Moving Boxes Funny Quotes

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How funny you are today New York like Ginger Rogers in Swingtime and St. Bridget’s steeple leaning a little to the left here I have just jumped out of a bed full of V-days (I got tired of D-days) and blue you there still accepts me foolish and free all I want is a room up there and you in it and even the traffic halt so thick is a way for people to rub up against each other and when their surgical appliances lock they stay together for the rest of the day (what a day) I go by to check a slide and I say that painting’s not so blue where’s Lana Turner she’s out eating and Garbo’s backstage at the Met everyone’s taking their coat off so they can show a rib-cage to the rib-watchers and the park’s full of dancers with their tights and shoes in little bags who are often mistaken for worker-outers at the West Side Y why not the Pittsburgh Pirates shout because they won and in a sense we’re all winning we’re alive the apartment was vacated by a gay couple who moved to the country for fun they moved a day too soon even the stabbings are helping the population explosion though in the wrong country and all those liars have left the UN the Seagram Building’s no longer rivalled in interest not that we need liquor (we just like it) and the little box is out on the sidewalk next to the delicatessen so the old man can sit on it and drink beer and get knocked off it by his wife later in the day while the sun is still shining oh god it’s wonderful to get out of bed and drink too much coffee and smoke too many cigarettes and love you so much
Frank O'Hara
Funny how such innocuous details—the red blip of a voicemail, the single-page letter from a bank requesting a meeting to discuss the foreclosure, the subtle appearance of moving boxes in the garage—can upend your world. Unlike monsters or faeries or kidnappers, you never see these details coming. They don't draw blood or leave visible scars or bruises. You can't fight against them or use magick to fix them. You can only wait to see if you survive them.
M.A. Grant (Prince of Air and Darkness (The Darkest Court, #1))
I’m sorry,” she whispered. Zane shifted off of her. “What?” “I shouldn’t have done that.” “Done what?” She heard the caution in his voice. “I was too…you know.” “I don’t know,” he said. “Too, what?” “Wanton.” There wasn’t any sound. Not even a hint of sound. Then he laughed. It wasn’t a chuckle. It was a huge, from-the-belly laugh. The kind that made it impossible for the person laughing to move or breathe or even stop. “Zane?” She shook his arm. He continued to laugh. The sound seemed to echo all around them. “Zane, stop. You’ll wake up everyone.” That seemed to get his attention. She sensed his attempt to control himself, although a few guffaws escaped. “This isn’t funny,” she told him in a heated whisper. He leaned close. She couldn’t see him, but she could feel him. “Phoebe, you’re the most amazing lover I’ve ever had. You’re sexy, responsive to the point of being a lethal weapon, sweet, funny, caring and if I had a box of condoms, I’d use every single one before sunup. But you’re not wanton.” His words made her feel a little better, but only a little. “I don’t usually, you know, climax that much. Or at all.” “You did with me.” “I know.” “I wanted to please you.” She smiled. “I could tell.” “So what’s the problem?” “I don’t want you to think less of me.” He touched her cheek, then outlined her mouth. “I think the world of you.” Her concern faded like mist in sunlight. “Really?” He kissed her. “Absolutely.
Susan Mallery (Kiss Me (Fool's Gold, #17))
It’s not all about hitting. There’s an art to it. A talent. You need power but also smarts. When to hit and where. You have to outthink your opponent. It’s not all about size. Determination and experience play a part.” “Like in business,” she said. “The skill set translates.” She wrinkled her nose. “Doesn’t it hurt when you get hit?” “Some. But boxing is what I knew. Without it, I would have just been some kid on the streets.” “You’re saying hitting people kept you from being bad?” “Something like that. Put down your glass.” She set it on the desk. He did the same, then stepped in front of her. “Hit me,” he said. She tucked both hands behind her back. “I couldn’t.” The amusement was back. “Do you actually think you can hurt me?” She eyed his broad chest. “Probably not. And I might hurt myself.” He shrugged out of his suit jacket, then unfastened his tie. In one of those easy, sexy gestures, he pulled it free of his collar and tossed it over a chair. “Raise your hands and make a fist,” he said. “Thumbs out.” Feeling a little foolish, she did as he requested. He stood in front of her again, this time angled, his left side toward her. “Hit me,” he said. “Put your weight behind it. You can’t hurt me.” “Are you challenging me?” He grinned. “Think you can take me?” Not on her best day, but she was willing to make the effort. She punched him in the arm. Not hard, but not lightly. He frowned. “Anytime now.” “Funny.” “Try again. This time hit me like you mean it or I’ll call you a girl.” “I am a girl.” She punched harder this time and felt the impact back to her shoulder. Duncan didn’t even blink. “Maybe I’d do better at tennis,” she murmured. “It’s all about knowing what to do.” He moved behind her and put his hands on her shoulders. “You want to bend your knees and keep your chin down. As you start the punch, think about a corkscrew.” He demonstrated in slow motion. “That will give you power,” he said. “It’s a jab. A good jab can make a boxer’s career. Lean into the punch.” She was sure his words were making sense, but it was difficult to think with him standing so close. She was aware of his body just inches from hers, of the strength and heat he radiated. The need to simply relax into his arms was powerful. Still, she did her best to pay attention, and when he stepped in front of her again so she could demonstrate, she did her best to remember what he’d said. This time, she felt the impact all the way up her arm. There was a jarring sensation, but also the knowledge that she’d hit a lot harder. “Did I bruise you?” she asked, almost hoping he would say yes, or at least rub his arm. “No, but that was better. Did you feel the difference?” “Yes, but I still wouldn’t want to be a boxer.” “Probably for the best. You’d get your nose broken.” She dropped her arms to her sides. “I wouldn’t want that.” She leaned closer. “Have you had your nose broken?” “A couple of times.” She peered at his handsome face. “I can’t tell.” “I was lucky.” She put her hand on his chin to turn his head. He looked away, giving her a view of his profile. There was a small bump on his nose. Nothing she would have noticed. “You couldn’t just play tennis?” she asked. He laughed, then captured her hand in his and faced her. They were standing close together, his fingers rubbing hers. She shivered slightly, but not from cold. His eyes darkened as he seemed to loom over her. His gaze dropped to her mouth. He swallowed. “Annie.” The word was more breath than sound. She heard the wanting in his voice and felt an answering hunger burning inside her. There were a thousand reasons she should run and not a single reason to stay. She knew that she was the one at risk, knew that he wasn’t looking for anything permanent. But the temptation was too great. Being around Duncan was the best part of her day.
Susan Mallery (High-Powered, Hot-Blooded)
This story created a sensation when it was first told. It appeared in the papers and many big Physicists and Natural Philosophers were, at least so they thought, able to explain the phenomenon. I shall narrate the event and also tell the reader what explanation was given, and let him draw his own conclusions. This was what happened. A friend of mine, a clerk in the same office as myself, was an amateur photographer; let us call him Jones. Jones had a half plate Sanderson camera with a Ross lens and a Thornton Picard behind lens shutter, with pneumatic release. The plate in question was a Wrattens ordinary, developed with Ilford Pyro Soda developer prepared at home. All these particulars I give for the benefit of the more technical reader. Mr. Smith, another clerk in our office, invited Mr. Jones to take a likeness of his wife and sister-in-law. This sister-in-law was the wife of Mr. Smith's elder brother, who was also a Government servant, then on leave. The idea of the photograph was of the sister-in-law. Jones was a keen photographer himself. He had photographed every body in the office including the peons and sweepers, and had even supplied every sitter of his with copies of his handiwork. So he most willingly consented, and anxiously waited for the Sunday on which the photograph was to be taken. Early on Sunday morning, Jones went to the Smiths'. The arrangement of light in the verandah was such that a photograph could only be taken after midday; and so he stayed there to breakfast. At about one in the afternoon all arrangements were complete and the two ladies, Mrs. Smiths, were made to sit in two cane chairs and after long and careful focussing, and moving the camera about for an hour, Jones was satisfied at last and an exposure was made. Mr. Jones was sure that the plate was all right; and so, a second plate was not exposed although in the usual course of things this should have been done. He wrapped up his things and went home promising to develop the plate the same night and bring a copy of the photograph the next day to the office. The next day, which was a Monday, Jones came to the office very early, and I was the first person to meet him. "Well, Mr. Photographer," I asked "what success?" "I got the picture all right," said Jones, unwrapping an unmounted picture and handing it over to me "most funny, don't you think so?" "No, I don't ... I think it is all right, at any rate I did not expect anything better from you ...", I said. "No," said Jones "the funny thing is that only two ladies sat ..." "Quite right," I said "the third stood in the middle." "There was no third lady at all there ...", said Jones. "Then you imagined she was there, and there we find her ..." "I tell you, there were only two ladies there when I exposed" insisted Jones. He was looking awfully worried. "Do you want me to believe that there were only two persons when the plate was exposed and three when it was developed?" I asked. "That is exactly what has happened," said Jones. "Then it must be the most wonderful developer you used, or was it that this was the second exposure given to the same plate?" "The developer is the one which I have been using for the last three years, and the plate, the one I charged on Saturday night out of a new box that I had purchased only on Saturday afternoon." A number of other clerks had come up in the meantime, and were taking great interest in the picture and in Jones' statement. It is only right that a description of the picture be given here for the benefit of the reader. I wish I could reproduce the original picture too, but that for certain reasons is impossible. When the plate was actually exposed there were only two ladies, both of whom were sitting in cane chairs. When the plate was developed it was found that there was in the picture a figure, that of a lady, standing in the middle. She wore a broad-edged dhoti (the reader should not forget that all the characters are Indians), only the upper half of her
Anonymous
Suddenly, there’s a movement down by my belly. I look down. Pete’s lap is moving? “Seriously, Pete,” I say. “This is not the place.” He chuckles and drops onto a sofa. The hand warmer of his hoodie is wiggling, moving up and down. “Why don’t you come and see what I got for you?” he says, waggling his eyebrows. A laugh escapes my throat, even though I say, “That is so not funny.” “Come on, little girl,” he taunts. “Come and see what’s in my pocket.” His hoodie is definitely wiggling, and there’s something in there. I go sit beside him, and he arches his hips toward me when I reach out and press gently on the lump. “Keep going,” he says. His voice is suddenly hoarse. I reach into the side of the pocket and feel a cold nose sniff my hand. I lift the edge and look down. “What’s that?” I ask, but I’m already smiling. “That’s your present,” he says. He’s still smirking. “I just got back from the vet with her. She got deflead and dewormed and had her ears cleaned and got tested for kitty diseases. She’s healthy.” He pulls her out, and she’s so tiny she fits in the palm of his hand. “I got a litter box and some food and stuff, too,” he says. He’s watching me, almost like he’s waiting for me to shove it at him and start screaming. She’s teeny weenie, and she has orange hair. “What’s her name?” I ask. He shrugs. “That’s up to you.” “Ginger,” I say. “She’s a Ginger.” I lift her to my cheek, and she nuzzles me. “Is she really mine?” “Well,” he says, grinning, “If I wanted some pussy of my own, I would just ask for some.” I startle. But then I realize what he said is so freaking ludicrous that I start to laugh. It’s a deep belly laugh, and I can barely catch my breath. I lean over and kiss him. “You want some, all you have to do is ask,” I say. He growls low in his throat and pulls me in so he can kiss me.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
I’ll never be put in a box and lowered into the earth. I’ll never grow old and watch the veins on my hands begin to work their way out of my skin. … It was funny, now, the way all the inner workings of old people moved to the outside. Their muscles and their sinews got hard and ropy and hung on the outside of their skins. Their veins rose up, so where you hadn’t been able to see them before you could see them now. There were little blue ones that appeared on the forehead, jagged like a saw blade, where the skin had once been smooth. There were others like cords wrapping their way across the backs of hands, and along legs. And pulses turned up where they never had been before. The throat one now, you didn’t even know it was there, until one day you saw it, naked and exposed, pumping your blood for everybody to see. … I won’t be like that, Margaret thought. I won’t ever get old and I won’t ever die. I couldn’t. …
Shirley Ann Grau (The Keepers of the House)
What…the…” I breathed. “You were married to…” I blinked. “Wait,” I said to my mother, “you were married?” “To your father,” my mother returned. “Until he died.” “Then does that mean…” I blinked again, and turned to Reed, who gave me a shrug and a shake of the head. “You’re my brother?” Reed nodded. “Half, anyway.” Kat spoke up, drawing my attention along with everyone else’s. “What…the hell is going on here? Can I go yet?” “Stay where you are, Kitten,” my mother snapped at her. “My name is Kat!” A withering glare from my mother caused Kat to flinch. “Yes, ma’am,” she said, chastened. “So Sienna and this dude are brother and sister?” Clary piped up from behind me. “Cuz I thought I caught ro-mantic tension between them. Heh,” he guffawed. “Guess it’s more like BRO-mantic tension!” He burst out in uncontrolled laughter which was echoed by no one. “What?” He turned to Bastian. “Roberto, that is funny! Come on!” I turned to Reed. “All this time you’ve been playing Leia to my Luke and you never told me?” He frowned. “What? I’m totally Luke. You’re the girl. Can you make objects move through the air?” He raised his finger and I felt a gust of wind blow my hair. “No? I’m Luke. You’re Leia. Get it straight.” “So who’s Han Solo?” Clary asked seriously. “And Darth Vader?” “I’m going to kill every last one of you pathetic geeks,” my mother said. “And I’m not even going to be nice about it. I’m going to just start draining souls. Will you please stop with the moronic Star Wars references? The movies came out in the 1970s. Most of you weren’t even born then. Move on with your lives.
Robert J. Crane (Family (The Girl in the Box, #4))
Yo mama is so poor… she put a Happy Meal on layaway! Yo mama is so poor… burglars break into her house and leave money! Yo mama is so poor… her TV has two channels: ON and OFF! Yo mama is so poor… her face is on a foodstamp! Yo mama is so poor… when it rains she says, “Shower time!” Yo mama is so poor… thieves rob her house for practice! Yo mama is so poor… she hangs toilet paper out to dry! Yo mama is so poor… she waves around a popsicle stick and calls it air conditioning. Yo mama is so poor… she was in K-Mart with a box of Hefty bags. I said, what are ya doing? She said, “Buying luggage.” Yo mama is so poor… birds throw bread at her! Yo mama is so poor… it took her a year to save a penny! Yo mama is so poor… a tornado hit her house and did a home improvement! Yo mama is so poor… when I ring the doorbell she says, DING! Yo mama is so poor… when her friend came over to use the bathroom she said, “Ok, choose a corner.” Yo mama is so poor… the last time she smelled a hot meal was when a rich man farted! Yo mama is so poor… she can’t even afford a Payday! Yo mama is so poor… she drives a poor-shhh! Yo mama is so poor… I jumped in a puddle and she scolded me for messing up her bath tub! Yo mama is so poor… I stepped in her house and fell into the backyard. Yo mama is so poor… your family ate cereal with a fork to save milk. Yo mama is so poor… she got caught stealing from Dollar General! Yo mama is so poor… the roaches pay the light bill! Yo mama is so poor… she can't afford to pay attention! Yo mama is so poor… I walked in her house and stepped on a cigarette, and your mom said, “Who turned off the lights?” Yo mama is so poor… when I saw her kicking a can down the street, I asked her what she was doing and she said, “Moving.
Johnny B. Laughing (Yo Mama Jokes Bible: 350+ Funny & Hilarious Yo Mama Jokes)