Mr Cunningham Quotes

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A mob's always made up of people, no matter what. Mr. Cunningham was part of a mob last night, but he was still a man. Every mob in every little Southern town is always made up of people you know--doesn't say much for them, does it?
Harper Lee (To Kill a Mockingbird)
Hey, Mr. Cunningham. How's your entailment gettin' along?
Harper Lee (To Kill a Mockingbird)
Fine, but go put on some clothes,” she says. “This is an inn, Mr. Cunningham, not Chippendales. I won’t have you at my breakfast table looking like a gigolo.
J.M. Darhower (Ghosted)
I thought Mr. Cunningham was a friend of ours. You told me a long time ago he was.” “He still is.” “But last night he wanted to hurt you.” Atticus placed his fork beside his knife and pushed his plate aside. “Mr. Cunningham’s basically a good man,” he said, “he just has his blind spots along with the rest of us.” Jem
Harper Lee (To Kill a Mockingbird)
Hello. I want to speak to Mr. Jack Cunningham please. . . . Hello. Is this Mr. Cunningham’s office? Mr. James Merivale speaking. . . . Out of town. . . . And when will he be back? . . . Hum.” He strode back along the hall. “The damn scoundrel’s out of town.” “All the years I’ve known him,” said the little lady in the round hat, “that has always been where he was.
John Dos Passos (Manhattan Transfer: A Novel)
Atticus said it was the polite thing to talk to people about what they were interested in, not about what you were interested in. Mr. Cunningham displayed no interest in his son, so I tackled his entailment once more in a last-ditch effort to make him feel at home.
Harper Lee (To Kill a Mockingbird)
I will draw a sight draft on my grandfather, I said. A what? A sight draft. He has to pay or I go to jail. Mr. Cunningham at the bank does it. I live by sight drafts. Can a grandfather jail a patriotic grandson who is dying that Italy may live? Live the American Garibaldi, said Rinaldi. Viva the sight drafts, I said. We must be quiet, said the major. Already we have been asked many times to be quiet...
Ernest Hemingway
No child of mine will ever have to be separated from their loved ones," Byron said, his voice like ice. Power flowing off him, and there was no mistake that right there and then, a war sounded great to the shark. "I will see you dead before I have you touch my grandchild" The situation might have escalated and a battle might have begun right then and there, but suddenly, Sterling got a strange expression on his face. It was a look of smug satisfaction, as if he knew something they did not. "Very well, Mr. Cunningham. But there will come a time when you will take your words back.
Scarlet Hyacinth (The Seahorse Who Loved the Wrong Lynx (Mate or Meal #8))
...A mob's always made up of people, no matter what. Mr. Cunningham was part of a mob last night, but he was still a man. Every mob in every little Southern town is always made up of people you know - doesn't say much for them, does it?' 'I'll say not,' said Jem. 'So it took an eight-year-old child to bring 'em to their senses, didn't it?' said Atticus. 'That proves something - that a gang of wild animals can be stopped, simply because they're still human. Hmp, maybe we need a police force of children... you children last night made Water Cunningham stand in my shoes for a minute. That was enough.
Harper Lee (To Kill a Mockingbird)
Well, Atticus, I was just sayin’ to Mr. Cunningham that entailments are bad an’ all that, but you said not to worry, it take a long time sometimes . . . that you all’d ride it out together . . .” I was slowly drying up, wondering what idiocy I had committed. Entailments seemed all right enough for livingroom talk. I began to feel sweat gathering at the edges of my hair; I could stand anything but a bunch of people looking at me. They were quite still. “What’s the matter?” I asked. Atticus said nothing. I looked around and up at Mr. Cunningham, whose face was equally impassive. Then he did a peculiar thing. He squatted down and took me by both shoulders. “I’ll tell him you said hey, little lady,” he said. Then he straightened up and waved a big paw. “Let’s clear out,” he called. “Let’s get going, boys.
Harper Lee (To Kill a Mockingbird)
Well then, how do you explain why the Cunninghams are different? Mr. Walter can hardly sign his name, I've seen him. We've just been readin' and writing' longer'n they have.” "No, everybody's gotta learn, nobody's born knowin'. That Walter's smart as he can be, he just gets held back sometimes because he has to stay out and help his daddy. Nothin's wrong with him. Naw, Jem, I think there's just one kind of folks. Folks." Jen turned around and punched his pillow. When he settled back his face was cloudy. He was going into one of his declines, and I grew wary. His brows came together; his mouth became a thin line. He was silent for a while. "That's what I thought, too," he said at last, "when I was your age. If there's just one kind of folks, why can't they get along with each other? If they're all alike, why do they go out of their way to despise each other? Scout, I think i'm beginning to understand something. I think i'm beginning to understand why Boo Radley's stayed shut up in the house all this time ... its because he wants to stay inside.
Harper Lee (To Kill a Mockingbird)
I leave him there and head for the kitchen, sighing when I see a chair shoved over to the counter, Maddie standing on it, digging through the cabinets. “What do you think you’re doing, little girl?” “Looking for the Lucky Charms,” she says as I pull her down and set her on her feet. “I’m afraid we’re all out.” I grab a box of Cheerios. “How about these?” She makes a face of disgust. “Raisin Bran?” Another face. “How about some cottage cheese?” She pretends to gag. “Uh, well, how about—?” “How about I take you out for breakfast?” Jonathan suggests, stepping into the kitchen. “Pancakes, sausage, eggs…” “Bacon!” Maddie declares. “I don’t know,” I say. “I’m not sure that’s a good idea, you know, with the whole you being you thing.” “Me being me,” he says. “Yeah, chances are you’ll get recognized and then have to explain this whole thing and well, you know, I’m not sure it’s worth it for some breakfast.” “But it might be bacon,” Maddie whines. Jonathan hesitates, thinking it over, glancing between us before he says, “I know somewhere we can go.” Mrs. McKleski’s place. Landing Inn. That’s where he takes us. Maddie and I stand in the woman’s foyer in our pajamas, while Jonathan wears just the leather pants from the Knightmare costume. Mrs. McKleski looks at us like we’ve gone crazy, and I instantly want to be anywhere else in the world, but it’s too late, because Maddie’s been promised some bacon. “You want breakfast,” Mrs. McKleski says. “That’s what you’re telling me?” He nods. “Yes, ma'am.” She stares at him. Hard. I expect a denial, because this whole idea is absurd, but after a moment, she lets out a resigned sigh. “Fine, but go put on some clothes,” she says. “This is an inn, Mr. Cunningham, not Chippendales. I won’t have you at my breakfast table looking like a gigolo.” He cocks an eyebrow at the woman. “Wasn’t aware you knew what a gigolo was.” “Go,” she says pointedly, “before I change my mind.” “Yes, ma’am,” he says, flashing her a smile before turning to me and nodding toward the stairs. “Join me?” I stare at him, not moving. He steps closer. “Please?” “Fine,” I mumble, glancing at Maddie, not wanting to cause a scene. “Hey, sweetheart, why don’t you have a seat in the living room?” “Nonsense,” Mrs. McKleski says. “She can come help me cook. Teach her some responsibility. Not sure her father ever learned any.” Jonathan scowls before again motioning for me to follow him. “And no hanky-panky,” Mrs. McKleski calls to us as we start upstairs. “What’s the hanky-panky?” Maddie asks, following the woman to the kitchen. “She means the hokey-pokey,” I yell down before Mrs. McKleski can answer, because there’s no telling how that woman would explain it. “Oh, I like the hokey-pokey!” Maddie looks at the woman with confusion. “Why don’t you wanna play it?” “Too messy,” Mrs. McKleski grumbles. “All that turning yourself around.” Shaking my head, I go upstairs, stalling right inside the room as Jonathan sorts through his belongings to find some clothes.
J.M. Darhower (Ghosted)
Ruthledge himself was the guiding light, the good Samaritan. He had a daughter, Mary, who grew up without a mother. Helping him raise the child was a kindly housekeeper, Ellen. Then there was Ned Holden, abandoned by his mother, who just turned up one night; being about Mary’s age, he forged a friendship with the little girl that inevitably, as they grew up, turned to love. They were to marry, but just before the wedding Ned learned that his mother was convicted murderess Fredrika Lang. What was worse, Ruthledge had known this and had not told him. Feeling betrayed, Ned disappeared. He would finally return, crushing Mary with the news that he now had a wife, the vibrant actress Torchy Reynolds. Also prominent in the early shows was the Kransky family. Abe Kransky was an orthodox Jew who owned a pawnshop. Much of the action centered on his daughter Rose and her struggle to rise above the squalor of Five Points. Rose had a scandalous affair with publishing magnate Charles Cunningham (whose company would bring out Ned Holden’s first book when Ned took a fling at authorship), only to discover that Cunningham was merely cheating on his wife, Celeste. In her grief, Rose turned to Ellis Smith, the eccentric young artist who had come to Five Points as “Mr. Nobody from Nowhere.” Smith (also not his real name) took Rose in to “give her a name.” The Kransky link with the Ruthledges came about in the friendship of the girls, Rose and Mary. In 1939, in one of her celebrated experiments, Phillips shifted the Kranskys into a new serial, The Right to Happiness. The Ruthledge-Kransky era began to fade in 1944, when actor Arthur Peterson went into the service. Rather than recast, Phillips sent Ruthledge away as well, to the Army as a chaplain. By the time Peterson-Ruthledge returned, two years later, the focus had moved. For a time the strong male figure was Dr. Richard Gaylord. By 1947 a character named Dr. Charles Matthews had taken over. Though still a preacher, and still holding forth at Good Samaritan, Ruthledge had moved out of center stage. The main characters were Charlotte
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Mr. Cunningham actually shuddered. “I can’t imagine. I made a physician ensure my wife was a virgin before we were married.” I was beginning to hate this man—and I hated very few people on this earth.
Sierra Simone (The Seduction of Molly O'Flaherty (The London Lovers, #0.5))
He seemed surprised to hear from me now, his tone holding a note of shock. “Saint, how are you? What can I do for you?” “Kenneth. I just heard about the new volunteer counselor. I was hoping to get a copy of his credentials. As you know, the situation with some of the kids is pretty tenuous and new people scare them,” I said. “Oh! Didn’t you know he was coming? He said he had been approved months ago but he had delayed his start date due to traveling out of state for a family death. His name is Roland Cunningham. He’s been a high school counselor for fifteen years and now he’s semi-retired and wants to give back. He says that he saw so many gay kids who needed an ear.” I rolled my eyes so hard I almost hurt myself and Rio frowned at me questioningly. I shook my head and pulled in one deep breath before I spoke. “No, he hasn’t been approved for months. I’ve never heard of him. I suspect he’s a spy who belongs to Clay Greene.” I could hear Kenneth suck air, then chuckle disbelievingly. “Oh, no, Saint. That’s impossible. He had a copy of a volunteer application that you signed and dated in January. You probably just forgot, I know you’ve had a lot on your mind with your sister and everything.” I heard him click his tongue and had to work to not reach through the phone and wring his neck. “He’s going to make sure the kids have someone else to talk to. Don’t worry about it, I’m taking care of everything.” Rio’s frown had morphed into mild alarm, and I wasn’t sure what my face was doing that was causing it but whatever it was must have been interesting. He edged closer as I took several deep breaths. “Kenneth. Listen to me. You need to be cautious. Have you seen the security reports from Mr. Rao? Did make sure you let him know about this Cunningham? Did you run the background check?” “I glanced through the reports, yes, but no, I didn’t tell him about Roland. Mr. Rao is the night guard and Roland is scheduled for afternoons.” He chuckled lightly. “I didn’t see the overlap.” I did not grind my teeth, but it was a near thing. Rio hovered, not touching me, which I was grateful for. Once I got off this phone I was going to go off. “What about the background check, Ken? You know the background check policy.” “Oh, yes,” Kenneth said. “We did the background check. Completely clean, exemplary record with several awards from his career. Really, you need to calm down. I have it all under control.” “Right,” I said. “Well, I’ll let you get back to it then, Ken. Thank you.” I hung up before Kenneth could reply and Rio looked at me warily. “I am going to have him kicked off the board so fast his fucking head is going to spin. Shouldn’t be too hard, it’s full of ball bearings and broken gravel,” I snarled. “So that didn’t go well,” Rio observed quietly. He was still hovering, clearly unsure of how best to handle me.
Joy Danvers (Saint's Shelter (Alden Security #4))
Sometimes after he’s gone I’ve wondered what it would be like to slip into a different story and actually end up being Mrs Vincent Cunningham. You know, Chapter XXXVIII, ‘Reader, I married him. A quiet wedding we had, he and I, the parson and clerk were alone present.’ (Book 789, Jane Eyre, Penguin Classics, London.) Cunningham is a bad surname, but it’s not dreadful. Not as bad say as Bigg-Wither. Mr Bigg-Wither (not kidding) was Jane Austen’s suitor. He fell in love with the sharp bonnet-pinched look, was very partial to one flattened front hair curl, and tiny black eyes. He pulled in his person and fluffed out his whiskers to propose to her. Now that took courage. You have to grant him that. Proposing to Jane Austen was no walk in the park, was in the same league as Jerry Twomey proposing to Niamh ni Eochadha who had the face and manners of a blackthorn. Still, Bigg-Wither went through with it. He got out his proposal. And Jane Austen accepted. Honestly, she did. She was fiancé-ed. She did her best impression of a Jane Austen smile then retired straight away to bed. Up in the bed she lay in her big nightie and couldn’t sleep, not, surprisingly enough, because of the bonnet, but because of the suffocating way the name Bigg-Wither sat on her. That, and the thought of giving birth to little Bigg-Withers. The following morning when she came down to him negotiating his toast and marmalade in past the whiskers, she said, ‘I cannot be a Bigg-Wither,’ or words to that effect, the engagement was off, and all the world’s Readers sighed with relief. Because a happy Jane Austen would have been useless in the World Literature stakes.
Niall Williams (History of the Rain)
front of the D.A., and returned to the stand. “These are the flares that you took from the defendant that night?” “They
Chet Cunningham (Open Range Justice (Mr. Justice #3))
When Mr.Cunningham ran outside during the battle shouting "Hurrah for Jeff Davis!", a Union shot clipped his ear. Mr.Cunningham ran back inside his house. His cheering was over for the day.
Clint Johnson (Touring Virginia's and West Virginia's Civil War Sites (Touring the Backroads))
excitement. Shelley picked it up, opened it, and glanced at its muddled contents. “Quite right, Mr. Fairhurst,” he admitted. “Well, that clinches the whole affair. Mr. Wallace has Miss Arnell here in Yorkshire. And they can’t be very far away, judging by the heat of the coffee in the pot on the breakfast-table downstairs.” “How are you going to catch them?” asked Henry. “Watch me and see,” answered Shelley. He ran down the stairs, the others following him helter-skelter. Out of the front door Shelley ran; Cunningham, who was a burly man, puffed in his wake, and the others straggled along in the rear. Shelley paused in front of the house, anxiously scanning the gravel, which was loosely thrown on the little private road which led from the main road up to the house itself, and up which they had driven a mere few minutes earlier. “Ah!” he exclaimed at length. “Here we are. See, Cunningham?” Henry Fairhurst peered at the two detectives, as they looked at the ground. “Yes,” said Cunningham. “An old Dunlop with a patch. That should be easy enough to follow.” “Good,” answered Shelley. “In the car, quickly, gentlemen, if you don’t mind. We’re close to them now, and we shall soon have them.” Soon they were in the car, and Shelley gave his instructions to the driver. “Drive down to the main road as fast as you can,” he
John Rowland (Murder in the Museum)
I do not wish to sit for a portrait, Mr. Cunningham," the elder Miss Westcott informed him. "I will do so only to please my grandmother. But I do not want to hear any nonsense about capturing my essence, which is apparently what you did or tried to do with Mrs. Dance. You may paint what you see and be done with it." "Cam," her younger sister said reproachfully. "I am perfectly sure Mr. Cunningham knows what he is doing, Camille," her grandmother said. Miss Westcott looked at him accusingly, as though he were the one arguing with her. He wondered what she had been like as Lady Camille Westcott, when almost everyone would have been inferior and at her beck and call. She must have been a force to be reckoned with.
Mary Balogh (Someone to Hold (Westcott, #2))
I do not expect you to understand, Mr. Cunningham. You do not have the experience to understand what has happened to me, just as I do not have the experience to understand what has happened to you in the course of your life." "That is where human empathy comes in," he said. "If we did not have it and cultivate it, Miss Westcott, we would not understand or sympathize with anyone, for we are all unique in our experience.
Mary Balogh (Someone to Hold (Westcott, #2))
You have a disconcerting way of looking at me so directly that I feel as though you could see right through into my soul, Mr. Cunningham," she said. "I suppose it is the artist in you.
Mary Balogh (Someone to Hold (Westcott, #2))
JUDGE LITTLEFIELD (re: the writ): Cunningham, I do not like it when lawyers go over my head. CUNNINGHAM: You gave me no choice. EL-FAYOUMY: Objection, Your Honor!!! As human beings, we always have choice! Motion to strike! JUDGE LITTLEFIELD: Mr. El-Fajita, you are aware that the trial hasn’t actually begun yet, right?
Stephen Adly Guirgis (The Last Days of Judas Iscariot: A Play)
Oh my GOD. Mr Cunningham had my bra on his head, like he was pretending to be Princess Leia. He yanked it off and threw it across the garden, gagging. He wasn't the only one.
Rachael Eyre (Diary of a Teenage Lesbian)
Still I maintain that in the Scotland of to-day there yet remain some types which differ from the types set forth by Kailyard novelists. Of course I know that virtue which has long left London and the South still lingers about Ecclefechan, I know a Scotsman is a grave sententious man, oppressed with the difficulty of the jargon he is bound to speak, and weighed down by the sense of being a North Briton. I know he prays to Mr. Gladstone and Jehovah, time about, finds his amusement in comparing preachers, can read and write, buys newspapers, tells stories about ministers, and generally deports himself in a manner which would land a weaker man in idiocy within a fortnight.
R.B. Cunninghame Graham (Success)