Mum Friends Quotes

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He was my mum and dad's best friend. He's a convicted murderer, but he's broken out of wizard prison and he's on the run. He likes to keep in touch with me, though...keep up with my news...check if I'm happy...
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
What's that?" he snarled, staring at the envelope Harry was still clutching in his hand. "If it's another form for me to sign, you've got another -" "It's not," said Harry cheerfully. "It's a letter from my godfather." "Godfather?" sputtered Uncle Vernon. "You haven't got a godfather!" "Yes, I have," said Harry brightly. "He was my mum and dad's best friend. He's a convicted murderer, but he's broken out of wizard prison and he's on the run. He likes to keep in touch with me, though...keep up with my news...check if I'm happy....
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
Four lines, and the world went quiet. I'm sorry for telling everyone about your mum, read the first line. I miss being your friend, read the second. Are you okay? read the third. I see you, read the fourth, with the I underlined about a hundred times.
Patrick Ness (A Monster Calls)
Hello?' 'Mum?' 'Yes! Who's that?.' 'Your only son.' A pause. 'Daniel?' To be fair, I'd only given her one clue.
Danny Wallace (Friends Like These)
But why me? Because, idiot, you... are funny and smart and you have a giant heart that you can't even pretend to hide. And you love your friends and your mum, and you held my hand and made me sing when I was so scared I thought I was going to die. I knew you understood, right from the beginning, this thing inside, the stuff in your head that you need to make real. You get that.... And you wear stupid Superman pyjamas without any irony, and your face lights up when you talk about the movies you love.... And... you protect my dwarf. You always have her back. And you have a dimple when you smile that's so cute I almost died the first time I saw it.
Melissa Keil (Life in Outer Space)
To the most inconsiderate asshole of a friend, I’m writing you this letter because I know that if I say what I have to say to your face I will probably punch you. I don’t know you anymore. I don’t see you anymore. All I get is a quick text or a rushed e-mail from you every few days. I know you are busy and I know you have Bethany, but hello? I’m supposed to be your best friend. You have no idea what this summer has been like. Ever since we were kids we pushed away every single person that could possibly have been our friend. We blocked people until there was only me and you. You probably haven’t noticed, because you have never been in the position I am in now. You have always had someone. You always had me. I always had you. Now you have Bethany and I have no one. Now I feel like those other people that used to try to become our friend, that tried to push their way into our circle but were met by turned backs. I know you’re probably not doing it deliberately just as we never did it deliberately. It’s not that we didn’t want anyone else, it’s just that we didn’t need them. Sadly now it looks like you don’t need me anymore. Anyway I’m not moaning on about how much I hate her, I’m just trying to tell you that I miss you. And that well . . . I’m lonely. Whenever you cancel nights out I end up staying home with Mum and Dad watching TV. It’s so depressing. This was supposed to be our summer of fun. What happened? Can’t you be friends with two people at once? I know you have found someone who is extra special, and I know you both have a special “bond,” or whatever, that you and I will never have. But we have another bond, we’re best friends. Or does the best friend bond disappear as soon as you meet somebody else? Maybe it does, maybe I just don’t understand that because I haven’t met that “somebody special.” I’m not in any hurry to, either. I liked things the way they were. So maybe Bethany is now your best friend and I have been relegated to just being your “friend.” At least be that to me, Alex. In a few years time if my name ever comes up you will probably say, “Rosie, now there’s a name I haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum and dad when they have dinner parties with friends and talk about old times. They always mention people I’ve never even heard of when they’re talking about some of the most important days of their lives. Yet where are those people now? How could someone who was your bridesmaid 20 years ago not even be someone who you are on talking terms with now? Or in Dad’s case, how could he not know where his own best friend from college lives? He studied with the man for five years! Anyway, my point is (I know, I know, there is one), I don’t want to be one of those easily forgotten people, so important at the time, so special, so influential, and so treasured, yet years later just a vague face and a distant memory. I want us to be best friends forever, Alex. I’m happy you’re happy, really I am, but I feel like I’ve been left behind. Maybe our time has come and gone. Maybe your time is now meant to be spent with Bethany. And if that’s the case I won’t bother sending you this letter. And if I’m not sending this letter then what am I doing still writing it? OK I’m going now and I’m ripping these muddled thoughts up. Your friend, Rosie
Cecelia Ahern (Love, Rosie)
Have you ever loved anyone?" "You mean besides my mum?" Luke was dumbfounded as he stared at Jack. He knew his friend's story. "She sold you when you were five." Jack shrugged. "Doesn't mean I didn't love her. Just means she didn't love me.
Lorraine Heath (In Bed with the Devil (Scoundrels of St. James, #1))
My mother is my friend Who shares with me her bread All my hopelessness cured! Her company makes me secured!
Israelmore Ayivor (The Great Hand Book of Quotes)
What did I think I was doing? What did she think she was doing? When I want to kiss people in that way now, with mouths and tongues and all that, it's because I want other things too: sex, Friday nights at the cinema, company and conversation, fused networks of family and friends, Lemsips brought to me in bed when I am ill, a new pair of ears for my records and CDs, maybe a little boy called Jack and a little girl called Holly or Maisie, I haven't decided yet. But I didn't want any of those things from Alison Ashworth. Not children, because we were children, and not Friday nights at the pictures, because we went Saturday mornings, and not Lemsips, because my mum did that, not even sex, especially not sex, please God not sex, the filthiest and most terrifying invention of the early seventies.
Nick Hornby (High Fidelity)
Australia eventually offered us sanctuary. Mum and Dad were overjoyed. Dad walked around the island asking people if they had any spare warm clothes. He collected a big bundle of jumpers and blankets because he’d heard about Australia—‘Beautiful country, friendly people, but really cold. It’s right near Switzerland.’ That’s my dad, great at rescues, crap at geography. We touched down in Sydney, Australia in thirty-degree Celsius heat and my family were thinking, Geez, Austria’s really hot, man!
Anh Do (The Happiest Refugee)
I’m fifteen and I feel like girl my age are under a lot of pressure that boys are not under. I know I am smart, I know I am kind and funny, and I know that everyone around me keeps telling me that I can be whatever I want to be. I know all this but I just don’t feel that way. I always feel like if I don’t look a certain way, if boys don’t think I’m ‘sexy’ or ‘hot’ then I’ve failed and it doesn’t even matter if I am a doctor or writer, I’ll still feel like nothing. I hate that I feel like that because it makes me seem shallow, but I know all of my friends feel like that, and even my little sister. I feel like successful women are only considered a success if they are successful AND hot, and I worry constantly that I won’t be. What if my boobs don’t grow, what if I don’t have the perfect body, what if my hips don’t widen and give me a little waist, if none of that happens I feel like what’s the point of doing anything because I’ll just be the ‘fat ugly girl’ regardless of whether I do become a doctor or not. I wish people would think about what pressure they are putting on everyone, not just teenage girls, but even older people – I watch my mum tear herself apart every day because her boobs are sagging and her skin is wrinkling, she feels like she is ugly even though she is amazing, but then I feel like I can’t judge because I do the same to myself. I wish the people who had real power and control the images and messages we get fed all day actually thought about what they did for once. I know the girls on page 3 are probably starving themselves. I know the girls in adverts are airbrushed. I know beauty is on the inside. But I still feel like I’m not good enough.
Laura Bates (Everyday Sexism)
She's my best friend—she's everything to me. It's always just been me and her against the world.
Jacquelyn Middleton (Until the Last Star Fades)
My friend will always ask nicely what's for desert. My best friend is already in the fridge eating my mum's hidden chocolate stash
Friends of the National Zoo
Is, er, your friend a member of college staff?" "No, Al's an artist. And, ah, he's my partner," Larry said. I like it when he calls me that. I don't think Matthew's mum liked it. "How...lovely. Is that how you met? Through...art?" Larry said "Yes" just as I said, "No, we met when I was having a piss in an alley.
J.L. Merrow (Muscling Through)
Are you by yourself, darling? I can’t bear the thought of you dying alone. No, mum, I’m with my friend. I’m with Courtney... Courtney... He called out her name. ‘Courtney,’ he said. ‘I’m sorry...’ But Courtney was already dead.
Charlie Higson (The Fear (The Enemy, #3))
A rotten nut, a reeky pear, A thing the cat left on the stair, And lots of other things as well, Each with a rather horrid smell. These are Veruca's new found friends That she will meet as she descends, And this is the price she has to pay For going so very far astray. But now, my dears, we think you might Be wondering-is it really right That every single bit of blame And all the scolding and the shame Should fall upon Veruca Salt? Is she the only one at fault? For though she's spoiled, and dreadfully so, A girl can't spoil herself, you know. Who spoiled her, then? Ah, who indeed? Who pandered to her every need? Who turned her into such a brat? Who are the culprits? Who did that? Alas! You needn't look so far To find out who these sinners are. They are (and this is very sad) Her loving parents, Mum and Dad. And that is why we're glad they fell Into the garbage chute as well.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
Dr. R scratches out a note on his pad. "Losing you both was only the practice pain, wasn't it? For my mum and dad..." He puts his finger on his lips, his elbow at his chest, not racked with cancer. "Yes." "And when that happens, this will seem like nothing." He nods. "When it happens," he asks me, "what will get you through?" "Friends who love me." "And if your friends weren't there?" "Music through headphones." "And if the music stopped?" "A sermon by Rabbi Wolpe." "If there was no religion?" "The mountains and the sky." "If you leave California?" "Numbered streets to keep me walking." "If New York falls into the ocean?" Your voice in my head.
Emma Forrest
I grew up with nobody. I grew up…with literally no friends. I grew up without a care in the world. I grew up thinking I’d be a lonely human walking on grass. I grew up saying I’m gonna be alone forever. I grew up hugging myself when I was sad. I grew up crying on my mothers shoulder. …. I now have my younger, and older siblings. I now have friends online or not. I now care about everyone except myself. I now realize I’m not as lonely as I was before. I’m walking on the moon. I now realize that I won’t stay alone forever. I have someone special now. I now hug my own screen because I love every little icon I see that says hello. And now….my real mum may be gone, but I still have my siblings. I have things I didn’t have before. Things I thought I wouldn’t have… And I’m feeling better than ever.
Howler the Icewing
He could see why his mum chose (italicized) friends, instead of just putting up with anyone she happened to bump into, or sticking with people who supported the same football team, or wore the same clothes, which was pretty much happened at school; his must have conversations like this with Suzie, conversations that moved, conversations where each thing the other person said seemed to lead you on somewhere.
Nick Hornby (About a Boy)
When the Japanese invaded, informers said mother was an important member of the resistance. She was taken in, badly tortured and never confessed. Her life was spared because the Japanese interrogators could not believe a woman could have held such a key role. When her children were grown-up, mother would tell us, ‘It’s not as bad as it sounds. The first time, you’re scared you’ll give away your friends. But there comes a point when you pass out. Once that happens, you cannot feel pain anymore. Once you have learnt that, you can beat your torturers.
Ang Swee Chai (From Beirut to Jerusalem)
It’s like um… I’ve become used to change I think from my life, when I was younger when I lived with my mum for awhile, we used to move house every like six months, you know, and I sort of became used to things changing all the time… It was like, I learned to like it. It got the point where you travel, like you start to reduce the amount of possessions you have… You start to, you know… If you live in one place, same house, same friends, same job for years and years and years, and the same possessions and everything, then you start to believe that is your identity. Um… I have none of those things, I have no consistency, and I like that. Everything’s changing all the time so, when everything does change around you and you become used to changing, you become in-touch with the one thing that is consistent… And the thing that is consistent is something inside you which is like, not really that individual, it’s not like a pure individual, it’s something that everyone has inside them I think. And you realize that there’s no such thing as an individual, we’re just all a collection of each other’s influence on each other. Everyone says things to each other, the television, your parents, your friends, that’s all we are, is a collection of intermingling ideas as a collective.
Matt Bellamy
I’ve watched it time and time again—a woman always slots into a man’s life better than he slots into hers. She will be the one who spends the most time at his flat, she will be the one who makes friends with all his friends and their girlfriends. She will be the one who sends his mother a bunch of flowers on her birthday. Women don’t like this rigmarole any more than men do, but they’re better at it—they just get on with it. This means that when a woman my age falls in love with a man, the list of priorities goes from this: Family Friends To this: Family Boyfriend Boyfriend’s family Boyfriend’s friends Girlfriends of the boyfriend’s friends Friends Which means, on average, you go from seeing your friend every weekend to once every six weekends. She becomes a baton and you’re the one at the very end of the track. You get your go for, say, your birthday or a brunch, then you have to pass her back round to the boyfriend to start the long, boring rotation again. These gaps in each other’s lives slowly but surely form a gap in the middle of your friendship. The love is still there, but the familiarity is not. Before you know it, you’re not living life together anymore. You’re living life separately with respective boyfriends then meeting up for dinner every six weekends to tell each other what living is like. I now understand why our mums cleaned the house before their best friend came round and asked them “What’s the news, then?” in a jolly, stilted way. I get how that happens. So don’t tell me when you move in with your boyfriend that nothing will change. There will be no road trip. The cycle works when it comes to holidays as well—I’ll get my buddy back for every sixth summer, unless she has a baby in which case I’ll get my road trip in eighteen years’ time. It never stops happening. Everything will change.
Dolly Alderton (Everything I Know About Love: A Memoir)
I felt awful as I drove away to live with Melody in Barnet. I stayed with her for six months before I moved in with Jane. Looking back now, I was a coward for allowing the situation to go on for so long, but I wanted to keep everybody happy. Strangely, after I left I started seeing more of the kids than I had before. My friends thought that Amy didn’t seem much affected by the divorce, and when I asked her if she wanted to talk about it, she said, ‘You’re still my dad and Mum’s still my mum. What’s to talk about?
Mitch Winehouse
You'll be alright," I say, "Mum likes you.
J.A. Buckle (Half My Facebook Friends Are Ferrets)
...all I felt when I saw Vanessa was this weird sensation I used to get when I was a kid, like when you're at a friend's house and your mum comes to get you before you're ready.
Jojo Moyes (Silver Bay)
Jen's Mum Will Write Jen's mum writes advertising copy. She specializes in white goods: washing machines, dryers, fridges, freezers, dishwashers. She hates these appliances hulking in corners, power-hungry and fractious. One day, she will have a wood stove, and she'll write about things that matter- she will write about birth and death, about love and the absence of love, about fathers and children, about mothers and daughters, about lovers and friends. She'll write about the whole goddamn wonderful, awful business of loving and being loved
Margaret Wild (Jinx)
My friend’s mum said he’s very handsome. He’s quite old.” A regretful addendum. “But I think he is handsome. It’s a pity you’re Uncle Nick’s cake, or maybe you could be my dad’s girlfriend.
Lucy Parker (Headliners (London Celebrities, #5))
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
When my parents were away, I would often be sent to spend the night in the house of an older lady who I didn’t know, and who didn’t seem to know me, either. (I assume it was a friendly neighbor or acquaintance, or at least hope it was.) I hated it. I remember the smell of the old leather photo frame containing a picture of my mum and dad that I would cling to in the strange bed. I was too young to understand that my parents would be coming back soon. But it taught me another big lesson: Don’t leave your children if they don’t want you to. Life, and their childhood, is so short and fragile.
Bear Grylls (Mud, Sweat and Tears)
But reading the same books that your friends read gave you a sense of belonging. The loss of that sense of shared experience was one of the things that had bothered her when she and Mum moved to Ireland.
Felicity Hayes-McCoy (The Library at the Edge of the World (Finfarran Peninsula #1))
She had forced herself to learn to read – picked up bits and pieces, here and there, from the very few teachers who had been patient with her; from looking at words while out and about; from television, and from friends. And to avoid the shouting and drug-induced moaning, and the row of male visitors her mum would entertain, she would barricade herself in her room – there'd been no lock – and lose herself in books.
Dianna Hardy (Broken Lights)
I knew we wouldn't be friends. Lilly looked like what Mum called a sprite: a puny head, too-big black eyes, bee-size mouth and two black braids that hung long over skinny-boned shoulders. She looked tricky. She looked like she bit.
Billie Livingston (Going Down Swinging)
The newly out boy, Amber says, went back to school on Monday with new pronouns and a new name and a new bathroom and he lost zero friends because kids don’t give a fuck. Amber - Max’s Mum Real Queer America: LGBT Stories from Red States
Samantha Allen
Mrs. Potter faltered. "Where exactly did you spend the night, James?" "Mum, that's one of those things you'll be happier not knowing. Just take comfort in the fact that I was surrounded by friends, and no one ended up dead or pregnant. All in all, not a bad record for the night...
Jewels5 (The Life and Times)
It’s a letter from my godfather.” “Godfather?” spluttered Uncle Vernon. “You haven’t got a godfather!” “Yes, I have,” said Harry brightly. “He was my mum and dad’s best friend. He’s a convicted murderer, but he’s broken out of Wizard prison and he’s on the run. He likes to keep in touch with me, though . . . keep up with my news . . . check if I’m happy. . . .” And, grinning broadly at the look of horror on Uncle Vernon’s face, Harry set off toward the station exit, Hedwig rattling along in front of him, for what looked like a much better summer than the last.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
Amma wanted her daughter to be free, feminist and powerful Later she took her on personal development courses for children to give her the confidence and articulacy to flourish in any setting Big mistake Mum, Yazz said at fourteen when she was pitching to go to Reading Music Festival with her friends, it would be to the detriment of my juvenile development if you curtailed my activities at this critical stage in my journey towards becoming the independent-minded and fully self-expressed adult you expect me to be, I mean, do you really want me rebelling against your old-fashioned rules by running away from the safety of my home to live on the streets and having to resort to prostitution to survive and thereafter drug addiction, crime, anorexia and abusive relationships with exploitative bastards twice my age before my early demise in a crack house? Amma fretted the whole weekend her little girl way away
Bernardine Evaristo (Girl, Woman, Other)
I still say Kellyanne could do with some real-live mates," went on my dad, as if he was talking to someone inside his beer. Mum had stomped off into the kitchen. "Maybe they are real!" she shouted back at him after rattling a few plates together. "Ever thought about that, ye of little bloody imagination?
Ben Rice (Pobby and Dingan)
- Artėja mano gimimo diena, - kalba žmogus. - Teks sukviesti ėdrius draugus ir surengti jiems puotą. Vargas man. - Artėja mūsų draugo gimimo diena, - kalba žmonės. - Reiks eiti į puotą ir septynias valandas sėdėti už stalo. Vargas mums. Gebėjimas gadinti sau ir kitiems gyvenimą yra vienas esminių gebėjimų, Dievo duotų žmogui.
Mikalojus Vilutis (Sriuba)
My mum’s always giving me a hard time about “making friends,” but she doesn’t get it. It’s not that fucking easy, or remotely entertaining. Why would I put myself out there to get the approval of people I can’t stand, just to feel slightly more important in life? I don’t need friends. I have a small group of people I can slightly tolerate, and that’s more than enough for me.
Anna Todd (Before (After, #5))
You will need to stay calm as you witness the candy floss in your daughter’s smile harden into brittle bitchiness. You will need to muster a new resolve as your son’s fascination with Pokémon shifts to porn. You will have to recalibrate your mothering instinct to accommodate the notion that not only do your children poop and burp, they also masturbate, drink and smoke. As their bodies, brains and worlds rearrange themselves, you will need to do your own reshuffling. You will come to see that, though you gave them life, they’re the ones who’ve got a life. They’ve got 1700 friends on Facebook. They’ve got YouTube accounts (with hundreds of sub- scribers), endless social arrangements, concerts, Valentine’s Day dances and Halloween parties. What we have – if we’re lucky – is a ‘Thanks for the ride, Mum, don’t call me, I’ll call you,’ as they slam the car door and indicate we can run along now.
Joanne Fedler
He grinned through the window as I made my way to his car. His blue eyes glistened in the early light, making them look as pale as ice. Cole Benson and I had been friends since we were babies. Mum had pictures of Cole holding my hand as I’d learned to walk. He was two years older than me, but he certainly didn’t act like it. My mum, Sarah, and his mum, Jenna, had met in high school and had been friends ever since. “Good morning, sunshine,” he greeted with a wide grin. Unlike
Natasha Preston (Silence (Silence, #1))
There's a joke about the balloon boy who has a balloon mum and a balloon dad and he goes to a balloon school with balloon friends ad a balloon principal. And one day, the balloon boy decides to take a pin to his balloon school, which is, of course, a disaster. And he's called into the balloon principal's office, and the balloon principal tells him, 'You've let me down, you've let your school down, you've let your parents down, you've let your friends down. But most importantly you've let yourself down'.
Gabrielle Williams (Beatle Meets Destiny)
I want to show you where I grew up,” he said, his voice hoarse. “Take you to a new corner of the world to explore. I want you to meet my nan and I want my mum to babysit our child. I want to introduce my friends from uni to the girl of my dreams, so they can see what a lovesick idiot you’ve made me. I want to show you off and hold your hand. I want to take you to the beach and ogle you in a bikini. I want to take you camping and make love to you under the stars. I want to hand over all my old memories because I only want new ones with you.
Mazey Eddings (Lizzie Blake's Best Mistake (A Brush with Love, #2))
And sometimes I get carried away, that's all. If you weren't so...judgemental all the time-" "Am I? I don't think I am . I try not to be. I just don't..." She stopped herself speaking, shook her head. "I know you've been through a lot, in the last few years, and I've tried to understand that, really I have, with your mum and all, but..." "Go on," he said. "I just don't think you're the person I used to know. You're not my friend anymore. That's all." He could think of nothing to say to this, so they stood in silence, until Emma put her hand out, took two fingers of his hand, squeezed them in her palm. "Maybe...maybe this is it, then," she said. "Maybe it's just over." "Over? What's over?" "Us. You and me. Friendship. There are things I needed to talk to you about, Dex. About Ian and me. If you're my friend I should be able to talk to you but I can't, and if I can't talk to you, well, what is the point of you? Of us?" "'What's the point?'" "You said yourself, people change, no use getting sentimental about it. Move on, find someone else." "Yeah, but I didn't mean us..." "Why not?" "Because we're....us. We're Dex and Em. Aren't we?" Emma shrugged. "Maybe we've grown out of each other." He said nothing for a moment, then spoke. "So, do you think I've grown out of you, or you've grown out of me?" She wiped her nose with the back of her hand. "I think you think I'm....dreary. I think you think I cramp your style. I think you've lost interest in me." "Em I do not think you're dreary." "And neither do I! Neither do I! I think I'm fucking marvellous if you only knew it, and I think you used to think so too! But if you don't or if you're going to just take it for granted, then that's fine. I'm just not prepared to be treated like this anymore." "Treated like what?" She sighed, and it was a moment before she spoke. "Like you always want to be somewhere else, with someone else." He would have denied this, but the Cigarette Girl was waiting in the restaurant at that very moment, the number of his mobile phone tucked into her garter. Later he would wonder if there was something else he might have said to save the situation, a joke perhaps. But nothing occurred to him and Emma let go of his hand.
David Nicholls (One Day)
Is there some amazing rational thing you do when your mind's running in all different directions?" she managed. "My own approach is usually to identify the different desires, give them names, conceive of them as separate individuals, and let them argue it out inside my head. So far the main persistent ones are my Hufflepuff, Ravenclaw, Gryffindor, and Slytherin sides, my Inner Critic, and my simulated copies of you, Neville, Draco, Professor McGonagall, Professor Flitwick, Professor Quirrell, Dad, Mum, Richard Feynman, and Douglas Hofstadter." Hermione considered trying this before her Common Sense warned that it might be a dangerous sort of thing to pretend. "There's a copy of me inside your head?" "Of course there is!" Harry said. The boy suddenly looked a bit more vulnerable. "You mean there isn't a copy of me living in your head?" There was, she realized; and not only that, it talked in Harry's exact voice. "It's rather unnerving now that I think about it," said Hermione. "I do have a copy of you living in my head. It's talking to me right now using your voice, arguing how this is perfectly normal." "Good," Harry said seriously. "I mean, I don't see how people could be friends without that.
Eliezer Yudkowsky
Her mother had told her once that Alice had worn an old jumper of her dad’s for weeks and weeks after he died and refused to take it off, kicking and screaming when Frannie finally pulled it off over her head. Alice didn’t remember that at all. Instead she remembered how at the afternoon tea after the funeral she’d got told off by one of her mum’s tennis friends for sticking her fingers in the cheesecake, and how Elisabeth had been doing it, too, even more than she was, but she didn’t get into trouble. Instead of remembering grief and devastation, she remembered the terrible injustice of the cheesecake.
Liane Moriarty (What Alice Forgot)
Ava’s Mum: – We are not like them, Ava. […] We have to be ready to fight, and when the enemy gets you, one day, you show them what I taught you. When they lock you in the darkness, become an arsonist. When they put you under house arrest, or defile your name in public, or make you live beneath the rules that will suffocate you, become an arsonist. When they put a pistol in your hand and make you shoot your best friend, and when they throw you in a death camp, when you see everyone around you get sick from the poison they’re feeding them, light a fire that will destroy them. A fire they won’t forget the next time they try to do it to someone else.
Stephanie Oakes (The Arsonist)
It's not easy, I suppose, but it's not all bad... I usen't to believe in marriage. My mum and dad separated when I was young, it was nasty and so I didn't have a good example of marriage, but a lot of my friends are getting married now mostly I do their hair. All brides are nervous for different reasons, whether they're sick or not. You just have to judge if they want to chat or not. Some don't. The main difference is my friends are panicking about the "for ever" part. They have to stay together for ever whereas Diane's worried because she knows that it can't be. When I get married I want to be like Diane and hope beyond hope that it can be for ever.
Cecelia Ahern (One Hundred Names)
They will eat him alive. On his current course, Henry will fail spectacularly.” My chest constricts so tight it feels like my bones may crack. Because she’s right. “He won’t.” “You don’t know that,” she swipes back. “I damn well do! I never would have abdicated otherwise.” “What?” “Don’t mistake me—I wouldn’t have married anyone but Olivia, and I would’ve waited a lifetime if I had to, until the laws were changed. But I didn’t because I knew in my heart and soul that Henry will not just be a good king, he will be better than I ever could’ve been.” For a moment I don’t breathe. I can’t. The shock of my brother’s words has knocked the air right out of my lungs. Granny’s too, if her whisper is any indication. “You truly believe that?” “Absolutely. And, frankly, I’m disheartened that you don’t.” “Henry has never been one to rise to the occasion,” she states plainly. “He’s never needed to,” my brother insists. “He’s never been asked—not once in his whole life. Until now. And he will not only rise to the occasion . . . he will soar beyond it.” The Queen’s voice is hushed, like she’s in prayer. “I want to believe that. More than I can say. Lend me a bit of your faith, Nicholas. Why are you so certain?” Nicholas’s voice is rough, tight with emotion. “Because . . . he’s just like Mum.” My eyes close when the words reach my ears. Burning and wet. There’s no greater compliment—not to me—not ever. But, Christ, look at me . . . it’s not even close to true. “He’s exactly like her. That way she had of knowing just what a person needed—whether it was strength or guidance, kindness or comfort or joy—and effortlessly giving it to them. The way people used to gravitate to her . . . at parties, the whole room would shift when she walked in . . . because everyone wanted to be nearer to her. She had a light, a talent, a gift—it doesn’t matter what it’s called—all that matters is that Henry has it too. He doesn’t see it in himself, but I do. I always have.” There’s a moment of quiet and I imagine Nicholas leaning in closer to the Queen. “The people would have followed me or Dad for the same reason they follow you—because we are dependable, solid. They trust our judgment; they know we would never let them down. But they will follow Henry because they love him. They’ll see in him their son, brother, best friend, and even if he mucks it up now, they will stick with him because they will want him to succeed. I would have been respected and admired, but Grandmother . . . he will be beloved. And if I have learned anything since the day Olivia came into my life, it’s that more than reasoning or duty, honor or tradition . . . love is stronger.
Emma Chase (Royally Matched (Royally, #2))
So many people never seemed to think about the consequences of their everyday actions. And then a witch on her broom would have to set out from her bed in the rain in the dead of night because of "I only" and its little friends "I didn't know" and "It's not my fault." "I only wanted to see if the copper was hot . . . " "I didn't know a boiling pot was dangerous . . . " "It's not my fault--no one told me dogs that bark might also bite." And her favorite, "I didn't know it would go off bang"--when it said "goes bang" on the box it came in. That had been when little Ted Cooper had put an explosive banger (another tiny clue) into the carcass of a chicken after his mum's birthday party and nearly killed everybody around the table.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Part 3 Anna: St. Clair… Etienne: And that. Why don’t you call me Etienne any more? Anna: But … no one else calls you that. It was weird. Right? Etienne: No. It wasn’t And every time you say St. Clair, it’s like you’re rejecting me again. Anna: I have never rejected you. Etienne: But you have. And for Dave. Anna: And you rejected me for Ellie on my birhtday. I don’t understand. If you liked me so much, why didn’t you break up with her? Etienne: I’ve been confused. I’ve been so stupid. Anna: Yes. You have. Etienne: I deserve that. Anna: Yes. You do. But I’ve been stupid, too. You were right. About … the alone thing. Etienne: I’ve been thinking lately. About my mum and dad. How she gives in to him. How she won’t leave him. And as much as I love her, I hate her for it. I don’t understand why she won’t stand up for herself, why she won’t go for what she wants. But I’ve been doing t he same thing. I’m just like her. Anna: You aren’t like your mom. Etienne: I am. But I don’t want to be like that any more, I want what I want. I told my father’s friends that I’m studying at Berkeley next year. It worked. He’s really, really angry with me, but it worked. You told me to go for his pride. You were right. Anna: So.You’re moving to California? Etienne: I have to. Anna: Right. Because of your mom. Etienne: Because of you. I’ll only be a twenty-minute train ride from your school, and I’ll make the commute to see you every night. I’d take a commute ten times that just tob e with you every night. You’re the most incredible girl I’ve ever known. You’re gorgeous and smart, and you make me laugh lilke no one else can. And I can talk to you. And I know after all this I don’t deserve you, but what I’m trying to say ist hat I love you, Anna. Very much.Oh God, And I’ve mucked things up again, haven’t I? I didn’t mean to attack you like this. I mean I did but … all right. I’ll leave. Or you can go down first, and then I’l come down, and I promise I’ll never bother you again… Anna: No. Etienne: I’m so sorry. I never meant to hurt you. Anna: Please stopl apologizing, Etienne. Etienne: Say my name again Anna: Etienne. Etienne: Anna? Anna: Yes? Etienne: Will you please tell me you love me? I’m dying here.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I don't think about Pomegranate often anymore. I've said all I need to about it. Now I just live my life. With my best friend. We go to the cinema. We look up at the clouds. We go to watch his Uncle Max and his airplane. Adrien flies in it now that he's well enough. And Pomegranate is a distant memory. I choose to think of better things. Of Mum. Of Alan Turing and his incredible invention. Of Dad and Gregor. Of Ria and her new career. Of Adrien and his terrible jokes. Adrien and I walk the lonely road together now. It's not lonely anymore. I'm not alone. We laugh most of the time now, I've noticed. We spend hours after school working on the paper in the garden. Next to the vegetable plot. I love to eat what we grow there. I've had enough of bad fruit.
Elle McNicoll (Show Us Who You Are)
A number of children kept coming over to the tennis courts, rattling on the gate, and trying to get in. The watching middle-class mums did nothing to restrain them. Eventually my friend yelled, “Go AWAY!” Whereupon the watching mums did do something. A mob of them descended on us as though my friend had exposed himself. Suddenly we were in the midst of a maternal zombie film. It was the nearest I’ve ever come to getting lynched—they were after my friend rather than me and though, strictly speaking, I was his opponent, I was a tacit accomplice—and a clear demonstration that the rights of parents and their children to do whatever they please have priority over everyone else’s. “A child is the very devil,” wrote Virginia Woolf in a letter, “calling out, as I believe, all the worst and least explicable passions of the parents.
Geoff Dyer (Selfish, Shallow, and Self-Absorbed: Sixteen Writers on The Decision Not To Have Kids)
He heard the back door open and close. Carol, of course. Smelled her before he could see her. He’d never asked them when the affair began but always presumed it ran along invisible tracks parallel to his parents’ marriage. Mum had the painting and he had Carol. Truce. /It’s hard being born here, breathing this air. It becomes part of you, whether you want it to or not. Those lights become dawn and dusk. Mum used to say that. Did she? We were friends once. I never knew that. In the early days, we were. But the she seemed to withdraw. Rarely went out with your dad anymore. Maybe it was being a new mum. I reckon you were enough for her. Lucky Dora, we used to say. Ellis put his arm around her shoulder./ It was hard for us, wasn’t it? Getting to know each other? We know each other now, said Ellis. Yeah. And you know you’re too good for him. I know, said Carol, and they laughed. Do you think he’s alright? said Ellis, looking back to the house. Course he is. He’s just used to being a bastard. He’s one of them men who discovered later on that he’s got a heart.
Sarah Winman (Tin Man)
I have never hated anything as much as I hated being a teenager. I could not have been more ill-suited to the state of adolescence. I was desperate to be an adult; desperate to be taken seriously. I hated relying on anyone for anything. I'd have sooner cleaned floors than be given pocket money or walked three miles in the rain at night than be given a lift home by a parent. I was looking up the price of one-bedroom flats in Camden when I was fifteen, so I could get a head start on saving up with my babysitting money. I was using my mum's recipes and dining table to host 'dinner parties' at the same age, forcing my friends round for rosemary roast chicken tagliatelle and raspberry pavlova with a Frank Sinatra soundtrack, when all they wanted to was eat burgers and go bowling. I wanted my own friends, my own schedule, my own home, my own money and my own life. I found being a teenager one big, frustrating, mortifying, exposing, co-dependent embarrassment that couldn't end fast enough. Alcohol, I think, was my small act of independence. It was the one way I could feel like an adult.
Dolly Alderton (Everything I Know About Love)
I was just going to have a discreet “J R” done on my upper arm, but Victor the tattooist wasn’t having any of it. “Which one is she? ‘J’ or ‘R’?” “‘J.’” “And how long have you been seeing this ‘J’ bird, then?” I was frightened by the aggressive masculinity of the parlor—the other customers (who were all firmly wrestling-team muscular, and seemed inexplicably amused to see me), the nude women on the walls, the lurid examples of services offered, most of which were conveniently located on Victor’s forearms, even Victor’s mildly offensive language. “Long enough.” “I’ll fucking be the judge of that, not you.” This struck me as an odd way to do business, but I decided to save this observation for another time. “A couple of months.” “And you’re going to marry her, are you? Or have you knocked her up?” “No. Neither.” “So you’re just going out? You’re not stuck with her?” “Yeah.” “And how did you meet her?” “She used to go out with a friend of mine.” “Did she now. And when did they break up?” “Saturday.” “Saturday.” He laughed like a drain. “I don’t want your mum in here moaning at me. Fuck off out of it.” I fucked off out of it.
Nick Hornby (High Fidelity)
Thirty-nine-year-old moderately successful Human Resources Director. Interests include regency romances, reality TV, and baking large novelty birthday cakes for other people’s children. Hobbies include drinking Tia Maria and eating Turkish delight in the bath and dining out with her mum and dad. Wanted to be a ballerina but didn’t end up with a ballerina body; however, has been told she is an impressive dirty dancer when drunk. Knows her wine, so please just hand the wine list over. Godmother to nine children, member of two book clubs, Social Club Manager for the Australian Payroll Officers’ Association. Suffers from a severe blushing problem but is not shy and will probably end up better friends with your friends than you, which you’ll find highly irritating after we break up. Has recently become so worried about meeting the love of her life and having children before she reaches menopause that she has cried piteously in the middle of the night. But otherwise is generally quite cheerful and has on at least three separate occasions that she knows of been described as ‘Charming’. Yep, that about summed it up. What a catch.
Liane Moriarty (The Last Anniversary)
It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches. And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo. And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995). But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?
Dolly Alderton (Good Material)
Over the next few days we spent every waking moment together. We made up silly dances, did puzzles in the evening, and she stood smiling on the beach waiting for me as I took my customary New Year’s dip in the freezing cold North Atlantic. I just had a sense that we were meant to be. I even found out she lived in the next-door road along from where I was renting a room from a friend in London. What were the chances of that? As the week drew to a close we both got ready to head back south to London. She was flying. I was driving. “I’ll beat you to London,” I challenged her. She smiled knowingly. “No, you won’t.” (But I love your spirit.) She, of course, won. It took me ten hours to drive. But at 10:00 P.M. that same night I turned up at her door and knocked. She answered in her pajamas. “Damn, you were right,” I said, laughing. “Shall we go for some supper together?” “I’m in my pajamas, Bear.” “I know, and you look amazing. Put a coat on. Come on.” And so she did. Our first date, and Shara in her pajamas. Now here was a cool girl. From then on we were rarely apart. I delivered love letters to her office by day and persuaded her to take endless afternoons off. We roller-skated in the parks, and I took her down to the Isle of Wight for the weekends. Mum and Dad had since moved to my grandfather’s old house in Dorset, and had rented out our cottage on the island. But we still had an old caravan parked down the side of the house, hidden under a load of bushes, so any of the family could sneak into it when they wanted. The floors were rotten and the bath full of bugs, but neither Shara nor I cared. It was heaven just to be together. Within a week I knew she was the one for me and within a fortnight we had told each other that we loved each other, heart and soul. Deep down I knew that this was going to make having to go away to Everest for three and a half months very hard. But if I survived, I promised myself that I would marry this girl.
Bear Grylls (Mud, Sweat and Tears)
While Mum was a busy working mother, helping my father in his constituency duties and beyond, Lara became my surrogate mum. She fed me almost every supper I ate--from when I was a baby up to about five years old. She changed my nappies, she taught me to speak, then to walk (which, with so much attention from her, of course happened ridiculously early). She taught me how to get dressed and to brush my teeth. In essence, she got me to do all the things that either she had been too scared to do herself or that just simply intrigued her, such as eating raw bacon or riding a tricycle down a steep hill with no brakes. I was the best rag doll of a baby brother that she could have ever dreamt of. It is why we have always been so close. To her, I am still her little baby brother. And I love her for that. But--and this is the big but--growing up with Lara, there was never a moment’s peace. Even from day one, as a newborn babe in the hospital’s maternity ward, I was paraded around, shown off to anyone and everyone--I was my sister’s new “toy.” And it never stopped. It makes me smile now, but I am sure it is why in later life I craved the peace and solitude that mountains and the sea bring. I didn’t want to perform for anyone, I just wanted space to grow and find myself among all the madness. It took a while to understand where this love of the wild came from, but in truth it probably developed from the intimacy found with my father on the shores of Northern Ireland and the will to escape a loving but bossy elder sister. (God bless her!) I can joke about this nowadays with Lara, and through it all she still remains my closest ally and friend; but she is always the extrovert, wishing she could be on the stage or on the chat show couch, where I tend just to long for quiet times with my friends and family. In short, Lara would be much better at being famous than me. She sums it up well, I think: Until Bear was born I hated being the only child--I complained to Mum and Dad that I was lonely. It felt weird not having a brother or sister when all my friends had them. Bear’s arrival was so exciting (once I’d got over the disappointment of him being a boy, because I’d always wanted a sister!). But the moment I set eyes on him, crying his eyes out in his crib, I thought: That’s my baby. I’m going to look after him. I picked him up, he stopped crying, and from then until he got too big, I dragged him around everywhere.
Bear Grylls (Mud, Sweat and Tears)
The final examination came and my mother came down to watch it. She hated watching me fight. (Unlike my school friends, who took a weird pleasure in the fights--and more and more so as I got better.) But Mum had a bad habit. Instead of standing on the balcony overlooking the gymnasium where the martial arts grading and fights took place, she would lie down on the ground--among everyone else vying to get a good view. Now don’t ask me why. She will say it is because she couldn’t bear to watch me get hurt. But I could never figure out why she just couldn’t stay outside if that was her reasoning. I have, though, learned that there is never much logic to my wonderful mother, but at heart there is great love and concern, and that has always shone through with Mum. Anyway, it was the big day. I had performed all the routines and katas and it was now time for the kumite, or fighting part of the black-belt grading. The European grandmaster Sensei Enoeda had come down to adjudicate. I was both excited and terrified--again. The fight started. My opponent (a rugby ace from a nearby college), and I traded punches, blocks, and kicks, but there was no real breakthrough. Suddenly I found myself being backed into a corner, and out of instinct (or desperation), I dropped low, spun around, and caught my opponent square round the head with a spinning back fist. Down he went. Now this was not good news for me. It was bad form and showed a lack of control. On top of that, you simply weren’t meant to deck your opponent. The idea was to win with the use of semicontact strikes, delivered with speed and technique that hit but didn’t injure your opponent. So I winced, apologized, and then helped the guy up. I then looked over to Sensei Enoeda, expecting a disapproving scowl, but instead was met with a look of delight. The sort of look that a kid gives when handed an unexpected present. I guess that the fighter in him loved it, and on that note I passed and was given my black belt. I had never felt so proud as I did finally wearing that belt after having crawled my way up the rungs of yellow, green, orange, purple, brown--you name it--colored belts. I had done this on my own and the hard way; you can’t buy your way to a black belt. I remember being told by our instructor that martial arts is not about the belts, it is about the spirit; and I agree…but I still couldn’t help sleeping with my black belt on that first night. Oh, and the bullying stopped.
Bear Grylls (Mud, Sweat and Tears)
The man who had him pinned kicked him over again and pointed down at the tire. "Stay down, you little bastard, or we'll rape your mum and skin her alive." Chris clamped his hands over Michael's ears. When Dean edged the truck forwards, Tommy's eyes jumped from his face. "Mum! Mummy! Help me, Mummy! Mum!" The engine bellowed, Tommy cried, Marie screamed, Frank roared, and Chris' pulse thumped in his ears. Locked in a maniacal fit, Dean cackled at the sky, his pointy nose and gaunt face making him look like a satanic Mr. Punch. He edged forward again. As Michael fought against Chris' restraint, he eased off a little. Should he just let him go? Were the images in his mind worse than those outside? When the truck moved forward again, the thick treads of the huge tires biting into the back of Tommy's head, he squeezed tightly once more. No mind could create anything worse than that. Chris looked away too.  Tommy's scream was so shrill Chris thought all of the glass in the cul-de-sac would crack, and he fought harder against his thrashing son to keep him restrained. When he felt like he couldn't fight the boy's will any more, he let go.  Instead of looking outside, Michael fell to the floor in a ball, scuttled beneath some blankets, and covered his ears. From beneath the sheets, Chris heard his small voice singing, "Twinkle Twinkle Little Star." Nudging his boy, Chris waited for him to resurface and put a finger to his lips again. They couldn't afford for the looters to hear them no matter how much it took his son away from their dark reality. The sound of a beeping horn was accompanied by Dean howling and laughing, the vehicle's engine releasing a war cry under the weight of his heavy foot. The cacophony of chaos outside got louder. Frank wailed, Marie let out louder screams, the engine roared, the horn beeped, Dean laughed, and Tommy shrieked. Looking outside again, Chris kept his eyes away from Tommy. Instead, he watched George. If there was anyone who would save them, it was him.  Crunch! Crash!  The truck dropped by six inches. Tommy stopped screaming.  When Dean cut the engine, silence settled over the cul-de-sac, spreading outwards like the thick pool of blood from Tommy's crushed head. Marie's face was locked in a silent scream. Frank slumped further and shook with inaudible sobs. The men, even the weasel with the tennis racket, stood frozen. None of them looked at the dead boy.  Turning away from the murder, Chris looked down to find Michael staring back at him. What could he say to him? Tommy was his best friend. Then, starting low like a distant air-raid siren, Marie began to wail.  After rapidly increasing in volume, it turned into a sustained and brutal cry as if she was being torn in two. Chilled
Michael Robertson (Crash (Crash, #1))
I can’t remember a specific time when the comments and the name-calling started, but one evening in November it all got much worse,’ she said. ‘My brother Tobias and me were doing our homework at the dining room table like we always did.’ ‘You’ve got a brother?’ She hesitated before nodding. ‘Papa was working late at the clinic in a friend’s back room – it was against the law for Jews to work as doctors. Mama was making supper in the kitchen, and I remember her cursing because she’d just burned her hand on the griddle. Tobias and me couldn’t stop laughing because Mama never swore.’ The memory of it made her mouth twitch in an almost-smile. Then someone banged on our front door. It was late – too late for social calling. Mama told us not to answer it. Everyone knew someone who’d had a knock on the door like that.’ ‘Who was it?’ ‘The police, usually. Sometimes Hitler’s soldiers. It was never for a good reason, and it never ended happily. We all dreaded it happening to us. So, Mama turned the lights out and put her hand over the dog’s nose.’ Esther, glancing sideways at me, explained: ‘We had a sausage dog called Gerta who barked at everything. ‘The knocking went on and they started shouting through the letter box, saying they’d burn the house down if we didn’t answer the door. Mama told us to hide under the table and went to speak to them. They wanted Papa. They said he’d been treating non-Jewish patients at the clinic and it had to stop. Mama told them he wasn’t here but they didn’t believe her and came in anyway. There were four of them in Nazi uniform, stomping through our house in their filthy great boots. Finding us hiding under the table, they decided to take Tobias as a substitute for Papa. ‘When your husband hands himself in, we’ll release the boy,’ was what they said. ‘It was cold outside – a freezing Austrian winter’s night – but they wouldn’t let Tobias fetch his coat. As soon as they laid hands on him, Mama started screaming. She let go of Gerta and grabbed Tobias – we both did – pulling on his arms, yelling that they couldn’t take him, that he’d done nothing wrong. Gerta was barking. I saw one of the men swing his boot at ther. She went flying across the room, hitting the mantelpiece. It was awful. She didn’t bark after that.’ It took a moment for the horror of what she was saying to sink in. ‘Don’t tell me any more if you don’t want to,’ I said gently. She stared straight ahead like she hadn’t heard me. ‘They took my brother anyway. He was ten years old. ‘We ran into the street after them, and it was chaos – like the end of the world or something. The whole town was fully of Nazi uniforms. There were broken windows, burning houses, people sobbing in the gutter. The synagogue at the end of our street was on fire. I was terrified. So terrified I couldn’t move. But Mum kept running. Shouting and yelling and running after my brother. I didn’t see what happened but I heard the gunshot.’ She stopped. Rubbed her face in her hands. ‘Afterwards they gave it a very pretty name: Kristallnacht – meaning “the night of broken glass”. But it was the night I lost my mother and my brother. I was sent away soon after as part of the Kindertransport, though Papa never got used to losing us all at once. Nor did I. That’s why he came to find me. He always promised he’d try.’ Anything I might’ve said stayed stuck in my throat. There weren’t words for it, not really. So I put my arm through Esther’s and we sat, gazing out to sea, two old enemies who were, at last, friends. She was right – it was her story to tell. And I could think of plenty who might benefit from hearing it.
Emma Carroll (Letters from the Lighthouse)
What is it with these people? They are more obsessed with me finding a girlfriend than I am. "He's concentrating on his studies," says Mum proudly. "Ah," says Mr Coles. "I should've done that, but at his age I was out on the town, living it up. Best days of my life, they were." "Oh yes, mine too," says Mum with a weird twinkle in her eye. I wonder how easy it is to kill two people with a screwdriver and a bag of half-frozen peas.
J.A. Buckle (Half My Facebook Friends Are Ferrets)
THIS DREAM OF LIFE BEGAN with my first friends, my mum and my dad.
Billy Idol (Dancing with Myself)
I'm 5yrs old, maybe 6. That meant you were already a teenager. You'd not long had your new bike. I'm riding my bike trying to keep up with you and your friends as we go down the lane to the farm. Only I'm lagging behind. I fall off. Hurt myself. Scream. Cut my knee. Luckily you hear me, come racing back to me. Tell me you've got me. You pick me up off the floor, carry me all the way home in your arms. I'm freaking out because you've left your bike in the lane, I'm worried it'll be stolen or damaged, that you'll get in trouble with mum and dad. It was brand new. As we get to our home you tell me. 'It's just a bike, you're my sister and I can't get a new sister'. You've always been my hero brother. You've never let me down, you never let me be alone. I hope one day I can repay in some way all that you've done for me even though you tell me I owe you nothing.
Raven Lockwood
Mum’s gaze returned to mine and it was smiling warmly as she attempted to squeeze my hands. ‘Tell me darling,’ she whispered, ‘which one of those young men is my dear Belle’s son, Warren?’ ‘Oh, you mean the son of that friend of yours you never once mentioned?’ I narrowed my eyes, but her smile remained serene. Realising I was being pointedly ignored I heaved a dramatic sigh before answering her. ‘The one with black hair, blue eyes, and kinda shady looking. Kind of like someone you would expect to actually set children on fire.
Millicent Nankivell (The Last King (Anastasia Avignon, #1))
It’s part of a series, they were all on display in the shop. This girl, she gets trains, has tattoos, kicks things, all sorts.’ ‘I don’t think it’s a series, Mum. They just call all books the same thing now.’ ‘Like
Jay Stringer (How To Kill Friends And Implicate People)
Acknowledgements I would like to thank my children, Bindi and Robert, for patiently supporting me while I spent many evenings and weekends writing this book (or as Robert used to say, “Mum is doing her schoolwork.”). Thanks also to those who helped entertain, feed, bathe, and wrangle my kids while I wrote (it does take a village!): Barry and Shelley Lyon, Emma Schell, Jeanette Covacevich, John and Bonnie Marineau, Brian and Sherri Marineau, April Harvie, Brian and Kate Coulter, Thelma Engle. A special thank-you to my dear friend John Edward. If it wasn’t for you, this book would never have been written. Thanks to my precious friends and family, who were my sounding boards: Wes Mannion, Frank and Joy Muscillo, John Stainton, Judi Bailey, Craig Franklin, Bob Irwin. A huge thank-you to Kate Schell, who helped me assemble my first draft--there were 250,000 words of stories that made us laugh and cry. You took the journey with me. I would also like to thank Gil Reavill, for taking nine hundred pages and helping me choose which stories to keep for the final draft. Natasha Stoynoff, you were ready to help as a collaborator. I hope we actually get to work together one day.And to Ursula Cary, thank you for flying all the way to Australia to help me catch crocs for research and make those final edits. I’d like to extend a big thank-you to all the interesting people who helped to shape our lives and are included in the pages of this book. And finally, a huge thank-you to my husband, Steve. You are now the angel leaning over my shoulder, whispering in my ear that I can do anything--you always believed in me.
Terri Irwin (Steve & Me)
ALICE AND I are best friends. I’ve known her all my life. That is absolutely true. Our mums were in hospital at the same time when they were having us. I got born first, at six o’clock in the morning on 3 July. Alice took ages and didn’t arrive until four in the afternoon. We both had a long cuddle with our mums and at night time we were tucked up next to each other in little weeny cots.
Jacqueline Wilson (Best Friends)
How many times, since she was just a child, had her and Mum hung clothes together here as Mum told her stories? Some real, some pretend, some Helen couldn’t quite tell the difference between. For decades Mum insisted that as a child a true mermaid had been her friend. The mergirl had gotten injured by a fallen rock near Mum’s home, and she claimed to have helped the creature back to health. When Helen was small she accepted the tale as truth, but when she grew and dropped her belief in other fairy tales Mum would insist this was different. “Her tail felt smooth when I would slide my fingers down it, but the scales were sharp if I slid my palm up. I don’t have to pretend it’s true or convince you. I held magic in my hands. It wasn’t the first time, but it was the first time I realized I had.” “But there’s no such thing as mermaids and magic,” Helen had refuted once. Mum had lowered herself to meet Helen’s eyes. “Oh, there’s magic in this world. Do you think that just because you can explain something that makes it not magic anymore? How a wildflower grows is magic. The first snow of winter? Absolutely. Stand on any theater’s stage and you can’t deny it’s there. Sit on any shore and you’ll always feel it.
Corinne Beenfield (The Ocean's Daughter : (National Indie Excellence Award Finalist))
The drinking became a little more of a problem when I went to university. My parents had never been particularly present while I was growing up, so one might presume if I was going to go off the rails, why not do it at home, but I saved it for when I went away. I was enough of a disappointment to my father. I didn’t need to give him yet another excuse to help me understand I was not the daughter he wanted. My mother had left her native America when she fell in love with my dad while working for a year as an au pair in Gerrards Cross. She seemed happy when I was very young, then spent most of my teenage years in what I have always thought must have been, albeit undiagnosed a deep, and possibly clinical, depression. I can understand why. What I couldn’t understand is how she ever ended up with my father in the first place. He was handsome, and I suppose he must have been charming when they were young, but he was so damned difficult, I used to think, even when I was young, that we’d all be much happier if they got a divorce. I would sit with friends who would be in floods of tears because their mother had just found out their father had been having an affair, or their parents had decided they hated each other, or whatever the myriad of reasons are that drive people apart, and these friends would be crying at the terrible fear of their families breaking up, and all I could think was: I wish my parents would get divorced. It seemed to me that if ever there were two people on the planet who should not have been together, it was my parents. My mother is laid-back, funny, kind. She’s comfortable in her skin and has the easy laugh you expect from all Americans. She was brought up in New York, but her parents died very young, after which she went to live with her Aunt Judith. I never knew Aunt Judith, but everything about those days sounds idyllic, especially her summers in Nantucket. You look at pictures of my mum from those days and she was in flowing, hippie-ish clothes, always smiling. She had long, silky hair, and she looked happy and free. In sharp contrast to the pictures of her with my dad, even in those early days, when they were newlyweds, supposedly the happiest time of a relationship. He insisted she wear buttoned-up suits, or twinsets and pearls. Her hair was elaborately coiffed. I remember the heated rollers she kept in the bathroom, twisting her hair up every morning, spraying it into tight submission, slicking lipstick on her lips, her feet sliding into Roger Vivier pumps. If my father was away, she left her hair long and loose, wrapping a scarf around her head. She’d wear long gypsy skirts with espadrilles or sandals. I loved her like that most of all. I used to think it was her clothing that changed her personality,
Jane Green (Cat and Jemima J)
You aren’t as funny as you think you are!” Kasper yelled at Rima. “Once I overheard you memorising puns in the bathroom!” Leah interjected, “He’s right. You said that even your mum never used to laugh at your jokes, Rima.” “All of my jokes,” Rima corrected. “I said all of my jokes. And I told you that in confidence, Leah! If you keep this up, I’m gonna stop being best friends with you.” “When?” Leah asked, longingly.
Lauren James (The Reckless Afterlife of Harriet Stoker)
Six months after Lucien traveled to Australia, Mum left her son, her parents, her brothers and sisters, her work, her friends and her country, sailed over the Atlantic Ocean and the Mediterranean Sea, through the Suez Canal, across the Indian Ocean, into the Pacific and joined her husband in Sydney to start a new life. That's the sort of thing people did back then. Everyone was starting again after the war, after losing mothers and fathers, brothers and sisters, children, husbands and wives. It seems shocking now, but there wasn't such a sentimental attitude towards family or such a fear of death then as we have now. (People who live through wars often develop attachment disorders as protection from loss.)
Viv Albertine (To Throw Away Unopened)
Do they really say you’re weird?’ she said. ‘Well, yes. But I don’t mind,’ I said. ‘I mind,’ said Mum. ‘Oh, Martina, why won’t you try and fit in more? You’re an intelligent little girl. If you’d only play nicely with the others and stop all your silly pretend games, you’d fit in easily enough and make friends.
Jacqueline Wilson (The Worst Thing About My Sister)
Not everyone needs a lot of friends.,” her mum said. “It’s a silly myth they push in American teen movies to fill people with insecurities.
Sally Hepworth (The Family Next Door)
At the birthday parties of friends I wait for the moment when someone’s mum clears away what’s left of the Angel Delight and says plaintively, ‘I wish they were all like you, Robert.’ Which is to say, ‘I wish they were all as quiet as you, Robert.’ I’m almost indignant if I don’t get that compliment at some stage. But then, I’m also uneasy, because I know that boys are not supposed to be quiet.
Robert Webb (How Not To Be a Boy)
Sally loves spending time reading stories and getting tips from other mums, and learning about parenthood in the Mothers of Melbourne Facebook group. It’s a much cherished pastime of hers. Her biggest frustration being a mother of two is simply that there is not enough hours in the day to do everything. When she’s in research mode, the first place she goes is Google on her iPad in the kitchen. She’s a frequent (kinda obsessive) visitor of mummy blogs like Rockin Mama and Mamavation. Her life-long dream is to start her own interior design business, so she can have a creative outlet and more ‘me time’. Last week when she was shopping at her local farmers market and browsing Instagram, an ad popped up with an invitation to download a new app for environmentally-friendly cleaning products’.
Sabri Suby (SELL LIKE CRAZY: How to Get As Many Clients, Customers and Sales As You Can Possibly Handle)
My sister Hope says that the cord stays attached after they’re born. Just invisible. Seems to me it stays that way for a long time. Stretches itself thinner and thinner over the years, till it’s a thread. The bond’s still there, but the mum can let go, a bit at a time.
Rosalind James (Just Good Friends (Escape to New Zealand, #2))
Precisely three days after Christopher and Audrey had left for London, Beatrix went to the Phelans’ house to ask after Albert. As she had expected, the dog had set the household into chaos, having barked and howled incessantly, ripped carpeting and upholstery to shreds, and bitten footman’s hand. “And in addition,” the housekeeper, Mrs. Clocker, told Beatrix, “he won’t eat. One can already see his ribs. And the master will be furious if we let anything happen to him. Oh, this is the most trying dog, the most detestable creature I’ve ever encountered.” A housemaid who was busy polishing the banister couldn’t seem to resist commenting, “He scares me witless. I can’t sleep at night, because he howls fit to wake the dead.” The housekeeper looked aggrieved. “So he does. However, the master said we mustn’t let anyone take Albert. And as much as I long to be rid of the vicious beast, I fear the master’s displeasure even more.” “I can help him,” Beatrix said softly. “I know I can.” “The master or the dog?” Mrs. Clocker asked, as if she couldn’t help herself. Her tone was wry and despairing. “I can start with the dog,” Beatrix said in a low undertone. They exchanged a glance. “I wish you could be given the chance,” Mrs. Clocker murmured. “This household doesn’t seem like a place where anyone could get better. It feels like a place where things wane and are extinguished.” This, more than anything, spurred Beatrix into a decision. “Mrs. Clocker, I would never ask you to disobey Captain Phelan’s instructions. However…if I were to overhear you telling one of the housemaids where Albert is being kept at the moment, that’s hardly your fault, is it? And if Albert manages to escape and run off…and if some unknown person were to take Albert in and care for him but did not tell you about it immediately, you could not be blamed, could you?” Mrs. Clocker beamed at her. “You are devious, Miss Hathaway.” Beatrix smiled. “Yes, I know.” The housekeeper turned to the housemaid. “Nellie,” she said clearly and distinctly. “I want to remind you that we’re keeping Albert in the little blue shed next to the kitchen garden.” “Yes, mum.” The housemaid didn’t even glance at Beatrix. “And I should remind you, mum, that his leash is on the half-moon table in the entrance hall.” “Very good, Nellie. Perhaps you should run and tell the other servants and the gardener not to notice if anyone goes out to visit the blue shed.” “Yes, mum.” As the housemaid hurried away, Mrs. Clocker gave Beatrix a grateful glance. “I’ve heard that you work miracles with animals, Miss Hathaway. And that’s indeed what it will take, to tame that flea-ridden fiend.” “I offer no miracles,” Beatrix said with a smile. “Merely persistence.” “God bless you, miss. He’s a savage creature. If dog is man’s best friend, I worry for Captain Phelan.” “So do I,” Beatrix said sincerely.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
On the night the Berlin Wall came down, thirty-five-year-old comrade Merkel didn’t join her friends in their champagne-fuelled celebrations on the unfamiliar streets of the West. She had heard some rumours and so she phoned her mother, Herlind. ‘Watch out mum, there’s something up today,’1 she said. It was a Thursday and she did what she always did on Thursdays – she went to the public sauna with a friend near her two-bedroom flat in Prenzlauer Berg. ‘I didn’t really understand what I was hearing,’2 Merkel later recalled. ‘I figured that if the wall had opened, it was hardly going to close again, so I decided to wait.
John Kampfner (Why the Germans Do it Better: Notes from a Grown-Up Country)
I want to give thanks to my wonderful mum and dad, my brother and sister-in-law, my grandparents, my aunt and uncle and cousins for providing me with a family cocoon of love, support and encouragement; to Tom for teaching me the meaning of true love; to my friends around the world, most of whom have known me long before triathlon, and whose support means more to me than they could ever know.
Chrissie Wellington (A Life Without Limits: A World Champion's Journey)
Mum and dad said they’re getting divorced.” “Is that right?” His grandmother replied. “I don’t know which one I should live with.” “Well, it doesn’t really matter, because you can live with me.” Yoshimine felt a huge lump in his throat. “You have a good friend here too, Daigo. So it’s all okay.
Hiro Arikawa (The Travelling Cat Chronicles)
[...] his friends were all a bunch of poor cunts and his mother was a fool who still believed her man was coming back one day, a fucking fool who pretended she didn’t know that Brando’s dad had another family over in Palogacho and only sent them money each month because he felt guilty for having tossed them out like rubbish bags, as if we were pieces of shit, Mum, wake the fuck up: what’s the point in all that praying, what good does it do if you can’t even see straight, if you can’t see what everyone else does, you stupid, stupid woman! But she would just lock herself in her room and chant her litanies, almost shouting them to block out Brando’s raging and bashing against her door, the kicking and thumping that he would have happily aimed at her rotten mug, to see if that way she’d get it through her thick skull, to see if she’d just die and fuck off once and for all to her motherfucking promised land and stop banging on at him with her prayers and her sermons, her moaning and snivelling, all that: Lord, what have I done to deserve this child? Where’s my darling boy, my sweet, dear little Brando? How could you allow the devil to enter him, Lord? The devil doesn’t exist, he’d shout back, or your shitty God, and his mother would let out an anguished wail followed by more prayers, intoned with even greater intensity, even greater devotion, to make up for her son’s blasphemes, before Brando stormed off to the bathroom, where he’d stand before the mirror and stare at the reflection of his face until it looked like his black pupils, together with his equally black irises, had dilated so wide that they covered the entire surface of the mirror, a forbidding darkness cloaking everything: a darkness devoid of even the solace of the incandescent fires of hell; a desolate, dead darkness, a void from which nothing and no one could ever rescue him: not the wide-open mouths of the poofs who approached him in the clubs on the highway, not his nocturnal escapades in search of dog orgies, not even the memory of what he and Luismi had done, not even that [...]
Fernanda Melchor (Hurricane Season)
herself look perfect. Her long dark hair will be pulled into two tidy plaits and she will have tried on almost everything in her wardrobe before putting on her favourite floaty dress. I help Mum by laying the table. I get out the cereal and the milk and make everyone a glass of orange juice. Mum is in a rush as she needs to go to work soon. But Moz, Alice and I have all the time in the world. It’s the school holidays and the sun is shining. I have been up for hours. But unlike my sister, I haven't spent my time making myself look fancy. I'm wearing denim shorts and a faded t-shirt, my most comfy clothes. I've tied back my curly blond hair into a ponytail as best I can, but I know it’s still messy. Oh well. No, I've been up for hours using the computer, chatting to some of my friends on Facebook. I've got Facebook friends from all over the world. Whatever time of day it is there's always someone about for a chat. I can happily spend all day watching videos or playing games with my mates. Moz and Alice don't understand at all. That’s why my Facebook friends are so great. They really get me.
Abigail Hornsea (Books for kids: Summer of Spies)
Godfather?” spluttered Uncle Vernon. “You haven’t got a godfather!” “Yes, I have,” said Harry brightly. “He was my mum and dad’s best friend. He’s a convicted murderer, but he’s broken out of Wizard prison and he’s on the run. He likes to keep in touch with me, though . . . keep up with my news . . . check if I’m happy. . . .
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
Mum always said that you couldn't beat a good woman friend and that everyone should have atleast one. Do you remember that she always said there was two kinds of women? Men's women and women's women? And if you knew what was good for you, you'd be a woman's woman and you'd never be lonely. Said it was like belonging to a bloody great club. She wasn't wrong, neither.
Pip Granger (Not All Tarts Are Apple)
If I spoke to my mum about a friend sending their daughter to boarding school, her response would be, ‘Poor cow, how old is she?’ I would reply, ‘She’s seven,’ then my mum would respond with, ‘Wicked bastards, sending their kids away. If you don’t wanna look after ’em, don’t have ’em.’ Then my dad would hear from another room and shout, ‘I ain’t having him come round this house, ’orrible bastard!
Rob Beckett (A Class Act: Life as a Working-Class Man in a Middle-Class World)
4. Thou shall attempt a staycation, even if thou detests the word staycation. There are two types of people in the world. Those who will camp, and those who won't. Those who fall in the former category need little encouragement to pack up their sleeping bag and a Kelly Kettle and head out into the countryside. The ones who wander freely clearing up after themselves can set up a tent anywhere they fancy, as long as they show respect. This freedom to roam also lends itself well to the coorie movement. Braving the night-time chill around a fire with a furry friend at your feet and a hot chocolate in your hands after a day of toiling to create a coorie campsite is pretty special. A caravan stay in Aberfeldy is a more realistic option for the extended family than schlepping abroad en masse. Bonding time between grandparents and wee ones also gives mums and dads the chance for a gin on the banks of the River Tay before sundown.
Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
Well, I'll try to explain," said Mrs Morland, pushing all her hairpins well into her head by the simple expedient of banging her hat with both hands. "You see, my publisher will make me write books." She paused dramatically. George said to his friend it did seem a shame, a lady like her. "So then," pursued Mrs Morland, looking earnestly into space, "I get so furious that I simply don't know what to do. So I buy some exercise books, which are a perfectly frightful price now, at least the cost the same but there are hardly any pages so it comes to much the same thing in the end, and some more pencils. And what is perfectly maddening is that the pencils called B are so soft that you use them up at once besides the lead breaking every time you sharpen them, and the ones called H don't mark at all. And then I sit down very angrily, and write a book." She then realised with horror that though she had come to the end of her subject there were still thirty minutes of her allotted time to be filled. "I think it's a shame, Miss," said George. "I don't do it on purpose," said Mrs Morland, pleading her cause as well as she could. "You see, when my husband died I wasn't very well off and I had four boys, so I simply had to do something. I didn't ever mean to write books." George's friend, going very red in the face, brought out an ill-prepared sentence to the effect that the late Mr Morland's death had been on the whole a gain to humanity. "Thank you very much," said Mrs Morland gratefully."I do so understand what you mean, and it is so kind of you, and I must say I get on very well as I am, and don't feel a bit like a widow." George said his Dad died before he was born, so he didn't seem to miss him like. "No," said Mrs Morland, after considering this statement, "you couldn't. Not unless your mother put it into your head." "Mum died when I was a month old," said George with some pride, "and auntie she brought me up." "I am sorry," said Mrs Morland.
Angela Thirkell (Growing Up (Barsetshire, #12))
But it’s not just my generation. I look at the younger ones too, who get so caught up and busy, not taking just a little bit of time out for themselves now and then, to do things that make them happy on an individual basis. They lose who they really are completely. A little time with friends reminds them of who they are when they are not mum, dad, sister, brother, or even employee. Do you understand what I am saying?
Bronnie Ware (Top Five Regrets of the Dying: A Life Transformed by the Dearly Departing)
His mum, like him, had no friends. It was as if they could tell, he thought, they could tell she wasn’t ever going to be one of them. She was always going to be trying, never just being.
Lisa Jewell (Watching You)
I have never hated anything as much as I hated being a teenager. I could not have been more ill-suited to the state of adolescence. I was desperate to be an adult; desperate to be taken seriously. I hated relying on anyone for anything. I’d have sooner cleaned floors than be given pocket money or walked three miles in the rain at night than be given a lift home by a parent. I was looking up the price of one-bedroom flats in Camden when I was fifteen, so I could get a head start on saving up with my babysitting money. I was using my mum’s recipes and dining table to host ‘dinner parties’ at the same age, forcing my friends round for rosemary roast chicken tagliatelle and raspberry pavlovas with a Frank Sinatra soundtrack, when all they wanted to do was eat burgers and go bowling. I wanted my own friends, my own schedule, my own home, my own money and my own life. I found being a teenager one big, frustrating, mortifying, exposing, co-dependent embarrassment that couldn’t end fast enough.
Dolly Alderton
The wind was fading from Rose’s sails. Kim was far more interested in discovering why Josh had kept in contact with his former best friend’s mum. What hadn’t he been able to let go of?
Angela Marsons (Deadly Fate (DI Kim Stone, #18))
There was a line there, firmly drawn, between friend and Mum, and if a situation ever neared that line, she was always going to come down on the Mum side. But up until that line, she could be — and was, and is — both.
Dot Hutchison (The Summer Children (The Collector, #3))
may surprise you,’ he urged. Lily’s eyes no longer smiled. Now their licorice darkness reflected only bitterness. ‘It’s not a matter of me finding the courage, Jack. I know my parents. They won’t surprise me. They’re very predictable. They’re also traditional and as far as they’re concerned, I’m as good as engaged … no, married! And they approve of Jimmy.’ Her expression turned glum. ‘All that’s missing are the rings and the party.’ ‘Lily, risk their anger or whatever it is you’re not prepared to provoke but don’t do this.’ He stroked her cheek. ‘Forget me. I’m not important. I’m talking about the rest of your life, here. From what I can see of my friends and colleagues, marriage is hard enough without the kiss of death of not loving your partner.’ ‘It’s not his fault, Jack. You don’t understand. It’s complicated. And in his way, Jimmy is very charismatic.’ Jack didn’t know Professor James Chan, eminent physician and cranio-facial surgeon based at Whitechapel’s Royal London Hospital, but he already knew he didn’t much like him. Jack might be sleeping with Lily and loving every moment he could share with her, but James Chan had a claim on her and that pissed Jack off. Privately, he wanted to confront the doctor. Instead, he propped himself on one elbow and tried once more to reason with Lily. ‘It’s not complicated, actually. This isn’t medieval China or even medieval Britain. This is London 2005. And the fact is you’re happily seeing me … and you’re nearly thirty, Lily.’ He kept his voice light even though he felt like shaking her and cursing. ‘Are you asking me to make a choice?’ He shook his head. ‘No. I’m far more subtle. I’ve had my guys rig up a camera here. I think I should show your parents exactly what you’re doing when they think you’re comforting poor Sally. I’m particularly interested in hearing their thoughts on that rather curious thing you did to me on Tuesday.’ She gave a squeal and punched him, looking up to the ceiling, suddenly unsure. Jack laughed but grew serious again almost immediately. ‘Would it help if I —?’ Lily placed her fingertips on his mouth to hush him. She kissed him long and passionately before replying. ‘I know I shouldn’t be so answerable at my age but Mum and Dad are so traditional. I don’t choose to rub it in their face that I’m not a virgin. Nothing will help, my beautiful Jack. I will marry Jimmy Chan but we have a couple more weeks before I must accept his proposal. Let’s not waste it arguing and let’s not waste it on talk of love or longing. I know you loved the woman you knew as Sophie, Jack. I know you’ve been hiding from her memory ever since and, as much as I could love you, I am not permitted to because I’m spoken for and you aren’t ready to be in love again. This is not a happy-ever-after situation for us. I know you enjoy me and perhaps could love me but this is not the right moment for us to speak of anything but enjoying the time we have, because neither of us is available for anything beyond that.’ ‘You’re wrong, Lily.’ She smiled sadly and shook her head. ‘I have to go.’ Jack sighed. ‘I’ll drop you back.’ ‘No need,’ Lily said, moving from beneath the quilt, shivering as the cool air hit her naked body. ‘I have to pick up Alys from school. She’s very sharp and I don’t need her spotting you – especially as she’s had a crush on you since you first came into the flower shop.’ Suddenly she grinned. ‘If you hurry up, at least we can shower together!’ Jack leaped from the bed and dashed to the bathroom to turn on the taps. He could hear her laughing behind him but he felt sad. Two more weeks. It wasn’t fair – and then, as if the gods had decided to punish him further, his mobile rang, the ominous theme of Darth Vader telling him this was not a call he could ignore. He gave a groan. ‘Carry on without me,’ he called to Lily, reaching for the phone. ‘Hello, sir,’ he said, waiting for the inevitable apology
Fiona McIntosh (Beautiful Death (DCI Jack Hawksworth #2))
And he won't come any more?" her mother sighed, with reserved censure. "Oh, I think he will. He couldn't very well come the next night. But he has the habit of coming, and with Mr. Beaton habit is everything—even the habit of thinking he's in love with some one." "Alma," said her mother, "I don't think it's very nice for a girl to let a young man keep coming to see her after she's refused him." "Why not, if it amuses him and doesn't hurt the girl?" "But it does hurt her, Alma. It—it's indelicate. It isn't fair to him; it gives him hopes." "Well, mamma, it hasn't happened in the given case yet. If Mr. Beaton comes again, I won't see him, and you can forbid him the house." "If I could only feel sure, Alma," said her mother, taking up another branch of the inquiry, "that you really knew your own mind, I should be easier about it." "Then you can rest perfectly quiet, mamma. I do know my own mind; and, what's worse, I know Mr. Beaton's mind." "What do you mean?" "I mean that he spoke to me the other night simply because Mr. Fulkerson's engagement had broken him all up." "What expressions!" Mrs. Leighton lamented. "He let it out himself," Alma went on. "And you wouldn't have thought it was very flattering yourself. When I'm made love to, after this, I prefer to be made love to in an off-year, when there isn't another engaged couple anywhere about." "Did you tell him that, Alma?" "Tell him that! What do you mean, mamma? I may be indelicate, but I'm not quite so indelicate as that." "I didn't mean you were indelicate, really, Alma, but I wanted to warn you. I think Mr. Beaton was very much in earnest." "Oh, so did he!" "And you didn't?" "Oh yes, for the time being. I suppose he's very much in earnest with Miss Vance at times, and with Miss Dryfoos at others. Sometimes he's a painter, and sometimes he's an architect, and sometimes he's a sculptor. He has too many gifts—too many tastes." "And if Miss Vance and Miss Dryfoos—" "Oh, do say Sculpture and Architecture, mamma! It's getting so dreadfully personal!" "Alma, you know that I only wish to get at your real feeling in the matter." "And you know that I don't want to let you—especially when I haven't got any real feeling in the matter. But I should think—speaking in the abstract entirely—that if either of those arts was ever going to be in earnest about him, it would want his exclusive devotion for a week at least." "I didn't know," said Mrs. Leighton, "that he was doing anything now at the others. I thought he was entirely taken up with his work on 'Every Other Week.'" "Oh, he is! he is!" "And you certainly can't say, my dear, that he hasn't been very kind—very useful to you, in that matter." "And so I ought to have said yes out of gratitude? Thank you, mamma! I didn't know you held me so cheap." "You know whether I hold you cheap or not, Alma. I don't want you to cheapen yourself. I don't want you to trifle with any one. I want you to be honest with yourself." "Well, come now, mamma! Suppose you begin. I've been perfectly honest with myself, and I've been honest with Mr. Beaton. I don't care for him, and I've told him I didn't; so he may be supposed to know it. If he comes here after this, he'll come as a plain, unostentatious friend of the family, and it's for you to say whether he shall come in that capacity or not. I hope you won't trifle with him, and let him get the notion that he's coming on any other basis." Mrs. Leighton felt the comfort of the critical attitude far too keenly to abandon it for anything constructive. She only said, "You know very well, Alma, that's a matter I can have nothing to do with." "Then you leave him entirely to me?" "I hope you will regard his right to candid and open treatment." "He's had nothing but the most open and candid treatment from me, mamma. It's you that wants to play fast and loose with him. And, to tell you the truth, I believe he would like that a good deal better.
William Dean Howells
with tuk-tuks and rickshaws. While some of the districts were modern and clean, others were colourful and ramshackle. Kiosks selling cigarettes, phonecards, sweets and general supplies lined the streets and traders piled fruit and vegetables on sheets to sell. The highway to the south took us through the main commercial district, Galle Road, which was clean and modern. We headed out down the coast and soon the offices, apartments and shops melted away and were replaced by lush forest on one side and blue white-tipped ocean on the other. An hour away from the city we found a quiet little village on a bay of golden sand. We’d read about some beach houses there which were available for rent and we asked the driver to stop so Mum and Dad could have a look. We were all tired and looking forward to relaxing and having a meal. The place was ideal. Like many of the tourist areas in Sri Lanka, the accommodation was right on the beach, where land was more valuable. There was a house big enough for us all and nearby restaurants and bars, but in a family-friendly location. We booked in for a night. Our parents never initially paid for more than one night’s accommodation when we went somewhere new in case there was a nightclub or building site next door that the guides had failed to mention.
Paul Forkan (Tsunami Kids: Our Journey from Survival to Success)
Every character I create begins with a personality trait or eccentricity and, like each of us, I add layers to the character – some good; some bad – until I have a multi-dimensional person who is real enough for the reader to believe they have met them or known someone just like them in real life. Some of these layers may be based on a trait I have recognised in someone I have known, whether it is a mum in the playground or a man I have sat next to on the train, but none of them are real people.
Dawn Goodwin (Best Friends Forever)
Rob feels terrible. He’s looking further up the road with his mum.” So he should! Olivia thought. But being furious with Rob didn’t really help. She and Ben and Mum and Dad set off up the road, calling and peering over fences. Olivia kept shaking the treats, hoping to see a little grey kitten dash eagerly towards her, like he did at home. Half an hour later, they were back outside Rob’s house, and everyone looked rather hopeless. Especially Rob. It seemed as though he’d been crying, and Olivia almost felt sorry for him. “Not a sign,” Dad said, frowning. “And none of the people we asked had spotted him.” “Should we go further? The next street?” Rob’s mum asked doubtfully. “Oh, look!” Mum pointed down the road. “What is it? Can you see him?” Olivia gasped. “Sorry, Olivia. It’s Lucie, down at the end of the road, with her mum.” Lucie came runninng up the road as soon as she spotted Olivia. “We’ll find him,” she promised, seeing her friend’s miserable face and hugging her tightly. “I’m sure we will,” her mum agreed, as they reached the little crowd outside Rob’s house. “There’s lots of us looking now.” Everyone was still discussing where to look next. “He couldn’t still be in your garden, hidden away?” Olivia suggested.
Holly Webb (Smudge the Stolen Kitten)