Mowing Quotes

Because in the end, you won’t remember the time you spent working in the office or mowing your lawn. Climb that goddamn mountain.

In nineteen minutes, you can mow the front lawn; color your hair; watch a third of a hockey game. In nineteen minutes, you can bake scones or get a tooth filled by a dentist; you can fold laundry for a family of five. In nineteen minutes, you can stop the world; or you can just jump off it.

You'll never see the moments coming that will for ever mutilate your life-at least not until after they've mowed you down. -Savitar

When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet, of some mute and inglorious Jane Austen, some Emily Bronte who dashed her brains out on the moor or mopped and mowed about the highways crazed with the torture that her gift had put her to. Indeed, I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.

Bran was stripping her futon down to the bare mattress when she entered her apartment. It was sort of like watching the president mowing the White House lawn or taking out the trash.

Grow the lawn and mow the lawn always keep the TV on, brush your teeth and kill the germs, poison apples, poison worms.

[...]Are both of you...?" "Manscaped?" Dante smiled. "I'm fucking Italian; I been mowing my lawn since I was thirteen.

You wouldn’t try to mow your lawn with an electric razor, like it was a green beard, so why would you try to deny the existence of nonexistence?


Can you drive any faster?" Tohr demanded. "I got the pedal to the medal" The angel looked back. "And I don't care what I have to mow over

I remember a period in late adolescence when my mind would make itself drunk with images of adventurousness. This is how it will be when I grow up. I shall go there, do this, discover that, love her, and then her and her and her. I shall live as people in novels live and have lived. Which ones I was not sure, only that passion and danger, ecstasy and despair (but then more ecstasy) would be in attendance. However...who said that thing about "the littleness of life that art exaggerates"? There was a moment in my late twenties when I admitted that my adventurousness had long since petered out. I would never do those things adolescence had dreamt about. Instead, I mowed my lawn, I took holidays, I had my life. But time...how time first grounds us and then confounds us. We thought we were being mature when we were only being safe. We imagined we were being responsible but we were only being cowardly. What we called realism turned out to be a way of avoiding things rather than facing them. Time...give us enough time and our best-supported decisions will seem wobbly, our certainties whimsical.

I could understand the moon leaning across a bar on skid row and asking for a drink, but I couldn't understand anything about myself, I was murdered, I was shit, I was a tentful of dogs, I was poppies mowed down by machine-gun fire I was a hotshot wasp in a web I was less and less and still reaching for something, and I thought of her corny remark a night or so ago: You have wounded eyes.

Everybody has a ‘gripping stranger’ in their lives, Andy, a stranger who unwittingly possesses a bizarre hold over you. Maybe it’s the kid in cut-offs who mows your lawn or the woman wearing White Shoulders who stamps your book at the library—a stranger who, if you were to come home and find a message from them on your answering machine saying ‘Drop everything. I love you. Come away with me now to Florida,’ you’d follow them.

My bodyguard was mowing the lawn in a pink bikini when the body fell from the sky.

We were fools.” “You were children. Was there no one to protect you?” “Was there anyone to protect you?” “My father. My mother. They would have done anything to keep me from being stolen.” “And they would have been mowed down by slavers.” “Then I guess I was lucky I didn’t have to see that.” How could she still look at the world that way? “Sold into a brothel at age fourteen and you count yourself lucky.” “They loved me. They love me. I believe that.” He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. “You protected me, Kaz.” “The fact that you’re bleeding through your bandages tells me otherwise.” She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. “I need Nina to fix this one.” He didn’t mean to say it. He meant to let her go. “I can help you.” Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she’d spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she’d nearly destroyed him. Maybe he should let her finish the job.

Wherever forests have not been mowed down, wherever the animal is recessed in their quiet protection, wherever the earth is not bereft of four-footed life - that to the white man is an 'unbroken wilderness.' But for us there was no wilderness, nature was not dangerous but hospitable, not forbidding but friendly. Our faith sought the harmony of man with his surroundings; the other sought the dominance of surroundings. For us, the world was full of beauty; for the other, it was a place to be endured until he went to another world. But we were wise. We knew that man's heart, away from nature, becomes hard.

Think they work you too hard? Think of poor Ali Sard. He has to mow grass in his uncle's backyard and its quick growing grass and it grows as he mows it the faster he mows it the faster he grows it. And all that his stingy old uncle will pay for his shoving mower around the hay is piffulous pay of two dooklas a day. And Ali can't live on such piffulous pay!

We don't really believe in mowing the lawn; we do it only to avoid unnecessary engagement with the neighbors.

I will destroy you. No matter how long it takes, no matter what it costs me. I won’t sleep, I won’t eat. I won’t do anything but plot your downfall. I will mow down your men like they’re weeds. I’ll kill so many of them so viciously, so brutally, so horribly that no one will dare to work for you. And sooner or later, I’ll get you too.

I've hurt you. I've loved you. I've mowed the front yard.

You'll never see the moments coming that will forever mutilate your life—at least not until after they've mowed you down. —SAVITAR Acheron

If one has failed to develop curiosity and interest in the early years, it is a good idea to acquire them now, before it is too late to improve the quality of life. To do so is fairly easy in principle, but more difficult in practice. Yet it is sure worth trying. The first step is to develop the habit of doing whatever needs to be done with concentrated attention, with skill rather than inertia. Even the most routine tasks, like washing dishes, dressing, or mowing the lawn become more rewarding if we approach them with the care it would take to make a work of art. The next step is to transfer some psychic energy each day from tasks that we don’t like doing, or from passive leisure, into something we never did before, or something we enjoy doing but don’t do often enough because it seems too much trouble. There are literally millions of potentially interesting things in the world to see, to do, to learn about. But they don’t become actually interesting until we devote attention to them.

There's no earthly way of knowing Which direction we are going There's no knowing where we're rowing Or which way the river's flowing Is it raining, is it snowing? Is a hurricane a-blowing? - uh! Not a speck of light is showing So the danger must be growing Are the fires of Hell a-glowing? Is the grisly reaper mowing? Yes! The danger must be growing For the rowers keep on rowing And they're certainly not showing Any signs that they are slowing! A-aa-aaa-aaaah!

if you didn't voice your opinion, [Steve Jobs] would mow you down," said Cook. "He takes contrary positions to create more discussion, because it may lead to a better result. So if you don't feel comfortable disagreeing, then you'll never survive.

I work for a mom and pop business. They’re my mom and pop, and by work I mean they give me an allowance. But that’ll end soon. By age 30, in just a few months, they said it’d be time for me to earn a living. I guess that means they’ll want me to start mowing the lawn.


And why does every deliberately cruel person seem to consider themselves the perfect example of necessary bluntness? As if you're supposed to thank them for mowing over your heart with their special brand of honesty.

We clutter the earth with our inventions, never dreaming that possibly they are unnecessary — or disadvantageous. We devise astounding means of communication, but do we communicate with one another? We move our bodies to and fro and incredible speeds, but do we really leave the spot we started from? Mentally, morally, spiritually, we are fettered. What have we achieved in mowing down mountain ranges, harnessing the energy of mighty rivers, or moving whole populations about like chess pieces, if we ourselves remain the same restless, miserable, frustrated creatures we were before? To call such activity progress is utter delusion. We may succeed in altering the face of the earth until it is unrecognizable even to the Creator, but if we are unaffected wherein lies the meaning?

It was at this time I learned that the human mind is a blackened overgrown place. Society tries to mow the lawn and trim back the plants, but every one of us is just days away from a wild jungle. And it's the jungle that interests me.

Yeah. I told you he was crazy, right? I heard he does some weird stuff at home, too.' He said it with a conspiratorial stage whisper. 'Like mowing his lawn, and trimming his peonies.' 'Peonies?' I balked. 'God, he really is a freak.

I’m pretty healthy and I don’t mind the idea of dying, but I also don’t want to get mowed down by some freaky high school kid in a trench coat who’s high on Zoloft and has traded in his Xbox for a semiautomatic.

It would not be a good place for the heroine of a modern novel to stay at.  The heroine of a modern novel is always “divinely tall,” and she is ever “drawing herself up to her full height.”  At the “Barley Mow” she would bump her head against the ceiling each time she did this.

You can’t assume everything’s okay inside the house just because the paint isn’t peeling and the yard is neatly mowed.

The love of our neighbor is the only door out of the dungeon of self, where we mope and mow, striking sparks, and rubbing phosphorescences out of the walls, and blowing our own breath in our own nostrils, instead of issuing to the fair sunlight of God, the sweet winds of the universe.

Be like the single blade of grass. For she too, has been trampled on, mowed down, and hit with such bitterly cold stretches that she had to shut down to survive. Yet still she stands upright with dignity, knowing that she endures, and still she dances with the wind.

Carpe diem' doesn't mean seize the day--it means something gentler and more sensible. 'Carpe diem' means pluck the day. Carpe, pluck. Seize the day would be "cape diem," if my school Latin servies. No R. Very different piece of advice. What Horace had in mind was that you should gently pull on the day's stem, as if it were, say, a wildflower or an olive, holding it with all the practiced care of your thumb and the side of your finger, which knows how to not crush easily crushed things--so that the day's stalk or stem undergoes increasing tension and draws to a thinness, and a tightness, and then snaps softly away at its weakest point, perhaps leaking a little milky sap, and the flower, or the fruit, is released in your hand. Pluck the cranberry or blueberry of the day tenderly free without damaging it, is what Horace meant--pick the day, harvest the day, reap the day, mow the day, forage the day. Don't freaking grab the day in your fist like a burger at a fairground and take a big chomping bite out of it. That's not the kind of man that Horace was.

Of all African animals, the elephant is the most difficult for man to live with, yet its passing - if this must come - seems the most tragic of all. I can watch elephants (and elephants alone) for hours at a time, for sooner or later the elephant will do something very strange such as mow grass with its toenails or draw the tusks from the rotted carcass of another elephant and carry them off into the bush. There is mystery behind that masked gray visage, and ancient life force, delicate and mighty, awesome and enchanted, commanding the silence ordinarily reserved for mountain peaks, great fires, and the sea.

Because in the end, you won’t remember the time you spent working in the office or mowing your lawn. Climb that goddamn mountain.” Jack Kerouac

Like as the waves make towards the pebbled shore,   So do our minutes hasten to their end;   Each changing place with that which goes before,   In sequent toil all forwards do contend.   Nativity, once in the main of light,   Crawls to maturity, wherewith being crown'd,   Crooked eclipses 'gainst his glory fight,   And Time that gave doth now his gift confound.   Time doth transfix the flourish set on youth   And delves the parallels in beauty's brow,   Feeds on the rarities of nature's truth,   And nothing stands but for his scythe to mow:     And yet to times in hope, my verse shall stand.     Praising thy worth, despite his cruel hand.

Fella had a team of horses, had to use'em to plow an' cultivate an' mow, wouldn't think a turnin' 'em out to starve when they wasn't workin'. Them's horses - we're men.

The grass may be greener on the other side, but you still have to mow the lawn.

The sky is fucking with me. It's one of those militantly perfect spring days, the kind that seems to be trying just a little too hard, the kind you want to smack in the face, and the sky is bluer than it has any right to be, really, an obnoxious, overbearing blue that implies that staying home is a crime against humanity. Like I've got anywhere to go. The neighborhood is alive with gardeners mowing lawns and trimming hedges, the mechanized hiss of twirling sprinklers and for those just joining us, it's a beautiful day and Hailey is dead and I have nothing to do, nowhere to be.

Is there any place on Earth that smells better than a laundromat? It's like a rainy Sunday when you don't have to get out from under your covers, or like lying back on the grass your father's just mowed - comfort food for your nose.

A knock sounds on the door. “Who is it?” Matt yells, exasperated. “Your father.” “What do you want?” “Can you mow the lawn tomorrow after church?” “Daaaaaaaad.” Matt’s shaking his head and laughing. My mouth has dropped open. “Couldn’t you have waited until after Kate goes home to ask me?” “I didn’t want to forget,” Mr. Brown says from behind the door. Matt whispers to me, “This is his way of saying we shouldn’t be in here alone together.” I nod. Matt yells to his dad, “Fine, I’ll mow the lawn. Now go away.” I smack his chest. “What?” Matt asks, clutching my hands so I can’t hit him again. “You shouldn’t treat your dad that way.” “I like her,” Mr. Brown says from out in the hallway. “Daaaaadd, stop eavesdropping!” Matt jumps to his feet and grabs his keys from the nightstand. “That’s it, I’m taking you home. We’ll never find any peace around here.” I can’t stop laughing.

Because in the end, you won't remember the time you spent working in the office or mowing your lawn. Climb that goddamn mountain.

I moved from one room to the next, mowing down every NPC in my path. The guards returned fire, but their bullets pinged harmlessly off my armor. I never ran out of ammo, because each time I fired a round, a new round was teleported into the bottom of the clip. My bullet bill this month was going to be huge.

Charlie lying in a heap of hair and body parts at the bottom of a very solid set of stairs “The yard work? “I know, Grandma, but—” The fucking yard work? I’d mow her lawn, for fuck’s sake. This was honestly about yard work?

When I was this kid's age, you'd be burned alive for such talk. Being a homosexual was unthinkable, and so you denied it, and found a girlfriend who was willing to settle for the sensitive type. On dates, you'd remind her that sex before marriage was just that, sex: what dogs did in the front yard. This as opposed to making love, which was more what you were about. A true union of souls could take anywhere from eight to ten years to properly establish, but you were willing to wait, and for this the mothers loved you. You sometimes discussed it with them over an iced tea, preferably on the back porch when you girlfriend's brother was mowing the lawn with his shirt off.

Yet genius of a sort must have existed among women as it must have existed among the working classes. Now and again an Emily Bronte or a Robert Burns blazes out and proves its presence. But certainly it never got itself on paper. When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet, of some mute and inglorious Jane Austen, some Emily Bronte who dashed her brains out on the moor or mopped and mowed about the highways crazed with the torture that her gift had put her to. […]any woman born with a great gift in the sixteenth century would certainly have gone crazed, shot herself, or ended her days in some lonely cottage outside the village, half witch, half wizard, feared and mocked at. For it needs little skill in psychology to be sure that a highly gifted girl who had tried to use her gift for poetry would have been so thwarted and hindered by other people, so tortured and pulled asunder by her own contrary instincts, that she must have lost her health and sanity to a certainty.

There's relief in not having to be outside. No gardening, no mowing the lawn, no tyranny of long daylight hours to fill with productive activity. We rip through summer, burning the hours and tearing up the land. Then snow comes like a bandage, and winter heals the wounds.

In our lifetime, wouldn’t it be sad if we spent more time washing dishes or swatting flies or mowing the yard or watching television than praying for world missions?

I have a beard of grass. I grew it on my back, and sometimes my neighbor mows it for me. Meow!

America, everybody is in too big a rush. Lay back, take a sip of tea, mow a little grass. Then if you get tired, take a nap.” – Si Robertson

My old friend, what are you looking for? After years abroad you’ve come back with images you’ve nourished under foreign skies far from you own country.’ ‘I’m looking for my old garden; the trees come to my waist and the hills resemble terraces yet as a child I used to play on the grass under great shadows and I would run for hours breathless over the slopes.’ ‘My old friend, rest, you’ll get used to it little by little; together we will climb the paths you once knew, we will sit together under the plane trees’ dome. They’ll come back to you little by little, your garden and your slopes.’ ‘I’m looking for my old house, the tall windows darkened by ivy; I’m looking for the ancient column known to sailors. How can I get into this coop? The roof comes to my shoulders and however far I look I see men on their knees as though saying their prayers.’ ‘My old friend, don’t you hear me? You’ll get used to it little by little. Your house is the one you see and soon friends and relatives will come knocking at the door to welcome you back tenderly.’ ‘Why is your voice so distant? Raise your head a little so that I understand you. As you speak you grow gradually smaller as though you’re sinking into the ground.’ ‘My old friend, stop a moment and think: you’ll get used to it little by little. Your nostalgia has created a non-existent country, with laws alien to earth and man.’ ‘Now I can’t hear a sound. My last friend has sunk. Strange how from time to time they level everything down. Here a thousand scythe-bearing chariots go past and mow everything down

Breathed was the combination of flower and weed, of the overgrown and the mowed. It was Appalachian country, as only Southern Ohio can be, and it was beautiful as a sunbeam in waist-high grass.

The average lawn is an interesting beast: people plant it, then douse it with artificial fertilizers and dangerous pesticides to make it grow and to keep it uniform-all so that they can hack and mow what they encouraged to grow. And woe to the small yellow flower that rears its head!

In the summer I mowed their lawns for five dollars a week; in the winter I shovelled their walks for cups of hot chocolate; and in the fall I raked their leaves for the pure thrill of watching them burn.

Men are the scourge of the universe. I say we line them all up along the highway and then mow them down with big trucks. No, wait! Steamrollers! Yeah, let’s steamroll them all until they’re nothing more than slimy wet spots on the road! (Chrissy)

And instead of standing with us to fight this threat, your house marched into the Breach, escorting an army into our lands, and then stood aside, watching as they and the undead mowed us down. How brave. How heroic. You left us here to die, and you begrudge us fighting back? fighting to survive? We need no forgiveness. We need justice.

Kevin is right about his cat. It’s all there in his dead cat. The Great Judge can’t answer Kevin: ‘Why did my cat die?’ Answer: ‘Damned if I know.’ There is no answer; there is only a dead animal that just wanted to cross the street. We’re all animals that want to cross the street only something mows us down half-way across that we never saw.

When Isaiah predicted that spears would become pruning hooks, that's a reference to cultivating. Pruning and trimming and growing and paying close attention to the plants and whether they're getting enough water and if their roots are deep enough. Soil under the fingernails, grapes being trampled under bare feet, fingers sticky from handling fresh fruit. It's that green stripe you get around the sole of your shoes when you mow the lawn. Life in the age to come. Earthy.

He studied with the guru of rock n’ roll, Baba Oom Mow Mow, who taught his own version of the Golden Rule: "Do wop unto others as you would have them do wop unto you.

My mamma and I have interesting literary discussions like the following which took place over some Modern Library books that I had just ordered: SHE: “Mobby Dick. I’ve always heard about that.” ME: “Mow-by Dick.” SHE: “Mow-by Dick. The Idiot. You would get something called Idiot. What’s it about?” ME: “An idiot.

I’ll leave you guys to get acquainted. Somebody show Leo to dinner when it’s time?” “I got it,” one of the girls said. Nyssa, Leo remembered. She wore camo pants, a tank top that showed off her buff arms, and a red bandanna over her mop of dark hair. Except for the smiley-face Band-Aid on her chin, she looked like one of those female action heroes, like any second she was going to grab a machine gun and start mowing down evil aliens. “Cool,” Leo said. “I always wanted a sister who could beat me up.

Mowing the lawn, I felt like I was battling the earth rather than working it; each week it sent forth a green army and each week I beat it back with my infernal machine. Unlike every other plant in my garden, the grasses were anonymous, massified, deprived of any change or development whatsoever, not to mention any semblance of self-determination. I ruled a totalitarian landscape. Hot monotonous hours behind the mower gave rise to existential speculations. I spent part of one afternoon trying to decide who, it the absurdist drama of lawn mowing, was Sisyphus. Me? The case could certainly be made. Or was it the grass, pushing up through the soil every week, one layer of cells at a time, only to be cut down and then, perversely, encouraged (with lime, fertilizer, etc.) to start the whole doomed process over again? Another day it occurred to me that time as we know it doesn't exist in the lawn, since grass never dies or is allowed to flower and set seed. Lawns are nature purged of sex or death. No wonder Americans like them so much.

Thoreau wrote, "the mass of men live lives of quiet desperation." This is as true today as it was back then. How many men stand on a balcony and wonder what happened?... He wanted adventure and he got two weeks' vacation. He wanted a mission and he got a lawn that needs mowing. He wanted purpose and he got a cubicle. He wanted a mighty steed and he got a minivan. He wanted a castle and he got a mortgage. He wanted a battle to fight and he got televised sports. He wanted wisdom and he got talking heads on TV. He wanted treasure and he got endless debt. He wanted every part of his life to be wonderful, and here he is... standing on a balcony, in bleak, ruminating hesitation.

Round the world and home again That's the sailor's way Faster faster, faster faster There's no earthly way of knowing Which direction we are going There's no knowing where we're rowing Or which way the river's flowing Is it raining, is it snowing Is a hurricane a–blowing Not a speck of light is showing So the danger must be growing Are the fires of Hell a–glowing Is the grisly reaper mowing Yes, the danger must be growing For the rowers keep on rowing And they're certainly not showing Any signs that they are slowing.

While a battle is raging one can see his enemy mowed down by the thousand, or the ten thousand, with great composure; but after the battle these scenes are distressing, and one is naturally disposed to do as much to alleviate the suffering of an enemy as a friend.

With all the lit­tle facts we learned, we nev­er had the time to think. None of us ev­er con­sid­ered what life would be like clean­ing up af­ter a stranger ev­ery day. Wash­ing dish­es all day. Feed­ing a stranger’s chil­dren. Mow­ing a lawn. All day. Paint­ing hous­es. Year af­ter year.

I write in my head on the way home from work, or when mowing the lawn, or on a night out with friends. Sometimes I find the time to capture those words that are rolling through my mind, quivering and drumming and swimming, banging into each other until I can finally trick them and leak them out onto the page. And sometimes I don't. Writers are like that

How many a poor immortal soul have I met well-nigh crushed and smothered under its load, creeping down the road of life, pushing before it a barn seventy-five feet by forty, its Augean stables never cleansed, and one hundred acres of land, tillage, mowing, pasture, and wood-lot. The portionless, who struggle with no such unnecessary inherited encumbrances, find it labor enough to subdue and cultivate a few cubic feet of flesh.

When I sit down to write I never brood. I have so many other things to do, with my children and teaching, that I can’t afford it. I brood, thinking of ideas, in the automobile when I’m driving to work or in the subway or when I’m mowing the lawn. By the time I get to the paper something’s there—I can produce.

You don't really mean that about having everyone leave you alone," she said sweetly. "You seem like such a friendly and outgoing guy. I'll make sure to mention how great you are to everyone over the next couple of days. Before you know it, the whole street will be knocking on your door and introducing themselves. It won't be a month before you're hosting the neighborhood barbecue. You'll also be picking up prescriptions, mowing lawns and eating macaroni salad with every meal so you won't hurt their feelings." She batted her eyelashes at him as he seemed to pale before her eyes. "Welcome to the neighborhood.

When your child is a little older, you can teach him about our tax system in a way that is easy to grasp. Offer him, say, $10 to mow the lawn. When he has mowed it and asks to be paid, withhold $5 and explain that this is income tax. Give $1 to his younger brother, and tell him that this is "fair". Also, explain that you need the other $4 yourself to cover the administrative costs of dividing the money. When he cries, tell him he is being "selfish" and "greedy". Later in life he will thank you.

...Barack had told me, he'd contended most often with a deep weariness in people--especially black people---a cynicism bred from a thousand small disappointments over time. I understood it. I'd seen it in my own neighborhood, in my own family. A bitterness, a lapse in faith. It lived in both of my grandfathers, spawned by every goal they'd abandoned and every compromise they'd had to make. It was inside the harried second-grade teacher who'd basically given up trying to teach us at Bryn Mawr. It was inside the neighbor who'd stopped mowing her lawn or keeping track of where her kids went after school. It lived in every piece of trash tossed carelessly in the grass at our local park and every ounce of malt liquor drained before dark. It lived in every last thing we deemed unfixable, including ourselves.

This is what I love to do: I love to run through a field of wet grass that has not been mowed recently, I love to run, keeping my snout low to the ground so the grass and the sparkles of water cover my face. I imagine myself as a vacuum cleaner, sucking in all the smells. all the life, a spear of summer grass. It reminds me of my childhood, back on the farm in Spangle, where there was no rain but there was grass, there were fields, and I ran. ~ p208

There’s a huge difference between the writers, the musicians, the composers, the chefs, the dance choreographers and to a certain extent the tradesmen and the rest of society in that no one understands us. It’s a wretched dream to hope that our creativity gets recognised while our family thinks we’re wasting our time when the lawn needs mowing, the deck needs painting and the bedroom needs decorating. It’s acceptable to go into the garage to tinker about with a motorbike, but it’s a waste of a good Sunday afternoon if you go into the garage and practice your guitar, or sit in your study attempting to capture words that have been floating around your brain forever. No one understands us

He thought of nothing, wished for nothing, but not to be left behind the peasants, and to do his work as well as possible. He heard nothing but the swish of scythes, and saw before him Tit's upright figure mowing away, the crescent-shaped curve of the cut grass, the grass and flower heads slowly and rhythmically falling before the blade of his scythe, and ahead of him the end of the row, where would come the rest. Suddenly, in the midst of his toil, without understanding what it was or whence it came, he felt a pleasant sensation of chill on his hot, moist shoulders. He glanced at the sky in the interval for whetting the scythes. A heavy, lowering storm cloud had blown up, and big raindrops were falling. Some of the peasants went to their coats and put them on; others--just like Levin himself--merely shrugged their shoulders, enjoying the pleasant coolness of it. Another row, and yet another row, followed--long rows and short rows, with good grass and with poor grass. Levin lost all sense of time, and could not have told whether it was late or early now. A change began to come over his work, which gave him immense satisfaction. In the midst of his toil there were moments during which he forgot what he was doing, and it came all easy to him, and at those same moments his row was almost as smooth and well cut as Tit's. But so soon as he recollected what he was doing, and began trying to do better, he was at once conscious of all the difficulty of his task, and the row was badly mown.

Jake ignored him and went on. “If I ever do hook up with anybody again - and I sincerely doubt that I will, so wipe that hopeful look off your face - it will be with someone who thinks that being with somebody who mows lawns is her idea of heaven on earth and who will do exactly what I tell her to do and love it." "I think Donna Reed is dead," Will said.

You and I are not going to survive long term, regardless of love or bonding, if you keep airbrushing things. If I keep airbrushing things. It’s not a good strategy for us—and if this makes you feel like you’re on the spot? As if I’m giving you an ultimatum? I don’t care. If anything gets in the way of our relationship, anything, I will mow that shit down—even if it is you.

The house-cat is a four-legged quadruped, the legs as usual being at the corners. It is what is sometimes called a tame animal, though it feeds on mice and birds of prey. Its colours are striped, it does not bark, but breathes through its nose instead of its mouth. Cats also mow, which you all have heard. Cats have nine liveses, but which is seldom wanted in this country, coz' of Christianity. Cats eat meat and most anythink speshuelly where you can't afford. That is all about cats." (From a schoolboy's essay, 1903.)

When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet, of some mute and inglorious Jane Austen, some Emily Brontë who dashed her brains out on the moor or mopped and mowed about the highways crazed with the torture that her gift had put her to.

Besides. Eternity was going to seem like forever. With the crowds of smiling people smiling at me in the dark, me who spent my life cleaning bathrooms and mowing the lawn, I told myself, why rush anything? I'd backslid before, I'd backslide again. Practice makes perfect. If you could call it that. I figured, a few more sins would help round out my resume. This is the upside of already being eternally damned. I figured, Hell could wait.

How yet resolves the governor of the town? This is the latest parle we will admit; Therefore to our best mercy give yourselves; Or like to men proud of destruction Defy us to our worst: for, as I am a soldier, A name that in my thoughts becomes me best, If I begin the battery once again, I will not leave the half-achieved Harfleur Till in her ashes she lie buried. The gates of mercy shall be all shut up, And the flesh'd soldier, rough and hard of heart, In liberty of bloody hand shall range With conscience wide as hell, mowing like grass Your fresh-fair virgins and your flowering infants. What is it then to me, if impious war, Array'd in flames like to the prince of fiends, Do, with his smirch'd complexion, all fell feats Enlink'd to waste and desolation? What is't to me, when you yourselves are cause, If your pure maidens fall into the hand Of hot and forcing violation? What rein can hold licentious wickedness When down the hill he holds his fierce career? We may as bootless spend our vain command Upon the enraged soldiers in their spoil As send precepts to the leviathan To come ashore. Therefore, you men of Harfleur, Take pity of your town and of your people, Whiles yet my soldiers are in my command; Whiles yet the cool and temperate wind of grace O'erblows the filthy and contagious clouds Of heady murder, spoil and villany. If not, why, in a moment look to see The blind and bloody soldier with foul hand Defile the locks of your shrill-shrieking daughters; Your fathers taken by the silver beards, And their most reverend heads dash'd to the walls, Your naked infants spitted upon pikes, Whiles the mad mothers with their howls confused Do break the clouds, as did the wives of Jewry At Herod's bloody-hunting slaughtermen. What say you? will you yield, and this avoid, Or, guilty in defence, be thus destroy'd?

Our sages say burying someone is considered the truest form of kindness and respect, as the deceased will not be able to thank you for it." That’s kind of funny, actually, since Dad was not exactly prone to expressing gratitude to his children when he was still alive. You were either screwing up, or you were invisible. He was quiet and stern in a way that led you to expect an Eastern European accent. He had soft blue eyes and unusually thick forearms, and when he made a fist it looked like he could punch through anything. He mowed his own lawn, washed his own car, and painted his own house. He did all these things capably, painstakingly, and in a way that silently passed judgment on anyone who paid for someone else to do it. He rarely laughed at jokes, just nodded his understanding, as if it was all pretty much what he’d expected. Of course, there was a lot more to him that that, it’s just that none of it is coming to me right now. At some point you lose sight of your actual parents; you just see a basketful of history and unresolved issues.

For weeks, really, I could conjure him into being. I'd imagine him walking in, soaked in sweat, having finished mowing the lawn, and he'd try to hug me but i'd squirm out from his arms because even then sweat freaked me out. Or I'd be in my room, lying on my stomach, reading a book, and I'd look over at the closed door and imagine him opening it, and then he would be in the room with me, and I'd be looking up at him as he knelt down to kiss the top of my head. And then it became harder to summon him, to smell his smell, to feel him lifting me up. My father died suddenly, but also across the years. He was still dying, really—which meant I guess that he was still living, too.

...TV was entertainment of the last resort. There was nothing on during the day in the summer other than game shows and soap operas. Besides, a TV-watching child was considered available for chores: take out the trash, clean your room, pick up that mess, fold those towels, mow the lawn... the list was endless. We all became adept at chore-avoidance. Staying out of sight was a reliable strategy. Drawing or painting was another: to my mother, making art trumped making beds. A third choir-avoidance technique was to read. A kid with his or her nose in a book is a kid who is not fighting, yelling, throwing, breaking things, bleeding, whining, or otherwise creating a Mom-size headache. Reading a book was almost like being invisible - a good thing for all concerned.

It was that time of the year, the turning-point of summer, when the crops of the present year are a certainty, when one begins to think of the sowing for next year, and the mowing is at hand; when the rye is all in ear, though its ears are still light, not yet full, and it waves in gray-green billows in the wind; when the green oats, with tufts of yellow grass scattered here and there among it, droop irregularly over the late-sown fields; when the early buckwheat is already out and hiding the ground; when the fallow lands, trodden hard as stone by the cattle, are half ploughed over, with paths left untouched by the plough; when from the dry dung-heaps carted onto the fields there comes at sunset a smell of manure mixed with meadow-sweet, and on the low-lying lands the riverside meadows are a thick sea of grass waiting for the mowing, with blackened heaps of the stalks of sorrel among it.

Dad once noted (somewhat morbidly, I thought at the time) that American institutions would be infinitely more successful in facilitating the pursuit of knowledge if they held classes at night, rather than in the daytime, from 8:00 PM to 4:00 or 5:00 in the morning. As I ran through the darkness, I understood what he meant. Frank red brick, sunny classrooms, symmetrical quads and courts--it was a setting that mislead kids to believe that Knowledge, that Life itself, was bright, clear, and freshly mowed. Dad said a student would be infinitely better off going out into the world if he/she studied the periodic table of elements, Madame Bovary (Flaubert, 1857), the sexual reproduction of a sunflower for example, with deformed shadows congregating on the classroom walls, the silhouettes of fingers and pencils leaking onto the floor, gastric howls from unseen radiators, and a teacher's face not flat and faded, not delicately pasteled by a golden late afternoon, but serpentine, gargoyled, Cyclopsed by the inky dark and feeble light from a candle. He/she would understand "everything and nothing," Dad said, if there was nothing discernible in the windows but a lamppost mobbed by blaze-crazy moths and darkness, reticent and nonchalant, as darkness always was.

Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.

A few minutes later, the doorbell rang again. This time, I answered it. It was my neighbor, an elderly woman I had exchanged no more than a dozen words with in the ten years I’d lived in Thomaston. She had pot holders on her hands, which held a pan of brownies still hot from the oven, and tears were rolling down her cheeks. “I just heard,” she said. That pan of brownies was, it later turned out, the leading edge of a tsunami of food that came to my children and me, a wave that did not recede for many months after Drew’s death. I didn’t know that my family and I would be fed three meals a day for weeks and weeks. I did not anticipate that neighborhood men would come to drywall the playroom, build bookshelves, mow the lawn, get the oil changed in my car. I did not know that my house would be cleaned and the laundry done, that I would have embraces and listening ears, that I would not be abandoned to do the labor of mourning alone. All I knew was that my neighbor was standing on the front stoop with her brownies and her tears: she was the Good News.

We want so much from those who love us: friendship, understanding, conversation, and kindness—and companionship, and sex, and children, and even money or someone to cook dinner or mow the grass. Sometimes, at the bottom of things, when we are most in love, we want our partners to be for us the same as God. But only in our deepest part are we divine, and most of us live within our smaller selves most of the time. And so who can be the all and everything for another? Who can be the sun that lights up the soul and drives away despair, depression, and fear, not just for a night of love or a season of romance, but for a whole long lifetime until death do part? I have often wondered at the relationship between splendor and love. It seems to me that love is the very heart of splendor, its deepest purpose, while splendor gives fire and brilliance to love. I know that just as we can place too great a demand on love and the one we fall in love with, so we can want too much of splendor. In this, I think, we make a great mistake. We should want to shine as an expression of our true nature, not because splendor itself will save us from our darker side.

I Knew a Woman" I knew a woman, lovely in her bones, When small birds sighed, she would sigh back at them; Ah, when she moved, she moved more ways than one: The shapes a bright container can contain! Of her choice virtues only gods should speak, Or English poets who grew up on Greek (I’d have them sing in chorus, cheek to cheek). How well her wishes went! She stroked my chin, She taught me Turn, and Counter-turn, and Stand; She taught me Touch, that undulant white skin; I nibbled meekly from her proffered hand; She was the sickle; I, poor I, the rake, Coming behind her for her pretty sake (But what prodigious mowing we did make). Love likes a gander, and adores a goose: Her full lips pursed, the errant note to seize; She played it quick, she played it light and loose; My eyes, they dazzled at her flowing knees; Her several parts could keep a pure repose, Or one hip quiver with a mobile nose (She moved in circles, and those circles moved). Let seed be grass, and grass turn into hay: I’m martyr to a motion not my own; What’s freedom for? To know eternity. I swear she cast a shadow white as stone. But who would count eternity in days? These old bones live to learn her wanton ways: (I measure time by how a body sways).

In conscious life, we achieve some sense of ourselves as reasonably unified, coherent selves, and without this action would be impossible. But all this is merely at the ‘imaginary’ level of the ego, which is no more than the tip of the iceberg of the human subject known to psychoanalysis. The ego is function or effect of a subject which is always dispersed, never identical with itself, strung out along the chains of the discourses which constitute it. There is a radical split between these two levels of being — a gap most dramatically exemplified by the act of referring to myself in a sentence. When I say ‘Tomorrow I will mow the lawn,’ the ‘I’ which I pronounce is an immediately intelligible, fairly stable point of reference which belies the murky depths of the ‘I’ which does the pronouncing. The former ‘I’ is known to linguistic theory as the ‘subject of the enunciation’, the topic designated by my sentence; the latter ‘I’, the one who speaks the sentence, is the ‘subject of the enunciating’, the subject of the actual act of speaking. In the process of speaking and writing, these two ‘I’s’ seem to achieve a rough sort of unity; but this unity is of an imaginary kind. The ‘subject of the enunciating’, the actual speaking, writing human person, can never represent himself or herself fully in what is said: there is no sign which will, so to speak, sum up my entire being. I can only designate myself in language by a convenient pronoun. The pronoun ‘I’ stands in for the ever-elusive subject, which will always slip through the nets of any particular piece of language; and this is equivalent to saying that I cannot ‘mean’ and ‘be’ simultaneously. To make this point, Lacan boldly rewrites Descartes’s ‘I think, therefore I am’ as: ‘I am not where I think, and I think where I am not.

First, they illustrate clearly that what we do for each other before marriage is no indication of what we will do after marriage. Before marriage, we are carried along by the force of the in-love obsession. After marriage, we revert to being the people we were before we “fell in love.” Our actions are influenced by the model of our parents; our own personality; our perceptions of love; our emotions, needs, and desires. Only one thing is certain about our behavior: It will not be the same behavior we exhibited when we were caught up in being “in love.” That leads me to the second truth: Love is a choice and cannot be coerced. Dave and Mary were criticizing each other’s behavior and getting nowhere. Once they decided to make requests of each other rather than demands, their marriage began to turn around. Criticism and demands tend to drive wedges. With enough criticism, you may get acquiescence from your spouse. He may do what you want, but probably it will not be an expression of love. You can give guidance to love by making requests: “I wish you would wash the car, change the baby’s diaper, mow the grass,” but you cannot create the will to love. Each of us must decide daily to love or not to love our spouses. If we choose to love, then expressing it in the way in which our spouse requests will make our love most effective emotionally. There is a third truth, which only the mature lover will be able to hear. My spouse’s criticisms about my behavior provide me with the clearest clue to her primary love language. People tend to criticize their spouse most loudly in the area where they themselves have the deepest emotional need. Their criticism is an ineffective way of pleading for love. If we understand that, it may help us process their criticism in a more productive manner.

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

I immersed myself in my relationship with my husband, in little ways at first. Dutch would come home from his morning workout and I’d bring him coffee as he stepped out of the shower. He’d slip into a crisp white shirt and dark slacks and run a little goop through his hair, and I’d eye him in the mirror with desire and a sultry smile that he couldn’t miss. He’d head to work and I’d put a love note in his bag—just a line about how proud I was of him. How beautiful he was. How happy I was as his wife. He’d come home and cook dinner and instead of camping out in front of the TV while he fussed in the kitchen, I’d keep him company at the kitchen table and we’d talk about our days, about our future, about whatever came to mind. After dinner, he’d clear the table and I’d do the dishes, making sure to compliment him on the meal. On those weekends when he’d head outside to mow the lawn, I’d bring him an ice-cold beer. And, in those times when Dutch was in the mood and maybe I wasn’t, well, I got in the mood and we had fun. As the weeks passed and I kept discovering little ways to open myself up to him, the most amazing thing happened. I found myself falling madly, deeply, passionately, head-over-heels in love with my husband. I’d loved him as much as I thought I could love anybody before I’d married him, but in treating him like my own personal Superman, I discovered how much of a superhero he actually was. How giving he was. How generous. How kind, caring, and considerate. How passionate. How loving. How genuinely good. And whatever wounds had never fully healed from my childhood finally, at long last, formed scar tissue. It was like being able to take a full breath of air for the first time in my life. It was transformative. And it likely would save our marriage, because, at some point, all that withholding would’ve turned a loving man bitter. On some level I think I’d known that and yet I’d needed my sister to point it out to me and help me change. Sometimes it’s good to have people in your life that know you better than you know yourself.

What first comes across our minds About the stocky Mexican Pushing a mower across the lawn At 7 a.m. on a Saturday As the roar of the cutter wakes us? Let me take a guess. Why do they have to come so damn early? What do we make of his flannel Shirt missing buttons at the cuffs, Threadbare at the shoulders, The grass stains around his knees, The dirt like roadmaps to nowhere, Between the wrinkles of his neck? Let me take a shot. Dirty Mexican. Would his appearance lead us to believe He is a border jumper or wetback Who hits the bar top with an empty shot glass For the twelfth time then goes home To kick his wife around like fallen grapefruit Lying on the ground? First, the stocky Mexican isn’t mowing the lawn At 7 a.m. on a Saturday. He doesn’t work weekends anymore ever since He lost one-third of his route To laborers willing to work for next to nothing. Second, he knows better than to kneel On the wet grass because, well, the knees Of his pants will become grass-stained And pants don’t grow on trees, even here, Close to Palm Springs. Instead, after 25 years of the same blue collar work, Two sons out and one going to college, Rather than jail, and a small but modest savings In case he loses the remaining two-thirds Of his work—no matter how small and reluctantly The checks come in the mail— My father the stocky gardener believes He firmly holds his life In both his hands like pruning shears, Chopping branches and blossoms, Never looking downward as they fall to his feet In pieces like the American dream.

The Garden of Proserpine" Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams. I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers, Desires and dreams and powers And everything but sleep. Here life has death for neighbour, And far from eye or ear Wan waves and wet winds labour, Weak ships and spirits steer; They drive adrift, and whither They wot not who make thither; But no such winds blow hither, And no such things grow here. No growth of moor or coppice, No heather-flower or vine, But bloomless buds of poppies, Green grapes of Proserpine, Pale beds of blowing rushes Where no leaf blooms or blushes Save this whereout she crushes For dead men deadly wine. Pale, without name or number, In fruitless fields of corn, They bow themselves and slumber All night till light is born; And like a soul belated, In hell and heaven unmated, By cloud and mist abated Comes out of darkness morn. Though one were strong as seven, He too with death shall dwell, Nor wake with wings in heaven, Nor weep for pains in hell; Though one were fair as roses, His beauty clouds and closes; And well though love reposes, In the end it is not well. Pale, beyond porch and portal, Crowned with calm leaves, she stands Who gathers all things mortal With cold immortal hands; Her languid lips are sweeter Than love's who fears to greet her To men that mix and meet her From many times and lands. She waits for each and other, She waits for all men born; Forgets the earth her mother, The life of fruits and corn; And spring and seed and swallow Take wing for her and follow Where summer song rings hollow And flowers are put to scorn. There go the loves that wither, The old loves with wearier wings; And all dead years draw thither, And all disastrous things; Dead dreams of days forsaken, Blind buds that snows have shaken, Wild leaves that winds have taken, Red strays of ruined springs. We are not sure of sorrow, And joy was never sure; To-day will die to-morrow; Time stoops to no man's lure; And love, grown faint and fretful, With lips but half regretful Sighs, and with eyes forgetful Weeps that no loves endure. From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives for ever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea. Then star nor sun shall waken, Nor any change of light: Nor sound of waters shaken, Nor any sound or sight: Nor wintry leaves nor vernal, Nor days nor things diurnal; Only the sleep eternal In an eternal night.

One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin.” “As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed, long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.

The wind rose, whipping at Gregori's solid form, lashing his body,ripping at the waves of black hair so that it streamed around his face. His expression was impassive, the pale silver eyes cold and merciless, unblinking and fixed on his prey. The attack came from sky and ground simultaneously; slivers of sharpened wood shot through the air on the wild winds,aimed directly at Gregori. The wolves leapt for him,eyes glowing hotly in the night. The army of the dead moved relentlessly forward, pressing toward Gregori's lone figure. His hands moved, a complicated pattern drected at the approaching army;then he was whirling, a flowing wind of motion beautiful to the eye,so fast that he blurred. Yelps and howls accompanied bodies flying through the air. Wolves landed to lie motionless at his feet. His expression never changed. There was no hint of anger or emotion,no sign of fear,no break in concentration. He simply acted as the need arose. The skeletons were mowed down by a wall of flame, an orange-red conflagration that rose in the night sky and danced furiously for a brief moment. The army withered into ashes, leaving only a pile of blackened dust that spewed across the street in the ferocious onslaught of the wind. Savannah felt Gregori wince, the pain that sliced though him just before he shut out all sensation.She whirled to face him and saw a sharpened stake portruding from his right shoulder. Even as she saw it, Gregori jerked it free.Blood gushed,spraying the area around him.Just as quickly it stopped,as if cut off midstream. The winds rose to a thunderous pitch, a whirling gale of debris above their heads like the funnel cloud of a tornado. The black cloud spun faster and paster,threatening to suck everything and everyone up into its center where the malevolent red eye stared at them with hatred. The tourists screamed in fear,and even the guide grabbed for a lamppost to hang on grimly.Gregori stood alone,the winds assaulting him,tearing at him, reaching for him.As the whirling column threatened him from above, sounding like the roar of a freight train, he merely clapped his hands, then waved to send a backdraft slamming into the dark entity.The vampire screamed his rage. The thick black cloud sucked in on itself with an audible soumd, hovering in the air, waiting, watching, silent. Evil.No one moved.No one dared to breathe. Suddenly the churning black entity gathered itself and streamed across the night sky,racing away from the hunter over the French Quarter and toward the swamp.Gregori launched himself into the air,shape-shifting as he did so,ducking the bolts of white-hot energy and slashing stakes flying in the turbulant air.