Mumbai Life Quotes

We've searched our database for all the quotes and captions related to Mumbai Life. Here they are! All 100 of them:

Much of what was said did not matter, and that much of what mattered could not be said.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
What you don't want is always going to be with you What you want is never going to be with you Where you don't want to go, you have to go And the moment you think you're going to live more, you're going to die
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Life isn't about having, it's about being. You could surround yourself with all that money can buy, and you'd still be as miserable as a human can be. I know people with perfect bodies who don't have half the happiness I've found. On my journeys I've seen more joy in the slums of Mumbai and the orphanages of Africa than in wealthy gated communities and on sprawling estates worth millions. Why is that? You'll find contentment when your talents and passion are completely engaged, in full force. Recognise instant self-gratification for what it is. Resist the temptation to grab for material objects like the perfect house, the coolest clothes or the hottest car. The if I just had X, I would be happy syndrome is a mass delusion. When you look for happiness in mere objects, they are never enough. Look around. Look within.
Nick Vujicic
I tell Allah I love Him immensely, immensely. But I tell Him I cannot be better, because of how the world is.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
It seemed to him that in Annawadi, fortunes derived not just from what people did, or how well they did it, but from the accidents and catastrophes they dodged. A decent life was the train that hadn’t hit you, the slumlord you hadn’t offended, the malaria you hadn’t caught.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Your little boat goes west and you congratulate yourself, "What a navigator I am!" And then the wind blows you east.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
.. becoming attached to a country involves pressing, uncomfortable questions about justice and opportunity for its least powerful citizens.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
The Indian criminal justice system was a market like garbage, Abdul now understood. Innocence and guilt could be bought and sold like a kilo of polyurethane bags.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
...and maybe because of the boiling April sun, he thought about water and ice. Water and ice were made of the same thing. He thought most people were made of the same thing, too. He himself was probably a little different from the corrupt people around him. Ice was distinct from - and in his view, better than - what it was made of. He wanted to be better than what he was made of. In Mumbai's dirty water, he wanted to be ice. He wanted to have ideals.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Like most people in the slum, and in the world, for that matter, he believed his own dreams properly aligned to his capacities.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Sunil and Abdul sat together more often than before, but when they spoke, it was with the curious formality of people who shared the understanding that much of what was said did not matter, and that much of what mattered could not be said.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Being terrorized by living people seemed to have diminished his fear of the dead
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
He wanted to be better than what he was made of. In Mumbai's dirty water, he wanted to be ice...He wanted to be recognized as better than the dirty water in which he lived. He wanted a verdict of ice.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
In places where government priorities and market imperatives create a world so capricious that to help a neighbor is to risk your ability to feed your family, and sometimes even your own liberty, the idea of the mutually supportive poor community is demolished. The poor blame one another for the choices of governments and markets, and we who are not poor are ready to blame the poor just as harshly.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
What was unfolding in Mumbai was unfolding elsewhere, too. In the age of global market capitalism, hopes and grievances were narrowly conceived, which blunted a sense of common predicament. Poor people didn't unite; they competed ferociously amongst themselves for gains as slender as they were provisional. And this undercity strife created only the faintest ripple in the fabric of the society at large. The gates of the rich, occasionally rattled, remained unbreached. The politicians held forth on the middle class. The poor took down one another, and the world's great, unequal cities soldiered on in relative peace.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
As every slumdweller knew, there were three main ways out of poverty: finding an entrepreneurial niche, as the Husains had found in garbage; politics and corruption, in which Asha placed her hopes; and education.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
I know now that it's the sweet, sweating smell of hope, which is opposite of hate; and it's the sour, stifled smell of greed, which is the opposite of love.
Gregory David Roberts (Shantaram)
In the West, and among some in the Indian elite, this word, corruption, had purely negative connotations; it was seen as blocking India’s modern, global ambitions. But for the poor of a country where corruption thieved a great deal of opportunity, corruption was one of the genuine opportunities that remained.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Life isn’t about having, it’s about being. You could surround yourself with all that money can buy, and you’d still be as miserable as a human can be. I know people with perfect bodies who don’t have half the happiness I’ve found. On my journeys I’ve seen more joy in the slums of Mumbai and the orphanages of Africa than in wealthy gated communities and on sprawling estates worth millions.
Nick Vujicic (Life Without Limits: Inspiration for a Ridiculously Good Life)
At the heart of her bad nature, like many bad natures, was probably envy. And at the heart of envy was possibly hope—that the good fortune of others might one day be hers.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
In America and Europe, it was said, people know what is going to happen when they turn on the water tap or flick on the light switch. In India, a land of few safe assumptions, chronic uncertainty was said to have helped produce a nation of quick-witted, creative problem-solvers.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
As Abdul and his family had already learned, the police station was not a place where victimhood was redressed and public safety held dear. It was a hectic bazaar, like many other public institutions in Mumbai, and investigating Kalu’s death was not a profit-generating enterprise.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
If the house is crooked and crumbling, and the land on which it sits uneven, is it possible to make anything lie straight?
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Do you ever think when you look at someone, when to you listen to someone, does that person really have a life?" Abdul was asking the boy who was not listening. "Like that woman who just went to hang herself, or her husband, who probably beat her before she did this? I wonder what kind of life is that," Abdul went on. "I go through tensions just to see it. But it is a life. Even the person who lives like a dog still has a kind of life. Once when my mother was beating me, and that thought came to me. I said, 'If what is happening now, you beating me, is to keep happening for the rest of my life, it would be a bad life, but it would be a life, too.' And my mother was so shocked when I said that. She said, "Don't confuse yourself by thinking about such terrible lives.'" Sunil though that he, too, had a life. A bad life, certainly-the kind that could be ended as Kalu's had been and then forgotten, because it made no difference to the people who lived in the overcity. But something he'd come to realize on the roof, leaning out, thinking about what would happen if he leaned to far, was that a boy's life could still matter to himself.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Rich people’s garbage was every year more complex, rife with hybrid materials, impurities, impostors. Planks that looked like wood were shot through with plastic. How was he to classify a loofah? The owners of the recycling plants demanded waste that was all one thing, pure.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Don't correct me, you don't have any rights over me." "What kind of life is this? So I sit at home , entirely dependent on this man, and then it turns out his heart was never with me. How is it possible to force someone to love me?
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
In Delhi, politicians and intellectuals privately bemoaned the “irrationality” of the uneducated Indian masses, but when the government itself provided false answers to its citizens’ urgent concerns, rumor and conspiracy took wing. Sometimes, the conspiracies became a consolation for loss.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
What, exactly, she had been protesting was subject to interpretation. To the poorest, her self-immolation was a response to enervating poverty. To the disabled, it reflected the lack of respect accorded the physically impaired. To the unhappily married, who were legion, it was a brave indictment of oppressive unions. Almost no one spoke of envy, a stone slab, a poorly made wall, or rubble that had fallen into rice.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Much of her outrage derived from a belated recognition that she was as human as anyone else.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
The effect of corruption I find most underacknowledged is a contraction not of economic possibility but of our moral universe.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Though Abdul had been as afraid of ghosts as most Annawadi boys, these reports did not disturb him. Being terrorized by living people seemed to have diminished his fear of the dead.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Being terrorized by living people seemed to have diminished his fear of the dead. Clothes
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Asha believed a person seeking betterment should try as many schemes as possible, since it was hard to predict which one might work.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
The lyrics, in English, were meaningless to him, the bass line irresistible.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
A decent life was the train that hadn't hit you, the slumlord you hadn't offended, the malaria you hadn't caught.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Midnight was closing in, the one-legged woman was grievously burned, and the Mumbai police were coming for Abdul and his father.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
But for the poor of a country where corruption thieved a great deal of opportunity, corruption was one of the genuine opportunities that remained. As
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
But something he'd come to realize on the roof, leaning out, thinking about what would happen if he leaned too far, was that a boy's life could still matter to himself.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Where Old India and New India collide making New India
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
In the age of globalization—an ad hoc, temp-job, fiercely competitive age—hope is not a fiction.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
It made sense to Abdul that in a polyglot city, people would sort themselves as he sorted his garbage, like with like.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Mumbai is not a city, it's life...
Subhasis Das (Mom Says No Girlfriend)
The Source of all things, the luminescence, has more forms than heaven’s stars, sure. And one good thought is all it takes to make it shine. But a single mistake can burn down a forest in your heart, hiding all the stars, in all the skies. And while a mistake’s still burning, ruined love or lost faith can make you think you’re done, and you can’t go on. But it’s not true. It’s never true. No matter what you do, no matter where you’re lost, the luminescence never leaves you. Any good thing that dies inside can rise again, if you want it hard enough. The heart doesn’t know how to quit, because it doesn’t know how to lie. You lift your eyes from the page, fall into the smile of a perfect stranger, and the searching starts all over again. It’s not what it was. It’s always different. It’s always something else. But the new forest that grows back in a scarred heart is sometimes wilder and stronger than it was before the fire. And if you stay there, in that shine within yourself, that new place for the light, forgiving everything and never giving up, sooner or later you’ll always find yourself right back there where love and beauty made the world: at the beginning. The beginning. The beginning.
Gregory David Roberts (The Mountain Shadow)
He knew why he and the other children received ice cream only when newspaper photographers came to visit, and why food and clothing donated for the children got furtively resold outside the orphanage gate.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Rich Indians typically tried to work around a dysfunctional government. Private security was hired, city water was filtered, private school tuitions were paid. Such choices had evolved over the years into a principle: The best government is the one that gets out of the way. The attacks on the Taj and the Oberoi, in which executives and socialites died, had served as a blunt correction. The wealthy now saw that their security could not be requisitioned privately. They were dependent on the same public safety system that ill served the poor.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
From the advertisement, his eyes moved up the skywalk, the zigzagging metal bridge that connected various locations in the neighborhood to the Banda train station. Behind the metal grid, men moved back and forth. Tommy Sir's eyes grew tired. He felt that up there, on that seemingly never-ending bridge, shadowy figures were moving toward obscure destinations, possibly only to return to their point of origin, like in an architectural sketch of infinity by M.C. Escher. Hell is a choice, made daily and by millions, and breathing slowly and watching this aerial cage, Tommy Sir saw Mumbai, minute by minute, unbecome and become hell.
Aravind Adiga
A few weeks ago, Abdul had seen a boy’s hand cut clean off when he was putting plastic into one of the shredders. The boy’s eyes had filled with tears but he hadn’t screamed. Instead he’d stood there with his blood-spurting stump, his ability to earn a living ended, and started apologizing to the owner of the plant. “Sa’ab, I’m sorry,” he’d said to the man in white. “I won’t cause you any problems by reporting this. You will have no trouble from me.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
He personally found the bathing ritual not just pointless but self-deceiving. Getting fresh for a fresh day, in which something new might happen! He thought it better to start the day by acknowledging that it was going to be just as dull as the days preceding it. That way, you wouldn’t be disappointed.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
An overweight officer, having delivered a batch of children to the home, started telling one of the guards about his heart problem. “You think you want to be a cop, but you don’t, because it kills you,” said the officer, mopping his brow. Then he told of another officer with a lung problem, and one who had cancer, and of others who were stress-sick, and of how none of them earned enough to afford decent doctors. Abdul hadn’t previously thought of policemen as people with hearts and lungs who worried about money or their health. The world seemed replete with people as bad off as himself, and this made him feel less alone.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
No one knows, but don’t worry,” Zehrunisa said. “Just leave everything to God and keep praying. Now we have a lawyer who will say the right words, and then it will end, because the judge will pick up the truth.” “Pick up the truth,” he repeated skeptically. As if truth were a coin on a footpath. He changed the subject.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Food wasn’t one of the amenities at Cooper, the five-hundred-bed hospital on which millions of poor people depended. Nor was medicine. “Out of stock today” was the nurses’ official explanation. Plundered and resold out of supply cabinets was an unofficial one. What patients needed, families had to buy on the street and bring in.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Author's Note: I wanted to read the book that would begin to answer some of my questions, because I felt I couldn't write it... I also doubted my ability to handle monsoon and slum conditions after years of lousy health. I made the decision to try in the course of an absurdly long night at home alone in Washington, D.C. Tripping over an unabridged dictionary, I found myself on the floor with a punctured lung and three broken ribs in a spreading pool of Diet Dr Pepper, unable to slither to a phone. In the hours that passed, I arrived at a certain clarity. Having proved myself ill-suited to safe cohabitation with an unabridged dictionary, I had little to lose by pursuing my interests in another quarter-- a place beyond my so-called expertise, where the risk of failure would be great but the interactions somewhat more meaningful.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Bombay, you will be told, is the only city India has, in the sense that the word city is understood in the West. Other Indian metropolises like Calcutta, Madras and Delhi are like oversized villages. It is true that Bombay has many more high-rise buildings than any other Indian city: when you approach it by the sea it looks like a miniature New York. It has other things to justify its city status: it is congested, it has traffic jams at all hours of the day, it is highly polluted and many parts of it stink.
Khushwant Singh (Truth, Love & A Little Malice)
One of his private vanities was that all the garbage sorting had endowed his hands with killing strength—that he could chop a brick in half like Bruce Lee. “So let’s get a brick,” replied a girl with whom he had once, injudiciously, shared this conviction. Abdul had bumbled away. The brick belief was something he wanted to harbor, not to test.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Zehrunisa didn’t know Abdul’s age herself. Seventeen was what she’d said before the burning, when people asked her, but he could have been twenty-seven, for all she knew. You didn’t keep track of a child’s years when you were fighting daily to keep him from starving, as she and many other Annawadi mothers had been doing when their teenagers were young.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
The forces of justice had finally come to Annawadi. That the beneficiaries were horses was a source of bemusement to Sunil and the road boys.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Nothing a girl cleaned in Annawadi stayed clean. Why did people see it as a failure of the girl?
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
When they learned that a family in the slum was making money, they visited every other day to extort some.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
To be poor in Annawadi, or in any Mumbai slum, was to be guilty of one thing or another.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
One of his private vanities was that all the garbage sorting had endowed his hands with killing strength—that he could chop a brick in half like Bruce Lee.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
A girl could be virtuous without being perfect. Back
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
I grew up in a second when my mother died,” he told Sunil. “My father and brother didn’t understand me.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
An awkward, uneducated boy might still be capable of righteousness: He intended to remember this and every other truth The Master spoke.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
His general approach toward his neighbors was this: 'The better I know you, the more I will dislike you, and the more you will dislike me. So let us keep to ourselves.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Only in the hours when the men came - husband at work, daughters at school - did the part of her body she had to offer feel more important than the part of it she lacked.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
You think your work is dreaming?
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
In his first weeks back home, scavenging skills rusty, he took the sandals from the feet of his sleeping father and sold them to Abdul for food.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Being terrorized by living people seemed to have diminished his fear of the dead.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
I tell Allah I love him immensely, immensely. But I tell Him I cannot be better, because of how the world is.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Everything around us is roses, and we're the shit in between.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Though Abdul had been afraid of ghosts as most Annawadi boys, these reports did not disturb him. Being terrorized by living people seemed to have diminished his fear of the dead.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Though Abdul had been afraid of ghosts as most Annawadi boys, these reports did no disturb him. Being terrorized by living people seemed to have diminished his fear of the dead.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
The Indian criminal justice system was a market like garbage, Abdul now understood. Innocence and guilt could be bought and sold like a kilo of polyurethane bags. Abdul
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Ghosts of women are the worst. Years go by and they don’t leave you be.” A
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
better arguments, maybe even better policies, get formulated when we know more about ordinary lives. While
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Water and ice were made of the same thing. He thought most people were made of the same thing, too.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Abdul could control many of his desires, but not this one. He wanted to be recognized as better than the dirty water in which he lived. He wanted a verdict of ice.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
But in her current mood, small affronts were bundled with larger disappointments and became a body of evidence.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Every month that passed, he felt less sure of where he belonged among the human traffic in the city below. Once he had believed he was smart and might become something - not a big something, like the people who frequented the airport, but a middle something. Being on the roof, even if he had come up to steal things, was a way of not being what he had become in Annawadi.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
The municipality sent water through six Annawadi faucets for ninety minutes in the morning and ninety minutes at night. Shiv Sena men had appropriated the taps, charging usage fees to their neighbors. These water-brokers were resented, but not as much as the renegade World Vision social worker who had collected money from Annawadians for a new tap, then run away with it.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
In the age of global market capitalism, hopes and grievances were narrowly conceived, which blunted a sense of common predicament. Poor people didn’t unite; they competed ferociously amongst themselves for gains as slender as they were provisional. And this undercity strife created only the faintest ripple in the fabric of the society at large. The gates of the rich, occasionally rattled, remained un-breached. The politicians held forth on the middle class. The poor took down one another, and the world’s great, unequal cities soldiered on in relative peace.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
So where did you go, Holly?” Rafiq never tires of this conversation, no matter how often we do it. “Everywhere,” says Lorelei, being brave and selfless. “Colombia, Australia, China, Iceland, Old New York. Didn’t you, Gran?” “I did, yes.” I wonder what life in Cartagena, in Perth, in Shanghai is like now. Ten years ago I could have streetviewed the cities, but the Net’s so torn and ragged now that even when we have reception it runs at prebroadband speed. My tab’s getting old, too, and I only have one more in storage. If any arrive via Ringaskiddy Concession, they never make it out of Cork City. I remember the pictures of seawater flooding Fremantle during the deluge of ’33. Or was it the deluge of ’37? Or am I confusing it with pictures of the sea sluicing into the New York subway, when five thousand people drowned underground? Or was that Athens? Or Mumbai? Footage of catastrophes flowed so thick and fast through the thirties that it was hard to keep track of which coastal region had been devastated this week, or which city had been decimated by Ebola or Ratflu. The news turned into a plotless never-ending disaster movie I could hardly bring myself to watch.
David Mitchell (The Bone Clocks)
So do I have to teach you all over again how to make the rotis round?” Asha teased her daughter, merrily holding one of them up. “Come on! Who will marry you when you make such ridiculous bread?” The
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Abdul hadn’t previously thought of policemen as people with hearts and lungs who worried about money or their health. The world seemed replete with people as bad off as himself, and this made him feel less alone.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
What you don’t want is always going to be with you What you want is never going to be with you Where you don’t want to go, you have to go And the moment you think you’re going to live more, you’re going to die. Manju
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Besides, this was the gentle-going hour in which he hated Annawadi least. The pale sun lent the sewage lake a sparkling silver cast, and the parrots nesting at the far side of the lake could still be heard over the jets.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Escape the situation if you know you’re going to be miserable. But I would kill myself by eating poison, not by burning. If you burned yourself, the last memory people would have of you is with your skin all spoiled and scary.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Like most young Annawadians, the girls considered the caste obsession of their elders to be an irrelevant artifact. Manju and Meena had become friends because they both loved to dance, and stayed friends because they could keep each other’s secrets.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Still, Kasab seemed lucky to Abdul. “They will probably beat him lots in the jail,” Abdul said one day, “but at least Kasab knows in his heart that he did what they said he did.” That had to be less stressful than being beaten when you were innocent. The
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
In Delhi, politicians and intellectuals privately bemoaned the “irrationality” of the uneducated Indian masses, but when the government itself provided false answers to its citizens’ urgent concerns, rumor and conspiracy took wing. Sometimes, the conspiracies became a consolation for loss. Trying
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
While independent India had been founded by high-born, well-educated men, by the twenty-first century few such types stood for elections, or voted in them, since the wealthy had extra-democratic means of securing their social and economic interests. Across India, poor people were the ones who took the vote seriously. It was the only real power they had. Another
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Everything on television announced a new and better India for women. Her favorite Tamil soap opera was about an educated single girl who worked in an office. In her favorite commercials, a South Indian movie siren named Asin was recommending, along with Mirinda orange soda, more fun, a little wildness. This new India of feisty, convention-defying women wasn’t a place Meena knew how to get to.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Abdul’s deepest affection was for his two-year-old brother, Lallu, a fact that had begun to concern him. Listening to Bollywood love songs, he could only conclude that his own heart had been made too small. He’d never longed with extravagance for a girl, and while he felt certain he loved his mother, the feeling didn’t come in any big gush. But he could get tearful just looking at Lallu, who was as fearless as Abdul was flinchy. All those swollen rat bites on his cheeks, on the back of his head.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
Every country has its myths, and one that successful Indians liked to indulge was a romance of instability and adaptation—the idea that their country’s rapid rise derived in part from the chaotic unpredictability of daily life. In America and Europe, it was said, people know what is going to happen when they turn on the water tap or flick the light switch. In India, a land of few safe assumptions, chronic uncertainty was said to have helped produce a nation of quick-witted, creative problem-solvers.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
In the age of global market capitalism, hopes and grievances were narrowly conceived, which blunted a sense of common predicament. Poor people didn’t unite; they competed ferociously amongst themselves for gains as slender as they were provisional. And this undercity strife created only the faintest ripple in the fabric of the society at large. The gates of the rich occasionally rattled, remained class. The poor took down one another, and the world’s great, unequal cities soldiered on in relative peace.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
But no literature grows in isolation, and looking at the history of Indian writing in English is like looking at a silent movie made up of static postcards of Delhi, or Mumbai, or any other thronged Indian city: the life, the colour, the hubbub of hundreds of eager new writers and high-minded editors, peacocking poets and fiery-eyed pamphleteers, all of that has been bled out of collective memory. In the same year that Dean Mahomet wrote his Travels, the Madras Hircarrah (1794) started up, joining Hicky’s Bengal Gazette (1780) and the India Gazette (1781); the first in a flood of periodicals and journals that would breathlessly, urgently take the news of India running along from one province to another. The
Nilanjana Roy (The Girl Who Ate Books: Adventures in Reading)
Life isn’t about having, it’s about being. You could surround yourself with all that money can buy, and you’d still be as miserable as a human can be. I know people with perfect bodies who don’t have half the happiness I’ve found. On my journeys I’ve seen more joy in the slums of Mumbai and the orphanages of Africa than in wealthy gated communities and on sprawling estates worth millions. Why is that? You’ll find contentment when your talents and passion are completely engaged, in full force. Recognize instant self-gratification for what it is. Resist the temptation to grab for material objects like the perfect house, the coolest clothes, or the hottest car. The if I just had X, I would be happy syndrome is a mass delusion. When you look for happiness in mere objects, they are never enough. Look around. Look within. ——
Nick Vujicic (Life Without Limits: Inspiration for a Ridiculously Good Life)
Similarly, when you see a character jumping from a 100 story building and landing without hurting a bone, then believe that this is an example of special effects.   Special effects are provided by a few companies that use specialized software to add these effects. Many of these companies are located in India, in Bangalore and Mumbai. Movies like Avatar, Jurassic Park, and many others were sent to India for providing special effects.   Similarly, in Thor, when the main character rotates his hammer and generates a tornado, be rest assured that this is only an example of special effects. In reality, nothing like this happens.   And if you are able to do it, you are a superhuman, like Superman. You have got super-powers to do whatever you want and you can generate such a tornado by rotating your hand, even without a hammer.   So, my sincere advice to you is not to even attempt this. You will end up with a torn muscle, or a fractured hand, or maybe you may even suffer a heart malfunction and eventual death.   Let me not get into the science behind how this happens, but if you are educated enough, you will heed my advice and not attempt this anytime in your life.
Hank Honk (Interesting Facts: Science Can Be Fun Too - Discover Weird Facts and Other Interesting Things (Scientific Question, Science of Stupid, Physics, Trivia, ... Facts, Weird Facts, Fun Facts for Kids))
As for the Economy, this new embodiment as I called it of Fate or the Gods, this global power that governs the lives of Chinese workers in village factories, Brazilian miners, children working cocoa plantations in West Africa, sex workers in Mumbai, real estate salesmen in Connecticut, sheep-farmers in Scotland or on the Darling Downs, disembodied voices in call centres in Bangalore, workers in the hospitality industry in Cancun or Venice or Fiji, keeping them fatefully interconnected, in its mysterious way, by laws that do exist, the experts assure us, though they cannot agree on what they are- it is too impersonal, too implacable for us to live comfortably with, or even to catch hold of and defy. When we were in the hands of the Gods, we had stories that made these distant beings human and brought them close. They got angry, they took our part or turned violently against us. They fell in love with us and behaved badly. They had their own problems and fought with one another, and like us were sometimes foolish. But their interest in us was personal. They watched over us and were concerned though in moments of willfulness or boredom they might also torment us as “wanton boys” do flies. We had our ways of obtaining their help as intermediaries. We could deal with them. The Economy is impersonal. It lacks manageable dimensions. We have discovered no mythology to account for its moods. Our only source of information about it, the Media and their swarm of commentators, bring us “reports,” but these do not help: a possible breakdown in the system, a new crisis, the descent of Greece, or Ireland or Portugal, like Jove’s eagle, of the IMF. We are kept in a state of permanent low-level anxiety broken only by outbreaks of alarm.
David Malouf (The Happy Life: The Search for Contentment in the Modern World (Quarterly Essay #41))
Like,” he repeats with distaste. “How about I tell you what I don’t like? I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn’t be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. I rarely stock debuts, chick lit, poetry, or translations. I would prefer not to stock series, but the demands of my pocketbook require me to. For your part, you needn’t tell me about the ‘next big series’ until it is ensconced on the New York Times Best Sellers list. Above all, Ms. Loman, I find slim literary memoirs about little old men whose little old wives have died from cancer to be absolutely intolerable. No matter how well written the sales rep claims they are. No matter how many copies you promise I’ll sell on Mother’s Day.” Amelia blushes, though she is angry more than embarrassed. She agrees with some of what A.J. has said, but his manner is unnecessarily insulting. Knightley Press doesn’t even sell half of that stuff anyway. She studies him. He is older than Amelia but not by much, not by more than ten years. He is too young to like so little. “What do you like?” she asks. “Everything else,” he says. “I will also admit to an occasional weakness for short-story collections. Customers never want to buy them though.” There is only one short-story collection on Amelia’s list, a debut. Amelia hasn’t read the whole thing, and time dictates that she probably won’t, but she liked the first story. An American sixth-grade class and an Indian sixth-grade class participate in an international pen pal program. The narrator is an Indian kid in the American class who keeps feeding comical misinformation about Indian culture to the Americans. She clears her throat, which is still terribly dry. “The Year Bombay Became Mumbai. I think it will have special int—” “No,” he says. “I haven’t even told you what it’s about yet.” “Just no.” “But why?” “If you’re honest with yourself, you’ll admit that you’re only telling me about it because I’m partially Indian and you think this will be my special interest. Am I right?” Amelia imagines smashing the ancient computer over his head. “I’m telling you about this because you said you liked short stories! And it’s the only one on my list. And for the record”—here, she lies—“it’s completely wonderful from start to finish. Even if it is a debut. “And do you know what else? I love debuts. I love discovering something new. It’s part of the whole reason I do this job.” Amelia rises. Her head is pounding. Maybe she does drink too much? Her head is pounding and her heart is, too. “Do you want my opinion?” “Not particularly,” he says. “What are you, twenty-five?” “Mr. Fikry, this is a lovely store, but if you continue in this this this”—as a child, she stuttered and it occasionally returns when she is upset; she clears her throat—“this backward way of thinking, there won’t be an Island Books before too long.
Gabrielle Zevin (The Storied Life of A.J. Fikry)