Mud Girl Quotes

We've searched our database for all the quotes and captions related to Mud Girl. Here they are! All 200 of them:

If leeches ate peaches instead of my blood, then I would be free to drink tea in the mud!
Emilie Autumn (The Asylum for Wayward Victorian Girls)
She wants fire, and Dorne sent her mud. You could make a poultice out of mud to cool a fever. You could plant seeds in mud and grow a crop to feed your children. Mud would nourish you, where fire would only consume you, but fools and children and young girls would choose fire every time.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Wishes of one's old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to remember to catch the world in it's changing and change with it.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Are zombie girls allowed to talk?” “If they’re cute and willing to do zombie-girl mud fights” “Duuude. Right on.” “That’s a disgusting image” ... “It’s not liked we’d pick the decayed ones, Penryn. Just … fresh from the dead.” “Only, with ripped clothes and stuff.” “And hungry for breeeeasts.” “He means brains.” “That’s exactly what I meant.
Susan Ee (World After (Penryn & the End of Days, #2))
Oh yes. Draw your hem back from my mud, little sister.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
Was that the girl who went to Manhattan with you?" Asked Marcus. "I think we owe her a cookie" "I think we owe her a whole damn bakery" said Xochi. "If I wasn't hip deep on the mud, I would kiss her on the mouth
Dan Wells (Partials (Partials Sequence, #1))
She's an ugly little thing. No child should look like that. Pale and sour, like a glass of milk that's turned." "And so skinny!" the cook replied. "Never finishes her supper." Crouched beside the girl, the boy turned to her and whispered, "Why don't you eat?" "Because everything she cooks tastes like mud." "Tastes fine to me." "You'll eat anything." They bent their ears back to the crack in the cupboard doors. A moment later the boy whispered, "I don't think you're ugly." "Shhhh!" the girl hissed. But hidden by the deep shadows of the cupboard, she smiled.
Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
And in a small house five miles away was a man who held my mud-encrusted charm bracelet out to his wife. Look what I found at the old industrial park," he said. "A construction guy said they were bulldozing the whole lot. They're afraid of sink holes like that one that swallowed the cars." His wife poured him some water from the sink as he fingered the tiny bike and the ballet shoe, the flower basket and the thimble. He held out the muddy bracelet as she set down his glass. This little girl's grown up by now," she said. Almost. Not quite. I wish you all a long and happy life.
Alice Sebold (The Lovely Bones)
There’s nothing like a Harley-Davidson for getting around mud holes, rocks, and wagon ruts on dirt roads—or for making an impression on girls.
Olive Ann Burns (Leaving Cold Sassy)
You all listen now, this is a real lesson in life. Yes, we got stuck, but what’d we girls do? We made it fun, we laughed. That’s what sisters and girlfriends are all about. Sticking together even in the mud, ’specially in mud.
Delia Owens (Where the Crawdads Sing)
Vika snatched Sophie’s wrist with a mud-streaked hand. “You wretched girl! Call her down right now.” “Why do you need my help? Aren’t you the expert?” Keefe snickered. “Ooh, good one, Foster!
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
I was beautiful; after all, my skin was as rich and dark as wet, brown mud, a complexion that any and every pale white girl would pray for - that is, if she believed in God. My butt sat high in the air and my hips obviously gave birth to Creation. Titties like mangoes, firm, sweet, and ready. My thighs and legs were big and powerful, kicking Vanna White and Cindy Crawford to the curb.
Sister Souljah (No Disrespect)
If I ever see the twins again, it looks like I owe them a zombie-girl mud fight.
Susan Ee (World After (Penryn & the End of Days, #2))
The girl, Maggie, blossomed in a mud puddle.
Stephen Crane (Maggie: A Girl of the Streets)
On rainy afternoons, embroidering with a group of friends on the begonia porch, she would lose the thread of the conversation and a tear of nostalgia would salt her palate when she saw the strips of damp earth and the piles of mud that the earthworms had pushed up in the garden. Those secret tastes, defeated in the past by oranges and rhubarb, broke out into an irrepressible urge when she began to weep. She went back to eating earth. The first time she did it almost out of curiosity, sure that the bad taste would be the best cure for the temptation. And, in fact, she could not bear the earth in her mouth. But she persevered, overcome by the growing anxiety, and little by little she was getting back her ancestral appetite, the taste of primary minerals, the unbridled satisfaction of what was the original food. She would put handfuls of earth in her pockets, and ate them in small bits without being seen, with a confused feeling of pleasure and rage, as she instructed her girl friends in the most difficult needlepoint and spoke about other men, who did not deserve the sacrifice of having one eat the whitewash on the walls because of them. The handfuls of earth made the only man who deserved that show of degradation less remote and more certain, as if the ground that he walked on with his fine patent leather boots in another part of the world were transmitting to her the weight and the temperature of his blood in a mineral savor that left a harsh aftertaste in her mouth and a sediment of peace in her heart.
Gabriel García Márquez (One Hundred Years of Solitude)
Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson
I don’t drink tea. I hate it. It’s mud. Moreover it’s one of the main reasons for the downfall of the British Empire. Be a good girl and make me some coffee.
Ian Fleming (Goldfinger (James Bond, #7))
No sooner are her glass toes thrust into the mud grave than the revolutions begin. Uprisings, fire and steel. The prince is lynched in the ballroom with the dead girl's hair. Royalty's a thing of the past. The kingdom chooses their monarch. Naturally, they elect a wolf.
Allyse Near (Fairytales for Wilde Girls)
For a single girl in London, luck isn't always a glass slipper that fits. Sometimes luck is a splash of mud from a passing bus.
Elizabeth Jane Howard (Mr Wrong (Phoenix 60p Paperbacks))
14. Muddy Road Tanzan and Ekido were once traveling together down a muddy road. A heavy rain was still falling. Coming around a bend, they met a lovely girl in a silk kimono and sash, unble to cross the intersection. "Come on, girl," said Tanzan at once. Lifting her in his arms, he carriedher over the mud. Ekido did not speak again until that night when they reached a lodging temple. Then he could no longer restrain himself. "We monks don't go near females," he told Tanzan, "especially not young and lovely ones. It is dangerous. Why did you do that?" "I left the girl there," said Tanzan. "Are you still carrying her?
Nyogen Senzaki (Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings)
Millions of fathers in rain Millions of mothers in pain Millions of brothers in woe Millions of sisters nowhere to go Millions of daughters walk in the mud Millions of children wash in the flood A million girls vomit and groan Millions of families hopeless alone
Allen Ginsberg (Poems)
And soon we were just rolling around on the ground, cursing and screeching and ripping out handfuls of hair. Without super hearing, I wouldn't have heard Zeb whisper, "This is the coolest thing I have ever seen." "Maybe they'll get muddy," Dick said. "Please, Lord, let them get muddy.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
But nowadays everybody's a comedian, even the weather girls and continuity announcers. We laugh at everything. Not intelligently anymore, not with sudden shock, astonishment, or revelation, just relentlessly and meaninglessly. No more rain showers in the desert, just mud and drizzle everywhere, occasionally illuminated by the flash of paparazzi.
Douglas Adams
They fought to smile through the lines and the mud and the long hours, dancing under the stars and under the watchful eyes of their government, an Orwellian backdrop for a Rockwellian world.
Denise Kiernan (The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II)
No one wants to carry someone when they’re heavy from life. I read a book about that once. A bunch of drivel about two people who kept coming back to each other. The lead male says that to the girl he keeps letting get away. I had to put the book down. No one wants to carry someone when they’re heavy from life. It’s a concept smart authors feed to their readers. It’s slow poison; you make them believe it’s real, and it keeps them coming back for more. Love is cocaine.
Tarryn Fisher (Mud Vein)
All her violence had drained away, replaced by a fear older and deeper than anything she'd ever experienced. An old, old recognition. Something inside her knew him from a time when girls took skin bags to the river to get water, a time when panthers walked in the darkness outside mud huts. From a time before electric lights, before candles, when darkness was fended off with stone lamps. When darkness was the greatest danger of all.
L.J. Smith (The Hunter (The Forbidden Game, #1))
You all listen now, this is a real lesson in life. Yes, we got stuck, but what'd we girls do? We made it fun, we laughed. That's what sisters and girlfriends are all about. Sticking together even in the mud, 'specially in mud.
Delia Owens (Where the Crawdads Sing)
The train bore me away, through the monstrous scenery of slag-heaps, chimneys, piled scrap-iron, foul canals, paths of cindery mud criss-crossed by the prints of clogs. This was March, but the weather had been horribly cold and everywhere there were mounds of blackened snow. As we moved slowly through the outskirts of the town we passed row after row of little grey slum houses running at right angles to the embankment. At the back of one of the houses a young woman was kneeling on the stones, poking a stick up the leaden waste-pipe which ran from the sink inside and which I suppose was blocked. I had time to see everything about her—her sacking apron, her clumsy clogs, her arms reddened by the cold. She looked up as the train passed, and I was almost near enough to catch her eye. She had a round pale face, the usual exhausted face of the slum girl who is twenty-five and looks forty, thanks to miscarriages and drudgery; and it wore, for the second in which I saw it, the most desolate, hopeless expression I have ever-seen. It struck me then that we are mistaken when we say that ‘It isn’t the same for them as it would be for us,’ and that people bred in the slums can imagine nothing but the slums. For what I saw in her face was not the ignorant suffering of an animal. She knew well enough what was happening to her—understood as well as I did how dreadful a destiny it was to be kneeling there in the bitter cold, on the slimy stones of a slum backyard, poking a stick up a foul drain-pipe.
George Orwell (The Road to Wigan Pier)
You'd never get Burle to behave decently. When a man sank as low as that, the only thing to do was to throw a spadeful of mud over him and get rid of him like the rotting carcass of some poisonous beast. And even if you shoved his nose in his own shit, he'd only start again the next day and end up stealing a few sous to buy sticks of barley sugar for lice-ridden little beggar-girls.
Émile Zola (The Attack on the Mill and Other Stories)
The day, a compunctious Sunday after a week of blizzards, had been part jewel, part mud. In the midst of my usual afternoon stroll through the small hilly town attached to the girls' college where I taught French literature, I had stopped to watch a family of brilliant icicles drip-dripping from the eaves of a frame house. So clear-cut were their pointed shadows on the white boards behind them that I was sure the shadows of the falling drops should be visible too. But they were not. ("The Vane Sisters")
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
I love you. I love your smile, your snarl, your grin, your face when you’re sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn’t have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they’re cold or calculating or suspicious or laughing or warm, like when you look at me. You’re the best warrior I know, the best leader. You’re the most comforting mom we’ve ever had. You’re the biggest goof ball, the worst driver, and a tr uly lousy cook. You’ve kept us safe and provided for us, in good times and bad. You’re my best friend, my first and only love, and the most beautiful girl I’ve ever seen, with wings or without.
James Patterson (Fang (Maximum Ride, #6))
You all listen now, this is a real lesson in life. Yes, we got stuck, but what'd we girls do? We made it fun, we laughed. That's what sisters and girlfriends are all about. Sticking together even in the mud, especially in mud.
Delia Owens (Where the Crawdads Sing)
What was war really like? What vast crack had buried Jeff down in the mud, had sent Andy off with cattle? What had changed her best friend so much he could barely look at her now?
Jackie French (The Girl from Snowy River (Matilda Saga, #2))
THERE was once a little princess who—"But, Mr. Author, why do you always write about princesses?" "Because every little girl is a princess." "You will make them vain if you tell them that." "Not if they understand what I mean." "Then what do you mean?" "What do you mean by a princess?" "The daughter of a king." "Very well, then every little girl is a princess, and there would be no need to say anything about it, except that she is always in danger of forgetting her rank, and behaving as if she had grown out of the mud. I have seen little princesses behave like the children of thieves and lying beggars, and that is why they need, to be told they are princesses.
George MacDonald (The Princess and the Goblin)
His tunic lay on the mud nearby, but he couldn't find his shirt at all, until he crawled closer to the scarred girl and realized that she was busily tearing it into strips which she was using to bandage her wounded leg. "Hey!" he said. "That's one of my best shirts!" "So?" she replied without looking up. "It's one of my best legs.
Philip Reeve (Mortal Engines (Mortal Engines, #1))
...this is a real lesson in life. Yes, we got stuck, but what’d we girls do? We made it fun, we laughed. That’s what sisters and girlfriends are all about. Sticking together even in the mud, ‘specially in mud.
Delia Owens (Where the Crawdads Sing)
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
Alan Beck
As presumptive heir to one of the largest Duchies in the Kingdom of the Mists, she could have easily grown up more spoiled than any human princess. Instead she grew into the sort of little girl who's always up a tree or down a hole, a magnet for mud, queen of worms and frogs and crawling things.
Seanan McGuire (Rosemary and Rue (October Daye, #1))
Everyone tells stories around here. Every place, every person has a ring of stories around them, a halo almost. People have told me tales ever since I was a tiny girl squatting in the front dooryard, in mud-caked overalls, digging for doodlebugs. They have talked to me, and talked to me. some I've forgotten, but most I remember. And so my memory goes back before my birth
Shirley Ann Grau
one naked girl with a mud up to her knees could not seem to take her eyes off Tyrion. She has never seen a dwarf before, he realized, much less a dwarf without a nose. He made a face and stuck his tongue out and the girl began to cry
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Lying there Ma said, “You all listen now, this is a real lesson in life. Yes, we got stuck, but what’d we girls do? We made it fun, we laughed. That’s what sisters and girlfriends are all about. Sticking together even in the mud, ’specially in mud.
Delia Owens (Where the Crawdads Sing)
My mother nods toward Violet and her little friend, sprinkling grass over their mud pies. “This has been going on so much longer than either of us, Kennedy. From where you stepped in, in your life, it looks like we’ve got miles to go. But me?” She smiles in the direction of the girls. “I look at that, and I guess I’m amazed at how far we’ve come.” —
Jodi Picoult (Small Great Things)
Mud would nourish you, where fire would only consume you, but fools and children and young girls would choose fire every time.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
By now I'm done expecting a laugh from this girl, but she suprises me, letting out a little giggle that reminds me of a rainbow escaping from a mud puddle.
Lauren Layne (Isn't She Lovely (Redemption, #0.5))
You think people are some kind of pure, white feathered birds flying in the clouds. They’re not. They’re pigs and they love to wallow in the mud and dirt.
Fannie Flagg (Welcome to the World, Baby Girl! (Elmwood Springs #1))
Crouched beside the girl, the boy turned to her and whispered, “Why don’t you eat?” “Because everything she cooks tastes like mud.” “Tastes fine to me.” “You’ll eat anything.” They bent their ears back to the crack in the cupboard doors. A moment later the boy whispered, “I don’t think you’re ugly.” “Shhhh!” the girl hissed. But hidden by the deep shadows of the cupboard, she smiled.       IN
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Dear Jim." The writing grew suddenly blurred and misty. And she had lost him again--had lost him again! At the sight of the familiar childish nickname all the hopelessness of her bereavement came over her afresh, and she put out her hands in blind desperation, as though the weight of the earth-clods that lay above him were pressing on her heart. Presently she took up the paper again and went on reading: "I am to be shot at sunrise to-morrow. So if I am to keep at all my promise to tell you everything, I must keep it now. But, after all, there is not much need of explanations between you and me. We always understood each other without many words, even when we were little things. "And so, you see, my dear, you had no need to break your heart over that old story of the blow. It was a hard hit, of course; but I have had plenty of others as hard, and yet I have managed to get over them,--even to pay back a few of them,--and here I am still, like the mackerel in our nursery-book (I forget its name), 'Alive and kicking, oh!' This is my last kick, though; and then, tomorrow morning, and--'Finita la Commedia!' You and I will translate that: 'The variety show is over'; and will give thanks to the gods that they have had, at least, so much mercy on us. It is not much, but it is something; and for this and all other blessings may we be truly thankful! "About that same tomorrow morning, I want both you and Martini to understand clearly that I am quite happy and satisfied, and could ask no better thing of Fate. Tell that to Martini as a message from me; he is a good fellow and a good comrade, and he will understand. You see, dear, I know that the stick-in-the-mud people are doing us a good turn and themselves a bad one by going back to secret trials and executions so soon, and I know that if you who are left stand together steadily and hit hard, you will see great things. As for me, I shall go out into the courtyard with as light a heart as any child starting home for the holidays. I have done my share of the work, and this death-sentence is the proof that I have done it thoroughly. They kill me because they are afraid of me; and what more can any man's heart desire? "It desires just one thing more, though. A man who is going to die has a right to a personal fancy, and mine is that you should see why I have always been such a sulky brute to you, and so slow to forget old scores. Of course, though, you understand why, and I tell you only for the pleasure of writing the words. I loved you, Gemma, when you were an ugly little girl in a gingham frock, with a scratchy tucker and your hair in a pig-tail down your back; and I love you still. Do you remember that day when I kissed your hand, and when you so piteously begged me 'never to do that again'? It was a scoundrelly trick to play, I know; but you must forgive that; and now I kiss the paper where I have written your name. So I have kissed you twice, and both times without your consent. "That is all. Good-bye, my dear" Then am I A happy fly, If I live Or if I die
Ethel Lilian Voynich
I’m a dork, I know. A tomboy dork. Growing up, I was the girl watching ants build their homes while most of my friends were playing dolls. I created tangible mud pies while they sipped imaginary tea.
Chris Genovese (Redgrave: An Erotic Horror)
I cry out for every girl who was told to comb her hair and wash the mud from her face. To keep herself contained. To be ashamed of her voice, her hair, her flesh. To be quiet and good and nice. Girls are not nice. Girls are wild and fierce and powerful, and I will not let anyone take that away. Not ever again.
Lili Wilkinson (A Hunger of Thorns (A Hunger of Thorns, #1))
He had dreamt about a dark-haired foreign boy. This boy held the key to the undoing of their demise. He had carried his curse for too long. Time was short, the alignment was coming. The vivid dream had spoken to him about Florence. As the sun overshadowed the top of the open-air coliseum, the light briefly hit his three golden symbols. He would need to cover them before he was spotted. Glancing around, he found what he needed. He rolled through the mud until he was coated. On the outside, he was Celestial KittyCat — a black, scrappy, alley cat with a golden brand on his side. A brand of a sun, a star, and a moon all in alignment. On the inside, he was still Patrick, and his heart still yearned for CallaLyly. He scowled as he thought about the curse that was planted by a mystic from the Far East over two and a half centuries ago.
Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
Three Haiku, Two Tanka (Kyoto) CONFIDENCE (after Bashō) Clouds murmur darkly, it is a blinding habit— gazing at the moon. TIME OF JOY (after Buson) Spring means plum blossoms and spotless new kimonos for holiday whores. RENDEZVOUS (after Shiki) Once more as I wait for you, night and icy wind melt into cold rain. FOR SATORI In the spring of joy, when even the mud chuckles, my soul runs rabid, snaps at its own bleeding heels, and barks: “What is happiness?” SOMBER GIRL She never saw fire from heaven or hotly fought with God; but her eyes smolder for Hiroshima and the cold death of Buddha.
Philip Appleman
A picnic. Imagine: a forest, a country road, a meadow. A car pulls off the road into the meadow and unloads young men, bottles, picnic baskets, girls, transistor radios, cameras … A fire is lit, tents are pitched, music is played. And in the morning they leave. The animals, birds, and insects that were watching the whole night in horror crawl out of their shelters. And what do they see? An oil spill, a gasoline puddle, old spark plugs and oil filters strewn about … Scattered rags, burnt-out bulbs, someone has dropped a monkey wrench. The wheels have tracked mud from some godforsaken swamp … and, of course, there are the remains of the campfire, apple cores, candy wrappers, tins, bottles, someone’s handkerchief, someone’s penknife, old ragged newspapers, coins, wilted flowers from another meadow …” “I get it,” said Noonan. “A roadside picnic.
Arkady Strugatsky (Roadside Picnic)
This tub is for washing your courage...When you are born your courage is new and clean. You are brave enough for anything: crawling off of staircases, saying your first words without fearing that someone will think you are foolish, putting strange things in your mouth. But as you get older, your courage attracts gunk and crusty things and dirt and fear and knowing how bad things can get and what pain feels like. By the time you're half-grown, your courage barely moves at all, it's so grunged up with living. So every once in awhile, you have to scrub it up and get the works going or else you'll never be brave again. Unfortunately, there are not many facilities in your world that provide the kind of services we do. So most people go around with grimy machinery, when all it would take is a bit of a spit and polish to make them paladins once more, bold knights and true. ... This tub is for washing your wishes...For the wishes of one's old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to catch the world in its changing and change with it. ... Lastly, we must wash your luck. When souls queue up to be born, they all leap up at just the last moment, touching the lintel of the world for luck. Some jump high and can seize a great measure of luck; some jump only a bit and snatch a few loose strands. Everyone manages to catch some. If one did not have at least a little luck, one would never survive childhood. But luck can be spent, like money, and lost, like a memory; and wasted, like a life. If you know how to look, you can examine the kneecaps of a human and tell how much luck they have left. No bath can replenish luck that has been spent on avoiding an early death by automobile accident or winning too many raffles in a row. No bath can restore luck lost through absentmindedness and overconfidence. But luck withered by conservative, tired, riskless living can be pumped up again--after all, it is only a bit thirsty for something to do.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
LOUIS SACHAR is the author of the New York Times #1 bestseller Holes, winner of the Newbery Medal, the National Book Award, and the Christopher Award. He is also the author of Stanley Yelnats’ Survival Guide to Camp Green Lake; Small Steps, winner of the Schneider Family Book Award; and The Cardturner, a Publishers Weekly Best Book, a Parents’ Choice Gold Award recipient, and an ALA-YALSA Best Fiction for Young Adults book. His books for younger readers include There’s a Boy in the Girls’ Bathroom, The Boy Who Lost His Face, Dogs Don’t Tell Jokes, and the Marvin Redpost series, among many others.
Louis Sachar (Fuzzy Mud)
José Arcadio’s companion asked them to leave them alone, and the couple lay down on the ground, close to the bed. The passion of the others woke up José Arcadio’s fervor. On the first contact the bones of the girl seemed to become disjointed with a disorderly crunch like the sound of a box of dominoes, and her skin broke out into a pale sweat and her eyes filled with tears as her whole body exhaled a lugubrious lament and a vague smell of mud. But she bore the impact with a firmness of character and a bravery that were admirable. José Arcadio felt himself lifted up into the air toward a state of seraphic inspiration, where his heart burst forth with an outpouring of tender obscenities that entered the girl through her ears and came out of her mouth translated into her language.
Gabriel García Márquez (One Hundred Years of Solitude)
Soldier on guard says they've identified “someone on two legs a hundred metres from the outpost”. The other soldier, in the lookout, says “A girl about ten,” but by then they're already shooting. Girl's dead[...]The point is this use of code, on two legs, denoting human. It reminded me of that speech by their Prime Minister saying that we were beasts walking on two legs [...]The idea that having legs makes you human. I thought of adding a Primo Levi-ish dimension to it. Merging this two-legged idea with a sort of general question about what is a man, you know, linking it to “if this is a man who labours in the mud/ who knows no peace/ who fights for a crust of bread?” [...] my thesis being that the occupation, the closures, the siege have made amputees of all of us, crawling around in the mud. Legless in Gaza. The lot of us.
Selma Dabbagh (Out of It)
Dear Logan, Someday I'm going to write a book: How Not to Die in Alaska - A Girl's Guide to Fashionable Survival. I bet you don't know that a Kirby grip can make an excellent fishing hook. You may think you can use just any kind of mud for mud masks, but trust me, you CAN'T! In a pinch, nothing starts a fire like nail polish remover. And don't even get me started on the lifesaving properties of a good pair of tights. So I know a lot, in other words. I just don't know why I'm still writing you these letters.
Ally Carter (Not If I Save You First)
The residue from radium extraction looked like seaside sand, and the company had offloaded this industrial waste by selling it to schools and playgrounds to use in their children’s sandboxes; kids’ shoes were reported to have turned white because of it, while one little boy complained to his mother of a burning sensation in his hands. Yet, in comments that made reassuring reading, von Sochocky pronounced the sand “most hygienic”10 for children to play in, “more beneficial than the mud of world-renowned curative baths.”11
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
Yes, we got stuck, but what’d we girls do? We made it fun, we laughed. That’s what sisters and girlfriends are all about. Sticking together even in the mud, ’specially in mud.
Delia Owens (Where the Crawdads Sing)
If I ended up with this girl I was going to buy a new table. I'd had sex on it too many times for it to be relationship kosher.
Tarryn Fisher (Mud Vein)
The lotus symbolizes purity, because it rises out of the mud but looks pristine.
Lisa See (Dreams of Joy (Shanghai Girls, #2))
...life is beautiful like a song. I’m not a flower that bloomed in the mud. Just a girl who stayed steady on the path of determination.
Lauren DeStefano
For the wishes of one’s old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
I like blank paper. To meet people I find interesting. Writing puts me into a world that has not been written yet. I spend much of my time contemplating love and death. When I am writing a surge of complete happiness takes over. To make readers hear the sound of their own heartbeats, that sound that whispers up to us: you are alive. When I manage to turn pages and pages of crap into a little bit of art, I feel like that girl in the Diamonds Are Forever ad. Writing gives me permission to be a child and to play with words the way that children play with blocks or twigs or mud. Writing makes me a god, each new page enabling me to create and destroy as many worlds as I please. It allows me to spy on my neighbors. It’s the only socially acceptable way to be a compulsive liar. I want to cleanse the past. To discover, to express, to celebrate, to acknowledge, to witness, to remember who I am. I find out what might have been, what should have happened, and what I fear will happen. It’s a means of asking questions, though the answers may be as puzzling as a rune. This question drives me crazy. There is nothing else I want to do more. My soul will not be still until the words are written on paper. Because I can. Because I must. I can’t not. If I don’t I will explode. I want to be good at something and I’ve tried everything else.
Alexander Steele (Gotham Writers' Workshop Writing Fiction: The Practical Guide From New York's Acclaimed Creative Writing School)
No one is waiting for me. In this story, I’m the girl no one is waiting for. Usually the girl is fat, but my problem is more rare, which is freckles: I look like someone threw handfuls of mud at my face.
Jennifer Egan (A Visit from the Goon Squad)
YESTERDAY afternoon set in misty and cold. I had half a mind to spend it by my study fire, instead of wading through heath and mud to Wuthering Heights. On coming up from dinner, however, (N.B. - I dine between twelve and one o'clock; the housekeeper, a matronly lady, taken as a fixture along with the house, could not, or would not, comprehend my request that I might be served at five) - on mounting the stairs with this lazy intention, and stepping into the room, I saw a servant-girl on her knees surrounded by brushes and coal-scuttles, and raising an infernal dust as she extinguished the flames with heaps of cinders. This spectacle drove me back immediately; I took my hat, and, after a four-miles' walk, arrived at Heathcliff's garden-gate just in time to escape the first feathery flakes of a snow-shower.
Emily Brontë (Wuthering Heights)
Safe travels, my friend,” Rafe said, smiling as he gently nudged the boy’s shoulder. That was all it took. The boy lost his hold and fell like a rock into the mud. This time the spray flew higher, spattering Rafe’s chest. He rubbed the drops of mud in with his sweat and grinned. The crowd went wild, and a few girls standing near me whispered among themselves. I thought it was time for him to put his shirt back on.
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
POEM FOR SOUKAÏNA” **** To tell of my new Moroccan Love, Ô, I court her everyday. But just as a pearl in the mud is a pearl, So is my Love just an Arab girl… in that I offer her constant, loving woos, but she’ll ask me in return that I give her flooze*. That’s when I kiss her and shrug, and I say, “Someday.” And she gives me her love free anyway. * * * Ô, my Love is a child of the souks. In Casablanca born. A gypsy thief, “Soukaïna” named. We met in the souks of Marrakech, It was here my heart she tamed. Ô, she came at nineteen to Marrakech, In search of wild fun. And she lived in Marrakech seven years, Before my heart she won.
Roman Payne
Miss Wyndham, I know you’re not pleased with the shocking things you’ve discovered lately, and I know you’ll think even worse of me when I tell you of the things I did before we met. But everything I—” “Sir, you are a liar and a cheat!” a customer bellowed at the shiner behind us. Mr. Kent glanced over his shoulder and attempted to ignore the yells. “Everything I do is to—” “These shoes are still soiled! The mud is right there! Return my money, sir!” the customer yelled again. Mr. Kent bristled and spun around to the shoe shiner. “Sir, are you wrong in this matter?” “N-no,” the shoe shiner stammered. “I’m trying to be fair.” Mr. Kent turned to the customer. “Are you wrong?” “Yes, of course I am,” he said, his face flushing. “Then avoid stepping in the mud, shut up, and be on your way! I am trying to convince a girl to love me!
Tarun Shanker (These Vicious Masks (These Vicious Masks, #1))
Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse.' The nurse looked and clucked in horror. Francie stood there with the hot flamepoints of shame burning her face. The doctor was a Harvard man, interning at the neighborhood hospital. Once a week, he was obliged to put in a few hours at one of the free clinics. He was going into a smart practice in Boston when his internship was over. Adopting the phraseology of the neighborhood, he referred to his Brooklyn internship as going through Purgatory, when he wrote to his socially prominent fiancee in Boston. The nurse was as Williamsburg girl... The child of poor Polish immigrants, she had been ambitious, worked days in a sweatshop and gone to school at night. Somehow she had gotten her training... She didn't want anyone to know she had come from the slums. After the doctor's outburst, Francie stood hanging her head. She was a dirty girl. That's what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn't breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies? She looked at the nurse... She thought the nurse might say something like: Maybe this little girl's mother works and didn't have time to wash her good this morning,' or, 'You know how it is, Doctor, children will play in the dirt.' But what the nurse actuallly said was, 'I know, Isn't it terrible? I sympathize with you, Doctor. There is no excuse for these people living in filth.' A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb. The nurse had chosen the forgetting way. Yet, as she stood there, she knew that years later she would be haunted by the sorrow in the face of that starveling child and that she would wish bitterly that she had said a comforting word then and done something towards the saving of her immortal soul. She had the knowledge that she was small but she lacked the courage to be otherwise. When the needle jabbed, Francie never felt it. The waves of hurt started by the doctor's words were racking her body and drove out all other feeling. While the nurse was expertly tying a strip of gauze around her arm and the doctor was putting his instrument in the sterilizer and taking out a fresh needle, Francie spoke up. My brother is next. His arm is just as dirty as mine so don't be suprised. And you don't have to tell him. You told me.' They stared at this bit of humanity who had become so strangely articulate. Francie's voice went ragged with a sob. 'You don't have to tell him. Besides it won't do no godd. He's a boy and he don't care if he is dirty.'... As the door closed, she heard the doctor's suprised voice. I had no idea she'd understand what I was saying.' She heard the nurse say, 'Oh, well,' on a sighing note.
Betty Smith (A Tree Grows in Brooklyn)
Two monks were once travelling together down a wet and muddy road. The rain was torrential, making it almost impossible to walk along the path. As the two men were trudging along, a beautiful girl dressed in silk appeared. She was unable to cross the path and looked distressed. “Let me help you”, said the older monk. He picked her up and carried her over the mud. His younger male companion did not utter a word that night until they reached their lodging temple. Then after hours of restrained conversation, the younger monk exclaimed: “We monks do not touch females; it is too tempting for us and can create a bad outcome”. The older monk looked into the younger monks eyes and said, “I left the girl on the road. Are you still carrying her?” This ancient Zen story illustrates beautifully how so many of us are trapped in the habit of constantly “re-living” the past in our minds, thus dishonouring the present moment. The young monk wasted hours distressing himself with judgment, speculation, anxiety, resentment and ultimately self-perpetuated unhappiness as a direct result of not being mindful.
Christopher Dines (Mindfulness Meditation: Bringing Mindfulness into Everyday Life)
I see you go bare-shod. This is most likely extremely sensible. Shoes are no end of trouble for girls. . . . How many have danced to death in slippers of silk and glass and fur and wood? Too many to count—the graveyards, they are so full these days. You are very wise to let your soles become grubby with mud, to let them grow their own slippers of moss and clay and calluses. This is far preferable to shoes which may become wicked at any moment.
Catherynne M. Valente (In the Cities of Coin and Spice (The Orphan's Tales, #2))
You all listen no, this is a real lesson in life. Yes, we got stuck, but what'd we girls do? We made it fun, we laughed. That's what sisters and girlfriends are all about. Sticking together even in the mud, 'specially in mud
Delia Owens (Where the Crawdads Sing)
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
Dodie Smith (I Capture the Castle)
Even worse was [singing] in English, a language much too lacking in chewability for hard Finnish jaws, so sloppy that only little girls could get top marks in it - sluggish double Dutch, tremulous and damp, invented by mud-sloshing coastal beings who've never needed to struggle, never frozen nor starved. A language for idlers, grass-eaters, couch potatoes, so lacking in resilience that their tongues slop around their mouths like sliced-off foreskins.
Mikael Niemi (Popular Music from Vittula)
If I'd been free to pick any name in the world, I would have one for something diaphanous and fanciful, like Coralie or Delphine, the kind of name a grand dame gives a petit chien. Because no one - no one - daydreams about pretty names more than girls called Jane. And with good reason, you know? I mean, even our most illustrious Janes are world-class stick-in-the-mud. Austen, Eyre, Doe? Spintser, sucker, corpse. It's a wonder I managed as well as I did.
Elizabeth Little (Dear Daughter)
When I was in the street throwing a beanbag with the other children and Mr. Tanaka happened to stroll out of the seafood company, I always stopped what I was doing to watch him. I lay there on that slimy table while Mr. Tanaka examined my lip, pulling it down with his fingers and tipping my head this way and that. All at once he caught sight of my gray eyes, which were fixed on his face with such fascination, I couldn't pretend I hadn't been staring at him. He didn't give me a sneer, as if to say that I was an impudent girl, and he didn't look away as if it made no difference where I looked or what I thought. We stared at each other for a long moment-so long it gave me a chill even there in the muggy air of the seafood company. "I know you," he said at last. "You're old Sakamoto's little girl." Even as a child I could tell that Mr. Tanaka saw the world around him as it really was; he never wore the dazed look of my father. To me, he seemed to see the sap bleeding from the trunks of the pine trees, and the circle of brightness in the sky where the sun was smothered by clouds. He lived in the world that was visible, even if it didn't always please him to be there. I knew he noticed the trees, and the mud, and the children in the street, but I had no reason to believe he'd ever noticed me. Perhaps this is why when he spoke to me, tears came stinging to my eyes.
Arthur Golden (Memoirs of a Geisha)
One by one, we carry each other, through banana plants and dirt roads that turn to mud when it rains...And I tell you this story about the people I love - because they are my family - and so are you. And we are all walking together.
Argentine Imanirakunda (Walk With Me: The Story of a Girl in Congo)
Domestic Where's the wisdom in erasing a loved one's mess, so akin to his signature? Your honor, I only meant to strew the immaculate in his wake. To wipe the path ahead and behind reasonably clean. Futile, yes, but weren't such gestures essential to love's discipline once upon a time? Daily, I harvested dropped fruit peels and socks. I chased him through life with dustpan and broom, smoothed his body dents from the bed, soothed the mud tramped floors. Did I sin in this? Better to leave the habitat sweetly reeking of him than to spend years scrubbing up evidence of his existence. Archaelogists centuries hence may marvel at such relics: his mustard stained napkins, toothpicks chewed to splinters. Never let it be said that in my zeal to clean I robbed the future's museums. Who am I to call what flies to either side of the trail he blazes--half read magazines, cups of scummed over coffee and mashed out cigarettes--dirt?
Amy Gerstler (Ghost Girl)
He sings, “I’m in Mississippi, with mud all in my shoes / My girl in Louisiana with those high water blues.” Later he says, “Listen here, you men, / one more thing I’d like to say / Ain’t no womens out here, for they all got washed away.
Tom Franklin (The Tilted World)
Lily's taste of beneficence had wakened in her a momentary appetite for well-doing. Her visit to the Girls' Club had first brought her in contact with the dramatic contrasts of life. She had always accepted with philosophic calm the fact that such existences as hers were pedestalled on foundations of obscure humanity. The dreary limbo of dinginess lay all around and beneath that little illuminated circle in which life reached its finest efflorescence, as the mud and sleet of a winter night enclose a hot-house filled with tropical flowers. All this was in the natural order of things, and the orchid basking in its artificially created atmosphere could round the delicate curves of its petals undisturbed by the ice on the panes.
Edith Wharton (The House of Mirth)
Lying there Ma said, 'You all listen now, this is a real lesson in life. Yes, we got stuck, but what'd we girls do? We made it fun, we laughed. That's what sisters and girlfriends are all about. Sticking together even in the mud, 'specially in mud.
Delia Owens (Where the Crawdads Sing)
You could make a poultice out of mud to cool a fever. You could plant seeds in mud and grow a crop to feed your children. Mud would nourish you, where fire would only consume you, but fools and children and young girls would choose fire every time.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
The off curve of her ear was what he had noticed first. A roundness echoed in her cheeks and her mouth. Then it was the way her body looked solid, as though meant to take up space and weight in the world. When she moved, she left behind footprints in the forest floor. Because she didn't know how to glide silently, to disturb no leaf of branch. He felt smug to see how bad she was at even such an easy thing. It was only later that it disturbed him to think back on the shape of her boot in the soil, as though she was the only real thing in a land of ghosts. He had seen her before, he supposed. But at the palace school, he really looked. He noted her skirts, spattered with mud, and her hair ribbons, partially undone. He saw her twin sister, her double, as though one of them were a changeling child and not human at all. He saw the way they whispered together while they ate, smiling over private jokes. He saw the way they answered the instructors, as though they had any right to this knowledge, had any right to be sitting among their betters. To occasionally better their betters with those answers. And the one girl was good with a sword, instructed personally by the Grand General, as though she was not some by-blow of a faithless wife.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
Il fango ti può nutrire, mentre il fuoco ti ridurrà in cenere, ma i folli, i bambini e le fanciulle scelgono sempre il fuoco. Mud would nourish you, where fire would only consume you, but fools and children and young girls would choose fire every time.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
So you aren’t going to tell me what just happened?” I deduced. The fact was clearly readable across his face. He looked me over again and sighed. “Just be careful in the future,” he said. “How can I be careful when I have no idea why this just happened? Water grabbed me!” I cried, gesturing with my hands toward the side of the bridge where I once lay. “How is that possible?” When he didn’t respond to my questions, I probed him further, trying to get him to answer me. “What about you, with the mud and the rock and the crazy out-of-thin-air thing? What was that?” I demanded to know. “It was saving your life,” he said, a hint of petulance creeping into his tone. “Be careful in the future, Ramsey.” Then he took off running, and after a few seconds, he was gone from my sight...
Markelle Grabo (The Elf Girl (Journey into the Realm, #1))
His eyes are cold and restless His wounds have almost healed And she'd give half of Texas Just to change the way he feels She knows his love's in Tulsa And she knows he's gonna go Well it ain't no woman flesh and blood It's that damned old rodeo Well it's bulls and blood It's dust and mud It's the roar of a Sunday crowd It's the white in his knuckles The gold in the buckle He'll win the next go 'round It's boots and chaps It's cowboy hats It's spurs and latigo It's the ropes and the reins And the joy and the pain And they call the thing rodeo She does her best to hold him When his love comes to call But his need for it controls him And her back's against the wall And it's So long girl I'll see you When it's time for him to go You know the woman wants her cowboy Like he wants his rodeo
Garth Brooks
I want to grab her and confess that I'm an unbeliever. That being on that machine makes me feel like I'm running in some sucking substance worse than mud. I can find no foothold, no traction. That I feel out of control, inches from the lip of the abyss. That while we've been sitting here, there's this angry, hungry maw in me that is fathoms deep. But even though Ruth's only a hair thinner than I am, she's way on the other side of the fat girl spectrum, looking at me from the safe, slightly smug distance of her own control and conviction.
Mona Awad (13 Ways of Looking at a Fat Girl)
When I close my eyes to see, to hear, to smell, to touch a country I have known, I feel my body shake and fill with joy as if a beloved person had come near me. A rabbi was once asked the following question: ‘When you say that the Jews should return to Palestine, you mean, surely, the heavenly, the immaterial, the spiritual Palestine, our true homeland?’ The rabbi jabbed his staff into the ground in wrath and shouted, ‘No! I want the Palestine down here, the one you can touch with your hands, with its stones, its thorns and its mud!’ Neither am I nourished by fleshless, abstract memories. If I expected my mind to distill from a turbid host of bodily joys and bitternesses an immaterial, crystal-clear thought, I would die of hunger. When I close my eyes in order to enjoy a country again, my five senses, the five mouth-filled tentacles of my body, pounce upon it and bring it to me. Colors, fruits, women. The smells of orchards, of filthy narrow alleys, of armpits. Endless snows with blue, glittering reflections. Scorching, wavy deserts of sand shimmering under the hot sun. Tears, cries, songs, distant bells of mules, camels or troikas. The acrid, nauseating stench of some Mongolian cities will never leave my nostrils. And I will eternally hold in my hands – eternally, that is, until my hands rot – the melons of Bukhara, the watermelons of the Volga, the cool, dainty hand of a Japanese girl… For a time, in my early youth, I struggled to nourish my famished soul by feeding it with abstract concepts. I said that my body was a slave and that its duty was to gather raw material and bring it to the orchard of the mind to flower and bear fruit and become ideas. The more fleshless, odorless, soundless the world was that filtered into me, the more I felt I was ascending the highest peak of human endeavor. And I rejoiced. And Buddha came to be my greatest god, whom I loved and revered as an example. Deny your five senses. Empty your guts. Love nothing, hate nothing, desire nothing, hope for nothing. Breathe out and the world will be extinguished. But one night I had a dream. A hunger, a thirst, the influence of a barbarous race that had not yet become tired of the world had been secretly working within me. My mind pretended to be tired. You felt it had known everything, had become satiated, and was now smiling ironically at the cries of my peasant heart. But my guts – praised be God! – were full of blood and mud and craving. And one night I had a dream. I saw two lips without a face – large, scimitar-shaped woman’s lips. They moved. I heard a voice ask, ‘Who if your God?’ Unhesitatingly I answered, ‘Buddha!’ But the lips moved again and said: ‘No, Epaphus.’ I sprang up out of my sleep. Suddenly a great sense of joy and certainty flooded my heart. What I had been unable to find in the noisy, temptation-filled, confused world of wakefulness I had found now in the primeval, motherly embrace of the night. Since that night I have not strayed. I follow my own path and try to make up for the years of my youth that were lost in the worship of fleshless gods, alien to me and my race. Now I transubstantiate the abstract concepts into flesh and am nourished. I have learned that Epaphus, the god of touch, is my god. All the countries I have known since then I have known with my sense of touch. I feel my memories tingling, not in my head but in my fingertips and my whole skin. And as I bring back Japan to my mind, my hands tremble as if they were touching the breast of a beloved woman.
Nikos Kazantzakis (Travels in China & Japan)
The essence of the suicides consisted not of sadness or mystery but simple selfishness. The girls took into their own hands decisions better left to God. They became too powerful to live among us, too self-concerned, too visionary, too blind. What lingered after them was not life, which always overcomes natural death, but the most trivial list of mundane facts: a clock ticking on a wall, a room dim at noon, and the outrageousness of a human being thinking only of herself. Her brain going dim to all else, but flaming up in precise points of pain, personal injury, lost dreams. Every other loved one receding as though across a vast ice floe, shrinking to black dots waving tiny arms, out ofhearing. Then the rope thrown over the beam, the sleeping pill dropped in the palm with the long, lying lifeline, the window thrown open, the oven turned on, whatever. They made us participate in their own madness, because we couldn't help but retrace their steps, rethink their thoughts, and see that none of them led to us. We couldn't imagine the emptiness of a creature who put a razor to her wrists and opened her veins, the emptiness and the calm. And we had to smear our muzzles in their last traces, of mud marks on the floor, trunks kicked out from under them, we had to breathe forever the air of the rooms in which they killed themselves. It didn't matter in the end how old they had been, or that they were girls, but only that we had loved them, and that they hadn't heard us calling, still do not hear us, up here in the tree house, with our thinning hair and soft bellies, calling them out ofthose rooms where they went to be alone for all time, alone in suicide, which is deeper than death, and where we will.
Jeffrey Eugenides (The Virgin Suicides)
As a teen I was totally that dumpy overweight nerdy girl that nobody wants to be in the stories you’re told. And now I am a dumpy overweight nerdy adult and life is beautiful like a song. I’m not a flower that bloomed in the mud. Just a girl who stayed steady on the path of determination.
Lauren DeStefano
In October 1920, her former employer was featured in the local news. The residue from radium extraction looked like seaside sand, and the company had offloaded this industrial waste by selling it to schools and playgrounds to use in their children’s sandboxes; kids’ shoes were reported to have turned white because of it, while one little boy complained to his mother of a burning sensation in his hands. Yet, in comments that made reassuring reading, von Sochocky pronounced the sand “most hygienic”10 for children to play in, “more beneficial than the mud of world-renowned curative baths.”11
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
The houses reminded me of hopeful homely girls on a Friday night, hopping bars in spangly tops, packs of them where you assumed at least one might be pretty, but none were, and never would be. And here was Magda’s house, the ugliest girl with the most accessories, frantically piled on. The front yard was spiked with lawn ornaments: gnomes bouncing on wire legs, flamingos on springs, and ducks with plastic wings that circled when the wind blew. A forgotten cardboard Christmas reindeer sat soggy in the front garden, which was mostly mud, baby-fuzz patches of grass poking through intermittently.
Gillian Flynn (Dark Places)
She found half of a sea biscuit and offered it to Sus. The young girl held it between two fingers and licked a corner. “It tastes like dirt.” “And how would you know?” Felissa said, putting her fists on her hips. “You eat dirt often, do you? Snacking on mud pies when our backs are turned?” “It tastes how dirt smells,” Sus said.
Shannon Hale (The Forgotten Sisters (Princess Academy #3))
But nowadays everybody’s a comedian, even the weather girls and continuity announcers. We laugh at everything. Not intelligently anymore, not with sudden shock, astonishment, or revelation, just relentlessly and meaninglessly. No more rain showers in the desert, just mud and drizzle everywhere, occasionally illuminated by the flash of paparazzi.
Douglas Adams (The Salmon of Doubt)
But then Valentina did come forward, walking to the bars, widening her eyes and jerking her chin. It was a subtle but clear signal. Look over there, it said. Tana turned toward the shadows and saw the shine of eyes. She stumbled back, reaching again for the slippery handle of the screwdriver, before she saw it was Gavriel. He was sitting on the floor, legs crossed. She had no idea how long he’d been sitting there, but at her astonished look he raised both eyebrows. An amused smile pulled at his lips. “I’m a very bad host, forcing you to throw together supper for yourself,” he said finally. He stood and stuck out a hand, as if to help her to her feet—as if she were some fancy lady who’d fallen from a coach into a mud puddle.
Holly Black (The Coldest Girl in Coldtown)
Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to remember to catch the world in its changing and change with it.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Girls aside, the other thing I found in the last few years of being at school, was a quiet, but strong Christian faith – and this touched me profoundly, setting up a relationship or faith that has followed me ever since. I am so grateful for this. It has provided me with a real anchor to my life and has been the secret strength to so many great adventures since. But it came to me very simply one day at school, aged only sixteen. As a young kid, I had always found that a faith in God was so natural. It was a simple comfort to me: unquestioning and personal. But once I went to school and was forced to sit through somewhere in the region of nine hundred dry, Latin-liturgical, chapel services, listening to stereotypical churchy people droning on, I just thought that I had got the whole faith deal wrong. Maybe God wasn’t intimate and personal but was much more like chapel was … tedious, judgemental, boring and irrelevant. The irony was that if chapel was all of those things, a real faith is the opposite. But somehow, and without much thought, I had thrown the beautiful out with the boring. If church stinks, then faith must do, too. The precious, natural, instinctive faith I had known when I was younger was tossed out with this newly found delusion that because I was growing up, it was time to ‘believe’ like a grown-up. I mean, what does a child know about faith? It took a low point at school, when my godfather, Stephen, died, to shake me into searching a bit harder to re-find this faith I had once known. Life is like that. Sometimes it takes a jolt to make us sit and remember who and what we are really about. Stephen had been my father’s best friend in the world. And he was like a second father to me. He came on all our family holidays, and spent almost every weekend down with us in the Isle of Wight in the summer, sailing with Dad and me. He died very suddenly and without warning, of a heart attack in Johannesburg. I was devastated. I remember sitting up a tree one night at school on my own, and praying the simplest, most heartfelt prayer of my life. ‘Please, God, comfort me.’ Blow me down … He did. My journey ever since has been trying to make sure I don’t let life or vicars or church over-complicate that simple faith I had found. And the more of the Christian faith I discover, the more I realize that, at heart, it is simple. (What a relief it has been in later life to find that there are some great church communities out there, with honest, loving friendships that help me with all of this stuff.) To me, my Christian faith is all about being held, comforted, forgiven, strengthened and loved – yet somehow that message gets lost on most of us, and we tend only to remember the religious nutters or the God of endless school assemblies. This is no one’s fault, it is just life. Our job is to stay open and gentle, so we can hear the knocking on the door of our heart when it comes. The irony is that I never meet anyone who doesn’t want to be loved or held or forgiven. Yet I meet a lot of folk who hate religion. And I so sympathize. But so did Jesus. In fact, He didn’t just sympathize, He went much further. It seems more like this Jesus came to destroy religion and to bring life. This really is the heart of what I found as a young teenager: Christ comes to make us free, to bring us life in all its fullness. He is there to forgive us where we have messed up (and who hasn’t), and to be the backbone in our being. Faith in Christ has been the great empowering presence in my life, helping me walk strong when so often I feel so weak. It is no wonder I felt I had stumbled on something remarkable that night up that tree. I had found a calling for my life.
Bear Grylls (Mud, Sweat and Tears)
After the doctor’s outburst, Francie stood hanging her head. She was a dirty girl. That’s what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn’t breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies? She
Betty Smith (A Tree Grows in Brooklyn)
Dusk settled over our shoulders like a damp purple blanket. The river- the churn and clank of boat traffic, the shush of water, and the tangy smell of catfish and mud- was slowly beaten back by honeysuckle and cicadas and some bird that cooed the same three syllables in a lilting circle. It was all so familiar and so foreign. I pictured a young girl in a blue cotton dress running down this same road on cinnamon-stick legs. Then I pictured another girl, white and square-jawed, running before her. Adelaide. Mother. I would've missed it if I hadn't been looking: a narrow dirt drive crowded on either side by briars and untrimmed boughs. Even once I'd followed the track to its end I was uncertain- who would live in such a huddled, bent-back cabin, half-eaten by ivy and some sort of feral climbing rose? The wooden-shake shingles were green with moss; the barn had collapsed entirely.
Alix E. Harrow (The Ten Thousand Doors of January)
I had the grace to say that he flattered me but let it lie when he answered that I was too modest—even though I’m not handsome now and wasn’t then and modesty has never been one of my vices. “But Noisy thought all the girls were beautiful, too—and in one case this may have been true and certainly several of them were pretty. “But he asked me what had become of Olga and added, ‘Golly, what a little beauty she was!’ “Kinfolk, Olga wasn’t even homely, she was ugly. Face like a mud pie, figure like a gunnysack—only on an outpost like Mars could she get by. What she did have was a warm and gentle voice and a sweet personality—which was enough, as a customer might pick her through Hobson’s choice on a busy night, but once he had done so, he picked her some later time on purpose. Mean to say, dears, beauty will lure a man into bed, but it won’t bring him back a second time, unless he’s awfully young or very stupid.
Robert A. Heinlein (Time Enough for Love)
Possessiveness isn’t unprecedented.’ ‘On the contrary – it’s as common as mud. But to recognise it in one’s self and chuck it overboard is – unusual. If you want to be a normal person, my girl, you should let it rip and give yourself and everybody else hell with it. And you should call it something else – devotion or self-sacrifice and that sort of thing. If you go on behaving with all this reason and generosity, everybody will think we don’t give a damn for one another.
Dorothy L. Sayers (Busman's Honeymoon (Lord Peter Wimsey, #13))
Daemon picked her up, took her into the bathroom, and filled the tub with hot water. She’d been unnaturally quiet all day, and he’d feared she was becoming ill. Now he feared she was in shock. There were dark smudges beneath her eyes, and she didn’t seem to know where she was. She struggled when he tried to lift the nightgown over her head. “No,” she said feebly as she attempted to hold the garment down. “I know what girls look like,” Daemon snapped as he pulled off the nightgown and lifted her into the tub. “Sit there.” He pointed a finger at her. She stopped trying to get out of the tub. Daemon went into the bedroom and got the brandy and glass he kept tucked in the bottom drawer of the nightstand. Returning to the bathroom, he sat on the edge of the tub, poured a healthy dose into the glass, and handed it to her. “Drink this.” He watched her take a small taste and grimace before he put the bottle to his own lips and took a long swallow. “Drink it,” he said angrily when she tried to hand him the glass. “I don’t like it.” It was the first time he’d ever heard her sound so young and vulnerable. He wanted to scream. “What—” He knew. Suddenly, all too clearly, he knew. The mud, the dirge, her hands cut up from digging in the hard ground, the dirt beneath her fingernails. He knew. Daemon took another long swallow of brandy. “Who?” “Rose,” Jaenelle replied in a hollow voice. “He killed my friend Rose.
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
The girl noticed her eyes. They seemed kind to her, despite the woman's rough look. Out of nowhere, she wanted the woman to hold her. It had been so long since she had smelled a woman's skin that even a dirty woman's embrace would have been welcome. She was still disturbed by the sight of the dead young nuns near the hospital and she wanted a woman to hold her and tell her that the whole world didn't yet belong to Death, masculine Death with his hourglass and his holes for eyes. Death with his bony arms that only embraced to take you away, like a lamb from the market. Like the pig on La Bucherie. How did Heaven come into all of this? Heaven was life, not death. Heaven was a woman holding your head in the crook of her arm and looking down at you. Heaven was a warm hand on your cheek and the smell of soup with garlic on the fire. How could people enjoy anything in heaven with their noses rotted off and their ears full of mud and worms, and no cheeks, and no hands to lay on cheeks?
Christopher Buehlman (Between Two Fires)
One camera recorded only the flattened grass through a cracked lens. The other, moving closer to the girl, showed her dupatta fly toward it, a close-up of the tiny embroidered flowers on the white cloth, and then a battering darkness. For a few moments there was only a howling noise, the wind raging, and then a hand plucked away the white cloth and the howl was the girl, a dust mask on her face, her dark hair a cascade of mud, her fingers interlaced over the face of her brother. A howl deeper than a girl, a howl that came out of the earth and through her and into the office of the home secretary, who took a step back. As if that were the only thing the entire spectacle had been designed to achieve, the wind dropped as suddenly as buildings collapse in 3-D models, and the girl stopped her noise, unlaced her fingers. The cameras panned, then zoomed. In the whole apocalyptic mess of the park the only thing that remained unburied was the face of the dead boy. “Impressive,” said the home secretary.
Kamila Shamsie (Home Fire)
You can tell you are a soccer girl if. You dont mind falling in the mud You dont care if you get tripped. You get back up again when you get pushed. You out run all the guys. You dont care to get a little sweat and blood on you. You dont care about getting kicked in the ankles a million times. You dont care about people stepping on your toes with there cleats. You dont care what your hair looks like after you play. All your makeup is washed off! If you are all those you are definitely a soccer player! :)
anonymise
Speaking of makeovers, anyone notice Hort’s looking even juicier than he did at school?” chirped Dot, biting into the cocoa-pizza she’d swiped off the floor. “Saw him when we came in and he has this swarthy tan from working the moors and mud stains on his cheeks, like he’s Captain Lumberjack or something. But you know how I like woodsy types, with my crush on Robin Hood and all. Anyway, I sneak behind and give him a good sniff and notice he smells like a man now, nothing like that boy who used to wear frog pajamas and reek of baby powder, and all I could think was since there aren’t too many rooms in this place, I wonder if I can get Merlin to put me and him in the same—” “Over my dead body,” bellowed Hort, who stuck his head out from around the corner. Hester glared back, demon twitching. “That can be arranged.” Hort muttered something obscene and vanished behind the wall. Hester saw Dot goggling at her. “What now?” “Did you just defend me?” “Only because you look so stupid in that crown,” Hester grumped. All the girls laughed, even Dot.
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
I can trust you.” “How do you know?” she says again. This is when I kiss her. I cannot give her the haemanthus. That is my heart, and it is of Mars—one of the only things born from the red soil. And it is still Eo’s. But this girl, when they took her … I would have done anything to see her smirking again. Perhaps one day I’ll have two hearts to give. She tastes how she smells. Smoke and hunger. We do not pull apart. My fingers wend through her hair. Hers trace along my jaw, my neck, and scrape along the back of my scalp. There is a bed. There is time. And there’s a hunger different from when I first kissed Eo. But I remember when the Gamma Helldiver, Dago, took a deep pull from his burner, turning it bright but dead in a few quick moments. He said, This is you. I know I am impetuous. Rash. I process that. And I am full of many things—passion, regret, guilt, sorrow, longing, rage. At times they rule me, but not now. Not here. I wound up hanging on a scaffold because of my passion and sorrow. I ended up in the mud because of my guilt. I would have killed Augustus at first sight because of my rage. But now I am here. I know nothing of the Institute’s history. But I know I have taken what no one else has taken. I took it with anger and cunning, with passion and rage. I won’t take Mustang the same way. Love and war are two different battlefields. So despite the hunger, I pull away from Mustang. Without a word, she knows my mind, and that’s how I know it’s in the right. She darts one more kiss into me. It lingers longer than it should, and then we stand together and leave.
Pierce Brown (Red Rising (Red Rising Saga, #1))
The Grahamites who preach on the streets of Bangkok all talk of their Holy Bible and its stories of salvation. Their stories of Noah Bodhisattva, who saved all the animals and trees and flowers on his great bamboo raft and helped them cross the waters, all the broken pieces of the world piled atop his raft while he hunted for land. But there is no Noah Bodhisattva now. There is only Phra Seub who feels the pain of loss but can do little to stop it, and the little mud Buddhas of the Environment Ministry, who hold back rising waters by barest luck.
Paolo Bacigalupi (The Windup Girl)
In October 1920, her former employer was featured in the local news. The residue from radium extraction looked like seaside sand, and the company had offloaded this industrial waste by selling it to schools and playgrounds to use in their children’s sandboxes; kids’ shoes were reported to have turned white because of it, while one little boy complained to his mother of a burning sensation in his hands. Yet, in comments that made reassuring reading, von Sochocky pronounced the sand “most hygienic”10 for children to play in, “more beneficial than the mud of world-renowned curative baths.
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
Days after the Vignes twins left Mallard, the river flooded, turning all the roads to muck. If they’d waited a day longer, the storm would’ve flushed them out. If not rain, then the mud. They would’ve trudged halfway down Partridge Road, then thought, forget it. They weren’t tough girls. Wouldn’t have lasted five miles down a muddy country road—they would’ve returned home, drenched, and fallen asleep in their beds, Desiree admitting that she’d been impulsive, Stella that she was only being loyal. But it didn’t rain that night. The sky was clear when the twins left home without looking back.
Brit Bennett (The Vanishing Half)
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.
Toni Morrison (Beloved)
I thumped her on the back, picked her up and dropped her on top of her dungarees. “Put them pants on,” I said, “and be a man.” She did, but she cried quietly until I shook her and said gently, “Stop it now. I didn’t carry on like that when I was a little girl.” I got into my clothes and dumped her into the bow of the canoe and shoved off. All the way back to the cabin I forced her to play one of our pet games. I would say something—anything—and she would try to say something that rhymed with it. Then it would be her turn. She had an extraordinary rhythmic sense, and an excellent ear. I started off with “We’ll go home and eat our dinners.” “An’ Lord have mercy on us sinners,” she cried. Then, “Let’s see you find a rhyme for ‘month’!” “I bet I’ll do it … jutht thith onthe,” I replied. “I guess I did it then, by cracky.” “Course you did, but then you’re wacky. Top that, mister funny-lookin’!” I pretended I couldn’t, mainly because I couldn’t, and she soundly kicked my shin as a penance. By the time we reached the cabin she was her usual self, and I found myself envying the resilience of youth. And she earned my undying respect by saying nothing to Anjy about the afternoon’s events, even when Anjy looked us over and said, “Just look at you two filthy kids! What have you been doing—swimming in the bayou?” “Daddy splashed me,” said Patty promptly. “And you had to splash him back. Why did he splash you?” “ ’Cause I spit mud through my teeth at him to make him mad,” said my outrageous child. “Patty!” “Mea culpa,” I said, hanging my head. “ ’Twas I who spit the mud.” Anjy threw up her hands. “Heaven knows what sort of a woman Patty’s going to grow up to be,” she said, half angrily. “A broad-minded and forgiving one like her lovely mother,” I said quickly. “Nice work, bud,” said Patty. Anjy laughed. “Outnumbered again. Come in and feed the face.
Theodore Sturgeon (Killdozer!)
Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about. They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three. There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters. They'll stop you at the river, he says. The second corporal looks past his comrades. Are you talking to me? At the river. Be told. They'll jail you to a man. Who will? The United States Army. General Worth. They hell they will. Pray that they will. He looks at his comrades. He leans toward the Mennonite. What does that mean, old man? Do ye cross that river with yon filibuster armed ye'll not cross it back. Don't aim to cross it back. We goin to Sonora. What's it to you, old man? The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs. But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be? How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call. There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Where is Edna?” The beauty glared at him with incredulity, exotic make up accentuating her every breath-taking feature. “Are you mocking me?” “I am sorry, what?” he replied. “Are you that thickheaded? It is me, silly,” said the girl. It hit him like a ton of mud bricks. This gorgeous vision of feminine transcendence frowning at him was none other than the transformed presentation of his immature scrawny little boyish girl Edna. His little Pedna. How could he have never seen her this way before? He stumbled back a step and almost fainted. He knew at that very moment that he would never be happy in this life again until he married this goddess.
Brian Godawa (Enoch Primordial (Chronicles of the Nephilim #2))
On this bald hill the new year hones its edge. Faceless and pale as china The round sky goes on minding its business. Your absence is inconspicuous; Nobody can tell what I lack. Gulls have threaded the river’s mud bed back To this crest of grass. Inland, they argue, Settling and stirring like blown paper Or the hands of an invalid. The wan Sun manages to strike such tin glints From the linked ponds that my eyes wince And brim; the city melts like sugar. A crocodile of small girls Knotting and stopping, ill-assorted, in blue uniforms, Opens to swallow me. I’m a stone, a stick, One child drops a carrette of pink plastic; None of them seem to notice. Their shrill, gravelly gossip’s funneled off. Now silence after silence offers itself. The wind stops my breath like a bandage. Southward, over Kentish Town, an ashen smudge Swaddles roof and tree. It could be a snowfield or a cloudbank. I suppose it’s pointless to think of you at all. Already your doll grip lets go. The tumulus, even at noon, guargs its black shadow: You know me less constant, Ghost of a leaf, ghost of a bird. I circle the writhen trees. I am too happy. These faithful dark-boughed cypresses Brood, rooted in their heaped losses. Your cry fades like the cry of a gnat. I lose sight of you on your blind journey, While the heath grass glitters and the spindling rivulets Unpool and spend themselves. My mind runs with them, Pooling in heel-prints, fumbling pebble and stem. The day empties its images Like a cup of a room. The moon’s crook whitens, Thin as the skin seaming a scar. Now, on the nursery wall, The blue night plants, the little pale blue hill In your sister’s birthday picture start to glow. The orange pompons, the Egyptian papyrus Light up. Each rabbit-eared Blue shrub behind the glass Exhales an indigo nimbus, A sort of cellophane balloon. The old dregs, the old difficulties take me to wife. Gulls stiffen to their chill vigil in the drafty half-light; I enter the lit house.
Sylvia Plath
Today, we’re talking about food stamps. Everyone speaks earnestly and academically about topics that have no effect on their daily lives. I don’t know if I’m alone in my experience—I can’t be the only one in here who doesn’t come from money—but from the conversation, it sure sounds like it. I nod and pretend that these things don’t matter to me, either. I pretend it doesn’t matter when the girl at the front of the class says that people on food stamps are lazy. I pretend I don’t care when someone talks about how they saw someone buying a fifth of vodka and a bag of candy with EBT. I nod and I smile and I try not to shiver. I tell myself it’s the draft, that it’s my drenched, mud-stained, no-longer-lucky sweater.
Courtney Milan (Trade Me (Cyclone, # 1))
Did he want Nick to die on the floor of his bathroom from an overdose of mentholated rub? Did he want me to spend the last eighty years of my lifespan in a convent? Maybe he was mad that I was trying to sneak out of the house wearing his jeans for the third day in a row. "I am taking Doofus for another walk," I said clearly,daring him to defy me. "That would not be good for Doofus." Josh folded his arms. "Mom,that would not be good for Doofus." Oh! Dragging Mom into this was low.Not to mention Doofus. "Since when is going for a walk not good for a dog?" I challenged Josh. "He's an old dog," Josh protested. "He's four!" I pointed out. "That's twenty-eight in dog years! He's practically thirty!" "Strike!" Mom squealed amid the noise of electronic pins falling. Then she shook her game remote at both of us in turn. "I'm not stupid, you know.And I'm not as out of it as you assume. I know the two of you are really arguing about something else.It's those jeans again, isn't it?" She nodded to me. "I should cut them in half and give each of you a leg.Why does either of you want to wear jeans with 'boy toy' written across the seat anyway?" "I thought that was the fashion." Josh said. "Grandma wears a pair of sweatpants with 'hot mama' written across the ass." "That is different," Mom hissed. "She wears them around the kitchen." I sniffed indignantly. "I said," I announced, "I am goig for a walk with my dog. My beloved canine and I are taking a turn around our fair community. No activity could be more wholesome for a young girl and her pet. And if you have a problem with that,well! What is this world coming to? Come along, dear Doofus." I stuck my nose in the air and stalked past them, but the effect was lost. Somewhere around "our fair community," Mom and Josh both had lost interest and turned back to the TV. Or so I thought.But just as I was about to step outside,hosh appeared in the doorway between the kitchen and the mud room. "What the hell are you doing" he demanded. I said self-righteously, "I am taking my loyal canine for a w-" "You're going to Nick's,aren't you?" he whispered. "Do you think that's a good idea? I heard you yelled at him for no reason at the half-pipe,right before he busted ass.
Jennifer Echols (The Ex Games)
Thank you, Clara,” I say. “How did you get the key?” “Dumb luck,” she says. “Those twins with the funny names dropped it just a few feet away from me.” “They… dropped it?” Those guys are the most skilled sleight-of-hand tricksters I’ve ever seen. Hard to imagine either of them dropping anything. “Yeah, they were juggling a bunch of things between them as they walked. The key just fell and they didn’t notice.” “But you did.” “Sure.” “How did you know it was the key to our police car?” She lifts the key tag to show me. It’s a clear plastic holder that’s probably meant for pictures. This one frames a piece of paper with a note scrawled in little-kid block letters: “Penryn’s police car—Super Secret.” If I ever see the twins again, it looks like I owe them a zombie-girl mud fight.
Susan Ee (World After (Penryn & the End of Days, #2))
For the next nine months, Sylvia would report on campus trends, politics, tastes, style. It was an honor, but it was grueling. Sylvia was overworked. She had boyfriend problems. She longed for Europe. She broke her leg in a skiing accident. Her best friend, Marcia Brown, had gotten engaged and moved off campus - other girls were away on their junior year abroad. The whole campus seemed mired in some bleak haze- there were suicide attempts, abortions, disappearances, and hasty marriages. Sylvia coped with shopping binges in downtown Northhampton- sheer blouses, French pumps, red cashmere sweaters, white skirts, and tight black pullovers - clothes more suited to voguish amusements than studying. Everyone wanted to be one of Mademoiselle's guest editors, but Sylvia needed it - some shot of glamour to pull her out of the mud.
Elizabeth Winder (Pain, Parties, Work: Sylvia Plath in New York, Summer 1953)
By the old Moulmein Pagoda, lookin' lazy at the sea, There's a Burma girl a-settin', and I know she thinks o' me; For the wind is in the palm-trees, and the temple-bells they say: "Come you back, you British soldier; come you back to Mandalay!" Come you back to Mandalay, Where the old Flotilla lay: Can't you 'ear their paddles chunkin' from Rangoon to Mandalay ? On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay! 'Er petticoat was yaller an' 'er little cap was green, An' 'er name was Supi-yaw-lat - jes' the same as Theebaw's Queen, An' I seed her first a-smokin' of a whackin' white cheroot, An' a-wastin' Christian kisses on an 'eathen idol's foot: Bloomin' idol made o' mud Wot they called the Great Gawd Budd Plucky lot she cared for idols when I kissed 'er where she stud! On the road to Mandalay... When the mist was on the rice-fields an' the sun was droppin' slow, She'd git 'er little banjo an' she'd sing "Kulla-lo-lo! With 'er arm upon my shoulder an' 'er cheek agin my cheek We useter watch the steamers an' the hathis pilin' teak. Elephints a-pilin' teak In the sludgy, squdgy creek, Where the silence 'ung that 'eavy you was 'arf afraid to speak! On the road to Mandalay... But that's all shove be'ind me - long ago an' fur away An' there ain't no 'busses runnin' from the Bank to Mandalay; An' I'm learnin' 'ere in London what the ten-year soldier tells: "If you've 'eard the East a-callin', you won't never 'eed naught else." No! you won't 'eed nothin' else But them spicy garlic smells, An' the sunshine an' the palm-trees an' the tinkly temple-bells; On the road to Mandalay... I am sick o' wastin' leather on these gritty pavin'-stones, An' the blasted English drizzle wakes the fever in my bones; Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand, An' they talks a lot o' lovin', but wot do they understand? Beefy face an' grubby 'and - Law! wot do they understand? I've a neater, sweeter maiden in a cleaner, greener land! On the road to Mandalay... Ship me somewheres east of Suez, where the best is like the worst, Where there aren't no Ten Commandments an' a man can raise a thirst; For the temple-bells are callin', an' it's there that I would be By the old Moulmein Pagoda, looking lazy at the sea; On the road to Mandalay, Where the old Flotilla lay, With our sick beneath the awnings when we went to Mandalay! O the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay !
Rudyard Kipling (Mandalay)
Women also wore extremely tight corsets that covered much of the body, and shoes with very high heels, usually made of wood. When they were outdoors, they balanced their shoes on pattens—leather or iron or wooden clogs mounted on rings of iron. The pattens kept the thin-soled shoes out of the mud, but they made a stroll down the street as challenging as stilt-walking. When women went outside in daylight, they also wore masks to protect their complexion, as well as gloves to keep their hands smooth. (It’s hard to imagine how someone encumbered with a body-length corset and huge hoop skirt would be able to get involved in any activity conducive to nail breakage, let alone chapping.) Well-born little girls wore the same clothes as their mothers. Their stiffness in colonial portraits may reflect the fact that they had already been bound up in corsets. The
Gail Collins (America's Women: 400 Years of Dolls, Drudges, Helpmates, and Heroines)
Talking about your crazy spots not only saves your daughter the work of trying to change your fully formed personality, it also builds her emotional intelligence. In its more basic form, your daughter’s emotional intelligence will help her to consider competing mental states. But when you teach her about your crazy spots, you are taking her emotional intelligence up several notches: you are inviting her to think about your motivations in a broad perspective that includes past experiences and relationships. By encouraging her to expand her insight beyond what’s happening in the moment, you’ll advance your daughter from varsity level emotional intelligence (“Why does Mom act psychotic when I track mud through the house?”) to the pros (“Mom acts psychotic because she didn’t have to share her space when she was growing up, so she doesn’t always handle it well now”).
Lisa Damour (Untangled: Guiding Teenage Girls Through the Seven Transitions into Adulthood)
The boat fairly flew; we sweltered side by side in the stagnant superheated air; the smell of mud, of mush, the primeval smell of fecund earth, seemed to sting our faces; till suddenly at a bend it was as if a great hand far away had lifted a heavy curtain, had flung open un immense portal. The light itself seemed to stir, the sky above our heads widened, a far-off murmur reached our ears, a freshness enveloped us, filled our lungs, quickened our thoughts, our blood, our regrets — and, straight ahead, the forests sank down against the dark-blue ridge of the sea. ‘I breathed deeply, I revelled in the vastness of the opened horizon, in the different atmosphere that seemed to vibrate with the toil of life, with the energy of an impeccable world. This sky and this sea were open to me. The girl was right — there was a sign, a call in them — something to which I responded with every fibre of my being.
Joseph Conrad (Delphi Complete Works of Joseph Conrad)
Bread will win the war. Work will win, sugar will win, peach pits will win the war. Nonsense. Not nonsense, I tell you, there's some kind of valuable high explosive to be got out of peach pits. So all the happy housewives hurry during the canning season to lay their baskets of peach pits on the altar of their country. It keeps them busy and makes them feel useful, and all these women running wild with the men away are dangerous, if they aren't given something to keep their little minds out of mischief. So rows of young girls, the intact cradles of the future, with their pure serious faces framed becomingly in Red Cross wimples, roll cock-eyed bandages that will never reach a base hospital, and knit sweaters that will never warm a manly chest, their minds dwelling lovingly on all the blood and mud and the next dance at the Acanthus Club for the officers of the flying corps. Keeping still and quiet will win the war.
Katherine Anne Porter (Pale Horse, Pale Rider)
James finished his curry and wandered off on his own. He noticed a girl leaning against a tree smoking. Long hair, baggy jeans. She was about James’s age, nice looking. He didn’t remember her from any of the intelligence files. “Hey, can I have a drag?” James said, trying to sound cool. “Sure,” the girl said. She passed James the cigarette. James had never tried one before and hoped he wasn’t about to make an idiot of himself. He gave it a little suck. It burned his throat, but he managed not to cough. “Not seen you here before,” the girl said. “I’m Ross,” James said. “Staying here with my aunt for a bit.” “Joanna,” the girl said. “I live in Craddogh.” “Haven’t been there yet,” James said. “It’s a dump, two shops and a post office. Where you from?” “London.” “I wish I was,” Joanna said. “You like it here?” “I’m always covered in mud. I want to go to bed, but there’s a guy playing guitar three meters from where I sleep. I wish I could go home, have a warm shower, and see my mates.” Joanna smiled. “So why are you staying with your aunt?” “Long story: Parents are getting divorced. Mum freaking out. Got expelled from school.” “So you’re good-looking and you’re a rebel,” Joanna said. James was glad it was quite dark because he felt himself blush. “You want the last puff, Ross?” “No, I’m cool,” James said. Joanna flicked the cigarette butt into the night. “So, I paid you a compliment,” Joanna said. “Yeah.” Joanna laughed. “So do I get one back?” she asked. “Oh, sure,” James said. “You’re really like . . . nice.” “Can’t I get any better than nice?” “Beautiful,” James said. “You’re beautiful.” “That’s more like it,” Joanna said. “Want to kiss me?” “Um, OK,” James said. James was nervous. He’d never had the courage to ask a girl out. Now he was about to kiss someone he’d known for three minutes. He pecked her on the cheek. Joanna shoved James against the tree and started kissing his face and neck. Her hand went in the back pocket of James’s jeans, then she jumped backwards.
Robert Muchamore (The Recruit (CHERUB, #1))
Then I pushed my way through and saw a young woman climb down, no more than my age, only she was as pale as a flour bag, with rosebud lips pressed tight together, and two spots of rouge high on her cheeks. She stared at the rabble, her eyes narrowing. She weren't afeard of us, no not one whit. She lifted her chin and said in a throaty London drawl, 'Mr Pars. Fetch him at once.' Like magic the scene changed: three or four fellows legged it indoors and those staying behind hung back a bit, fidgeting before this girl that might have dropped from the moon for all we'd ever seen such a being in our yard. What drew my eye was her apricot-colored gown that shone like a diamond. I drank in all her marks of fashion: the peachy ribbon holding the little dog she clutched to her bosom, her powdered curls, but most of all it was her shoes I fixed on. They were made of shiny silver stuff, and in spite of the prettiest heels you ever saw, were already squelched in Mawton mud. It were a crime to ruin those shoes, but there were no denying it, she'd landed in a right old pigsty.
Martine Bailey (An Appetite for Violets)
The next night was New Year’s Eve, and I made a secret plan with Shara to meet her outside the back door on the stroke of midnight. “Let’s take a walk,” I suggested. “Sure. It’s midnight, minus five degrees, and pitch black, but hey, let’s walk.” She paused. “But not up Loyal,” she added, smiling. And so we walked together along a moonlit track. Twenty yards and then I will make the move to kiss her, I told myself. But plucking up the courage with a girl this special was harder than I had thought. Twenty yards became two hundred yards. Then two thousand. Forty-five minutes later, she suggested that maybe we should turn around and head back to the house. “Yes. Good idea.” I replied. Do it, Bear, you old woman. Do it now! And so I did. A quick kiss on the lips, then a longer lingering one, and then I had to stop. It was sensory overload. Wow. That was worth the walk, I thought, smiling from ear to ear. “Let’s head back,” I confirmed, still smiling. I am not sure Shara was quite as impressed by the effort-to-reward ratio--long cold walk to short, hot kiss--but as far as I was concerned the sky and clouds had parted, and nothing would ever be the same again.
Bear Grylls (Mud, Sweat and Tears)
The odd curve of her ear was what he had noticed first. A roundness echoed in her cheeks and her mouth. Then it was the way her body looked solid, as though meant to take up space and weight in the world. When she moved, she left behind footprints in the forest floor. Because she didn't know how to glide silently, to disturb no leaf of branch. He felt smug to see how bad she was at even such an easy thing. It was only later that it disturbed him to think back on the shape of her boot in the soil, as though she was the only real thing in a land of ghosts. He had seen her before, he supposed. But at the palace school, he really looked. He noted her skirts, spattered with mud, and her hair ribbons, partially undone. He saw her twin sister, her double, as though one of them were a changeling child and not human at all. He saw the way they whispered together while they ate, smiling over private jokes. He saw the way they answered the instructors, as though they had any right to this knowledge, had any right to be sitting among their betters. To occasionally better their betters with those answers. And the one girl was good with a sword, instructed personally by the Grand General, as though she was not some by-blow of a faithless wife.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
Achievement ceremonies are revealing about the need of the powerful to punish women through beauty, since the tension of having to repress alarm at female achievement is unusually formalized in them. Beauty myth insults tend to be blurted out at them like death jokes at a funeral. Memories of these achievement ceremonies are supposed to last like Polaroid snapshots that gel into permanent colors, souvenirs to keep of a hard race run; but for girls and young women, the myth keeps those colors always liquid so that, with a word, they can be smeared into the uniform shades of mud. At my college graduation, the commencement speaker, Dick Cavett—who had been a “brother” of the university president in an allmale secret society—was confronted by two thousand young female Yale graduates in mortarboards and academic gowns, and offered them this story: When he was at Yale there were no women. The women went to Vassar. There, they had nude photographs taken in gym class to check their posture. Some of the photos ended up in the pornography black market in New Haven. The punch line: The photos found no buyers. Whether or not the slur was deliberate, it was still effective: We may have been Elis but we would still not make pornography worth his buying. Today, three thousand men of the class of 1984 are sure they are graduates of that university, remembering commencement as they are meant to: proudly. But many of the two thousand women, when they can think of that day at all, recall the feelings of the powerless: exclusion and shame and impotent, complicit silence. We could not make a scene, as it was our parents’ great day for which they had traveled long distances; neither could they, out of the same concern for us. Beauty pornography makes an eating disease seem inevitable, even desirable, if a young woman is to consider herself sexual and valuable: Robin Lakoff and Raquel Scherr in Face Value found in 1984 that “among college women, ‘modern’ definitions of beauty—health, energy, self-confidence”—prevailed. “The bad news” is that they all had “only one overriding concern: the shape and weight of their bodies. They all wanted to lose 5–25 pounds, even though most [were] not remotely overweight. They went into great detail about every flaw in their anatomies, and told of the great disgust they felt every time they looked in the mirror.” The “great disgust” they feel comes from learning the rigid conventions of beauty pornography before they learn their own sexual value; in such an atmosphere, eating diseases make perfect sense.
Naomi Wolf (The Beauty Myth)
If you hurt her, you will not leave here alive,” I growled at him. “I will kill you with my bare fucking hands, Bayle.” Bayle started to laugh. “Oh, you really think so?” Something flashed in Tilda’s eyes, and her body tensed up. Her expression hardened, and there was a resolve in her that I knew all too well from training with her. Tilda was a master of restraint, but she could destroy someone if she wanted to. “Wait,” Tilda said in a stilted voice. “This is Bayle Lundeen? Bayle, who conspired with Kennet? Bayle, who’s one of the reasons my husband is dead?” I nodded once. “Yeah. That’s him.” For the first time, Bayle seemed to realize he might have bitten off more than he could chew, and he looked down at Tilda with new appreciation. Tilda may be pregnant, but she was still tall and strong, with muscular arms and powerful legs. I was sure that when Bayle had first captured her, she’d been more docile so as not to risk him hurting the baby. But now she was pissed. With one sudden jerk, she flung her head backward, smashing into Bayle’s face. From where I stood several feet away from her, I heard the sound of his nose crunching. Before he could tilt the knife toward her, she grabbed his wrist, bent it backward, and, using her other arm as leverage, she broke his arm with a loud snap. It all happened within a few seconds, and Bayle screamed in pain and stumbled back. His arm hung at a weird angle, and blood streamed down his face. But Tilda wasn't done yet. With a swipe of her leg, she kicked his legs out from under him. He fell back into the mud, and Tilda kicked him hard in the groin, causing Konstantin to wince behind me. Then she jumped on top of him, punching him repeatedly in the face with both fists. His body had gone limp but I wasn't sure if that was because he was unconscious or dead. Either way, Tilda apparently decided that she wanted to be certain. She grabbed the knife that he’d dropped on the ground beside them, and she stabbed him straight through the heart. And then she just sat there, kneeling on his dead body and breathing hard. None of us said anything or moved. It felt like she needed the moment to herself. When she finally stood up, she shook her arms out, probably both because her fists hurt from hitting Bayle so hard and also to get rid of some of the blood. “Do you feel better?” I asked her. She nodded, still catching her breath as she walked over to me. “Yeah. We have to do something about these bodies, though. The humans will get suspicious.” “That girl is a fucking beast,” Konstantin whispered as she walked by, and he looked at her with newfound admiration. “You should see her when she’s not pregnant,” I said.
Amanda Hocking (Crystal Kingdom (Kanin Chronicles, #3))
I remember, one week, we all started playing strip poker. This is more like it, I thought. It wasn’t really even poker, but was more like: pick an ace and lose an item of clothing. I tried one night to rig the cards so that I could end up naked with Stephie, this girl I really fancied. I carefully counted out the cards and the aces, and rather unsubtly made sure I was sitting next to her, when we started playing. Annoyingly, she then swapped places when someone else came to join us and I ended naked next to Mick, embarrassed and self-conscious. (That will teach me to cheat.) Most of the time my attempts to get a girl fell pretty flat. In fact, whenever I really liked a girl I would always end up losing her to someone else, mainly because I found it so hard to make my feelings known and to pluck up the courage just to ask her out. I remember a friend coming down to the island to stay at the end of one summer, and within twenty-four hours he was in bed with the girl I had been chasing all holidays! I couldn’t believe it. What the hell did he have that I didn’t? I noticed that he wore these brown suede cowboy boots, so I went out and bought a secondhand pair, but I just looked stupid in them. To make matters worse, this friend then went on to describe to me in great detail what they had got up to in that bed. Aarrgh. It kind of summed up my attempts at womanizing.
Bear Grylls (Mud, Sweat and Tears)
I soon found my feet, and was much less homesick than I was at prep school. Thank God. I learned that with plenty of free time on our hands, and being encouraged to fill the time with “interests,” I could come up with some great adventures. A couple of my best friends and I started climbing the huge old oak trees around the grounds, finding monkey routes through the branches that allowed us to travel between the trees, high up above the ground. It was brilliant. We soon had built a real-life Robin Hood den, with full-on branch swings, pulleys, and balancing bars high up in the treetops. We crossed the Thames on the high girders above a railway bridge, we built rafts out of old Styrofoam and even made a boat out of an old bathtub to go down the river in. (Sadly this sank, as the water came in through the overflow hole, which was a fundamental flaw. Note to self: Test rafts before committing to big rivers in them.) We spied on the beautiful French girls who worked in the kitchens, and even made camps on the rooftops overlooking the walkway they used on their way back from work. We would vainly attempt to try and chat them up as they passed. In between many of these antics we had to work hard academically, as well as dress in ridiculous clothes, consisting of long tailcoats and waistcoats. This developed in me the art of making smart clothes look ragged, and ever since, I have maintained a lifelong love of wearing good-quality clothes in a messy way. It even earned me the nickname of “Scug,” from the deputy-headmaster. In Eton slang this roughly translates as: “A person of no account, and of dirty appearance.
Bear Grylls (Mud, Sweat and Tears)
That New Year I was invited to stay with one of my old school buddies, Sam Sykes, at his house on the far northwestern coast of Sutherland, in Scotland. It is as wild and rugged a place as anywhere on earth, and I love it there. It also happens to boast one of my favorite mountains in the world, Ben Loyal, a pinnacle of rock and steep heather that overlooks a spectacular estuary. So I did not need much encouraging to go up to Sam’s and climb. This time up there, I was to meet the lady who would change my life forever; and I was woefully ill-prepared for the occasion. I headed up north primarily to train and climb. Sam told me he had some other friends coming up for New Year. I would like them, he assured me. Great. As long as they don’t distract me from training, I thought to myself. I had never felt more distant from falling in love. I was a man on a mission. Everest was only two months away. Falling in love was way off my radar. One of Sam’s friends was this young girl called Shara. As gentle as a lamb, beautiful and funny--and she seemed to look at me so warmly. There was something about this girl. She just seemed to shine in all she did. And I was totally smitten, at once. All I seemed to want to do was hang out with her, drink tea, chat, and go for nice walks. I tried to fight the feeling by loading up my backpack with rocks and heavy books, then going off climbing on my own. But all I could think about was this beautiful blond girl who laughed in the most adorable way at how ridiculous it was to carry Shakespeare up a mountain. I could sense already that this was going to be a massive distraction, but somehow, at the same time, nothing else seemed to matter. I found myself wanting to be with this girl all the time.
Bear Grylls (Mud, Sweat and Tears)
It was a feeling that I could be a little different from everyone else of my age, and that, if pushed, I could battle against the forces of nature and prevail. Adventure felt the most natural thing in the world, and it was where I came alive. It is what made me feel, for the first time, really myself. As I got older and the rest of my world got more complicated and unnatural, I sought more and more the identity and wholeness that adventure gave me. In short, when I was wet, muddy, and cold, I felt like a million dollars, and when I was with the lads, with everyone desperately trying to be “cool,” I felt more awkward and unsure of myself. I could do mud, but trying to be cool was never a success. So I learned to love the former and shy away from the latter. (Although I gave “cool” a brief, good go as a young teenager, buying winklepicker boots and listening to heavy metal records all through one long winter, both of which were wholly unsatisfying, and subsequently dropped as “boring.”) Instead, I would often dress up in my “worst” (aka my best) and dirtiest clothes, stand under the hosepipe in the garden, get soaking wet--in December--and then go off for a run on my own in the hills. The locals thought me a bit bonkers, but my dog loved it, and I loved it. It felt wild, and it was a feeling that captured me more and more. Once, I returned from one such run caked in mud and ran past a girl I quite fancied. I wondered if she might like the muddy look. It was at least original, I thought. Instead, she crossed the road very quickly, looking at me as if I were just weird. It took me a while to begin to learn that girls don’t always like people who are totally scruffy and covered in mud. And what I considered natural, raw, and wild didn’t necessarily equal sexy. Lesson still in progress.
Bear Grylls (Mud, Sweat and Tears)
Lara Jean, just remember, the girl must always be the one to control how far things go. Boys think with their you-know-whats. It’s up to you to keep your head and protect what’s yours.” “I don’t know, Stormy. Isn’t that kind of sexist?” “Life is sexist. If you were to get pregnant, you’re the one whose life changes. Nothing of significance changes for the boy. You’re the one people whisper about. I’ve seen that show, Teen Moms. All those boys are worthless. Garbage!” “Are you saying I shouldn’t have sex?” This whole time, Stormy has been telling me to stop being such a stick-in-the-mud, to live life, to love boys. And now this? “I’m saying you should be careful. As careful as life and death, because that’s what it is.” She gives me a meaningful look. “And never trust the boy to bring the condom. A lady always brings her own.” I cough. “Your body is yours to protect and to enjoy.” She raises both eyebrows at me meaningfully. “Whoever you should choose to partake in that enjoyment, that is your choice, and choose wisely. Every man that ever got to touch me was afforded an honor. A privilege.” Stormy waves her hand over me. “All this? It’s a privilege to worship at this temple, do you understand my meaning? Not just any young fool can approach the throne. Remember my words, Lara Jean. You decide who, how far, and how often, if ever.” “I had no idea you were such a feminist,” I say. “Feminist?” Stormy makes a disgusted sound in her throat. “I’m no feminist. Really, Lara Jean!” “Stormy, don’t get worked up about it. All it means is that you believe men and women are equal, and should have equal rights.” “I don’t think any man is my equal. Women are far superior, and don’t you forget it. Don’t forget any of the things I just told you. In fact you should probably be writing it down for my memoirs.” She starts to hum “Stormy Weather.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
The car ploughed uphill through the long squalid straggle of Tevershall, the blackened brick dwellings, the black slate roofs glistening their sharp edges, the mud black with coal-dust, the pavements wet and black. It was as if dismalness had soaked through and through everything. The utter negation of natural beauty, the utter negation of the gladness of life, the utter absence of the instinct for shapely beauty which every bird and beast has, the utter death of the human intuitive faculty was appalling. The stacks of soap in the grocers’ shops, the rhubarb and lemons in the green-grocers’! the awful hats in the milliners’! all went by ugly, ugly, ugly, followed by the plaster-and-gilt horror of the cinema with its wet picture announcements, “A Woman’s Love!”, and the new big Primitive chapel, primitive enough in its stark brick and big panes of greenish and raspberry glass in the windows. The Wesleyan chapel, higher up, was of blackened brick and stood behind iron railings and blackened shrubs. The Congregational chapel, which thought itself superior, was built of rusticated sandstone and had a steeple, but not a very high one. Just beyond were the new school buildings, expensive pink brick, and graveled playground inside iron railings, all very imposing, and mixing the suggestion of a chapel and a prison. Standard Five girls were having a singing lesson, just finishing the la-me-do-la exercises and beginning a “sweet children’s song.” Anything more unlike song, spontaneous song, would be impossible to imagine: a strange bawling yell that followed the outlines of a tune. It was not like savages: savages have subtle rhythms. It was not like animals: animals mean something when they yell. It was like nothing on earth, and it was called singing... What could possibly become of such a people, a people in whom the living intuitive faculty was dead as nails, and only queer mechanical yells and uncanny will power remained?
D.H. Lawrence
Over the next few days we spent every waking moment together. We made up silly dances, did puzzles in the evening, and she stood smiling on the beach waiting for me as I took my customary New Year’s dip in the freezing cold North Atlantic. I just had a sense that we were meant to be. I even found out she lived in the next-door road along from where I was renting a room from a friend in London. What were the chances of that? As the week drew to a close we both got ready to head back south to London. She was flying. I was driving. “I’ll beat you to London,” I challenged her. She smiled knowingly. “No, you won’t.” (But I love your spirit.) She, of course, won. It took me ten hours to drive. But at 10:00 P.M. that same night I turned up at her door and knocked. She answered in her pajamas. “Damn, you were right,” I said, laughing. “Shall we go for some supper together?” “I’m in my pajamas, Bear.” “I know, and you look amazing. Put a coat on. Come on.” And so she did. Our first date, and Shara in her pajamas. Now here was a cool girl. From then on we were rarely apart. I delivered love letters to her office by day and persuaded her to take endless afternoons off. We roller-skated in the parks, and I took her down to the Isle of Wight for the weekends. Mum and Dad had since moved to my grandfather’s old house in Dorset, and had rented out our cottage on the island. But we still had an old caravan parked down the side of the house, hidden under a load of bushes, so any of the family could sneak into it when they wanted. The floors were rotten and the bath full of bugs, but neither Shara nor I cared. It was heaven just to be together. Within a week I knew she was the one for me and within a fortnight we had told each other that we loved each other, heart and soul. Deep down I knew that this was going to make having to go away to Everest for three and a half months very hard. But if I survived, I promised myself that I would marry this girl.
Bear Grylls (Mud, Sweat and Tears)
On the third day, I asked if she would like to climb Ben Loyal with me--with anyone else who fancied coming along. None of the guys wanted to join me and I ended up with a group of four girls, including Shara. We spent two hours crossing the marshy moon grass to reach the foot of the mountain before starting up the steep slope toward the summit ridge. It was fairly sheer, but essentially we were still going the “easy” way. Within two hundred feet, half of the girls were looking pretty beat. I figured that having slogged across the marsh for so long, we should definitely do some of the climb. After all, that was the fun bit. They all agreed and we continued up steadily. Before the slope eases at the top, though, there is a section where the heather becomes quite exposed. It is only a short, few hundred feet, and I wrongly figured the girls would enjoy a safe, steep scramble that didn’t require any ropes. Plus the views were amazing out to sea. But things didn’t quite go to plan. The first panicked whimper seemed to set off a cacophony of cheeps, as, one by one, the girls began to voice their fears. It is funny how quickly everyone can go from being totally fine to totally not-fine, very fast, once one person starts to panic. Then the tears started. Nightmare. I ended up literally having to shadow the three girls who were worst struck by this fear, one by one down the slope. I had to stand behind them, hands on top of their hands, and help them move one step at a time, planting their feet exactly where I did, to shield them from the drop. The point of this story is that the only girl who was supercool through the whole mission was Shara, who steadily plodded up, and then just as steadily plodded down beside me, as I tried to help the others. Now I was really smitten. A cool head under pressure is truly irresistible to me, and if I hadn’t been totally besotted before, then our mountain experience together tipped the balance. I had a sneaking feeling that I had met the girl of my dreams.
Bear Grylls (Mud, Sweat and Tears)
Creativity is alive And thriving in my body. The energy you bring out in me Is within me infinitely. My power is overflowing. My lips are soft and welcoming To the exhale, The new Braille, The silence that persists After our moans die away, I look at myself and say, "Root down so you can burn. Beautiful girl, it's your turn To create magic within yourself. This time, without his help. Find your roots and find your fire, Be mindful of what you desire, Persist in what you know is true, Stay focused on the endless route Toward your own potential. Allow the existential Void to swallow you whole. Take on your old role: The lone seeker. Become quieter. Become meeker. Become the beauty that you seek. Embody strength if you feel weak. Find love within the walls Of this sacred temple. Let yourself shake and tremble, But keep your eyes ever fixed On the horizon Where it's rising, No revising, Fears capsizing As you sail, sail, sail Toward the wail Of your siren spirit Beckoning you to bloom The flower in your womb, The seed of creativity, Your triumphant legacy." These words, I will carry Within me as I bury Grains of wisdom In the whispers of the wind. And when I arrive To the altar of our origin, I'll be dressed in white and black, And I'll cradle that exact Feeling left on our sheets. And you'll be on your knees, Ready to receive The wholeness of my broken mind, Pried open by The sparkle gleaming in your eyes. And your hands will be full Of supple fruit and you'll Smile at me, and I will see That you have fed your hunger. You'll ooze with courage and wonder. And then, we will know That we've already lost each other A thousand times before. And I have found you As clear water after mud settles. And you have found me As a bee deep in a flower's petals. We have danced before, Pulled art out of each other's spines. We have died and birthed and died. We've already kissed a million times. This wasn't our first five act play, And it will not be the last. So when I thirst for your hands, I will sit and chant. We will meet again. We will meet again.
Vironika Tugaleva
It was the combination of many factors," Dr. Hornicker said in his last report, written for no medical reason but just because he couldn't get the girls out of his head. "With most people," he said, "suicide is like Russian roulette. Only one chamber has a bullet. With the Lisbon girls, the gun was loaded. A bullet for family abuse. A bullet for genetic predisposition. A bullet for historical malaise. A bullet for inevitable momentum. The other two bullets are impossible to name, but that doesn't mean the chambers were empty." But this is all a chasing after the wind. The essence of the suicides consisted not of sadness or mystery but simple selfishness. The girls took into their own hands decisions better left to God. They became too powerful to live among us, too self-concerned, too visionary, too blind. What lingered after them was not life, which always overcomes natural death, but the most trivial list of mundane facts: a clock ticking on a wall, a room dim at noon, and the outrageousness of a human being thinking only of herself. Her brain going dim to all else, but flaming up in precise points of pain, personal injury, lost dreams. Every other loved one receding as though across a vast ice floe, shrinking to black dots waving tiny arms, out of hearing. Then the rope thrown over the beam, the sleeping pill dropped in the palm with the long, lying lifeline, the window thrown open, the oven turned on, whatever. They made us participate in their own madness, because we couldn't help but retrace their steps, rethink their thoughts, and see that none of them led to us. We couldn't imagine the emptiness of a creature who put a razor to her wrists and opened her veins, the emptiness and the calm. And we had to smear our muzzles in their last traces, of mud marks on the floor, trunks kicked out from under them, we had to breathe forever the air of the rooms in which they killed themselves. It didn't matter in the end how old they had been, or that they were girls, but only that we had loved them, and that they hadn't heard us calling, still do not hear us, up here in the tree house, with our thinning hair and soft bellies, calling them out of those rooms where they went to be alone for all time, alone in suicide, which is deeper than death, and where we will never find the pieces to put them back together.
Jeffrey Eugenides (The Virgin Suicides)
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.
Viet Thanh Nguyen (The Sympathizer)
My pulse thunders in my ears. It feels like my heart’s rattling my ribs loose, it’s pounding so violently inside my chest. If he touches me any further, I won’t be strong enough to resist Ren anymore. I’ll throw myself at him, beg him to give me everything for just a little while. To give me for now until he can have forever with her. Her. God, my blood boils, and a kick of anger surges through my veins. I hate her. I’m wildly jealous of this woman, who I can only assume is entirely, completely worthy of him. And I know, I trust that she is, because I trust Ren. He’s measured and thoughtful. He has his head screwed on straight. He values the right things. She’s probably an understated beauty, because Ren’s too wholesome to need a knockout—he only asks for beauty from within. She’s one of those rescue-shelter volunteers who bakes perfectly circular chocolate chip cookies and makes friends with all the grandmas on the block. She wants three kids—two boys and a girl—and she loves to scrapbook. She also reads those criminally sex-free romances and is the least erotically adventurous woman on the planet— Whoa, there, Francesca. Getting a little nasty, aren’t we? Well, yes. My thoughts have turned uncharitable. That’s my jealousy talking. That’s my covetous envy. A fierce possessiveness for someone I have no right to. An unwarranted, unfair animosity toward a woman I should be happy for. “I want to apologize, Frankie. About last night.” I spin, tugged out of my thoughts. “What?” Ren frowns up at me from his crouched position, petting Pazza. “I don’t remember everything, because that headache was…unearthly painful, and I’d taken one of the pills for it that Amy prescribed me, but I have a vague memory of being very into hand holding.” Heat rushes through me as I bite my lip. God, you’d think we’d made out, the way thinking of it affects me. “You were.” He grimaces. “It was unprofessional of me. I’m sorry.” His face transforms to a wide smile as Pazza licks his face, perching her muddy paws on his knees. “Pazza, down.” My voice is sharp, and she drops immediately, jogging over to me. Ren slowly stands with a look of wariness on his face. “What’s the matter?” “Nothing. Just Pazza. Sh-she’ll ruin your slacks.” I point at the grass and mud staining his knees. He smiles and shrugs. “I don’t care, Frankie. I can do my laundry. I’m a spot-treating wizard, actually.” “Of course, you are.” I can’t get a stain out of my clothes to save my life. Why do all these little things about him add up to something so perfectly right to me? Why does he have to be so wonderful? Why do I have to be so fucked up?
Chloe Liese (Always Only You (Bergman Brothers, #2))
Xavier and Catalina sat in the VIP box, waving down at us enthusiastically and I waved back before giving Darius my full attention. The entire right side of his face was covered in mud, not to mention the rest of him and his torn jersey fell open to reveal the firm cut of his abs and that perfect V which dipped beneath his waistband. “You’re killing it out there,” I told him truthfully, flashing a sweet smile which instantly had him narrowing his eyes in suspicion. We hadn’t exactly talked much since the whole three way thing and I was really curious about how he was feeling about that. But I was even more curious as to how he was going to react when he realised I’d been playing with the sack of treasure I stole from him oh so long ago. There were plenty of times when I’d thought about the little stash we’d hidden out in the woods and wondered why he hadn’t asked for it back and there was only one reason that made any sense – he assumed I didn’t have it anymore. I didn’t know if he thought I’d sold it or destroyed it, but I was about to remind him that I still had it and see how nice he was when his temper flared. I was pretty sure there was a guide book or two out there about not poking a Dragon, but I guessed I was just too stupid to care. “Thanks. Are you looking for me to make some cheesy statement like I’m thinking of you every time I tackle someone?” he teased and I laughed, tossing my hair. He frowned at me and I had to admit that might have been overkill, but whatever. “Nice to know I’m on your mind every time you have someone pinned beneath you in the mud,” I purred. From the corner of my eye, I noticed Mildred rising to her feet in the stands with a face like an angry Koala which had been hit by a car. I didn’t have long before she came over here to stake her claim on her Dragon, but I didn’t need much time. “I think I’ve made my desire to pin you beneath me pretty clear,” Darius replied in a low voice which had my toes curling, but I wasn’t here to flirt, I was here to poke a Dragon. “Good luck for the second half,” I said in a sweet voice, reaching out touch his bicep, making sure that the gold rings pressed against his skin. Darius looked down the moment he felt his magic stir in response to the gold and his eyes widened in surprise which was quickly followed by a flash of fury as he recognised the jewellery from his stash which I’d stolen. I whirled away from him with a dark laugh before he could do any more than suck in an angry breath and I jogged out to join my squad just as they started up a chant. V – E – G – A! She’ll wipe the floor with you today! Veeeeega! Veeeeega! I fell into the moves of the chant, clapping my hands as some of the others rustled pom-poms and Darcy offered me an appreciative smile from the side of the pitch. We had little chants like that for all of the team members, but we often forgot to call out for the Heirs. The music suddenly dropped and 7 Rings by Ariana Grande burst from speakers around the stadium as we moved into a full routine filled with dance moves and tricks. The song choice turned out to be perfect for taunting a gold obsessed Dragon as well as performing a badass routine to and I couldn’t help but smirk like a psychopath throughout. Darius stood glaring at me from the side of the pitch even when Seth tried to drag him into the locker rooms and my heart thundered at the pure fury in his eyes. Remind me again why I thought poking the Dragon was a good idea because he looks ready to shit a brick! I turned my eyes from him, grinning out at the crowd as I moved between my girls, running forward as I performed a set of hand springs which ended in me throwing a huge blast of multicoloured petals up into the air so that they fell over the crowd. (Tory)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
That Washer guy is gross,” Tory Vega’s voice caught my attention and my head snapped sideways as I spotted her and Darcy walking down the path with Geraldine Grus in tow. “He’s the most bothersome babbalumbaduke I ever saw,” Geraldine agreed. Tory rolled her eyes, looking away from her, clearly not enjoying the girl’s company nor in any mood to indulge it. And I knew exactly why. Darcy on the other hand, gave Geraldine a polite smile and answered her. Ever the sweetheart. You won’t be so sweet when you embrace your inner Fae, Blue. “What’s a babbalumba-thing?” Darcy frowned and Geraldine flapped her arms and gasped like someone had just dropped dead in front of her. “You haven’t heard of a babbalumbaduke!? My queen-” “Darcy,” she interjected and my brows arched at her dismissal of the royalist’s bullshit. “Pish-posh!” Geraldine waved a hand. “A babbalumbaduke is the most creepsome creature you can imagine. It crawls from sewers and pulls unsuspecting virgins into its grasp, never to let go. The legend says it feasts upon their innocent flesh with nothing but its two-pronged armensprout.” “To be fair, that does sound like Washer,” Tory said with a smirk. “Yeah, but what’s an armensprout?” Darcy wrinkled her nose and my lips twitched up at the corner at how fucking cute she looked. Then I murdered that lip twitch and gritted my jaw, replacing the curiosity within me about her with a healthy dose of hatred. She was a Vega. Their name alone was a curse on this land. “My good lady!” Geraldine wailed. They were close now, about to pass me by on the path as they circled The Orb, probably headed for dinner. “An armensprout is a dilly dongle. A war-willy wingle. A goblin of the grouse. A terrible Leroy.” “A dick?” Tory guessed and a snort escaped my lips that made Darcy’s head snap around to look into the trees. My heart bolted up into my throat even though I knew she couldn’t see me. But I swear her eyes found my fucking soul anyway. “Wait, that monster thing eats people with its dick?” Darcy snorted. “Why yes! That’s what I’ve been trying to tell you!” Geraldine guffawed. Darcy suddenly tripped over her own feet and almost went flying to the ground, but my fingers flicked and I cast air magic before I knew what I was even doing, catching her so she didn’t hit the ground. She looked confused as hell and Tory chuckled, linking her arm through hers and pulling her along. What the fuck did I just do? I’d just spent the past ten minutes tripping up students and Darcy hadn’t even had her shirt tucked in. So why hadn’t I taken the opportunity to send her flying into the mud? “Come on, clumsy butt,” Tory said and Darcy laughed. “Are you okay, my sweet lady?” Geraldine gasped, hovering around her and Darcy’s cheeks pinked as she waved her away. “Yup, just hungry,” she said brightly and the only way I could describe Geraldine’s next movement was a high-kneed gallop as she beckoned the girls after her down the path. “Make way – make way!” she cried at the other students, blasting some of them off the path with her water magic. “The true queens are coming through!” Tory whispered in Darcy’s ear and I tuned my senses on them to catch it. “Do you think we can outrun her if we turn back and skip dinner?” “No chance. Look at those legs go,” Darcy said and they both fell into silent laughter, leaning on each other, their bond shining clearly between them. (Orion POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
I screamed a battle cry like a damn Viking warrior as I flung my palms out, aiming for the nightmare creature and sending blue and red fire to consume it on blazing wings. The Nymph shrieked as it burned before bursting apart, leaving a trail of black smoke hanging in the air where it had been. Diego’s eyes were wild with panic as he stared between the black smoke and me. “Shift!” I commanded, my voice unintentionally thick with Coercion as my worry for my friends compelled me to make sure they got to safety. Sofia’s eyes widened a moment before a pale pink Pegasus burst from the confines of her skin once more. I skidded to a halt in the mud beside her, reaching down to heave Diego back to his feet. He swayed unsteadily and I shoved him towards Sofia without wasting time on being gentle. “Climb on,” I said. “And fly as far from here as you can get!” I tried to turn away as Diego clambered onto her back but he caught my wrist. “Come with us, chica, it's not safe for you here either-” “I’m not leaving Darcy,” I replied dismissively, pulling my arm back. “But the two of you need to go.” Sofia flapped her sparkling wings as my Coercion gripped her and my heart twisted at the concern in their eyes. “Don’t worry about me,” I added as they took flight. I watched for a moment as they sped towards the sky then turned back to my hunt for Darcy. Darius roared behind me as his flames took out another Nymph but a second leapt around the blaze and onto his back. I sucked in a sharp breath, drawing on the well of power within me as I started running back towards him. Darius spun around, the razor sharp spines on his tail swiping within inches of my face as he tried to dislodge the creature but it clambered all the way up until it was lodged between his wings. He swung his head around, snapping at it as he tried to rip it off of him but he couldn’t twist his head into that position. The Nymph released its rattling breath and my knees buckled as it weakened me. I staggered forward, my hand landing on Darius’s front leg as I tried to steady myself. The Nymph shrieked excitedly and drove its probes into the flesh between Darius’s shoulder blades. A roar filled with pure agony escaped him and he fell forward onto his chest as pain wracked through his body. Where my hand still rested against him it was like I could feel that pain within myself. I felt like I was tearing in two, my soul ripping free of my body and the deepest sense of dread filled me. Darius swung his head around to look at me, one huge, golden eye reflecting back the image of a girl who was breaking in half. He snarled at me, striking his nose against my chest to knock me back a step. As I stumbled away from him, he struck me again, a deep growl echoing from his throat as he urged me to run. I stared at him in shock for a moment and he trembled as more pain tore through him. “So fucking bossy,” I snapped, shoving his big Dragon face aside as I moved closer to him instead. “You probably are stubborn enough to die here rather than let me help you.” Darius growled at me but I ignored him as I leapt up onto his leg and started climbing up the side of his big ass Dragon body. (tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
14. Muddy Road Tanzan and Ekido were once traveling together down a muddy road. A heavy rain was still falling. Coming around a bend, they met a lovely girl in a silk kimono and sash, unable to cross the intersection. "Come on, girl" said Tanzan at once. Lifting her in his arms, he carried her over the mud. Ekido did not speak again until that night when they reached a lodging temple. Then he no longer could restrain himself. "We monks don't go near females," he told Tanzan, "especially not young and lovely ones. It is dangerous. Why did you do that?" "I left the girl there," said Tanzan. "Are you still carrying her?
Taka Washi (122 Zen Koans)
You've got my blood in yer veins, girl, and nothin can change that. You've got my name written in yer bones, Maraly Weaver. You can go take yer bath and eat yer fancy food and giggle with yer friend, but you'll always know deep down that you were born in the mud of the Strand along the mud of the Blapp and once that mud gets on you, nothin ever gets it off. What do you think runs thicker than the blood in yer veins?" "Love. Love runs stronger than blood. Deeper than any name you could give me.
Andrew Peterson (The Warden and the Wolf King (The Wingfeather Saga, #4))
So how were these people judged? How will we be judged? We get up every morning thinking that if we're good, we'll make it to heaven, and if we're bad, we'll have trouble. But then we see a six-year-old girl die of cancer. We see raging waters and mud swallow innocent people in South America. And we see our neighbor, who cheats on his wife or steals from his boss, become wealthy. We see our cousin, the liar, win the lottery. What sense does this make?" A few people shake their heads. I want to know, too. "Got me," Natto says. "Got me. But I'll tell you this. I want to know. I want to find out. And I'll tell you two more things. One is, overall, we have seen a lot of times in life that what comes around goes around, haven't we?" A few people nod. "In the case of Venezuela, there's no good explanation. But we see sinners locked up every day, and brave men rewarded. And last night on the news, they showed heroes, people who saved lives in Venezuela. We saw people working together. Rescue workers. Relief workers. And that is God." He stops pacing. "That is God," he says again. He goes back to pacing. He has a strong gait. "These people do good. And if one of their planes crashed on the way back to whereever they came from? What sense would that make? I don't know. I don't claim to have all the answers. And maybe there are cases where I will never ever understand them. This is something a lot of churches don't want to admit, but I really might never have the answers. And sometimes, this might make me very angry." I like this. "But I said there were two more things I'll tell you. One is that we have seen that what comes around goes around. And here's the second thing. We judge within ourselves. Those people in Venezuela, the dying, if they led a good life, they knew it. They died at peace. They knew that they didn't deserve it, that it was just something that happened. But a guy who's been hurting people, who suddenly feels a rumble and the sky caves in, he's lying there, torn apart, and besides the physical pain, he knows in his heart, or he feels in his heart, that he's being punished. He can't lie there and say, "Please God I don't deserve to die". Because he knows he did wrong, and he has to apologize and make amends. And so in that way, judgement comes upon him. And we all know in our hearts, whether we're to be judged in the afterworld or not, that while we're on this earth, we judge ourselves.
Caren Lissner (Carrie Pilby)
Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer #1))
Naturally, we even made snow angels in the backyard as we stumbled around, and passed out. No one cared what we did really, thus far that was the fun of it all. Oh, and Kenneth was just the boy that only wanted one thing from Jenny. He had no personality to speak of… he would hit on me all the time, and sometimes he would get it from me too, or I would be out of the group by her if he said I was the one that wanted it from him. We could break widows out of old buildings and homes, and who would stop us. Sure, we got chased by the cops, yet that was the fun of it too. There is nothing else for us to do. I remember Maddie leaving her handprints in the wet mud, Jenny her butt, and some of her lady-ness, when the town thought it was time for new sidewalks. Yet we all did, something that would last forever, we thought. Maddie drew a few other things too. You can get the picture! All inappropriate… all there for life. She was just crazy like that, like squatting down pissing, and doing number two in the old man Jackups yard. She has more balls than most guys… I knew. Old man Jackups called us, ‘Mindless slutty hooligans’ So that was payback. At the time- I thought like what is wrong with that, we're just having some fun here… your old windbag, like go and sit on your cane! You know what I mean… I think? I remember being so smashed at my sweet sixteen too, that I don’t even remember it. Yet that is what having a good time was all about, so they say. Bumping and grinding on all the boys with loud music. And as the twinkling lights shine on your skin, that lights the way up to your bedroom. You know that your puffy dress is going to be pushed up a couple of times on that night. I just don’t remember how many times it was, and I didn’t remember who it was with, I am not even sure if I know them at all… all of them or not. All I know is I did it all and was happy to do whatever they asked me to do. But- but I thought I was having the time of my life. I was the birthday girl that had the rosiest pink lipstick on most boys at the party. I thought it was such a horror. In my mind at the time, I thought that I high-jacked the rainbow, and crashed into a pot of gold! All the girls my age did it, yet I was the best at it! I recall the time Liv and I went trick or treating. I was dressed as Hermione from the Harry Potter movies. Liv was a sexy witch! With the pointed hat. So, original…! That is what I told her. That was the night we scared the pants off of Ray in the not-so-scary haunted house. And before you ask, he was dressed as Harry. So, I wanted to play with his wand, that's why I dressed the way I did at the time. Liv was one of those good friends… I thought, which would tell everyone what you all did the day after, to all the girls at the lunch table. She can text faster than anyone I know. Anyways… we jumped out at him, and he nearly craps his nicely pressed pants. I am sure there was a skid mark on his tighty- whities or something. Yet he did yack on Liv’s chest, and that was hilarious to me. She was dancing around, and flapping her hands doing the funky chicken while yelling, ‘Ou- ou- ou- wah!’ As I dibble over in lather, I guess it was funnier when it doesn’t happen to you too many times.
Marcel Ray Duriez (Nevaeh Falling too You)
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget. When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud.
Viet Thanh Nguyen (The Sympathizer)
I believe in monsters with wide smiles, beautiful and bright, that live in grand old Victorians; that push girls into the mud; that take our voices and tell us what we are.
Hannah Capin (I Am Margaret Moore)
When they ran out of credible Sasquatch sightings, they turned to the greatest reality show of all time, Naked and Afraid. A man and a woman were dropped naked into the middle of the wilderness, and immediately two things happened. The woman started weaving palm fronds, and the man began to go insane from lack of meat. (This generally led to him eating some kind of dubious trout and having diarrhea in what the woman considered to be “their front yard.”) The whole thing would make a spectacular gender-reveal party, come to think of it. The mom and dad could appear stripped and mud-smeared before their guests in lushest suburbia, and if the baby was a girl? Palm fronds. If it was a boy? The dad could shit himself and weep.
Patricia Lockwood (No One Is Talking About This)
my glass as I spoke. “I can’t go into details, but Francis Allard is dead.” Monica Toups gasped out loud and almost dropped her glass. “He’s dead? But I just spoke with him last week. It…but what happened?” “Like I said, I can’t get into it, but I do need to ask you about a girl’s graduation ring he might’ve had in his possession.” “Oh, yeah, that was Sarah’s ring. He wouldn’t tell me how he came to have it, but he said it was in Derrick Landry’s possession.” “Did you find that suspicious?” “No, I knew about it.” She excused herself and went inside the house. When she returned, she was holding a boy’s graduation ring. She handed it to me. “This was Derrick’s graduation ring. He had Sarah’s ring and she had his. I didn’t find out about it until after we lost her. I’ve been tempted to approach him and get the ring back, but I don’t trust myself around him. If I wouldn’t hit him, I’d definitely spit in his face, because deep down in my heart, I know he’s responsible for what happened to Sarah.” I mulled over what I had learned. A possibility was starting to emerge. “Do you think she went out on the lake with Derrick?” “That’s what Phil thinks.” She frowned. “I’m just not sure how Derrick’s involved, but I know he is.” “What does Phil think?” “He thinks Derrick picked Sarah up at the front of the street and they went to the lake. He thinks they were in a boating accident and Derrick left Sarah to drown. He believes Derrick’s dad was called and they cleaned up the debris before the police could get to the lake and investigate.” “Why would he make such an effort to cover up an accident?” “Because he would go to jail for statutory rape, that’s why, and it would ruin any chances of him getting a football scholarship.” She grunted. “He used to walk around bragging that he would be the next Cajun Cannon and that he would play for the Saints someday.” “I’m guessing that didn’t happen.” “No, he ended up running his dad’s store. He never did go to college, and I’ve often wondered if the guilt was too much for him to bear.” I still didn’t have any evidence on Derrick Landry, and I knew Monica Toups didn’t have any answers, so I wrapped up my visit with her. “Will you please find out what happened to my daughter?” “I’ll do my best, ma’am,” I said, wondering if I should be making such a promise. After all, Francis Allard made a similar promise, and look what happened to him. CHAPTER 26 While it had started out nice and cool, the day had quickly turned hot. Despite the canopy over the boat, Susan was dripping sweat. She glanced over at Melvin. He was also swimming in his clothes. “I’m seeing shell casings behind every clump of mud,” Melvin mumbled as he turned away from the monitor on the endoscope and rubbed his tired eyes. “I think we’ve found all there is to find.” Susan was thoughtful. They had located a total of twenty-four casings and Clint and Amy had located one, so there were still
B.J. Bourg (But Not Foreknown (Clint Wolf #15))
Almost like a waterfall gushing in-between my legs at this moment at this time. Kissing, loving, and creasing me like, as my mud-covered toes, as I sink them in the dirt. My legs are so weakly holding me upright, after standing so long.' 'Ultimately, the pounding rains get more powerful. Making me fall to the ground with a soft thud, now covered by the clay. Where I will remain until I feel that I can get up and over what has transpired from the day of hell I had and what has happened to me. That's if I can, like if I can accept this all, as I look down at me. I feel the dropping rain is weeping for me, like 'God’s tears, even after this I still believe in.' 'The pain triples within me also like the thoughts all at the same time, I start rolling around, like a pig in mud. I have the sensation like I have been ripped in two parts in my centered hips and vagina.' 'However, it is like it is all pounding down on me at once. I look, up to the sky, lying on my backside. It jostles me, the thought of what it is that I want to do… with myself to escape.' 'Even with all this rain. I feel that my vagina will surely never feel the same, or like it's clean again. It's all because of them!' 'No!' I scream. 'The rainwater can only wash away somewhat of what they have done to me. Never all of it… never- ever! It cannot wash away all my fears that I have. They have sucked my bean above the hole! Tugged on the hood, until I thought they would bite it off me completely. That is why I'm bleeding! Nevertheless, the school would not do anything about this, over I was the one that started it all; as the instigator.' 'They rubbed and touched me in all the places, yet this one the most. They ripped my black hole wide open, with their hateful fingernails and slashing teeth.' 'I cannot run away from them. They always find me! Always, I have nowhere to run or to hide!' 'I cannot stop them from fingering, stabbing, and sucking on me! My nipples are raw! They beat me up for enjoyment. Pledging with 'God' saying this has to stop. Yet it goes on every school day.' 'I must get away from them. I need to getaway! ('I just need to okay!') It is like these visions of what my life's existence about comes and goes away from me.' I see my life before I live it out in its entirety.' 'Sometimes, it's like I am black, I am not biased, bigoted, discriminatory, prejudiced, antiblack, and racialist, let's get that clear; yet this is the category, I was placed in, as a girl owned by man, that think I should never do anything more than be something like a worker in a field, as a slave to pay back my debts to be who I am to them in their hate.' 'The air that is around me now, is making my slit labia skin hurt with burn and sting. Burning hotter than a flame, before snuffed out! I know how a candle feels, struggling not to be blown out by the rushing air, or being snuffed out.' 'It's like they have a new addiction and that is the hole in my body that makes me a lady.' 'Just if you are wondering, I put my teddy in my backpack right after getting off the bus, after getting hazed by having him. after all, he is very significant to me.' 'I walk over to my bookbag, and see him down in their look at me, and find my one pink notebook. I open it to that one page I penned, the one that I have dogeared. 'There it is!' I say as I rip it out, it recollects the day.' 'The paper is jagged and wet, but I have an adieu note in my hand. I made it earlier in school, at lunch, when I was sitting alone; on this wrinkled up pink notebook paper. The black ink is running like a watercolor all over all my trembling, quivering, shivering, and childlike penmanship handwriting. All it has on it are all words that need to be said, about my existence in life, not living! Decidedly not.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
No need to embarrass a girl,” I say, trying to play it cool even though I want to bury my head in the mud from humiliation.
Meghan Quinn (Kiss and Don't Tell (The Vancouver Agitators, #1))
Your friends have made you weak. Did they teach you how to cry like a babe at her mammy's side? Stranders don't cry, Maraly." "I'm not a Strander," she said, looking him in the eye. "Then I'll have to MAKE you one," Claxton barked. "You've got my blood in yer veins, girl, and nothin' can change that. You've got MY name written in yer bones, Maraly Weaver. You can go take yer bath and eat yer fancy food and giggle with yer friend, but you'll always know deep down that you were born in the mud of the Strand, along with the mud of the Blapp, and once that mud gets on you, NOTHIN' ever gets it off." Claxton seemed to know Maraly's deepest fear and was speaking it aloud. She had lain awake at night, fighting to believe that Gammon's fatherly love was real, that the change she had been feeling--the lightening of heart and the almost painful flashes of joy--was more than a silly girlish notion. She thought back to the day of the Battle of Kimera, when Gammon had looked her in the eye and held out his hand and asked if she would let him care for her. Even then something had bubbled up in the dry well of her soul, and over these last months she had felt that spring slowly fill her. With the coming of the warmer sun she had finally allowed herself to believe that the water was pure enough to drink--but every word Claxton spewed poisoned the water, darkened it, muddied it like the Mighty Blapp, and now she felt herself drowning in it. "I'm going to give you one last chance, girl. Either Claxton is yer father or Gammon is. Only one of those names is true to your nature. Answer carefully now. Who's your father?" Maraly shook her head and wept. She wished the Fangs would appear, or more Stranders--she had given up on wishing for Gammon. That sort of thing only happened in storybooks. "WHO'S YOUR FATHER?" Claxton bellowed. He struck her in the mouth. "You're a Strander down to the bone, girl! Who's your father? What do you think runs thicker than blood in your veins?" Maraly mumbled. "What?" Claxton shouted, clenching her throat tighter. She blinked through her tears and took a trembling breath, then looked him in the eye as fiercely as she could manage. "Love." "Love," Claxton sputtered. He snorted with laughter. Maraly sniffled and said, "Love runs stronger than blood. Deeper than any name you could give me." "You worthless dog," Claxton spat. He balled his fingers into a fist and reared back to strike. Maraly smiled through her tears. She knew she had chosen well, because she had BEEN chosen. She believed in her heart that Gammon was even now fighting to find her, that his affection was more real than the hand that gripped her throat and the first that was about to pound her. She closed her eyes and waited for the pain. But Claxton's blow never fell. He gasped and made a choking sound, and his grip on her neck loosened. Maraly crumpled to the ground, looking up at Claxton in confusion. He staggered backward and spun around, and she saw a knife in his back, buried to the hilt. "Maker help you, boy," said [Nurgabog's] thin, quavering voice. "Maker help me too.
Andrew Peterson
Your friends have made you weak. Did they teach you how to cry like a babe at her mammy's side? Stranders don't cry, Maraly." "I'm not a Strander," she said, looking him in the eye. "Then I'll have to MAKE you one," Claxton barked. "You've got my blood in yer veins, girl, and nothin' can change that. You've got MY name written in yer bones, Maraly Weaver. You can go take yer bath and eat yer fancy food and giggle with yer friend, but you'll always know deep down that you were born in the mud of the Strand, along with the mud of the Blapp, and once that mud gets on you, NOTHIN' ever gets it off." Claxton seemed to know Maraly's deepest fear and was speaking it aloud. She had lain awake at night, fighting to believe that Gammon's fatherly love was real, that the change she had been feeling--the lightening of heart and the almost painful flashes of joy--was more than a silly girlish notion. She thought back to the day of the Battle of Kimera, when Gammon had looked her in the eye and held out his hand and asked if she would let him care for her. Even then something had bubbled up in the dry well of her soul, and over these last months she had felt that spring slowly fill her. With the coming of the warmer sun she had finally allowed herself to believe that the water was pure enough to drink--but every word Claxton spewed poisoned the water, darkened it, muddied it like the Mighty Blapp, and now she felt herself drowning in it. "I'm going to give you one last chance, girl. Either Claxton is yer father or Gammon is. Only one of those names is true to your nature. Answer carefully now. Who's your father?" Maraly shook her head and wept. She wished the Fangs would appear, or more Stranders--she had given up on wishing for Gammon. That sort of thing only happened in storybooks. "WHO'S YOUR FATHER?" Claxton bellowed. He struck her in the mouth. "You're a Strander down to the bone, girl! Who's your father? What do you think runs thicker than blood in your veins?" Maraly mumbled. "What?" Claxton shouted, clenching her throat tighter. She blinked through her tears and took a trembling breath, then looked him in the eye as fiercely as she could manage. "Love." "Love," Claxton sputtered. He snorted with laughter. Maraly sniffled and said, "Love runs stronger than blood. Deeper than any name you could give me." "You worthless dog," Claxton spat. He balled his fingers into a fist and reared back to strike. Maraly smiled through her tears. She knew she had chosen well, because she had BEEN chosen. She believed in her heart that Gammon was even now fighting to find her, that his affection was more real than the hand that gripped her throat and the first that was about to pound her. She closed her eyes and waited for the pain. But Claxton's blow never fell. He gasped and made a choking sound, and his grip on her neck loosened. Maraly crumpled to the ground, looking up at Claxton in confusion. He staggered backward and spun around, and she saw a knife in his back, buried to the hilt. "Maker help you, boy," said [Nurgabog's] thin, quavering voice. "Maker help me too.
Andrew Peterson (The Warden and the Wolf King (Wingfeather Saga #4))
Heidi was coming up the hill. It must be her thousandth trip. She looked as if she needed a tow rope this time. She was carrying her own blankets back from the helicopter, having traded them for the blankets on board. She had obviously fallen in the mud. Both she and her blankets looked as if they had been mining for coal. Patrick found himself grinning. Possessively, as if Heidi were a part of him, and he of her. Patrick's father said to him, "You could do worse." "Huh?" "The girl. She's a cutie." "You just think that because she doesn't fall apart in a crisis." "I like that in a person," said his father.
Caroline B. Cooney
I’ll do everything in my power to keep the scrutiny away from River. I’ll become fucking mud for this girl. And fuck, I won’t regret a goddamn second of it. Not when this girl has me trapped in her dark little spell. After this is all said and done, I’m still determined to show her what a real relationship looks like. I’m not even worried if she wants me back. I know she does.
H.D. Carlton (Shallow River)
Fifth grade,” I began. “That year Kristy, Mary Anne, Alan, and I were all in the same class. Kristy really got Alan. He’d been tormenting us—all the girls, really—for the entire year, and by June we had had it. So one day, Kristy comes to school and all morning she brags about this fantastic lunch her mother has packed: a chocolate cupcake, Fritos, fruit salad, a ham and cheese sandwich, two Hershey’s Kisses—really great stuff. Kristy says it’s a reward for something or other. And she says the lunch is so great she’s got to protect it by keeping it in her desk instead of in the coat room. So, of course, Alan steals the bag out of her desk during the morning. Then at noontime in the cafeteria, he makes this big production out of opening it. He’s sitting at the boys’ table, and they’re all crowded around, and us girls are looking on from the next table. Alan is the center of attention, which is just what he wants.” “And just what I wanted,” added Kristy. “Right. So Alan carefully takes all the packages and containers out of the bag and spreads them in front of him. Then he begins to open them. In one he finds dead spiders, in another he finds a mud pie.” “David Michael had made it for me,” said Kristy. (David Michael is Kristy’s little brother. He was four then.) “She’d even wrapped up a sandwich with fake flies stuck on it.” Stacey began to giggle. “It was great,” said Mary Anne. “Everyone was laughing. And Kristy had packed a real lunch for herself, which she’d kept in the coat room. All afternoon, the kids kept telling her how terrific her trick had been.
Ann M. Martin (The Baby-Sitters Club Collection: Books 1-4)
Endless tunnels, twisting and turning, a girl with silver eyes brighter than the moon, a stream of tarot cards then a pair of fiery wings that twisted up into the sky. A necklace of thorns then a girl with lilac hair covered in mud. A huge palace reached above me then a Dragon with jade green scales landed on its roof, two babies lying in a cot, then two dark haired twin girls clutching hands at the bottom of a darkened pit. “Gabriel!” someone was shouting and I tried to wrangle
Caroline Peckham (Vicious Fae (Ruthless Boys of the Zodiac, #3))
After taking her by the elbow, they walked into the country club where the meeting of the Texas Ranchers Association was held tonight. Adrian gave the girl outside the restaurant their information and she led them to a table where two other couples were seated. He pulled out her chair and she sat quite daintily for someone who could empty a mud puddle with one jump. Of course, that
Sylvia McDaniel (The Cowboy Billionaire's Lucky Break (Kissing Oaks Billionaire Brothers, #1))
This Girl I Knew Glasses, bad bangs, patched blue jeans, creek-stained tennis shoes caked in mud, a father who sells vacuum cleaners, a mother skinny as a nun, a little brother with straw-colored hair and a scowling, confused look in the pews at church: this girl I knew. House at the edge of town, crumbling white stucco. Dog on a chain. Weeds. Wildcat Creek trickling brown and frothy over rocks out back, past an abandoned train trestle and the wreck of an old school bus left to rot. This girl I knew, in whatever room is hers, in that house with its dust-fogged attic windows, its after-dinner hours like onions soft in a pan. Her father sometimes comes for her, runs a hand through her hair. Her mother washes every last stick of silverware, every dish. The night sky presses down on their roof, a long black yawn spiked with stars, bleating crickets. The dog barks once, twice. Outside town, a motorcycle revs its engine: someone bearing down. Then nothing. Sleep. This girl I knew dreams whatever this girl I knew dreams. In the morning it’s back to school, desks, workbooks, an awkwardly held pencil in the cramped claw of a hand. The cigarette and rosewater scent of Ms. Thompson at the blackboard. The flat of Ms. Thompson’s chest, sunburned and freckled, where her sweater makes a V. You should be nice to her, my mother says about this girl I knew. I don’t want to be nice to her, I say to my mother. At recess this girl I knew walks around the playground, alone, talking to herself: elaborate conversations, hand gestures, hysterical laughing. On a dare from the other girls this girl I knew picks a dandelion, pops its head with her thumbnail, sucks the milky stem. I don’t want to be nice to her. Scabbed where she’s scratched them, mosquito bites on her ankles break and bleed. Fuzzy as a peach, the brown splotch of a birthmark on her arm. The way her glasses keep slipping down her nose. The way she pushes them up.
Steve Edwards
Shara met me at the airport in London, dressed in her old familiar blue woolen overcoat that I loved so much. She was bouncing like a little girl with excitement. Everest was nothing compared to seeing her. I was skinny, long-haired, and wearing some very suspect flowery Nepalese trousers. I short, I looked a mess, but I was so happy. I had been warned by Henry at base camp not to rush into anything “silly” when I saw Shara again. He had told me it was a classic mountaineers’ error to propose as soon as you get home. High altitude apparently clouds people’s good judgment, he had said. In the end, I waited twelve months. But during this time I knew that this was the girl I wanted to marry.
Bear Grylls (Mud, Sweat and Tears)
Shara met me at the airport in London, dressed in her old familiar blue woolen overcoat that I loved so much. She was bouncing like a little girl with excitement. Everest was nothing compared to seeing her. I was skinny, long-haired, and wearing some very suspect flowery Nepalese trousers. I short, I looked a mess, but I was so happy. I had been warned by Henry at base camp not to rush into anything “silly” when I saw Shara again. He had told me it was a classic mountaineers’ error to propose as soon as you get home. High altitude apparently clouds people’s good judgment, he had said. In the end, I waited twelve months. But during this time I knew that this was the girl I wanted to marry. We had so much fun together that year. I persuaded Shara, almost daily, to skip off work early from her publishing job (she needed little persuading, mind), and we would go on endless, fun adventures. I remember taking her roller-skating through a park in central London and going too fast down a hill. I ended up headfirst in the lake, fully clothed. She thought it funny. Another time, I lost a wheel while roller-skating down a steep busy London street. (Cursed skates!) I found myself screeching along at breakneck speed on only one skate. She thought that one scary. We drank tea, had afternoon snoozes, and drove around in “Dolly,” my old London black cab that I had bought for a song. Shara was the only girl I knew who would be willing to sit with me for hours on the motorway--broken down--waiting for roadside recovery to tow me to yet another garage to fix Dolly. Again. We were (are!) in love. I put a wooden board and mattress in the backseat so I could sleep in the taxi, and Charlie Mackesy painted funny cartoons inside. (Ironically, these are now the most valuable part of Dolly, which sits majestically outside our home.) Our boys love playing in Dolly nowadays. Shara says I should get rid of her, as the taxi is rusting away, but Dolly was the car that I will forever associate with our early days together. How could I send her to the scrapyard? In fact, this spring, we are going to paint Dolly in the colors of the rainbow, put decent seat belts in the backseat, and go on a road trip as a family. Heaven. We must never stop doing these sorts of things. They are what brought us together, and what will keep us having fun. Spontaneity has to be exercised every day, or we lose it. Shara, lovingly, rolls her eyes.
Bear Grylls (Mud, Sweat and Tears)
Sarah Matthews, is that you?” the man repeated again, using Jesse’s beloved slow drawl. “Don’t you know me, Sarah-girl?” “Jesse? Jesse Holt?” A smile spread across the lean, beard-stubbled cheeks. Jesse’s smile. “The very same.” She tried nonetheless to hold on to the reality she had known for almost a year now. “You can’t be Jesse, mister. Jesse Holt is dead. Jesse never came back from the war.” The stranger masquerading as Jesse had the grace to look ashamed. Taking his eyes off her face, he stared at the line he was toeing in the mud in the street. “Yes, well, I’m sorry about that. I never meant to make you wait that long. I can tell you’re surprised to see me. How are you, Goldilocks?” She had never liked this nickname Jesse had given her, but his use of it established beyond all doubt that the man walking toward her, so near now that she could almost reach out and touch him, was really her long-lost fiancé Jesse Holt. “Where have you been?” She was surprised at the surge of anger she felt within her, and she could tell by the way his eyes widened, then narrowed, that he was, too, for he lost his confident grin for a moment. But then he found it again. “Well, now, I’ll tell you all about that, Goldilocks, I promise I will. What are you doing in town? I thought I’d find you out on your pa’s ranch. As a matter of fact I was just waitin’ for my horse to have a shoe replaced down at livery yonder, and then I was goin’ to ride out and surprise you.
Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
What did the Great Ones expect of him? Would the girl die if he pressed onward? And if he took her home to her people, what then? What of the prophecy? What of his people? As if he heard Hunter’s thoughts, Warrior moved his pony closer and said, “You must trust the Great Ones, tah-mah. If you are certain she is the woman of the prophecy, then all will be well. The song cannot come to pass if she dies.” Hunter tucked in his chin to study the girl’s mud-streaked face and found himself wondering how he ever could have thought her ugly. Could a shaft of sunlight be ugly? A sparkle of moonlight upon water? “I’m certain, Warrior. She is the woman. Already, part of the prophecy has come to pass, eh? Her voice has been returned to her.” “And she has stolen your Comanche heart, has she not?” “She has great courage for one so small, but my heart is my own. As it will always be.
Catherine Anderson (Comanche Moon (Comanche, #1))
Hunter tucked in his chin to study the girl’s mud-streaked face and found himself wondering how he ever could have thought her ugly. Could a shaft of sunlight be ugly? A sparkle of moonlight upon water?
Catherine Anderson (Comanche Moon (Comanche, #1))
You must trust the Great Ones, tah-mah. If you are certain she is the woman of the prophecy, then all will be well. The song cannot come to pass if she dies.” Hunter tucked in his chin to study the girl’s mud-streaked face and found himself wondering how he ever could have thought her ugly. Could a shaft of sunlight be ugly? A sparkle of moonlight upon water? “I’m certain, Warrior. She is the woman. Already, part of the prophecy has come to pass, eh? Her voice has been returned to her.” “And she has stolen your Comanche heart, has she not?” “She has great courage for one so small, but my heart is my own. As it will always be.” Warrior leaned sideways to peer over Hunter’s shoulder at the yellow-hair’s face, his own creasing in a grin. “Yes, there is something about her, is there not? The mud, I think. It does something for her.” Hunter smiled in spite of himself. “She looks like She Who Shakes got ahold of her. Remember when Ki-was, Rascal, let her make his war paint?” Warrior chuckled. “The time she mixed it too thin? The three red stripes on his chin dripped, and he rode into battle looking like a People Eater. Yes, I remember.” Hunter flexed his tense back, letting the sound of Warrior’s laughter soothe him. “She sleeps like a baby, Hunter. That’s a good sign, no? She must be starting to trust you. She’ll begin eating and drinking soon.” “She’s just exhausted and weak from thirst. Too weary to be frightened. Or to give me trouble.
Catherine Anderson (Comanche Moon (Comanche, #1))
the blue sky, cawing angrily at Dad for disturbing them. A giant bald eagle, with a wingspan of at least six feet, glided in to take their place. It perched on an uppermost branch of a tree, pointed its yellow beak down at them. “That’s what I expect of you two,” Dad said. Mama exhaled smoke. “We’re going to be here awhile, baby girl.” Dad handed Leni the rifle. “Okay, Red. Let’s see what you’ve got naturally. Look through the scope—don’t get too close—and when you have the target in your sight, squeeze the trigger. Slow and steady. Breathe evenly. Okay, aim. I’ll tell you when to shoot. Watch out for—” She lifted the rifle, aimed, thought, Wow, Matthew, I can’t wait to tell you, and accidently pulled the trigger. The rifle hit her shoulder hard enough to knock her off her feet and the sight slammed into her eye area with a crack that sounded like breaking bone. Leni screamed in pain, dropped the rifle, and collapsed to her knees in the mud, clamping a hand over her throbbing eye. It hurt so badly she felt sick to her stomach, almost puked. She was still screaming and crying when she felt someone drop in place beside her, felt a hand rubbing her back. “Shit, Red,” Dad said. “I didn’t tell you to shoot. You’re okay. Just breathe. It’s a normal rookie mistake. You’ll be fine.” “Is she okay?” Mama screamed. “Is she?” Dad pulled Leni to her feet. “No crying, Leni,
Kristin Hannah (The Great Alone)
So we, God’s servants, go, our Master’s invitation in our hands, out to the highways and hedges. We walk through squalid refugee camps in Syria, fetid open-air trash dumps in Mozambique, drug-infested smoky brothels in Bangkok. We go because deep in the Pamir Mountains of Tajikistan and out on the dusty plains of Iraq, there are people whom God wants to come to His feast. There are people hidden away in small villages in Kyrgyzstan and Kazakhstan who belong at God’s table. There are women in Somalia; street kids in Portland, Oregon; girls in northern Nigeria; and men in Chechnya and a thousand other places who belong in God’s house. God sees them, every one of them, people drawing water from open wells, drinking tea in mud houses, scheming evil in dark camps, hiding from violence in rough caves. He knows their names and faces and voices and laughter and tears. He knows their fears and dreams and joys and sorrows. He was there when they were born, when they fell down, and when they got up—and He wants to share the blessings of all He has with them. This is the heart of God—generous, loving, kind, patient—always ready to bless. He’s prepared His table from the foundations of the earth, and there is still room.
Kate McCord (Why God Calls Us to Dangerous Places)
The first impression one gets of Michael Deane is of a man constructed of wax, or perhaps prematurely embalmed. After all these years, it may be impossible to trace the sequence of facials, spa treatments, mud baths, cosmetic procedures, lifts and staples, collagen implants, outpatient touch-ups, tannings, Botox injections, cyst and growth removals, and stem-cell injections that have caused a seventy-two-year-old man to have the face of a nine-year-old Filipino girl.
Jess Walter (Beautiful Ruins)
she said, her children should not live on trash, her children had to fight for their livings, having such a silly, puffed-up ignoramus of a father, her girls were not going to be underfed “mud rats.
Christina Stead (The Man Who Loved Children)
Eton, for all its virtues, seriously lacked girls. (Well, apart from the kitchen girls who we camped out on the roof waiting for night after night.) But beyond that, and the occasional foxy daughter of a teacher, it was a desert. (Talking of foxy daughters, I did desperately fancy the beautiful Lela, who was the daughter of the clarinet teacher. But she ended up marrying one of my best friends from Eton, Tom Amies--and everyone was very envious. Great couple. Anyway, we digress.) As I said, apart from that…it was a desert. All of us wrote to random girls whom we vaguely knew or had maybe met once, but if we were honest, it was all in never-never land. I did meet one quite nice girl who I discovered went to school relatively nearby to Eton. (Well, about thirty miles nearby, that is.) I borrowed a friend’s very old, single-geared, rusty bicycle and headed off one Sunday afternoon to meet this girl. It took me hours and hours to find the school, and the bike became steadily more and more of an epic to ride, not only in terms of steering but also just to pedal, as the rust cogs creaked and ground. But finally I reached the school gates, pouring with sweat. It was a convent school, I found out, run entirely by nuns. Well, at least they should be quite mild-natured and easy to give the slip to, I thought. That was my first mistake. I met the girl as prearranged, and we wandered off down a pretty, country path through the local woods. I was just summoning up the courage to make a move when I heard this whistle, followed by this shriek, from somewhere behind us. I turned to see a nun with an Alsatian, running toward us, shouting. The young girl gave me a look of terror and pleaded with me to run for my life--which I duly did. I managed to escape and had another monster cycle ride back to school, thinking: Flipping Nora, this girl business is proving harder work than I first imagined. But I persevered.
Bear Grylls (Mud, Sweat and Tears)
Highlights of the Brunel featured the likes of Mr. Iraci, our landlord, coming around and being greeted by myself, stark naked, painting cartoons on my bedroom wall to liven the place up a bit; or Eddie showing another pretty girl his technique for marinating venison in a washing-up bowl full of Bordeaux wine. Our housekeeping kitty of funds would miraculously evaporate due to Hugo’s endless dinner parties for just him and up to ten different girls that he had been chatting up all week. Stan developed a nice technique for cooking sausages by leaving them on the grill until the hundred decibel smoke alarm went off, indicating they were ready. (On one occasion, Stan’s sausage-cooking technique actually brought the fire brigade round, all suited and booted, hoses at the ready. They looked quite surprised to see all of us wandering down in our dressing gowns, asking if the sausages were ready, while they stood in the hall primed for action, smoke alarm still blaring. Happy days.) I also fondly remember Mr. Iraci coming round another time, just after I had decided to build a homemade swimming pool in the ten-foot-by-ten-foot “garden” area out the back. I had improvised a tarpaulin and a few kitchen chairs and had filled it optimistically with water. It held for about twenty minutes…in fact just about until Mr. Iraci showed up to collect his rent. Then it burst its banks, filling most of the ground floor with three inches of water, and soaking Mr. Iraci in the process. Truly the man was a saint.
Bear Grylls (Mud, Sweat and Tears)
Wreak Havoc- Skylar Grey A Little Party Never Killed Nobody- Fergie Gangsta- Kehlani You Don’t Own Me- Grace Bonnie and Clyde- Kellie Pickler Kill of the Night- Gin Wigmore I Feel a Sin Comin’ On- Pistol Annies Raise Hell- Dorothy Renegade Runaway- Carrie Underwood Black Widow- Iggy Azalea Hard Out Here- Lily Allen Fix- Chris Lane Make Me Wanna Die- Pretty Reckless Natalie- Bruno Mars Grenade- Bruno Mars Criminal- Fiona Apple Hunter- Ella Fence Gunpowder & Lead- Miranda Lambert Addicted to Love- Florence & The Machine Titanium- David Guetta & Sia Talking Body- Tove Lo Tornado- Little Big Town Fastest Girl in Town- Miranda Lambert Just Tonight- The Pretty Reckless Ready Set Roll- Chase Rice Till I Collapse- Eminem Remember the Name- Fort Minor Kill!Kill!Kill!- The Pierces Hard- Rihanna Cherry Bomb- The Runaways Bad Romance- Lady Gaga Gasoline & Matches- Julie Roberts Loca- Shakira My Medicine- The Pretty Reckless Fake It- Seether Psycho- Puddle of Mud All or Nothing- Theory of a Deadman Next to You- Buckcherry Better Dig Two- The Band Perry
A. Zavarelli (Saint (Boston Underworld, #4))
Just before my accident, I had met a great girl who was a student at Cambridge. With my newly found wheels, I used to ride like a lunatic up the motorway to see her after our final evening parade at the rehab center. I would take her out for dinner, sleep over, and then get up at 4:00 A.M. to race the two hours back down to Headley Court and morning parade. The staff had no idea. No one, they imagined, could be that stupid. It was often so cold in the middle of winter that I remember riding along, back brace on over my leathers, and one hand at a time resting on the engine to keep warm. Talk about reckless, bad driving. But it was great fun. The relationship petered out soon after, though--the Cambridge girl was way too clever for me. And I am not sure I was the most stable of boyfriends.
Bear Grylls (Mud, Sweat and Tears)
For the wishes of one’s old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to remember to catch the world in its changing and change with it.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
He arrives at the girl's window. They are face-to-face. She sees him through the streaky glass, through the rain- now pounding; a mudded, monstrous creature. She opens her mouth to scream, to cry for help, but in that very moment, everything changes. Before her eyes, he changes. She sees through the layers of mud, through the generations of darkness and rage and sorrow, to the human face beneath. A young man's face. A forgotten face. A face of such longing and sadness and beauty; and she reaches, unthinking, to unlock the window. To bring him in from the rain.
Kate Morton (The Distant Hours)
You ask a lot of questions for a girl in a tree." "Asking questions is a sign of intelligence." "I've heard that. Do your parents know you're out here?" "You ask a lot of questions for a lady who looks like she's been up all night." "Intelligence," Grace said playfully. "Barefoot in the mud? I dunno. You don't 'look' so smart.
Jeffrey Stepakoff (The Orchard)
My secret self, the scarecrow-Lacey built of twigs and mud and bark, the Lacey who was made of forest and would someday be summoned home.
Robin Wasserman (Girls on Fire)
He comes to a stop, plants one foot on the ground firmly, and uses his other foot to kick start his bike. He revs the throttle back a few times and looks over at me with complete excitement in his eyes as he kicks the start back into place. He nods his head back over his shoulder. “Hop on behind me and wrap your arms around my waist. You’re going to want to scoot close up against me and hold on tight, but not so tight that I can’t move freely.” I step up beside him and he reaches out his hand for me to take hold as I throw my leg up and over the seat. I scoot forward enough that my center is pressed tightly up against his rear end, and wrap my arms around his waist. Even if we didn’t move any further than this position right here, I would be a very happy girl. Adam lets out a laugh. “Even though I’m really enjoying you being this close, you might need to scoot yourself back just a bit so you can actually lean and move with me. Having you’re coochie pressed against my body has crossed my mind, but it might have to wait until later. Right now, you’re just going to manage pushing me forward.” My cheeks feel like they are on fire and my mouth drops open. I release my arms from around Adam’s waist and scoot back on the seat. “Did you just call my woman parts a coochie, and should I even ask about the wait until later comment?” I’m not going to tell him right now, but with that one simple sentence Adam has gotten me very worked up, in a very good way. Adam looks back over his shoulder and I can tell he’s smiling by the look in his eyes. “Well, I wasn’t sure what type of girl you were as far as vagina terminology goes? Coochie seemed like a safe word, but I have many options you can choose from that you might prefer. There is always the common pussy and cunt terms, then there are the more original ones like; cockpit, mud flaps, love tunnel, bone cave, meat massager, theme park, dick mitten….” I start shaking my head back and forth. “Ok, Ok, I got it. Coochie will do for now, I guess, and I will give it some more thought later as to a term I more prefer. I don’t think we need to keep talking about this right now if you plan on actually showing me why I should be your biggest fan and you my favorite rider out at the races. This is just a big distraction instead.” Adam reaches back and places his hand on my knee. “Maybe it’s a major part of making you my biggest fan as well as showing you that I’m meant to be your favorite rider. It can wait, though. Hold on and we can head on out toward the field.” I grab back hold of Adam and keep my coochie slid back further on the seat this time. “That might be a very strong incentive, Adam, for us both. I agree. Oh and you forgot to mention; purple people penis eater, honey pot, poody tat, stop-n-pop….” Adam releases my leg and grabs back hold of the handle. “Ok, you’re right; we will continue this conversation later on.
Joan Duszynski (In The Now (In The Moments, #2))
Was that the girl who went to Manhattan with you?" asked Marcus. "I think we owe her a cookie." "I think we owe her a whole damn bakery," said Xochi. "If I wasn't hip deep in mud, I would kiss her on the mouth.
Dan Wells (Partials (Partials Sequence, #1))
What the hell happened?’ Jack asked, grinning. ‘Slight accident in the marshland,’ Gwen said. ‘We wandered off the path at Greendown Moss. Big mistake.’ ‘That’s a relief,’ Owen said with a sardonic smile. ‘For a moment I thought you’d been mud-wrestling together and I’d missed it.’ ‘In your dreams.’ ‘Only when I’m bored, girls. Only when I’m bored.
Trevor Baxendale (Something in the Water (Torchwood, #4))
She said, "Daddy thinks that all the world's magic is almost evolved out." I thought of Roebuck Lake, its swamps and sloughs and loblollies and breaks of cypress and cane, its sunken treetops and stobs and bream beds and sleepy gar rolling over and over and over, its baptizing pools and bridges and mussels and mosquitoes and turkey vultures and, now in the drought, the gray flaking mud-flats and logs crowded with turtles and sometimes a fat snake yawning its tame old cottony mouth like a well-fed dog in a pen. I said, "Is that what the freak show is?" She said, "Dirty miracles.
Lewis Nordan (The All-Girl Football Team)
His child. His child with Caroline. Their child. After the things he’d said to her this morning, this would likely be their only child. Would it be a little bespectacled boy who wore his clothes haphazardly and followed his papa around holding a magnifying glass in one hand and notebook in the other? Or would it be a beautiful, dark-haired, blue-eyed girl who was always getting into trouble for dragging the hem of her skirt through the mud while she dug around in the flowerbeds? He smiled at mental image. Most men wished for a boy, but he’d gladly take a little girl who was just like Caroline.
Rose Gordon
When the Afang growled, the bushes shook and the oak leaves trembled on the branches, as if a strong wind was blowing. But after its dinner, when it had swallowed down a man, or two calves, or four sheep, or a fat heifer, or three goats, its body swelled up like a balloon. Then it usually rolled over, lay along the ground, or in the soft mud, and felt very stupid and sleepy, for a long while. All around its lair, lay wagon loads of bones of the creatures, girls, women, men, boys, cows, and occasionally a donkey, which it had devoured.
William Elliot Griffis (Welsh Fairy Tales)
We’ve got the house all to ourselves. Maybe after I run that hot bubble bath for you, I’ll help you wash your back.” “As filthy as I am, I’m going to have to make do with the shower or I’ll leave two inches of mud in the bottom of the tub.” “We should conserve water and shower together,” he said as he followed her into the house. “Gee, I couldn’t do that. I’m a nice girl, remember?” He groaned and bent forward to untie his filthy boots. “There was nothing in your owner’s manual warning about your unnaturally good lip-reading ability.” “But then I wouldn’t know you think I’m a nice girl, but…” He wasn’t even sure what he was in trouble for. “I was trying to make him see the difference between him and his wife, and you and me. I didn’t mean anything by it.” “Relax,” she said with an impish gleam in her eyes. “I swear, it’s so easy to push your buttons.” “You have a really twisted sense of humor.” But he forgave her when she unzipped her jeans and wriggled out of them right there in the hall. She probably didn’t want to track trail dust all through the house, so he’d do the same. But he’d watch her first, since he wasn’t one to pass up a striptease by a beautiful woman.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
cooking with mud was rolling around in it until only our eyes weren’t caked with brown sludge. I loved him on our hour-long bike rides when we played Would You Rather until we had to pull off to the side of the road because we were laughing so hard. I loved him through high school when he was the obsession of almost every girl at our school, but he always put me first. I loved him when he became my first boyfriend and showed me what it felt like to be cherished. I loved him over our long-distance relationship when receiving his text messages would make my day. And I love him now as he gets ready to commit his life to another woman. I will love him forever, and no amount of time or varying circumstances are going to change that. Jax is my best friend. He will always hold the other half of my heart in the figurative BFF necklace that we share. He will be my friend forever. I hop onto my bed and lie back as I click my phone screen, pulling up my Favorites list. My thumb hovers over his name. I take a deep breath and touch his name. My heart thrums wildly as his phone rings twice on the other end. His voice comes through my earpiece, and I almost cry from happiness. I can move to New York tomorrow with no regrets because the world is right as long as Jax and I are friends again. “Little Love.” His voice sounds anxious, hesitant. “Hey, mister.” Another rogue tear escapes, but this tear is full of happiness.
Ellie Wade (A Beautiful Kind of Love (Choices, #1))
For the wishes of one’s old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to remember to catch the world in its changing and change with it.’ Lye
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
carried the Makarov outside to watch the fireworks. Thirty yards beyond the spot where Brendan Magill lay dead was a rock wall running on a north-south axis. Gabriel took cover behind it after a 7.62x39mm round shredded the air a few inches from his right ear. Keller hit the ground next to him as rounds exploded against the stones of the wall, sending sparks and fragments flying. The source of the fire was silenced, so Gabriel had only a vague idea of the direction from which it was coming. He poked his head above the wall to search for a muzzle flash, but another burst of rounds drove him downward. Keller was now crawling northward along the base of the wall. Gabriel followed after him, but stopped when Keller suddenly opened up with the dead man’s AK-47. A distant scream indicated that Keller’s rounds had found their mark, but in an instant they were taking fire from several directions. Gabriel flattened himself on the ground at Keller’s side, the Glock in one hand, the dead man’s phone in the other. After a few seconds he realized it was pulsing with an incoming text. The text was apparently from Eamon Quinn. It read KILL THE GIRL . . . 79 CROSSMAGLEN, SOUTH ARMAGH A MID THE HEAP OF BROKEN and dismembered farm implements in Jimmy Fagan’s shed, Katerina had found a scythe, rusted and caked in mud, a museum piece, perhaps the last scythe in the whole of Ireland, north or south. She held it tightly in her hands and listened to the sound of men pounding up the track at a sprint. Two men, she thought, perhaps three. She positioned herself against the shed’s sliding door. Madeline was at the opposite end of the space, hooded, hands bound, her back to the bales of hay. She was the first and only thing the men would see upon entry. The latch gave way, the door slid open, a gun intruded. Katerina recognized its silhouette: an AK-47 with a suppressor attached to the barrel. She knew it well. It was the first weapon she had ever fired at the camp. The great AK-47! Liberator of the oppressed! The gun was pointed upward at a forty-five-degree angle. Katerina had no choice but to wait until the barrel sank toward Madeline. Then she raised the scythe and swung it with every ounce of strength she had left in her body. Two hundred yards away, crouched behind a stone wall at the western edge of Jimmy Fagan’s property, Gabriel showed the text message to Christopher Keller. Keller immediately poked his head above the wall and saw muzzle flashes in the doorway of the shed. Four flashes, four shots, more than enough to obliterate two lives. A burst of AK-47 fire drove him downward again. Eyes wild, he grabbed Gabriel savagely by the front of his coat and shouted, “Stay here!” Keller hauled himself over the wall and vanished from sight. Gabriel lay there for a few seconds as the rounds rained down on his position. Then suddenly he was on his feet and running across the darkened pasture. Running toward a car in a snowy square in Vienna. Running toward death. The blow that Katerina delivered to the neck of the man holding the AK-47 resulted in a partial decapitation. Even so, he had managed to squeeze off a shot before she wrenched the gun from his grasp—a shot that struck the hay bales a few inches from Madeline’s head. Katerina shoved the dying man aside and quickly fired two shots into the chest of the second man. The fourth shot she fired into the partially decapitated creature twitching at her feet. In the lexicon of the SVR, it was a control shot. It was also a shot of
Daniel Silva (The English Spy (Gabriel Allon, #15))
Scott remained passed out and still reeked of mud and champagne, like a pig farmer who’d had a good night, I guess. Probably not out of place in Iowa.
Robert J. Crane (Legacy (The Girl in the Box, #8))
Getting Rid of the Mud We have a custom at weddings. Before you go to the wedding canopy, there is the veiling of the bride. At the veiling of the bride, I usually gather together all the blood relatives into a room, to ask them each to forgive each other, because it’s impossible to grow up in a family, with siblings and parents, without having some secret anger. And you don’t want people to have to go into the next phase of life with all this karmic load. So that is why bringing in those people is so important. That way they can forgive each other and really bless each other. It is a very powerful thing. On one occasion, a young girl was present while we were doing this forgiveness, and she wanted to know how to do it. I tell you, it was a wonderful thing that she asked this question. She really wanted to know how to do it. It was as if nobody had ever shown her how to do forgiving. So I said to her, “Could you imagine that you have a beautiful shiny white dress on, and here comes this big clump of mud and dirties it? You would want to clean it off, wouldn’t you?” “Oh, yes,” she said. “Could you imagine then, instead of the mud being on the outside on your dress, the mud is on your heart?” “Uh huh.” “And being angry with people and not forgiving them is like mud on your heart.” “I sure want to get rid of that,” she said. “OK, how are you going to go about doing that?” I suggested that she close her eyes, raise up her hands in her imagination, and draw down some golden light and let it flow over that mud on her heart until it was all washed away. In this way she really understood forgiving. Do you understand how important it is, just as with this child, to respond decently when somebody says, “You ought to …,” and starts giving you advice and you want to say, “I’ve been trying to do it myself. You don’t have to scold me—show me how to do it”? This is the issue in all spiritual direction work. Rabbi Zalman Schachter-Shalomi
Dov Peretz Elkins (Rosh Hashanah Readings: Inspiration, Information and Contemplation)
Now she could smell what the jaguar could smell, odors deeper and richer than anything she had experienced before, layers of smell she could read like Fray Tomás had read the words in her father’s book: the wet decay of leaves, the death fear of a mouse, the poisonous cloy of datura, water and mud and insects, the wind carrying the smell of other animals, the wind itself, and the girl, of course, always the girl with her juicy flesh. The girl smelled incredibly good. Should the jaguar do this? Should Teresa eat herself?
Sharman Apt Russell (Teresa of the New World)
I would have never taken you for a coward, Mr. Mulberry, but honestly, do you really believe carting out your wards is going to convince me to agree to whatever madness has you seeking me out so late at night?” Everett smiled almost as brightly as the children. “Now, now, Miss Longfellow, there’s no cause to call me a coward. Smart like a fox, perhaps, but—” “You shouldn’t antagonize her, Everett,” Lucetta suddenly said, interrupting Everett’s speech before she turned to Millie. “And you shouldn’t be surprised he brought the children with him, considering everyone knows you have a distinct weakness for the wee ones. However, before the conversation moves forward, I really am going to have to insist that the two of you drop all of this Miss and Mister nonsense. We have a common friend in Oliver Addleshaw. Which means, like it or not, we’re now friends of a sort. And because of that, there’s really no reason for such formality.” “There is if he’s here to ask me to work for him.” “Of course he’s here to ask you to work for him,” Lucetta said. “But that has absolutely nothing to do with calling him by his given name.” Millie opened her mouth, but before she could respond, something that looked remarkably like mud began seeping through the paper wrapped around the flowers she was holding. Moving to the closest table, she unwrapped the paper before setting her sights on Everett again. “Did you pull these flowers right out of the ground, Mr. Mulberry?” Everett smiled. “Please, call me Everett since Lucetta was kind enough to point out we’re friends, and of course I didn’t pull those right out of the ground.” Millie held up the flowers, exposing the roots still clinging to dirt. “You would have me believe you purchased these from a flower shop?” “It’s after ten. There are no flower shops open, but if you must know, I had Rosetta pluck those out of the ground for you.” A little girl of about five raised an incredibly dirty hand and waved at her right as Everett cleared his throat, drawing Millie’s attention. “I think you should view it as a mark in my favor that I remembered the flowers, especially since, again, I’m a little sensitive to them, but . . . you were quite vocal about what it would take to get you to work for me.” He sent her a far-too-charming smile. Ignoring the charm, Millie lifted her chin. “You might as well tell me what disaster struck your household now.” Everett shot a glance to the children and seemed to shudder. “Why would you assume something disastrous happened?” Setting the flowers, roots and all, aside, Millie crossed her arms over her chest. “Don’t insult my intelligence, Everett. You wouldn’t be bringing me flowers or children if something of a disastrous nature hadn’t occurred.” “The children are adorable, aren’t they?” “Of course they’re adorable, dear, which I’m sure you were hoping to use to your advantage,” Abigail said as she arrived in the drawing room, pushing a cart that seemed to be heavy with treats.
Jen Turano (In Good Company (A Class of Their Own Book #2))
Sam’s smile was all innocent, his cornflower-blue eyes guileless as those of a newborn foal. “Nice night?” She scowled, narrowing her gaze. “You don’t fool me.” “I don’t know what you’re referring to.” His lips quirked as though he was trying not to laugh. She waved a hand over him. “Your choirboy act.” Now he chuckled outright. “Honey, I’m about as much a choirboy as you are a good girl.” Heat flooded her cheeks, and she distracted herself by taking a sip of coffee. When she was more composed, she said, “You and your sister are cut from the same cloth.” “I’m the more subtle of the two.” “More devious,” she muttered under her breath. “That’s another word.” Sam grinned. “And shameless.” “I’ve never seen the point in shame,” Sam said, and pointed to her. “You’ve got mud in your hair.” She
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Ida dragged her nails along the lockers. They'd been mud brown in my day but had since been painted red, the color dry and faded. A whole generation had come and gone since I'd last been here. The remnants of whom we'd been lingered in the old brick walls and dusty trophy cases.
Sonia Hartl (The Lost Girls)
Lying there Ma said, 'You all listen now, this is a real lesson in life. Yes, we got stuck, but what'd we girls do? We made it fun, we laughed. That's what sisters and girlfriends are all about. Sticking together even in the mud, 'specially in the mud.
Delia Owens (Where the Crawdads Sing)