Mr P Quotes

You have no responsibility to live up to what other people think you ought to accomplish. I have no responsibility to be like they expect me to be. It's their mistake, not my failing.

All the time you're saying to yourself, 'I could do that, but I won't,' — which is just another way of saying that you can't.

I couldn't claim that I was smarter than sixty-five other guys--but the average of sixty-five other guys, certainly!

Okay, that so did me in. Mr. Rock being all emotional? Expressing his feelings?" p. 12

So I have just one wish for you – the good luck to be somewhere where you are free to maintain the kind of integrity I have described, and where you do not feel forced by a need to maintain your position in the organization, or financial support, or so on, to lose your integrity. May you have that freedom.

What Do You Care What Other People Think?

I learned from her that every woman is worried about her looks, no matter how beautiful she is.

I always do that, get into something and see how far I can go.

Learn what the rest of the world is like. The variety is worthwhile.

Intoxicated? The word did not express it by a mile. He was oiled, boiled, fried, plastered, whiffled, sozzled, and blotto.

When it came time for me to give my talk on the subject, I started off by drawing an outline of the cat and began to name the various muscles. The other students in the class interrupt me: "We *know* all that!" "Oh," I say, "you *do*? Then no *wonder* I can catch up with you so fast after you've had four years of biology." They had wasted all their time memorizing stuff like that, when it could be looked up in fifteen minutes.

You see, I get so much fun out of thinking that I don’t want to destroy this pleasant machine that makes life such a big kick.

I don’t know what’s the matter with people: they don’t learn by understanding; they learn by some other way—by rote, or something. Their knowledge is so fragile!

The first principle is that you must not fool yourself—and you are the easiest person to fool. So you have to be very careful about that. After you’ve not fooled yourself, it’s easy not to fool other scientists. You just have to be honest in a conventional way after that.

Oh, also, if Mr. Ortega catches me writing you this letter, I am committed to shoving it in my mouth and swallowing. I hope I can count on the same commitment from you.

That’s the trouble with not being in your own field: You don’t take it seriously.

You have to have absolute confidence. Keep right on going, and nothing will happen.

innovation is a very difficult thing in the real world

How does he look, Jeeves?" "Sir?" "What does Mr Bassington-Bassington look like?" "It is hardly my place, sir, to criticize the facial peculiarities of your friends.

Between an egg that is fried and an egg that is cremated there is a wide and substantial difference.

A wish is a dish that's a lot like a fish: Once it's been eaten it's harder to throw back. - Mr. Rakshasas

I'm not lazy. I'm just really gifted, only instead of being good at music or math I'm good at sleeping late.

There were a lot of fools at that conference—pompous fools—and pompous fools drive me up the wall. Ordinary fools are all right; you can talk to them, and try to help them out.

The individual member of the social community often receives his information via visual, symbolic channels.” I went back and forth over it, and translated. You know what it means? “People read.

the whole problem of discovering what was the matter, and figuring out what you have to do to fix it–that was interesting to me, like a puzzle

Mr Beach was too well bred to be inquisitive, but his eyebrows here not. 'Ah!' he said. '?', cried the eyebrows. '? ? ?' Ashe ignored the eyebrows. ... Mr Beach's eyebrows were still mutely urging him to reveal all, but Ashe directed his gaze at that portion of the room which Mr Beach did not fill. He was hanged if he was going to let himself be hypnotized by a pair of eyebrows into incriminating himself.

When I tried to show him how an electromagnet works by making a little coil of wire and hanging a nail on a piece of string, I put the voltage on, the nail swung into the coil, and Jerry said, “Ooh! It’s just like fucking!

That was a very good way to get educated, working on the senior problems and learning how to pronounce things.

I have to keep going to find out ultimately what is the matter with it in the end.

How much do you value life?” “Sixty-four.

Tessa exploded "I am not asking you to maul me in the Whispering Gallery! By the Angel, Will, would you stop being so polite?!" He looked at her in amazement. "But wouldn't you rather-" "I would not rather. I don't want you to be polite! I want you to be Will! I don't want you to indicate points of architectural interest to me as if you were a Baedecker guide! I want you to say dreadfully mad, funny things, and make up songs and be-" The Will I fell in love with, she almost said. "And be Will," she finished instead. "Or I shall strike you with my umbrella." "I am trying to court you," Will said in exasperation. "Court you properly. That's what all this has been about. You know that, don't you?" "Mr. Rochester never courted Jane Eyre," Tessa pointed out. "No, he dressed up as a woman and terrified the poor girl out of her wits. Is that what you want?" "You would make a very ugly woman." "I would not. I would be stunning." Tessa laughed. "There," she said. "There is Will. Isn't that better? Don't you think so?" "I don't know," Will said, eyeing her. I'm afraid to answer that. I've heard that when I speak, it makes American women wish to strike me with umbrellas." Tessa laughed again, and then they were both laughing, their smothered giggles bouncing off the walls of the Whispering Gallery. After that, things were decidedly easier between them, and Will's smile when he helped her down from the carriage on their return home, was bright and real.

Liz," said Mr. Cootes, lost in admiration, "when it comes to doping out a scheme, you're the snake's eyebrows!

don’t know what’s the matter with people: they don’t learn by understanding; they learn by some other way—by rote,

I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world. It's difficult to describe because it's an emotion. It's analogous to the feeling one has in religion that has to do with a god that controls everything in the whole universe: there's a generality aspect that you feel when you think about how things that appear so different and behave so differently are all run "behind the scenes" by the same organization, the same physical laws. It's an appreciation of the mathematical beauty of nature, of how she works inside; a realization that the phenomena we see result from the complexity of the inner workings between atoms; a feeling of how dramatic and wonderful it is. It's a feeling of awe — of scientific awe — which I felt could be communicated through a drawing to someone who had also had this emotion. It could remind him, for a moment, of this feeling about the glories of the universe.

Well, Mr. Frankel, who started this program, began to suffer from the computer disease that anybody who works with computers now knows about. It's a very serious disease and it interferes completely with the work. The trouble with computers is you *play* with them. They are so wonderful. You have these switches - if it's an even number you do this, if it's an odd number you do that - and pretty soon you can do more and more elaborate things if you are clever enough, on one machine. After a while the whole system broke down. Frankel wasn't paying any attention; he wasn't supervising anybody. The system was going very, very slowly - while he was sitting in a room figuring out how to make one tabulator automatically print arc-tangent X, and then it would start and it would print columns and then bitsi, bitsi, bitsi, and calculate the arc-tangent automatically by integrating as it went along and make a whole table in one operation. Absolutely useless. We *had* tables of arc-tangents. But if you've ever worked with computers, you understand the disease - the *delight* in being able to see how much you can do. But he got the disease for the first time, the poor fellow who invented the thing.

We have all sinned, Mr. Darcy, and we cannot look for mercy without showing it in our lives.

Dear Mr Skully, I have caught my neck in a mangle and will be indisposed for eternity. Yours in death S.D.

I wonder why. I wonder why. I wonder why I wonder. I wonder why I wonder why I wonder why I wonder!

Jeeves, Mr Little is in love with that female." "So I gathered, sir. She was slapping him in the passage." I clutched my brow. "Slapping him?" "Yes, sir. Roguishly.

I wouldn’t stop until I figured the damn thing out–it would take me fifteen or twenty minutes. But during the day, other guys would come to me with the same problem, and I’d do it for them in a flash. So for one guy, to do it took me twenty minutes, while there were five guys who thought I was a super-genius.

Patrick had asked why people wanted to kill Mr. Sonnier. "Because they say he killed people," Bill had answered. "But, Dad"," Patrick had asked, "then who is going to kill them for killing him?" (p. 60)

But if you’ve ever worked with computers, you understand the disease—the delight in being able to see how much you can do.

Wait a minute while I think," said Miss Peavey. There was a pause. Miss Peavey sat with knit brows. "How would it be..." ventured Mr. Cootes. "Cheese it!" said Miss Peavey. Mr. Cootes cheesed it.

Subject: Challenge accepted Mr. Zaccadelli, If you keep this up, I'm going to report you to the workplace hotline for harassment. They don't take kindly to tattooed, guitar-playing dudes making advances toward sweet, innocent girls. Game ON. Sincerely, The Girl You Will Never Have P.S. Esquire? You are so full of shit.

Subject: Not a chance Missy, I accept your challenge, and may I remind you, that if you want me to leave you alone, there is that little bet we have going. Win it, and I'm gone. Impatiently (and nakedly) yours, Mr. Hunter Aaron Zaccadelli, esquire. P.S. Bring it on.

A man does not learn very well, Mr. Robbins. Women, yes, because they are used to bending with whatever wind comes along. A woman, no matter the age, is always learning, always becoming. But a man, if you will pardon me, stops learning at fourteen or so. He shuts it all down, Mr. Robbins. A log is capable of learning more than a man. To teach a man would be a battle, a war, and I would lose.

Subject: This is a work environment and this is harassment Mr. Zaccadelli, I am writing to inform you that your proposition has been rejected. Due to both the fact that we are coworkers, as well as roommates, I would find it inappropriate to “visit the stacks” with you. I will reject all further offers at this time. If, in the future, I decide to entertain such an offer, I will inform you via correspondence. Respectfully (not) yours, Miss Taylor Caldwell P.S. Stop fucking emailing me.

The drowsy stillness of the summer afternoon was shattered by what sounded to his strained senses like G.K. Chesterton falling on a sheet of tin.

Little as he knew of women, he was aware that as a sex they are apt to be startled by the sight of men crawling out from under the seats of compartments.

For a single girl in London, luck isn't always a glass slipper that fits. Sometimes luck is a splash of mud from a passing bus.

Mr Little is certainly warm-hearted, sir." "Warm-hearted! I should think he has to wear asbestos vests.

There was a Princess Somebody of Denmark sitting at a table with a number of people around her, and I saw an empty chair at their table and sat down. She turned to me and said, "Oh! You're one of the Nobel-Prize-winners. In what field did you do your work?" "In physics," I said. "Oh. Well, nobody knows anything about that, so I guess we can't talk about it." "On the contrary," I answered. "It's because somebody knows something about it that we can't talk about physics. It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance--gold transfers we can't talk about, because those are understood--so it's the subject that nobody knows anything about that we can all talk about!" I don't know how they do it. There's a way of forming ice on the surface of the face, and she did it!

The voice belonged to Mr. Pzyrbovich, an algebra teacher who was always called Mr. P, for obvious reasons. He has a heavy accent, which a lot of kids said made him hard to understand, although to be fair some of these kids would have never understood algebra anyway.

The P’lice Department hounded him, they called him Mr. Smith. They got him on conspiracy, they were never quite sure who with.

Doorman: Good morning Mr. Peaknis Mr. P.: Go to hell

son," Mr. P said. "You're going to find more and more hope the farther and farther you walk away from this sad, sad, sad reservation.

Mr Pett, receiving her cold glance squarely between the eyes, felt as if he were being disembowelled by a clumsy amateur.

… why do men continue to practice in themselves, the absurdities they despise in others? Thomas Paine, The rights of man: being an answer to Mr Burke’s attack on the French Revolution (2nd edn, Philadelphia, 1791), p. 41.

Had his brain been constructed of silk, he would have been hard put to it to find sufficient material to make a canary a pair of cami-knickers.

Hypatia, like all girls who intend to be good wives, made it a practice to look on any suggestions thrown out by her future lord and master as fatuous and futile.

Mary was a bright and shining star,” Mr. P said. “And then she faded year by year until you could barely see her anymore.

Somebody hates vampires, Mr. Chambeaux, but I have no idea who or why. Haven’t they read Twilight?

This conference was worse than a Rorschach test: There’s a meaningless inkblot, and the others ask you what you think you see, but when you tell them, they start arguing with you!

He's such a dear, Mr. Garnet. A beautiful, pure, bred Persian. He has taken prizes." "He's always taking something - generally food.

Most helpful, Mr. Caelum," she said. "Very, very useful information. And now, shall we hear from Saint Augustine?" I shrugged. "Why not?" I said Dr. P read from a blood-red leather book. "My soul was a burden, bruised and bleeding. It was tired of the man who carried it, but I found no place to set it down to rest. Neither the charm of the countryside nor the sweet scents of a garden could soothe it. It found no peace in song or laughter, none in the company of friends at table or in the pleasures of love, none even in books or poetry.... Where could my heart find refuge from itself? Where could I go, yet leave myself behind?" She closed the book, then reached across the table and took Maureen's hand in hers. "Does that passage speak to you?" she asked. Mo nodded and began to cry. "And so, Mr. Caelum, good-bye." Because the passage had spoken to me, too, it took me a few seconds to react. "Oh," I said. "You want me to leave?" "I do. Yes, yes.

Wandering down the street in an aimless sort of way, cold too, in a dress from last night that made young men stop and stare in the street, Charity Hill found herself hating the single life for the very first time.

That does it. It can't be true love. Mr. Willow has eyes like a sick kitten. You might love a sick kitten but you don't marry it, you keep it as a pet.

Damien has died and gone straight to boy heaven,' Shaunee said as soon as we were out of earshot 'Hey it's about time those kid stop acting like ignorant rednecks and behaved like they had some sense,' I said. 'She doesn't mean that, even though we agree with you,' Erin said 'She means Mr Jack the cute-gay-new-kid Twist. 'Now why in the world would you think he's gay?' Stevie Ray asked. 'Stevie Rae, I swear you have got to broaden your horizons, girl,' Shaunee said. 'Okay, I'm lost too. Why do you think Jack's gay?' I asked. Shaunee and Erin shared a long-suffering look, then Erin explained. Jack Twist is yummy Jake Gyllenhaal's totally gay cowboy character from Brokeback Mountain.' 'And please just please! Anyone who chooses that name and who looks all geeky like that is totally, completely playing for Damian's team.' 'Huh' I said. 'Well, I'll be 'Stevie Rae said 'you know i never did see that movie. It didn't come to the Cinema 8 in Henrietta.' 'You don't say?' Shaunee said. 'Please. I'm so shocked,' Erin said. 'Do guys kiss in it?' 'Deliciously' Shaunee and Erin said together. I tried, but failed miserably not laugh at the look on Stevie Rae’s Face.

Mr. Carlisle became brisk. "Baby," he said, as Napoleon might have said to one of his Marshals when instructing him in his latest plan of campaign . . .

It's all right, darling. I can't stand people who are bright-eyed and bushy-tailed at seven in the morning. Give me a girl who only gets going after ten!

When she was drinking his liquor and smoking his cigars, Charity couldn't help warming to Sir Humphrey. She almost forgot what a crashing bore he really was.

I must forever imagine myself comparing every man I meet to Mr. Darcy and finding the otherwise worthy gentleman wanting.

(Golden Globe acceptance speech in the style of Jane Austen's letters): "Four A.M. Having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding, was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. Miss Lindsay Doran, of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly apppeared to understand me better than I undersand myself. Mr. James Schamus, a copiously erudite gentleman, and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behavior one has lernt to expect from that race. Mr. Mark Canton, an energetic person with a ready smile who, as I understand it, owes me a vast deal of money. Miss Lisa Henson -- a lovely girl, and Mr. Gareth Wigan -- a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing that it proved impossible to get within ten feet of him. The room was full of interesting activitiy until eleven P.M. when it emptied rather suddenly. The lateness of the hour is due therefore not to the dance, but to the waiting, in a long line for horseless vehicles of unconscionable size. The modern world has clearly done nothing for transport. P.S. Managed to avoid the hoyden Emily Tomkins who has purloined my creation and added things of her own. Nefarious creature." "With gratitude and apologies to Miss Austen, thank you.

Details that could throw doubt on your interpretation must be given, if you know them. You must do the best you can—if you know anything at all wrong, or possibly wrong—to explain it. If you make a theory, for example, and advertise it, or put it out, then you must also put down all the facts that disagree with it, as well as those that agree with it. There is also a more subtle problem. When you have put a lot of ideas together to make an elaborate theory, you want to make sure, when explaining what it fits, that those things it fits are not just the things that gave you the idea for the theory; but that the finished theory makes something else come out right, in addition.

Sturgis had now become involved in a long story of his early manhood, and even had Soapy been less distrait he might have found it difficult to enjoy it to the full. It was about an acquaintance of his who had kept rabbits, and it suffered in lucidity from his unfortunate habit of pronouncing rabbits 'roberts', combined with the fact that by a singular coincidence the acquaintance had been a Mr. Roberts. Roberts, it seemed, had been deeply attached to roberts. In fact, his practice of keeping roberts in his bedroom had led to trouble with Mrs. Roberts, and in the end Mrs. Roberts had drowned the roberts in the pond and Roberts, who thought the world of his roberts and not quite so highly of Mrs. Roberts, had never forgiven her.

Dear Mr. Kulti, You are my favorite player. I play soccer 2 butt I'm not good like you are. Not yet. I practice all the time so 1 day I can be just like you or beter. I watch all of ur games so don't mess up. Ur #1 fan, Sal <3<3<3 P.S. Do u have a girl friend? P.P.S. Why don't u cut ur hair? "I was nineteen when that showed up to the club's offices. It was my third fan letter ever and the other two were topless pictures. That letter stayed in every locker I used for the nest ten years. It was the first thing I looked at before my games, and the first thing I saw after I played. I framed it and put it in my house in Meissen once it started to wear out. It's still there on the wall of my bedroom.

Jeeves," I said. "A rummy communication has arrived. From Mr. Glossop." "Indeed, sir?" "I will read it to you. Handed in at Upper Bleaching. Message runs as follows: When you come tomorrow, bring my football boots. Also, if humanly possible, Irish water-spaniel. Urgent. Regards. Tuppy. "What do you make of that, Jeeves?" "As I interpret the document, sir, Mr. Glossop wishes you, when you come tomorrow, to bring his football boots. Also, if humanly possible, an Irish water-spaniel. He hints that the matter is urgent, and sends his regards." "Yes, that is how I read it. But why football boots?" "Perhaps Mr. Glossop wishes to play football, sir.

It’s also quite possible she still detests me.” Tyler dismissed this with a wave. “You’re going to let a thing like that stop you?” “I was thinking intense despisement might be an obstacle in pursuing her, yes.” “No, see, that’s what makes it all the more interesting,” Tyler said. He adopted a grandly dramatic tone. “‘Does our fair Ms. Kendall truly loathe the arrogant Mr. Jameson as she so ardently proclaims, or is it all just a charade to cover more amorous feelings for a man she reluctantly admires?’” Up front, the cabdriver snorted loudly. He appeared to be enjoying the show. “Psych 101 again?” J.D. asked. Tyler shook his head. “Lit 305: Eighteenth-Century Women’s Fiction.” He caughtJ.D.’s look and quickly defended himself. “What? I took it because of the girls in the class. Anyway, I see a bit of a P and P dynamic going on between you and Payton.” J.D. didn’t think he wanted to know. Really. But he asked anyway. “P and P?” Tyler shot him a look, appalled. “Uh, hello—Pride and Prejudice?” His tone said only a cretin wouldn’t know this. “Oh right, P and P,” J.D. said. “You know, Tyler, you might want to pick up your balls—I think they just fell right off when you said that.” Up front, the cabdriver let out a good snicker.

But, Ed! Say! Are you going to let him get away with it?" "Am I going to let him get away with it!" said Mr. Cootes, annoyed by the foolish question. "Wake me up in the night and ask me!" "But what are you going to do?" "Do!" said Mr. Cootes. "Do! I'll tell you what I'm going to..." He paused, and the stern resolve that shone in his face seemed to flicker. "Say, what the hell am I going do?" he went on somewhat weakly.

Mr. Scott Fitzgerald deserves a good shaking. Here is an unmistakable talent unashamed of making itself a motley to the view. The Great Gatsby is an absurd story, whether considered as romance, melodrama, or plain record of New York high life.

Mr Wisdom,' said the girl who had led him into the presence. 'Ah,' said Howard Saxby, and there was a pause of perhaps three minutes, during which his needles clicked busily. 'Wisdom, did she say?' 'Yes. I wrote "Cocktail Time"' 'You couldn't have done better,' said Mr Saxby cordially. 'How's your wife, Mr Wisdom?' Cosmo said he had no wife. 'Surely?' "I'm a bachelor.' Then Wordsworth was wrong. He said you were married to immortal verse. Excuse me a moment,' murmured Mr Saxby, applying himself to the sock again. 'I'm just turning the heel. Do you knit?' 'No.' 'Sleep does. It knits the ravelled sleave of care.' (After a period of engrossed knitting, Cosmo coughs loudly to draw attention to his presence.) 'Goodness, you made me jump!' he (Saxby) said. 'Who are you?' 'My name, as I have already told you, is Wisdom' 'How did you get in?' asked Mr Saxby with a show of interest. 'I was shown in.' 'And stayed in. I see, Tennyson was right. Knowledge comes, but Wisdom lingers. Take a chair.' 'I have.' 'Take another,' said Mr Saxby hospitably.

That night, Brazilian TV audiences saw the director of the Center for Physical Research welcome the Visiting Professor from the United States, but little did they know that the subject of their conversation was finding a girl to spend the night with!

Mr Wooster, I am not ashamed to say that the tears came into my eyes as I listened to them. It amazes me that a man as young as you can have been able to plumb human nature so surely to its depths; to play with so unerring a hand on the quivering heart-strings of your reader; to write novels so true, so human, so moving, so vital!" "Oh, it's just a knack," I said.

Once in every few publishing seasons there is an Event. For no apparent reason, the great heart of the Public gives a startled jump, and the public's great purse is emptied to secure copies of some novel which has stolen into the world without advance advertising and whose only claim to recognition is that The Licensed Victuallers' Gazette has stated in a two-line review that it is 'readable'.

Do you mind not intoning the responses, Jeeves?" I said. "This is a most complicated story for a man with a headache to have to tell, and if you interrupt you'll make me lose the thread. As a favour to me, therefore, don't do it. Just nod every now and then to show that you're following me." I closed my eyes and marshalled the facts. "To start with then, Jeeves, you may or may not know that Mr Sipperley is practically dependent on his Aunt Vera." "Would that be Miss Sipperley of the Paddock, Beckley-on-the-Moor, in Yorkshire, sir?" "Yes. Don't tell me you know her!" "Not personally, sir. But I have a cousin residing in the village who has some slight acquaintance with Miss Sipperley. He has described her to me as an imperious and quick-tempered old lady. ... But I beg your pardon, sir, I should have nodded." "Quite right, you should have nodded. Yes, Jeeves, you should have nodded. But it's too late now.

One of her parlour borders, Miss Harriet Smith, married a local farmer, Robert Martin, and is very happily settled. They have three daughters and a son, but the doctor has told her it is unlikely that further children can be expected and she and her husband are anxious to have another son as playmate to their own. Mr and Mrs Knightley of Donwell Abbey are the most important couple in Highbury, and Mrs Knightley is a friend of Mrs Martin and has always taken a keen interest in her children.

Another time somebody gave a talk about poetry. He talked about the structure of the poem and the emotions that come with it; he divided everything up into certain kinds of classes. In the discussion that came afterwards, he said, “Isn’t that the same as in mathematics, Dr. Eisenhart?” Dr. Eisenhart was the dean of the graduate school and a great professor of mathematics. He was also very clever. He said, “I’d like to know what Dick Feynman thinks about it in reference to theoretical physics.” He was always putting me on in this kind of situation. I got up and said, “Yes, it’s very closely related. In theoretical physics, the analog of the word is the mathematical formula, the analog of the structure of the poem is the interrelationship of the theoretical bling-bling with the so-andso”–and I went through the whole thing, making a perfect analogy. The speaker’s eyes were _beaming_ with happiness. Then I said, “It seems to me that no matter _what_ you say about poetry, I could find a way of making up an analog with _any_ subject, just as I did for theoretical physics. I don’t consider such analogs meaningful.

If I were to name the one crying evil of American life, Mr. Derrick, it would be the indifference of the better people to public affairs. It is so in all our great centres. There are other great trusts, God knows, in the United States besides our own dear P. and S.W. Railroad. Every state has its own grievance. If it is not a railroad trust, it is a sugar trust, or an oil trust, or an industrial trust, that exploits the People, because the people allow it. The indifference of the People is the opportunity of the despot. It is as true as that the whole is greater than the part, and the maxim is so old that it is trite - it is laughable. It is neglected and disused for the sake of some new ingenious and complicated theory, some wonderful scheme of reorganization, the fact remains, nevertheless, simple, fundamental, everlasting. The People have but to say 'No' and not the strongest tyranny, political, religious, or financial, that was ever organized, could survive one week.

And way up on the other side of a long area of grass, there’s an Italian gardner putting in some plants. He stops, waves, and shouts happily, “REzza ma LIa!” I call back, “RONte BALta!”, returning the greeting. He didn’t know I didn’t know, and I didn’t know what he said, and he didn’t know what I said. But it was OK! It was great! It works! After all, when they hear the intonation, they recognize it immediately as Italian—maybe it’s Milano instead of Romano, what the hell. But he’s an iTALian! So it’s just great. But you have to have absolute confidence. Keep right on going, and nothing will happen.

Do you think that I have a problem?" Ignatius bellowed. "The only problem that those people have anyway is that they don't like new cars and hairsprays. That why they are put away. They make the other members of the society fearful. Every asylum in this nation is filled with poor souls who simply cannot stand lanolin, cellophane, plastic, television, and subdivisions." "Ignatius, that ain't true. You remember old Mr. Becnel used to live down the block? They locked him up because he was running down the street naked." "Of course he was running down the street naked. His skin could not bear any more of that Dacron and nylon clothing that was clogging his pores. I've always considered Mr Becnel one of the martyrs of our age. The poor man was badly victimized. Now run along to the front door and see if my taxi has arrived." p.306

Dear Mr. Future Crush, Right now you are frustratingly just a figment of my imagination, something I daydream about in times of loneliness or boredom. Before going to sleep I idly wonder what you’re going to be like, however that’s like trying to imagine a new colour. So instead you take the form of a happy song, the smell of a cologne, the hero in a novel. You’re a collage of all my happy moments and a sense of comfort during the sad ones. It’s silly I know – even though we’ve never met I can’t help but feel a strange sense of longing and hope. All I know is that whoever you are, you’re going to be amazing. (Perhaps one day) yours, ___________ P.S. You better like pizza.

Nonsense! Nonsense!” snorted Tasbrough. “That couldn’t happen here in America, not possibly! We’re a country of freemen.” “The answer to that,” suggested Doremus Jessup, “if Mr. Falck will forgive me, is ‘the hell it can’t!’ Why, there’s no country in the world that can get more hysterical—yes, or more obsequious!—than America. Look how Huey Long became absolute monarch over Louisiana, and how the Right Honorable Mr. Senator Berzelius Windrip owns his State. Listen to Bishop Prang and Father Coughlin on the radio—divine oracles, to millions. Remember how casually most Americans have accepted Tammany grafting and Chicago gangs and the crookedness of so many of President Harding’s appointees? Could Hitler’s bunch, or Windrip’s, be worse? Remember the Kuklux Klan? Remember our war hysteria, when we called sauerkraut ‘Liberty cabbage’ and somebody actually proposed calling German measles ‘Liberty measles’? And wartime censorship of honest papers? Bad as Russia! Remember our kissing the—well, the feet of Billy Sunday, the million-dollar evangelist, and of Aimée McPherson, who swam from the Pacific Ocean clear into the Arizona desert and got away with it? Remember Voliva and Mother Eddy?. . .Remember our Red scares and our Catholic scares, when all well-informed people knew that the O.G.P.U. were hiding out in Oskaloosa, and the Republicans campaigning against Al Smith told the Carolina mountaineers that if Al won the Pope would illegitimatize their children? Remember Tom Heflin and Tom Dixon? Remember when the hick legislators in certain states, in obedience to William Jennings Bryan, who learned his biology from his pious old grandma, set up shop as scientific experts and made the whole world laugh itself sick by forbidding the teaching of evolution?. . .Remember the Kentucky night-riders? Remember how trainloads of people have gone to enjoy lynchings? Not happen here? Prohibition—shooting down people just because they might be transporting liquor—no, that couldn’t happen in America! Why, where in all history has there ever been a people so ripe for a dictatorship as ours! We’re ready to start on a Children’s Crusade—only of adults—right now, and the Right Reverend Abbots Windrip and Prang are all ready to lead it!” “Well, what if they are?

Like I could take a nap at 4:15 p.m. and then I'll wake up twenty minutes later and have absolutely no clue where I am. I'm like, "What era is this? Is it the 1920s? Am I a flapper? Should I go and put on a flapper costume and go flap at a party?" Then I'm like, "Is that what flappers even do? Flap? Is flapping a verb?" I'm that out of it. And I'm also drenched in sweat. Like some little Dutch boy in knickers ran over to me while I was sleeping and poured a bucket of water on me. Or like I have malaria and it's 1932 and I'm surrounded by mosquito netting. I'm drenched. I'm covered in goo. I'm like a baby deer covered in placenta hobbling around trying to learn how to walk, thinking that it's the 1920s and I'm a flapper and there's a little Dutch boy running around with a bucket of water. That's what naps are like for me.

P.S. Mrs. Maugery lent me a book last week. It’s called The Oxford Book of Modern Verse, 1892–1935. They let a man named Yeats make the choosings. They shouldn’t have. Who is he—and what does he know about verse? I hunted all through that book for poems by Wilfred Owen or Siegfried Sassoon. There weren’t any—nary a one. And do you know why not? Because this Mr. Yeats said—he said, “I deliberately chose NOT to include any poems from World War I. I have a distaste for them. Passive suffering is not a theme for poetry.” Passive Suffering? Passive Suffering! I nearly seized up. What ailed the man? Lieutenant Owen, he wrote a line, “What passing-bells for these who die as cattle? Only the monstrous anger of the guns.” What’s passive about that, I’d like to know? That’s exactly how they do die. I saw it with my own eyes, and I say to hell with Mr. Yeats.

a counselor interrupted his meeting with faculty down the hall. "Frank, they need you," he said. "You need to go out there." Frank walked the hallway to the nave of the church, contemplating what to say. And again he faced the dilemma of how to act at the microphone. Several of his friends, and staff, too, had warned him not to cry again. "God, you're going to be in the national media," they said. "You can't show that, it's a sign of weakness." He had gotten away with it once, but the media would crucify him if they discovered he was buckling. The trauma specialists disagreed. These kids had been raised in a western mentality, they argued: real men fend for themselves; tears are for weaklings; therapy is a joke. "Frank, you are the key," one counselor advised him. "You're an emotional person, you need to show those emotions. If you try to hold your emotions inside, you're going to set the image for other people." The boys, in particular, would be watching him. DeAngelis felt. They were already dangerously bottled up. "Frank, they need to know it's all right to show emotion," the counselor said. "Give them that permission."... "I walked on that stage and I saw those kids cheering and the tears started coming down." This time he decided to address the tears. "Guys, trust me, now is not the time to show your manliness," he told them. "Emotion is emotion, and keeping it inside doesn't mean you're strong." That was the last time Mr. D worried about crying in public. p117-18

There you see two typical members of the class which has down-trodden the poor for centuries. Idlers! Non-producers! Look at the tall thin one with the face like a motor-mascot. Has he ever done an honest day's work in his life? No! A prowler, a trifler, and a blood-sucker! And I bet he still owes his tailor for those trousers!" He seemed to me to be verging on the personal, and I didn't think a lot of it. Old Bittlesham, on the other hand, was pleased and amused. "A great gift of expression these fellows have," he chuckled. "Very trenchant." "And the fat one!" proceeded the chappie. "Don't miss him. Do you know who that is? That's Lord Bittlesham! One of the worst. What has he ever done except eat four square meals a day? His god is his belly, and he sacrifices burnt-offerings to it. If you opened that man now you would find enough lunch to support ten working-class families for a week." "You know, that's rather well put," I said, but the old boy didn't seem to see it. He had turned a brightish magenta and was bubbling like a kettle on the boil. "Come away, Mr Wooster," he said. "I am the last man to oppose the right of free speech, but I refuse to listen to this vulgar abuse any longer." We legged it with quiet dignity, the chappie pursuing us with his foul innuendoes to the last. Dashed embarrassing.

Anyway, Smith told me to sign some papers for the three ideas I was giving to the government to patent. Now, it’s some dopey legal thing, but when you give the patent to the government, the document you sign is not a legal document unless there’s some exchange, so the paper I signed said, “For the sum of one dollar, I, Richard P. Feynman, give this idea to the government…” I sign the paper. “Where’s my dollar?” “That’s just a formality,” he says. “We haven’t got any funds set up to give a dollar.” “You’ve got it all set up that I’m signing for the dollar,” I say. “I want my dollar!” “This is silly,” Smith protests. “No, it’s not,” I say. “It’s a legal document. You made me sign it, and I’m an honest man. If I sign something that says I got a dollar, I’ve gotta get a dollar. There’s no fooling around about it.” “All right, all right!” he says, exasperated. “I’ll give you a dollar, from my pocket!” “OK.” I take the dollar, and I realize what I’m going to do. I go down to the grocery store, and I buy a dollar’s worth—which was pretty good, then—of cookies and goodies, those chocolate goodies with marshmallow inside, a whole lot of stuff. I come back to the theoretical laboratory, and I give them out: “I got a prize, everybody! Have a cookie! I got a prize! A dollar for my patent! I got a dollar for my patent!” Everybody who had one of those patents—a lot of people had been sending them in—everybody comes down to Captain Smith: they want their dollar!

I'd just put Ed Hickey into a taxi. Ed had been mixing his rye with his gin, and I just felt that he needed conveying. Well, anyway, I was walking down along the street and I heard this voice saying, "Good evening, Mr. Dowd." Well, I turned around and here was this big six-foot rabbit leaning up against a lamp-post. Well, I thought nothing of that because when you've lived in a town as long as I've lived in this one, you get used to the fact that everybody knows your name. And naturally I went over to chat with him. And he said to me... he said, "Ed Hickey was a little spiffed this evening, or could I be mistaken?" Well, of course, he was not mistaken. I think the world and all of Ed, but he was spiffed. Well, we talked like that for awhile and then I said to him, I said, "You have the advantage on me. You know my name and I don't know yours." And, and right back at me he said, "What name do you like?" Well, I didn't even have to think twice about that. Harvey's always been my favorite name. So I said to him, I said, "Harvey." And, uh, this is the interesting thing about the whole thing: He said, "What a coincidence. My name happens to be Harvey.

And even in the open air the stench of whiskey was appalling. To this fiendish poison, I am certain, the greater part of the squalor I saw is due. Many of these vermin were obviously not foreigners—I counted at least five American countenances in which a certain vanished decency half showed through the red whiskey bloating. Then I reflected upon the power of wine, and marveled how self-respecting persons can imbibe such stuff, or permit it to be served upon their tables. It is the deadliest enemy with which humanity is faced. Not all the European wars could produce a tenth of the havock occasioned among men by the wretched fluid which responsible governments allow to be sold openly. Looking upon that mob of sodden brutes, my mind’s eye pictured a scene of different kind; a table bedecked with spotless linen and glistening silver, surrounded by gentlemen immaculate in evening attire—and in the reddening faces of those gentlemen I could trace the same lines which appeared in full development of the beasts of the crowd. Truly, the effects of liquor are universal, and the shamelessness of man unbounded. How can reform be wrought in the crowd, when supposedly respectable boards groan beneath the goblets of rare old vintages? Is mankind asleep, that its enemy is thus entertained as a bosom friend? But a week or two ago, at a parade held in honour of the returning Rhode Island National Guard, the Chief Executive of this State, Mr. Robert Livingston Beeckman, prominent in New York, Newport, and Providence society, appeared in such an intoxicated condition that he could scarce guide his mount, or retain his seat in the saddle, and he the guardian of the liberties and interests of that Colony carved by the faith, hope, and labour of Roger Williams from the wilderness of savage New-England! I am perhaps an extremist on the subject of prohibition, but I can see no justification whatsoever for the tolerance of such a degrading demon as drink.

Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations. The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?) While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well. The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.