Mrs Elm Quotes

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Look at that chessboard we put back in place,’ said Mrs Elm softly. ‘Look at how ordered and safe and peaceful it looks now, before a game starts. It’s a beautiful thing. But it is boring. It is dead. And yet the moment you make a move on that board, things change. Things begin to get more chaotic. And that chaos builds with every single move you make.’ ‘It’s an easy game to play,’ she told Nora. ‘But a hard one to master. Every move you make opens a whole new world of possibilities...In chess, as in life, possibility is the basis of everything. Every hope, every dream, every regret, every moment of living...never underestimate the big importance of small things.
Matt Haig (The Midnight Library)
Never underestimate the big importance of small things,’ Mrs Elm said. ‘You must always remember that.
Matt Haig (The Midnight Library)
Never underestimate the big importance of small things, Mrs Elm had said. You must always remember that.
Matt Haig (The Midnight Library)
Between life and death there is a library,’ she said. ‘And within that library, the shelves go on for ever. Every book provides a chance to try another life you could have lived. To see how things would be different if you had made other choices . . . Would you have done anything different, if you had the chance to undo your regrets?’ ‘So, I am dead?’ Nora asked. Mrs Elm shook her head. ‘No. Listen carefully. Between life and death.’ She gestured vaguely along the aisle, towards the distance. ‘Death is outside.
Matt Haig (The Midnight Library)
She just needed potential. And she was nothing if not potential. She wondered why she had never seen it before. She heard Mrs Elm’s voice, from under the table somewhere far behind her, cutting through the noise. ‘Don’t give up! Don’t you dare give up, Nora Seed!’ She didn’t want to die. And she didn’t want to live any other life than the one that was hers.
Matt Haig (The Midnight Library)
It was hard not to compare Mrs Elm to her mother, who treated Nora like a mistake in need of correction.
Matt Haig (The Midnight Library)
Mrs Elm’s eyes sparkled with sudden life. ‘Well, that’s the beauty, isn’t it? You just never know how it ends.’ And Nora smiled as she stared at all the pieces she still had left in play, thinking about her next move.
Matt Haig (The Midnight Library)
You need to realise something if you are ever to succeed at chess,’ she said, as if Nora had nothing bigger to think about. ‘And the thing you need to realise is this: the game is never over until it is over. It isn’t over if there is a single pawn still on the board. If one side is down to a pawn and a king, and the other side has every player, there is still a game. And even if you were a pawn – maybe we all are – then you should remember that a pawn is the most magical piece of all. It might look small and ordinary but it isn’t. Because a pawn is never just a pawn. A pawn is a queen-in-waiting. All you need to do is find a way to keep moving forward. One square after another. And you can get to the other side and unlock all kinds of power.' Mrs. Elm
Matt Haig (The Midnight Library)
The elm is the most respectable of trees, over-pompous if anything, but perfectly well-bred, and the shade it casts is no ordinary shade, but solid and self-assured as befits the estate of a country family.
W. Somerset Maugham (Mrs Craddock (Classic, 20th-Century, Penguin))
Many of you remember when Dutch Elm disease swept the East Coast. People in big cities saw the trees die but it didn’t register, in any way at all, that this would compromise oxygen. Think of it, that many trees dying in that short a time span means there is less photosynthesis. Less oxygen is being produced. Therefore pollution in the big cities becomes more pronounced. These basics do not occur to people who work in buildings where the windows don’t open.
Rita Mae Brown (Sour Puss (Mrs. Murphy, #14))
Look at that chessboard we put back in place,’ said Mrs Elm softly. ‘Look at how ordered and safe and peaceful it looks now, before a game starts. It’s a beautiful thing. But it is boring. It is dead. And yet the moment you make a move on that board, things change. Things begin to get more chaotic. And that chaos builds with every single move you make.’ ‘It’s an easy game to play,’ she told Nora. ‘But a hard one to master. Every move you make opens a whole new world of possibilities. At the beginning of the game there are no variations. There is only one way to set up a board. There are 9 million variations after the first 6 moves. And those possibilities keep growing. So it gets very messy. And there is no way to play; there are many ways. In chess, as in life, possibility is the basis of everything. Every hope, every dream, every regret, every moment of living...never underestimate the big importance of small things.
Matt Haig (The Midnight Library)
Mrs. Wilcox, though a loving wife and mother, had only one passion in life—her house—and that the moment was solemn when she invited a friend to share this passion with her. To answer “another day” was to answer as a fool. “Another day” will do for brick and mortar, but not for the Holy of Holies into which Howards End had been transfigured. Her own curiosity was slight. She had heard more than enough about it in the summer. The nine windows, the vine, and the wych-elm had no pleasant connections for her, and she would have preferred to spend the afternoon at a concert. But imagination triumphed. While her brother held forth she determined to go, at whatever cost, and to compel Mrs. Wilcox to go, too.
E.M. Forster (Howards End)
My eye keeps escaping towards the big blue lacquered door that I've had painted in a trompe-l'oeil on the back wall. I would like to call Mrs. Cohen back and tell her there's no problem for her son's bar mitzvah, everything's ready: I would like to go through that door and disappear into the garden my mind's eye has painted behind it. The grass there is soft and sweet, there are bulrushes bowing along the banks of a river. I put lime trees in it, hornbeams, weeping elms, blossoming cherries and liquidambars. I plant it with ancient roses, daffodils, dahlias with their melancholy heavy heads, and flowerbeds of forget-me-nots. Pimpernels, armed with all the courage peculiar to such tiny entities, follow the twists and turns between the stones of a rockery. Triumphant artichokes raise their astonished arrows towards the sky. Apple trees and lilacs blossom at the same time as hellebores and winter magnolias. My garden knows no seasons. It is both hot and cool. Frost goes hand in hand with a shimmering heat haze. The leaves fall and grow again. row and fall again. Wisteria climbs voraciously over tumbledown walls and ancient porches leading to a boxwood alley with a poignant fragrance. The heady smell of fruit hangs in the air. Huge peaches, chubby-cheeked apricots, jewel-like cherries, redcurrants, raspberries, spanking red tomatoes and bristly cardoons feast on sunlight and water, because between the sunbeams it rains in rainbow-colored droplets. At the very end, beyond a painted wooden fence, is a woodland path strewn with brown leaves, protected from the heat of the skies by a wide parasol of foliage fluttering in the breeze. You can't see the end of it, just keep walking, and breathe.
Agnès Desarthe (Chez Moi: A Novel)
And through the ranks of happy and shouting animals Mrs. Wiggins came slowly forward. There were tears in her eyes when she faced them—good big honest tears, such as only a generous-hearted cow like Mrs. Wiggins can shed. “Well, dear me,” she said, “I must say you animals have gone through a lot to make me your president. So I guess the only thing I can do is to be as good a one as I can. And I expect the thing I’d like you to do best is to just go on doing the things you want to do, as you always have. As for you, John Quincy and X—” She looked up into the elm. “Oh, well, they’ve gone. Just as well, I guess. So now, animals, I thank you. I guess that’s all I’ve got to say.
Walter Rollin Brooks (Freddy the Politician (Freddy the Pig))
Mrs Elm studied Nora hard, as if reading a passage in a book she had read before but had just found it contained a new meaning. ‘Want,’ she told her, in a measured tone, ‘is an interesting word. It means lack. Sometimes if we fill that lack with something else the original want disappears entirely. Maybe you have a lack problem rather than a want problem. Maybe there is a life that you really want to live.
Matt Haig (The Midnight Library)
It's between life and death where the shelves go on and a book allows you to try on another life via choices and to undo your regrets.” ~Mrs. Elm
Matt Haig (The Midnight Library)
sampled. So, in time, and with Mrs Elm’s assistance, Nora took lots of books from the shelves, and ended up having a taste of lots of different lives in her search for the right one. She learned that undoing regrets was really a way of making wishes come true. There was almost any life she was living in one universe, after all.
Matt Haig (The Midnight Library)
Never underestimate the importance of small things,' Mrs Elm said.
Matt Haig (The Midnight Library)
Book of Regrets" Every regret you ever had, is recorded here. ~Mrs. Elm
Matt Haig (The Midnight Library)
Look at that chessboard we put back in place,’ said Mrs Elm, softly. ‘Look at how ordered and safe and peaceful it looks now, before a game starts. It’s a beautiful thing. But it is boring. It is dead. And yet the moment you make a move on that board, things change. Things begin to get more chaotic. And that chaos builds with every single move you make.
Matt Haig (The Midnight Library)
As she spoke, Mrs Elm’s eyes came alive, twinkling like puddles in moonlight.
Matt Haig (The Midnight Library)
You can live that life as if you've always been there and the book will never be returned." - Mrs. Elm
Matt Haig (The Midnight Library)
All new future begins at midnight.”~Mrs. Elm
Matt Haig (The Midnight Library)
People—Minnie—might have turned this into “We grew up together,” but it was nothing so proprietary as that she would have claimed. It was the most basic of connections they had, that was all—coming from the same place; ending up here. It was simply that she recognized Philippa. She had known her forever. Knew that there were certain knolls, certain elms and certain oaks along certain roads, certain bends in those roads, certain graveyards and plays of light Philippa had known as well. That’s all she would’ve claimed. If anyone had asked her what growing up there was like in the ’70s and ’80s, she would have said that the overarching principle, which she had been able to see only lately, in reflection, was a randomness. A randomness that had vanished, that this town, with its strivy parents—slotting in the schools and the lessons and the vacations and the camps; this kitchen; gut jobs; chain stores; the Internet—seemed determined to eliminate.
Caitlin Macy (Mrs.)
My mum died on different dates in different lives. I’d like a life where she is still here. Does that life exist?’ Mrs Elm’s attention switched to Nora. ‘Maybe it does.’ ‘Great.’ ‘But you can’t get there.’ ‘Why not?’ ‘Because this library is about your decisions. There was no choice you could have made that led to her being alive beyond yesterday. I’m sorry.
Matt Haig (The Midnight Library)
Look at that chessboard we put back in place,' said Mrs. Elm, softly. 'Look at how ordered and safe and peaceful it looks now, before a game starts. It's a beautiful thing. But it is boring. It is dead. And yet at the moment you make a move on that board, things change. Things begin to get more chaotic. And that chaos builds with every single move you make.
Matt Haig (The Midnight Library)
Every life she had tried so far since entering the library had really been someone else’s dream. The married life in the pub had been Dan’s dream. The trip to Australia had been Izzy’s dream, and her regret about not going had been a guilt for her best friend more than a sorrow for herself. The dream of her becoming a swimming champion belonged to her father. And okay, so it was true that she had been interested in the Arctic and being a glaciologist when she was younger, but that had been steered quite significantly by her chats with Mrs Elm herself, back in the school library. And The Labyrinths, well, that had always been her brother’s dream.
Matt Haig (The Midnight Library)
Mrs Elm had short grey hair and a kind and mildly crinkled oval face sitting pale above her turtle-green polo neck. She was quite old. But she was also the person most on Nora’s wavelength in the entire school, and even on days when it wasn’t raining she would spend her afternoon break in the small library.
Matt Haig (The Midnight Library)
They are lives you could live but never dreamed of.’ ‘So they’re unhappy lives?’ ‘Some will be, some won’t be. It’s just they are not the most obvious lives. They are ones which might require a little imagination to reach. But I am sure you can get there . . .’ ‘Can’t you guide me?’ Mrs Elm smiled. ‘I could read you a poem. Librarians like poems.’ And then she quoted Robert Frost. ‘Two roads diverged in a wood, and I – / I took the one less travelled by, / And that has made all the difference .
Matt Haig (The Midnight Library)
She remembered something Mrs Elm had told her in the Midnight Library. ‘You see, doing one thing differently is very often the same as doing everything differently. Actions can’t be reversed within a lifetime, however much we try .
Matt Haig (The Midnight Library)
Never underestimate the big importance of small things, Mrs Elm had said.
Matt Haig (The Midnight Library)
She remembered the anti-philosophy of Mrs Elm in the Midnight Library. ‘You don’t have to understand life. You just have to live it.
Matt Haig (The Midnight Library)
Mrs Elm provided a commentary. ‘At the beginning of a game, there are no variations. There is only one way to set up a board. There are nine million variations after the first six moves. And after eight moves there are two hundred and eighty-eight billion different positions. And those possibilities keep growing. There are more possible ways to play a game of chess than the amount of atoms in the observable universe. So it gets very messy. And there is no right way to play; there are many ways. In chess, as in life, possibility is the basis of everything. Every hope, every dream, every regret, every moment of living.
Matt Haig (The Midnight Library)
Sometimes to only way to learn is to live
Mrs Elm - The midnight library
Never underestimate the big importance of small things,' Mrs. Elm said. 'You must always remember that.
Matt Haig (The Midnight Library)
You wanted to die and now you don’t.’ It dawned on Nora that Mrs Elm might be close to having a point, although not quite the whole point. ‘Well, I still think my actual life isn’t worth living. In fact, this experience has just managed to confirm that.’ She shook her head. ‘I don’t think you think that.’ ‘I do think that. That’s why I said it.’ ‘No. The Book of Regrets is getting lighter. There’s a lot of white space in there now . . . It seems that you have spent all your life saying things that you aren’t really thinking. This is one of your barriers.’ ‘Barriers?
Matt Haig (The Midnight Library)
Maybe there was no perfect life for her, but somewhere, surely, there was a life worth living. And if she was to find a life truly worth living, she realized she would have to cast a wider net. Mrs. Elm was right. The game wasn't over. No player should give up if there were pieces still left on the board.
Matt Haig (The Midnight Library)
She gestured vaguely along the aisle, towards the distance. "Death is outside." "Well, I should go there. Because I want to die." Nora began walking. But Mrs Elm shook her head. "That isn't how death works." "Why not?" "You don't go to death. Death comes to you.
Matt Haig (The Midnight Library)
Look at that chessboard we put back in place,’ said Mrs Elm, softly. ‘Look at how ordered and safe and peaceful it looks now, before a game starts. It’s a beautiful thing. But it is boring. It is dead. And yet the moment you make a move on that board, things change. Things begin to get more chaotic. And that chaos builds with every single move you make.’ She took
Matt Haig (The Midnight Library)
So,’ wondered Mrs Elm, looking at Nora. ‘What are you feeling?’ ‘Like I still want to die. I have wanted to die for quite a while. I have carefully calculated that the pain of me living as the bloody disaster that is myself is greater than the pain anyone else will feel if I were to die. In fact, I’m sure it would be a relief. I’m not useful to anyone. I was bad at work. I have disappointed everyone. I am a waste of a carbon footprint, to be honest. I hurt people. I have no one left. Not even poor old Volts, who died because I couldn’t look after a cat properly. I want to die. My life is a disaster. And I want it to end. I am not cut out for living. And there is no point going through all this. Because I am clearly destined to be unhappy in other lives too. That is just me. I add nothing. I am wallowing in self-pity. I want to die.’ Mrs Elm studied Nora hard, as if reading a passage
Matt Haig (The Midnight Library)
Don't worry. Tissues are like lives. There are always more.' Mrs Elm returned to her train of thought. 'Doing one thing differently is often the same as doing everything differently. Actions can't be reversed within a lifetime, however much we try...But you are no longer withing a lifetime. You have popped outside. This is your opportunity, Nora, to see how things could be.
Matt Haig (The Midnight Library)
She remembered being enthralled by an article about Svalbard, the Norwegian archipelago in the Arctic Ocean. She’d never seen a place that looked so far away. She’d read about scientists doing research among glaciers and frozen fjords and puffins. Then, prompted by Mrs Elm, she’d decided she wanted to be a glaciologist.
Matt Haig (The Midnight Library)
Look at that chessboard we put back in place", said Mrs Elm, soflty. "Look at how ordered and safe and peaceful it looks now, before a game starts. It´s a beautiful thing. But it is boring. It is dead. And yet the moment you make a move on that board, things change. Things begin to get more chaotic. And that chaos builds with every single move you make.
Matt Haig (The Midnight Library)
Never underestimate the big importance of small things,’ Mrs Elm
Matt Haig (The Midnight Library)