Muddy Dog Quotes

It was muddy from all the rain. A few gray wooden houses on both sides and one old, tired store lined the road. Two dark mangy stray dogs, shivering in the damp cold, wandered the street and a few crows sat in the dead trees, waiting for who knew what.

LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.

It is a temporal universal that people never appreciate their own time, especially transportation. Twentieth-Century contemps complained about cancelled flights and gasoline prices, Eighteenth-Century contemps complained about muddy roads and highwaymen. No doubt Professor Peddick’s Greeks complained about recalcitrant horses and chariot wheels falling off.

It is astonishing how much you can enjoy almost everything. There are few things more desirable than to be an accepter and an enjoyer. You can like and enjoy almost any kind of food or way of life. You can enjoy country life, dogs, muddy walks, towns, noise, people, clatter. In the one there is repose, ease for nerves, time for reading, knitting, embroidery, and the pleasure of growing things; in the other theatres, art galleries, good conerts, and seeing friends you would otherwise seldom see. I am happy to say that I can enjoy almost everything.

The mind is like a muddy road. Two ruts run down its center, from all the carts that have passed that way. No matter how many carts try to roll alongside the ruts, to stay out of the mud, sooner or later, a turn here or a jolt there will send them down into the ruts for good. Just so is the mind. As hard as we try to keep our thoughts out of the old ways, the old patterns, the old ruts, any little jog or jerk will send them right back down into the mud.

Yet complicated people were getting wet - not only the shepherds. For instance, the piano-tuner was sopping. So was the vicar's wife. So were the lieutenant and the peevish damsels in his Battlesden car. Gallantry, charity, and art pursued their various missions, perspiring and muddy, while out on the slopes beyond them stood the eternal man and the eternal dog, guarding eternal sheep until the world is vegetarian.

Contented speckled hens, industriously scratching for the rarely-found corn, may sometimes do more for a sick heart than a grove of nightingales; there is something irresistibly calming in the unsentimental cheeriness of top-knotted pullets, unpetted sheep-dogs, and patient cart-horses enjoying a drink of muddy water.

If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination. Artistic accounts include severe abbreviations of what reality will force upon us. A travel book may tell us, for example, that the narrator journeyed through the afternoon to reach the hill town of X and after a night in its medieval monastery awoke to a misty dawn. But we never simply 'journey through an afternoon'. We sit in a train. Lunch digests awkwardly within us. The seat cloth is grey. We look out the window at a field. We look back inside. A drum of anxieties resolves in our consciousness. We notice a luggage label affixed to a suitcase in a rack above the seats opposite. We tap a finger on the window ledge. A broken nail on an index finger catches a thread. It starts to rain. A drop wends a muddy path down the dust-coated window. We wonder where our ticket might be. We look back at the field. It continues to rain. At last, the train starts to move. It passes an iron bridge, after which it inexplicably stops. A fly lands on the window And still we may have reached the end only of the first minute of a comprehensive account of the events lurking within the deceptive sentence 'He journeyed through the afternoon'. A storyteller who provides us with such a profusion of details would rapidly grow maddening. Unfortunately, life itself often subscribes to this mode of storytelling, wearking us out with repetitions, misleading emphases[,] and inconsequential plot lines. It insists on showing us Burdak Electronics, the safety handle in the car, a stray dog, a Christmas card[,] and a fly that lands first on the rim and then the centre of a laden ashtray. Which explains the curious phenomenon whereby valuable elements may be easier to experience in art and in anticipation than in reality. The anticipatory and artistic imaginations omit and compress; they cut away the periods of boredom and direct our attention to critical moments, and thus, without either lying or embellishing, they lend to life a vividness and a coherence that it may lack in the distracting woolliness of the present.

If there is a place in heaven for Labrador Retrievers (and I trust there is or I won't go) it'll have to have a brook right smack in the middle - a brook with little thin shoals for wading and splashing; a brook with deep, still pools where they can throw themselves headlong from the bank; a brook with lots of small sticks floating that can be retrieved back to shore where they belong; a brook with muskrats and muskrat holes; a brook with green herons and wood ducks; a brook that is never twice the same with surprises that run and swim and fly; a brook that is cold enough to make the man with the dog run like the devil away from his shaking; a brook with a fine spot to get muddy and a sunny spot or two to get dry.

But what if I do live? What if we win? What then?" He parted the bottle's mouth from his. "What then? Ah." He smiled beatifically. "Then the world goes on, my friend. Children run down muddy streets. Dogs bark at passing carts. Friends sit and drink brandy together." "Doesn't sound much different from what we have," I observed sourly. "To go through all this and make no difference at all." "Yes." He agreed beatifically. His eyes filled with tears. "Not much different from the wondrous and amazing world we have now. Boys falling in love with girls that aren't right for them. Wolves hunting on the snowy plains. And time. Endless time unwinding for all of us. And the dragons, of course. Dragons sliding across the sky like beautiful jewelled ships.

Gallantry, charity, and art pursued their various missions, perspiring and muddy, while out on the slopes beyond them stood the eternal man and the eternal dog, guarding eternal sheep until the world is vegetarian.

Battered by shifing currents and a cold, unrelenting wind, we sailed past deserted islands crowded with pines and a ghost tree growing staight out of the water, its gaunt trunk and scrawny branches raised heavenward like an outcast pleading for his life. Now, having reached the north shore, we were doggedly searching for the hidden rivulet that would take us into The Peak. We were trapped in muddy water barbed with grasses and covered with thick green algae, which broke apart in clumps, then, after we'd edged through, resealed, erasing all signs of our passing. The wind had dissipated - strange, as it'd been so turbulent minutes ago out on the lake. Dense trees surrounded us, packed like hordes of stranded prisoners. There wasn't a single bird, not a scuttle through the branches, not a cry - as if everything alive had fled.

Dog Talk … I have seen Ben place his nose meticulously into the shallow dampness of a deer’s hoofprint and shut his eyes as if listening. But it is smell he is listening to. The wild, high music of smell, that we know so little about. Tonight Ben charges up the yard; Bear follows. They run into the field and are gone. A soft wind, like a belt of silk, wraps the house. I follow them to the end of the field where I hear the long-eared owl, at wood’s edge, in one of the tall pines. All night the owl will sit there inventing his catty racket, except when he opens pale wings and drifts moth-like over the grass. I have seen both dogs look up as the bird floats by, and I suppose the field mouse hears it too, in the pebble of his tiny heart. Though I hear nothing. Bear is small and white with a curly tail. He was meant to be idle and pretty but learned instead to love the world, and to romp roughly with the big dogs. The brotherliness of the two, Ben and Bear, increases with each year. They have their separate habits, their own favorite sleeping places, for example, yet each worries without letup if the other is missing. They both bark rapturously and in support of each other. They both sneeze to express plea- sure, and yawn in humorous admittance of embarrassment. In the car, when we are getting close to home and the smell of the ocean begins to surround them, they both sit bolt upright and hum. With what vigor and intention to please himself the little white dog flings himself into every puddle on the muddy road. Somethings are unchangeably wild, others are stolid tame. The tiger is wild, the coyote, and the owl. I am tame, you are tame. The wild things that have been altered, but only into a semblance of tameness, it is no real change. But the dog lives in both worlds. Ben is devoted, he hates the door between us, is afraid of separation. But he had, for a number of years, a dog friend to whom he was also loyal. Every day they and a few others gathered into a noisy gang, and some of their games were bloody. Dog is docile, and then forgets. Dog promises then forgets. Voices call him. Wolf faces appear in dreams. He finds himself running over incredible lush or barren stretches of land, nothing any of us has ever seen. Deep in the dream, his paws twitch, his lip lifts. The dreaming dog leaps through the underbrush, enters the earth through a narrow tunnel, and is home. The dog wakes and the disturbance in his eyes when you say his name is a recognizable cloud. How glad he is to see you, and he sneezes a little to tell you so. But ah! the falling-back, fading dream where he was almost there again, in the pure, rocky weather-ruled beginning. Where he was almost wild again, and knew nothing else but that life, no other possibility. A world of trees and dogs and the white moon, the nest, the breast, the heart-warming milk! The thick-mantled ferocity at the end of the tunnel, known as father, a warrior he himself would grow to be. …

He would have known or found out that the sewer-pipe running out of Cellblock 5 was the last one in Shawshank not hooked into the new waste-treatment plant, and he would have known it was do it by mid-1975 or do it never, because in August they were going to switch us over to the new waste-treatment plant, too. Five hundred yards. The length of five football fields. Just shy of half a mile. He crawled that distance, maybe with one of those small Penlites in his hand, maybe with nothing but a couple of books of matches. He crawled through foulness that I either can’t imagine or don’t want to imagine. Maybe the rats scattered in front of him, or maybe they went for him the way such animals sometimes will when they’ve had a chance to grow bold in the dark. He must have had just enough clearance at the shoulders to keep moving, and he probably had to shove himself through the places where the lengths of pipe were joined. If it had been me, the claustrophobia would have driven me mad a dozen times over. But he did it. At the far end of the pipe they found a set of muddy footprints leading out of the sluggish, polluted creek the pipe fed into. Two miles from there a search party found his prison uniform—that was a day later. The story broke big in the papers, as you might guess, but no one within a fifteen-mile radius of the prison stepped forward to report a stolen car, stolen clothes, or a naked man in the moonlight. There was not so much as a barking dog in a farmyard. He came out of the sewer-pipe and he disappeared like smoke. But I am betting he disappeared in the direction of Buxton.

It was a feeling that I could be a little different from everyone else of my age, and that, if pushed, I could battle against the forces of nature and prevail. Adventure felt the most natural thing in the world, and it was where I came alive. It is what made me feel, for the first time, really myself. As I got older and the rest of my world got more complicated and unnatural, I sought more and more the identity and wholeness that adventure gave me. In short, when I was wet, muddy, and cold, I felt like a million dollars, and when I was with the lads, with everyone desperately trying to be “cool,” I felt more awkward and unsure of myself. I could do mud, but trying to be cool was never a success. So I learned to love the former and shy away from the latter. (Although I gave “cool” a brief, good go as a young teenager, buying winklepicker boots and listening to heavy metal records all through one long winter, both of which were wholly unsatisfying, and subsequently dropped as “boring.”) Instead, I would often dress up in my “worst” (aka my best) and dirtiest clothes, stand under the hosepipe in the garden, get soaking wet--in December--and then go off for a run on my own in the hills. The locals thought me a bit bonkers, but my dog loved it, and I loved it. It felt wild, and it was a feeling that captured me more and more. Once, I returned from one such run caked in mud and ran past a girl I quite fancied. I wondered if she might like the muddy look. It was at least original, I thought. Instead, she crossed the road very quickly, looking at me as if I were just weird. It took me a while to begin to learn that girls don’t always like people who are totally scruffy and covered in mud. And what I considered natural, raw, and wild didn’t necessarily equal sexy. Lesson still in progress.

Not long after I learned about Frozen, I went to see a friend of mine who works in the music industry. We sat in his living room on the Upper East Side, facing each other in easy chairs, as he worked his way through a mountain of CDs. He played “Angel,” by the reggae singer Shaggy, and then “The Joker,” by the Steve Miller Band, and told me to listen very carefully to the similarity in bass lines. He played Led Zeppelin’s “Whole Lotta Love” and then Muddy Waters’s “You Need Love,” to show the extent to which Led Zeppelin had mined the blues for inspiration. He played “Twice My Age,” by Shabba Ranks and Krystal, and then the saccharine ’70s pop standard “Seasons in the Sun,” until I could hear the echoes of the second song in the first. He played “Last Christmas,” by Wham! followed by Barry Manilow’s “Can’t Smile Without You” to explain why Manilow might have been startled when he first heard that song, and then “Joanna,” by Kool and the Gang, because, in a different way, “Last Christmas” was an homage to Kool and the Gang as well. “That sound you hear in Nirvana,” my friend said at one point, “that soft and then loud kind of exploding thing, a lot of that was inspired by the Pixies. Yet Kurt Cobain” — Nirvana’s lead singer and songwriter — “was such a genius that he managed to make it his own. And ‘Smells Like Teen Spirit’?” — here he was referring to perhaps the best-known Nirvana song. “That’s Boston’s ‘More Than a Feeling.’ ” He began to hum the riff of the Boston hit, and said, “The first time I heard ‘Teen Spirit,’ I said, ‘That guitar lick is from “More Than a Feeling.” ’ But it was different — it was urgent and brilliant and new.” He played another CD. It was Rod Stewart’s “Do Ya Think I’m Sexy,” a huge hit from the 1970s. The chorus has a distinctive, catchy hook — the kind of tune that millions of Americans probably hummed in the shower the year it came out. Then he put on “Taj Mahal,” by the Brazilian artist Jorge Ben Jor, which was recorded several years before the Rod Stewart song. In his twenties, my friend was a DJ at various downtown clubs, and at some point he’d become interested in world music. “I caught it back then,” he said. A small, sly smile spread across his face. The opening bars of “Taj Mahal” were very South American, a world away from what we had just listened to. And then I heard it. It was so obvious and unambiguous that I laughed out loud; virtually note for note, it was the hook from “Do Ya Think I’m Sexy.” It was possible that Rod Stewart had independently come up with that riff, because resemblance is not proof of influence. It was also possible that he’d been in Brazil, listened to some local music, and liked what he heard.

I am here, with this muddy dog, on this woody hillside, concentrating on where to place this next footstep among this unruly tangle of tree roots. The here and now. The journey not the destination.

Dogs have two cones—one with a long, yellow-green opsin and another with a short, blue-violet one. They see mostly in shades of blue, yellow, and gray. When my corgi Typo looks at his red-and-violet toy, he probably sees the red as a dark, muddy yellow, and the violet as a deep blue. When he looks at the bright-green ring that he likes to chew, the green stimulates both his cones equally. Because of opponency, those signals cancel out, and Typo sees white. Horses

The idea of duck hunting is to get up about the time that people who are having fun go to bed and get dressed in dirty flannels, itchy thermal underwear, muddy hip boots, clammy rain ponchos, and various other layers of insulation and waterproofing, then clamber, trudge, wade, paddle, stumble, flounder, and drag yourself miles into a swamp while carrying coolers, shell boxes, lunch buckets, flashlights, hand warmers, Buck knives, camp stoves, toilet paper, a couple of dogs, and forty or fifty imitation ducks, then sit in a wet hole concealed by brush cuttings and pine boughs until it’s dark again and you can go home. Meanwhile the weather will either be incredibly good, in which case the ducks will be flying in the clear sky thousands of feet above you, or incredibly bad, in which case the ducks will be landing right in front of you but you won’t be able to see them. Not that any actual ducks are required for this activity, and often none are sighted. Sometimes it’s worse when they are. The terrible thing about duck hunting is that everyone you’re with can see you shoot and see what you’re shooting at, and it is almost impossible to come up with a likely excuse for blasting a decoy in half.

And Colton used her, treated her like a muddy little dog.

As his littermates scampered away, the smallest one, realizing he’d been abandoned, tried to catch up with them. But his legs were too short, and all he managed to do was stumble into a puddle, turning his once tan chest and legs brown. Abigail smiled as the puppy, apparently enjoying the sensation of muddy water on his legs, flopped onto his back and began to roll in the mud. “Muddy paws?” Ethan chuckled. “This one looks like he has muddy everything.” The pup rose and shook his fur, sending droplets of mud toward Abigail before he plopped down in front of her and looked up with the biggest brown eyes she’d ever seen on a dog. Right now those eyes were beseeching Abigail, tugging at her heart. “Oh, Ethan, he’s so cute. You can’t drown him.” “What do you propose?

The following images for the remaining terms should then be bound in some way to our Mnemonic Unit Nexus (MUN). The next terms to be remembered, and their associated MUs, are: Nucleus – N,C,L – A naked woman, holding cash and covering her privates with leaves Mitochondria –M,I,C – A monkey, frozen in ice, being choked. Golgi Apparatus – G,O, A,P – A little girl with an owl on her right arm, and apple in her left hand, and being patted on the head. Endoplasmic Reticulum – E,D,P,L, R,T,C,U – An Executive, holding a dog, and, wearing no pants, with lash marks on his legs. He is riding a Rhino made of titanium that is standing on a pile of cash and is holding an umbrella for the executives. Smooth Endoplasmic Reticulum, S,M,E,D,P,R,T,C,U – A muddy shovel in the hand of an identical EDPL as shown in the previous image, also riding on the rhino. Thus, on the Rhino, there are seated two EDPLs. Lysosomes – L,I,S,O – A lion, playing a silver guitar, opening a door. Plasma Membrane – P,L,M,B – A priest holding a light bulb in his right hand and a mirror in his left while standing on a pile of bricks. DNA –D,N,A – A dinosaur Cytosol – S,I,T,O – A snake, wearing a tie, with its back end wrapped around a flute and with an orange in its mouth.

Your friends have made you weak. Did they teach you how to cry like a babe at her mammy's side? Stranders don't cry, Maraly." "I'm not a Strander," she said, looking him in the eye. "Then I'll have to MAKE you one," Claxton barked. "You've got my blood in yer veins, girl, and nothin' can change that. You've got MY name written in yer bones, Maraly Weaver. You can go take yer bath and eat yer fancy food and giggle with yer friend, but you'll always know deep down that you were born in the mud of the Strand, along with the mud of the Blapp, and once that mud gets on you, NOTHIN' ever gets it off." Claxton seemed to know Maraly's deepest fear and was speaking it aloud. She had lain awake at night, fighting to believe that Gammon's fatherly love was real, that the change she had been feeling--the lightening of heart and the almost painful flashes of joy--was more than a silly girlish notion. She thought back to the day of the Battle of Kimera, when Gammon had looked her in the eye and held out his hand and asked if she would let him care for her. Even then something had bubbled up in the dry well of her soul, and over these last months she had felt that spring slowly fill her. With the coming of the warmer sun she had finally allowed herself to believe that the water was pure enough to drink--but every word Claxton spewed poisoned the water, darkened it, muddied it like the Mighty Blapp, and now she felt herself drowning in it. "I'm going to give you one last chance, girl. Either Claxton is yer father or Gammon is. Only one of those names is true to your nature. Answer carefully now. Who's your father?" Maraly shook her head and wept. She wished the Fangs would appear, or more Stranders--she had given up on wishing for Gammon. That sort of thing only happened in storybooks. "WHO'S YOUR FATHER?" Claxton bellowed. He struck her in the mouth. "You're a Strander down to the bone, girl! Who's your father? What do you think runs thicker than blood in your veins?" Maraly mumbled. "What?" Claxton shouted, clenching her throat tighter. She blinked through her tears and took a trembling breath, then looked him in the eye as fiercely as she could manage. "Love." "Love," Claxton sputtered. He snorted with laughter. Maraly sniffled and said, "Love runs stronger than blood. Deeper than any name you could give me." "You worthless dog," Claxton spat. He balled his fingers into a fist and reared back to strike. Maraly smiled through her tears. She knew she had chosen well, because she had BEEN chosen. She believed in her heart that Gammon was even now fighting to find her, that his affection was more real than the hand that gripped her throat and the first that was about to pound her. She closed her eyes and waited for the pain. But Claxton's blow never fell. He gasped and made a choking sound, and his grip on her neck loosened. Maraly crumpled to the ground, looking up at Claxton in confusion. He staggered backward and spun around, and she saw a knife in his back, buried to the hilt. "Maker help you, boy," said [Nurgabog's] thin, quavering voice. "Maker help me too.

Your friends have made you weak. Did they teach you how to cry like a babe at her mammy's side? Stranders don't cry, Maraly." "I'm not a Strander," she said, looking him in the eye. "Then I'll have to MAKE you one," Claxton barked. "You've got my blood in yer veins, girl, and nothin' can change that. You've got MY name written in yer bones, Maraly Weaver. You can go take yer bath and eat yer fancy food and giggle with yer friend, but you'll always know deep down that you were born in the mud of the Strand, along with the mud of the Blapp, and once that mud gets on you, NOTHIN' ever gets it off." Claxton seemed to know Maraly's deepest fear and was speaking it aloud. She had lain awake at night, fighting to believe that Gammon's fatherly love was real, that the change she had been feeling--the lightening of heart and the almost painful flashes of joy--was more than a silly girlish notion. She thought back to the day of the Battle of Kimera, when Gammon had looked her in the eye and held out his hand and asked if she would let him care for her. Even then something had bubbled up in the dry well of her soul, and over these last months she had felt that spring slowly fill her. With the coming of the warmer sun she had finally allowed herself to believe that the water was pure enough to drink--but every word Claxton spewed poisoned the water, darkened it, muddied it like the Mighty Blapp, and now she felt herself drowning in it. "I'm going to give you one last chance, girl. Either Claxton is yer father or Gammon is. Only one of those names is true to your nature. Answer carefully now. Who's your father?" Maraly shook her head and wept. She wished the Fangs would appear, or more Stranders--she had given up on wishing for Gammon. That sort of thing only happened in storybooks. "WHO'S YOUR FATHER?" Claxton bellowed. He struck her in the mouth. "You're a Strander down to the bone, girl! Who's your father? What do you think runs thicker than blood in your veins?" Maraly mumbled. "What?" Claxton shouted, clenching her throat tighter. She blinked through her tears and took a trembling breath, then looked him in the eye as fiercely as she could manage. "Love." "Love," Claxton sputtered. He snorted with laughter. Maraly sniffled and said, "Love runs stronger than blood. Deeper than any name you could give me." "You worthless dog," Claxton spat. He balled his fingers into a fist and reared back to strike. Maraly smiled through her tears. She knew she had chosen well, because she had BEEN chosen. She believed in her heart that Gammon was even now fighting to find her, that his affection was more real than the hand that gripped her throat and the first that was about to pound her. She closed her eyes and waited for the pain. But Claxton's blow never fell. He gasped and made a choking sound, and his grip on her neck loosened. Maraly crumpled to the ground, looking up at Claxton in confusion. He staggered backward and spun around, and she saw a knife in his back, buried to the hilt. "Maker help you, boy," said [Nurgabog's] thin, quavering voice. "Maker help me too.

And especially, why at the moment when I was so moved by the smiling peacefulness of the old lunatic (a more touching scene than anything I had seen that day), did she seem like a prophetic warning? Yes, prophetic: I would see the chilling sight again, almost exactly the same, with my bodily eyes in another country far away: Two men who looked like thuggish convicts, in a forest, chased a naked old woman whose long, dirty white hair slapped her back and shoulders; prickly twigs scratched the gray skin of the fugitive who jumped like a rangy, wretched goat—charging through spiky, clawed bushes, feeling no pain. And there was a clearing beyond the thickets. The woman ran faster and faster, but on the carpet of short grass, the hunters caught up. One of them reached out, touched the shoulder of his prey who turned around to bite him with her sharp, white teeth, strangely young in that face slashed with wrinkles. But his partner’s close call enraged the other human dog and he hurled himself ahead, desperately, leaning forward, his two hands stretched out, grabbed the white hair, lost his balance and was thrown onto her by his wild momentum. He rolled over the body of the poor wretch and murdered her with his elbows, knees and huge bones. The two men who looked like convicts gloated. They dragged the bleeding body over the ground, then spread it out on its back and took turns defiling it hideously and, in case the victim still had the energy to scream, they martyred it with their fists and steel-toed boots. They took the human wreck and threw it into a wagon… The horse galloped away on the muddy road; the muck flew, splattered the sinister chariot with huge yellow stains and… everything disappeared.

muddy road. Two ruts run down its center, from all the carts that have passed that way. No matter how many carts try to roll alongside the ruts, to stay out of the mud, sooner or later, a turn here or a jolt there will send them down into the ruts for good. Just so is the mind. As hard as we try to keep our thoughts out of the old ways, the old patterns, the old ruts, any

Like our homes, a garden is an extension of taste and preference. It can be a hobby room, a zone for entertaining, a junkyard and a display of creativity. Somewhere to take a gulp of air or wine - whichever is the most necessary. The garden also works hard. It is a place to hang washing, to store equipment, bikes and ladders, to hose down a muddy dog. Those of us with gardens big enough to execute our visions prove that projects can be born combining many of these elements, sometimes even all.

Lina took it and reached toward the dog. “Here you go, cutie.” The little, muddy fur ball belly crawled tentatively toward her hand. Small dogs bit too. Lina wouldn’t be able to block an attack. And then there were things like infections to worry about. Who knew what parasites were growing in this half-frozen muck? What if she got an infection or needed facial reconstructive surgery? All on my watch.

Entering the city of Monrovia on Tubman Boulevard, the road suddenly became paved and a little smoother. Most of the other streets were made of sand and coated with used crankcase oil, making them extremely slick. I couldn’t believe the huge water-filled potholes everywhere; couldn’t they fill them in? A major problem was that there was no way of knowing how deep the holes were since they were full of water…. Jimmy had his hands full bouncing along in a car that didn’t seem to have shocks, and from the looks of the tires I don’t believe the front wheels had ever been aligned. Some of the streets went from being a rutted, muddy mess, to being exposed bed-rock with shale stone filling in the worst holes. Somehow Jimmy skillfully navigated these streets, at what I considered at the time, as being reckless speeds. We passed simple dwellings pieced together from flotsam, debris, and recycled planks or pieces of plywood, including what appeared to be random soft drink signs and the likes. It reminded me of some of the Mexican border towns I had been to. There were mangy dogs picking through the piles of garbage, without much hope of finding anything edible. The raw garbage, scattered on the streets, had obviously been picked through already by people or other feral beasts trying to live off the land. If the dogs and cats left anything behind, I could only imagine the rats getting it!

She turned to call the dog, saw he had made his way down to the creek and was swimming between the boats. ‘Cooper!’ She hissed his name quietly, not wanting to disrupt the silence of the morning. When he ignored her, she tottered down to the water’s edge. ‘Cooper! Come here now!’ She could hardly go wading in after him with her crutches and was debating what to do when a female voice came from behind her. ‘Cooper!’ Lila turned to see a woman standing on the muddy bank. Although casually dressed, her blonde haircut looked expensive, as did the emerald-coloured silk scarf that was looped around her neck. The woman whistled loudly and the dog’s head shot up. ‘Cooper! Come here now.’ He seemed to recognise her, paddling furiously towards the shore.

Seeing Alexei Alexandrovich with his fresh Petersburg face41, his sternly self-confident figure, his round hat and slightly curved back, he believed in him and experienced an unpleasant feeling, like that of a man suffering from thirst who comes to a spring and finds in it a dog, a sheep or a pig who has both drunk and muddied the water.

No one replied from inside. ‘Shit,’ she muttered. They were calling her bluff. They knew that getting a squad of officers out there with sniffer dogs to go through and dismantle fifty squats only for the inhabitants to be arrested and back out on the streets in a day — and for the tents to pop back up right after — was a huge waste of time and resources that DCI Smith would never approve. It looked like they were on their own for this one.  Jamie set her jaw and inhaled. ‘Now what?’ Roper asked. She knelt down and double-knotted her laces.  Eyes wide, Jamie. ‘Now we do it the old-fashioned way.’ She stretched her shoulders and shook out her feet, shrugging off the tension building in her chest and stepped into the muddy passageway between two tents.  The pale November light died behind them. The low-hanging outer girders shielded the sky, the tarps strung up around them catching the rest.  It was darkness inside and the claustrophobic feel of rustling top sheets and rattling breath compounded the sense of unease coiled around Jamie’s spine.  They stepped carefully, Jamie at the vanguard and Roper behind.  She didn’t know where she was going, and moving methodically through this place wasn’t possible. Every pathway led deeper into the labyrinth and most of the time dead-ended in a cul-de-sac of shelter entrances.  There was no way she could systematically cross off the wrong turns.  Roper was muttering and swearing behind her as he stepped in brown puddles and crunched syringes under his heels.

In my dream, I lived in my mountains again. The beasts were tracking me over muddy fields and rocky inclines, and I ran from them without looking back, my tattered dress blowing around me. I grabbed tree branches to pull myself up steep slopes, each touch sending frost skittering across the wood. The dogs howled in the distance.

I wanted his muddy dog to jump on me and I wanted to play with a baby goat and I wanted to be in a place with warm, soft furniture and let someone easy and good hold me in a town that asked me for nothing.