Mox Quotes

We've searched our database for all the quotes and captions related to Mox. Here they are! All 65 of them:

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Commala-come-come Thereโ€™s a young man with a gun. Young man lost his honey When she took it on the run. Commala-come-one! She took it on the run! Left her baby lonely But he baby ainโ€™t done. Commala-come-coo The windโ€™ll blow ya through. Ya gotta go where kaโ€™s wind blows ya Cause thereโ€™s nothin else to do. Commala-come-two! Nothin else to do! Gotta go where kaโ€™s wind blows ya Cause thereโ€™s nothin else to do. Commala-come-key Can you tell me what ya see? Is it ghosts or just the mirror That makes ya wanna flee? Commala-come-three! I beg ya, tell me! Is it ghosts or just your darker self That makes ya wanna flee? Commala-come-ko Whatcha doin at my doโ€™? If ya doan tell me now, my friend Iโ€™ll lay ya on de floโ€™. Commala-come-foโ€™! I can lay ya low! The things Iโ€™ve do to such as you You never wanna know. Commala-gin-jive Ainโ€™t it grand to be alive? To look out on Discordia When the Demon Moon arrives. Commala-come-five! Even when the shadows rise! To see the world and walk the world Makes ya glad to be alive. Commala-mox-nix! Youโ€™re in a nasty fix! To take a hand in traitorโ€™s glove Is to grasp a sheaf of sticks! Commala-come-six! Nothing there but thorns and sticks! When your find your hand in traitorโ€™s glove Youโ€™re in a nasty fix. Commala-loaf-leaven! They go to hell or up to heaven! The the guns are shot and the fires hot, You got to poke em in the oven. Commala-come-seven! Salt and yowโ€™ for leaven! Heat em up and knock em down And poke em in the oven. Commala-ka-kate Youโ€™re in the hands of fate. No matter if itโ€™s real or not, The hour groweth late. Commala-come-eight! The hour groweth late! No matter what shade ya cast Youโ€™re in the hands of fate. Commala-me-mine You have to walk the line. When you finally get the thing you need It makes you feel so fine. Commala-come-nine! It makes ya feel fine! But if youโ€™d have the thing you need You have to walk the line. Commala-come-ken Itโ€™s the other one again. You may know her name and face But that donโ€™t make her your friend. Commala-come-ten! She is not your friend! If you let her get too close Sheโ€™ll cut you up again! Commala-come-call We hail the one who made us all, Who made the men and made the maids, Who made the great and small. Commala-come-call! He made us great and small! And yet how great the hand of fate That rules us one and all. Commala-come-ki, Thereโ€™s a time to live and one to die. With your back against the final wall Ya gotta let the bullets fly. Commala-come-ki! Let the bullets fly! Donโ€™t โ€˜ee mourn for me, my lads When it comes my day to die. Commala-come-kass! The child has come at last! Sing your song, O sing it well, The child has come to pass. Commala-come-kass, The worst has come to pass. The Tower trembles on its ground; The child has come at last. Commala-come-come, The battleโ€™s now begun! And all the foes of men and rose Rise with the setting sun.
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Stephen King (Song of Susannah (The Dark Tower, #6))
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...no longer needs us."... "I'll always need you," Mox said fiercely.... "You'll miss us," Ziva said. "Want us. But that's something else entirely.
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Veronica Roth (Chosen Ones)
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Deliciam meam amo. Lude cum matre tua. Mox domi ero. Pater tuus.
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Stephen King (Holly (Holly Gibney #3))
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แƒ แƒแƒช แƒแƒ“แƒ”แƒกแƒฆแƒแƒช แƒ‘แƒฃแƒœแƒ”แƒ‘แƒ แƒ˜แƒ•แƒ˜ แƒ˜แƒงแƒ แƒชแƒแƒชแƒฎแƒแƒšแƒ˜ แƒแƒ แƒ’แƒแƒœแƒ˜แƒ–แƒ›แƒ˜แƒกแƒ—แƒ•แƒ˜แƒก, แƒ›แƒแƒ›แƒแƒ•แƒแƒšแƒจแƒ˜ แƒกแƒแƒญแƒ˜แƒ แƒ แƒแƒฆแƒแƒ  แƒ˜แƒฅแƒœแƒ”แƒ‘แƒ - แƒกแƒฌแƒแƒ แƒ”แƒ“ แƒ”แƒก แƒแƒ แƒ˜แƒก แƒคแƒฃแƒœแƒ“แƒแƒ›แƒ”แƒœแƒขแƒ˜, แƒคแƒแƒ แƒ›แƒฃแƒšแƒ, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช แƒกแƒ˜แƒชแƒแƒชแƒฎแƒšแƒ”แƒก แƒแƒฎแƒแƒกแƒ˜แƒแƒ—แƒ”แƒ‘แƒก - แƒฉแƒ•แƒ”แƒœ แƒแƒ แƒ แƒ›แƒฎแƒแƒšแƒแƒ“ แƒจแƒ”แƒ•แƒซแƒšแƒ”แƒ‘แƒ— แƒ‘แƒฃแƒœแƒ”แƒ‘แƒ˜แƒก แƒจแƒ”แƒ›แƒแƒฅแƒ›แƒ”แƒ“แƒ”แƒ‘แƒ˜แƒก แƒ’แƒแƒงแƒแƒšแƒ‘แƒ”แƒ‘แƒแƒก, แƒแƒ แƒแƒ›แƒ”แƒ“ แƒ“แƒแƒ แƒฌแƒ›แƒฃแƒœแƒ”แƒ‘แƒฃแƒšแƒ˜ แƒ•แƒแƒ , แƒ”แƒก แƒฃแƒ™แƒแƒœแƒแƒกแƒ™แƒœแƒ”แƒšแƒ˜ แƒฉแƒ•แƒ”แƒœแƒ’แƒแƒœ แƒกแƒฌแƒแƒ แƒ”แƒ“ แƒแƒ›แƒแƒก แƒ›แƒแƒ”แƒšแƒ˜แƒก" - M13
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Dato Samniashvili (MOX)
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Donโ€™t pace yourself. Just go until you fall over. Weโ€™ll pick you up.
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Jon Moxley (MOX)
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When youโ€™re at the touchscreen ordering a custom sandwich at Wawa and they ask you all those questions, take them seriously.
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Jon Moxley (MOX)
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Also, Terry Funk rules, bitch.
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Jon Moxley (MOX)
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I donโ€™t believe in backup plans. I call them โ€œ10th-hour plans.โ€ You canโ€™t win in the 11th hour if you quit in the 10th hour.
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Jon Moxley (MOX)
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Great things arenโ€™t achieved with a safety net in place. Safety nets, backup plans โ€” these are distractions, excuses to give up early.
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Jon Moxley (MOX)
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They made a bunch of stupid toys. I remember seeing some at the store where Donatello was a basketball player. โ€ฆ Heโ€™s like five feet tall. I guess he could have been a John Stockton type, but the pick-and-roll wouldnโ€™t have worked cuz none of the other turtles were tall either; they would have needed that giant robot body with Krang in his stomach to play power forward, and by that point I think there would have been just too much animosity for them to gel as a team. This book sucks.
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Jon Moxley (MOX)
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Maybe this book just serves as a guide to what not to do. For instance: Donโ€™t smoke crack. Iโ€™ll describe it for you now just so curiosity doesnโ€™t get the better of you: Itโ€™s like doing a whip-it and eating wasabi at the same time. Still, if you really just love smoking crack and thatโ€™s your thing, I wonโ€™t stop you.
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Jon Moxley (MOX)
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แƒ›แƒ˜แƒฃแƒฎแƒ”แƒ“แƒแƒ•แƒแƒ“ แƒ˜แƒ›แƒ˜แƒกแƒ, แƒ แƒแƒ› แƒกแƒแƒ›แƒงแƒแƒ แƒแƒก แƒ™แƒแƒœแƒแƒœแƒ”แƒ‘แƒ›แƒ แƒ“แƒแƒฃแƒจแƒ•แƒ แƒกแƒ˜แƒชแƒแƒชแƒฎแƒšแƒ” แƒ“แƒ แƒจแƒ”แƒ›แƒ“แƒ”แƒ’ แƒ›แƒ˜แƒกแƒ˜ แƒ”แƒ•แƒแƒšแƒฃแƒชแƒ˜แƒ˜แƒ— แƒ’แƒแƒœแƒ•แƒ˜แƒ—แƒแƒ แƒ”แƒ‘แƒ, แƒกแƒแƒ›แƒงแƒแƒ แƒ แƒงแƒแƒ•แƒ”แƒšแƒ—แƒ•แƒ˜แƒก แƒ’แƒฃแƒšแƒ’แƒ แƒ˜แƒšแƒ˜ แƒ˜แƒงแƒ แƒชแƒœแƒแƒ‘แƒ˜แƒ”แƒ แƒ”แƒ‘แƒ˜แƒก แƒ›แƒฅแƒแƒœแƒ” แƒแƒ แƒกแƒ”แƒ‘แƒ˜แƒก แƒ›แƒ˜แƒ›แƒแƒ แƒ—. แƒกแƒแƒ›แƒงแƒแƒ แƒแƒกแƒ—แƒ•แƒ˜แƒก แƒแƒ แƒช แƒฆแƒ›แƒ”แƒ แƒ—แƒ”แƒ‘แƒ˜ แƒแƒ แƒกแƒ”แƒ‘แƒแƒ‘แƒ“แƒœแƒ”แƒœ. แƒ›แƒ˜แƒกแƒ—แƒ•แƒ˜แƒก แƒแƒ แƒกแƒ”แƒ‘แƒแƒ‘แƒ“แƒ แƒ›แƒฎแƒแƒšแƒแƒ“ แƒ™แƒแƒœแƒแƒœแƒ”แƒ‘แƒ˜, แƒ แƒแƒ›แƒ”แƒšแƒกแƒแƒช แƒฅแƒแƒแƒกแƒฃแƒ  แƒžแƒ แƒแƒชแƒ”แƒกแƒจแƒ˜ แƒ—แƒแƒ•แƒแƒ“แƒ•แƒ” แƒฌแƒ”แƒ แƒ“แƒ. แƒแƒ›แƒ˜แƒขแƒแƒ›, แƒกแƒแƒ›แƒงแƒแƒ แƒแƒ› แƒจแƒ”แƒ›แƒ”แƒชแƒœแƒ”แƒ‘แƒแƒ“ แƒแƒ แƒกแƒ”แƒ‘แƒ”แƒ‘แƒก แƒกแƒ˜แƒ™แƒ•แƒ“แƒ˜แƒšแƒ˜ แƒ›แƒ˜แƒฃแƒกแƒแƒฏแƒ. แƒฃแƒกแƒแƒกแƒ แƒฃแƒšแƒ แƒ“แƒ แƒ’แƒแƒ แƒ“แƒแƒฃแƒ•แƒแƒšแƒ˜. แƒ›แƒ—แƒ”แƒšแƒ˜ แƒ™แƒแƒชแƒแƒ‘แƒ แƒ˜แƒแƒ‘แƒ˜แƒก แƒ˜แƒกแƒขแƒแƒ แƒ˜แƒ, แƒ”แƒก แƒ˜แƒงแƒ แƒœแƒแƒฏแƒฆแƒแƒ‘แƒœแƒ˜, แƒ›แƒชแƒ“แƒ”แƒšแƒแƒ‘แƒ แƒ›แƒกแƒแƒฏแƒฃแƒšแƒ˜แƒก แƒ’แƒแƒ›แƒแƒœแƒแƒฎแƒ•แƒ˜แƒก, แƒแƒ  แƒแƒ แƒกแƒ”แƒ‘แƒฃแƒšแƒ˜ แƒ›แƒ™แƒ˜แƒ—แƒฎแƒ•แƒ”แƒšแƒ˜ แƒ“แƒ แƒขแƒ”แƒฅแƒกแƒขแƒ˜.
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Dato Samniashvili (MOX)
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Ode 4.7 Diffugere niues, redeunt iam gramina campis arboribus comae; mutat terra uices et decrescentia ripas flumina praetereunt; Gratia cum Nymphis geminisque sororibus audet ducere nuda chorus. Inmortalia ne speres, monet annus et almum quae rapit hora diem. Frigora mitescunt Zephyris, uer proterit aestas, interitura simul pomifer autumnus fruges effuderit, et mox bruma recurrit iners. Damna tamen celeres reparant caelestia lunae: non ubi decidimus quo pater Aeneas, quo diues Tullus et Ancus, puluis et umbra sumus. Quis scit an adiciant hodiernae crastina summae tempora di superi? Cuncta manus auidas fugient heredis, amico quae dederis animo. Cum semel occideris et de te splendida Minos fecerit arbitria, non, Torquate, genus, non te facundia, non te restituet pietas; infernis neque enim tenebris Diana pudicum liberat Hippolytum, nec Lethaea ualet Theseus abrumpere caro uincula Pirithoo.
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Horatius
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แƒ—แƒฃ แƒ›แƒแƒฎแƒ›แƒแƒ แƒ”แƒ‘แƒ แƒ‘แƒฃแƒœแƒ”แƒ‘แƒ แƒ˜แƒ•แƒ˜แƒ, แƒ›แƒแƒจแƒ˜แƒœ แƒฌแƒแƒ แƒ›แƒแƒ”แƒ‘แƒแƒ›แƒ“แƒ” แƒ›แƒแƒฎแƒ›แƒแƒ แƒ”แƒ‘แƒ แƒฃแƒœแƒ“แƒ แƒงแƒแƒคแƒ˜แƒšแƒ˜แƒงแƒ. แƒฉแƒ•แƒ”แƒœ แƒ™แƒ˜ แƒ•แƒ˜แƒชแƒ˜แƒ—, แƒ แƒแƒ› แƒกแƒ˜แƒชแƒแƒชแƒฎแƒšแƒ” แƒกแƒแƒ›แƒงแƒแƒ แƒแƒจแƒ˜ แƒฌแƒแƒ แƒ›แƒแƒ”แƒ‘แƒฃแƒšแƒ˜ แƒกแƒฎแƒ•แƒแƒ“แƒแƒกแƒฎแƒ•แƒ แƒคแƒ˜แƒ–แƒ˜แƒ™แƒฃแƒ แƒ˜ แƒ—แƒฃ แƒฅแƒ˜แƒ›แƒ˜แƒฃแƒ แƒ˜ แƒ›แƒแƒ•แƒšแƒ”แƒœแƒ”แƒ‘แƒ˜แƒก แƒจแƒ”แƒ“แƒ”แƒ’แƒแƒ“ แƒ’แƒแƒฉแƒœแƒ“แƒ.
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Dato Samniashvili (MOX)
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แƒ”แƒœแƒ˜แƒก แƒ’แƒแƒฉแƒ”แƒœแƒ˜แƒก แƒจแƒ”แƒ›แƒ“แƒ”แƒ’ แƒกแƒ˜แƒชแƒแƒชแƒฎแƒšแƒ”, แƒ˜แƒ’แƒ˜แƒ•แƒ” แƒ•แƒ˜แƒ แƒฃแƒกแƒ˜ แƒ’แƒแƒ“แƒแƒ“แƒ˜แƒก แƒแƒฎแƒแƒš แƒ”แƒขแƒแƒžแƒ–แƒ”. แƒ”แƒœแƒ˜แƒก แƒ’แƒแƒฉแƒ”แƒœแƒแƒ›แƒ“แƒ” แƒ—แƒฃ แƒ•แƒ˜แƒ แƒฃแƒกแƒ˜แƒก แƒ’แƒแƒ•แƒ แƒชแƒ”แƒšแƒ”แƒ‘แƒ˜แƒก แƒ”แƒ แƒ—แƒแƒ“แƒ”แƒ แƒ—แƒ˜ แƒกแƒแƒจแƒฃแƒแƒšแƒ”แƒ‘แƒ แƒ”แƒ•แƒแƒšแƒฃแƒชแƒ˜แƒ˜แƒก แƒ›แƒ˜แƒ”แƒ  แƒ‘แƒฃแƒœแƒ”แƒ‘แƒ แƒ˜แƒ•แƒ˜ แƒ’แƒแƒ“แƒแƒ แƒฉแƒ”แƒ•แƒ แƒ’แƒ”แƒœแƒแƒคแƒแƒœแƒ“แƒ˜แƒก แƒ›แƒฃแƒขแƒแƒชแƒ˜แƒ˜แƒก แƒฎแƒแƒ แƒฏแƒ–แƒ” แƒ˜แƒงแƒ, แƒแƒ›แƒฏแƒ”แƒ แƒแƒ“ แƒฉแƒœแƒ“แƒ”แƒ‘แƒ แƒ—แƒ•แƒ˜แƒ—แƒจแƒ”แƒ›แƒ”แƒชแƒœแƒ”แƒ‘แƒแƒ“แƒ˜ แƒ’แƒแƒœแƒ˜. แƒจแƒ”แƒ“แƒ”แƒ’แƒแƒ“ แƒ˜แƒฌแƒงแƒ”แƒ‘แƒ แƒ’แƒแƒœแƒ˜แƒก แƒ›แƒ˜แƒ”แƒ  แƒ™แƒฃแƒšแƒขแƒฃแƒ แƒ˜แƒก แƒ”แƒ•แƒแƒšแƒฃแƒชแƒ˜แƒ, แƒ˜แƒ’แƒ˜แƒ•แƒ” แƒ›แƒ”แƒชแƒœแƒ˜แƒ”แƒ แƒ”แƒ‘แƒ˜แƒก แƒ“แƒ แƒขแƒ”แƒฅแƒœแƒแƒšแƒแƒ’แƒ˜แƒ”แƒ‘แƒ˜แƒก แƒžแƒ แƒแƒ’แƒ แƒ”แƒกแƒ˜, แƒ˜แƒœแƒ˜แƒชแƒ˜แƒแƒขแƒ˜แƒ•แƒแƒก แƒแƒ แƒ—แƒ›แƒ”แƒ•แƒก แƒ‘แƒ˜แƒแƒšแƒแƒ’แƒ˜แƒฃแƒ  แƒ”แƒ•แƒแƒšแƒฃแƒชแƒ˜แƒแƒก. แƒ›แƒกแƒ’แƒแƒ•แƒกแƒ˜ แƒคแƒแƒ แƒ›แƒ˜แƒ— แƒ˜แƒ–แƒ แƒ“แƒ”แƒ‘แƒ แƒ•แƒแƒ แƒ˜แƒแƒชแƒ˜แƒ”แƒ‘แƒ˜แƒก แƒ’แƒแƒ›แƒแƒ แƒแƒ•แƒแƒšแƒคแƒ”แƒ แƒแƒ•แƒœแƒ”แƒ‘แƒ, แƒแƒœแƒฃ แƒ•แƒ˜แƒ แƒฃแƒกแƒ˜ แƒฃแƒคแƒ แƒ แƒกแƒฌแƒ แƒแƒคแƒแƒ“ แƒซแƒšแƒ˜แƒ”แƒ แƒ“แƒ”แƒ‘แƒ. แƒ‘แƒ˜แƒแƒšแƒแƒ’แƒ˜แƒฃแƒ  แƒ”แƒ•แƒแƒšแƒฃแƒชแƒ˜แƒแƒจแƒ˜ แƒ•แƒแƒ แƒ˜แƒแƒชแƒ˜แƒ”แƒ‘แƒ˜แƒกแƒ—แƒ•แƒ˜แƒก แƒ’แƒแƒœแƒ”แƒ‘แƒ˜แƒก แƒ›แƒฃแƒขแƒแƒชแƒ˜แƒ แƒฎแƒ“แƒ”แƒ‘แƒ. แƒแƒ›แƒ˜แƒขแƒแƒ› แƒ˜แƒก แƒแƒœแƒแƒ“แƒ’แƒฃแƒ แƒ”แƒ‘แƒก, แƒ™แƒšแƒแƒ•แƒก แƒ‘แƒ˜แƒแƒšแƒแƒ’แƒ˜แƒฃแƒ  แƒกแƒฎแƒ”แƒฃแƒšแƒ”แƒ‘แƒก, แƒ แƒแƒ—แƒ แƒ’แƒแƒแƒ’แƒ แƒซแƒ”แƒšแƒแƒก แƒ”แƒฅแƒกแƒžแƒ”แƒ แƒ˜แƒ›แƒ”แƒœแƒขแƒ˜, แƒแƒœแƒฃ แƒžแƒ แƒแƒ’แƒ แƒ”แƒกแƒ˜. แƒ แƒแƒช แƒจแƒ”แƒ”แƒฎแƒ”แƒ‘แƒ แƒ”แƒœแƒ˜แƒก, แƒแƒœแƒฃ แƒ’แƒแƒœแƒ˜แƒก แƒ”แƒžแƒแƒฅแƒแƒจแƒ˜, แƒ แƒแƒ“แƒ”แƒกแƒแƒช แƒฎแƒ”แƒšแƒ— แƒกแƒแƒ“แƒแƒ•แƒ”แƒ”แƒ‘แƒก แƒ™แƒฃแƒšแƒขแƒฃแƒ แƒ”แƒ‘แƒ˜ แƒ“แƒ แƒขแƒ”แƒฅแƒœแƒแƒšแƒแƒ’แƒ˜แƒ”แƒ‘แƒ˜ แƒ˜แƒ’แƒ“แƒ”แƒ‘แƒ”แƒœ, แƒชแƒแƒชแƒฎแƒแƒšแƒ˜ แƒแƒ แƒ’แƒแƒœแƒ˜แƒ–แƒ›แƒ˜ แƒ—แƒแƒ•แƒแƒ“ แƒ˜แƒชแƒ•แƒšแƒ”แƒ‘แƒ, แƒ˜แƒก แƒ˜แƒœแƒ“แƒ˜แƒ•แƒ˜แƒ“แƒฃแƒแƒšแƒฃแƒ แƒ˜ แƒแƒ แƒกแƒ”แƒ‘แƒแƒ‘แƒ˜แƒก แƒžแƒ แƒแƒชแƒ”แƒกแƒจแƒ˜แƒ•แƒ” แƒžแƒ แƒแƒ’แƒ แƒ”แƒกแƒ˜แƒ แƒ”แƒ‘แƒก, แƒแƒ›แƒ˜แƒขแƒแƒ› แƒ›แƒ˜แƒกแƒ˜ แƒ›แƒแƒ™แƒ•แƒ“แƒ˜แƒœแƒ”แƒ‘แƒ แƒแƒฆแƒแƒ แƒแƒ แƒกแƒแƒญแƒ˜แƒ แƒ. แƒชแƒแƒชแƒฎแƒแƒšแƒ˜ แƒแƒ แƒ’แƒแƒœแƒ˜แƒ–แƒ›แƒ˜ แƒ˜แƒฌแƒงแƒ”แƒ‘แƒก แƒฃแƒ™แƒ•แƒ“แƒแƒ•แƒ”แƒ‘แƒแƒ–แƒ”, แƒจแƒ”แƒกแƒแƒ‘แƒแƒ›แƒ˜แƒกแƒแƒ“, แƒ’แƒแƒœแƒ•แƒ˜แƒ—แƒแƒ แƒ”แƒ‘แƒแƒ–แƒ”, แƒกแƒแƒ›แƒงแƒแƒ แƒก แƒ›แƒแƒ“แƒ”แƒ‘แƒแƒ–แƒ” แƒคแƒ˜แƒฅแƒ แƒก. แƒžแƒ แƒแƒ’แƒ แƒ”แƒกแƒ˜, แƒ˜แƒ’แƒ˜แƒ•แƒ” แƒ•แƒ˜แƒ แƒฃแƒกแƒ˜ แƒแƒฅ แƒฃแƒ™แƒ•แƒ” แƒจแƒ”แƒฃแƒฉแƒ”แƒ แƒ”แƒ‘แƒ”แƒšแƒ˜แƒ - แƒกแƒฃแƒžแƒ”แƒ แƒ™แƒแƒ›แƒžแƒ˜แƒฃแƒขแƒ”แƒ แƒ˜
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Mox (Internet segรบn Mox)
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แƒ”แƒก แƒแƒ›แƒ˜แƒ, แƒ”แƒ แƒ— แƒ›แƒฎแƒแƒ แƒ”แƒก แƒจแƒ”แƒ™แƒ˜แƒ—แƒฎแƒ•แƒ”แƒ‘แƒ˜แƒ, แƒ›แƒ”แƒแƒ แƒ” แƒ›แƒฎแƒแƒ แƒ”แƒก แƒ™แƒ˜ แƒแƒ แƒแƒคแƒ”แƒ แƒ˜
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Mox (Internet segรบn Mox)
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The last couple months since Iโ€™d turned heel โ€ฆ a change I once hoped would be my salvation โ€ฆ had been the lowest, most disappointing, infuriating, frustrating, agonizing period of my career. Vince was very hands-on with my new heel persona, whatever the fuck that was supposed to be, writing scripts I was to follow verbatim. They all sucked. He even went so far as to script my matches. They all sucked. He had begun to infiltrate the house shows now too, sending detailed formats to the stressed-out producers 30 minutes before bell time, and demanding I cut cheesy heel promos to the audience as I walked to the ring.
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Jon Moxley (MOX)
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Work left, turn rightโ€ was painted on the wall, and it meant, as I discovered, that we always work the left arm or leg of opponents, Irish whips are always left wrist to left wrist, and for positioning purposes, like a dance, we always turn to our right. I had never picked up on this detail in all my years watching.
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Jon Moxley (MOX)
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In research for this piece, I went to Wikipedia and learned this album incorporates elements of new wave and something called shoegaze. โ€ฆ Cool โ€ฆ I also learned that upon its release some music critic named Robert Christgau dismissed this classic as a โ€œdud.โ€ โ€ฆ Listen here, Rob, you can go fornicate yourself on an iron stick!
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Jon Moxley (MOX)
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My favorite wrestling coach when I was a kid once told me: โ€œDonโ€™t pace yourself. Just go until you fall over. Weโ€™ll pick you up.โ€ That stuck with me, maybe too much.
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Jon Moxley (MOX)
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Iโ€™ve come to find as I go back and think about how I got here, about to have a little girl (who weโ€™re calling Nora, and who Iโ€™m gonna teach to be choking MFers out from an early age), that Iโ€™m a bunch of other things too: athlete, entertainer, storyteller, yes, but also โ€ฆ socially challenged, borderline alcoholic, mildly sadomasochistic, headcase, poor kid, juvenile delinquent, brother, son, friend. Iโ€™m also a pretty damn good husband and a supernaturally potent sexual creature.
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Jon Moxley (MOX)
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If you thought you were confused, imagine what it was like being me? Shit, at least you had a remote control. I couldnโ€™t just turn the channel on my own life.
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Jon Moxley (MOX)
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The standout here is the classic track โ€œBrain Stew,โ€ which I appreciated on another level in later years. Any former (or current, I guess) methamphetamine user will appreciate how this song so eloquently and accurately depicts what itโ€™s like to have insomnia and be โ€œfucked up and spun outโ€ in oneโ€™s room.
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Jon Moxley (MOX)
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You got a name?โ€ the ring announcer asked me. Iโ€™m sure I had thought of a million ideas, but I was drawing a blank. This was all happening fast, and I had nothing. I totally froze. A wrestler who went by the name Tack turned to Cody, โ€œHeโ€™s like the Fโ€™n guy from the movie, Varsity Blues, Jonathan Moxley!โ€ In the movie the guyโ€™s name is Jonathan Moxon. So thankfully, he had actually messed it up. Cody gave the OK sign to the ring announcer. I was busy pissing my pants, so I didnโ€™t offer anything. Just like that, I had a name, a name I like to think Iโ€™ve defined as my own. The fact that women wearing whipped-cream bikinis are often lurking around every corner ready to accost me is purely a coincidence.
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Jon Moxley (MOX)
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Headup,โ€ a collaboration with Max Cavalera of Soulfly/Sepultura is โ€ฆ Just. The. Shit. Heavy. Fโ€™n. Metal. Fโ€™n Chino vocals mixed with classic Max vocals โ€ฆ so unique. Put that shit on and get on a bench press โ€ฆ guaranteed new PR.
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Jon Moxley (MOX)
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Douglas Mox, known as Doug Mox to his clients, excels as a real estate agent with a deep understanding of the housing market and property trends. His professional guidance covers everything from finding the right property to closing the deal, ensuring a smooth and successful transaction. Doug Moxโ€™s proactive approach and attention to detail make him a trusted advisor for all your real estate needs.
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Douglas M. Mox
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Wrestling can be ANYTHING. Itโ€™s everything. Itโ€™s world-class athletes. Itโ€™s Broadway, Shakespeare, summer blockbusters, best-selling novels, soap operas, high art. Itโ€™s nobodies from nowhere finding a way to say to the world: โ€œFuck you!โ€ Itโ€™s entertainment, itโ€™s movies, itโ€™s music. โ€ฆ Itโ€™s EVERYTHING.
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Jon Moxley (MOX)
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Maybe this book just serves as a guide to what not to do. For instance: Donโ€™t smoke crack. Iโ€™ll describe it for you now just so curiosity doesnโ€™t get the better of you: Itโ€™s like doing a whip-it and eating wasabi at the same time.
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Jon Moxley (MOX)
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I had some good size and was still growing. Iโ€™d been amateur wrestling for years, I even got trophies and shit. I play football. โ€ฆ They love that, right?
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Jon Moxley (MOX)
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There was a mean little fucker named Jamie Noble,
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Jon Moxley (MOX)
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Dustin Rhodes, at 52, is still the fastest man in wrestling. When he hits the ropes with that velocity, leapfrogging, running, ducking and stopping on a dime, dropping to his knees to deliver his trademark Goldust punch, Iโ€™d be willing to bet heโ€™s at a resting heart rate. Itโ€™s his footwork and timing, honed to perfection from decades of repetition, that make it look so smooth and so fast.
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Jon Moxley (MOX)
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wrestled Cena and A. J. Styles in front of a hot, standing-room-only Palm Springs crowd in some kind of carpeted event room where I swear to God there was a bar mitzvah going on next door.
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Jon Moxley (MOX)
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There is a weird, old-school ego thing that goes on betweenย โ€œcall it in the ringโ€-minded guys, and itโ€™s admittedly stupid. Neither guy is gonna want to be the first to get too excited or have an idea. Both will just be like, Sure, whatever, weโ€™ll figure it out. Even though you are working together, there is still some kind of weird chess-game battle going on. Nobody wants to make the first move. This is what was happening tonight. Thatโ€™s the way I wanted it.
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Jon Moxley (MOX)
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Then itโ€™s a drive to Pittsburgh for TV where I see Hunter. Heโ€™s real beat up, but the pride is evident in his face. That twinkle in his eye you never get to see, almost like he had reconnected with a little part of himself, that part of him that just wanted to be aย โ€œrassler.โ€ Vince loved it. Steph was really stoked about it too. Patย canโ€™t stop talking about it. Heโ€™s asking people in catering:ย โ€œOh! My god! Did you see that match?!โ€ย This all makes me feel good. Iโ€™m proud every time somebody comes up to tell me how much they enjoyed watching it, that it felt really unique. That match doesnโ€™t have any historicalย significance and will probably just be another one lost in the annals of time. I doubt youโ€™ll find that shit on Peacock or whatever, but I hope the people that were there have fond memories of it. Maybe it was the first show they brought their kids to, or it was just a fun night out with the gang drinking giant cans of Molson Canadian and watching some wrestling. A night at the matches. Maybeย some kid got a blow job in the parking lot. Iโ€™d like to think so. Iโ€™d go on to wrestle Hunter a few more times, in places like Belgium and the UK. We always had dope matches. Turns out that HHH kid can work. Heโ€™s just gotta do something about those skinny calves.
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Jon Moxley (MOX)
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The Gunslingerโ€ was one of our favorites, listening to it we created a secret handshake that was something of a mixture of a cheers, a hang ten and throwing back a shot. When I did Make-A-Wish visits, I would often show the secret handshake to the kid. I would tell them to watch out for the signal after Roman and I defeated the bad guys that night. The memories of looking out into the front row as the Make-A-Wish kids proudly displayed the weird hang ten/problem drinker signal we created, smiles on their faces, are some of my favorite memories. They were on the team. This is why we do this.
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Jon Moxley (MOX)
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Sami had a brilliant idea for the finish in which, at the apex of the action, Sami and the new recruit to our little group, a student named Joe Gacy who Sami had taken under his wing, would run interference.
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Jon Moxley (MOX)
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One time I was so frustrated with these boxes in my garage I took them up the street and threw them in the dumpster. My mother, my biggest fan, reacted as if Iโ€™d drowned a litter of baby kittens.
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Jon Moxley (MOX)
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Weโ€™ve done karaoke in Tokyo and filled up on gas and stocked up on snacks at Buc-ees truck stop in Texas (THE BEST truck stops).
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Jon Moxley (MOX)
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What puts this film over the top, and cements it as a classic, is the soundtrack by Queen. Yep, THE MFโ€™n Queen. It includes the badass track, โ€œPrinces of the Universe,โ€ also the theme for the โ€™90s Highlander TV series, which was actually pretty good.
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Jon Moxley (MOX)
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The high point of my stay in the house came late one night when I heard a commotion in the common living room. I walked out to see one of my roomies wielding a kitchen knife at two other residents. I took two inquisitive steps toward the scene when a cop burst in and tackled the offender. I returned to my room and put my headphones on. I jumped at the chance to live in an actual apartment.
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Jon Moxley (MOX)
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One time, Trent Beretta pulled the fire alarm in that bar, because it was a very Trent thing to do.
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Jon Moxley (MOX)
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Iโ€™m in the zone, dialed in like a motherfucker and then here comes some pusscake coming at me with a โ€œtone it down.โ€ I remember Hunter telling me, โ€œYou just donโ€™t wanna become Terry Funk spinning around in a circle like Homer Simpson. โ€ฆ Whooop โ€ฆ wooooop woooop woop woop.
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Jon Moxley (MOX)
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searched Craigslist for a room and found one that looked nice for 100 bucks a week in cash (it would turn out to not be nice, like not at all, in the slightest).
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Jon Moxley (MOX)
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On oneโ€™s first day it was customary for Doc to bring the new person up to the front of the class to introduce themselves. Doc would ask you to tell a joke. โ€ฆ I had been warned of this tradition, so when I got up in front of everyone I was prepared. โ€œSo, you got a jokeโ€ Doc asked. I hit the audience with the following gem: โ€œHowโ€™d the computer get so fat? โ€ฆ He downloaded too many cookies.โ€ Crickets. A complete swing and a miss. Maybe not complete. One person laughed: Derrick Bateman, who would go on to become one of my first Tampa friends.
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Jon Moxley (MOX)
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Iโ€™d consider all the splendor and beauty of this world and my place in it and then โ€ฆ BAM!!!!! Roadkill! Or Iโ€™d get distracted by a Pizza Hut sign.
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Jon Moxley (MOX)
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I hated Wednesdays in FCW, my least favorite day of the week. Fucking promo class, or excuse me, โ€œThe Art of Communication with Dusty Rhodes.
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Jon Moxley (MOX)
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HOME AWAY FROM HOME: PHILADELPHIA The City of Brotherly Love. Except a lot of people are mean. Not really mean, itโ€™s just a city with people who take no shit and donโ€™t suffer fools. I felt at home in Philly immediately. I stayed in Manayunk, a super-hilly neighborhood. Sketchy as all hell driving in the wintertime. I think of the arena, Flyers games, Devโ€™s Grandmaโ€™s Italian stuffing, dive bars that look like somebodyโ€™s house. I never had a dog in the fight about which place delivered the best cheesesteak. โ€ฆ Those conversations between proud Philadelphians can get tense. I thought they were all pretty good, but, boy, did I fall in love with Wawa.
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Jon Moxley (MOX)
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Ultimately, I was placed in a full-body bear costume and left to rampage through the house, screaming obscenities while onlookers took shelter behind furniture so as not to get swiped in the face by a paw. When this wild animal wandered into the backyard to forage in the grass, one poor bystander was hit by a running dropkick that was described to me as an assault by a cross between Doug Furnas and a 6'2" Teletubby on Meth. Many just enjoyed the show and took Polaroids. Luckily, only the cops showed up and nobody called animal control.
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Jon Moxley (MOX)
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After that Iโ€™d go back to the flophouse apartment I shared with Ricker, whoโ€™s now wrestling for NXT under the name L.A. Knight. Back then he called himself Dick Rick.
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Jon Moxley (MOX)
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She introduced me to snorting Klonopin, which is a terrible idea and, needless to say, not a useful skill.
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Jon Moxley (MOX)
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I decided, that Walt Disney magic that only Vince has, and when he dies itโ€™ll be gone forever. Hunter was smart enough to hire half the indies and take Instagram selfies with them, but he ainโ€™t got the magic. Shane would probably stick an M80 up his ass and light it if he thought thatโ€™s what fans wanted to see, but he ainโ€™t got it either. Fortunately, though, when Vince is gone, that magic will live on in the hearts and minds of the fans forever.
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Jon Moxley (MOX)
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Snot, tears and spit spewing as I howled, a 230-pound limp sack of bones slumped over, my head resting on the stoop. I cried for two hours. You happy now, motherfucker? Now I look like a pussy in my own book. Walking off a plane in Dallas in tears after writing this, and people are staring at me and shit. I will always miss you, Grant. I love you.
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Jon Moxley (MOX)
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Letโ€™s fucking go. In the ring, squared off with my opponent, I hear a flute. I think Iโ€™m hearing โ€œSeason of the Witchโ€ by Donovan. I get briefly enraged as I wonder if theyโ€™re playing house music and weโ€™ve gone to commercial break but the song quickly fades, and the shit is on. After the match, holding the IWGP U.S. belt high, I realize Iโ€™m hearing โ€œWild Thingโ€ by the Troggs. I assume thatโ€™s my music now. Thatโ€™s pretty cool. I feel touched that Tony knows me well enough to know I would think it was cool. He was confident that he could surprise me with it and I wouldnโ€™t flip out.
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Jon Moxley (MOX)
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I donโ€™t know why we were in the back of this SUV, but I assume it had something to do with acquiring coke and/or ecstasy.
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Jon Moxley (MOX)
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Anonymous friends.โ€ We donโ€™t hang around and make conversation. We were in and out in maybe three minutes flat. It was aย hailstorm of canned goods and Praise Jesuses. We were like the SEAL team from the militant wing of the Salvation Army. And then โ€ฆ we vanished.
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Jon Moxley (MOX)
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This is what you call โ€ฆ a paradigm shift.
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Jon Moxley (MOX)
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Obsessedโ€ is a word the lazy use to describe the dedicated.
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Jon Moxley (MOX)
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Itโ€™s this thing. โ€ฆ Shit! You see, I was completely comfortable in my world where the G1 didnโ€™t exist until a few minutes ago, but now I feel like I have to go or Iโ€™m a coward. It intimidated me, but I canโ€™t live in a world where I backed down from a challenge, where I was scared, where I took the easy road, where I had the chance to do something extraordinary and I took the safe option. There was no choice now. Rocky couldnโ€™t have put less pressure on me the way he mentioned it, but the way my brain works, he may as well have said to me, โ€œYou wonโ€™t do the G1, you pussy!
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Jon Moxley (MOX)
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He taught me how to melt a square sheet of plastic in two spots, bend them, clamp them into place and make a picture frame.
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Jon Moxley (MOX)
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JoKe Claudio told me: I had a dream I swam in an ocean of oranGe soda, but it was just a Fanta Sea.
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Jon Moxley (MOX)
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The dramatic interplay was more in Lesterโ€™s wheelhouse, particularly the scene where Billy Bob contemplates suicide. Wracked with guilt over disappointing his coach (and, in retrospect, possibly suffering from post-concussion syndrome), Billy Bob sits on the back of his pickup with his football trophies, a bottle of tequila, and a Mossberg 12-gauge pump shotgun when heโ€™s confronted by Mox. โ€œChampionship trophy. Steelers. We were 9. Remember this shit? Playing Pee Wee?โ€ โ€œYeah,โ€ Mox says. โ€œIt was fun.โ€ โ€œNo, it wasnโ€™t. I remember being yelled at.โ€ Billy Bob throws the trophy. โ€œToo fat, Billy Bob!โ€ Bang! โ€œToo slow and dumb!โ€ He pulls the pump handle. Bang! โ€œIt was great,โ€ Robbins, the director, says. โ€œI remember that night shooting that scene, and you donโ€™t do that once, you do it over and over again from different angles. And he was just able to deliver that performance over and over again, and those were real tears and real emotion coming out of him.โ€ Lester drew on pain from his personal life, thinking of his late father and his sister Linda, who died at 35. He also pulled from his own struggles with suicide. Inconsolable after Linda passed, he had put a loaded gun to his head and pulled the trigger. Nothing happened. โ€œGod,โ€ he says, is the only explanation. โ€œI actually have the bullet, still. Itโ€™s not a dud; itโ€™s live. It just didnโ€™t go off,โ€ Lester says. โ€œI was kind of dreading [that scene] because I knew where Iโ€™d go. But Iโ€™m an actor and Iโ€™m making a commitment to the character. To do that, you have to go 100 percent and just hope you pull yourself out of it.
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Billy Bob's Blues
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โ€žแƒกแƒ˜แƒแƒ›แƒแƒ•แƒœแƒ”แƒ‘แƒ˜แƒก (แƒกแƒ”แƒฅแƒกแƒฃแƒแƒšแƒฃแƒ แƒ˜ แƒแƒฅแƒขแƒ˜แƒก) แƒแƒžแƒแƒ’แƒ”แƒ, แƒ แƒแƒ›แƒ”แƒšแƒ˜แƒช แƒขแƒ™แƒ˜แƒ•แƒ˜แƒšแƒ˜แƒ— โ€“ แƒ›แƒจแƒแƒ‘แƒ˜แƒแƒ แƒแƒ‘แƒ˜แƒ— แƒ’แƒ•แƒ˜แƒ แƒ’แƒ•แƒ˜แƒœแƒ“แƒ”แƒ‘แƒ แƒ“แƒ แƒฉแƒแƒœแƒแƒกแƒแƒฎแƒจแƒ˜แƒ•แƒ” แƒแƒขแƒแƒ แƒ”แƒ‘แƒก แƒ’แƒแƒ แƒ“แƒแƒฃแƒ•แƒแƒšแƒ˜แƒก โ€“ แƒกแƒ˜แƒ™แƒ•แƒ“แƒ˜แƒšแƒ˜แƒก แƒžแƒแƒขแƒ”แƒœแƒชแƒ˜แƒแƒšแƒก, แƒฌแƒ›แƒ˜แƒœแƒ“แƒแƒฌแƒงแƒšแƒ˜แƒก แƒ“แƒแƒชแƒ˜แƒœแƒ•แƒแƒโ€œ - แƒ™แƒแƒ แƒš แƒ›แƒแƒฅแƒกแƒ˜
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Dato Samniashvili (MOX)
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With a wealth of experience in financial management and business operations, Doug Mox is committed to helping organizations achieve excellence. His strategic mindset and hands-on approach to problem-solving enable him to navigate complex financial landscapes while enhancing operational performance, making him a vital asset to any team.
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Doug Mox
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Jack Reacher, one of my favorite literary characters and often an inspiration for my character in AEW, kills motherfuckers at a breakneck pace in pretty unforgiving fashion, but itโ€™s always because itโ€™s the right thing to do. Jack Reacher has no patience for bad guys doing bad-guy shit โ€” heโ€™ll just shoot you โ€” but his moral compass is always irrefutably on point.
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Jon Moxley (MOX)
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Thomas D. Mox developed his leadership skills at FedEx by managing complex logistics networks and ensuring faultless delivery solutions. His role at Asplundh Tree Company offered valuable insights into operational coordination and project management in a specialized industry. At Illuminate USA, Thomas D. Mox has further solidified his influence in the logistics and supply chain industry by using his decades of experience to advance strategic objectives, boost productivity, and foster innovation.
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Thomas D. Mox