Movie Dialogues Quotes

We've searched our database for all the quotes and captions related to Movie Dialogues. Here they are! All 100 of them:

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Politeness is the first thing people lose once they get the power.
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Amit Kalantri (Wealth of Words)
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I like wearing a blindfold while watching movies, so that I can focus on the dialogue. My favorite flicks are the silent movies.
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Jarod Kintz (This Book is Not for Sale)
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You need mountains, long staircases don't make good hikers.
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Amit Kalantri (Wealth of Words)
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All worries are less with wine.
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Amit Kalantri (Wealth of Words)
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I'm a damsel, I'm in distress, I can handle this. Have a nice day!
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Walt Disney Company
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The job of feets is walking, but their hobby is dancing.
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Amit Kalantri (Wealth of Words)
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Great losses are great lessons.
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Amit Kalantri (Wealth of Words)
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She'd made him watch every Alien movie. Most of the goriest scenes were accompanied by his dialogue: 'Ach, that's no' - that's just no' right.... Bloody hell, this canna be right.
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Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
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Take care of your costume and your confidence will take care of itself.
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Amit Kalantri (Wealth of Words)
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Desi, Desi, Desi what am I going to do with you? (Kyrian) Don't you dare take that flippant tone with me! (Desiderius) Why ever not? (Kyrian) Because I am not some scared little Daimon to run cringing from you. I am your worst nightmare. (Desiderius) Must you resort to cliches? C'mon, Desidisastrous, couldn't you think of anything more original than that B-movie dialogue staple? (Kyrian)
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Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
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Anger gets you into trouble, ego keeps you in trouble.
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Amit Kalantri (Wealth of Words)
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Seeing the mud around a lotus is pessimism, seeing a lotus in the mud is optimism.
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Amit Kalantri (Wealth of Words)
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Be a worthy worker and work will come.
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Amit Kalantri (Wealth of Words)
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Father has a strengthening character like the sun and mother has a soothing temper like the moon.
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Amit Kalantri (Wealth of Words)
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You never did forgive me, did you?' 'Forgive? There was nothing to forgive. If anything, I'm grateful for everything. I remember good things only.' I had heard people say this in movies. They seemed to believe it.
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AndrΓ© Aciman (Call Me by Your Name)
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Hunger gives flavour to the food.
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Amit Kalantri (Wealth of Words)
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Music shouldn't be just a tune, it should be a touch.
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Amit Kalantri (Wealth of Words)
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My favourite characters are people who think they’re normal but they’re not. I live in Baltimore, and it’s full of people like that. I’ve also lived in New York, which is full of people who think they’re crazy, but they’re completely normal. I get my best material in Baltimore – you get dialogue that you just couldn’t imagine. I asked this guy in a bar what he did for a living and he said he traded deer meat for crack. I never realised that job even existed. You could make a whole movie about that person. And he was kind of cute too, if you could ignore his eyes rolling around his head. Although I did crack once, accidentally, and I thought: Oh my God, what, am I gonna rob my parents now? I prefer poppers – they’re legal in London, right? I used to do them on roller coasters. They’re illegal in Provincetown, which is the gay fishing village where I live in the summer. In the airport there are signs warning you to get rid of your poppers.
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John Waters
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Arrogant men with knowledge make more noise from their mouth than making a sense from their mind.
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Amit Kalantri (Wealth of Words)
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Respect cannot be inherited, respect is the result of right actions.
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Amit Kalantri (Wealth of Words)
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In your name, the family name is at last because it's the family name that lasts.
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Amit Kalantri (Wealth of Words)
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The decision is your own voice, an opinion is the echo of someone else's voice.
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Amit Kalantri (Wealth of Words)
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Some people when they see cheese, chocolate or cake they don't think of calories.
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Amit Kalantri (Wealth of Words)
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Mixing old wine with new wine is stupidity, but mixing old wisdom with new wisdom is maturity.
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Amit Kalantri (Wealth of Words)
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Common man's patience will bring him more happiness than common man's power.
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Amit Kalantri (Wealth of Words)
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Some of us can live without a society but not without a family.
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Amit Kalantri (Wealth of Words)
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A farmer is a magician who produces money from the mud.
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Amit Kalantri (Wealth of Words)
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you have to leave something behind to go forward -Newton's Third Law of Motion
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Greg Keyes (Interstellar)
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Health is hearty, health is harmony, health is happiness.
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Amit Kalantri (Wealth of Words)
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During your struggle society is not a bunch of flowers, it is a bunch of cactus.
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Amit Kalantri (Wealth of Words)
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If you can't impress them with your argument, impress them with your actions.
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Amit Kalantri (Wealth of Words)
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War is not just the shower of bullets and bombs from both sides, it is also the shower of blood and bones on both sides.
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Amit Kalantri (Wealth of Words)
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Networking isn't how many people you know, it's how many people know you.
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Amit Kalantri (Wealth of Words)
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A slip of the foot may injure your body, but a slip of the tongue will injure your bond.
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Amit Kalantri (Wealth of Words)
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Do you like manga?" she asked after a minute. "Anime?" "Anime's cool. I'm not really into it, but 1 like Japanese movies, animated or not." "Well, I'm into it. I watch the shows, read the books, chat on the boards, and all that. But this girl I know, she's completely into it. She spends most of her allowance on the books and DVDs. She can recite dialogue from them." She caught my gaze. "So would you say she belongs here?" "No. Most kids are that way about something, right? With me, it's movies. Like knowing who directed a sci-fi movie made before I was born.
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Kelley Armstrong (The Summoning (Darkest Powers, #1))
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Travelling shouldn't be just a tour, it should be a tale.
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Amit Kalantri
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Music is the fastest motivator in the world.
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Amit Kalantri (Wealth of Words)
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With right fashion, every female would be a flame.
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Amit Kalantri (Wealth of Words)
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Fail soon so that you can succeed sooner.
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Amit Kalantri (Wealth of Words)
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Things are going so well. We’re volleying words back and forth. Everything she says, I have something I can say back. We’re sparking, and part of me just wants to sit back and watch. We’re clicking. Not because a part of me is fitting into a part of her. But because our words are clicking into each other to form sentences and our sentences are clicking into each other to form dialogue and our dialogue is clicking together to form this scene from this ongoing movie that’s as comfortable as it is unrehearsed.
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David Levithan (Nick & Norah's Infinite Playlist)
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Parents expect only two things from their children, obedience in their childhood and respect in their adulthood.
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Amit Kalantri (Wealth of Words)
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Travelling the road will tell you more about the road than the google will tell you about the road.
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Amit Kalantri
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Today it is cheaper to start a business than tomorrow.
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Amit Kalantri (Wealth of Words)
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If she says goodbye, someone else will say hi.
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Amit Kalantri (Wealth of Words)
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If thinking should precede acting, then acting must succeed thinking.
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Amit Kalantri (Wealth of Words)
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It's time to shop high heels if your fiance kisses you on the forehead.
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Amit Kalantri (Wealth of Words)
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During a conversation, listening is as powerful as loving.
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Amit Kalantri (Wealth of Words)
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In modern times couples are more concerned about loyalty than love.
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Amit Kalantri (Wealth of Words)
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Before you worry about the beauty of your body, worry about the health of your body.
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Amit Kalantri (Wealth of Words)
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Cowards say it can't be done, critics say it shouldn't have been done, creator say well done.
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Amit Kalantri (Wealth of Words)
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He who sacrifices his respect for love basically burns his body to obtain the light.
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Amit Kalantri (Wealth of Words)
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Good becomes better by playing against better, but better doesn't become the best by playing against good.
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Amit Kalantri (Wealth of Words)
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The mistakes of the world are warning message for you.
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Amit Kalantri (Wealth of Words)
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In the business people with expertise, experience and evidence will make more profitable decisions than people with instinct, intuition and imagination.
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Amit Kalantri (Wealth of Words)
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Fashion doesn't make you perfect, but it makes you pretty.
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Amit Kalantri (Wealth of Words)
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The smell of the sweat is not sweet, but the fruit of the sweat is very sweet.
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Amit Kalantri (Wealth of Words)
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Faster is fatal, slower is safe.
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Amit Kalantri (Wealth of Words)
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You can not control the thought, but you can control the tongue.
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Amit Kalantri (Wealth of Words)
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You cannot intimidate people with real bullets, but you can intimidate them with fake gun.
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Amit Kalantri
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Be a true traveller, don't be a temporary tourist.
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Amit Kalantri
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In general, poor is polite and rich is rude.
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Amit Kalantri (Wealth of Words)
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Any girl with a grin never looks grim.
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Amit Kalantri (Wealth of Words)
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If the farmer is rich, then so is the nation.
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Amit Kalantri (Wealth of Words)
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My spouse is my shield, my spouse is my strength.
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Amit Kalantri (Wealth of Words)
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What luck has gave you will probably leave you.
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Amit Kalantri (Wealth of Words)
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Passion makes you good, but pride stops you to get better.
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Amit Kalantri (Wealth of Words)
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A professional who doesn't deliver as committed is not just lazy, he is a liar.
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Amit Kalantri (Wealth of Words)
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In a democracy, there will be more complaints but less crisis, in a dictatorship more silence but much more suffering.
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Amit Kalantri (Wealth of Words)
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Power does not pardon, power punishes.
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Amit Kalantri (Wealth of Words)
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Texting is not talking and a phone is not a friend.
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Amit Kalantri (Wealth of Words)
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He'd discovered that his memories of that summer were like bad movie montages - young lovers tossing a Frisbee in the park, sharing a melting ice-cream cone, bicycling along the river, laughing, talking, kissing, a sappy score drowning out the dialogue because the screenwriter had no idea what these two people might say to each other.
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Richard Russo (That Old Cape Magic)
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Seed becomes tree, son becomes stranger.
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Amit Kalantri (Wealth of Words)
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Sacrifice of the self is sheer stupidity if sacrifice is not for the self.
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Amit Kalantri
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Travel teaches as much as a teacher.
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Amit Kalantri
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Uniform of a soldier and uniform of a student both are equally needed for the nation.
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Amit Kalantri (Wealth of Words)
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When you were making excuses someone else was making enterprise.
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Amit Kalantri (Wealth of Words)
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The wrong man is not always wrong because of his wrong actions, often he is wrong because of no actions.
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Amit Kalantri (Wealth of Words)
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A true professional not only follows but loves the processes, policies and principles set by his profession.
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Amit Kalantri (Wealth of Words)
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In united families, they might sleep with half filled stomach but no one sleeps with empty stomach.
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Amit Kalantri (Wealth of Words)
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You cannot choose your face but you can choose your dress.
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Amit Kalantri (Wealth of Words)
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Look, I can explain everything” was the most commonly used line of dialogue in the history of American movies
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Richard Yates (Young Hearts Crying)
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It is always healthy to be honest.
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Amit Kalantri
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Education makes your maths better, not necessarily your manners.
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Amit Kalantri (Wealth of Words)
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Don't always use prudence for precaution, sometimes use it for progress.
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Amit Kalantri (Wealth of Words)
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Civilians enjoy their time because soldiers sacrifice their time.
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Amit Kalantri (Wealth of Words)
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Before we complicated life with money, machines and missiles we did well with morals, manpower and meetings.
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Amit Kalantri (Wealth of Words)
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With discipline, you can lose weight, you can excel in work, you can win the war.
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Amit Kalantri (Wealth of Words)
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A good swordsman is more important than a good sword.
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Amit Kalantri (Wealth of Words)
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Routine ruins the life, variety vitalise the life.
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Amit Kalantri (Wealth of Words)
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Don't mention your move before you make a move.
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Amit Kalantri (Wealth of Words)
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Hands can cook, hands can create, hands can kill. There is no better tool than our hands.
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Amit Kalantri (Wealth of Words)
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In a movie, dialogues take the story forward and background sounds give dramatic effect. So many people are saying so many things in your life. React to only those with whom you want to take your story forward. Regard the rest as background sounds.
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Shunya
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Our inner dialogue is frequently composed of old tape loops that we run again and again... The normal personality marshals sufficient defense mechanisms to exclude dangerous and unknown stimuli and just enough windows to let in an occasional wandering minstrel. Neurotic identity crises come when our defense mechanisms have been too successful and we're encapsulated in the fortress we have constructed with nothing to refresh us in our solitary confinement. So we play the old movies with their stale fears and their unrealistic hopes until we become bored enough to risk disarmament and engagement.
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Sam Keen (Inward Bound: Exploring the Geography of Your Emotions)
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Many of my all-time favorite movies are almost entirely verbal. The entire plot of My Dinner with Andre is β€œWallace Shawn and Andre Gregory eat dinner.” The entire plot of Before Sunrise is β€œEthan Hawke and Julie Delpy walk around Vienna.” But the dialogue takes us everywhere, and as Roger Ebert notes, of My Dinner with Andre, these films may be paradoxically among the most visually stimulating in the history of the cinema:
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Brian Christian (The Most Human Human: What Talking with Computers Teaches Us About What It Means to Be Alive)
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One evening at a remote provincial college through which I happened to be jogging on a protracted lecture tour, I suggested a little quizβ€”-ten definitions of a reader, and from these ten the students had to choose four definitions that would combine to make a good reader. I have mislaid the list, but as far as I remember the definitions went something like this. Select four answers to the question what should a reader be to be a good reader: 1. The reader should belong to a book club. 2. The reader should identify himself or herself with the hero or heroine. 3. The reader should concentrate on the social-economic angle. 4. The reader should prefer a story with action and dialogue to one with none. 5. The reader should have seen the book in a movie. 6. The reader should be a budding author. 7. The reader should have imagination. 8. The reader should have memory. 9. The reader should have a dictionary. 10. The reader should have some artistic sense. The students leaned heavily on emotional identification, action, and the social-economic or historical angle. Of course, as you have guessed, the good reader is one who has imagination, memory, a dictionary, and some artistic sense–-which sense I propose to develop in myself and in others whenever I have the chance.
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Vladimir Nabokov (Lectures on Literature)
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Fincher, Kubrick, Lucas, Spielberg, Del Toro, Tarantino. And, of course, Kevin Smith. I spent three months studying every John Hughes teen movie and memorizing all the key lines of dialogue. Only the meek get pinched. The bold survive. You could say I covered all the bases. I studied Monty Python. And not just Holy Grail, either. Every single one of their films, albums, and books, and every episode of the original BBC
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Ernest Cline (Ready Player One (Ready Player One, #1))
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Spontaneity is overrated. Movies and television shows would like us to believe that life is better for party goers who dare to jump into pools with their clothes on. But behind the scenes, it's all carefully scripted. The water is the right temperature. Lighting and angles are carefully considered. Dialogue is memorized. And that's why it's so appealing - because someone carefully planned it all. Once you realize this, life gets a whole lot simpler.
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Jenn Bennett (Starry Eyes)
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candor could not be more crucial to our creative process. Why? Because early on, all of our movies suck. That’s a blunt assessment, I know, but I make a point of repeating it often, and I choose that phrasing because saying it in a softer way fails to convey how bad the first versions of our films really are. I’m not trying to be modest or self-effacing by saying this. Pixar films are not good at first, and our job is to make them soβ€”to go, as I say, β€œfrom suck to not-suck.” This ideaβ€”that all the movies we now think of as brilliant were, at one time, terribleβ€”is a hard concept for many to grasp. But think about how easy it would be for a movie about talking toys to feel derivative, sappy, or overtly merchandise-driven. Think about how off-putting a movie about rats preparing food could be, or how risky it must’ve seemed to start WALL-E with 39 dialogue-free minutes. We dare to attempt these stories, but we don’t get them right on the first pass.
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Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
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Something not going well, Mr. Boxley?" The novelist looked back at him in thunderous silence. "I read your letter," said Stahr. The tone of the pleasant young headmaster was gone. He spoke as to an equal, but with a faint two-edged deference. "I can't get what I write on paper," broke out Boxley. "You've all been very decent, but it's a sort of conspiracy. Those two hacks you've teamed me with listen to what I say, but they spoil it--they seem to have a vocabulary of about a hundred words." "Why don't you write it yourself?" asked Stahr. "I have. I sent you some." "But it was just talk, back and forth," said Stahr mildly. "Interesting talk but nothing more." Now it was all the two ghostly attendants could do to hold Boxley in the deep chair. He struggled to get up; he uttered a single quiet bark which had some relation to laughter but non to amusement, and said: "I don't think you people read things. The men are duelling when the conversation takes place. At the end one of them falls into a well and has to be hauled up in a bucket." He barked again and subsided. Would you write that in a book of your own, Mr. Boxley?" "What? Naturally not." "You'd consider it too cheap." "Movie standards are different," said Boxley, hedging. "Do you ever go to them?" "No--almost never." "Isn't it because people are always duelling and falling down wells?" Yes--and wearing strained facial expressions and talking incredible and unnatural dialogue." "Skip the dialogue for a minute," said Stahr. "Granted your dialogue is more graceful than what these hacks can write--that's why we brought you out here. But let's imagine something that isn't either bad dialogue or jumping down a well.
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F. Scott Fitzgerald (The Love of the Last Tycoon)
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He was worried about his country. Something was rotting from the insideβ€”a slow decay of what was right and wrong. It was as if hundreds of cynical little rats were chewing at its very fiber, gnawing away year by year, until it was collapsing into a vat of gray slime and self-loathing. It had oozed under the doors of the classrooms, the newscasts, and in the movies and television shows and had slowly changed the national dialogue until it was now a travesty to be proud of your country, foolish to be patriotic, and insensitive to even suggest that people take care of themselves. History was being rewritten by the hour, heroes pulled down to please the political correctors. We were living in a country where there was freedom of speech for some, but not all. What was it going to take to get America back on track? Would everything they had fought for be forgotten? He was so glad he and Norma had grown up when they had. They had come of age in such an innocent time, when people wanted to work and better themselves. Now the land of the free meant an entirely different thing. Each generation had become a weaker version of the last, until we were fast becoming a nation of whiners and people looking for a free rideβ€”even expecting it. Hell, kids wouldn’t even leave home anymore. He felt like everything was going downhill.
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Fannie Flagg (The Whole Town's Talking)