Mr Grey Quotes

We've searched our database for all the quotes and captions related to Mr Grey. Here they are! All 100 of them:

Are you smirking at me, Mr. Grey?” I ask sweetly. Pompous ass.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Of course. Silly me. Such a sad, exciting score, which no doubt you can play? So many accomplishments, Mr. Grey.” “And the greatest one is you, Miss Steele.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Perhaps Mr. Grey insists on all his employees being blonde. I’m wondering idly if that’s legal.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
And the baby?" The words are anguished, breathless. "The baby's fine, Mr. Grey." "Oh, thank God." The words are litany... a prayer, "Oh, thank God.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Are you gay, Mr. Grey?" He inhales sharply, and I cringe, mortified. Crap. Why didn't I employ some kind of filter before I read this straight out? How can I tell him I'm just reading the questions? Damn Kate and her curiosity! "No Anastasia, I'm not." He raises his eyebrows, a cool gleam in his eyes. He does not look pleased.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Are you gay, Mr. Grey?
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
When he awoke it was dawn. Or something like dawn. The light was watery, dim and incomparably sad. Vast, grey, gloomy hills rose up all around them and in between the hills there was a wide expanse of black bog. Stephen had never seen a landscape so calculated to reduce the onlooker to utter despair in an instant. "This is one of your kingdoms, I suppose, sir?" he said. "My kingdoms?" exclaimed the gentleman in surprize. "Oh, no! This is Scotland!
Susanna Clarke (Jonathan Strange & Mr Norrell)
- Come on, Miss Steele, sooner you're in bed, sooner you'll be fucked and sooner you can sleep. - Mr Grey, you are a born romantic
E.L. James
Here it comes," she said with an expression of pure bliss. "Drug rush ... any moment now ... the surge of warmth ... bye-bye, Mr. Pain..." "Vee-" "Knock, knock." "This is really important-" "Knock, knock." "It's about Elliot-" "Knock, knoooock," she said in a singsong voice. I sighed. "Who's there?" "Boo." "Boo who?" "Boo-hoo, somebody's crying, and it's not me!" She broke into hysterical laughter.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Tessa exploded "I am not asking you to maul me in the Whispering Gallery! By the Angel, Will, would you stop being so polite?!" He looked at her in amazement. "But wouldn't you rather-" "I would not rather. I don't want you to be polite! I want you to be Will! I don't want you to indicate points of architectural interest to me as if you were a Baedecker guide! I want you to say dreadfully mad, funny things, and make up songs and be-" The Will I fell in love with, she almost said. "And be Will," she finished instead. "Or I shall strike you with my umbrella." "I am trying to court you," Will said in exasperation. "Court you properly. That's what all this has been about. You know that, don't you?" "Mr. Rochester never courted Jane Eyre," Tessa pointed out. "No, he dressed up as a woman and terrified the poor girl out of her wits. Is that what you want?" "You would make a very ugly woman." "I would not. I would be stunning." Tessa laughed. "There," she said. "There is Will. Isn't that better? Don't you think so?" "I don't know," Will said, eyeing her. I'm afraid to answer that. I've heard that when I speak, it makes American women wish to strike me with umbrellas." Tessa laughed again, and then they were both laughing, their smothered giggles bouncing off the walls of the Whispering Gallery. After that, things were decidedly easier between them, and Will's smile when he helped her down from the carriage on their return home, was bright and real.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Over to my left is the big grey wall in front of the church. Are we the Thoughts of God? a poster asks. No, I realise. It's the reverse.
Scarlett Thomas (The End of Mr. Y)
Mr. Grey will see you now,
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Mr. Grey peeked around the corner and surveyed the corridor. It stretched off into dim infinity, dotted with floating globes of silvery light. Mr. Grey had been told that the globes were swampfire, encased in a timeloop charm so they were inextinguishable. He’d never even heard of swampfire, much less a timeloop charm, but then again, Mr. Grey had never been in a place quite like the Hall of Mysteries. He shuddered.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
Mr. Long Fingers. Mr. Womb-Ticklers
Fanny Merkin (Fifty Shames of Earl Grey)
So many accomplishments, Mr. Grey.” “And the greatest one is you, Miss Steele.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
News flash, Mr Grey: This isn’t 1950 or whatever. Your sexual tastes aren’t as shocking or as deviant as you think.
Fanny Merkin (Fifty Shames of Earl Grey)
Swelter's eyes meet those of his enemy, and never has there held between four globes of gristle so sinister a hell of hatred. Had the flesh, the fibres, and the bones of the chef and those of Mr Flay been conjured away and away down that dark corridor leaving only their four eyes suspended in mid-air outside the Earl's door, then, surely, they must have reddened to the hue of Mars, reddened and smouldered, and at last broken into flame, so intense was their hatred - broken into flame and circled about one another in ever-narrowing gyres and in swifter and yet swifter flight until, merged into one sizzling globe of ire they must surely have fled, the four in one, leaving a trail of blood behind them in the cold grey air of the corridor, until, screaming as they fly beneath innumerable arches and down the endless passageways of Gormenghast, they found their eyeless bodies once again, and reentrenched themselves in startled sockets.
Mervyn Peake (Titus Groan (Gormenghast, #1))
Already, I seemed to feel my intellect deteriorating, my heart petrifying, my soul contracting; and I trembled lest my very moral perceptions should become deadened, my distinctions of right and wrong confounded, and all my better faculties be sunk, at last, beneath the baneful influence of such a mode of life. The gross vapors of earth were gathering around me, and closing in upon my inward heaven; and thus it was that Mr. Weston rose at length upon me, appearing like the morning star in my horizon, to save me from the fear of utter darkness; and I rejoiced that I now had a subject for contemplation that was above me, not beneath.
Anne Brontë (Agnes Grey)
I looked inside my typewriter. There's a city in there. Black and grey columns and no inhabitants.
Helen Oyeyemi (Mr. Fox)
The three golden balls were above his head. The entrance to the shop (not so good a one as Mr. Rabinowitz’s but a pawnshop all the same, with a cash-register in the rear) was shuttered with a grey iron gate, fixed with a padlock.
Charles Jackson (The Lost Weekend)
nothing was seen or heard of Mr. Weston; until, at last, I gave up hoping, for even my heart acknowledged it was all in vain. But still, I would think of him: I would cherish his image in my mind; and treasure every word, look, and gesture that my memory could retain;
Anne Brontë (Agnes Grey by Anne Brontë - ( illustrated ))
Mr. Grey, so romantic.” “For you Mrs. Grey—hearts and flowers. Always.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Miss Anastasia Steele is here to see you, Mr. Grey.
E.L. James (Grey (Fifty Shades as Told by Christian, #1))
fine, dark grey strands. Like plague-flavoured candy floss, Justineau thinks.
M.R. Carey (The Girl With All the Gifts)
Why Miss Steele, I do believe you’re making my palm twitch.” “Ah, Mr. Grey, your perpetually twitching palm. What are we going to do with that?
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Honestly, your exes are proving to be very challenging, Mr. Grey,
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
I can't tell jokes.' 'Mr. Grey! Something you can't do?' I grin at him, and he grins back. 'No, hopeless joke teller.' He looks so proud of himself that I start to giggle.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
..... So many accomplishments, Mr Grey.' 'And the greatest one is you, Miss Steele.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Be calm," she said soothingly, and I realized she was not talking to the bird. "How am I supposed to be calm? I worry," I retorted. She gave a snort. "Then you are more stupid than I supposed. Worry, what is that? A pointless thing is Mr. Worry-an intruder. He steals into your house and creeps into your bed and what do you do child? Do you push him away and tell him to be gone and bolt the door fast against him? No, you move over and let him have the good pillow and the best quilt to warm himself." She flapped a hand in disgust. "Worry never did a man a bit of good. All he does is robs one's peace and make lines on the face.
Deanna Raybourn (The Dark Enquiry (Lady Julia Grey, #5))
Mr. Grey trailed behind Mr. Saffron, frowning massively and watching the mysterious doors. There were hundreds--maybe thousands--of them along the endless corridor. None had names or markings of any kind. In the lead, Mr. Pink could be heard counting softly under his breath.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
Our writers have always pointed the way for us, Mr. Grey, they’ve formed our thinking and feeling, Tolstoy, Dostoevski, Chekhov, Bunin …” He added with pride, “Writers with us are pathfinders.
James Clavell (Noble House (Asian Saga Book 5))
I hate that name,” Mr. Grey said, walking toward the dragon’s head statue. It was taller than he was, formed eerily from the stalactites and stalagmites of the cavern wall. “I wanted to be Mr. Purple. I like purple.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
James Joyce (Ulysses)
She looked now at the drawing-room step. She saw, through William’s eyes, the shape of a woman, peaceful and silent, with downcast eyes. She sat musing, pondering (she was in grey that day, Lily thought). Her eyes were bent. She would never lift them. . . . [N]o, she thought, one could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? Express that emptiness there? (She was looking at the drawing-room steps; they looked extraordinarily empty.) It was one’s body feeling, not one’s mind. The physical sensations that went with the bare look of the steps had become suddenly extremely unpleasant. To want and not to have, sent all up her body a hardness, a hollowness, a strain. And then to want and not to have – to want and want – how that wrung the heart, and wrung again and again! Oh, Mrs. Ramsay! she called out silently, to that essence which sat by the boat, that abstract one made of her, that woman in grey, as if to abuse her for having gone, and then having gone, come back again. It had seemed so safe, thinking of her. Ghost, air, nothingness, a thing you could play with easily and safely at any time of day or night, she had been that, and then suddenly she put her hand out and wrung the heart thus. Suddenly, the empty drawing-room steps, the frill of the chair inside, the puppy tumbling on the terrace, the whole wave and whisper of the garden became like curves and arabesques flourishing round a centre of complete emptiness. . . . A curious notion came to her that he did after all hear the things she could not say. . . . She looked at her picture. That would have been his answer, presumably – how “you” and “I” and “she” pass and vanish; nothing stays; all changes; but not words, not paint. Yet it would be hung in the attics, she thought; it would be rolled up and flung under a sofa; yet even so, even of a picture like that, it was true. One might say, even of this scrawl, not of that actual picture, perhaps, but of what it attempted, that it “remained for ever,” she was going to say, or, for the words spoken sounded even to herself, too boastful, to hint, wordlessly; when, looking at the picture, she was surprised to find that she could not see it. Her eyes were full of a hot liquid (she did not think of tears at first) which, without disturbing the firmness of her lips, made the air thick, rolled down her cheeks. She had perfect control of herself – Oh, yes! – in every other way. Was she crying then for Mrs. Ramsay, without being aware of any unhappiness? She addressed old Mr. Carmichael again. What was it then? What did it mean? Could things thrust their hands up and grip one; could the blade cut; the fist grasp? Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? Could it be, even for elderly people, that this was life? – startling, unexpected, unknown? For one moment she felt that if they both got up, here, now on the lawn, and demanded an explanation, why was it so short, why was it so inexplicable, said it with violence, as two fully equipped human beings from whom nothing should be hid might speak, then, beauty would roll itself up; the space would fill; those empty flourishes would form into shape; if they shouted loud enough Mrs. Ramsay would return. “Mrs. Ramsay!” she said aloud, “Mrs. Ramsay!” The tears ran down her face.
Virginia Woolf
I have always attributed a great importance to eyes. How mysteriously expressive those damp orbs can be; the eyeball does not change and yet it is the window of the soul. And colour in eyes is, in its nature and inherence, quite unlike colour in any other substance. Mr Osmand had grey eyes, but his eyes were hard and speckled like Aberdeen granite, while Tommy’s were clear and empty like light smoke.
Iris Murdoch (A Word Child: A Novel)
He thought he stood upon an English hillside. Rain was falling; it twisted in the air like grey ghosts. Rain fell upon him and he grew thin as rain. Rain washed away thought, washed away memory, all the good and the bad. He no longer knew his name. Everything was washed away like mud from a stone. Rain filled him up with thoughts and memories of its own. Silver lines of water covered the hillside, like intricate lace, like the veins of an arm. Forgetting that he was, or ever had been, a man, he became the lines of water. He fell into the earth with the rain. He thought he lay beneath the earth, beneath England. Long ages passed; cold and rain seeped through him; stones shifted within him. In the Silence and the Dark he grew vast. He became the earth; he became England. A star looked down on him and spoke to him. A stone asked him a question and he answered it in its own language. A river curled at his side; hills budded beneath his fingers. He opened his mouth and breathed out spring. He thought he was pressed into a thicket in a dark wood in winter. The trees went on for Over dark pillars separated by thin, white slices of winter light. He looked down. Young saplings pierced him through and through; they grew up through his body, through his feet and hands. His eye-lids would no longer close because twigs had grown up through them.
Susanna Clarke (Jonathan Strange & Mr Norrell)
As Grey put his hand on the pommel, he heard a low Scots voice murmur in his ear: “Queen’s rook to king eight. Check.” Grey laughed out loud, a burst of exhilaration pushing aside his disquiet. “Ha,” he said, though without raising his voice. “Queen’s bishop to knight four. Check. And mate, Mr … MacKenzie.
Diana Gabaldon (The Scottish Prisoner (Lord John Grey, #3))
Will you pour out tea, Miss Brent?' The el­der wom­an replied: 'No, you do it, dear. That tea-​pot is so heavy. And I have lost two skeins of my grey knitting-​wool. So an­noy­ing.' Ve­ra moved to the tea-​ta­ble. There was a cheer­ful rat­tle and clink of chi­na. Nor­mal­ity returned. Tea! Blessed or­di­nary everyday af­ter­noon tea! Philip Lom­bard made a cheery re­mark. Blore re­spond­ed. Dr. Arm­strong told a hu­mor­ous sto­ry. Mr. Jus­tice War­grave, who or­di­nar­ily hat­ed tea, sipped ap­prov­ing­ly. In­to this re­laxed at­mo­sphere came Rogers. And Rogers was up­set. He said ner­vous­ly and at ran­dom: 'Ex­cuse me, sir, but does any one know what's become of the bath­room cur­tain?' Lom­bard's head went up with a jerk. 'The bath­room cur­tain? What the dev­il do you mean, Rogers?' 'It's gone, sir, clean van­ished. I was go­ing round draw­ing all the cur­tai­ns and the one in the lav -​ bath­room wasn't there any longer.' Mr. Jus­tice War­grave asked: 'Was it there this morn­ing?' 'Oh, yes, sir.' Blore said: 'What kind of a cur­tain was it?' 'Scar­let oil­silk, sir. It went with the scar­let tiles.' Lom­bard said: 'And it's gone?' 'Gone, Sir.' They stared at each oth­er. Blore said heav­ily: 'Well - af­ter all-​what of it? It's mad - ​but so's everything else. Any­way, it doesn't matter. You can't kill any­body with an oil­silk cur­tain. For­get about it.' Rogers said: 'Yes, sir, thank you, sir.' He went out, shut­ting the door.
Agatha Christie (And Then There Were None)
Page: Don't keep the world on tenterhooks, Tom! Out with it! What's the best thing we can do to ensure a long, happy, healthy future for mankind? Grey: We can just about restore the balance of the ecology, the biosphere, and so on-in other words we can live within our means instead of on an unrepayable overdraft, as we've been doing for the past half century-if we exterminate the two hundred million most extravagant and wasteful of our species. Page: Follow that if you can, Mr. President.
John Brunner
The world, he now perceived, was in fact a great, flat wheel with a myriad spokes of water, trees and grass, for ever turning and turning beneath the sun and moon. At each spoke was an animal-all the animals and birds he had ever known-horses, dogs, chaffinches, mice, hedgehogs,rabbits, cows, sheep, rooks and many more which he did not recognize-a huge, striped cat, and a monstrous fish spurting water in a fountain to the sky. At the centre, on the axle itself, stood a man, who ceaselessly lashed and lashed the creatures with a whip to make them drive the wheel round. Some shrieked aloud as they bled and struggled, others silently toppled and were trodden down beneath their comrades' stumbling feet. And yet, as he himself could see, the man had misconceived his task, for in fact the wheel turned of itself and all he needed to do was to keep it balanced upon its delicate axle by adjusting, as might be necessary, the numbers of animals upon this side and that. The great fish poured blood as the man pierced it with a flying spear which exploded within its body. The striped cat melted, diminishing slowly to the size of a mouse; and a great, grey beast with a long trunk cried piteously as the man tore its white tusks out of its face. Still on towards the wheel he circled, and between him and the wheel Mr. Ephraim called him silently to fellowship with the dead.
Richard Adams
Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her.
E.M. Forster (A Room with a View)
Mr. Grey shuffled his feet. “I know what we was told, but it don’t feel right, Bistle. I has a sense about these things. Me mam always said so.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
Mr. Grey had been told that the globes were swampfire, encased in a timeloop charm so they were inextinguishable.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
Come on, Miss. Steele, you have a big day tomorrow. Sooner you're in bed, sooner you'll be f*cked, and sooner you can sleep." "Mr. Grey, you are a born romantic.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
out of her pocket and answers it. I didn’t hear it ring. “Mr. Grey,” she says. Leila and I turn to look at her. Prescott closes her eyes as if in pain.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
call Audi. I may need the A3 sooner than I thought.” “It’s ready, Mr. Grey.” “Oh. Good.
E.L. James (Grey (Fifty Shades as Told by Christian, #1))
Mr. Grey will see you now, Miss Steele. Do go through,
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
And Lady Jane Grey was seventeen when she was beheaded,” Mr. Dunworthy said,
Connie Willis (Blackout (All Clear, #1))
But in reality, with Mr. Ellison there is an essence of probity about him; unlike Dorian Grey, him and his hidden portrait are both wonderful. When he speaks there is a certain intonation he gets that reveals so much about him, that you can't help but to feel rapt, and so few get to hear his unspoken thought because they are fixated on the bling and the big show.
Avra Amar Filion
He thought he stood upon an English hillside. Rain was falling; it twisted in the air like grey ghosts. Rain fell upon him and he grew thin as rain. Rain washed away thought, washed away memory, all the good and the bad. He no longer knew his name. Everything was washed away like mud from a stone. Rain filled him up with thoughts and memories of its own. Silver lines of water covered the hillside, like intricate lace, like the veins of an arm. Forgetting that he was, or ever had been, a man, he became the lines of water. He fell into the earth with the rain.
Susanna Clarke (Jonathan Strange & Mr Norrell)
Mr. Honeyfoot's post-chaise travelled through a world that seemed to contain a much higher proportion of chill grey sky and a much smaller one of solid comfortable earth than was usually the case.
Susanna Clarke (Jonathan Strange & Mr Norrell)
Taken thus by surprise, it was several moments before she was able to decide whether to make herself known to him, or to await a formal introduction. The strict propriety in which she had been reared urged her to adopt the latter course; then she remembered that she was not a young girl any longer, but a guardian-aunt ... To flinch before what would certainly be an extremely disagreeable interview would be the act, she told herself, of a pudding-heart. Bracing herself resolutely, she got up from the writing-table, and turned, saying, in a cool, pleasant tone: 'Mr Calverleigh?' He had picked up a newspaper from the table in the centre of the room, and was glancing through it, but he lowered it, and looked enquiringly across at her. His eyes, which were deep-set and of a light grey made the more striking by the swarthiness of his complexion, held an expression of faint surprise; he said: 'Yes?
Georgette Heyer (Black Sheep)
Where in the world have you been?” demanded Strange. “Walking,” she said. Her voice was just as it had always been. “Walking! Arabella, are you quite mad? In three feet of snow? Where?” “In the dark woods,” she said, “among my soft-sleeping brothers and sisters. Across the high moors among the sweet-scented ghosts of my brothers and sisters long dead. Under the grey sky through the dreams and murmurs of my brothers and sisters yet to come.” Strange stared at her. “What?
Susanna Clarke (Jonathan Strange & Mr Norrell)
Mr. Grey peeked around the corner and surveyed the corridor. It stretched off into dim infinity, dotted with floating globes of silvery light. Mr. Grey had been told that the globes were swampfire, encased in a timeloop charm so they were
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
Christian Grey: [answers phone] Anastasia. Anastasia Steele: Yeah, this is me. I'm sending back your expensive books because I already have copies of those. Thanks though for the kind gesture. Christian Grey: You're welcome. Where are you? Anastasia Steele: Oh, I'm in line because I have to pee really bad. Christian Grey: Anastasia, have you been drinking? Anastasia Steele: [laughs] Yeah! I have, Mr. Fancy Pants. You hit... you hit the hail on the nead. I mean the head right on the nail. Christian Grey: Listen to me. I want you to go home right now. Anastasia Steele: You're so bossy! Ana, let's go for a coffee. No, stay away from me Ana! I don't want you! Get away. Come here, come here! Go away!
E.L. James
Mr. Grey.” I nod at him. Moving with lithe athletic grace to the door, he opens it wide. “Just ensuring you make it through the door, Miss Steele.” He gives me a small smile. Obviously, he’s referring to my earlier less-than-elegant entry into his office. I blush.
E.L. James (Fifty Shades Trilogy Bundle (Fifty Shades, #1-3))
The offices are decorated with neon-Louis XVI furniture and are dominated by grey, Mr. Dior’s favourite colour when he opened the famous house on avenue Montaigne back in 1947. The design is even more stunning than I remembered: both chic and understated, with lots of open space –the apex of luxury. The silk curtains dressing the window fall to the floor like ball gowns, delicate silver vases holding pink roses have been artfully placed throughout the room, and grey and white settees and oval-backed chairs provided artful seating areas.
Isabelle Lafleche (J'Adore Paris)
The box was small and oblong and apparently made of silver and porcelain. It was a beautiful shade of blue, but then not exactly blue, it was more like lilac. But then, not exactly lilac either, since it had a tinge of grey in it. To be more precise, it was the color of heartache.
Susanna Clarke (Jonathan Strange & Mr Norrell)
I wish you the best of luck,” Grey said politely. “And I do hope that the gentleman Tom saw in the custody of the press gang was Mr. Gormley. However—if he was, does this not rather obviate your conclusion that he was in possession of incriminating information regarding the perpetrator?” Jones gave him a glassy look, and Tom Byrd looked reproving. “Now, me lord, you know you oughtn’t talk like that at this hour of the morning. You got to pardon his lordship, sir,” he said apologetically to Jones. “His father—the duke, you know—had him schooled in logic. He can’t really help it, like.” (Haunted Soldier)
Diana Gabaldon (Lord John and the Hand of Devils (Lord John Grey, #0.5, #1.5, #2.5))
Dark myths and suburban legends roam like living things through the halls of Leeds High School, whispered in stairwells over bubblegum-tinted tongues ; scrawled on the wall of the secret room above the auditorium stage ; argued over in the shaded courtyard adjacent to the cafeteria, buoyed on grey-brown clouds of cigarette smoke. There’s the Weird House up on Tremens Terrace, haunted by a trio of cannibalistic fiends with a taste for wayward boys. And the coven of teachers, including Mr. Gauthier (Chemistry) and Miss Knell (English), who cavort with a charred-skin devil in the glass-walled natatorium after dark.
Josh Malerman (Lost Signals)
I want an answer to a question,” I say. “Is that an option as well?” My choice surprises him. I see it in the way his eyes widen slightly. And he’s not happy. “Depends on the question.” “In that case, I’ll have to decline, Mr. Petrov.” He looks at me and then bursts out laughing, making several heads turn in our direction. “You drive a hard bargain, Miss Grey.” He leans his head and whispers in my ear, “Ask.
Neva Altaj (Painted Scars (Perfectly Imperfect, #1))
The brown fields were partly flooded; they were strung with chains of chill, grey pools. The pattern of the pools had meaning. The pools had been written on to the fields by the rain. The pools were a magic worked by the rain, just as the tumbling of the black birds against the grey was a spell that the sky was working and the motion of grey-brown grasses was a spell that the wind made. Everything had meaning.
Susanna Clarke (Jonathan Strange & Mr Norrell)
Hardly worth the effort, really,” he muttered. “It’s a homunculus lock. Only opens when a predefined set of factors is present. Could be it only opens when a redheaded lass sings the national anthem of Atlantis at three o’clock on a Thursday. Or when the light of the setting sun is reflected from a cracked mirror onto a goat’s eye. Or when Mr. Grey hawks a bogey onto a purple newt. I’ve seen some good homunculus factors in my time, yar.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
We should return to the docks,” Miss Grey suggested. “Perhaps they will be waiting there.” Sure enough, she was correct—or at least, half correct. Mr. Kent was leaning on a splintery post by the Aurora, shaking his head as we approached. “It took you three far too long to return here,” he said. “Did you not learn that universal tenet as a child? If you ever lose track of your mother, go back to the last place you shared, no other. It’s not terribly complicated.
Tarun Shanker (These Vicious Masks (These Vicious Masks, #1))
Do you think that guy's sweet on her?" I asked, pointing to the grey-spotted spider, momentarily forgetting my darker concerns. "Most certainly." Seba grinned. "I do not think spiders know love as we do. But he remained by her side throughout the fighting and did not leave when she decided to stay. I think they wish to couple." I smiled at the absurd notion of Madam Octa walking down an aisle in a tiny white dress, Mr. Crepsley waiting at the end to give her away.
Darren Shan (The Vampire Prince (Cirque Du Freak, #6))
SATURDAY AT THE STORE is a nightmare. We are besieged by do-it-yourselfers wanting to spruce up their homes. Mr. and Mrs. Clayton and John and Patrick—the two other part-timers—and I are besieged by customers. But there’s a lull around lunchtime, and Mrs. Clayton asks me to check on some orders while I’m sitting behind the counter at the register discreetly eating my bagel. I’m engrossed in the task, checking catalog numbers against the items we need and the items we’ve ordered, eyes flicking from the order book to the computer screen and back as I make sure the entries match. Then, for some reason, I glance up … and find myself locked in the bold gray gaze of Christian Grey, who’s standing at the counter, staring at me. Heart failure. “Miss Steele. What a pleasant surprise.” His gaze is unwavering and intense. Holy crap. What the hell is he doing here, looking all outdoorsy with his tousled hair and in his cream chunky-knit sweater, jeans, and walking boots? I think my mouth has popped open, and I can’t locate my brain or my voice. “Mr. Grey,” I whisper, because that’s all I can manage. There’s a ghost of a smile on his lips and his eyes are alight with humor, as if he’s enjoying some private joke. “I was in the area,” he says by way of explanation. “I need to stock up on a few things. It’s a pleasure to see you again, Miss Steele.” His voice is warm and husky like dark melted chocolate fudge caramel … or something.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
The mere contemplation of revelation and the loss of its possibility, though, had shown him something important. Stephan von Namtzen both attracted and aroused him, but it was not because of his own undoubted physical qualities. It was, rather, the degree to which those qualities reminded Grey of James Fraser. Von Namtzen was nearly the same height as Fraser, a powerful man with broad shoulders, long legs, and an instantly commanding presence. However, Stephan was heavier, more crudely constructed, and less graceful than the Scot. And while Stephan warmed Grey’s blood, the fact remained that the Hanoverian did not burn his heart like living flame. He lay down finally upon his bed, and put out the candle. Lay watching the play of firelight on the walls, seeing not the flicker of wood flame, but the play of sun upon red hair, the sheen of sweat on a pale bronzed body … A brief and brutal dose of Mr. Keegan’s remedy left him drained, if not yet peaceful.
Diana Gabaldon (Lord John and the Hand of Devils (Lord John Grey, #0.5-1.5-2.5))
Nothing worse than grey light coming in your window on a Sunday morning. Personally, I don't like the color grey. It reminds me of the absence of color. I know, I know, people say grey is a color but it isn't. It's grey. Grey like smoke, like clouds, like ash. Grey like dirt and shale. Grey is Mr. Wiley's hair and a cat bit me once was grey. Grey is a deadly color. Grey gets between me and the sun and threatens rain. It's a downer, grey is. Don't ever wear grey, people are likely to avoid you.
Vera Jane Cook (Pleasant Day)
Later in the week Mr Knox's Annie bicycled over to see Stoker and ask her to waive the lien which she had on her sister's services, as they would be required for the weekend. 'She's having dinner at half-past eight on Saturday,' said Annie, when seated with her sister and Stoker in the warm kitchen... Stoker was only too delighted to get a spy into the enemy's camp, and the kitchen had a long, delightful conversation about 'Madam', as Annie called Miss Grey, with a very poor imitation of her accent.
Angela Thirkell (High Rising (Barsetshire, #1))
She sucked in a breath as their gazes clashed and his face altered. She could see the sweat beading the line of his close-cropped dark hair, could feel the heat radiating off his bulky shoulders, and smell the tang of hard work rising from his chest. A work belt clung to his hips. A smattering of hair flecked his gleaming pectorals above the singlet. With his chiselled face, his impressive biceps and long legs, he could have been a pin-up for one of those beefcake calendars. Mr November, with those grey Scorpio eyes watching her every move.
Coleen Kwan (When Harriet Came Home)
… bleak, wind-swept fens and moors; empty fields with broken walls and gates hanging off their hinges; a black, ruined church; an open grave; a suicide buried at a lonely crossroads; a fire of bones blazing in the twilit snow; a gallows with a man swinging from its arm; another man crucified upon a wheel; an ancient spear plunged into the mud with a strange talisman, like a little leather finger, hanging from it; a scarecrow whose black rags blew about so violently in the wind that he seemed about to leap into the grey air and fly towards you on vast black wings …
Susanna Clarke (Jonathan Strange & Mr Norrell)
Suddenly Mr. Ramsay raised his head as he passed and looked straight at her, with his distraught wild gaze which was yet so penetrating, as if he saw you, for one second, for the first time, for ever; and she pretended to drink out of her empty coffee cup so as to escape him--to escape his demand on her, to put aside a moment longer that imperious need. And he shook his head at her, and strode on ("Alone" she heard him say, "Perished" she heard him say) and like everything else this strange morning the words became symbols, wrote themselves all over the grey-green walls.
Virginia Woolf (To the Lighthouse)
To the enormous majority of persons who risk themselves in literature, not even the smallest measure of success can fall. They had better take to some other profession as quickly as may be, they are only making a sure thing of disappointment, only crowding the narrow gates of fortune and fame. Yet there are others to whom success, though easily within their reach, does not seem a thing to be grasped at. Of two such, the pathetic story may be read, in the Memoir of A Scotch Probationer, Mr. Thomas Davidson, who died young, an unplaced Minister of the United Presbyterian Church, in 1869. He died young, unaccepted by the world, unheard of, uncomplaining, soon after writing his latest song on the first grey hairs of the lady whom he loved. And she, Miss Alison Dunlop, died also, a year ago, leaving a little work newly published, Anent Old Edinburgh, in which is briefly told the story of her life. There can hardly be a true tale more brave and honourable, for those two were eminently qualified to shine, with a clear and modest radiance, in letters. Both had a touch of poetry, Mr. Davidson left a few genuine poems, both had humour, knowledge, patience, industry, and literary conscientiousness. No success came to them, they did not even seek it, though it was easily within the reach of their powers. Yet none can call them failures, leaving, as they did, the fragrance of honourable and uncomplaining lives, and such brief records of these as to delight, and console and encourage us all. They bequeath to us the spectacle of a real triumph far beyond the petty gains of money or of applause, the spectacle of lives made happy by literature, unvexed by notoriety, unfretted by envy. What we call success could never have yielded them so much, for the ways of authorship are dusty and stony, and the stones are only too handy for throwing at the few that, deservedly or undeservedly, make a name, and therewith about one-tenth of the wealth which is ungrudged to physicians, or barristers, or stock-brokers, or dentists, or electricians. If literature and occupation with letters were not its own reward, truly they who seem to succeed might envy those who fail. It is not wealth that they win, as fortunate men in other professions count wealth; it is not rank nor fashion that come to their call nor come to call on them. Their success is to be let dwell with their own fancies, or with the imaginations of others far greater than themselves; their success is this living in fantasy, a little remote from the hubbub and the contests of the world. At the best they will be vexed by curious eyes and idle tongues, at the best they will die not rich in this world’s goods, yet not unconsoled by the friendships which they win among men and women whose faces they will never see. They may well be content, and thrice content, with their lot, yet it is not a lot which should provoke envy, nor be coveted by ambition.
Andrew Lang (How to Fail in Literature: A Lecture)
Behind her, at the back of the tube, she heard a scrabbling noise. She turned to see a whitish-grey Siamese cat hurtle out of an open doorway and collide with the ladder. The cat caught the ladder with its claws and then, with practiced ease, sprang off the rungs and launched itself toward the other end of the shaft. Kira watched, impressed, as the cat soared along the ladder, turning slightly as it flew, a long furry missile armed with teeth and claws. The cat glared at her as it passed by, venomous hatred flashing from its emerald eyes. “That’s our ship cat, Mr. Fuzzypants,” said Trig.
Christopher Paolini (To Sleep in a Sea of Stars)
I condole with you, sir, indeed I do. Low spirits, Mr Black, are the very worst torment that a man can be afflicted with. Sometimes it seems to me that all of London resembles nothing so much as cold pease porridge, both in colour and consistency. I see people with cold-pease-porridge faces and cold-pease-porridge hands walking down cold-pease-porridge streets. Ah, me! How bad I feel then! The very sun up in the sky is cold and grey and porridge-y, and has no power to warm me. Do you often feel chilled, sir?” John Longridge would lay his hand upon Stephen’s hand. “Ah, Mr Black, sir,” he would say, “you are cold as the tomb.
Susanna Clarke (Jonathan Strange & Mr Norrell)
It was happy for Orlando, though at first disappointing, that this should be so, for she now began to live much in the company of men of genius. Nor were they so different from the rest of us as one might have supposed. Addison, Pope, Swift, proved, she found, to be fond of tea. They liked arbours. They collected little bits of coloured glass. They adored grottos. Rank was not distasteful to them. Praise was delightful. They wore plum-coloured suits one day and grey another. Mr Swift had a fine malacca cane. Mr Addison scented his handkerchiefs. Mr Pope suffered with his head. A piece of gossip did not come amiss. Nor were they without their jealousies.
Virginia Woolf (Orlando)
To Mrs. Chickenstalker!’ repeated Sir Joseph, in the same tone as before. ‘A shop, sir,’ exclaimed Toby, ‘in the general line. Also a — a little money on account of rent. A very little, sir. It oughtn’t to be owing, I know, but we have been hard put to it, indeed!’ Sir Joseph looked at his lady, and at Mr. Fish, and at Trotty, one after another, twice all round. He then made a despondent gesture with both hands at once, as if he gave the thing up altogether. ‘How a man, even among this improvident and impracticable race; an old man; a man grown grey; can look a New Year in the face, with his affairs in this condition; how he can lie down on his bed at night, and get up again in the morning,
Charles Dickens (The Complete Works of Charles Dickens)
Turnbull, whose powers of surprise were exhausted, rolled his round grey eyes and said, "Mr. Wilkinson, I think," because he could not think of anything else to say. The tall man sitting on the gravel bowed with urbanity, and said: "Quite at your service. Not to be confused with the Wilkinsons of Cumberland; and as I say, old boy, what have you done with my yacht? You see, they've locked me up here--in this garden--and a yacht would be a sort of occupation for an unmarried man." "I am really horribly sorry," began Turnbull, in the last stage of bated bewilderment and exasperation, "but really----" "Oh, I can see you can't have it on you at the moment," said Mr. Wilkinson with much intellectual magnanimity.
G.K. Chesterton (The Ball and the Cross (Dover Literature: Literary Fiction))
Hirst, who had been eating and drinking without interruption, now lit a cigarette, and observed, “Oh, but we’re all agreed by this time that nature’s a mistake. She’s either very ugly, appallingly uncomfortable, or absolutely terrifying. I don’t know which alarms me most—a cow or a tree. I once met a cow in a field by night. The creature looked at me. I assure you it turned my hair grey. It’s a disgrace that the animals should be allowed to go at large.” “And what did the cow think of him?” Venning mumbled to Susan, who immediately decided in her own mind that Mr. Hirst was a dreadful young man, and that although he had such an air of being clever he probably wasn’t as clever as Arthur, in the ways that really matter.
Virginia Woolf (Virginia Woolf: Complete Works (OBG Classics): Inspired 'A Ghost Story' (2017) directed by David Lowery)
Hirst, who had been eating and drinking without interruption, now lit a cigarette, and observed, “Oh, but we’re all agreed by this time that nature’s a mistake. She’s either very ugly, appallingly uncomfortable, or absolutely terrifying. I don’t know which alarms me most—a cow or a tree. I once met a cow in a field by night. The creature looked at me. I assure you it turned my hair grey. It’s a disgrace that the animals should be allowed to go at large.” “And what did the cow think of him?” Venning mumbled to Susan, who immediately decided in her own mind that Mr. Hirst was a dreadful young man, and that although he had such an air of being clever he probably wasn’t as clever as Arthur, in the ways that really matter. “Wasn’t it Wilde who discovered
Virginia Woolf (Virginia Woolf: Complete Works (OBG Classics): Inspired 'A Ghost Story' (2017) directed by David Lowery)
Dear Mr. Grey, You wanted to know why I felt confused after you—which euphemism should we apply—spanked, punished, beat, assaulted me. Well, during the whole alarming process, I felt demeaned, debased, and abused. And much to my mortification, you're right, I was aroused, and that was unexpected. As you are well aware, all things sexual are new to me—I only wish I was more experienced and therefore more prepared. I was shocked to feel aroused. What really worried me was how I felt afterward. And that's more difficult to articulate. I was happy that you were happy. I felt relieved that it wasn't as painful as I thought it would be. And when I was lying in your arms, I felt...sated. But I feel very uncomfortable, guilty even, feeling that way. It doesn't sit well with me, and I'm confused as a result.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Young Mr. Maxwell would make a very good match.” Camilla’s lovely face hardened just a little at the mention of Maxwell. Grey could have kissed her. “He was quick to abandon her the last time he courted my daughter, so I will have to reserve judgment until he’s proven himself a changed man, no matter how well I wish to think of him.” “Very wise,” Grey agreed, ignoring the look his brother slanted toward him. “A few years can do wonders for a man’s maturity,” Archer remarked. Grey shrugged. “Or not. Some men simply become overgrown boys and never face the consequences of their actions.” Archer smiled. “And some blame society and hide like scared mice for the rest of their lives.” Were they alone Grey might have hit him. But they weren’t alone, and instead of giving into his anger, he was left with having to face how much hearing his brother say such a thing hurt. Not only hurt, it made him deuced uncomfortable.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
THE HEATHMAN IS NESTLED in the heart of downtown Portland. Its impressive brown stone edifice was completed just in time for the crash of the late 1920s. José, Travis, and I are traveling in my Beetle, and Kate is in her CLK, since we can’t all fit in my car. Travis is José’s friend and gopher, here to help out with the lighting. Kate has managed to acquire the use of a room at the Heathman free of charge for the morning in exchange for a credit in the article. When she explains at reception that we’re here to photograph Christian Grey, CEO, we are instantly upgraded to a suite. Just a regular-sized suite, however, as apparently Mr. Grey is already occupying the largest one in the building. An over-keen marketing executive shows us up to the suite—he’s terribly young and very nervous for some reason. I suspect Kate’s beauty and commanding manner disarm him, because he’s putty in her hands. The rooms are elegant, understated, and opulently furnished.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
You’ve always been so agreeable,” he remarked with something of a rueful tone. “I don’t understand why you haven’t told me to sod off.” She couldn’t help but chuckle. “Other than the simple fact that I would never say those words to anyone?” He glanced at her, eyes sparkling. “Even so. I am humbled by your easy acceptance of me. I behaved abominably toward you years ago and yet you act as though nothing ever happened.” Rose twirled the handle of her parasol. “We cannot change the past, Mr. Maxwell. I reckon I would be a much happier woman if I could. No, all we can do is go forward.” His brow furrowed. “Does that mean you forgive me?” She laughed again. “Yes, it does. I understand why you had to abandon your courtship after my father’s misfortune and I do not blame you for it.” Kellan shook his head. “You are too good.” “No,” she insisted with a sharp shake of her head. “I am not.” Lord, if he but knew just how not good she could be! Of course, if they were married he’d realize that on their wedding night, wouldn’t he? Or could she deceive him and make him believe she was a virgin? It wouldn’t be right, but she would do it to spare his feelings, and keep her secrets. “But, I can be practical when the situation calls for it.” “Is that why you’re here with me now?” he asked with amusement. “Practicality?” Rose’s smile was coy in reply. “Perhaps. Or perhaps I like giving the gossips something to natter about.” Kellan laughed aloud. “I’ve missed your wit, Rose. You always knew how to make me laugh.” “Yes.” She twirled her parasol again. “You as well. I’m glad that we are friends again.” “Friends,” he repeated. “Is that what we are?” It had been a while since she’d flirted with a man without the benefit of a mask, but she thought she remembered how to do it. “For now.” They were smiling at each other as they passed beneath the thick shade of trees that lined the track, and Rose felt a stirring of hope in her breast. Her heart wasn’t totally under Grey’s control, and for that she was extraordinarily happy.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
No heroine in Charlotte and Anne Bronte's fiction omits this duty, even in times of danger and perturbation of mind; but most of them also live through moments when the greatest mercy they can hope for is to be saved from utter despair. Jane Eyre in the coach on her flight from Thornfield, Caroline Helstone in the valley of the shadow, Lucy Snowe isolated with the 'cretin' in the Rue Fossette, Agnes Grey pining for Mr Weston, and Helen Huntingdon brutally ill-treated and humiliated - all of them turn to God for help in their efforts not to sink altogether under the burden of their distress. Not the least of the troubles is their awareness of the sinfulness of giving up hope. Authors of religious manuals repeatedly warned their readers not to 'yield for a moment to Satan's temptations to despair. If you do not strive, you know you must be lost.' No wonder human endeavours were felt to be unequal to the task of vanquishing the combination of acute suffering and the threat of spiritual ruin if one were to allow oneself to be crushed by it.
Marianne Thormählen (The Brontës and Religion)
Beside him Mr. Harris folded his morning newspaper and held it out to Claude. "Seen this yet?" "No." "Don't read it," Mr. Harris said, folding the paper once more and sliding it under his rear. "It will only upset you, son." "It's a wicked paper... " Claude agreed, but Mr. Harris was overspeaking him. "It's the big black words that do it. The little grey ones don't matter very much, they're just fill-ins they take everyday from the wires. They concentrate their poison in the big black words, where it will radiate. Of course if you read the little stories too you've got sure proof that every word they wrote above, themselves, was a fat black lie, but by then you've absorbed a thousand greyer ones, and where and how to check on those? This way the mind deteriorates. The best way you can save yourself is not to read it, son." "No, I... " "That's right, if you're not careful," Mr. Harris went on, blue-eyed, red-faced, "you find yourself pretty soon hating everyone but God, the Babe, and a few dead senators. That's no fun. Men aren't so bad as that." "No." "That's right, you begin to worry about anyone who opens his mouth except to say ho it looks like rain, let's bowl. Otherwise you wonder what the hell he's trying to prove, or undermine. If he asks what time it is, you wonder what terrible thing is scheduled to happen, where it will happen, when. You can't even stand to be asked how you feel today - he's probably looking at the bumps on you, they may have grown more noticeable overnight. Soon you feel you should apologize for standing there where he can watch you dying in front of him, he'd rather for you to carry your head around in a little plaid bag, like your bowling ball. There's no joy in that. Men aren't so very bad." Mr. Harris paused to remove his Panama hat. Water seeped from his knobby forehead, which he mopped with a damp handkerchief. "I've offended you, son," he said. "Not at all, I entirely agree with you." Mr. Harris replaced his hat, folded his handkerchief. "I shouldn't shoot off this way," he said. "I read too much." "No, no. You're right...
Douglas Woolf (Wall to Wall (American Literature))
Our plans are quite uncertain; and papa has not, I believe, made up his mind whether or not to take this house on after the beginning of next month; when our engagement with our present landlord closes. If we do leave Sidmouth, you know as well as I do where we shall go. Perhaps to Boulogne! perhaps to the Swan River. The West Indians are irreparably ruined if the Bill passes. Papa says that in the case of its passing, nobody in his senses would think of even attempting the culture of sugar, and that they had better hang weights to the sides of the island of Jamaica and sink it at once. Don’t you think certain heads might be found heavy enough for the purpose? No insinuation, I assure you, against the Administration, in spite of the dagger in their right hands. Mr. Atwood seems to me a demi-god of ingratitude! So much for the ‘fickle reek of popular breath’ to which men have erected their temple of the winds — who would trust a feather to it? I am almost more sorry for poor Lord Grey who is going to ruin us, than for our poor selves who are going to be ruined.
Elizabeth Barrett Browning (Complete Works of Elizabeth Barrett Browning)
London fog’s fascinating. Just take its colours, for instance – it may be several all at once. In some parts it’s light grey, and you can still see things within a range of forty or fifty feet. In other parts, it’s such a dark grey that there’s no difference between night and day. In some places it’s greyish yellow, as if the whole of London city is burning damp wood. In yet other places, it’s a reddish brown, and when the fog is this colour you can forget about being able to see anything any more. All you can spot if you’re standing indoors, looking out the windowpane, is the reddish brown colour. If you walk in the fog, it’s dark grey just ahead of you, and it’s not until you raise your head and make an actual effort to pick out a lamp shining somewhere, that you can see the faintest yellow tinge to it. That sort of fog doesn’t come in wisps, but in one whole mass, and blocks out the world. As you walk, the fog follows you. You can’t see anything, and nobody can see you. You don’t even know where you are. Only the fiercest-burning gas lamps penetrate the gloom, and all you can distinguish are the wisps of steam from your own breath before your lips. The rest is hazy and unidentifiable.
Lao She (Mr Ma and Son)
Your brother is the most ridiculous, hardheaded, stupid man I know!” Rose half expected Archer to chastise her. Instead, he took a second glass of champagne from the footman passing with the tray and offered it to her. “And you are surprised by this?” “Astonishingly, yes.” She took a long, unladylike swallow of the crisp, bubbly liquid. “I’m astounded. Ah, here are two scoundrels you should know to avoid.” His grin told her he considered them quite the opposite. They were good-looking men, one tall and dark, the other almost as tall with brown hair and blue eyes and enough of the Kane countenance that she picked him for Grey's relation instantly. They met Archer enthusiastically, and then turned polite curiosity in her direction. "Lady Rose Danvers," Archer said jovially. "May I present the Earl of Autley." The dark man bowed over her offered hand. "And my cousin, Mr. Aiden Kane?" The man who looked a bit like Grey smiled and took her hand next. "It's lovely to meet you, Lady Rose," the earl said smoothly. "I hope you are enjoying your time in London?" "Oh, yes," she replied. "Lord Archer has been a very entertaining companion." "I don't doubt it," Aiden said with a grin as he clapped Archer on the shoulder.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
It takes the better part of those months for Herr Thiessen to complete the clock. He works on little else, though the sum of money involved makes the arrangement more than manageable. Weeks are spent on the design and the mechanics. He hires an assistant to complete some of the basic woodwork, but he takes care of all the details himself. Herr Thiessen loves details and he loves a challenge. He balances the entire design on that one specific word Mr. Barris used. Dreamlike. The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As thought clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where the numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actually paper pages that turn. There is a silver dragon curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress awaiting an absent prince. Teapots that our into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dressed in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the hour chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight the clock begins once more to fold in upon itself. The face lightens and the colds return. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.
Erin Morgenstern (The Night Circus)
By the by, will you be attending the Shewsbury ball Friday evening?” “I shall, yes.” It would be her first. “Will you?” His smile turned flirtatious. “I plan to now.” Rose blushed like a young girl, even though she knew Eve was behind her probably rolling her eyes. She would definitely wear the Worth gown her mother suggested. “Then I suppose I will see you there.” “I hope you will honor me with the first waltz?” Gracious, he certainly wasted no time! But Rose knew better than to have any expectations where he was concerned. Grey might not want her, but she wasn’t ready to set her cap on the first man to show interest in her. “If you wish to dance with me, I have no desire to disappoint you.” Who was the flirt now? Kellan bowed over her hand, brushing his lips across her gloved knuckles. “I shall count the days until then. Good day, Lady Rose. Lady Eve.” “Good day, Mr. Maxwell.” Pleased with him as well as herself, Rose watched him walk away, but took pains not to let her contentment show. It would only give the gossips something to twitter over, and she knew better than that. “Promise me you won’t fall victim to his charms, Rose,” Eve murmured near her ear. “You needn’t worry, Eve,” she replied, patting her friend’s hand. “I’m not the green girl I once was.” And that was truth as well, because the girl she once was never would have been so suddenly sure of a man’s interest. Nor would she consider using that interest to her own advantage-not in any harmful way, of course. She may no longer be green, but she wasn’t an “arse” as Eve so eloquently put it. But still, if Grey didn’t want her, then he wouldn’t mind if someone else did. Would he?
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
There’s just one thing I don’t understand,” she remarked, setting the periodical aside for a moment. “And that is?” She tucked her skirts around her legs, denying him further glimpses of her ankles. “Would you by chance know what gamahuching is?” Grey would have thought himself far beyond the age of blushing, but the heat in his cheeks was unmistakable. “Good lord, Rose.” His voice was little more than a rasp. “That is hardly something a young woman brings up in casual conversation.” Oh, but he could show her what gamahuching was. He’d be all too happy to crawl between those trim ankles and climb upward until he found the slit in her drawers… Rose shrugged. “I suppose it might be offensive to someone of your age, but women aren’t as sheltered as they once were, Grey. If you won’t provide a definition, I’m sure Mr. Maxwell will when I see him tonight.” And with that threat tossed out between them, the little baggage returned her attention to her naughty reading. His age? What did she think he was, an ancient? Or was she merely trying to bait him? Tease him? Well, two could play at that game. And he refused to think of Kellan Maxwell, the bastard, educating her on such matters. “I believe you’ve mistaken me if you think I find gamahuching offensive,” he replied smoothly, easing himself down onto the blanket beside her. “I have quite the opposite view.” Beneath the high collar of her day gown, Rose’s throat worked as she swallowed. “Oh?” “Yes.” He braced one hand flat against the blanket near her hip, leaning closer as though they were co-conspirators. “But I’m afraid the notion might seem distasteful to a lady of your inexperience and sheltered upbringing.” Doe eyes narrowed. “If I am not appalled by the practice of frigging, why would anything else done between two adults in the course of making love offend me?” Christ, she had the sexual vocabulary of a whore and the naivete of a virgin. There were so many things that people could do to each other that very well could offend her-hell, some even offended him. As for frigging, that just made him think of his fingers deep inside her wet heat, her own delicate hand around his cock, which of course was rearing its head like an attention-seeking puppy. He forced a casual shrug. Let her think he wasn’t the least bit affected by the conversation. Hopefully she wouldn’t look at his crotch. “Gamahuching is the act of giving pleasure to a woman with one’s mouth and tongue.” Finally his beautiful innocent seductress blushed. She glanced down at the magazine in her hands, obviously reimagining some of what she had read. “Oh.” Then, her gaze came back to his. “Thank you.” Thank God she hadn’t asked if it was pleasurable because Grey wasn’t sure his control could have withstood that. Still, glutton for punishment that he was, he held her gaze. “Anything else you would like to ask me?” Rose shifted on the blanket. Embarrassed or aroused? “No, I think that’s all I wanted to know.” “Be careful, Rose,” he advised as he slowly rose to his feet once more. He had to keep his hands in front of him to disguise the hardness in his trousers. Damn thing didn’t show any sign of standing down either. “Such reading may lead to further curiosity, which can lead to rash behavior. I would hate to see you compromise yourself, or give your affection to the wrong man.” She met his gaze evenly, with a strange light in her eyes that unsettled him. “Have you stopped to consider Grey, that I may have done that already?” And since that remark rendered him so completely speechless, he turned on his heel and walked away.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Good Morning!” said Bilbo, and he meant it. The sun was shining, and the grass was very green. But Gandalf looked at him from under long bushy eyebrows that stuck out further than the brim of his shady hat. “What do you mean?” he said. “Do you wish me a good morning, or mean that it is a good morning whether I want it or not; or that you feel good this morning; or that it is a morning to be good on?” “All of them at once,” said Bilbo. “And a very fine morning for a pipe of tobacco out of doors, into the bargain. If you have a pipe about you, sit down and have a fill of mine! There’s no hurry, we have all the day before us!” Then Bilbo sat down on a seat by his door, crossed his legs, and blew out a beautiful grey ring of smoke that sailed up into the air without breaking and floated away over The Hill. “Very pretty!” said Gandalf. “But I have no time to blow smoke-rings this morning. I am looking for someone to share in an adventure that I am arranging, and it’s very difficult to find anyone.” “I should think so—in these parts! We are plain quiet folk and have no use for adventures. Nasty disturbing uncomfortable things! Make you late for dinner! I can’t think what anybody sees in them,” said our Mr. Baggins, and stuck one thumb behind his braces, and blew out another even bigger smoke-ring. Then he took out his morning letters, and began to read, pretending to take no more notice of the old man. He had decided that he was not quite his sort, and wanted him to go away. But the old man did not move. He stood leaning on his stick and gazing at the hobbit without saying anything, till Bilbo got quite uncomfortable and even a little cross. “Good morning!” he said at last. “We don’t want any adventures here, thank you! You might try over The Hill or across The Water.” By this he meant that the conversation was at an end.
J.R.R. Tolkien (The Hobbit)
Mr Casaubon’s behaviour about settlements was highly satisfactory to Mr Brooke, and the preliminaries of marriage rolled smoothly along, shortening the weeks of courtship. The betrothed bride must see her future home, and dictate any changes that she would like to have made there. A woman dictates before marriage in order that she may have an appetite for submission afterwards. And certainly, the mistakes that we male and female mortals make when we have our own way might fairly raise some wonder that we are so fond of it. On a grey but dry November morning Dorothea drove to Lowick in company with her uncle and Celia. Mr Casaubon’s home was the manor-house. Close by, visible from some parts of the garden, was the little church, with the old parsonage opposite. In the beginning of his career, Mr Casaubon had only held the living, but the death of his brother had put him in possession of the manor also. It had a small park, with a fine old oak here and there, and an avenue of limes towards the south-west front, with a sunk fence between park and pleasure-ground, so that from the drawing-room windows the glance swept uninterruptedly along a slope of greensward till the limes ended in a level of corn and pastures, which often seemed to melt into a lake under the setting sun. This was the happy side of the house, for the south and east looked rather melancholy even under the brightest morning. The grounds here were more confined, the flower-beds showed no very careful tendance, and large clumps of trees, chiefly of sombre yews, had risen high, not ten yards from the windows. The building, of greenish stone, was in the old English style, not ugly, but small-windowed and melancholy-looking: the sort of house that must have children, many flowers, open windows, and little vistas of bright things, to make it seem a joyous home. In this latter end of autumn, with a sparse remnant of yellow leaves falling slowly athwart the dark evergreens in a stillness without sunshine, the house too had an air of autumnal decline, and Mr Casaubon, when he presented himself, had no bloom that could be thrown into relief by that background. ‘Oh dear!’ Celia said to herself, ‘I am sure Freshitt Hall would have been pleasanter than this.’ She thought of the white freestone, the pillared portico, and the terrace full of flowers, Sir James smiling above them like a prince issuing from his enchantment in a rosebush, with a handkerchief swiftly metamorphosed from the most delicately-odorous petals—Sir James, who talked so agreeably, always about things which had common-sense in them, and not about learning! Celia had those light young feminine tastes which grave and weather-worn gentlemen sometimes prefer in a wife; but happily Mr Casaubon’s bias had been different, for he would have had no chance with Celia.
George Eliot (Middlemarch)
He hadn’t been aware of staring, but when her questioning gaze locked with his, Grey felt as though he’d been smacked upside the head by the open palm of idiocy. “Is something troubling you, Grey?” He loved the sound of his name on her tongue, and hated that he loved it. She made him weak and stupid. One sweet glance from her and he was ready to drop to his knees. It wasn’t love. It wasn’t even infatuation. It was pure unmitigated lust. He could admit that. Hell, he embraced it. Lust could be managed. Lust could be mastered. And lust would eventually fade once she was out of his care and out of his life. That was the cold, hard, blessed truth of it. “I was wondering if you were eagerly anticipating Lady Shrewsbury’s ball tomorrow evening?” How easily the lie rolled off his tongue as he lifted a bite of poached salmon to his mouth. She smiled softly, obviously looking forward to it very much. “I am. Thank you.” Camilla shared her daughter’s pleasure judging from her coy grin. “Rose has renewed her acquaintance with the honorable Kellan Maxwell. He requested that she save the first waltz of the evening for him.” The fish caught in Grey’s throat. He took a drink of wine to force it down. “The same Kellan Maxwell who courted you during your first season?” Rose’s smile faded a little. No doubt she heard the censure in his tone, his disapproval. “The same,” she replied with an edge of defensiveness. The same idiot who abandoned his pursuit of Rose when Charles lost everything and scandal erupted. The little prick who hadn’t loved her enough to continue his courtship regardless of her situation. “Mm,” was what he said out loud. Rose scowled at him. “We had no understanding. We were not engaged, and Mr. Maxwell behaved as any other young man with responsibilities would have.” “You defend him.” It was difficult to keep his disappointment from showing. He never thought her to be the kind of woman who would forgive disloyalty when she was so very loyal herself. She tilted her head. “I appreciate your concern, but I’m no debutante, Grey. If I’m to find a husband this season I shouldn’t show prejudice.” Common sense coming out of anyone else. Coming out of her it was shite. “You deserve better.” She smiled a Mona Lisa smile. “We do not always get what we deserve, or even what we desire.” She knew. Christ in a frock coat, she knew. Her smile faded. “If we did, Papa would be here with us, and Mama and I wouldn’t be your responsibility.” She didn’t know. Damn, what a relief. “The two of you are not a responsibility. You are a joy.” For some reason that only made her look sadder, but Camilla smiled through happy tears. She thanked him profusely, but Grey had a hard time hearing what she was saying-he was too intent on Rose, who had turned her attention to her plate and was pushing food around with little interest. He could bear this no longer. He didn’t know what was wrong with her, or why she seemed so strange with him. And he couldn’t stand that he cared. “Ladies, I’m afraid I must beg your pardon and take leave of you.” Rose glanced up. “So soon?” He pushed his chair back from the table. “Yes. But I will see you at breakfast in the morning.” She turned back to her dinner. Grey bid farewell to Camilla and then strode from the room as quickly as he could. If he survived the Season it would be a miracle.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Mr. Graven’s servant had arisen, and pulled off his dirty traveling cloak, revealing a suit of fashionable grey. He whipped off his hat, and hurled it into the fire, commenting airily, “Dashed uncomfortable thing.” Mr. Graven sighed. “You mustn’t burn my perfectly good disguises, McFall.” “Yes, sir. Never again, sir.
Stephen Joshua (The Inn of the Dragon's Head (Inn of the Dragon's Head, #1))
Peg, are you goin' to throw me down, too?” “Mr. Arthurs! I—I—
Zane Grey (The Young Pitcher)
pale grey eyes. ‘Mr Herriot,’ Hamish began, ‘can you tell me who you voted for to be Lammas queen last year?’ ‘I voted for Iona, the lassie on the switchboard.’ ‘Would it surprise you to learn that all ten votes were for Annie Fleming?
M.C. Beaton (Death of a Valentine (Hamish Macbeth, #25))
As the final crisis boiled, his marginalia on telegrams grew more and more agitated: “Aha! the common cheat,” “Rot!” “He lies!” “Mr. Grey is a false dog,” “Twaddle!” “The rascal is crazy or an idiot!” When Russia mobilized he burst into a tirade of passionate foreboding, not against the Slav traitors but against the unforgettable figure of the wicked uncle: “The world will be engulfed in the most terrible of wars, the ultimate aim of which is the ruin of Germany. England, France and Russia have conspired for our annihilation
Barbara W. Tuchman (The Guns of August)
Concealed from the public eye, snug within his coffin, Mr Bird looked as he had looked in life. Despite his size and the flowing bulk of his flesh, he had borne always, since a child, the grey pallor of death; and he had a way of seeming as still as a statue.
William Trevor (The Boarding-House)