Muddy Girl Quotes

And in a small house five miles away was a man who held my mud-encrusted charm bracelet out to his wife. Look what I found at the old industrial park," he said. "A construction guy said they were bulldozing the whole lot. They're afraid of sink holes like that one that swallowed the cars." His wife poured him some water from the sink as he fingered the tiny bike and the ballet shoe, the flower basket and the thimble. He held out the muddy bracelet as she set down his glass. This little girl's grown up by now," she said. Almost. Not quite. I wish you all a long and happy life.

14. Muddy Road Tanzan and Ekido were once traveling together down a muddy road. A heavy rain was still falling. Coming around a bend, they met a lovely girl in a silk kimono and sash, unble to cross the intersection. "Come on, girl," said Tanzan at once. Lifting her in his arms, he carriedher over the mud. Ekido did not speak again until that night when they reached a lodging temple. Then he could no longer restrain himself. "We monks don't go near females," he told Tanzan, "especially not young and lovely ones. It is dangerous. Why did you do that?" "I left the girl there," said Tanzan. "Are you still carrying her?

And soon we were just rolling around on the ground, cursing and screeching and ripping out handfuls of hair. Without super hearing, I wouldn't have heard Zeb whisper, "This is the coolest thing I have ever seen." "Maybe they'll get muddy," Dick said. "Please, Lord, let them get muddy.

The sweet roll smelled divine, and I thanked him, prancing my way back to Mal and feeling quite pleased with myself. He grabbed my arm and pulled me down a muddy walkway between two houses. “What do you think you’re doing?” “Nobody saw me. He just thought I was another peasant girl.” “We can’t take risks like that.” “So you don’t want a bite?” He hesitated. “I didn’t say that.” “I was going to give you a bite, but since you don’t want one, I’ll just have to eat the whole thing myself.” Mal grabbed for the roll, but I danced out of reach, dodging left and right, away from his hands. I could see his surprise, and I loved it. I wasn’t the same clumsy girl he remembered. “You are a brat,” he growled and took another swipe. “Ah, but I’m a brat with a sweet roll.

I've been a Christian since I was a little girl. But my Christianity is a muddy mess of thoughts and opinions and making God into what works for me-like going shopping at the mall and picking out whatever I want, putting together faith like I would an outfit. Somehow I don't think the Creator, the I AM, the savior of the world is something we can mix and match to out liking.

Camus and Henry waved to me from that muddy truck. They both wanted me to get over myself. So, this was me, getting over myself. And it was about time.

We have more patience for girls who act like boys than boys who act like girls. A tomboy is considered cute. One day she’ll shuck her muddy jeans and put on a dress, and everyone will gasp at her beauty. They’ll all laugh about her tree-climbing, frog-catching days. But there’s no such tolerance for the boy who puts on a dress, who wants a toy kitchen or a baby doll to love. Jung would say that this is because, even culturally, our anima is repressed, hated, derided. We hate our female selves. A boyish girl is perfectly acceptable. A girlish boy? Not so much. In certain places, you’d get your ass kicked, find yourself "gay-bashed." You might even get yourself killed. That's how much we hate our anima.

The girl, who was thirteen, had been found mutilated and frozen into the muddy earth. This had

I was deluded, and I knew it. Worse: my love for Pippa was muddied-up below the waterline with my mother, with my mother's death, with losing my mother and not being able to get her back. All that blind, infantile hunger to save and be saved, to repeat the past and make it different, had somehow attached itself, ravenously, to her. There was an instability in it, a sickness. I was seeing things that weren't there. I was only one step away from some trailer park loner stalking a girl he'd spotted in the mall. For the truth of it was: Pippa and I saw each other maybe twice a year; we e-mailed and texted, though with no great regularity; when she was in town we loaned each other books and went to the movies; we were friends; nothing more. My hopes for a relationship with her were wholly unreal, whereas my ongoing misery, and frustration, were an all-too-horrible reality. Was groundless, hopeless, unrequited obsession any way to waste the rest of my life?

I’m torn, between the Wards and the Singhs and what’s right. I don’t even know what’s right any more – everything is so muddied. I’m not sure I’m the good girl I once thought I was. I’ve lost her along the way.

When fathers struggle with being authentic, they leave muddy footprints on little girls' hearts.

Those clothes are Susie's,' my father said calmly when he reached him. Buckley looked down at my blackwatch dress that he held in his hand. My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked. I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red. Why can't I use them?' he asked. It landed in my father's back like a fist. Why can't I use those clothes to stake my tomatoes?' My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?' You have to choose. It's not fair,' my brother said. Buck?' My father held my clothes against his chest. I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death. I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?' Is Keesha a girl at school?' Yes!' My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility. I'm sorry. When did this happen?' That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot. Buck, stop!' my father cried. My brother turned. You don't get it, Dad,' he said. I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.' ... You act like she was yours only!' Tell me what you want to say. What's this about your friend Keesha's dad?' Put the clothes down.' My father laid them gently on the ground. It isn't about Keesha's dad.' Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.' She's dead.' It never ceased to hurt. 'I know that.' But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.' She will,' my father said. But what about us?' Who?' Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.' Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said. I didn't say anything.' Let go. Let go. Let go. I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go. My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him. Dad?' Son.' There was a quaver in his voice and a grasping outward toward my brother. I'll get Grandma.' And Buckley ran. My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.

Two monks were once travelling together down a wet and muddy road. The rain was torrential, making it almost impossible to walk along the path. As the two men were trudging along, a beautiful girl dressed in silk appeared. She was unable to cross the path and looked distressed. “Let me help you”, said the older monk. He picked her up and carried her over the mud. His younger male companion did not utter a word that night until they reached their lodging temple. Then after hours of restrained conversation, the younger monk exclaimed: “We monks do not touch females; it is too tempting for us and can create a bad outcome”. The older monk looked into the younger monks eyes and said, “I left the girl on the road. Are you still carrying her?” This ancient Zen story illustrates beautifully how so many of us are trapped in the habit of constantly “re-living” the past in our minds, thus dishonouring the present moment. The young monk wasted hours distressing himself with judgment, speculation, anxiety, resentment and ultimately self-perpetuated unhappiness as a direct result of not being mindful.

A dvorovoi is a dooryard-spirit, rarer than a domovoi, less understood and sometimes vicious. This one peeled softly out of the starlight and the muddy earth, looking like a heap of filthy snow, faint as all the chyerti in Moscow were faint. Vasya

But what if I do live? What if we win? What then?" He parted the bottle's mouth from his. "What then? Ah." He smiled beatifically. "Then the world goes on, my friend. Children run down muddy streets. Dogs bark at passing carts. Friends sit and drink brandy together." "Doesn't sound much different from what we have," I observed sourly. "To go through all this and make no difference at all." "Yes." He agreed beatifically. His eyes filled with tears. "Not much different from the wondrous and amazing world we have now. Boys falling in love with girls that aren't right for them. Wolves hunting on the snowy plains. And time. Endless time unwinding for all of us. And the dragons, of course. Dragons sliding across the sky like beautiful jewelled ships.

Don’t think they have them in New York City.” She laughed. I didn’t mind. “We get lobsters, though. They can hurt you.” “Can you keep one? I mean, you can’t keep a lobster like a pet or anything, right?” She laughed again. “No. You eat them.” “You can’t keep a crayfish either. They die. One day or maybe two, tops. I hear people eat them too, though.” “Really?” “Yeah. Some do. In Louisiana or Florida or someplace.” We looked down into the can. “I don’t know,” she said, smiling. “There’s not a whole lot to eat down there.” “Let’s get some big ones.” We lay across the Rock side by side. I took the can and slipped both arms down into the brook. The trick was to turn the stones one at a time, slowly so as not to muddy the water, then have the can there

I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.

Our princess moaned and wept. Her tears fell on the elder-stump, and it was quite moved, for it was the Marsh King himself, who lives in the quagmire. I saw the stump turn itself, so it wasn’t only a trunk, for it put out long, muddy boughs like arms. Then the unhappy girl was frightened, ans sprang aside into the quivering marsh, which will not bear me, much less her. In at once she sank, and down with her went the elder-stump - it was he who pulled her down. Then a few big black bubbles, and no trace of her left. She is engulfed in the marsh, and will never return to Egypt with her flower…

Perhaps your better age is finally past it, reader, but my society—despite our neuter efforts—still shoves gender down our throats, imbibed in toddlerhood when a child whom the adults label ‘girl’ gets chided just a little more for getting her nice clothes muddy than a child we see as ‘boy’ and associate with snails and muddy puppy tails.

I was deluded, and I knew it. Worse: my love for Pippa was muddied-up below the waterline with my mother, with my mother’s death, with losing my mother and not being able to get her back. All that blind, infantile hunger to save and be saved, to repeat the past and make it different, had somehow attached itself, ravenously, to her. There was an instability in it, a sickness. I was seeing things that weren’t there. I was only one step away from some trailer park loner stalking a girl he’d spotted in the mall.

I couldn't ever forget the Big Muddy,' Rose said. Mama said she probably wouldn't either. 'But small, everyday things are easy to forget,' she said. 'You will want to remember those things. Life will be changed when you are grown, just the way life has changed since I was a little girl. The wild prairie is tamed now. Big cities are lit by electrified lamps. People can even visit each other from miles apart, simply by talking into a box. The only way to measure our progress is to read about what this country used to be.

Days after the Vignes twins left Mallard, the river flooded, turning all the roads to muck. If they’d waited a day longer, the storm would’ve flushed them out. If not rain, then the mud. They would’ve trudged halfway down Partridge Road, then thought, forget it. They weren’t tough girls. Wouldn’t have lasted five miles down a muddy country road—they would’ve returned home, drenched, and fallen asleep in their beds, Desiree admitting that she’d been impulsive, Stella that she was only being loyal. But it didn’t rain that night. The sky was clear when the twins left home without looking back.

If these girls sold into prostitution had remained in the countryside, they would have gone their whole lives not knowing how to write, never straining to find words to express the beauty of flowers. They would have led lives where flowers were flowers, birds were birds, trees were trees, and that was that. It was a world without flaws but lacking in subtlety, taste, and suggestion. They would have worn rustic clothes and crawled around in muddy rice paddies, working up a seat, till they reached the end of their lives as stooped old women. If there was any benefit in becoming a prostitute, it was only the possibility of becoming literate and discovering the power of words.

Flowers, you who end in close affinity to the arrangers’ hands (Hands of girls then, hands of girls now), You who cover the garden table from end to end, Grown weak, gently injured, Waiting for water which revives you once more From a death already commenced - and now Again taken up between the opposing, sorting Fingers and their feeling of you, and which can so well Show you favour, give ease more than you had imagined, As you recover yourselves in a jug, Cooling slowly, and the ardour of the girls like confessions Given up by you, seeping forth like muddy and tiresome sins You committed by being plucked, - these are another tie between you, So joined in alliance by both your blossomings.

Never play the princess when you can be the queen: rule the kingdom, swing a scepter, wear a crown of gold. Don’t dance in glass slippers, crystal carving up your toes -- be a barefoot Amazon instead, for those shoes will surely shatter on your feet. Never wear only pink when you can strut in crimson red, sweat in heather grey, and shimmer in sky blue, claim the golden sun upon your hair. Colors are for everyone, boys and girls, men and women -- be a verdant garden, the landscape of Versailles, not a pale primrose blindly pushed aside. Chase green dragons and one-eyed zombies, fierce and fiery toothy monsters, not merely lazy butterflies, sweet and slow on summer days. For you can tame the most brutish beasts with your wily wits and charm, and lizard scales feel just as smooth as gossamer insect wings. Tramp muddy through the house in a purple tutu and cowboy boots. Have a tea party in your overalls. Build a fort of birch branches, a zoo of Legos, a rocketship of Queen Anne chairs and coverlets, first stop on the moon. Dream of dinosaurs and baby dolls, bold brontosaurus and bookish Belle, not Barbie on the runway or Disney damsels in distress -- you are much too strong to play the simpering waif. Don a baseball cap, dance with Daddy, paint your toenails, climb a cottonwood. Learn to speak with both your mind and heart. For the ground beneath will hold you, dear -- know that you are free. And never grow a wishbone, daughter, where your backbone ought to be.

The girl was staring at the muddy river as if it were sweeping away her memories. Corso saw her smile, thoughtfully, absently. "I never knew an impartial god. Or devil." She turned to him suddenly - her earlier thoughts seemed to have washed downstream. "Do you believe in the Devil, Corso?" He looked at her intently, but the river had also swept away the images that had filled her eyes seconds before. All he could see there now was liquid green, and light. “I believe in stupidity and ignorance.” He smiled wearily at the girl. They had continued walking and were now on the wooden boards of the Pont des Arts. The girl stopped and leaned on the metal rail, by a street artist selling tiny water colours.” "I like this bridge," she said. "No cars. Only lovers, and old ladies in hats. People with nothing to do. This bridge has absolutely no common sense.

I took the Washington bus; wasted some time there wandering around; went out of my way to see the Blue Ridge, heard the bird of Shenandoah and visited Stonewall Jackson’s grave; at dusk stood expectorating in the Kanawha River and walked the hillbilly night of Charleston, West Virginia; at midnight Ashland, Kentucky, and a lonely girl under the marquee of a closed-up show. The dark and mysterious Ohio, and Cincinnati at dawn. Then Indiana fields again, and St. Louis as ever in its great valley clouds of afternoon. The muddy cobbles and the Montana logs, the broken steamboats, the ancient signs, the grass and the ropes by the river. The endless poem. By night Missouri, Kansas fields, Kansas night-cows in the secret wides, crackerbox towns with a sea for the end of every street; dawn in Abilene. East Kansas grasses become West Kansas rangelands that climb up to the hill of the Western night.

A while back a young woman from another state came to live with some of her relatives in the Salt Lake City area for a few weeks. On her first Sunday she came to church dressed in a simple, nice blouse and knee-length skirt set off with a light, button-up sweater. She wore hose and dress shoes, and her hair was combed simply but with care. Her overall appearance created an impression of youthful grace. Unfortunately, she immediately felt out of place. It seemed like all the other young women her age or near her age were dressed in casual skirts, some rather distant from the knee; tight T-shirt-like tops that barely met the top of their skirts at the waist (some bare instead of barely); no socks or stockings; and clunky sneakers or flip-flops. One would have hoped that seeing the new girl, the other girls would have realized how inappropriate their manner of dress was for a chapel and for the Sabbath day and immediately changed for the better. Sad to say, however, they did not, and it was the visitor who, in order to fit in, adopted the fashion (if you can call it that) of her host ward. It is troubling to see this growing trend that is not limited to young women but extends to older women, to men, and to young men as well. . . . I was shocked to see what the people of this other congregation wore to church. There was not a suit or tie among the men. They appeared to have come from or to be on their way to the golf course. It was hard to spot a woman wearing a dress or anything other than very casual pants or even shorts. Had I not known that they were coming to the school for church meetings, I would have assumed that there was some kind of sporting event taking place. The dress of our ward members compared very favorably to this bad example, but I am beginning to think that we are no longer quite so different as more and more we seem to slide toward that lower standard. We used to use the phrase “Sunday best.” People understood that to mean the nicest clothes they had. The specific clothing would vary according to different cultures and economic circumstances, but it would be their best. It is an affront to God to come into His house, especially on His holy day, not groomed and dressed in the most careful and modest manner that our circumstances permit. Where a poor member from the hills of Peru must ford a river to get to church, the Lord surely will not be offended by the stain of muddy water on his white shirt. But how can God not be pained at the sight of one who, with all the clothes he needs and more and with easy access to the chapel, nevertheless appears in church in rumpled cargo pants and a T-shirt? Ironically, it has been my experience as I travel around the world that members of the Church with the least means somehow find a way to arrive at Sabbath meetings neatly dressed in clean, nice clothes, the best they have, while those who have more than enough are the ones who may appear in casual, even slovenly clothing. Some say dress and hair don’t matter—it’s what’s inside that counts. I believe that truly it is what’s inside a person that counts, but that’s what worries me. Casual dress at holy places and events is a message about what is inside a person. It may be pride or rebellion or something else, but at a minimum it says, “I don’t get it. I don’t understand the difference between the sacred and the profane.” In that condition they are easily drawn away from the Lord. They do not appreciate the value of what they have. I worry about them. Unless they can gain some understanding and capture some feeling for sacred things, they are at risk of eventually losing all that matters most. You are Saints of the great latter-day dispensation—look the part.

In Sri Lanka, the people you lived amongst, the people you went to school with, the people in whose houses you ate, whose jokes you shared: these were not the people you married. Quite possibly they were not your religion. More to the point they were probably not your caste. This word with its fearsome connotations was never, hardly ever used. But it was ever present: it muddied the waters of Sri Lanka's politics, it perfumed the air of her bed-chambers; it lurked, like a particularly noxious relative, behind the poruwa of every wedding ceremony. It was the c-word. People used its synonym, its acronym, its antonym-indeed any other nym that came to mind - in the vain hope its meaning would somehow go away. It didn't. But if the people you chose to associate with were the very ones you could not marry, then the ones you did marry were quite often people you wouldn't dream of associating with if you had any choice in the matter.

Almost Out Of The Sky" Almost out of the sky, half of the moon anchors between two mountains. Turning, wandering night, the digger of eyes. Let’s see how many stars are smashed in the pool. It makes a cross of mourning between my eyes, and runs away. Forge of blue metals, nights of stilled combats, my heart revolves like a crazy wheel. Girl who have come from so far, been brought from so far, sometimes your glance flashes out under the sky. Rumbling, storm, cyclone of fury, you cross above my heart without stopping. Wind from the tombs carries off, wrecks, scatters your sleepy root. The big trees on the other side of her, unprooted. But you, cloudless girl, question of smoke, corn tassel. You were what the wind was making with illuminated leaves. Behind the nocturnal mountains, white lily of conflagration, ah, I can say nothing! You were made of everything. Longing that sliced my breast into pieces, it is time to take another road, on which she does not smile. Storm that buries the bells, muddy swirl of torments, why touch her now, why make her sad. Oh to follow the road that leads away from everything, without anguish, death, winter waiting along it with their eyes open through the dew

The girls seemed unconcerned and went about their days, each as lovely in their own way as the flowers they tended. Sorrel's black hair became streaked with premature white, which gave her an exotic air, although the elegance was somewhat ruined by the muddy jeans and shorts she practically lived in. Nettie, on the other hand, had a head of baby-fine blonde hair that she wore short, thinking, wrongly, that it would look less childlike. Nettie wouldn't dream of being caught in dirty jeans and was always crisply turned out in khaki capris or a skirt and a white shirt. She considered her legs to be her finest feature. She was not wrong. Patience was the sole Sparrow redhead, although her hair had deepened from its childhood ginger and was now closer to the color of a chestnut. It was heavy and glossy as a horse's mane, and she paid absolutely no attention to it or to much else about her appearance, nor did she have to. In the summer her wide-legged linen trousers and cut-off shorts were speckled with dirt and greenery, her camisoles tatty and damp. The broad-brimmed hat she wore to pick was most often dangling from a cord down her back. As a result, the freckles that feathered across her shoulders and chest were the color of caramel and resistant to her own buttermilk lotion (Nettie smoothed it on Patience whenever she could make her stand still). When it was terribly hot, Patience wore the sundresses she'd found packed away in the attic. She knew they were her mother's, and she liked to imagine how happy Honor had been in them.

When I was a child, my father forbade me to read science fiction or fantasy. Trash of the highest order, he said. He didn't want me muddying up my young, impressionable mind with crap. If it wasn't worthy of being reviewed in the Times, it did not make it onto our bookshelves. So while my classmates gleefully dove into The Lion, the Witch and the Wardrobe, A Wrinkle in Time, and The Borrowers, I was stuck reading Old Yeller. My saving grace- I was the most popular girl in my class. That's not saying much; it was easy to be popular at that age. All you had to do was wear your hair in French braids, tell your friends your parents let you drink grape soda every night at dinner, and take any dare. I stood in a bucket of hot water for five minutes without having to pee. I ate four New York System wieners (with onions) in one sitting. I cut my own bangs and- bam!- I was queen of the class. As a result I was invited on sleepovers practically every weekend, and it was there that I cheated. I skipped the séances and the Ouija board. I crept into my sleeping bag with a flashlight, zipped it up tight, and pored through those contraband books. I fell into Narnia. I tessered with Meg and Charles Wallace; I lived under the floorboards with Arrietty and Pod. I think it was precisely because those books were forbidden that they lived on in me long past the time that they should have. For whatever reason, I didn't outgrow them. I was constantly on the lookout for the secret portal, the unmarked door that would lead me to another world. I never thought I would actually find it.

It was a feeling that I could be a little different from everyone else of my age, and that, if pushed, I could battle against the forces of nature and prevail. Adventure felt the most natural thing in the world, and it was where I came alive. It is what made me feel, for the first time, really myself. As I got older and the rest of my world got more complicated and unnatural, I sought more and more the identity and wholeness that adventure gave me. In short, when I was wet, muddy, and cold, I felt like a million dollars, and when I was with the lads, with everyone desperately trying to be “cool,” I felt more awkward and unsure of myself. I could do mud, but trying to be cool was never a success. So I learned to love the former and shy away from the latter. (Although I gave “cool” a brief, good go as a young teenager, buying winklepicker boots and listening to heavy metal records all through one long winter, both of which were wholly unsatisfying, and subsequently dropped as “boring.”) Instead, I would often dress up in my “worst” (aka my best) and dirtiest clothes, stand under the hosepipe in the garden, get soaking wet--in December--and then go off for a run on my own in the hills. The locals thought me a bit bonkers, but my dog loved it, and I loved it. It felt wild, and it was a feeling that captured me more and more. Once, I returned from one such run caked in mud and ran past a girl I quite fancied. I wondered if she might like the muddy look. It was at least original, I thought. Instead, she crossed the road very quickly, looking at me as if I were just weird. It took me a while to begin to learn that girls don’t always like people who are totally scruffy and covered in mud. And what I considered natural, raw, and wild didn’t necessarily equal sexy. Lesson still in progress.

I guess I’m left with only one option.” She spun out of the kitchen into the pantry. “I’ll have to be the one to go and get her.” She stomped toward the back door and banged it open. As she rushed outside, a gust of wind slapped her cheeks. “Where are you going?” Connell caught the door before it slammed shut, and he followed her outside. A hill of dark clouds had pushed in with the growing darkness. She pulled her coat tighter and started toward the front of the hotel, trying to ignore the long shadows of the evening that reached out to haunt her. “I’m heading to the Stockade to see if Frankie’s there.” “You can’t go up there by yourself,” he called after her. “I’m certain God would want me to do whatever I can to rescue the girl, even if it means going by myself.” She picked up her pace, and her boots sloshed through the muddy snow that remained after the past week. She made it only a half a dozen more steps before Connell’s hand gripped her upper arm and dragged her to a stop. “I won’t let you go.” He spun her around so that she had no choice but to face him. “How dare you? What right do you have to stop me?” She jerked her arm and tried to break away. But his hold didn’t budge. “I probably don’t have any right to stop you.” She tugged again, this time harder. “Then leave me alone.” He wavered, almost as if he would let her go, but then with a growl he yanked her against his body. The strength of his grip held her captive. But the hard width of his chest against hers and the nearness of his face—only inches away—held her in greater captivity. For a long moment she couldn’t breathe, couldn’t move, couldn’t think. The crashing thud of her heartbeat and the soft rasp of his breath filled the space between them. His gaze lingered upon her cheek, her chin, her other cheek before moving to her lips. Spring butterflies awakened in her stomach, and she couldn’t keep from studying his mouth, so close, so warm, so firm. But the boldness of such an inspection sent embarrassed heat through her, making her want to duck her head. “Lily,” he whispered. His eyes turned into a forest at midnight. “I just don’t want anything to happen to you. I can’t let you go up to the Stockade. It’s too dangerous.

Yes, we were good at using the grapevine. But what we were best at, what we were really the kings of, that was buses and sitting around in bedrooms. No one could beat us at that. None of this led anywhere. Well, we probably weren’t very good at doing things that led somewhere. We didn’t have particularly good conversations, no one could say we did, the few topics we had developed so slowly we ourselves assumed they had nowhere to go; not one of us was a brilliant guitarist, although that is what we would have loved to be, more than anything else, and as far as girls were concerned, it was rare we came across one who wouldn’t object if we pulled up her jumper so that we could lower our heads and kiss her nipples. These were great moments. They were luminous shafts of grace in our world of yellowing grass, grey muddy ditches and dusty country roads. Yes, that was how it was for me. I assumed it was the same for him. What was this all about? Why did we live like this? Were we waiting for something? In which case, how did we manage to be so patient? For nothing ever happened! Nothing happened! It was always the same. Day in, day out! Wind and rain, sleet and snow, sun and storm, we did the same. We heard something on the grapevine, went there, came back, sat in his bedroom, heard something else, went by bus, bike, on foot, sat in someone’s bedroom. In the summer we went swimming. That was it. What was it all about? We were friends, there was no more than that. And the waiting, that was life.

there are clear reasons that boys might continue to disengage and that necessary adjustments are not made. • Boys and girls in class together may elicit different and even contradictory teacher responses, resulting in muddy, only partially successful lessons. • State- or school-mandated protocols may not allow teachers flexibility to adjust their teaching to more effective practices. • There may be insufficient openness on the part of teachers or whole schools to examine actual student-teacher dynamics. • Teachers may lack the empathy or the openness to consider the variety of student responses and instead proceed according to a prescribed method or an eccentrically established personal approach. • Other conditions bearing on students’ lives—troubled homes or a lack of physical or emotional safety—may make their engagement in scholastic activity impossible.

The following images for the remaining terms should then be bound in some way to our Mnemonic Unit Nexus (MUN). The next terms to be remembered, and their associated MUs, are: Nucleus – N,C,L – A naked woman, holding cash and covering her privates with leaves Mitochondria –M,I,C – A monkey, frozen in ice, being choked. Golgi Apparatus – G,O, A,P – A little girl with an owl on her right arm, and apple in her left hand, and being patted on the head. Endoplasmic Reticulum – E,D,P,L, R,T,C,U – An Executive, holding a dog, and, wearing no pants, with lash marks on his legs. He is riding a Rhino made of titanium that is standing on a pile of cash and is holding an umbrella for the executives. Smooth Endoplasmic Reticulum, S,M,E,D,P,R,T,C,U – A muddy shovel in the hand of an identical EDPL as shown in the previous image, also riding on the rhino. Thus, on the Rhino, there are seated two EDPLs. Lysosomes – L,I,S,O – A lion, playing a silver guitar, opening a door. Plasma Membrane – P,L,M,B – A priest holding a light bulb in his right hand and a mirror in his left while standing on a pile of bricks. DNA –D,N,A – A dinosaur Cytosol – S,I,T,O – A snake, wearing a tie, with its back end wrapped around a flute and with an orange in its mouth.

For years Mouchette had felt herself a stranger amongst hte villagers, dark and hairy like goats, whom she hated so much. Even while they were still young they ran to unhealthy fat. Their nerves were poisoned by the coffee they drank all day in their stinking cafés, and it finally started to colour their skin. She was not aware of despising anyone because, in her innocence, this seemed outside of her capabilities and she thought no more of it than she did of the other more material characteristics which the rich and the powerful reserve for themselves. Indeed, she would have been amazed if anyone told her that she despised Madame. She simply saw herself as a rebel against an order which the schoolmistress typified. When Madame told her from time to time that she was no good, she never contradicted her. She was no more ashamed of that than she was of her rags. For a long time she had delighted in a savage indifference to the disdainful comments of the other girls and the mockery of the boys. Often on a Sunday morning, when her mother sent her to the village for the week's bacon, she deliberately let herself get muddy on the road and reached the square just as people were coming out of Mass. And yet, suddenly, something had happened. . . . He blew on the coal for a few moments longer and then dropped it at his feet. Their eyes met. She would have liked him to understand her feelings, of which she was at the moment only aware of the shock, like the sting of raw spirits on her palate. She could give no name to that shock. What had it in common with what people called love and the actions she had seen? All she could do was to shine the light steadily on his wounded hand.

My pulse thunders in my ears. It feels like my heart’s rattling my ribs loose, it’s pounding so violently inside my chest. If he touches me any further, I won’t be strong enough to resist Ren anymore. I’ll throw myself at him, beg him to give me everything for just a little while. To give me for now until he can have forever with her. Her. God, my blood boils, and a kick of anger surges through my veins. I hate her. I’m wildly jealous of this woman, who I can only assume is entirely, completely worthy of him. And I know, I trust that she is, because I trust Ren. He’s measured and thoughtful. He has his head screwed on straight. He values the right things. She’s probably an understated beauty, because Ren’s too wholesome to need a knockout—he only asks for beauty from within. She’s one of those rescue-shelter volunteers who bakes perfectly circular chocolate chip cookies and makes friends with all the grandmas on the block. She wants three kids—two boys and a girl—and she loves to scrapbook. She also reads those criminally sex-free romances and is the least erotically adventurous woman on the planet— Whoa, there, Francesca. Getting a little nasty, aren’t we? Well, yes. My thoughts have turned uncharitable. That’s my jealousy talking. That’s my covetous envy. A fierce possessiveness for someone I have no right to. An unwarranted, unfair animosity toward a woman I should be happy for. “I want to apologize, Frankie. About last night.” I spin, tugged out of my thoughts. “What?” Ren frowns up at me from his crouched position, petting Pazza. “I don’t remember everything, because that headache was…unearthly painful, and I’d taken one of the pills for it that Amy prescribed me, but I have a vague memory of being very into hand holding.” Heat rushes through me as I bite my lip. God, you’d think we’d made out, the way thinking of it affects me. “You were.” He grimaces. “It was unprofessional of me. I’m sorry.” His face transforms to a wide smile as Pazza licks his face, perching her muddy paws on his knees. “Pazza, down.” My voice is sharp, and she drops immediately, jogging over to me. Ren slowly stands with a look of wariness on his face. “What’s the matter?” “Nothing. Just Pazza. Sh-she’ll ruin your slacks.” I point at the grass and mud staining his knees. He smiles and shrugs. “I don’t care, Frankie. I can do my laundry. I’m a spot-treating wizard, actually.” “Of course, you are.” I can’t get a stain out of my clothes to save my life. Why do all these little things about him add up to something so perfectly right to me? Why does he have to be so wonderful? Why do I have to be so fucked up?

For what manner of decent, upright man could possibly have wanted the arm bone of a poor drowned girl and her long, muddy, golden hair?

The inability or rather unwillingness of the human mind to let go of the past is beautifully illustrated in the story of two Zen monks, Tanzan and Ekido, who were walking along a country road that had become extremely muddy after heavy rains. Near a village, they came upon a young woman who was trying to cross the road, but the mud was so deep it would have ruined the silk kimono she was wearing. Tanzan at once picked her up and carried her to the other side. The monks walked on in silence. Five hours later, as they were approaching the lodging temple, Ekido couldn’t restrain himself any longer. “Why did you carry that girl across the road?” he asked. “We monks are not supposed to do things like that.” “I put the girl down hours ago,” said Tanzan. “Are you still carrying her?

We have more patience for girls who act like boys than boys who act like girls. A tomboy is considered cute. One day she’ll shuck her muddy jeans and put on a dress, and everyone will gasp at her beauty. They’ll all laugh about her tree-climbing, frog-catching days. But there’s no such tolerance for the boy who puts on a dress, who wants a toy kitchen or a baby doll to love.

of Ford pickups? And the poop those things must’ve dropped…Okay, I’ll stop.) Aphrodite kept getting distracted by sales at the mall, or cute guys, or the shiny jewelry and dresses that the mortal girls were wearing this season. Meanwhile, Psyche kept trudging along, searching for her husband in all the most remote shrines, temples, and LA Fitness Centers. By this point, her pregnant belly was starting to show. Her clothes were torn and muddy. Her shoes were falling apart. She was constantly hungry and thirsty, but she would not give up. One day she was roaming through the mountains of northern Greece when she

Your friends have made you weak. Did they teach you how to cry like a babe at her mammy's side? Stranders don't cry, Maraly." "I'm not a Strander," she said, looking him in the eye. "Then I'll have to MAKE you one," Claxton barked. "You've got my blood in yer veins, girl, and nothin' can change that. You've got MY name written in yer bones, Maraly Weaver. You can go take yer bath and eat yer fancy food and giggle with yer friend, but you'll always know deep down that you were born in the mud of the Strand, along with the mud of the Blapp, and once that mud gets on you, NOTHIN' ever gets it off." Claxton seemed to know Maraly's deepest fear and was speaking it aloud. She had lain awake at night, fighting to believe that Gammon's fatherly love was real, that the change she had been feeling--the lightening of heart and the almost painful flashes of joy--was more than a silly girlish notion. She thought back to the day of the Battle of Kimera, when Gammon had looked her in the eye and held out his hand and asked if she would let him care for her. Even then something had bubbled up in the dry well of her soul, and over these last months she had felt that spring slowly fill her. With the coming of the warmer sun she had finally allowed herself to believe that the water was pure enough to drink--but every word Claxton spewed poisoned the water, darkened it, muddied it like the Mighty Blapp, and now she felt herself drowning in it. "I'm going to give you one last chance, girl. Either Claxton is yer father or Gammon is. Only one of those names is true to your nature. Answer carefully now. Who's your father?" Maraly shook her head and wept. She wished the Fangs would appear, or more Stranders--she had given up on wishing for Gammon. That sort of thing only happened in storybooks. "WHO'S YOUR FATHER?" Claxton bellowed. He struck her in the mouth. "You're a Strander down to the bone, girl! Who's your father? What do you think runs thicker than blood in your veins?" Maraly mumbled. "What?" Claxton shouted, clenching her throat tighter. She blinked through her tears and took a trembling breath, then looked him in the eye as fiercely as she could manage. "Love." "Love," Claxton sputtered. He snorted with laughter. Maraly sniffled and said, "Love runs stronger than blood. Deeper than any name you could give me." "You worthless dog," Claxton spat. He balled his fingers into a fist and reared back to strike. Maraly smiled through her tears. She knew she had chosen well, because she had BEEN chosen. She believed in her heart that Gammon was even now fighting to find her, that his affection was more real than the hand that gripped her throat and the first that was about to pound her. She closed her eyes and waited for the pain. But Claxton's blow never fell. He gasped and made a choking sound, and his grip on her neck loosened. Maraly crumpled to the ground, looking up at Claxton in confusion. He staggered backward and spun around, and she saw a knife in his back, buried to the hilt. "Maker help you, boy," said [Nurgabog's] thin, quavering voice. "Maker help me too.

Your friends have made you weak. Did they teach you how to cry like a babe at her mammy's side? Stranders don't cry, Maraly." "I'm not a Strander," she said, looking him in the eye. "Then I'll have to MAKE you one," Claxton barked. "You've got my blood in yer veins, girl, and nothin' can change that. You've got MY name written in yer bones, Maraly Weaver. You can go take yer bath and eat yer fancy food and giggle with yer friend, but you'll always know deep down that you were born in the mud of the Strand, along with the mud of the Blapp, and once that mud gets on you, NOTHIN' ever gets it off." Claxton seemed to know Maraly's deepest fear and was speaking it aloud. She had lain awake at night, fighting to believe that Gammon's fatherly love was real, that the change she had been feeling--the lightening of heart and the almost painful flashes of joy--was more than a silly girlish notion. She thought back to the day of the Battle of Kimera, when Gammon had looked her in the eye and held out his hand and asked if she would let him care for her. Even then something had bubbled up in the dry well of her soul, and over these last months she had felt that spring slowly fill her. With the coming of the warmer sun she had finally allowed herself to believe that the water was pure enough to drink--but every word Claxton spewed poisoned the water, darkened it, muddied it like the Mighty Blapp, and now she felt herself drowning in it. "I'm going to give you one last chance, girl. Either Claxton is yer father or Gammon is. Only one of those names is true to your nature. Answer carefully now. Who's your father?" Maraly shook her head and wept. She wished the Fangs would appear, or more Stranders--she had given up on wishing for Gammon. That sort of thing only happened in storybooks. "WHO'S YOUR FATHER?" Claxton bellowed. He struck her in the mouth. "You're a Strander down to the bone, girl! Who's your father? What do you think runs thicker than blood in your veins?" Maraly mumbled. "What?" Claxton shouted, clenching her throat tighter. She blinked through her tears and took a trembling breath, then looked him in the eye as fiercely as she could manage. "Love." "Love," Claxton sputtered. He snorted with laughter. Maraly sniffled and said, "Love runs stronger than blood. Deeper than any name you could give me." "You worthless dog," Claxton spat. He balled his fingers into a fist and reared back to strike. Maraly smiled through her tears. She knew she had chosen well, because she had BEEN chosen. She believed in her heart that Gammon was even now fighting to find her, that his affection was more real than the hand that gripped her throat and the first that was about to pound her. She closed her eyes and waited for the pain. But Claxton's blow never fell. He gasped and made a choking sound, and his grip on her neck loosened. Maraly crumpled to the ground, looking up at Claxton in confusion. He staggered backward and spun around, and she saw a knife in his back, buried to the hilt. "Maker help you, boy," said [Nurgabog's] thin, quavering voice. "Maker help me too.

No one now will ever fuck with me! I’m the ghost-friended badass who snuck into Mombie’s dressing room, I’m a preteen hellion who emits her own scent : the awesome stink of a girl who bites, the blood-muddied funk of the bramble cats! In Grandpa Hack’s Horror Mirrors each mirror shows you killed a different way, but no matter the mirror, no matter the wound, no matter stabbed all over, tractor-crushed, or drowned, I look wild and dirty always, a dirt bike gang’s kitten. Someone waiting to sink rabies into the steak of your neck.

14. Muddy Road Tanzan and Ekido were once traveling together down a muddy road. A heavy rain was still falling. Coming around a bend, they met a lovely girl in a silk kimono and sash, unable to cross the intersection. "Come on, girl" said Tanzan at once. Lifting her in his arms, he carried her over the mud. Ekido did not speak again until that night when they reached a lodging temple. Then he no longer could restrain himself. "We monks don't go near females," he told Tanzan, "especially not young and lovely ones. It is dangerous. Why did you do that?" "I left the girl there," said Tanzan. "Are you still carrying her?

sticking like thick tar. Her legs were frozen too, locked in the same muddy shackles.

There isn’t a whole lot more of that he can choke down, to be honest. The blonde one… Melanie. She’s test subject number one, for some reason, even though she was about the eleventh or the twelfth one he bagged. She scares the shit out of him, and he can’t explain why. Or maybe he can, and he doesn’t like to think about it. Certainly a part of it is that unfailing good-little-girl smarminess she’s got. An animal like that, even if it looks like a human being, should make meaningless sounds or no sounds at all. Hearing it talk just muddies the waters. But

Compared to that, the way for me has always been muddy. Growing up I confused everyone, including myself. I was ostracised, blamed for not looking or behaving as clearly girl or boy. How could I explain that it felt like I was elements of both, inextricably mixed? I ran from the questions, but more waited around every corner. When

red SUV skidded to a stop in front of me. A small line of muddy snow splattered past

First and foremost, we are not to be afraid. We are to banish every aspect of fear from our minds and not allow it to muddy our thinking.

Nice weather, huh,” Roslyn said, looking around. Dell glanced toward the gray overcast sky. A cold mist was falling, and the road was a muddy mess. He looked at a grinning Roslyn. “If you like depressing weather, then yes, it’s a beautiful morning.” “So you’re a hot, humid, sunny-kind-of-day guy?” She skirted a muddy puddle before keeping in step with him. “Guess so.” Dell shrugged, a half grin on his face. “I guess you’re a gloomy, soggy, cold-kind-of-day girl.” “Guess so.” She repeated his answer, then laughed. “Hey, there’s nothing wrong with these kinds of days every once in a while. It’s good cuddling weather with a good book or a television show. Plus, it’s hoodie weather, and I love hoodies.

A little white girl stares, holding her father's hand tightly. She has dewy eyes, round with wonder. as the Maxwell St. Bluesman voice sounds like the crackle of thunder. The Lost Culture of Maxwell Street

Her father had once told her that water has a memory; that every rock, every stone, every grain of muddy sediment leaves something of a fingerprint in the water that flows over it. Grace liked this idea, imagining the water of the great lakes and oceans of the world to echo with the memories of the places, people, and events it had passed on its journey.

XI. Almost Out Of The Sky" Almost out of the sky, half of the moon anchors between two mountains. Turning, wandering night, the digger of eyes. Let's see how many stars are smashed in the pool. It makes a cross of mourning between my eyes, and runs away. Forge of blue metals, nights of stilled combats, my heart revolves like a crazy wheel. Girl who have come from so far, been brought from so far, sometimes your glance flashes out under the sky. Rumbling, storm, syclone of fury, you cross above my heart without stopping. Wind from the tombs carries off, wrecks, scatters your sleepy root. The big trees on the other side of her, uprooted. But you, cloudless girl, question of smoke, corn tassel. You were what the wind was making with illuminated leaves. Behind the nocturnal mountains, white lily of conflagration, ah, I can say nothing! You were made of everything. Longing that sliced my breast into pieces, it is time to take another road, on which she does not smile. Storm that buried the bells, muddy swirl of torments, why touch her now, why make her sad. Oh to follow the road that leads away from everything, without anguish, death, winter waiting along it with their eyes open through the dew.

Her whole body was racing with heat, and she felt about two touches away from spontaneous combustion. She was seized by a fleeting impulse to run away; at the same time, she wished he would touch her forever. The costume, the posing, the mysterious alcohol that was dissolving her inhibitions. Cass felt wild and alive, even more so than she had the night they went to the brothels. That night she had been someone else, but tonight she was posing as herself, and she loved it. Falco stepped back to consider his work. “Almost perfect.” “Almost?” Cass pretended to pout. “I know.” Falco rooted around in the armoire and returned with something folded inside his hand. He held it up for Cass to see--a necklace made of shining amethyst. It reminded her of something, but she wasn’t sure what. Probably one of Mada’s thousand necklaces. That girl had more jewelry than the Doge’s entire family. Cass shivered as Falco clasped the necklace around her throat. The stones felt like ice against her neck. “All right. How about a demure look? A stretch for you, I know.” Cass widened her eyes and pursed her lips, just slightly. She tilted her head to the left. Falco shook his head. “You look like you’ve swallowed a bee. Forget shy. Let’s try something that comes a little more naturally. How about disdain?” Her eyebrows instantly went up. “I am not disdainful!” “Perfect.” He downed the rest of his muddy liquor. His brush began to flow across the canvas. Cass felt a charge of excitement, but tried her best not to smile. As she held her position, Falco painted in frantic bursts, pausing occasionally to move the lamps or adjust ringlets of her damp hair. Each time he stopped, she would beg to see the progress and he would shake his head and tell her she had to wait.

Then social mores had intervened. A distinct scene from junior high flushes vividly back. Girls sitting out of rotation volleyball in gym class stared at me all gap-mouthed when—of a rainy spring day—I spouted e. e. cummings. Through open green gym doors, sheets of rain erased the parking lot we normally stood staring at as if it were a refrigerator about to manifest food. The poem started: in Just-: spring when the world is mud- luscious… As I went on, Kitty Stanley sat cross-legged in black gym shorts and white blouse, peeling fuchsia polish off her thumbnail with a watchmaker’s precision. She was a mouth breather, Kitty, whose blond bouffant hairdo featured above her bangs a yarn bow the color of a kumquat. That it? Beverly said. Her black-lined gaze looked like an old-timey bandit mask. Indeed, I said. (This was my assholish T. S. Eliot stage circa ninth grade, when I peppered my speech with words I thought sounded British like indeed.) Is that a word, muddy delicious? Kitty said. Mud-luscious, I said. Not no real word, Beverly said, leaning back on both hands, legs crossed. I studied a volleyball arcing white across the gym ceiling and willed it to smash into Beverly’s freakishly round head. It’s squashing together luscious and lush and delicious, and all of it applied to spring mud. It’s poetic license, I said. I think it’s real smart how you learn every word so they come out any time you please, Kitty said. Beverly snorted. I get mud all over Bobby’s truck flaps, and believe you me, delicious don’t figure in. As insults go, it was weak, but Beverly’s facial expression—like she was smelling something—told me to put poetry right back where I’d drug it out from.

Out comes a gorgeous, fleshy wheel of foie gras, perched on its side like a monument grander than its actual two-inch height. Around it are its minions, smears of savory-sweet onion confit paste and garlic tendrils puffed like Rice Krispies. You slide your knife down, slowly at first. The wheel is murky, muddy, and before you know it, the knife is being sucked to the bottom of the plate as you watch the wheel unpeel from itself. Out spills a green liquid, as mesmerizing as lava. Go on, take a forkful. Drag the finest, smoothest foie into the absolute essence of pea. Pick up a few pieces from the pool of accents. And taste. Put your fork down and wonder: how could this dish seem so pure and elemental, and yet have a flavor so electric, so challenging? Bakushan, from the Japanese word bakku-shan. A girl who looks pretty from behind, but is ugly in the front. This dish is not ugly by any means, but it offers that bit of shock, that moment of fear and excitement when the girl turns around and shows you the truth.

As Faith took the life of the sparrow, Keeper threw back his head and howled, overcome by loss, as if Faith had been stolen from him once again. The sound sent shivers along her spine but she didn’t stop. Her blood was on fire. When she opened her eyes the bird was lifeless in the palm of her hand, and Keeper was gone. He was done with her. She was not the person that he had been attached to, the one he’d come to of his own accord, for a familiar can never be called, he must make his own choice, and Keeper had made the choice to leave her. Faith wrapped the bird in a bit of flannel cloth and placed it in the basket of herbs, then went to search for Keeper. There were muddy footprints that led past the lake where she had fed handfuls of bread to a huge eel, but when she searched the cliffs and caves, Keeper was nowhere to be found. Faith cried out for him, she whistled and clapped her hands; still there was no sign of the wolf. Her most loyal friend had deserted her, and for good reason. She was not the girl he knew. It is easy to become what your actions have made of you.