Moving Animations Funny Quotes

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There is probably no better or more reliable measure of whether a woman has spent time in ugly duckling status at some point or all throughout her life than her inability to digest a sincere compliment. Although it could be a matter of modesty, or could be attributed to shyness- although too many serious wounds are carelessly written off as "nothing but shyness"- more often a compliment is stuttered around about because it sets up an automatic and unpleasant dialogue in the woman's mind. If you say how lovely she is, or how beautiful her art is, or compliment anything else her soul took part in, inspired, or suffused, something in her mind says she is undeserving and you, the complimentor, are an idiot for thinking such a thing to begin with. Rather than understand that the beauty of her soul shines through when she is being herself, the woman changes the subject and effectively snatches nourishment away from the soul-self, which thrives on being acknowledged." "I must admit, I sometimes find it useful in my practice to delineate the various typologies of personality as cats and hens and ducks and swans and so forth. If warranted, I might ask my client to assume for a moment that she is a swan who does not realzie it. Assume also for a moment that she has been brought up by or is currently surrounded by ducks. There is nothing wrong with ducks, I assure them, or with swans. But ducks are ducks and swans are swans. Sometimes to make the point I have to move to other animal metaphors. I like to use mice. What if you were raised by the mice people? But what if you're, say, a swan. Swans and mice hate each other's food for the most part. They each think the other smells funny. They are not interested in spending time together, and if they did, one would be constantly harassing the other. But what if you, being a swan, had to pretend you were a mouse? What if you had to pretend to be gray and furry and tiny? What you had no long snaky tail to carry in the air on tail-carrying day? What if wherever you went you tried to walk like a mouse, but you waddled instead? What if you tried to talk like a mouse, but insteade out came a honk every time? Wouldn't you be the most miserable creature in the world? The answer is an inequivocal yes. So why, if this is all so and too true, do women keep trying to bend and fold themselves into shapes that are not theirs? I must say, from years of clinical observation of this problem, that most of the time it is not because of deep-seated masochism or a malignant dedication to self-destruction or anything of that nature. More often it is because the woman simply doesn't know any better. She is unmothered.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
As a group, they looked wounded. It was funny how men could look that way. For years they could violently finger and push just the tip in, all the while saying, Just the tip, just for a second, not like a question but like a mantra. They could thoughtlessly fuck you from behind, their hips on hydraulics. They could be tired, sick, sad, rageful over having the flu, yet their hips would be completely fine moving back and forth like a car part. Men were dependable fuckers. But suddenly they could look sad like that. After all, they were only trying to make conversation.
Lisa Taddeo (Animal)
BALLOONS Since Christmas they have lived with us, Guileless and clear, Oval soul-animals, Taking up half the space, Moving and rubbing on the silk Invisible air drifts, Giving a shriek and pop When attacked, then scooting to rest, barely trembling. Yellow cathead, blue fish--- Such queer moons we live with Instead of dead furniture! Straw mats, white walls And these traveling Globes of thin air, red, green, Delighting The heart like wishes or free Peacocks blessing Old ground with a feather Beaten in starry metals. Your small Brother is making His balloon squeak like a cat. Seeming to see A funny pink world he might eat on the other side of it, He bites, Then sits Back, fat jug Contemplating a world clear as water. A red Shred in his little fist. --written 5 Feburary 1963
Sylvia Plath (The Collected Poems)
Love is funny. Even though you don’t have that person anymore, you still have the feeling. You didn’t lose your love. You lost the tangible, tactile, sense-sational ability to experience the person or animal you lost. Grief is all about not being able to touch anymore. Not being able to use your senses to experience them on a physical level. They’ve moved beyond an impenetrable veil, beyond your hands and mouth and eyes.
Karen Marie Moning (High Voltage (Fever, #10))
Whenever a goal is achieved, something funny happens: the character in the animation eats the answer, gets indigestion, gets a funny look on its face, or makes some slapstick move that is unexpected enough to keep the child attentive. This “reward” is a crucial feature of the program, because each time the child is rewarded, his brain secretes such neurotransmitters as dopamine and acetylcholine, which help consolidate the map changes he has just made. (Dopamine reinforces the reward, and acetylcholine helps the brain “tune in” and sharpen memories.)
Norman Doidge (The Brain That Changes Itself: Stories of Personal Triumph from the Frontiers of Brain Science)
Sometimes I fixate on how disgusting humans are. I think about how we do things like litter and invent nuclear bombs. I think about racism, war, rape, child abuse, and climate change. I think about how gross people are. I think about public bathrooms, armpits, and about all of our dirty hands. I think about how infection and diseases are spread. I think about how every human has a butt, and about how disgusting that is. Other times I fixate on how endearing people are. We sleep on soft surfaces; we like to be cozy. When I see cats cuddled up on pillows, I find it sweet; we are like that too. We like to eat cookies and smell flowers. We wear mittens and hats. We visit our families even when we’re old. We like to pet dogs. We laugh; we make involuntary sounds when we find things funny. Laughing is adorable, if you really think about it. We have hospitals. We invented buildings meant to help repair people. Doctors and nurses study for years to work here. They come here every day just to patch other people up. If we discovered some other animal who created infrastructure in the anticipation that their little animal peers might get hurt, we would all be absolutely moved and amazed.
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
My shrink suggested that if I was going to continue traveling so much that I could look into getting a service animal expressly trained to provide emotional support to people with anxiety disorders. I considered getting Hunter S. Thomcat trained, but then I remembered that he gets spontaneous nervous diarrhea every time he's in a moving car, and I'd imagine that holding a cat who seems to have explosive plane dysentery wouldn't necessarily *help* my anxiety as give me something new (and horribly unsanitary) to be anxious about. I called around to different service-animal specialists and spoke to a woman who told me it's better to get an animal who has already been trained and has the right temperament. She also told me cats aren’t preferred emotional-support animals for anxiety disorder, but my cats hate dogs so I figured I was fucked, but then she told me that the Americans with Disabilities Act was recently interpreted as allowing “people with anxiety disorders to travel with an emotional-support pony on airlines.” So basically I could bring a goddamn pony on board with me. I’m pretty sure a pony wouldn’t fit under my seat or in my lap, but I rather liked the idea of a small medicinal horse standing in the aisle beside me while I braided his mane. Plus, Pony Danza would make a great pack animal and instead of bringing suitcases I could just put my extra clothes on him and that way I wouldn’t have to pay to check a bag. Plus, the pony wouldn’t get cold because it would be wearing my pajamas.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
What did you say was chasing you?” Liz sighed in frustration. Apparently the Kindred weren’t big into stuffed animals. “It was this little fuzzy blue thing that came at me when I was in the kitchen—what you called the food-prep area,” she clarified, seeing his confusion. “At first I thought it was cute and tried to pet it. But then it opened its mouth and it had these long, sharp—Omigod! There it is!” She pointed behind Baird where the bright blue teddy bear had suddenly appeared. “Where?” He turned at once, putting himself between her and the perceived threat. Liv couldn’t help noticing he moved with incredible speed for such a large man. She waited breathlessly for the murderous teddy bear to attack but nothing happened. Then, to her dismay, Baird began to laugh. It was a deep, rumbling noise that came from the bottom of his chest and it might have been nice to hear if it wasn’t so obviously directed at her. “What?” Liv glared at him. “Would you mind telling me what’s so damn funny?” “I’m sorry, Olivia. It’s just…I can’t believe you were scared of Bebo.” Baird laughed again. “Bebo? What the hell is a Bebo?” Liv demanded, still keeping her distance from the bright blue teddy bear which was eyeing her mistrustfully. “Bebo’s his name. He’s a zicther—an animal native to my home world, Rageron.” “Rageron?” Liv frowned, wondering why the name of his home planet evoked strange images in her head. Baird nodded. “It’s a jungle planet with a helluva lot more scary animals than Bebo here.” He crouched down to scratch the little animal under its chin. Its large eyes closed and it made a sort of grunting purr as it submitted to his caress. “A jungle planet,” Liv murmured. “Only instead of green, most of the vegetation is blue.” “That’s right.” Baird looked up from where he was crouched on the floor, a startled expression on his chiseled features. “How did you know that?” “I saw it in a dream.” Liv blushed and looked down. “One of the dreams we shared I think. I saw you…never mind.” She shook her head. “Anyway, that accounts for his bright blue fur. I still don’t understand why he tried to attack me though.” “He tried to attack you?” Though he was clearly trying to keep the skepticism from his voice, Baird wasn’t succeeding too well. “Well, he bared his teeth at me!” Liv said, irritated. Of course now that its master was home the little animal was acting like butter wouldn’t melt in its alien mouth. Its alien mouth filled with shark teeth, she reminded herself. “That’s just a greeting stance. He probably did it because he was meeting you for the first time.” Baird rose and dusted blue feathery fur off his large hands. “I’m sorry if he scared you. He’s not dangerous though, just curious.” “Curious
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
Eliza woke with a start at an unusual noise. Her eyes widened, her heart refused to beat, and she tried to muffle a scream. She stayed motionless, too afraid to move, to breathe. Eliza’s blood drained from her face and she tried to rouse her companions without frightening the horrid creature, afraid at any moment it would attack. “Kitty! Thomas!” she squeaked, staying still. Neither of them moved. She called for them again, louder this time. Thomas jerked and grabbed at the pistol underneath his side. He stalled for a moment, looking back and forth before his body shook with a bellowing laugh. Awake and giggling, Kitty rested on her elbow next to Eliza. “Liza, how do you always attract those creatures?” “This isn’t funny! Why isn’t it moving? Get it off of me!” Eliza squealed. Her plea only made Thomas laugh harder. How could they possibly find humor in this? “Please! Get it off of me, one of you. Why doesn’t it just leave?” Eliza covered her mouth and breathed through her fingers while the large gray squirrel stared at her from tiny black eyes. “Allow me to rescue you from this dangerous attacker, fair maiden.” Thomas reached over and shooed the animal from its perch on Eliza’s lower leg. It scampered away as Thomas continued chuckling and wiping tears from his eyes. He winked and his smile softened, but not enough to soothe the waves of Eliza’s embarrassment that crashed against her. She sat up straight and pressed her hand to her chest as she tried to calm the rapid thumping of her heart. Thomas pointed out the cave with a tilt to his voice that announced his teasing. “You could have been killed.” His winsome smile almost took away the shame. Almost. “I’m glad you were both so entertained.
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
The horse was a glossy brown, with a brown mane. What caught my eye about it was a white line of hair that curved down its chest to run between its forelegs. On looking a bit closer, I saw that it was an old scar. The horse shook its head as I got closer, and buried its nose in my hair and took a deep breath. The hairs on its muzzle tickled my neck. I tried to move away, but the horse followed, breathing out and in again, filling my hair with its warm sweet breath. "He likes you." Marcus had handed off the packhorse to another warrior, and now sat astride his horse, with a shield on his back and a sword at his side. He looked my animal over with a considering eye. "A good, steady animal. You shouldn't have a problem with him." Which I took to mean that the animal would be slow, and one a sick granny couldn't fall off of. But at least I wasn't being toted around like a sack of flour anymore. I pulled myself into the saddle, noticing that this horse had a number of scrapes and scars on its legs and hindquarters. He'd seen quite a bit of action in his day. "What is his name?" "Name?" Marcus gave me a funny look. "We call them 'horses'." The others moved in around me. I noticed that Marcus placed himself so that his blind side was covered by Isdra. "I know they are horses, Marcus. What is this one's name?" "I suppose you will now tell me that city dwellers name all their horses." Marcus rolled his eye, and the others chuckled. I closed my mouth. "Tens of thousands of horses," Marcus continued, "and we should name them all. Pah." Rafe laughed out loud. "Now tell all, Marcus. We name stallions and mares." "Lead stallions. Lead mares. Not entire herds." Marcus gave my horse a withering glance. Its ears were flicking back and forth, as if following the conversation. "But how do you tell them apart? Or get them to come to you?" I asked as I mounted. "What's to tell?" Marcus asked. "Rafe's black, Prest's brown with the notched ear, Isdra's roan with the scarred whither. And they come because that is the way of things. And while you might think so, they don't all look alike. Any more than people do.
Elizabeth Vaughan (Warsworn (Chronicles of the Warlands, #2))
Remy had moved to England to spend his time avoiding having his head removed by the rest of his countrymen, while drinking himself into a steady oblivion. Unfortunately, he’d met a lovely young lady whom he proceeded to cheat on. She caught him and punished him. Witches have funny ideas when it comes to punishment. They tend to be creative. Her coven decided that if Remy was going to behave like an animal, they’d turn him into one. The idea was, according to Remy, they were going to turn him into a red fox, hand him over to a huntsman so he could be torn apart by their hounds at some point in the near future. The spell didn’t exactly work. The twelve members of the coven were using magic well beyond their capabilities and it ended up killing all of them and feeding their souls into Remy. Remy kept his intellect, his human nature and personality, while adding the life force of twelve young women to his newly changed body. Remy was now part man, part red fox. He was about three and a half feet tall, and covered in the fur of a red fox, from his fox muzzle to the tip of his bushy tail. He walked upright on legs that were more human in shape than animal, and had fingers, although each of them was tipped with a sharp claw. And he could talk, which allowed him to express his pissed-off-with-the-world nature on a regular basis.
Steve McHugh (Lies Ripped Open (Hellequin Chronicles #5))
Jesus, Kash!” “What are you doing?” “What are you doing? Why are you just standing out here like a creeper?” He smirked and followed me over to my apartment. “I’m trying to figure out why you’re army-crawling all over the breezeway and shouting for a candy bar.” “I’m not shouting for a candy bar, I’m looking for a cat that isn’t there.” One of his thick eyebrows rose and he bit down on his lip ring to try to hide his smile as he held my door open for us. “Mrs. Adams . . . isn’t exactly all there. She thinks she has cats and she doesn’t. And every Thursday since we moved in, she’s come knocking at eight thirty asking for me to help her look for them.” “And you help her, knowing they aren’t there?” “Well, I didn’t know the first time until I got into her apartment. Her cats are really stuffed animals and pillows.” “But you helped her every other time knowing what you know?” He’d stopped biting on that ring and his lips kept tilting up as he tried to control his smile. “Yeah, Kash, I did. Because no one else does, and don’t laugh at me! It’s not funny, I feel really bad for her! You should see how upset she gets over this.” I turned to walk into my room, but he caught me around my waist and hauled my body back to his. “I’m not laughing at you, Rach,” he mumbled huskily, and his gray eyes roamed my face. “I think it’s adorable that you help her. You’re really just a big softy, aren’t you?” Laughing when I growled at him, he continued to piss me off even more. “You’re like Sour Patch Kids candy.” “What the hell?” “Sour . . . then sweet.” “I will castrate you if you don’t let me go right now.
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))