Mounted Shooting Quotes

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We won't be seeing you,' Fred told Professor Umbridge, swinging his leg over his broomstick. 'Yeah, don't bother to keep in touch,' said George, mounting his own. Fred looked around at the assembled students, and at the silent, watchful crowd. 'If anyone fancies buying a Portable Swamp, as demonstrated upstairs, come to number ninety-three, Diagon Alley — Weasleys' Wizard Wheezes,' he said in a loud voice, 'Our new premises!' 'Special discounts to Hogwarts students who swear they're going to use our products to get rid of this old bat,' added George, pointing at Professor Umbridge. 'STOP THEM!' shrieked Umbridge, but it was too late. As the Inquisitorial Squad closed in, Fred and George kicked off from the floor, shooting fifteen feet into the air, the iron peg swinging dangerously below. Fred looked across the hall at the poltergeist bobbing on his level above the crowd. 'Give her hell from us, Peeves.' And Peeves, who Harry had never seen take an order from a student before, swept his belled hat from his head and sprang to a salute as Fred and George wheeled about to tumultuous applause from the students below and sped out of the open front doors into the glorious sunset.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
In a fight with Comanches, dismounting on open ground was like signing your own death warrant. Men on foot against mounted men moving 20-30 miles per hour who could shoot twelve arrows in the time it took to reload a rifle and fire it once was not a fair fight.
S.C. Gwynne (Empire of the Summer Moon)
Gail and Lonny find me as I’m tugging on my shirt. I can’t wait until my clothes start fitting normal again and aren’t uncomfortably tight around the chest. I can’t wait to go back to all the familiar comics T-shirts that don’t fit me at this bulked-out size. “Well?” Gail says. “How is it? How do you feel?” “I can eat bacon again!” I yell, throwing up a fist. “All the bacon! Bacon or bust!” “Yes!” Gail cheers. “After your promo shoots, you absolutely can!” My cries of glee turn into an actual sob. I quickly shove my face into my arm. Thank god it’s just Gail. She pats me on the shoulder. “I know,” she says. “But you’ll get to have it soon, and then—” “No.” I swallow and shake my head, wiping my eyes with the back of my hand. “It’s not the bacon.” I mean, it is but it’s also not. I’m overcome right now with everything. These last few months leading up to the shoot, the mounting pressure, the twenty-three days of high stress and rabbit food and Elle. All of it. “Why does it have to be so hard?” “Getting a six pack?” I give her a feeble smile. “I am more than my body, thank you.
Ashley Poston (Geekerella (Once Upon a Con, #1))
If Nick were on a quest to return the One Ring to the fiery pits of Mount Doom, Jai Hazenbrook would totally be the hot-as-fuck elf in tight leather pants who could shoot the left testicle off an orc at a thousand paces. Whereas Nick, of course, would be the short hairy-footed guy who liked beer and fireworks and second breakfasts. Even in his fantasy worlds, Nick is a realist.
Lisa Henry (Adulting 101)
Ruining you now would be like shooting a squirrel and mounting its head. Nobody would be impressed.
John Sandford (Ocean Prey (Lucas Davenport #31, Virgil Flowers #13))
Some fathers have made themselves over into convincing replicas of beautiful sea animals, and some into convincing replicas of people they hated as children. Some fathers are goats, some are milk, some teach Spanish in cloisters, some are exceptions, some are capable of attacking world economic problems and killing them, but have not yet done so, they are waiting for one last vital piece of data. Some fathers strut but most do not, except inside; some fathers pose on horseback but most do not, except in the eighteenth century; some fathers fall off the horses they mount but most do not; some fathers, after falling off the horse, shoot the horse, but most do not; some fathers fear horses, but most fear, instead, women; some fathers masturbate because they fear women; some fathers sleep with hired women because they fear women who are free; some fathers never sleep at all, but are endlessly awake, staring at their futures, which are behind them.
Donald Barthelme (The Dead Father)
Probably the most wasteful and pointless aspect of The Room’s production was Tommy’s decision to simultaneously shoot his movie with both a 35mm film camera and a high-definition (HD) camera. In 2002, an HD and 35mm film camera cost around $250,000 combined; the lenses ran from $20,000 to $40,000 apiece. And, of course, you had to hire an entirely different crew to operate this stuff. Tommy had a mount constructed that was able to accommodate both the 35mm camera and HD camera at the same time, meaning Tommy needed two different crews and two different lighting systems on set at all times. The film veterans on set had no idea why Tommy was doing this. Tommy was doing this because he wanted to be the first filmmaker to ever do so. He never stopped to ask himself why no one else had tried.
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made)
The whole country had gone through a spasm of shudders during those eight months, but she had hardly noticed. The marches, the cops in their crash helmets and gas masks, the mounting attacks on the press by Agnew, the Kent State shootings, the summer of violence as blacks and radical groups took to the streets—those things might have happened on some TV late show.
Stephen King (The Dead Zone)
We have never understood why men mount the heads of animals and hang them up to look down on their conquerors. Possibly it feels good to these men to be superior to animals, but it does seem that if they were sure of it they would not have to prove it. Often a man who is afraid must constantly demonstrate his courage and, in the case of the hunter, must keep a tangible record of his courage.
John Steinbeck
A favorite pastime of soldiers on long mounted patrols was testing each other with impossible hypotheticals. They were an endearing yet vulgar form of moral drama, but only because the alternative was to contemplate being blown up by an illiterate goat herder’s morning project. “What would you rather do, have sex with your sister or shoot your mother?” “Would you rather pick up a baby with a pitchfork, or throw a paraplegic in a fire?” In one form or another, these young men were weighing the relative value of human life in real terms, perhaps as a surrogate for murkier thoughts that might otherwise be in the forefront, such as, “Why am I risking my life in this wasteland?” or “Whose life is worth more, that of my best friend in the gun turret or of some Iraqi kid I’ve never met?” It passed the time.
Mike MacLeod
The sight of this woman infringing on the privacy of others so aggressively and casually sent revulsion through my entire being. What was she doing? Hunting big game? Were the people in this small village home just a quarry to be stalked, a trophy later to be mounted on the wall? It was one of those moments when I felt ashamed to be linked with this thing we call photography. We photographers “shoot” and “capture”. We may insist that we “make” a photograph, but everyone knows we really take them.
Waswo X. Waswo (India Poems: The Photographs)
The World is currently facing a confluence of mounting shortages in three commodities essential to the continuance of human life on this planet: water, energy, and food. Those three elements combine into something much greater than the sum of its parts, a looming global disaster by 2030. By 2030 the demand for water will increase by 30 percent, while demands for both energy and food will shoot up 50 percent. All this will be driven by a global population increase to about 8 billion people, placing tremendous stress on our highly industrialized global food system.
John L. Casti (X-Events: The Collapse of Everything)
The attack was designed as a show of overwhelming strength for which the audience was not the already conquered people of Bukhara, but the still distant army and people of Samarkand, the next city on his march. The Mongol invaders rolled up their newly constructed siege engines—catapults, trebuchets, and mangonels that hurled not only stones and fire, as besieging armies had done for centuries, but also pots of burning liquids, exploding devices, and incendiary materials. They maneuvered immense crossbows mounted on wheels, and great teams of men pushed in portable towers with retractable ladders from which they could shoot down at the defenders of the walls. At the same time that they attacked through the air, miners went to work digging into the earth to undermine the walls by sapping. During this awesome display of technological prowess in the air, on the land, and beneath the earth, Genghis Khan heightened the psychological tension by forcing prisoners, in some cases the captured comrades of the men still in the citadel, to rush forward until their bodies filled the moat and made live ramparts over which other prisoners pushed the engines of war.
Jack Weatherford (Genghis Khan and the Making of the Modern World)
I am sure you’re very pleased to have a pair of foxes,” Kestrel told Irex now, “but you’ll have to do better.” “I set down my tile,” Irex said coldly. “I cannot take it back.” “I’ll let you take it back. Just this once.” “You want me to take it back.” “Ah. So you agree that I know what tile you mean to play.” Benix shifted his weight on Lady Faris’s delicate chair. It creaked. “Flip the damn tile, Irex. And you, Kestrel: Quit toying with him.” “I’m merely offering friendly advice.” Benix snorted. Kestrel watched Irex watch her, his anger mounting as he couldn’t decide whether Kestrel’s words were a lie, the well-meant truth, or a truth she hoped he would judge a lie. He flipped the tile: a fox. “Too bad,” said Kestrel, and turned over one of hers, adding a third bee to her other two matching tiles. She swept the four gold coins of the ante to her side of the table. “See, Irex? I had only your best interests at heart.” Benix blew out a gusty sigh. He settled back in his protesting chair, shrugged, and seemed the perfect picture of amused resignation. He kept his head bowed while he mixed the Bite and Sting tiles, but Kestrel saw him shoot Irex a wary glance. Benix, too, had seen the rage that turned Irex’s face into stone. Irex shoved back from the table. He stalked over the flagstone terrace to the grass, which bloomed with the highest members of Valorian society. “That wasn’t necessary,” Benix told Kestrel. “It was,” she said. “He’s tiresome. I don’t mind taking his money, but I cannot take his company.” “You couldn’t spare a thought for me before chasing him away? Maybe I would like a chance to win his gold.” “Lord Irex can spare it,” Ronan added. “Well, I don’t like poor losers,” said Kestrel. “That’s why I play with you two.” Benix groaned. “She’s a fiend,” Ronan agreed cheerfully. “Then why do you play with her?” “I enjoy losing to Kestrel. I will give anything she will take.” “While I live in hope to one day win,” Benix said, and gave Kestrel’s hand a friendly pat. “Yes, yes,” Kestrel said. “You are both fine flatterers. Now ante up.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
In nearly all of the country’s nineteen thousand municipalities,117 declining or stagnant property tax revenues, along with mounting costs, have reached crisis proportions. The opioid crisis, the mass shootings, the rising rates of suicide, especially among middle-aged white males, the morbid obesity, the obsession with gambling, the investment of our emotional and intellectual life in tawdry spectacles, and the allure of magical thinking, from the absurd promises of the Christian right to the belief that reality is never an impediment to our desires, are the pathologies of a diseased culture. They have risen from a decayed world where opportunity, which confers status, self-esteem, and dignity, has dried up for most Americans. They are expressions of morbidity.
Chris Hedges (America: The Farewell Tour)
You who thoroughly cultivated loving-kindness are the spiritual guide of all beings. Unshakeable like Mount Meru, you remain utterly unperturbed. —THE KING OF MEDITATION SUTRA, CHAPTER 14 When the Buddha sat beneath the Bodhi Tree and the hordes of demons, known as maras, rose up around him, hurling spears and shooting arrows, his samadhi transformed the weapons into a rain of blossoms. Loving-kindness has the power to turn enemies into teachers and aggressions into adornments. It is the ground from which the other three immeasurables draw their power. When we train in loving-kindness, we expand outward into the experience of those around us. Our tightness loosens, our compassion grows. We feel the joys and sufferings of others more deeply, and we are moved to help them. We take delight in the successes of our friends. Our equanimity becomes rooted in an indestructibly pure intention, in which distance and closeness of relation are no longer relevant. This is why the Buddha said we can become unshakeable like Mount Meru.
Phakchok Rinpoche (In the Footsteps of Bodhisattvas: Buddhist Teachings on the Essence of Meditation)
Good to know,” Reacher said. “Tell your uncle no laws have been broken. Tell him he’s been paid for the room. Tell him I’ll see him later.” The guy on the right uncrossed his arms. The guy on the left said, “Are you going to be a problem?” “I’m already a problem,” Reacher said. “The question is, what are you going to do about it?” There was a pause, hot and lonely in the middle of nowhere, and then the two guys answered by brushing aside their coats, in tandem, casually, right-handed, both thereby showing black semi-automatic pistols, in pancake holsters, mounted on their belts. Which was a mistake, and Reacher could have told them why. He could have launched into a long and impatient classroom lecture, about sealing their fates by forcing a decisive battle too early, about short-circuiting a grander strategy by moving the endgame to the beginning. Threats had to be answered, which meant he was going to have to take their guns away, because probing pawns had to be sent back beaten, and because folks in Mother’s Rest needed to know for sure the next time he came to town he would be armed. He wanted to tell them it was their own fault. He wanted to tell them they had brought it on themselves. But he didn’t tell them anything. Instead he ducked his own hand under his own coat, grabbing at nothing but air, but the two guys didn’t know that, and like the good range-trained shooters they were they went for their guns and dropped into solid shooting stances all at once, which braced their feet a yard apart for stability, so Reacher stepped in and kicked the left-hand guy full in the groin, before the guy’s gun was even halfway out of its holster, which meant the right-hand guy had time to get his all the way out, but to no avail, because the next event in his life was the arrival of Reacher’s elbow, scything backhand against his cheekbone, shattering it and causing a general lights-out everywhere.
Lee Child (Make Me (Jack Reacher, #20))
Slothrop is just settling down next to a girl in a prewar Worth frock and with a face like Tenniel’s Alice, same forehead, nose, hair, when from outside comes this most godawful clanking, snarling, crunching of wood, girls come running terrified out of the eucalyptus trees and into the house and right behind them what comes crashing now into the pallid lights of the garden but—why the Sherman Tank itself! headlights burning like the eyes of King Kong, treads spewing grass and pieces of flagstone as it manoeuvres around and comes to a halt. Its 75 mm cannon swivels until it’s pointing through the French windows right down into the room. “Antoine!” a young lady focusing in on the gigantic muzzle, “for heaven’s sake, not now. . . .” A hatch flies open and Tamara—Slothrop guesses: wasn’t Italo supposed to have the tank?—uh—emerges shrieking to denounce Raoul, Waxwing, Italo, Theophile, and the middleman on the opium deal. “But now,” she screams, “I have you all! One coup de foudre!” The hatch drops—oh, Jesus—there’s the sound of a 3-inch shell being loaded into its breech. Girls start to scream and make for the exits. Dopers are looking around, blinking, smiling, saying yes in a number of ways. Raoul tries to mount his horse and make his escape, but misses the saddle and slides all the way over, falling into a tub of black-market Jell-o, raspberry flavor, with whipped cream on top. “Aw, no . . .” Slothrop having about decided to make a flanking run for the tank when YYYBLAAANNNGGG! the cannon lets loose an enormous roar, flame shooting three feet into the room, shock wave driving eardrums in to middle of brain, blowing everybody against the far walls. A drape has caught fire. Slothrop, tripping over partygoers, can’t hear anything, knows his head hurts, keeps running through the smoke at the tank—leaps on, goes to undog the hatch and is nearly knocked off by Tamara popping up to holler at everybody again. After a struggle which shouldn’t be without its erotic moments, for Tamara is a swell enough looking twist with some fine moves, Slothrop manages to get her in a come-along and drag her down off of the tank. But loud noise and all, look—he doesn’t seem to have an erection. Hmm. This is a datum London never got, because nobody was looking. Turns out the projectile, a dud, has only torn holes in several walls, and demolished a large allegorical painting of Virtue and Vice in an unnatural act. Virtue had one of those dim faraway smiles. Vice was scratching his shaggy head, a little bewildered. The burning drape’s been put out with champagne. Raoul is in tears, thankful for his life, wringing Slothrop’s hands and kissing his cheeks, leaving trails of Jell-o wherever he touches. Tamara is escorted away by Raoul’s bodyguards. Slothrop has just disengaged himself and is wiping the Jell-o off of his suit when there is a heavy touch on his shoulder. “You were right. You are the man.” “That’s nothing.” Errol Flynn frisks his mustache. “I saved a dame from an octopus not so long ago, how about that?” “With one difference,” sez Blodgett Waxwing. “This really happened tonight. But that octopus didn’t.
Thomas Pynchon (Gravity's Rainbow)
The only way to ensure that Red Army recruits did not desert or run away, Trotsky had concluded, was to mount machine-guns in their rear and shoot any who failed to advance against the enemy. This was the choice he offered: possible death in the front or certain death in the rear. ‘We must put an end once and for all’, he sneered with a characteristically caustic turn of phrase, ‘to the papist-Quaker babble about the sanctity of human life.
Niall Ferguson (The Abyss: World War I and the End of the First Age of Globalization-A Selection from The War of the World (Tracks))
February 4–15: The couple visits holy places, Osaka, Mount Fuji, Yokohama, and the Izu Peninsula. Marilyn looks especially comfortable among a group of women dressed in traditional Japanese clothing. In some shots she wears a hat and a modestly cut suit. Marilyn accepts the Japanese emperor’s gift of a natural pearl necklace. In Korea to entertain the troops General John E. Hull invites Marilyn to entertain American troops in Korea. A disturbed DiMaggio opposes the invitation, but Marilyn accepts it. Marilyn writes photographer Bruno Bernard from Japan: “I’m so happy and in love. . . . I’ve decided for sure that it’ll be better if I only make one or two more films after I shoot There’s No Business Like Show Business and then retire to the simple good life of a housewife and, hopefully, mother. Joe wants a big family. He was real surprised when we were met at the airport by such gigantic crowds and press. He said he never saw so much excitement, not even when the Yankees won the World Series.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
Arab retribution was swift and terrible. Six days after Deir Yassin, a bus convoy carrying eighty nurses and doctors headed toward Hadassah Hospital on Mount Scopus, set off slightly from the rest of Jewish Jerusalem. To get there, the convoy had to cross through Arab neighborhoods. Therefore, several armored cars escorted the buses. But the lead armored car hit a huge mine and tumbled into a crater, blocking the rest of the vehicles. Soon, Arab gunmen swarmed over the site, screaming, “Deir Yassin!” They began shooting at the trapped convoy, killing the passengers one by one. An attempt by the Haganah to rescue the trapped convoy failed. Some Arabs reached the vehicles and set them on fire, burning the passengers inside alive. The convoy’s agony was clearly visible to the civilians watching from rooftops and balconies around the city. The shooting went on for six hours, until the British finally authorized a force large enough to extricate the convoy. By the time they arrived at the scene of the devastation, there were only six survivors. It might have seemed that the episode that began at Deir Yassin the week before was over, but it was only beginning.
Eric Gartman (Return to Zion: The History of Modern Israel)
At the liquor store, Buster, emboldened by the feeling that he had made friends for the first time in years, used almost the absolute last of the cash in his wallet to buy all the alcohol the soldiers wanted. He felt warm and authentic inside his new clothes and thought, handing over all he owned to the liquor-store clerk, that he could live here forever. Now it was Buster’s turn. He leaned over a massive air cannon mounted on a tripod, which the soldiers referred to as Air Force One. Instead of potatoes, the gun used two-liter soda bottles as ammunition. “See, we don’t like to call them spud guns,” said David, who seemed, as the night progressed, to become more tightly wound. “Some shoot ping-pong balls and some shoot soda bottles and some shoot tennis balls that you fill with pennies.
Kevin Wilson (The Family Fang)
The exhilarating smell of sex permeated the love chamber. I, invigorated to the point of no return, shook involuntarily, shooting my seed onto the highly-polished rosewood floor. Mario filled my sex to overflowing capacity with his seminal releases. Before I had a chance to turn around, Andy had mounted me from behind. His heavy breathing from the vigorous onslaught threw him into a frenzy. Holding tightly onto my slender waist, he unleashed his semen, burying his sacred ishq (love, in Arabic) deep into my willing soul. I gave myself fully to my lover. In return he did the same to me.
Young (Unbridled (A Harem Boy's Saga, #2))
With a start, she noticed the warrior had stretched out a hand to her. A wide leather band encircled his wrist to protect him from his bowstring. Staring at his dark palm and strong fingers, she shook her head in denial. “Hi, tai,” he said in a low voice. Guiding his stallion closer, he bent to touch her chin. Her eyelid quivered when he brushed at a tear on her cheek. “Ka taikay, ka taikay, Tohobt Nabituh,” he whispered. The words made no sense. Puzzled, she met his gaze. “Tosa ehr-mahr.” Raising his hand, he showed her the glistening wetness on his fingertips. “Silver rain, tosa ehr-mahr.” He compared her tears to silver rain? She searched his eyes for some trace of humanity and found none. After a moment he straightened, raising his lance in what looked like a salute. “Suvate!” he yelled, his glittering eyes sweeping the line of encircling riders. A low rumble of answering voices replied, “Suvate!” He seemed satisfied with the response and, with a mighty thrust, drove the lance into the earth. Again, he thrust out his hand. “Take it, Yellow Hair, in friendship.” She was afraid he might drag her onto his mount if she touched him, but his eyes compelled her. Besides, if he was set on it, he’d have his way, with or without her cooperation. She lifted a quivering arm, expecting the worst, and placed her fingers across his palm. His callused hand tightened on hers, the warmth of his grip shooting to her shoulder. “We will meet again. I will come to you like the wind, from nowhere. Remember the face of this Comanche. I am your destiny.” With that, he released her and rode his horse in a circle about the yard, one arm raised high, his head thrown back to emit a shrill cry that sent shivers up her spine. Moments later a cloud of dust rose in the yard, and four hundred hooves beat a deafening staccato of retreat.
Catherine Anderson (Comanche Moon (Comanche, #1))
Again, he thrust out his hand. “Take it, Yellow Hair, in friendship.” She was afraid he might drag her onto his mount if she touched him, but his eyes compelled her. Besides, if he was set on it, he’d have his way, with or without her cooperation. She lifted a quivering arm, expecting the worst, and placed her fingers across his palm. His callused hand tightened on hers, the warmth of his grip shooting to her shoulder. “We will meet again. I will come to you like the wind, from nowhere. Remember the face of this Comanche. I am your destiny.
Catherine Anderson (Comanche Moon (Comanche, #1))
Don’t shoot,” Tom cautioned again. “That brave in the lead has a crooked lance with a white flag. Whatever it is they’re wantin’, it ain’t a fight. You speak any Comanch’?” “Not a word,” Henry replied. “I don’t know much. If they do a lot of tradin’, they can probably talk English, but if they don’t--all we can do is hope my Injun will get us by.” Tom spat a glob of chew onto Rachel’s bleached floor. Then he bellowed, “What do you want?” Loretta’s nerves were strung so taut, she leaped. Nausea surged into her throat as the brown tobacco juice soaked into the floor. Was she losing her mind? Who cared if the puncheon got stained? Before this was over, the house might be burned to the ground. She heard Rachel crying, a soft, irregular whimpering. Terror. The metallic taste of it shriveled her tongue. “What brings you here?” Tom cried again. “Hites!” a deep voice called back. “We come as friends, White-Eyes.” The lead warrior moved some twenty feet in front of his comrades, holding the crooked lance high so the dusty white rag was clearly visible. He sat proudly on his black stallion, gleaming brown shoulders straight, leather-sheathed legs pressed snugly to his mount. A rush of wind lifted his mahogany hair, wisping it across his bronzed, sharply chiseled face. Loretta’s first thought when she saw him was that he seemed different from the others. A closer look told her why. He was unquestionably a half-breed, taller on horseback than the rest, lighter-skinned. If not for his sun-darkened complexion and long hair, he might have passed for a white man. Everything else about him was savage, though, from the cruel sneer on his mouth to the expert way he balanced on his horse, as if he and the animal were one entity. Tom Weaver stiffened. “Son of a--Henry, you know who that is?” “I was hopin’ I was wrong.” Loretta inched closer to get a better look. Then it hit her. Hunter. She had heard his name whispered with dread, heard tales. But until this moment she hadn’t believed he existed. A blue-eyed half-breed, one of the most cunning and treacherous adversaries the U.S. Army had run across. Now that the war had pitted North against South, the homesteaders had no cavalry to keep Hunter and his marauders at bay, and his raiders struck ever deeper into settled country, advancing east. Some claimed he was far more dangerous than a full-blooded Comanche because he had a white man’s intelligence. As vicious as he was, there were stories that he spared women and children. Whether that was coincidence, design, or a lie some Indian lover had dreamed up, no one knew. Loretta opted for the latter.
Catherine Anderson (Comanche Moon (Comanche, #1))
I come for the woman,” the Comanche repeated, never taking his gaze from her. “And I bring my finest horses to console her father for his loss. Fifty, all trained to ride.” His black sidestepped and whinnied. The Indian swayed easily with his mount. “Send me the woman, and have no fear. She will come to no harm walking in my footsteps, for I am strong and swift. She will never feel hunger, for I am a fine hunter. My lodge will shelter her from the winter rain, and my buffalo robes will shield her from the cold. I have spoken it.” Aunt Rachel crossed herself. “Holy Mary, Mother of God, pray--” “We don’t sell our womenfolk,” Henry called back. “You sicken my gut, tosi tivo. After you had bedded her, you would have sold her to that dirty old man.” With a sneer twisting his lips, he lifted Tom Weaver’s wool riding blanket from his horse’s withers and tossed it to the dirt. “Better you sell her to me. I am young. I will give her many fine sons. She will not wail over my death for many winters.” “I’d rather shoot her, you murdering bastard,” Henry retorted. “Then do it and make your death song.” The Comanche wheeled his horse, riding close to the window where Loretta stood. “Where is the herbi with such great courage who came out to face us once before? Does she still sleep? Will you hide behind your wooden walls and let your loved ones die? Come out, Yellow Hair, and meet your destiny.
Catherine Anderson (Comanche Moon (Comanche, #1))
The Comanche rode in a wide circle around the frightened, riderless horses and tossed Amy into the arms of a fellow Indian who waited in the ranks. The little girl’s indignant screeching filled the air. Loretta lifted the Spencer carbine to her shoulder, leveling the sights on the Comanche as he circled back to her. The bells on his moccasins tinkled merrily with each movement of his horse. “Let me go!” Amy screamed. “You stinkin’ savage.” Loretta glanced toward the child. A young brave struggled to keep Amy atop his pony. He laughed uproariously when she tried to scratch him. The girl caught a handful of his black hair and pulled with all her might. “Ai-ee!” the boy exclaimed. “She tries to take my scalp.” Whoops of laughter spiraled among the men. Loretta dragged her gaze back to Hunter. He had halted his mount some fifteen feet from her. “Where will you spend your cartridge?” he asked. “If you love her, shoot her. It is wisdom.” Amy’s screaming turned to pitiful sobbing. Loretta’s aim wavered, and she glanced toward the other Indians, trying to see her cousin. What was Henry doing? Why didn’t he back her up? How long could it take to load a rifle? The miserable coward. “You have time for one shot,” Hunter went on. “If you waste it on me, my friend will take your sister and avenge me. Your father hides behind his wooden walls. You stand alone.” Sweat ran into Loretta’s eyes. She turned slightly and leveled the barrel of her gun at Amy. Blinking, she snugged her finger around the trigger. Tears sprang to her eyes as she recalled Amy’s queries about blessed release. It’s something bad, isn’t it? It’s killing yourself, isn’t it? Not always, Loretta thought. Sometimes it was death by a loved one’s hand. “Think long on this, Yellow Hair,” Hunter cautioned. “I came in peace to buy a woman, not steal a child. She is too skinny to bring this Comanche pleasure. You are not.” He leaned forward, stretching an arm along his horse’s neck, his hand open to her. “Come to me, and I will send your sister back to her mother unharmed.” Loretta stared at him. Did he mean it? His eyes pierced hers. The scar on the side of his face flickered as his jaw muscle tightened. If the tales about him were true, he might spare Amy. On the other hand, he might take them both captive if given half a chance. She remembered how gently he had touched her last night, and her confusion mounted. “Drop the weapon and come,” he urged. “It is a fair trade, no? She goes free. I have spoken it.” In the background, Loretta heard laughter ringing. Already the braves made sport of Amy. The child screeched again. “You will do this, no? You have courage. It shines in your eyes. If you fight the big fight, you cannot win. It is best to hold the head high and surrender with dignity. Put down the gun.
Catherine Anderson (Comanche Moon (Comanche, #1))
Strangling fear surged up his throat. Amy, skirts flying, blond hair a gleaming target, was running in a straight line for the wagons, Loretta right behind her. Between the opposing forces. The white, spying the women, had stopped shooting, but in his peripheral vision Hunter saw a brave aim his rifle. “Ka, no!” Hunter zigzagged his mount into the man’s line of fire. “No!” With a vicious kick, Hunter sent his black into a mighty forward lunge, gaining several yards on the advancing warriors, many of whom were from another band. They wouldn’t recognize Amy or Loretta. Unless Hunter could stop the shooting, his woman and her little sister would be killed. When he felt certain everyone in the formation could see him, he wheeled his horse to face them and lifted his rifle high overhead, signaling a cease-fire. Still trailing Amy, Loretta spotted Hunter the moment his horse drew out in front of the others. Heaving for air, she stumbled to a stop and glanced over her shoulder. Hunter, broad back to the wagons, sat tall on his stallion, waving his rifle above his head. As if in a dream, she whirled. The sight of Hunter making a target of himself would be painted in full color across the canvas of her mind for the rest of her life.
Catherine Anderson (Comanche Moon (Comanche, #1))
a hook-nosed man was shouting at a cowering woman, while a small dark-haired boy cried in a corner … a greasy-haired teenager sat alone in a dark bedroom, pointing his wand at the ceiling, shooting down flies … a girl was laughing as a scrawny boy tried to mount a bucking broomstick
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Mounted infantry can’t force each other to fight, because the other side can just trot off. But we can make him fight, because we don’t have to stop and get off our horses to shoot.
S.M. Stirling (Dies the Fire (Emberverse, #1))
You know,” I said as we trudged homeward, “this is an important occasion, and not just because of this great discovery. According to my calculations, tomorrow will be our second anniversary on the island “ “Is this really true?” Elizabeth asked. “I can hardly believe so much time has passed.” “It is true, my dear,” I said. Think of all of the adventures that we have had and that we are safe, well-fed and happy. I am going to declare tomorrow a special day of celebration.” “You mean that we are going to have a party?” cried Francis, jumping for joy. “Oh, I can hardly wait!” Actually, Francis did not have long to wait, for when the morning dawned, Elizabeth and I had the entire day’s festivities planned. Greeting my sons on the lawn beneath Falcon’s Nest, I said, “For the past two years, you boys have been practicing wrestling, running, swimming, shooting and horseback riding here on the island. Now, we are going to determine the champions of these feats.” So, the competitions began, with Elizabeth cheering the boys and Turk and Flora running alongside them. Unquestionably, the highlight of the day was the horseback-riding event. Fritz mounted Lightfoot and Ernest rode Grizzle, but they were no match for Jack’s skillful handling of the wild buffalo. A practiced groom could not have managed a thoroughbred horse with more grace and ease. “Jack, my boy,” I boomed, “I hereby declare you the winner of this contest.” “No, Papa.” interrupted Francis. “You haven’t seen what I can do yet.” Francis rode into the arena, mounted on his young buffalo bull, Broumm, which was just four months old. Elizabeth had made a saddle of kangaroo skin and stirrups that adjusted to Francis’s little legs.
Johann David Wyss (The Swiss Family Robinson)
And then there is the mounting evidence for self-medication. Some of it is widespread in all sort of animals, such as the eating of clay, which contains absorbent components resembling Kaopectate, a commercial drug against diarrhea and stomach upsets. But apes are also known to chew the bitter pith of certain plants and to swallow whole leaves of others, both of which are assumed to have health benefits. Michael Huffman saw chimpanzees remove the outer bark and leaves of young shoots of Vemonia amygdalina to extract extremely bitter juice. Nearly all these chimpanzees showed diarrhea, listlessness, and worm infections. Fecal analysis revealed a striking drop in one chimpanzee's nematode infection following bitter pith chewing, a drop not seen in chimpanzees not taking this medicine. The same plants' bark and leaves contain toxins that can kill laboratory mice, but the chimpanzees must have learned to avoid these parts and extract only the beneficial compounds. For many African ethnic groups Vernonia is an essential ingredient in concoctions to treat malaria, dysentery, and a number of intestinal parasites.
Frans de Waal (The Ape and the Sushi Master: Reflections of a Primatologist)
On the shoreline, Inanna’s complexion went pale. It was the one thing she had not anticipated. And it was the one thing that might completely derail her strategy. In the water, Yahipan noticed that the tentacles were not grabbing Nephilim, they were grabbing the Rephaim generals. It was as if the creature were searching only for Rephaim. Before he could move, one of the tentacles wrapped around his body and pulled him into the air. He chopped with a battle axe. But the constriction of the tentacle made him black out. His axe splashed in the water. Bands of Nephilim closer to the launch site tried frantically to paddle back to shore. Numbers, thought Inanna. Chaos cannot possibly keep up with the numbers. Some will get through. She drew a bow and some arrows and started shooting the returning Nephilim. She bellowed, “DESERTION IS TREASON. FORWARD OR DIE!!” The fleeing Nephilim stopped in confusion. They turned back around, to try their luck for the other side. The lake became one big cauldron of churning waters, snapping multiple dragon heads, crushing tentacles and Nephilim blood and body parts. The Nephilim forces were being decimated. But some crossed over and made it to the other side. Inanna and Utu mounted their Anzu and flew overhead to try to assess their losses and help the few who appeared to be close to landing. This sea bitch and her brood are not going to stop me, thought Inanna. If I have to attack it myself, I will.
Brian Godawa (Enoch Primordial (Chronicles of the Nephilim #2))
At this time I wired Bill Otis, in Moline, Illinois, asking him to ship me some of his sniping rifles at once, addressing them to me at the nearest express office to Indiantown Gap. I also managed to get the folks on the phone and had a last word with my mother and father — went through the old routine (new at that time) — telling them that it would be a long time before I could write, but not to worry, everything would be okay. I also told them to ship my rifle as soon as it was returned from the factory, and to hurriedly send me a Lyman Alaskan scope with a G. & H. mount for a Springfield to my new A.P.O. number. We sailed before Bill could get his guns to me. I remember well the annoyance I felt at going up the gangplank without a good scope sighted sniper rifle, and I also remember the mental kicking I gave the seat of my pants for being so careless with my model 70. Actually, the only shooting items I had in my baggage were a few rounds of .30-06 hunting ammunition which I packed at the last minute. I had left my shotgun behind also — and I was destined to later regret that action very much, for several fine opportunities to shoot birds were missed on that account. Each member of the 132nd regiment looked at the green water with a great question mark in his mind. Few in the regiment knew where we were going, and there
John B. George (Shots Fired in Anger: A Rifleman's Eye View of the Activities on the Island of Guadalcanal)
They ate at a place called El Rey del Taco. At the entrance there was a neon sign: a kid wearing a big crown mounted on a burro that regularly kicked up its hind legs and tried to throw him. The boy never fell, although in one hand he was holding a taco and in the other a kind of scepter that could also serve as a riding crop. The inside was decorated like a McDonald’s, but in an unsettling way. The chairs were straw, not plastic. The tables were wooden. The floor was covered in big green tiles, some of them printed with desert landscapes and episodes from the life of El Rey del Taco. From the ceiling hung piñatas featuring more adventures of the boy king, always accompanied by the burro. Some of the scenes depicted were charmingly ordinary: the boy, the burro, and a one-eyed old woman, or the boy, the burro, and a well, or the boy, the burro, and a pot of beans. Other scenes were set firmly in the realm of the fantastic: in some the boy and the burro fell down a ravine, in others, the boy and the burro were tied to a funeral pyre, and there was even one in which the boy threatened to shoot his burro, holding a gun to its head. It was as if El Rey del Taco weren’t the name of a restaurant but a character in a comic book Fate happened never to have heard of. Still, the feeling of being in a McDonald’s persisted. Maybe the waitresses and waiters, very young and dressed in military uniforms (Chucho Flores told him they were dressed up as federales), helped create the impression. This was certainly no victorious army. The young waiters radiated exhaustion, although they smiled at the customers. Some of them seemed lost in the desert that was El Rey del Taco. Others, fifteen-year-olds or fourteen-year-olds, tried in vain to joke with some of the diners, men on their own or in pairs who looked like government workers or cops, men who eyed them grimly, in no mood for jokes. Some of the girls had tears in their eyes, and they seemed unreal, faces glimpsed in a dream. “This place is like hell,” he said to Rosa Amalfitano. “You’re right,” she said, looking at him sympathetically, “but the food isn’t bad.
Roberto Bolaño (2666)
NEXT TIME LEW got up into the embattled altitudes of the San Juans, he noticed out on the trail that besides the usual strikebreaking vigilantes there were now cavalry units of the Colorado National Guard, in uniform, out ranging the slopes and creeksides. He had thought to obtain, through one of the least trustworthy of his contacts in the Mine Owners Association, a safe-passage document, which he kept in a leather billfold along with his detective licenses. More than once he ran into ragged groups of miners, some with deeply bruised or swelling faces, coatless, hatless, shoeless, being herded toward some borderline by mounted troopers. Or the Captain said some borderline. Lew wondered what he should be doing. This was wrong in so many ways, and bombings might help but would not begin to fix it. It wasn’t long before one day he found himself surrounded—one minute aspen-filtered shadows, the next a band of Ku Klux Klan night-riders, and here it was still daytime. Seeing these sheet-sporting vigilantes out in the sunlight, their attire displaying all sorts of laundering deficiencies, including cigar burns, food spills, piss blotches, and shit streaks, Lew found, you’d say, a certain de-emphasis of the sinister, pointy hoods or not. “Howdy, fellers!” he called out, friendly enough. “Don’t look like no nigger,” commented one. “Too tall for a miner,” said another. “Heeled, too. Think I saw him on a poster someplace.” “What do we do? Shoot him? Hang him?” “Nail his dick to a stump, and, and then, set him on fahr,” eagerly accompanied by a quantity of drool visibly soaking the speaker’s hood. “You all are doing a fine job of security here,” Lew beamed, riding through them easy as a herd of sheep, “and I’ll be sure to pass that along to Buck Wells when next I see him.” The name of the mine manager and cavalry commander at Telluride worked its magic. “Don’t forget my name!” hollered the drooler, “Clovis Yutts!” “Shh! Clovis, you hamhead, you ain’t supposed to tell em your name.” What in Creation could be going on up here, Lew couldn’t figure. He had a distinct, sleep-wrecking impression that he ought to just be getting his backside to the trackside, head on down to Denver, and not come up here again till it was all over. Whatever it was. It sure ‘s hell looked like war, and that must be what was keeping him here, he calculated, that possibility. Something like wanting to find out which side he was on without all these doubts. . . .
Thomas Pynchon (Against the Day)