Mr Bentley Quotes

It won't work,' Mr. Bentley continued, sipping his tea. 'No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you're nine, you think you've always been nine years old and will always be. When you're thirty, it seems you've always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You're in the present, you're trapped in a young now or an old now, but there is no other now to be seen.

Behind Nat someone chuckled. Nat turned. Dr. Bentley was looking at him with a twinkle. "Is this a political argument?" Nat shrugged. "No argument at all. Ben's got an article there that talks against the President. I said I didn't want to hear it. I said that sort of thing ought to be stopped." To Nat's amazement, Dr. Bentley shook his head. "No, Nat. We can't have freedom—unless we have freedom." Nat stiffened. "Does that mean right to tell lies?" Dr. Bentley smiled. "It means the right to have our own opinions. Human problems aren't like mathematics, Nat. Every problem doesn't have just one answer; sometimes you get several answers—and you don't know which is the right one.

Away and away the aeroplane shot, till it was nothing but a bright spark; an aspiration; a concentration; a symbol (so it seemed to Mr. Bentley, vigorously rolling his strip of turf at Greenwich) of man's soul; of his determination, thought Mr. Bentley, sweeping round the cedar tree, to get outside his body, beyond his house, by means of thought, Einstein, speculation, mathematics, the Mendelian theory––away the aeroplane shot.

It won’t work,” Mr Bentley continued sipping his tea. “No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotises. When you’re nine, you think you’ve always been nine years old and will always be. When you’re thirty, it seems that you’ve always been balanced there on the right brim of middle life. And then when you turn seventy, you are always and forever seventy. You’re in the present. You’re trapped in the young now or the old now, but there is no other now to be seen.

Mr. Cupples came out of his reverie. "I think," he said, "I will have milk and soda-water." "Speak lower!" urged Trent. "The head-waiter has a weak heart, and he might hear you.

Those children are right," he would have said. "They stole nothing from you, my dear. These things don't belong to you here, you now. They belonged to her, that other you, so long ago." Oh, thought Mrs. Bentley. And then, as though an ancient phonograph record had been set hissing under a steel needle, she remembered a conversation she had once had with Mr. Bentley--Mr. Bentley, so prim, a pink carnation in his whisk-broomed lapel, saying, "My dear, you never will understand time, will you? You've always trying to be the things you were, instead of the person you are tonight. Why do you save those ticket stubs and theater programs? They'll only hurt you later. Throw them away, my dear." But Mrs. Bentley had stubbornly kept them. "It won't work," Mr. Bentley continued, sipping his tea. "No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you're nine, you think you've always been nine years old and will always be. When you're thirty, it seems you've always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You're in the present, you're trapped in a young now or an old now, but there is no other now to be seen." It had been one of the few, but gentle, disputes of their quiet marriage. He had never approved of her bric-a-brackery. "Be what you are, bury what you are not," he had said. "Ticket stubs are trickery. Saving things is a magic trick, with mirrors." If he were alive tonight, what would he say? "You're saving cocoons." That's what he'd say. "Corsets, in a way, you can never fit again. So why save them? You can't really prove you were ever young. Pictures? No, they lie. You're not the picture." "Affidavits?" No, my dear, you are not the dates, or the ink, or the paper. You're not these trunks of junk and dust. You're only you, here, now--the present you." Mrs. Bentley nodded at the memory, breathing easier. "Yes, I see. I see." The gold-feruled cane lay silently on the moonlit rug. "In the morning," she said to it, "I will do something final about this, and settle down to being only me, and nobody else from any other year. Yes, that's what I'll do." She slept . . .

—Mr. Bentley, so prim, a pink carnation in his whisk-broomed lapel, saying, "My dear, you never will understand time, will you? You're always trying to be the things you were, instead of the person you are tonight. Why do you save those ticket stubs and theater programs? They'll only hurt you later. Throw them away, my dear.

CAST OF THE FIRST PRODUCTION AT THE DUKE OF YORK’S THEATRE, FEBRUARY 21, 1910 James How MR. SYDNEY VALENTINE Walter How MR. CHARLES MAUDE Cokeson MR. EDMUND GWENN Falder MR. DENNIS EADIE The Office-boy MR. GEORGE HERSEE The Detective MR. LESLIE CARTER The Cashier MR. C. E. VERNON The Judge MR. DION BOUCICAULT The Old Advocate MR. OSCAR ADYE The Young Advocate MR. CHARLES BRYANT The Prison Governor MR. GRENDON BENTLEY The Prison Chaplain MR. HUBERT HARBEN The Prison Doctor MR. LEWIS CASSON Wooder MR. FREDERICK LLOYD Moaney MR. ROBERT PATEMAN Clipton MR. O. P. HEGGIE O’Cleary MR. WHITFORD KANE Ruth Honeywill Miss EDYTH OLIVE

She wants you back.” Her gaze held his for a half-dozen heartbeats before she broke away, increasing her pace through the lobby and into the warm air of eastern Florida in January. Richard followed her, a dozen denials and rebuttals fighting for position. “She does not.” “Ooh, good retort. Prove it.” “She needs someone to cosign her paperwork, and I’m the only one she could think of to do it. I spend time here. Hence, Palm Beach.” “She needs—” “And,” he cut in, warming to the argument, “and, the Society here is the type she feels comfortable with, anyway. A good dozen of her Patty’s Pack friends have winter homes here. I can’t see her moving to Dirt, Nebraska. Can you?” Samantha dove into the Bentley that waited at the curb and actually hesitated a moment before she unlocked the passenger door for him. “No, but I can see her in Paris or Venice or Milan or New York,” she retorted. “But like you said, you’re here. And hey, Mr. Denial, if she has her Patty’s Pack friends in town, why is it again you’re being recruited to cosign?” Richard barely had time to close his door before she peeled away from the curb. “You’re jealous,” he announced. “You’re an asshole

A hand touched her shoulder. “Miss Erstwhile,” Martin said. Jane spun around, guilty to have just come from a marriage proposal, ecstatic at her refusal, dispirited by another ending, and surprised to discover Martin was the one person in the world she most wanted to see. “Good evening, Theodore,” she said. “I’m Mr. Bentley now, a man of land and status, hence the fancy garb. They’ll allow me to be gentry tonight because they need the extra bodies, but only so long as I don’t talk too much.” His eyes flicked to a point across the room. Jane followed his glance and saw Mrs. Wattlesbrook wrapped in yards of lace and eyeing them suspiciously. “Let’s not talk, then.” Jane pulled him into the next dance. He stood opposite her, tall and handsome and so real there among all the half-people. They didn’t talk as they paraded and turned and touched hands, wove and skipped and do-si-doed, but they smiled enough to feel silly, their eyes full of a secret joke, their hands reluctant to let go. As the dance finished, Jane noticed Mrs. Wattlesbrook making her determined way toward them. “We should probably…” Martin said. Jane grabbed his hand and ran, fleeing to the rhythm of another dance tune, out the ballroom door and into a side corridor. Behind them, hurried boot heels echoed. They ran through the house and out back, crunching gravel under their feet, making for the dark line of trees around the perimeter of the park. Jane hesitated before the damp grass. “My dress,” she said. Martin threw her over his shoulder, her legs hanging down his front. He ran. Jostled on her stomach, Jane gave out laughter that sounded like hiccups. He weaved his way around hedges and monuments, finally stopping on a dry patch of ground hidden by trees. “Here you are, my lady,” he said, placing her back on her feet. Jane wobbled for a moment before gaining her balance. “So, these are your lands, Mr. Bentley.” “Why, yes. I shape the shrubs myself. Gardeners these days aren’t worth a damn.” “I should be engaged to Mr. Nobley tonight. You know you’ve absolutely ruined this entire experience for me.” “I’m sorry, but I warned you, five minutes with me and you’ll never go back.” “You’re right about that. I’d decided to give up on men entirely, but you made that impossible.” “Listen, I’m not trying to start anything serious. I just--” “Don’t worry.” Jane smiled innocently. “Weird intense Jane gone, new relaxed Jane just happy to see you.” “You do seem different.” He touched her arms, pulled her in closer. “I’m happy to see you too, if you’d know. I think I missed you a bit.” “That’s the nicest thing you’ve ever said to me.

June 19: Sunday at 2:30 p.m., Reverend Benjamin Lingenfelder of the Christian Science church marries Norma Jeane and twenty-one-year-old James Dougherty at the home of Mr. and Mrs. Chester Howell. Chester is an attorney and friend of Grace, who chooses the Howell home at 432 South Bentley Avenue in West Los Angeles because it has a spiral staircase that Norma Jeane uses to make a dramatic entrance. Ana Lower makes Norma Jeane’s wedding gown and accompanies her to the altar. Norma Jeane has one bridesmaid, Lorraine Allen, a friend from University High School. No member of Norma Jeane’s family is present, but the Bolenders make an appearance. It is the last time they will see her. After a modest reception at the Florentine Gardens in Hollywood, Norma Jeane and Jim go to their home in Sherman Oaks. Jim Dougherty later recalled that his wife held on to him the entire afternoon. The young couple does not honeymoon but goes for a fishing weekend on Sherwood Lake. On Sundays they attend the Sherman Oaks Christian Science church.

Is that good or bad, Mr. Bentley?” “Yes, sar. It is.

Mr. Tso was benevolent and terrifying in that rich uncle mixture of awe, respect, and hope that one might inherit his collection of Bentleys.

It’s only Mr. Bentley if I were inside you, Ariana,” he breathes against my ear. “But trust me when I say, you’re not ready for that. You’ll never be ready for that.

Good girl. Suck it, baby. Take it all, because I can hardly wait to be inside you and fuck you all night long.

Don’t worry, Ariana,” I whisper. “Plenty of time to eat your pussy, baby. I’m gonna make you come so fucking hard. I tried to warn you, but you didn’t listen.

Any man blessed in your company should be treating you like a queen. You shouldn’t take less than you deserve, remember that always.

Things are so much better when there’s a dirty talking, tattooed, silver fox…. Don’t you think?

And to the men that have come and gone in our lives. I raise a middle finger to the losers who lost us, kudos to the ones that get to know us, and blowjobs to the lucky bastards that get to keep us.

You like what I do to you, don’t you, baby girl? You like being my dirty little girl. You can’t get enough of my cock.

I’m hard to handle, but once you have me, you have all of me. My heart. My soul. My body. My loyalty.

Never let anyone douse that fire inside you, Ariana. There’s nothing more tragic than a woman who has a fire inside her that is kept contained.

guess I have self-doubt. Procrastinating is a wonderfully horrible thing. It gives you hope that there’s a dream there, but it’s just out of reach enough for you to say that you’ll see tomorrow, or the next day. It’s a vicious cycle, at least for me.