Mr Conductor Quotes

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Whenever Mr. Snagsby and his conductors are stationary, the crowd flows round, and from its squalid depths obsequious advice heaves up to Mr. Bucket. Whenever they move, and the angry bull's-eyes glare, it fades away and flits about them up the alleys, and in the ruins, and behind the walls, as before.
Charles Dickens (Bleak House)
Mr. Tridden told them how it had been twenty years ago, the band playing on that ornate stand at night, the men pumping air into their brass horns, the plump conductor flinging perspiration from his baton, the children and fireflies running in the deep grass, the ladies with long dresses and high pompadours treading the wooden xylophone walks with men in choking collars. There was the walk now, all softened into a fiber mush by the years. The lake was silent and blue and serene, and fish peacefully threaded the bright reeds, and the motorman murmured on and on, and the children felt it was some other year, with Mr. Tridden looking wonderfully young, his eyes lighted like small bulbs, blue and electric. It was a drifting, easy day, nobody rushing, and the forest all about, the sun held in one position, as Mr. Tridden's voice rose and fell, and a darning needle sewed along the air, stitching, restitching designs both holden and invisible. A bee settled into a flower, humming and humming.
Ray Bradbury (Dandelion Wine)
They sat eating ham sandwiches and fresh strawberries and waxy oranges and Mr. Tridden told them how it had been twenty years ago, the band playing on that ornate stand at night, the men pumping air into their brass horns, the plump conductor flinging perspiration from his baton, the children and fireflies running in the deep grass, the ladies with long dresses and high pompadours treading the wooden xylophone walks with men in choking collars. There was the walk now, all softened into a fiber mush by the years. The lake was silent and blue and serene, and fish peacefully threaded the bright reeds, and the motorman murmured on and on, and the children felt it was some other year, with Mr. Tridden looking wonderfully young, his eyes lighted like small bulbs, blue and electric. It was a drifting, easy day, nobody rushing, and the forest all about, the sun held in one position, as Mr. Tridden's voice rose and fell, and a darning needle sewed along the air, stitching, restitching designs both golden and invisible. A bee settled into a flower, humming and humming. The trolley stood like an enchanted calliope, simmering where the sun fell on it. The trolley was on their hands, a brass smell, as they ate ripe cherries. The bright odor of the trolley blew from their clothes on the summer wind.
Ray Bradbury (Dandelion Wine)
But remember 2003, though, when girls wore those miniskirts that were like six floaty napkins stapled to a scrunchie, with perhaps an Edwardian waistcoat sewn of cobwebs as a top? Where at any moment a baby’s sneeze across campus might expose Kaylee’s entire bunghole and even the slouchy Western belt she wore over her three layers of different-colored camisoles couldn’t save her? In case you’ve repressed the memory, 2003 was the kind of year where Jessica Simpson might wear rubber flip-flops to the Golden Globes, and Nicole Richie was nearly elected president on a platform of “straight blonde hair on top, long curly dark brown extensions underneath, one feather.” The 2003 vibe—culturally, socially, politically, spiritually—was very “energy drink commercial directed by Mark McGrath, and not Mark McGrath in his prime, either.” Millions of Americans were forced to mourn Mr. Rogers while wearing a hot-pink corduroy train conductor’s hat. Never again! Bad Boys II is a 2003 movie.
Lindy West (Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema)
with the KABIRI. And we have shown that the latter were the same as the Manus, the Rishis and our Dhyan Chohans, who incarnated in the Elect of the Third and Fourth Races. Thus, while in Theogony the Kabiri-Titans were seven great gods: cosmically and astronomically the Titans were called Atlantes, because, perhaps, as Faber says, they were connected (a) with At-al-as "the divine Sun," and (b) with tit "the deluge." But this, if true, is only the exoteric version. Esoterically, the meaning of their symbols depends on the appellation, or title, used. The seven mysterious, awe-inspiring great gods—the Dioscuri,[420] the deities surrounded with the darkness of occult nature—become the Idei (or Idaeic finger) with the adept-healer by metals. The true etymology of the name lares (now signifying "ghosts") must be sought in the Etruscan word "lars," "conductor," "leader." Sanchoniathon translates the word Aletae as fire worshippers, and Tabor believes it derived from Al-Orit, "the god of fire." Both are right, as in both cases it is a reference to the Sun (the highest God), toward whom the planetary gods "gravitate" (astronomically and allegorically) and whom they worship. As Lares, they are truly the Solar Deities, though Faber's etymology, who says that "lar" is a contraction of "El-Ar," the solar deity, is not very correct. They are the "lares," the conductors and leaders of men. As Aletae, they were the seven planets -- astronomically; and as Lares, the regents of the same, our protectors and rulers—mystically. For purposes of exoteric or phallic worship, as also cosmically, they were the Kabiri, their attributes being recognised in these two capacities by the name of the temples to which they respectively belonged, and those of their priests. They all belonged, however, to the Septenary creative and informing groups of Dhyan Chohans. The Sabeans, who worshipped the "regents of the Seven planets" as the Hindus do their Rishis, held Seth and his son Hermes (Enoch or Enos) as the highest among the planetary gods. Seth and Enos were borrowed from the Sabeans and then disfigured by the Jews (exoterically); but the truth can still be traced about them even in Genesis.[421] Seth is the "progenitor" of those early men of the Third Race in whom the "Planetary" angels had incarnated—a Dhyan Chohan himself, who belonged to the informing gods; and Enos (Hanoch or Enoch) or Hermes, was said to be his son—because it was a generic name for all the early Seers ("Enoichion"). Thence the worship. The Arabic writer Soyuti says that the earliest records mention Seth, or Set, as the founder of Sabeanism; and therefore that the pyramids which embody the planetary system were regarded as the place of sepulchre of both Seth and Idris (Hermes or Enoch), (See Vyse, "Operations," Vol. II., p. 358); that thither Sabeans proceeded on pilgrimage, and chanted prayers seven times a day, turning to the North (the Mount Meru, Kaph, Olympus, etc., etc.) (See Palgrave, Vol. II., p. 264). Abd Allatif says curious things about the Sabeans and their books. So does Eddin Ahmed Ben Yahya, who wrote 200 years later. While the latter maintains "that each pyramid was consecrated to a star" (a star regent rather), Abd Allatif assures us "that he had read in Sabean books that one pyramid was the tomb of Agathodaemon and the other of Hermes" (Vyse, Vol. II., p. 342). "Agathodaemon was none other than Seth, and, according to some writers, Hermes was his son," adds Mr. Staniland Wake in "The Great Pyramid," p. 57. Thus, while in Samothrace and the oldest
Helena Petrovna Blavatsky (The Secret Doctrine - Volume II, Anthropogenesis)
Mr. Gazowsky and his wife were in a season of fasting and were praying on a beach in California. His wife had apparently walked a little farther down the beach and began praying for a woman they knew who was being tempted into adultery. The moment she spoke the woman’s name out loud, “a swarm of flies ascended from the ocean surface, as if orchestrated by an invisible conductor, and swept like a blanket across the water and onto the beach.”1 He rushed over to see if his wife was OK. When she told him she’d been praying for their friend, the Lord revealed what Gazowsky referred to as a “vulnerability in Satan’s kingdom,” that being the flies.2 When I read that, I immediately thought of Matthew 12:24, “Now when the Pharisees heard it they said, ‘This fellow does not cast out demons except by Beelzebub, the ruler of the demons.’” They were accusing Jesus of operating with the power of Satan, or as they called him, Beelzebub, which means, “lord of the flies.” How interesting that during prayer for someone being tempted by demons, a horde of flies came out of nowhere and descended on this woman. As Gazowsky found, the “weakness” relates to the life span of flies. You can study just about any of the species and you’ll find their reproductive cycles can range from a day to as many as forty days. That is why, in order to exterminate an infestation of flies from a crop, for example, you have to spray pesticides for forty consecutive days in order to utterly destroy them. If you stop short of the full forty days, you will destroy only the existing generation, but the next generation will live on. Just as spraying pesticides for a full forty days wipes out an infestation of flies, when we enter into a season of forty days of fasting and prayer, we can break free of the bondages in our own lives and in the lives of the next generation. As Gazowsky noted, “The devil is a short-term skirmisher.”3
Jentezen Franklin (Fasting: Opening the Door to a Deeper, More Intimate, More Powerful Relationship With God)
Mr. Campbell," a voice called. "Mr. Trevor Campbell." Trevor turned to find a tall, severe looking woman wrapped in a dark coat over her dark dress, all edged in smoky gray fur, approaching in heels that would have been deadly on level dry ground, but even more so on the uneven boards with drifts of snow that made up their portion of the train platform. And yet she seemed not to notice. Though the wind blew a bit where they stood in the open, not one dark hair strayed from her sleek French twist. Dusky skin showed off a polished glow over sharp cheek bones and a thin, straight nose. Her dark eyebrows winged up in haughty arches over her sooty eyes that seemed to burn with a fire that had Trevor feeling slightly mesmerized and uneasy at the same time. "Ahh, I caught you just in time," she said in an oddly accented voice. "And you too, Mr. Jackson Campbell." The boys looked at one another and then back at this strange apparition as she presented them each with her business card. "I represent your grandfather's law firm," she announced before turning to wave over a couple of rough-looking men carrying large boxes. "As you did not make it to your grandfather's will reading, I have been charged with providing you with a copy of the will as it pertains to you and your inheritance." The train blew its whistle to give a five minute warning. Trevor could see the conductor hurrying boys on board as the train's engine began to build up steam for its departure. The woman handed Trevor and Jackson each an envelope which was sealed with their grandfather's crest in wax. "These are your copies of the will and instructions from your grandfather.
Denise Bruchman (The Art of War: A Deadly Inheritance Novel)
Nonstop To Nowhere" I'm on the lame train, I got a first class ticket On the nonstop to nowhere Where it takes me I don't know I guess the tracks you lay are your own It's five o'clock in the morning And I can't fall asleep again Times are changing and moving fast Way too fast for me Seems like only yesterday I was skipping school and stealing gasoline I've been talking, I guess you can call it talking a white lie One minute I'm on the top of the world And the next thing you know Sometimes I just sit and daydream And I just slip away from here If only I had a crystal ball Or could invent a time machine I'd go into the future and take a good look around And what life has in store for me I've been walking, I guess you can call it walking a thin line One minute I'm on the top of the world And the next thing you know I'm on the lame train, I got a first class ticket On the non-stop to nowhere Where it takes me I don't know I guess the tracks you lay are your own It's like a chain gang I know the exit but my problems Seem to follow me wherever I go Nonstop to nowhere I don't believe the preachers They're just sticking out their hands I don't believe the government And who in the hell's this Uncle Sam Mr. conductor will you help me off this train Well I believe I'm on the wrong one And it's taking me down the drain Faster Pussycat, Whipped (1992)
Faster Pussycat
The contents of Mr. Hardman’s two “grips” were soon examined and passed. They contained perhaps an undue proportion of spirituous liquor. Mr. Hardman winked. “It’s not often they search your grips at the frontiers—not if you fix the conductor. I handed out a wad of Turkish notes right away, and there’s been no trouble so far.” “And at Paris?” Mr. Hardman winked again. “By the time I get to Paris,” he said, “what’s left over of this little lot will go into a bottle labelled hairwash.
Agatha Christie (Murder on the Orient Express (Hercule Poirot, #10))
But it was his speaking voice that would be famous, first on The Children’s Hour, later as announcer on the Metropolitan Opera Broadcasts. The show was heavily musical, following Cross’s deep interest in classical music and opera. There might be an opening hymn, sung by Audrey Egan; then a poem; then a song from one of the youngest children. “And who is standing here with her ticket ready to pay for a ride on the White Rabbit Bus?” Cross would ask; and a small voice would chirp, “It’s Jeannie Elkins, Mr. Conductor.” Then came another song, and the members of the Peter Pig Club would clamor for a story, which Cross would narrate and the cast act out. Among the notables to emerge from the show were Metropolitan Opera star Rise Stevens and screen actress Ann Blyth. Vivian Smolen, Jackie Kelk, Walter Tetley, and the Halops had distinguished radio careers as adults.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Oliver W. Addison attended Palmer College and Trident Technical College in Charleston and studied accounting, industrial health and safety, and automobile mechanics. In 2006 he was awarded the Doctor of Humane Letters by the Medical University of South Carolina. He worked for Norfolk Southern Railroad for a total of 28 years, 12 of them as a switchman and conductor and 16 as General Yard Master. He was awarded for having the safest terminal on the railroad in its size category and received accolades for on-time service for the industry. Mr. Addison has been a leader in Union Heights for 38 years and served on the Community Council for over 20 years. He recently received a commendation from the Medical University of South Carolina for his work in bringing a health clinic to the Union Heights community and developing programs for youth. Mr. Addison served on the Charleston County School Board for 8 years and was the board's chair for 1995-1996 and 2001-2002. For his work on the school board, he received a high-profile award from the Post and Courier newspaper.
Cynthia Cupit Swenson (Multisystemic Therapy and Neighborhood Partnerships: Reducing Adolescent Violence and Substance Abuse)