Mount Royal Quotes

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You wear nice clothes, you seek respect, you make a lot of money, but what's the point? It's all pointless. Of course, this kind of meaninglessness might suit this crappy nation. But, you see, we still have emotions like joy and happiness, right? They may not mount to much. But they fill up our emptiness. That's the only explanation I have.
Koushun Takami (Battle Royale)
As he catches my eye he beams at me, his dark face bright with affection. Anyone can see it who cares to look at him, he is hopelessly indiscreet. He puts his hand to his heart as if swearing fidelity to me. I look to left and right, thank God no-one is looking, they are all getting on their horses and George the duke is shouting for the guard. Recklessly, Richard stands there, his hand on his heart, looking at me as if he wants the world to know that he loves me. He loves me. I shake my head as if reproving him, and I look down at my hands on the reins. I look up again and he is still fixing his gaze on me, his hand still on his heart. I know I should look away, I know I should pretend to feel nothing but disdain – this is how the ladies in the troubadour poems behave. But I am a girl, and I am lonely and alone, and this is a handsome young man who has asked how he may serve me and now stands before me with his hand on his heart and his eyes laughing at me. One of the guard stumbled while mounting his horse and his horse shied, knocking the nearby horseman. Everyone is looking that way, and the king puts his arm around his wife. I snatch off my glove and, in one swift gesture, I throw it towards Richard. He catches it out of the air and tucks it in the breast of his jacket. Nobody has seen it. Nobody knows. The guardsman steadies his horse, mounts it, nods his apology to his captain, and the royal family turn and wave to us. Richard looks at me, buttoning the front of his jacket, and smiles at me warmly, assuredly. He has my glove, my favour.
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
Love is God and is therefore absolutely allpowerful. This is the scientific application of Love, against which nothing evil can stand. It destroys the evil condition and, if a person is concerned, it sets him as well as you free. But to return hate for hate, curse for curse, or fear for aggression, has the effect of amplifying the trouble, much as a feeble sound is multiplied in volume by an amplifier. Meeting hatred with Love in the scientific way is the Royal Christ Road to freedom. This is the perfect method of selfdefense in all circumstances. It renders you absolutely invulnerable to any kind of attack.
Emmet Fox (The Sermon on the Mount: The Key to Success in Life)
Walking the deck with quick, side-lunging strides, Ahab commanded the t'gallant sails and royals to be set, and every stunsail spread. The best man in the ship must take the helm. Then, with every mast-head manned, the piled-up craft rolled down before the wind. The strange, upheaving, lifting tendency of the taffrail breeze filling the hollows of so many sails, made the buoyant, hovering deck to feel like air beneath the feet; while still she rushed along, as if two antagonistic influences were struggling in her—one to mount direct to heaven, the other to drive yawingly to some horizontal goal. And had you watched Ahab's face that night, you would have thought that in him also two different things were warring.
Herman Melville (Moby Dick: or, the White Whale)
I have important things to tell you, but who can concentrate with all that racket?" That "racket" turned out to be because of flowers, hundreds of them, arriving by the cartful. Roses, orchids, lilies, daffodils, irises, and a dozen other varieties that she could not name. Heavy porcelain vases were mounted all around the grand ballroom and the royal gardens, displaying the arrangements in all their grandeur. But one arrangement stood out from the rest. From the duchess's window, Cinderella watched the gardeners erect a trellis studded with roses. When the palace staff wheeled out a barrow of flowers, white pearlescent roses intertwined with pink ones as flushed as the height of sunrise, she nearly gasped. Her parents' favorite flowers. White and pink roses, with a touch of myrtle. Charles had been listening.
Elizabeth Lim (So This is Love)
If, then, to meanest mariners, and renegades and castaways, I shall hereafter ascribe high qualities, though dark; weave round them tragic graces; if even the most mournful, perchance the most abased, among them all, shall at times lift himself to the exalted mounts; if I shall touch that workman's arm with some ethereal light; if I shall spread a rainbow over his disastrous set of sun; then against all mortal critics bear me out in it, thou just Spirit of Equality, which hast spread one royal mantle of humanity over all my kind! Bear me out in it, thou great Democratic God! who didst not refuse to the swart convict Bunyan, the pale poetic pearl; Thou who didst clothe with doubly hammered leaves of finest gold, the stumped and paupered arm of old Cervantes; Thou who didst pick up Andrew Jackson from the pebbles; who didst hurl him upon a war horse; who didst thunder him higher than a throne! Thou who, in all thy mighty, earthly marchings, ever cullest Thy selectest champions from the kingly commons; bear me out in it, O God!
Herman Melville (Moby-Dick or, The Whale)
On May 7 crowds had gathered on Dam Square in the center of Amsterdam in front of the Royal Palace, cheering, dancing, singing, waving the orange flag of the Dutch royal family, in anticipation of the triumphant British and Canadian troops whose arrival was imminent. Watching the happy throng from the windows of a gentlemen’s club on the square, German naval officers decided in a last-minute fit of pique to fire into the crowd with a machine gun mounted on the roof. Twenty-two people died, and more than a hundred were badly injured. Even that was not the very last violent act of the war.
Ian Buruma (Year Zero: A History of 1945)
If, then, to meanest mariners, and renegades and castaways, I shall hereafter ascribe high qualities, though dark; weave round them tragic graces; if even the most mournful, perchance the most abased, among them all, shall at times lift himself to the exalted mounts; if I shall touch that workman's arm with some ethereal light; if I shall spread a rainbow over his disastrous set of sun; then against all mortal critics bear me out in it, thou just spirit of equality, which hast spread one royal mantle of humanity over all my kind! Bear me out in it, thou great democratic God! who didst not refuse to the swart convict, Bunyan, the pale, poetic pearl; Thou who didst clothe with doubly hammered leaves of finest gold, the stumped and paupered arm of old Cervantes; Thou who didst pick up Andrew Jackson from the pebbles; who didst hurl him upon a war-horse; who didst thunder him higher than a throne! Thou who, in all Thy mighty, earthly marchings, ever cullest Thy selectest champions from the kingly commons; bear me out in it, O God!
Herman Melville (Moby-Dick or, The Whale)
If, then, to meanest mariners, and renegades and castaways, I shall hereafter ascribe high qualities, though dark; weave round them tragic graces; if even the most mournful, perchance the most abased, among them all, shall at times lift himself to the exalted mounts; if I shall touch that workman’s arm with some ethereal light; if I shall spread a rainbow over his disastrous set of sun; then against all mortal critics bear me out in it, thou just Spirit of Equality, which has spread one royal mantle of humanity over all my kind! Bear me out in it, thou great democratic God! who didst not refuse to the swart convict, Bunyan, the pale, poetic pearl; Thou who didst clothe with the doubly hammered leaves of finest gold, the stumped and paupered arm of old Cervantes; Thou who didst pick up Andrew Jackson from the pebbles; who didst hurl him upon a war-horse; who didst thunder him higher than a throne! Thou who, in all Thy mighty, earthly marchings, ever cullest Thy selectest champions from the kingly commons; bear me out in it, O God!
Herman Melville (Moby Dick)
This Sarah Perez had the most beautiful eyes in the world, those green eyes spangled with gold that you love so much: the eyes of Antinous. In Rome, such eyes would have made her a concubine of Adrian; in Madrid they helped her become the princess of Eboli ensconced in the bed of the king. But Philip II was extremely jealous of those wonderful emerald eyes and their delicate transparency, and the princess - who was bored with the funereal palace and the even more funereal society of the king - had the fancy and the misfortune to cast her admirable gaze upon the Marquis de Posa while she was leaving church one day. It was on the threshold of the chapel, and the princess believed herself to be alone with her camarera mayor, but the vigilance of the clergy was equal to the challenge. She was betrayed, and that very evening, in the intimacy of their bedroom, in the course of some violent argument or tempestuous tussle, Philip threw his mistress to the floor. Blind with rage he leapt upon her, tore out her eye and devoured it in a single gulp. 'Thus was the princess covered in blood - a good title for a conte cruel, that, which Villiers de l'Isle Adam has somehow omitted to write! The princess was henceforth one-eyed: the royal pet had a gaping hole in her face. Philip II, who had the Jewess in his blood, could not cleave so closely to a princess who had only one eye. He made amends to her with some new titles and estates in the provinces and - regretful of the beautiful green eye that he had spoiled - he caused to be inserted into the empty and bloody orbit a superb emerald enshrined in silver, upon which surgeons then inscribed the semblance of a gaze. Oculists have made progress since then; the Princess of Eboli, already hurt by the ruination of her eye, died some little time afterwards, of the effects of the operation. The ways of love and surgery were equally barbarous in the time of Philip II! 'Philip, the inconsolable lover, gave the order to remove the emerald from the face of the dead princess before she was laid in the tomb, and had it mounted in a ring. He wore it about his finger, and would never take it off, even when he went to sleep - and when he died in his turn, he had the ring bearing the green tear clasped in his right hand.
Jean Lorrain (Monsieur De Phocas)
In good truth he had started in London with some vague idea that as his life in it would not be of long continuance, the pace at which he elected to travel would be of little consequence; but the years since his first entry into the Metropolis were now piled one on top of another, his youth was behind him, his chances of longevity, spite of the way he had striven to injure his constitution, quite as good as ever. He had come to that period of existence, to that narrow strip of tableland, whence the ascent of youth and the descent of age are equally discernible - when, simply because he has lived for so many years, it strikes a man as possible he may have to live for just as many more, with the ability for hard work gone, with the boon companions scattered, with the capacity for enjoying convivial meetings a mere memory, with small means perhaps, with no bright hopes, with the pomp and the circumstance and the fairy carriages, and the glamour which youth flings over earthly objects, faded away like the pageant of yesterday, while the dreary ceremony of living has to be gone through today and tomorrow and the morrow after, as though the gay cavalcade and the martial music, and the glittering helmets and the prancing steeds were still accompanying the wayfarer to his journey's end. Ah! my friends, there comes a moment when we must all leave the coach with its four bright bays, its pleasant outside freight, its cheery company, its guard who blows the horn so merrily through villages and along lonely country roads. Long before we reach that final stage, where the black business claims us for its own speecial property, we have to bid goodbye to all easy, thoughtless journeying and betake ourselves, with what zest we may, to traversing the common of reality. There is no royal road across it that ever I heard of. From the king on his throne to the laborer who vaguely imagines what manner of being a king is, we have all to tramp across that desert at one period of our lives, at all events; and that period is usually when, as I have said, a man starts to find the hopes, and the strength, and the buoyancy of youth left behind, while years and years of life lie stretching out before him. The coach he has travelled by drops him here. There is no appeal, there is no help; therefore, let him take off his hat and wish the new passengers good speed without either envy or repining. Behld, he has had his turn, and let whosoever will, mount on the box-seat of life again, and tip the coachman and handle the ribbons - he shall take that journey no more, no more for ever. ("The Banshee's Warning")
Charlotte Riddell
What!" said the king; "is that wretch still alive? Go and behead him at once. I authorise you." "Sire," said Saouy, "I thank your Majesty for the justice you do me. I would further beg, as Noureddin publicly affronted me, that the execution might be in front of the palace, and that it might be proclaimed throughout the city, so that no one may be ignorant of it." The king granted these requests, and the announcement caused universal grief, for the memory of Noureddin's father was still fresh in the hearts of his people. Saouy, accompanied by twenty of his own slaves, went to the prison to fetch Noureddin, whom he mounted on a wretched horse without a saddle. Arrived at the palace, Saouy went in to the king, leaving Noureddin in the square, hemmed in not only by Saouy's slaves but by the royal guard, who had great difficulty in preventing the people from rushing in and rescuing Noureddin. So great was the indignation against Saouy that if anyone had set the example he would have been stoned on his way through the streets. Saouy, who witnessed the agitation of the people from the windows of the king's privy chambers, called to the executioner to strike at once. The king, however, ordered him to delay; not only was he jealous of Saouy's interference, but he had another reason. A troop of horsemen was seen at that moment riding at full gallop towards the square.
Anonymous (The Arabian Nights Entertainments)
And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb—on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost—climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!—for it seems at times, as though the ear also possessed a sight of its own,—behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations. Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries. You can follow the dialogue, by turns grave and shrill, of the treble and the bass; you can see the octaves leap from one tower to another; you watch them spring forth, winged, light, and whistling, from the silver bell, to fall, broken and limping from the bell of wood; you admire in their midst the rich gamut which incessantly ascends and re-ascends the seven bells of Saint-Eustache; you see light and rapid notes running across it, executing three or four luminous zigzags, and vanishing like flashes of lightning. Yonder is the Abbey of Saint-Martin, a shrill, cracked singer; here the gruff and gloomy voice of the Bastille; at the other end, the great tower of the Louvre, with its bass. The royal chime of the palace scatters on all sides, and without relaxation, resplendent trills, upon which fall, at regular intervals, the heavy strokes from the belfry of Notre-Dame, which makes them sparkle like the anvil under the hammer. At intervals you behold the passage of sounds of all forms which come from the triple peal of Saint-Germain-des-Prés. Then, again, from time to time, this mass of sublime noises opens and gives passage to the beats of the Ave Maria, which bursts forth and sparkles like an aigrette of stars. Below, in the very depths of the concert, you confusedly distinguish the interior chanting of the churches, which exhales through the vibrating pores of their vaulted roofs. Assuredly, this is an opera which it is worth the trouble of listening to. Ordinarily, the noise which escapes from Paris by day is the city speaking; by night, it is the city breathing; in this case, it is the city singing. Lend an ear, then, to this concert of bell towers; spread over all the murmur of half a million men, the eternal plaint of the river, the infinite breathings of the wind, the grave and distant quartette of the four forests arranged upon the hills, on the horizon, like immense stacks of organ pipes; extinguish, as in a half shade, all that is too hoarse and too shrill about the central chime, and say whether you know anything in the world more rich and joyful, more golden, more dazzling, than this tumult of bells and chimes;—than this furnace of music,—than these ten thousand brazen voices chanting simultaneously in the flutes of stone, three hundred feet high,—than this city which is no longer anything but an orchestra,—than this symphony which produces the noise of a tempest.
Victor Hugo (The Hunchback of Notre Dame)
My father's concern for his patients was only enhanced by the fact that so many of them had a personal connection to him...In the words of the historian David J. Rothman, 'doctor and patient occupied the same social space,' promoting a shared relationship. Meanwhile, the poor and minority patients my dad met for the first time at the Mount Sinai--including many he would then follow for years--got the same royal treatment...His goal was to 'take extra pains with the service patients, to be certain they are reassured and confident in your care, and come to believe that you really care about him or her as an individual.' One way he did this was to take advantage of his flexible schedule. 'It's so simple,' he wrote, 'to make an extra visit in the afternoon for these special cases, come back to report a new lab test result, review an X-ray [or] reassure that the scheduled test is necessary, important and will lead to some conclusive information.' Illness, he underscored, was 'frightening.
Barron H. Lerner (The Good Doctor: A Father, a Son, and the Evolution of Medical Ethics)
It was her concern and commitment to a friend which last year involved her in perhaps the most emotional period of her life. For five months she secretly helped to care for Adrian Ward-Jackson who had discovered that he was suffering from AIDS. It was a time of laughter, joy and much sorrow as Adrian, a prominent figure in the world of art, ballet and opera, gradually succumbed to his illness. A man of great charisma and energy, Adrian initially found it difficult to come to terms with his fate when in the mid-1980s he was diagnosed as HIV positive. His word as deputy chairman of the Aids Crisis Trust, where he first met the Princess, had made him fully aware of the reality of the disease. Finally he broke the news in 1987 to his great friend Angela Serota, a dancer with the Royal Ballet until a leg injury cut short her career and now prominent in promoting dance and ballet. For much of the time, Angela, a woman of serenity and calm practicality, nursed Adrian, always with the support of her two teenage daughters. He was well enough to receive a CBE at Buckingham Palace in March 1991 for his work in the arts--he was a governor of the Royal Ballet, chairman of the Contemporary Arts Society and a director of the Theatre Museum Association--and it was at a celebratory lunch held at the Tate Gallery that Angela first met the Princess. In April 1991 Adrian’s condition deteriorated and he was confined to his Mayfair apartment where Angela was in almost constant attendance. It was from that time that Diana made regular visits, once even brining her children Princes Willian and Harry. From that time Angela and the Princess began to forge a supportive bond as they cared for their friend. Angela recalls: “I thought she was utterly beautiful in a very profound way. She has an inner spirit which shines forth though there was also a sense of pervasive unhappiness about her. I remember loving the way she never wanted me to be formal.” When Diana brought the boys to see her friends, a reflection of her firmly held belief that her role as mother is to bring them up in a way that equips them for every aspect of life and death, Angela saw in William a boy much older and more sensitive than his years. She recalls: “He had a mature view of illness, a perspective which showed awareness of love and commitment.” At first Angela kept in the background, leaving Diana alone in Adrian’s room where they chatted about mutual friends and other aspects of life. Often she brought Angela, whom she calls “Dame A”, a gift of flowers or similar token. She recalls: “Adrian loved to hear about her day-to-day work and he loved too the social side of life. She made him laugh but there was always the perfect degree of understanding, care and solicitude. This is the point about her, she is not just a decorative figurehead who floats around on a cloud of perfume.” The mood in Mount Street was invariably joyous, that sense of happiness that understands about pain. As Angela says: “I don’t see death as sad or depressing. It was a great journey he was going on. The Princess was very much in tune with that spirit. She also loved coming for herself, it was an intense experience. At the same time Adrian was revitalized by the healing quality of her presence.” Angela read from a number of works by St. Francis of Assisi, Kahil Gibran and the Bible as well as giving Adrian frequent aromatherapy treatments. A high spot was a telephone call from Mother Teresa of Calcutta who also sent a medallion via Indian friends. At his funeral they passed Diana a letter from Mother Teresa saying how much she was looking forward to meeting her when she visited India. Unfortunately Mother Teresa was ill at that time so the Princess made a special journey to Rome where she was recuperating. Nonetheless that affectionate note meant a great deal to the Princess.
Andrew Morton (Diana: Her True Story in Her Own Words)
in Canada, Hawaii, Chicago, or Washington, D.C., police are unable to point to a single instance of gun registration aiding the investigation of a violent crime. In a 2013 deposition, D.C. Police Chief Cathy Lanier said that the department could not “recall any specific instance where registration records were used to determine who committed a crime.”1 The idea behind a registry is that guns left at a crime scene can be used to trace back to the criminals. Unfortunately, guns are very rarely left at the scene of the crime. Those that are left behind are virtually never registered—criminals are not stupid enough to leave behind guns registered to them. In the few cases where registered guns were left at the scene, the criminal had usually been killed or seriously injured. Canada keeps some of the most thorough data on gun registration. From 2003 to 2009, a weapon was identified in fewer than a third of the country’s 1,314 firearm homicides. Of these identified weapons, only about a quarter were registered. Roughly half of these registered guns were registered to someone other than the person accused of the homicide. In just sixty-two cases—4.7 percent of all firearm homicides—was the gun identified as being registered to the accused. Since most Canadian homicides are not committed with a gun, these sixty-two cases correspond to only about 1 percent of all homicides. From 2003 to 2009, there were only sixty-two cases—just nine a year—where registration made any conceivable difference. But apparently, the registry was not important even in those cases. Despite a handgun registry in effect since 1934, the Royal Canadian Mounted Police and the Chiefs of Police have not yet provided a single example in which tracing was of more than peripheral importance in solving a case. No more successful was the long-gun registry that started in 1997 and cost Canadians $2.7 billion before being scrapped. In February 2000, I testified before the Hawaii State Senate joint hearing between the Judiciary and Transportation committees on changes that were being proposed to the state gun registration laws.2 I suggested two questions to the state senators: (1) how many crimes had been solved by their current registration and licensing system, and (2) how much time did it currently take police to register guns? The Honolulu police chief was notified in advance about those questions to give him time to research them. He told the committee that he could not point to any crimes that had been solved by registration, and he estimated that his officers spent over 50,000 hours each year on registering guns. But those aren’t the only failings of gun registration. Ballistic fingerprinting was all the rage fifteen years ago. This process requires keeping a database of the markings that a particular gun makes on a bullet—its unique fingerprint, so to speak. Maryland led the way in ballistic investigation, and New York soon followed. The days of criminal gun use were supposedly numbered. It didn’t work.3 Registering guns’ ballistic fingerprints never solved a single crime. New York scrapped its program in 2012.4 In November 2015, Maryland announced it would be doing the same.5 But the programs were costly. Between 2000 and 2004, Maryland spent at least $2.5 million setting up and operating its computer database.6 In New York, the total cost of the program was about $40 million.7 Whether one is talking about D.C., Canada, or these other jurisdictions, think of all the other police activities that this money could have funded. How many more police officers could have been hired? How many more crimes could have been solved? A 2005 Maryland State Police report labeled the operation “ineffective and expensive.”8 These programs didn’t work.
John R. Lott Jr. (The War on Guns: Arming Yourself Against Gun Control Lies)
Cara didn't bother to respond. She knew Jessica was like the Royal Canadian Mounted Police—she always got her man.
Francine Pascal (Kidnapped! (Sweet Valley High Book 13))
He shared his mother's love of reading, and he always had. Ben's fondest memories were of sitting next to Queen Belle at the hearth of her magnificent library's enormous fireplace, reading by her side. He'd been digging into a pile of books dragged from the lower shelves, while hers were always taken from the very highest. It was paradise. Once, when his father had discovered they had spent the entire day hiding in the library and scolded them for skipping out on a royal luncheon banquet 'for the sake of a story', his mother had mounted a passionate defence. "But these aren't just stories," she'd said. "They're whole kingdoms. They're worlds. They're perspectives and opinions you can't offer, from lives you haven't lived. They're more valuable than any gold coin, and more important than any state luncheon. I should hope you, as king, would know that!
Melissa de la Cruz (The Isle of the Lost (Descendants, #1))
Even the mayor rode a horse! He was followed by the Royal Canadian Mounted Police in fancy red jackets clip-clopping past on their horses. Violet
Gertrude Chandler Warner (The Mystery at the Calgary Stampede)
100%原版制作學历證书【+V信1954 292 140】《皇家山大学學位證》Mount Royal University
《皇家山大学學位證》
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《皇家山大学成绩单》
Harry headed for Mount Royal to walk around the park and listen to the birds sing.
Jim Bostjancic (The Sweetest Days)
Welfare gives me 300 dollars for rent. Eighty dollars for a Metrobus pass. Ten dollars for my cell phone. And if I have anything left at the end, I visit Mount Royal Park on the Sweetest Day and go for a treat.
Jim Bostjancic (The Sweetest Days)
The gelding had a broad back, making for a comfortable ride. Yedan rode at a canter. Ahead, the hills thickened with scrub, and beyond was a forest of white trees, branches like twisted bones, leaves so dark as to be almost black. Just before them and running the length of the wooded fringe rose dolmens of grey granite, their edges grooved and faces pitted with cup-shaped, ground-out depressions. Each stone was massive, twice the height of a grown man, and crowding the foot of each one that he could see were skulls. He slowed his mount, reined in a half-dozen paces from the nearest standing stone. Sat motionless, flies buzzing round the horse’s flickering ears, and studied those grisly offerings. Cold judgement was never short of pilgrims. Alas, true justice had no reason to respect secrets, as those close-fisted pilgrims had clearly discovered. A final and fatal revelation. Minute popping sounds in the air announced the approach of dread power, as the buzzing flies ignited in mid-flight, black bodies bursting like acorns in a fire. The horse shied slightly, muscles growing taut beneath Yedan, and then snorted in sudden fear. ‘Hold,’ Yedan murmured, his voice calming the beast. Those of the royal line among the Shake possessed ancient knowledge, memories thick as blood. Tales of ancient foes, sworn enemies of the uncertain Shore. More perhaps than most, the Shake rulers understood that a thing could be both one and the other, or indeed neither. Sides possessed undersides and even those terms were suspect. Language itself stuttered in the face of such complexities, such rampant subtleties of nature. In this place, however, the blended flavours of compassion were anathema to the powers that ruled. Yet the lone figure that strode out from the forest was so unexpected that Yedan Derryg grunted as if he had been punched in the chest. ‘This realm is not yours,’ he said, fighting to control his horse. ‘This land is consecrated for adjudication,’ the Forkrul Assail said. ‘I am named Repose. Give me your name, seeker, that I may know you—’ ‘Before delivering judgement upon me?’ The tall, ungainly creature, naked and weaponless, cocked his head. ‘You are not alone. You and your followers have brought discord to this land. Do not delay me—you cannot evade what hides within you. I shall be your truth.’ ‘I am Yedan Derryg.’ The Forkrul Assail frowned. ‘This yields me no ingress—why is that? How is it you block me, mortal?’ ‘I will give you that answer,’ Yedan replied, slipping down from the horse. He drew his sword. Repose stared at him. ‘Your defiance is useless.’ Yedan advanced on him. ‘Is it? But, how can you know for certain? My name yields you no purchase upon my soul. Why is that?’ ‘Explain this, mortal.’ ‘My name is meaningless. It is my title that holds my truth. My title, and my blood.’ The Forkrul Assail shifted his stance, lifting his hands. ‘One way or another, I will know you, mortal.’ ‘Yes, you will.’ Repose attacked, his hands a blur. But those deadly weapons cut empty air, as Yedan was suddenly behind the Forkrul Assail, sword chopping into the back of the creature’s elongated legs, the iron edge cutting between each leg’s two hinged knees, severing the buried tendons—Repose toppled forward, arms flailing. Yedan chopped down a second time, cutting off the Assail’s left arm. Blue, thin blood sprayed on to the ground. ‘I am Shake,’ Yedan said, raising his sword once more. ‘I am the Watch.’ The sudden hiss from Repose was shortlived, as Yedan’s sword took off the top of the Forkrul Assail’s head.
Steven Erikson (Dust of Dreams (Malazan Book of the Fallen, #9))
The part he was endeavoring to play when he wrote this passage was one not very congenial to him, and he makes an awkward piece of work of it. The sudden tone of sanctimony which he infuses into the words quoted, hardly covers up the leer and gusto with which he had just been describing the drunkenness and debauchery of Merry-Mount—how “the good liquor” had flowed to all comers, while “the lasses in beaver-coats” had been welcome “night and day;” how “he that played Proteus, with the help of Priapus, put their noses out of joint;” and how that “barren doe” became fruitful, who is mysteriously alluded to as a “goodly creature of incontinency” who had “tried a camp royal in other parts.
Thomas Morton (The New English Canaan of Thomas Morton with Introductory Matter and Notes)
With mounting excitement in his heart he called over the astrologers secretly and instructed them: 'See to it you find an early date for my departure and inform Arya Shukanasa and my father accordingly.' They replied, 'Deva, according to the configuration of your planets, it is not advisable at present for you to undertake any journey. But if the work is urgent then the time that the king decides upon becomes indeed the right time, for all work. There is really no need to look for an auspicious date now.' Chandrapida replied, 'I spoke to you because my father wished for this. For one involved in the fulfilment of unavoidable and pressing duties that come up every moment how can you fix an auspicious date and hour? So please announce that I can leave as early as tomorrow itself." Within a short time the astrologers came back and informed him softly, 'We have carried out Deva's commands thanks to Shukanasa's distracted state of mind, anxious about his son. Let the day be over tomorrow, you can leave at nightfall.' Pleased, Chandrapida thanked them warmly and rewarded them for their labours.
Bāṇabhaṭṭa (Kadambari)
the Englishness of English literature, too, according to Voltaire. Up to now the English have only produced irregular beauties … Their poetical genius resembles a closely grown tree planted by nature, throwing out a thousand branches here and there, and growing lustily and without rules. It dies if you try to force its nature and trim it like the gardens of Marly [a small royal palace on the edges of Paris, with elaborate, geometric gardens].
Harry Mount (How England Made the English: From Why We Drive on the Left to Why We Don't Talk to Our Neighbours)
Question 5. Is the moral law which you say was the substance of the Old Covenant from Mount Sinai, done away to believers in the New Covenant as it was a rule of life, etc.? Answer. Doubtless it is done away to believers, and that, firstly, as it was a covenant from Mount Sinai, and secondly a ministry of Moses. 1. That it was and is done away to believers is evident, Romans 7:4-6, where the apostle said, Wherefore my brothers ye also are become dead to the law, etc. and But now we are delivered from the law, that being dead wherein we were held, etc. This was the moral law, for it was that law that discovered sin, even that sin forbidden in that moral law, Thou shall not covet. Ye are not under the law but under grace (chapter 6:14). That very law written on tablets of stone is said to be done away with (2 Cor. 3:7 & 11) and abolished (verse 13); and if any will say it is the ministration that is done away and not the rule, I say it must be done away as it was then a rule, without which the ministration could not cease. It was its being given as a rule that made it a ministration. Therefore I say, that it is done away, first as it was a covenant from Mount Sinai, so it is clear turned out and has no place in the gospel, even as Hagar, the Old Covenant in an allegory must be thrown out of Abraham's house (Gen. 21:10; Gal. 4:22-30): Cast out the bondwoman and her son, for the son of the bondwoman shall not be heir with the son of the free woman. So that, when the free woman is come to be fruitful, the bondwoman with her son must be cast out. So likewise, Hebrews 12:18-24: We are not come to the mount that might not [ed: word absent in Scripture] be touched, that is, to Mount Sinai, but ye are come unto Mount Sion and to Jesus the mediator of the New Covenant, all of which demonstrates that the law as it was a covenant, from Mount Sinai, is done away to believers. 2. As it was a ministration by Moses, so it is done away with and abolished, and is not to be preached or received (as in the hand of Moses) as it was ministered forth, received and obeyed in the Old Covenant. For it was ministered then on life and death, and was (through man's weakness) a ministration of death and not of life. So that I understand all those expressions to relate to those particulars, when the Scripture says that the law is abolished and done away, that believers are dead to it, delivered from it, are not under it, and the bondwoman must be cast out with her son. And yet believers are not without law to God but under the law of Christ, yea and that under the moral law. But as given from Mount Zion, ministered forth in the hand of Christ, not in the hand of Moses, for if we take it from Moses we must be Moses' disciples. But if from Christ, as given forth in the gospel account, then we are Christ's disciples indeed, and receive it in power (from Christ, the minister and mediator) to live to God according to it, not for righteousness unto justification. But Jesus Christ having fulfilled all its righteousness, having born the curse for us. It is a rule of righteousness, of conversation to the honor of Him that has done all for us in point of justification to eternal life. And so it is become a law of love, a royal law of liberty to all that are by faith in the New Covenant, and a law to which every believer is duty bound to Jesus Christ, to own as His precious rule of life to honor Him by it, as it is given forth by Him in the gospel and not in any other way.
Thomas Collier (Gospel Blessedness in the New Covenant: The distinction of the two Covenants, New and Old, First and Second.)
The Royal Navy had deployed a large surface task force 8,000 miles from home without effective protection from air attack. Listening to false prophets, they had retired their large aircraft carriers as obsolete, depriving the fleet of airborne early warning and supersonic interceptors. To save money they had not funded the installation of existing cruise missile defenses nor made the investment in three-dimensional air defense radars for their ships. Now they began to pay a mounting price in blood and treasure.
Rowland White (Harrier 809: Britain’s Legendary Jump Jet and the Untold Story of the Falklands War)
years an anomaly. Not only is the terrain of Buck more suited to hound-hunting, but also hounds are more suited to the larger game that is usually the prey of mounted hunters. A lively pack of hounds, boiling and baying, is a fine accompaniment for a royal hunt. The cat, when it is employed, is usually
Robin Hobb (Fool's Errand (Tawny Man, #1))
Hear you, then, the voice of your brothers and sisters, deep as the seas, as timeless, as restless, and as fierce. Tenors spear the clouds with blades that had their keenness from the silversmiths of heaven. Baritones pour gold, and royal contralto mounts to reach the lowest note of garlanded soprano. And under all, basso profundo bends his mighty back to carry all wherever melody shall take them. Sing then, Son of Man, and know that in your voice Almighty God may find His dearest pleasure.
Richard Llewellyn (How Green Was My Valley)
The next ten minutes or so passed in tense silence, as the clatter of the approaching army mounted ever louder in their ears. Juniper stood at the front center of the stage, trying to look tall and stern and regal. In truth, she knew that she looked short and scrubby, about as un royal as humanly possible in her chopped-off hair and sweat-stained britches. But attitude? That she could put out in wagonloads.
Ammi-Joan Paquette (Princess Juniper of Torr (Princess Juniper #3))
In 2001, a report issued by the Truth Commission on Genocide in Canada maintained that the mainline churches and the federal government were involved in the murder of over 50,000 Native children through this system. The list of offenses committed by church officials includes murder by beating, poisoning, hanging, starvation, strangulation, and medical experimentation. Torture was used to punish children for speaking Aboriginal languages. Children were involuntarily sterilized. In addition, the report found that clergy, police, and business and government officials were involved in maintaining pedophile rings using children from residential schools. Former students at boarding schools also claim that some school grounds contain unmarked graveyards of murdered babies born to Native girls who had been raped by priests and other church officials. Since this abuse has become public, the Royal Canadian Mounted Police has started a task force to investigate allegations of abuse in residential schools. By 2000, they had received 3,400 complaints against 170 suspects. Only five people were charged. By 2001, 16,000 Native people (which is 17 percent of living residential school alumni) had begun legal claims against the churches or government. Liability could run into billions of dollars, threatening some churches with bankruptcy.
Andrea Lee Smith
Certainly, you are not much like other women. You are a piece of icy propriety—your love is a kind of milk-and-watery sentiment, which would never lead you very far astray. I can fancy you behaving somewhat in the style of Werther’s Charlotte—who is, to my mind, one of the most detestable women in fiction. Yes! Goethe has created two women who are the opposite poles of feeling—Gretchen and Lottie—and I would stake my faith that Gretchen the fallen has a higher place in heaven than Lottie the impeccable. I hate such dull purity, which is always lined with selfishness. The lover may slay himself in his anguish—but she—yes—Thackeray has said it—she goes on cutting bread and butter!
Mary Elizabeth Braddon (Mount Royal)
When the horse he was sitting on took a bullet and keeled over, he would casually step off the carcass and mount a fresh steed. “If your number is up, there’s no point in worrying,” he said.
Eleanor Herman (The Royal Art of Poison: Fatal Cosmetics, Deadly Medicines and Murder Most Foul)