when my mother was beating me, and that thought came to me. I said, 'If what is happening now, you beating me, is to keep happening for the rest of my life, it would be a bad life, but it would be a life, too.' And my mother was so shocked when I said that. She said, "Don't confuse yourself by thinking about such terrible lives.'" Sunil though that he, too, had a life. A bad life, certainly-the kind that could be ended as Kalu's had been and then forgotten, because it made no difference to the people who lived in the overcity. But something he'd come to realize on the roof, leaning out, thinking about what would happen if he leaned to far, was that a boy's life could still matter to himself.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
So the second thing to remember is, never be in search of a perfect man or a perfect woman. That idea too has been put into your mind—that unless you find a perfect man or a perfect woman you will not be happy. So you go on looking for the perfect, and you don’t find it, so you are unhappy. To flow and grow in love needs no perfection. Love has nothing to do with the other. A loving person simply loves, just as an alive person breathes and drinks and eats and sleeps. Exactly like that, a really alive person, a loving person, loves. You don’t say, “Unless there is perfect air, unpolluted, I am not going to breathe.” You go on breathing even in Los Angeles; you go on breathing in Mumbai. You go on breathing everywhere, even when the air is polluted, poisoned. You go on breathing! You cannot afford not to breathe just because the air is not as it should be. If
Osho (Being in Love: How to Love with Awareness and Relate Without Fear)
Rich people’s garbage was every year more complex, rife with hybrid materials, impurities, impostors. Planks that looked like wood were shot through with plastic. How was he to classify a loofah? The owners of the recycling plants demanded waste that was all one thing, pure.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Don't correct me, you don't have any rights over me." "What kind of life is this? So I sit at home , entirely dependent on this man, and then it turns out his heart was never with me. How is it possible to force someone to love me?
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
In Delhi, politicians and intellectuals privately bemoaned the “irrationality” of the uneducated Indian masses, but when the government itself provided false answers to its citizens’ urgent concerns, rumor and conspiracy took wing. Sometimes, the conspiracies became a consolation for loss.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
What, exactly, she had been protesting was subject to interpretation. To the poorest, her self-immolation was a response to enervating poverty. To the disabled, it reflected the lack of respect accorded the physically impaired. To the unhappily married, who were legion, it was a brave indictment of oppressive unions. Almost no one spoke of envy, a stone slab, a poorly made wall, or rubble that had fallen into rice.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Gandhiji used to say, ‘True democracy is not run by twenty people sitting in Delhi. The power centres now are in capital cities like Delhi, Mumbai and Kolkata. I would like to distribute these power centres in seven lakh villages of India.
Arvind Kejriwal (Swaraj)
Much of her outrage derived from a belated recognition that she was as human as anyone else.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
The effect of corruption I find most underacknowledged is a contraction not of economic possibility but of our moral universe.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Though Abdul had been as afraid of ghosts as most Annawadi boys, these reports did not disturb him. Being terrorized by living people seemed to have diminished his fear of the dead.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Mumbai is the sweet, sweaty smell of hope, which is the opposite of hate; and it's the sour, stifled smell of greed, which is the opposite of love. It's the smell of Gods, demons, empires, and civilizations in resurrection and decay. Its the blue skin-smell of the sea, no matter where you are in the island city, and the blood metal smell of machines. It smells of the stir and sleep and the waste of sixty million animals, more than half of them humans and rats. It smells of heartbreak, and the struggle to live, and of the crucial failures and love that produces courage. It smells of ten thousand restaurants, five thousand temples, shrines, churches and mosques, and of hunderd bazaar devoted exclusively to perfume, spices, incense, and freshly cut flowers. That smell, above all things - is that what welcomes me and tells me that I have come home. Then there were people. Assamese, Jats, and Punjabis; people from Rajasthan, Bengal, and Tamil Nadu; from Pushkar, Cochin, and Konark; warrior caste, Brahmin, and untouchable; Hindi, Muslim, Christian, Buddhist, Jain, Parsee, Animist; fair skin and dark, green eyes and golden brown and black; every different face and form of that extravagant variety, that incoparable beauty, India.
Gregory David Roberts (Shantaram)
From the advertisement, his eyes moved up the skywalk, the zigzagging metal bridge that connected various locations in the neighborhood to the Banda train station. Behind the metal grid, men moved back and forth. Tommy Sir's eyes grew tired. He felt that up there, on that seemingly never-ending bridge, shadowy figures were moving toward obscure destinations, possibly only to return to their point of origin, like in an architectural sketch of infinity by M.C. Escher. Hell is a choice, made daily and by millions, and breathing slowly and watching this aerial cage, Tommy Sir saw Mumbai, minute by minute, unbecome and become hell.
Aravind Adiga
Being terrorized by living people seemed to have diminished his fear of the dead. Clothes
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Asha believed a person seeking betterment should try as many schemes as possible, since it was hard to predict which one might work.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
The lyrics, in English, were meaningless to him, the bass line irresistible.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
A decent life was the train that hadn't hit you, the slumlord you hadn't offended, the malaria you hadn't caught.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
when a man has nothing left to lose, his aim becomes an obsession which can only lead to achievement. There’s nowhere to go but up when you hit rock bottom. Vijay
S. Hussain Zaidi (Dongri to Dubai - Six Decades of the Mumbai Mafia: Six Decades of Mumbai Mafia)
But for the poor of a country where corruption thieved a great deal of opportunity, corruption was one of the genuine opportunities that remained. As
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
But something he'd come to realize on the roof, leaning out, thinking about what would happen if he leaned too far, was that a boy's life could still matter to himself.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Where Old India and New India collide making New India
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
In the age of globalization—an ad hoc, temp-job, fiercely competitive age—hope is not a fiction.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
It made sense to Abdul that in a polyglot city, people would sort themselves as he sorted his garbage, like with like.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
.....a human mind always finds many reasons to justify any action. ...Even a murderer will be able to provide a justification for his actions
Alok Karkera (Isles of Mambo and other stories)
So where did you go, Holly?” Rafiq never tires of this conversation, no matter how often we do it. “Everywhere,” says Lorelei, being brave and selfless. “Colombia, Australia, China, Iceland, Old New York. Didn’t you, Gran?” “I did, yes.” I wonder what life in Cartagena, in Perth, in Shanghai is like now. Ten years ago I could have streetviewed the cities, but the Net’s so torn and ragged now that even when we have reception it runs at prebroadband speed. My tab’s getting old, too, and I only have one more in storage. If any arrive via Ringaskiddy Concession, they never make it out of Cork City. I remember the pictures of seawater flooding Fremantle during the deluge of ’33. Or was it the deluge of ’37? Or am I confusing it with pictures of the sea sluicing into the New York subway, when five thousand people drowned underground? Or was that Athens? Or Mumbai? Footage of catastrophes flowed so thick and fast through the thirties that it was hard to keep track of which coastal region had been devastated this week, or which city had been decimated by Ebola or Ratflu. The news turned into a plotless never-ending disaster movie I could hardly bring myself to watch.
David Mitchell (The Bone Clocks)
The Source of all things, the luminescence, has more forms than heaven’s stars, sure. And one good thought is all it takes to make it shine. But a single mistake can burn down a forest in your heart, hiding all the stars, in all the skies. And while a mistake’s still burning, ruined love or lost faith can make you think you’re done, and you can’t go on. But it’s not true. It’s never true. No matter what you do, no matter where you’re lost, the luminescence never leaves you. Any good thing that dies inside can rise again, if you want it hard enough. The heart doesn’t know how to quit, because it doesn’t know how to lie. You lift your eyes from the page, fall into the smile of a perfect stranger, and the searching starts all over again. It’s not what it was. It’s always different. It’s always something else. But the new forest that grows back in a scarred heart is sometimes wilder and stronger than it was before the fire. And if you stay there, in that shine within yourself, that new place for the light, forgiving everything and never giving up, sooner or later you’ll always find yourself right back there where love and beauty made the world: at the beginning. The beginning. The beginning.
Gregory David Roberts (The Mountain Shadow)
He knew why he and the other children received ice cream only when newspaper photographers came to visit, and why food and clothing donated for the children got furtively resold outside the orphanage gate.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Power has been called many things. The ultimate aphrodisiac. An absolute corrupter. A mistress. A violin. But its true nature remains elusive. After all, a head of state wields a very different sort of power than
S. Hussain Zaidi (Dongri to Dubai - Six Decades of the Mumbai Mafia: Six Decades of Mumbai Mafia)
Rich Indians typically tried to work around a dysfunctional government. Private security was hired, city water was filtered, private school tuitions were paid. Such choices had evolved over the years into a principle: The best government is the one that gets out of the way. The attacks on the Taj and the Oberoi, in which executives and socialites died, had served as a blunt correction. The wealthy now saw that their security could not be requisitioned privately. They were dependent on the same public safety system that ill served the poor.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
This city was our common ground, I want to tell Kaiz. Not simply its soil, nor its salt or tides, not lines on any map, nor buildings and streets. Something else entirely. An image, a dream, an idea that beguiled both of us: a magical place with chaos in its code, where our stories collided briefly. That romance with the city he carries with him wherever he goes. What it means to me, though, goes beyond what we had in common, it can’t be packed up and transported tidily. Mumbai for me is two people who moved from small coastal towns to this metropolis by the sea and made it their home. My home. And that is how the city is different for the two of us: for him both Mumbai and home were abstractions. Abstractions are at once more fragile and more hardy than reality.
Amrita Mahale (Milk Teeth)
Manhattan across the water, the glittering towers. I was working, but I didn't have anything like enough to do, and the bad times came in the evenings, when I came back to my room, sat on the couch and watched the world outside me going through on glass a lightbulb at a time.
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
Water and ice made of the same thing. He thought most people were made of the same thing, too... If he had sort all the humanity by its material essence, he thought he would probably end up with a single gigantic pile. But here was the interesting thing. Ice was distinct from - and in his view, better than - what it was made of. He wanted to be better than what he was made of. In Mumbai's dirty water, he wanted to be ice. He wanted to have ideals. For self-interested reasons, one of the ideals he most wanted to have was a belief in the possibility of justice.
Katherine Boo
The Airlines lady who travels in the same compartment as us day after day, has bruises on her arms and face today and her eyes keep welling, but no one asks her why. Our eyes dart towards her, but we go back to travelling in too much proximity. Two inches from one another and expressionless.
Amruta Patil (Kari)
A few weeks ago, Abdul had seen a boy’s hand cut clean off when he was putting plastic into one of the shredders. The boy’s eyes had filled with tears but he hadn’t screamed. Instead he’d stood there with his blood-spurting stump, his ability to earn a living ended, and started apologizing to the owner of the plant. “Sa’ab, I’m sorry,” he’d said to the man in white. “I won’t cause you any problems by reporting this. You will have no trouble from me.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
He personally found the bathing ritual not just pointless but self-deceiving. Getting fresh for a fresh day, in which something new might happen! He thought it better to start the day by acknowledging that it was going to be just as dull as the days preceding it. That way, you wouldn’t be disappointed.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Yet, there is a Chennai that hasn’t changed and never will. Women still wake up at the crack of dawn and draw the kolam—the rice-flour design—outside their doorstep. Men don’t consider it old-fashioned to wear a dhoti, which is usually matched with a modest pair of Bata chappals. The day still begins with coffee and lunch ends with curd rice. Girls are sent to Carnatic music classes. The music festival continues to be held in the month of December. Tamarind rice is still a delicacy—and its preparation still an art form. It’s the marriage between tradition and transformation that makes Chennai unique. In a place like Delhi, you’ll have to hunt for tradition. In Kolkata, you’ll itch for transformation. Mumbai is only about transformation. It is Chennai alone that firmly holds its customs close to the chest, as if it were a box of priceless jewels handed down by ancestors, even as the city embraces change.
Bishwanath Ghosh (Tamarind City)
An overweight officer, having delivered a batch of children to the home, started telling one of the guards about his heart problem. “You think you want to be a cop, but you don’t, because it kills you,” said the officer, mopping his brow. Then he told of another officer with a lung problem, and one who had cancer, and of others who were stress-sick, and of how none of them earned enough to afford decent doctors. Abdul hadn’t previously thought of policemen as people with hearts and lungs who worried about money or their health. The world seemed replete with people as bad off as himself, and this made him feel less alone.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
No one knows, but don’t worry,” Zehrunisa said. “Just leave everything to God and keep praying. Now we have a lawyer who will say the right words, and then it will end, because the judge will pick up the truth.” “Pick up the truth,” he repeated skeptically. As if truth were a coin on a footpath. He changed the subject.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Food wasn’t one of the amenities at Cooper, the five-hundred-bed hospital on which millions of poor people depended. Nor was medicine. “Out of stock today” was the nurses’ official explanation. Plundered and resold out of supply cabinets was an unofficial one. What patients needed, families had to buy on the street and bring in.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Author's Note: I wanted to read the book that would begin to answer some of my questions, because I felt I couldn't write it... I also doubted my ability to handle monsoon and slum conditions after years of lousy health. I made the decision to try in the course of an absurdly long night at home alone in Washington, D.C. Tripping over an unabridged dictionary, I found myself on the floor with a punctured lung and three broken ribs in a spreading pool of Diet Dr Pepper, unable to slither to a phone. In the hours that passed, I arrived at a certain clarity. Having proved myself ill-suited to safe cohabitation with an unabridged dictionary, I had little to lose by pursuing my interests in another quarter-- a place beyond my so-called expertise, where the risk of failure would be great but the interactions somewhat more meaningful.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Bombay, you will be told, is the only city India has, in the sense that the word city is understood in the West. Other Indian metropolises like Calcutta, Madras and Delhi are like oversized villages. It is true that Bombay has many more high-rise buildings than any other Indian city: when you approach it by the sea it looks like a miniature New York. It has other things to justify its city status: it is congested, it has traffic jams at all hours of the day, it is highly polluted and many parts of it stink.
Khushwant Singh (Truth, Love & A Little Malice)
I had a lot of adventures as a child, but one that stands out is when I was cut under my eye while playing at Shivaji Park, the breeding ground of cricketers in Mumbai, and had to return home covered in blood. I was captaining my team in a match at Shivaji Park when I was twelve and after our wicketkeeper got injured I asked my team-mates if anyone could keep wicket. No one volunteered and somewhat reluctantly I stepped up to the challenge, even though I’d never tried it before. I was uncomfortable standing in the unfamiliar position behind the stumps and soon missed a nick. The ball came at me fast and, even before I could react, it hit me smack in the face, just missing my eye.
Sachin Tendulkar (Playing It My Way: My Autobiography)
One of his private vanities was that all the garbage sorting had endowed his hands with killing strength—that he could chop a brick in half like Bruce Lee. “So let’s get a brick,” replied a girl with whom he had once, injudiciously, shared this conviction. Abdul had bumbled away. The brick belief was something he wanted to harbor, not to test.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Zehrunisa didn’t know Abdul’s age herself. Seventeen was what she’d said before the burning, when people asked her, but he could have been twenty-seven, for all she knew. You didn’t keep track of a child’s years when you were fighting daily to keep him from starving, as she and many other Annawadi mothers had been doing when their teenagers were young.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
The forces of justice had finally come to Annawadi. That the beneficiaries were horses was a source of bemusement to Sunil and the road boys.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Nothing a girl cleaned in Annawadi stayed clean. Why did people see it as a failure of the girl?
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
She has seen the good, the bad and the ugly, and yet her dreams still seem far from being realised.
S. Hussain Zaidi (Mafia Queens of Mumbai)
For the first time his senses began to register the exotic, heady atmosphere of Mumbai...the odors most insistently demanded his attention. There were layers upon layers of them, all present at once but individually distinct. They shifted in strength and character with the ocean breeze that blew soft, irregular gusts across his face. First came the sharp tang of engine fuel mingled with an even more acrid burning smell, as though something unnatural had been set alight to blanket the city with a smoldering stench. A shift in the air's direction brought a fresher aroma of salt and brine floating in from the sea. It gave way to the hot smell of spices frying in oil, which in turn incongruously merged with the subtle reek of garbage.
Kathryn Guare (Deceptive Cadence (The Virtuosic Spy, #1))
Every month that passed, he felt less sure of where he belonged among the human traffic in the city below. Once he had believed he was smart and might become something - not a big something, like the people who frequented the airport, but a middle something. Being on the roof, even if he had come up to steal things, was a way of not being what he had become in Annawadi.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
The municipality sent water through six Annawadi faucets for ninety minutes in the morning and ninety minutes at night. Shiv Sena men had appropriated the taps, charging usage fees to their neighbors. These water-brokers were resented, but not as much as the renegade World Vision social worker who had collected money from Annawadians for a new tap, then run away with it.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
In the age of global market capitalism, hopes and grievances were narrowly conceived, which blunted a sense of common predicament. Poor people didn’t unite; they competed ferociously amongst themselves for gains as slender as they were provisional. And this undercity strife created only the faintest ripple in the fabric of the society at large. The gates of the rich, occasionally rattled, remained un-breached. The politicians held forth on the middle class. The poor took down one another, and the world’s great, unequal cities soldiered on in relative peace.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
The city continued on its way. Boys tried to sell me drumsticks, girls played hopscotch, the Bihari badly worker carried his gathri of ironed clothes to the homes from which they had come, and the buses honked at suicidal cyclists. At one level this was vaguely confusing. Surely, something should acknowledge how much things had changed? At another level, it was oddly comforting.
Jerry Pinto (Em and The Big Hoom)
* Engineers have had to invent a new category for the commuter trains of Mumbai, whose Western Railway Line is the world's single most crowded public transport corridor. When fourteen or more people are standing per square meter - above 275 percent capacity - the train has attained "Super Dense Crush Load." In Mumbai, of course, this means people are actually sitting on the roof and hanging out the open doors.
Taras Grescoe (Straphanger: Saving Our Cities and Ourselves from the Automobile)
Abdul hadn’t previously thought of policemen as people with hearts and lungs who worried about money or their health. The world seemed replete with people as bad off as himself, and this made him feel less alone.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Like most young Annawadians, the girls considered the caste obsession of their elders to be an irrelevant artifact. Manju and Meena had become friends because they both loved to dance, and stayed friends because they could keep each other’s secrets.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Somer reclines in her airplane seat, watching through the window as the glimmering lights of Mumbai recede into the darkness of night. In the seat next to her, Asha is already asleep, her head and pillow resting on Somer’s lap, her feet in Krishnan’s. They should both try to sleep as well, but she knows Krishnan, like her, is reluctant to disturb Asha. He extends his hand to Somer, and she takes it. They rest their interlocking hands on Asha’s sleeping body between them, just as they did the first time they made this journey.
Shilpi Somaya Gowda (Secret Daughter)
I stood outside Antilla for a long time watching the sun go down. I imagined that the tower was as deep as it was high. That it had a twenty-seven-story-long tap root, snaking around below the ground, hungrily sucking sustenance out of the earth, turning it into smoke and gold. Why did the Ambanis choose to call their building Antilla? Antilla is the name of a set of mythical islands whose story dates back to an eighth-century Iberian legend. When the Muslims conquered Hispania, six Christian Visigothic bishops and their parishioners boarded ships and fled. After days, or maybe weeks, at sea, they arrived at the isles of Antilla, where they decided to settle and raise a new civilization. They burned their boats to permanently sever their links to their barbarian-dominated homeland. By calling their tower Antilla, do the Ambanis hope to sever their links to the poverty and squalor of their homeland and raise a new civilization? Is this the final act of the most successful secessionist movement in India: the secession of the middle and upper classes into outer space? As night fell over Mumbai, guards in crisp linen shirts with crackling walkie-talkies appeared outside the forbidding gates of Antilla. The lights blazed on, to scare away the ghosts perhaps. The neighbors complain that Antilla’s bright lights have stolen the night. Perhaps it’s time for us to take back the night.
Arundhati Roy (Capitalism: A Ghost Story)
Consider California. Its wealth was initially built on gold mines. But today it is built on silicon and celluloid – Silicon Valley and the celluloid hills of Hollywood. What would happen if the Chinese were to mount an armed invasion of California, land a million soldiers on the beaches of San Francisco and storm inland? They would gain little. There are no silicon mines in Silicon Valley. The wealth resides in the minds of Google engineers and Hollywood script doctors, directors and special-effects wizards, who would be on the first plane to Bangalore or Mumbai long before the Chinese tanks rolled into Sunset Boulevard. It is not coincidental that the few full-scale international wars that still take place in the world, such as the Iraqi invasion of Kuwait, occur in places where wealth is old-fashioned material wealth. The Kuwaiti sheikhs could flee abroad, but the oil fields stayed put and were occupied.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
QUOTES AND THOUGHTS FROM SEEMA & FRIENDS _________________________________________________ On work and career (some paraphrasing involved): _________________________________________________ “Bosses are always jerks. It’s a job requirement.” ———- “Don’t do dumb shit.” ———- Never ever lose sight of priorities. Food always comes first. ———- An itch started in her chest. Go away, she crossly ordered her conscience. It had a habit of popping its head out at the most inconvenient times. The itch became a tickle rising to her nose. Nope, not her conscience. She was going to sneeze. ———- It’s your God-given right as an employee to whine about bosses. _______________________________________________ On romance and families (some paraphrasing involved): _______________________________________________ “Smell is very important,” Gayathri agreed, tone grave. “One of the first things I notice about a man.” ———- “Men—no matter how awful they look—always believe they deserve the hottest girl on the planet.” “What are the rest of us supposed to do?” asked Seema, glumly. Gayathri shrugged. “Act like we are the hottest girl on the planet. Confidence goes a long way.” ———- Seema had never been able to tell where friendly conversation ended and the banter of romance started. Did the delight in his gaze when it landed on her mean something more than casual amiability? What about his hand cupping her cheek to check for fever? The arm he’d wrapped around her shoulders? Was she gonna have to wait until he initiated a lip lock to be certain? Could she plant one on him? What if he ran, screaming in horror? ———- “You just have to look the other way on some things,” Gayathri advised. “Pretence is the glue which holds families together.” ———-
Anitha Perinchery (One Monsoon in Mumbai: Trouble and Laughter and Mushy Stuff)
Since Modi's Mumbai sign-off, much commentary has been focused on the brand-dilution potential inherent in its scandals. MS Dhoni doesn't think we should worry: 'IPL as a brand can survive on its own.' Shilpa Shetty, 'brand ambassador' of the Rajasthan Royals, tweets that we should: 'Custodians of Cricket must not hamper d Brandvalue of this viable sport.' Hampering d Brandvalue, insists new IPL boss Chirayu Amin, is the furthest thing from his mind: 'IPL's brand image is strong and nobody can touch that.' Harsha Bhogle, however, frets for the nation: 'Within the cricket world, Brand India will take a hit.' Not much more than a week after Modi's first tell-all tweets, the media was anxiously consulting Brand Finance's managing director, Unni Krishnan. Had there been any brand dilution yet? It was, said the soothsayer gravely, 'too early to say'. He could, however, confirm the following: 'The wealth that can be created by the brand is going to be substantially significant for many stakeholders. A conducive ecosystem has to be created to move the brand to the next level… We have to build the requisite bandwidth to monetise these opportunities.' Er, yeah… what he said. Anyway, placing a value on the IPL brand has clearly been quite beneficial to Brand Finance's brand.
Gideon Haigh