Motorcycle Feeling Quotes

Care and Quality are internal and external aspects of the same thing. A person who sees Quality and feels it as he works is a person who cares. A person who cares about what he sees and does is a person who’s bound to have some characteristic of quality.

No baby, I’m not scaring you. You’re just scared. You give me a little more, you’ll see I protect it. More, I’ll protect that too. More, I got that too. When you give it all to me, if it works with us in a way that lasts, you’ll never be scared. You’ll feel safe enough to have your eyes open, your arms up and you’ll enjoy the fuck outta the ride. I’ll see to that, Red, and that’s a promise.

Seriously though. This female attraction to the alpha-male throws me off a little bit, because I’m not anything like the guys you read about.” Yeah. You’re better. “I could never drive a motorcycle, or fight another man just for fun. And as much as I’ve fantasized about having sex with you this year, I don’t think I could ever say, ‘I own you’, with a straight face. And I’ve always wanted a tattoo, but probably just a small one, because no way in hell I could endure the pain. Overall, the books were interesting but they also made me feel highly inadequate.

When I was in the second grade, I used to think love was the feeling a man gets while riding a motorcycle and having a woman embrace him tightly from behind. Maybe I’m cynical now, but I’m starting to think love is a unicycle with a flat tire.

First you get the feeling, then you figure out why.

Bike is the most democratic transport vehicle. Bike is the most daring, challenging as it gives its owner the tempting feeling of freedom, that is why one can say without any exaggeration, bike is a symbol of freedom," Putin said.

My personal feeling is that this is how any further improvement of the world will be done: by individuals making Quality decisions and that’s all.

And since your brainstem can’t tell time, or know that many years have passed, it activates the stress response and you have a full-blown threat response. You feel and act as if you are under attack. Your brainstem can’t say, ‘Hey, don’t get so stirred up, Korea was thirty years ago. That sound was simply a motorcycle backfiring.

Kidnap me and take me away. Throw me across the back of your bike and show me what it feels like to have the wind in your face and the sun on your skin, day in and day out. If it's anything at all like this then it must be heaven on earth. 

Feeling the relief of him taking her worries, knowing that he would stew on them, mix them all around and give them back in a way that made her feel better. In a way that would make everything better.

John looks at the motorcycle and he sees steel in various shapes and has negative feelings about these steel shapes and turns off the whole thing. I look at the shapes of the steel now and I see ideas. He thinks I’m working on parts. I’m working on concepts.

The bike struggled showing signs it was feeling the strain especially in the bodywork which we constantly had to fix with Alberto's favored spare part - wire.

There is mountain air in this room. It's cool and moist and almost fragrant. One deep breath makes me ready for the next one and then the next one and with each deep breath I feel a little readier until I jump out of bed and pull up the shade and let all that sunlight in - brilliant, cool, bright, sharp and clear.

Was she in love? Rosalind had asked herself that many times in the last few weeks. Anna's mother said you're in love when you feel like you've been hit by a truck. Rosalind felt bad enough for a motorcycle, maybe, but not a truck.

(knitting while on a motorcycle) "For several years she knitted in secret (my father would not approve; she was to concentrate on motorcycling and LEAN into the curves, etc), and used a small circular needle (socks and mittens) in order to keep the knitting in her pocket until they were under way; then she leaned back slightly so Gaffer couldn't feel the movement of her hands. On the interstate one day, they were slowly passing a semi and my father happened to see the truck driver laugh and point out my mother's knitting to his passenger. Whoops-

When one isn’t dominated by feelings of separateness from what he’s working on, then one can be said to “care” about what he’s doing. That is what caring really is, a feeling of identification with what one’s doing.

Ronan pointed at the cart. "Get in there." "What?" He just continued pointing. Adam said, "Give me a break. This is a public parking lot." "Don't make this ugly, Parrish." As an old lady headed past them, Adam sighed and climbed into the basket of the shopping cart. He drew his knees up so that he would fit. He was full of the knowledge that this was probably going to end with scabs. Ronan gripped the handle with the skittish concentration of a motorcycle racer and eyed the line between them and the BMW parked on the far side of the lot. "What do you think the grade is on this parking lot?" "C plus, maybe a B. Oh. I don't know. Ten degrees?" Adam held the sides of the cart and then thought better of it. He held himself instead. With a savage smile, Ronan shoved the cart off the curb and belted towards the BMW. As they picked up speed, Ronan called out a joyful and awful swear and then jumped on to the back of the cart himself. As they hurtled towards the BMW, Adam realised that Ronan, as usual, had no intention of stopping before something bad happened. He cupped a hand over his nose just as they glanced off the side of the BMW. The unseated cart wobbled once, twice, and then tipped catastrophically on to its side. It kept skidding, the boys skidding along with it. The three of them came to a stop. "Oh, God," Adam said, touching the road burn on his elbow. It wasn't that bad, really. "God, God. I can feel my teeth." Ronan lay on his back a few feet away. A box of toothpaste rested on his chest and the cart keeled beside him. He looked profoundly happy. "You should tell me what you've found out about Greenmantle," Ronan said, "so that I can get started on my dreaming." Adam picked himself up before he got driven over. "When?" Ronan grinned.

She feels like the first drags of fresh cigaretter but last crunches of cherry suckers. She feels like final coats of nail polish. She feels like lines of coke. She feels like knuckles you crack after a long day. She feels like Miami rain. She feels like empty football fields. She feels like full stadiums. She feels like absinthe. She feels like dangling from a helicopter. She feels like classical music. She feels like standing on a motorcycle. She feels like train tracks. She feels like frozen yogurt. She feels like destroying a piano. She feels like rooftops. She feels like fleeing from cops. She feels like stitches. She feels like strobe lights. She feels like blue carnival bears. She feels like curbs at 2 am. She feels like Cupid's Chokehold. She feels like running through Chicago. She feels like 1.2 million dollars. She feels like floors. She feels like everything he's ever wanted in life. […] “I love you more than I planned.

Landsman recognizes the expression on Dick's face...The face of a man who feels he was born into the wrong world. A mistake has been made; he is not where he belongs. Every so often he feels his heart catch, like a kite on a telephone wire, on something that seems to promise him a home in the world or a means of getting there. An American car manufactured in his far-off boyhood, say, or a motorcycle that once belonged to the future king of England, or the face of a woman worthier than himself of being loved.

The application of this knife, the division of the world into parts and the building of this structure, is something everybody does. All the time we are aware of millions of things around us - these changing shapes, these burning hills, the sound of the engine, the feel of the throttle, each rock and weed and fence post and piece of debris beside the road - aware of these things but not really conscious of them unless there is something unusual or unless they reflect something we are predisposed to see. We could not possibly be conscious of these things and remember all of them because our mind would be so full of useless details we would be unable to think. From all this awareness we must select, and what we select and calls consciousness is never the same as the awareness because the process of selection mutates it. We take a handful of sand from the endless landscape of awareness around us and call that handful of sand the world.

Persons tend to think and feel exclusively in one mode or the other and in doing so tend to misunderstand and underestimate what the other mode is all about.

once a gift is given, no matter how you feel about the person giving it, it’s yours.

I want to talk about another kind of high country now in the world of thought, which in some ways, for me at least, seems to parallel or produce feelings similar to this, and call it the high country of the mind. If all of human knowledge, everything that’s known, is believed to be an enormous hierarchic structure, then the high country of the mind is found at the uppermost reaches of this structure in the most general, the most abstract considerations of all. Few people travel here. There’s no real profit to be made from wandering through it, yet like this high country of the material world all around us, it has its own austere beauty that to some people makes the hardships of traveling through it seem worthwhile. In the high country of the mind one has to become adjusted to the thinner air of uncertainty, and to the enormous magnitude of questions asked, and to the answers proposed to these questions. The sweep goes on and on and on so obviously much further than the mind can grasp one hesitates even to go near for fear of getting lost in them and never finding one’s way out.

When I stand around all day, into the afternoon, I start to feel like a good bike pulled to the curb. I’m every car that’s ever idled, a motorcycle gulping its own exhaust, lurching toward open road. I’m paid to stand, and I get this feeling my body is waiting for my mind to figure out what I’m supposed to do with being alive.

I may have no emotional skin and come undone at the smallest interpersonal upset, but I’d make a great bullfighter or firefighter—anything that gets my adrenaline going and focuses me on a physical target. The motorcycle is all of that and more. When I’m on the bike, it feels like a door opens in my chest and the world rushes in, pure, fresh, and sparkling with clarity. It forces me to approach fear with total awareness and to pull reason mind into the moment of intense reactions.

I now know, by an almost fatalistic conformity with the facts, that my destiny is to travel, or perhaps it’s better to say that traveling is our destiny, because Alberto feels the same. Still, there are moments when I think with profound longing of those wonderful areas in our south. Perhaps one day, tired of circling the world, I’ll return to Argentina and settle in the Andean lakes, if not indefinitely then at least for a pause while I shift from one understanding of the world to another.

Overprotective isn't he?' Jacob said, talking just to me. 'A little trouble makes life fun. Let me guess, you're not allowed to have fun, are you?' Edward glowed, and his lips pulled back from his teeth ever so slightly. 'Shut up, Jake,' I said. Jacob laughed. 'That sound like a NO. Hey if you ever feel like having a life again, you could come see me. 'I've still got your motorcycle in my garage.

One deep breath makes me ready for the next one and then the next one and with each deep breath I feel a little readier until I jump out of bed and pull up the shade

I had a feeling Aunt Bette was thinking of taking on the Russian mob.

Trust doesn’t feel like leaping. It’s like sinking back, knowing in your soul that what’s beneath you is solid.

Maybe I went a bit too far, but that’s what people want now. There’s an expectation that children be treated poorly in their literature. Everyone wants to see children treated badly. So that … well, so that when they triumph over evil we all feel lifted up. It’s inspirational.

I guess what makes me feel better are the truly sane: the motorcycle cop in a clean uniform who gives me a ticket and then rides away on two wheels like a man who never had an itchy crotch.

But until then, and right now, the sun is bright, the air is cool, my head is clear, there’s a whole day ahead of us, we’re almost to the mountains, it’s a good day to be alive. It’s this thinner air that does it. You always feel like this when you start getting into higher altitudes.

Unless you’re fond of hollering you don’t make great conversations on a running cycle. Instead you spend your time being aware of things and meditating on them. On sights and sounds, on the mood of the weather and things remembered, on the machine and the countryside you’re in, thinking about things at great leisure and length without being hurried and without feeling you’re losing time.

I hope later she will see and feel a thing about these prairies I have given up talking to others about; a thing that exists here because everything else does not and can be noticed because other things are absent.

Some of his bitches had left him with the clap, some with ramped up credit card debt, and some with a feeling of damn relief. But not Glory. No. Glory had left him with remorse. And regret. And something that felt like pain in the area of his heart. And now she was coming back to where it all started. Back to Crownsmount. Back to the lake house. But not back to him. Not back to him. And he had absolutely no idea what to do with that.

Why should an irrational method work when rational methods were all so rotten? He had an intuitive feeling, growing rapidly, that what he had stumbled on was no small gimmick. It went far beyond. How far, he didn’t know.

In my mind, when I look at these fields, I say to her, “See?…See?” and I think she does. I hope later she will see and feel a thing about these prairies I have given up talking to others about; a thing that exists here because everything else does not and can be noticed because other things are absent. She seems so depressed sometimes by the monotony and boredom of her city life, I thought maybe in this endless grass and wind she would see a thing that sometimes comes when monotony and boredom are accepted. It’s here, but I have no names for it.

Cole, do you feel anything for me?" I don't know what made me ask this, except that Jack had asked him the night of the Tunnels. It obviously surprised him. He backed up. "What?" I inched forward, not quite sure I was going with this. "Do you feel...something for me?" He was quiet, still as a statue, so I moved even closer. "Don't, Nik." His gaze dropped to the ground. "If you feel anything, please leave me alone. I don't know why I survived. I don't have your answer. Shadowing me will get you nothing." Then he did something unexpected. He backed down, and as he turned around to his motorcycle, he shook his head and mumbled, "What have you done to me?" "I don't know," I said. "But you have ninety-nine years to figure it out." He kicked it on and revved the engine, and at the sound, he found his cocky smirk again. "That's a long time, Nik. Jack is gone, and I'm here. Let's see who gives up first.

The machine itself receives some of the same feelings. With over 27,000 on it it's getting to be something of a high-miler, and old-timer, although there are plenty of older ones running. But over the miles, and I think most cyclists will agree with this, you pick up certain feelings about an individual machine that are unique for that one individual machine and no other. A friend who owns a cycle of the same make, model and even same year brought it over for a repair, and when I test rode it afterward it was hard to believe it had come from the same factory years ago. You could see that long ago it had settled into its own kind of feel and ride and sound, completely different from mine. No worse, but different. I suppose you could call that a personality. Each machine has its own, unique personality which probably could be defined as the intuitive sum total of everything you know and feel about it. This personality constantly changes, usually for the worse, but sometimes surprisingly for the better, and it is the personality that is the real object of motorcycle maintenance. The new ones start out as good-looking strangers, and depending on how they are treated, degenerate rapidly into bad-acting grouches or even cripples, or else turn into healthy, good-natured, long-lasting friends.

She feels like the first drags of fresh cigarettes but last crunches of cherry suckers. She feels like final coats of nail polish. She feels like lines of coke. She feels like knuckles you crack after a long day. She feels like Miami rain. She feels like empty football fields. She feels like full stadiums. She feels like absinthe. She feels like dangling from a helicopter. She feels like classical music. She feels like standing on a motorcycle. She feels like train tracks. She feels like frozen yogurt. She feels like destroying a piano. She feels like rooftops. She feels like fleeing from cops. She feels like stitches. She feels like strobe lights. She feels like blue carnival bears. She feels like curbs at 2 am. She feels like Cupid's Chokehold. She feels like running through Chicago. She feels like 1.2 million dollars. She feels like floors. She feels like everything he's ever wanted in life. […] “I love you more than I planned.

It should be inserted here parenthetically that there's a school of mechanical thought which says I shouldn't be getting into a complex assembly I don't know anything about. I should have training or leave the job to a specialist. Thats a self-serving school of mechanical eliteness I'd like to see wiped out. [...] You're at a disadvantage the first time around it may cost you a little more because of parts you accidentally damage, and it will almost undoubtedly take a lot more time, but the next time around you're way ahead of the specialist. You, with gumption, have learned the assembly the hard way and you've a whole set of good feelings about it that he's unlikely to have.

The romantic mode is primarily inspirational, imaginative, creative, intuitive. Feelings rather than facts predominate. “Art” when it is opposed to “Science” is often romantic. It does not proceed by reason or by laws. It proceeds by feeling, intuition and esthetic conscience.

Imagine a young man racing along on his motorcycle, on a minor road. The wind is beating at his face. The young man closes his eyes, and opens his arms wide, just like they do in films, feeling himself completely alive and in communion with the universe. He doesn't see the lorry lunging out from the crossing. He dies happy. Happiness is almost always irresponsible. We're happy for those brief moments when we close our eyes.

Get on, beauty queen.” We pulled out from the bar and down the road to the motel. When we parked up, Tank looked back at me and sighed. “Why do I get the feeling you’re trouble?” I smiled and winked. Because I fucking was. I slid from the motorcycle and tapped Tank’s shoulder. “Come on, big boy.

When you love someone it feels like their blood runs through your veins, their breath fills your lungs, their heart makes yours beat, and without them everything stops.” “Fuck. That sounds tragic.” Tell me about it. “It is.” I bend to kiss him again, this time on the forehead. “But it’s worth it.

We’re living in topsy-turvy times, and I think that what causes the topsy-turvy feeling is inadequacy of old forms of thought to deal with new experiences.

Love for her welled up so strong, so intense, the pressure in his chest made him feel as if he might be having a heart attack.

I feel happy to be here, and still a little sad to be here too. Sometimes it’s a little better to travel than to arrive. 11

I am so obsessed with the cars that sometimes I feel like my heart is not a muscle, it's an engine.

I don’t know why—it’s just that—I don’t know—they’re not kin."—Surprising word, I think to myself never used it before. Not of kin—sounds like hillbilly talk—not of a kind—same root—kindness, too—they can’t have real kindness toward him, they’re not his kin -- . That’s exactly the feeling. Old word, so ancient it’s almost drowned out. What a change through the centuries. Now anybody can be "kind." And everybody’s supposed to be. Except that long ago it was something you were born into and couldn’t help. Now it’s just a faked-up attitude half the time, like teachers the first day of class. But what do they really know about kindness who are not kin.

Hayabusa…it’s one of the fastest production motorcycles in the world. Believe me when I say you’ll never ride on another motorcycle after you feel the power this baby has. It is unlike anything you’ll ever feel between your legs.

Why did you pick me up on a motorcycle if you had an SUV in the garage?" Nico looks down sheepishly and then I see the cocky lopsided smile that just melts me somehow. "I wanted to feel your arms wrapped around me tightly." Right. Damn. Answer

But the biggest clue seemed to be their expressions. They were hard to explain. Good-natured, friendly, easygoing...and uninvolved. They were like spectators. You had the feeling they had just wandered in there themselves and somebody had handed them a wrench. There was no identification with the job. No saying, "I am a mechanic." At 5 P.M. or whenever their eight hours were in, you knew they would cut it off and not have another thought about their work. They were already trying not to have any thoughts about their work on the job.

During periods of root expansion things have always looked as confused and topsy-turvy and purposeless as they do now. The whole Renaissance is supposed to have resulted from the topsy-turvy feeling caused by Columbus’ discovery of a new world. It just shook people up. The topsy-turviness of that time is recorded everywhere. There was nothing in the flat-earth views of the Old and New Testaments that predicted it. Yet people couldn’t deny it. The only way they could assimilate it was to abandon the entire medieval outlook and enter into a new expansion of reason.

Mother, stop it!” I shout. She takes a step back as if I’d physically slapped her. “Not all guys that look a certain way or dress a certain way or act a certain way are the same. You’ve tried all my life to drive me toward the kind of guy you wanted me to be with. You made me feel as though there was something wrong with me for liking anyone who rode a motorcycle or drove a muscle car or played in a band. But there was never anything wrong with them, Mom. They just weren’t for me. I wouldn’t have wanted to end up with any of them. Not now. But you don’t see that. You don’t see that now and you didn’t see that then. You could never be like a normal mother, one who holds her daughter when she cries and tells her that one day she’ll find Mr. Right, that one day love will be worth it. That was just beyond you. You had to do your best, at every possible opportunity, to convince me that the only way I’d ever be happy would be with a guy like Lyle, one who is so focused on his job and his money that he doesn’t have time for love. But Mom, if falling in love means risking getting hurt, then I’m okay with that. Because finally, for once, I’ve found someone worth the risk. I wouldn’t have missed out on Cash for the world, Mom. Did it ever occur to you that it took all those heartbreaks, all those tears, all those failed attempts to be able to recognize something real when I found it? Can’t you just be happy for me and leave us in peace?

It was turning out to be an anxious Christmas season. Too many were the early mornings spent sitting at the table, insomniac in the gray dawn, thinking to myself, Eggs would be good. Not for eating but for the viscous wrath of my ovobarrage. It seemed only a matter of time before I was lobbing my edible artillery out the window at the army of malefactors who daily made my life such a buzzing carnival of annoyance. I could almost feel the satisfying, sloshy heft of my weapons as I imagined them leaving my hands and raining down upon my targets: the pair of schnauzers two doors down, with their loathsome, skittish dispositions, barking and yelping all day long; their owner, with her white hair styled like Marlene Dietrich's in Blond Venus, who allows them to pee freely on the garbage that some poor sanitation worker then has to pick up; the leather-clad schmuck immediately next door, a cigar-smoking casual life-ruiner with his mufflerless motorcycle. All would taste my All Natural, Vegetarian Feed, Grade A Extra Large brand of justice!

What’s emerging from the pattern of my own life is the for belief that the crisis is being caused by the inadequacy of existing forms of thought to cope with the situation. It can’t be solved by rational means because the rationality itself is the source of the problem. The only ones who’re solving it are solving it at a personal level by abandoning ‘square’ rationality altogether and going by feelings alone. Like John and Sylvia here. And millions of others like them. And that seems like a wrong direction too. So I guess what I’m trying to say is that the solution to the problem isn’t that you abandon rationality but that you expand the nature of rationality so that it’s capable of coming up with a solution.

what I really want are thick books with fine print, difficult sentences, long words, and enormous ideas, books written in a feverish hand by writers who hate the world yet can’t keep from loving it, whose feelings so demand to be understood that if they didn’t write them down they would go blind. Bring me books by women who have fallen out of step with society and refuse to march and sing the old songs. Books by men who through terrifying sacrifice overcome all the challenges set before them but one. Find me books by sensualists who drink their cups dry every time and yet never figure out why they’re so thirsty, and books by pious men and women who continue to believe that being good will save them. Bring me books about people in love, people so passionate about each other they will stand against family, community, country, fortune, and fame in order to be together, and books about people who don’t have a chance in hell yet somehow find one. Bring me books about the fear of God and the depths of nature, books about history, philosophy, psychology, science, and motorcycles.

Maybe Steve had understood the words, I don’t know. But I understood something behind the words. For some reason or other the Motorcycle Boy was alone, more alone than I would ever be, than I could even imagine being. He was living in a glass bubble and watching the world from it. It was almost like being alone, hearing him, and I tried to shake off the feeling.

I suppose you could call that a personality. Each machine has its own, unique personality which probably could be defined as the intuitive sum total of everything you know and feel about it. This personality constantly changes, usually for the worse, but sometimes surprisingly for the better, and it is this personality that is the real object of motorcycle maintenance.

The orange turns to dull bronze light and continues to show what it has shown all day long, but now it seems to show it without enthusiasm. Across those dry hills, within those little houses in the distance are people who've been there all day long, going about the business of the day, who now find nothing unusual or different in this strange darkening landscape, as we do. If we were to come upon them early in the day they might be curious about us and what we're here for. but now in the evening they'd just resent our presence. The workday is over. It's time for supper and family and relaxation and turning inward at home. We ride unnoticed down this empty highway through this strange country I've never seen before, and now a heavy feeling of isolation and loneliness becomes dominant and my spirits wane with the sun.

I hadn't told him the news yet, but in that same preternatural way he was always aware of what I was feeling or thinking, he could smell my lies a mile away. He was just giving me time to come to him. To tell him I'd be baking his bun for the next seven and a half months. ''I'm okay." Dex's chuckle filled my ears as he wrapped his arms around my chest from behind, his chin resting on the top of my head. "Just okay?" He was taunting me, I knew it. This man never did anything without a reason. And this reason had him resembling a mama bear. A really aggressive, possessive mama bear. Which said something because Dex was normally that way. I couldn't even sit around Mayhem without him or Sonny within ten feet. I leaned my head back against his chest and laughed. "Yeah, just okay." He made a humming noise deep in his throat. "Ritz," he drawled in that low voice that reached the darkest parts of my organs. "You're killin' me, honey." Oh boy. Did I want to officially break the news on the side of the road with chunks of puke possibly still on my face? Nah. So I went with the truth. "I have it all planned out in my head. I already ordered the cutest little toy motorcycle to tell you, so don't ruin it." A loud laugh burst out of his chest, so strong it rocked my body alongside his. I friggin' loved this guy. Every single time he laughed, I swear it multiplied. At this rate, I loved him more than my own life cubed, and then cubed again. "All right," he murmured between these low chuckles once he'd calmed down a bit. His fingers trailed over the skin of the back of my hand until he stopped at my ring finger and squeezed the slender bone. "I can be patient." That earned him a laugh from me. Patience? Dex? Even after more than three years, that would still never be a term I'd use to describe him. And it probably never would. He'd started to lose his shit during our layover when Trip had called for instructions on how to set the alarm at the new bar. "Dex, Ris, and Baby Locke, you done?" Sonny yelled, peeping out from over the top of the car door. "Are you friggin' kidding me?" I yelled back. Did everyone know? That slow, seductive smile crawled over his features. Brilliant and more affectionate than it was possible for me to handle, it sucked the breath out of me. When he palmed my cheeks and kissed each of my cheeks and nose and forehead, slowly like he was savoring the pecks and the contact, I ate it all up. Like always, and just like I always would. And he answered the way I knew he would every single time I asked him from them on, the way that told me he would never let me down. That he was an immovable object. That he'd always be there for me to battle the demons we could see and the invisible ones we couldn't. "Fuckin' love you, Iris," he breathed against my ear, an arm slinking around my lower back to press us together. "More than anything.

We’re living in topsy-turvy times, and I think that what causes the topsy-turvy feeling is inadequacy of old forms of thought to deal with new experiences. I’ve heard it said that the only real learning results from hang-ups, where instead of expanding the branches of what you already know, you have to stop and drift laterally for a while until you come across something that allows you to expand the roots of what you already know.

But what;s happening is that each year our old flat earth of conventional reason becomes less and less adequate to handle the experiences we have and this is creating widespread feelings of topsy turviness. As a result we're getting more and more people in irrational areas of thought-- occultism, mysticism, drug changes and the like-- because they feel the inadequacy of classical reason to handle what they know are real experiences.

Finally, if you're as exasperated as I am by the parts problem and have some money to invest, you can take up the really fascinating hobby of machining your own parts. [...] With the welding equipment you can build up worn surfaces with better than original metal and then machine it back to tolerance with carbide tools. [...] If you can't do the job directly you can always make something that will do it. The work of machining a part is very slow, and some parts, such as ball bearings, you're never going to machine, but you'd be amazed at how you can modify parts designs so that you can make them with your equipment, and the work isn't nearly a slow or frustrating as a wait for some smirking parts man to send away to the factory. And the work is gumption building, not gumption destroying. To run a cycle with parts in it you've made yourself gives you a special feeling you can't possibly get from strictly store-bought parts.

Before she could say anything more, Sabella swung around at the sound of Noah’s Harley purring to life behind the garage. God. He was dressed in snug jeans and riding chaps. A snug dark T-shirt covered his upper body, conformed to it. And he was riding her way. “Is there anything sexier than a man in riding chaps riding a Harley?” Kira asked behind her. “It makes a woman simply want to melt.” And Sabella was melting. She watched as he pulled around the side of the garage then took the gravel road that led to the back of the house. The sound of the Harley purred closer, throbbing, building the excitement inside her. “I think it’s time for me to leave,” Kira said with a light laugh. “Don’t bother to see me out.” Sabella didn’t. She listened as the Harley drew into the graveled lot behind the house and moved to the back door. She opened it, stepping out on the back deck as he swung his legs over the cycle and strode toward her. That long-legged lean walk. It made her mouth water. Made her heart throb in her throat as hunger began to race through her. “The spa treated you well,” he announced as he paused at the bottom of the steps and stared back at her. “Feel like messing your hair up and going out this evening? We could have dinner in town. Ride around a little bit.” She hadn’t ridden on a motorcycle since she was a teenager. She glanced at the cycle, then back to Noah. “I’d need to change clothes.” His gaze flickered over her short jeans skirt, her T-shirt. “That would be a damned shame too,” he stated. “I have to say, Ms. Malone, you have some beautiful legs there.” No one had ever been as charming as Nathan. She remembered when they were dating, how he would just show up, out of the blue, driving that monster pickup of his and grinning like a rogue when he picked her up. He’d been the epitome of a bad boy, and he had been all hers. He was still all hers. “Bare legs and motorcycles don’t exactly go together,” she pointed out. He nodded soberly, though his eyes had a wicked glint to them. “This is a fact, beautiful. And pretty legs like that, we wouldn’t want to risk.” She leaned against the porch post and stared back at him. “I have a pickup, you know.” She propped one hand on her hip and stared back at him. “Really?” Was that avarice she saw glinting in his eyes, or for just the slightest second, pure, unadulterated joy at the mention of that damned pickup? He looked around. “I haven’t seen a pickup.” “It’s in the garage,” she told him carelessly. “A big black monster with bench seats. Four-by-four gas-guzzling alpha-male steel and chrome.” He grinned. He was so proud of that damned pickup. “Where did something so little come up with a truck that big?” he teased her then. She shrugged. “It belonged to my husband. Now, it belongs to me.” That last statement had his gaze sharpening. “You drive it?” “All the time,” she lied, tormenting him. “I don’t have to worry about pinging it now that my husband is gone. He didn’t like pings.” Did he swallow tighter? “It’s pinged then?” She snorted. “Not hardly. Do you want to drive the monster or question me about it? Or I could change into jeans and we could ride your cycle. Which is it?” Which was it? Noah stared back at her, barely able to contain his shock that she had kept the pickup. He knew for a fact there were times the payments on the house and garage had gone unpaid—his “death” benefits hadn’t been nearly enough—almost risking her loss of both during those first months of his “death.” Knowing she had held on to that damned truck filled him with more pleasure than he could express. Knowing she was going to let someone who wasn’t her husband drive it filled him with horror. The contradictor feelings clashed inside him, and he promised himself he was going to spank her for this.

In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your home-own. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. “No surprises” is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.

We crossed the street and turned left into one of the side streets, which was only slightly less wide. Here the traffic was lighter. To the left and slightly in front of us, two men walked shoulder to shoulder. The first wore leather pants, a white shirt with wide sleeves, and a leather vest over it. A wide leather bracer enclosed his left forearm. His hair, a rare blond shade, almost gold, hung in a ponytail down his back. He moved with a casual aristocratic elegance, perfectly balanced. Watching him, you had a feeling that if the road suddenly became a tightrope, he would just keep on walking without breaking a stride. My father moved like that. I sped up a little. We drew even and I saw a slender sword on his waist. That's what I thought. An expert swordsman. I glanced at his face and blinked. He was remarkably handsome. The man to his left was larger, his shoulders broader, his body emanating contained aggression. He didn't walk, he stalked, and you could tell by the way he moved that he would be very strong. His auburn hair looked like he'd rolled out of bed, dragged his hand through it, and gone on about his day. He wore dark pants and a black leather jacket that was more doublet than motorcycle. A ragged scar crossed his left cheek and when he turned his head, his eyes shone with yellow. Interesting. "It's always work with you," the russet-haired man said. "Some of us have to mind the safety of the realm," the blond said. A narrow smile curled his lips. "I've given the realm eight years of my life. It can bite me," his stocky companion retorted. "How far is it?" The slim man raised his left arm. A hawk dropped out of the sky and landed on his bracer. "We're almost there. Two blocks left." "Good. Let's get this crap and go home." They turned into the side street. "That bird smelled dead," Sean said.

Harvey finished his walk and reached the door of his little house, but instead of using the front door, he opened the garage and looked at his own motorcycle, remembering what Julios had told him about his Royal Enfield. Harvey smiled as he ran his hands across the seat; he knew the strength of feelings a man has for his motorcycle. Harvey pulled his helmet from the hook and removed it from the black cotton bag. Within two minutes he was cruising along the narrow country lanes that led into Chigwell. His plain white shirt flapped in the wind and the cold air stung the skin on his arms like a burn. He was alive.

It’s possible to search in vain for that point where your running feels “just right.” As I considered the point of balance for myself, I was reminded of a quote from Zen and the Art of Motorcycle Maintenance by Robert Pirsig. He wrote: “Mountains should be climbed with as little effort as possible and without desire. The reality of your own nature should determine the speed. If you become restless, speed up. If you become winded, slow down. You climb the mountain in an equilibrium between restlessness and exhaustion. Then, when you’re no longer thinking ahead, each footstep isn’t just a means to an end but a unique event in itself.

If you want to build a factory, or fix a motorcycle, or set a nation right without getting stuck, then classical, structured, dualistic subject-object knowledge, although necessary, isn't enough. You have to have some feeling for the quality of the work. You have to have a sense of what's good. That is what carries you forward. This sense isn't just something you're born with, although you are born with it. It's also something you can develop. It's not just "intuition,'' not just unexplainable "skill'' or "talent.'' It's the direct result of contact with basic reality, Quality, which dualistic reason has in the past tended to conceal.

From his corner office on the ground floor of the St. Cyril station house, Inspector Dick has a fine view of the parking lot. Six Dumpsters plated and hooped like iron maidens against bears. Beyond the Dumpsters a subalpine meadow, and then the snow¬ capped ghetto wall that keeps the Jews at bay. Dick is slouched against the back of his two-thirds-scale desk chair, arms crossed, chin sunk to his chest, star¬ing out the casement window. Not at the mountains or the meadow, grayish green in the late light, tufted with wisps of fog, or even at the armored Dumpsters. His gaze travels no farther than the parking lot—no farther than his 1961 Royal Enfield Crusader. Lands¬man recognizes the expression on Dick's face. It's the expression that goes with the feeling Landsman gets when he looks at his Chevelle Super Sport, or at the face of Bina Gelbfish. The face of a man who feels he was born into the wrong world. A mistake has been made; he is not where he belongs. Every so often he feels his heart catch, like a kite on a telephone wire, on something that seems to promise him a home in the world or a means of getting there. An American car manufactured in his far-off boyhood, say, or a motor¬cycle that once belonged to the future king of England, or the face of a woman worthier than himself of being loved.

Every Angel recruit comes to his initiation wearing a new pair of Levis and a matching jacket with the sleeves cut off and a spotless emblem on the back. The ceremony varies from one chapter to another but the main feature is always the defiling of the initiate’s new uniform. A bucket of dung and urine will be collected during the meeting, then poured on the newcomer’s head in a solemn baptismal. Or he will take off his clothes and stand naked while the bucket of slop is poured over them and the others stomp it in. These are his „originals,” to be worn every day until they rot. The Levi’s are dipped in oil, then hung out to dry in the sun – or left under the motorcycle at night to absorb the crankcase drippings. When they become too ragged to be functional, they are worn over other, newer Levi’s. Many of the jackets are so dirty that the colors are barely visible, but they aren’t discarded until they literally fall apart. The condition of the originals is a sign of status. It takes a year or two before they get ripe enough to make a man feel he has really made the grade.

Don’t think, muñeca. Everything will work itself out.” “But--” “No buts. Trust me.” My mouth closes over hers. The smell of rain and cookies eases my nerves. My hand braces the small of her back. Her hands grip my soaked shoulders, urging me on. My hands slide under her shirt, and my fingers trace her belly button. “Come to me,” I say, then lift her until she’s straddling me over my bike. I can’t stop kissing her. I whisper how good she feels to me, mixing Spanish and English with every sentence. I move my lips down her neck and linger there until she leans back and lets me take her shirt off. I can make her forget about the bad stuff. When we’re together like this, hell, I can’t think of anything else but her. “I’m losing control,” she admits, biting her lower lip. I love those lips. “Mamacita, I’ve already lost it,” I say, grinding against her so she knows exactly how much control I’ve lost. She moves her hips in a slow rhythm against me, an invitation I don’t deserve. My fingertips graze her mouth. She kisses them before I slowly slide my hand down her chin to her neck and in between her breasts. She catches my hand. “I don’t want to stop, Alex.” I cover her body with mine. I can easily take her. Hell, she’s asking for it. But God help me if I don’t grow a conscience. It’s that loco bet I made with Lucky. And what my mom said about how easy it is to get a girl pregnant. When I made the bet, I had no feelings for this complex white girl. But now…shit, I don’t want to think about my feelings. I hate feelings; they’re only good for screwing up someone’s life. And may God strike me down right now because I want to make love to Brittany, not fuck her on my motorcycle like some cheap whore. I move my hands away from her cuerpo perfecto, the first sane thing I’ve done tonight. “I can’t take you like this. Not here,” I say, my voice hoarse from emotion overload. This girl was going to gift me with her body, even though she knows who I am and what I’m about to do. The reality is hard to swallow. I expect her to be embarrassed, maybe even mad. But she curls into my chest and hugs me. Don’t do this to me, I want to say. Instead I wrap my arms around her and hold on tight. “I love you,” I hear her say so softly it might have been her thoughts. Don’t, I’m tempted to say. ¡Noǃ ¡Noǃ My gut twists and I hold her tighter. Dios mío, if things were different I’d never give her up. I burrow my face in her hair and fantasize about stealing her away from Fairfield. We stay that way for a long time, long after the rain stops and reality sets in.

Have you ever been swept away by a toxic lover who sucked you dry? I have. Bad men used to light me up like a Christmas tree. If I had a choice between the rebel without a cause and a nice guy in a sweater and outdoorsy shoes, you can imagine who got my phone number. Rebels and rogues are smooth (and somewhat untamed); they know the headwaiters at the best steak houses, ride fast European motorcycles, and start bar fights in your honor. In short, the rebel makes you feel really alive! It’s all fun and games until he screws your best friend or embezzles your life’s savings. You may be asking yourself how my pathetic dating track record relates to your diet. Simple. The acid—alkaline balance, which relates to the chemistry of your body’s fluids and tissues as measured by pH. The rebel/rogue = acid. The nice solid guy = alkaline. The solid guy gives you energy; he’s reliable and trustworthy. The solid guy calls you back when he says he will. He helps you clean your garage and does yoga with you. He’s even polite to your family no matter how whacked they are, and has the sexual stamina to rock your world. While the rebel can help you let your hair down, too much rebel will sap your energy. In time, a steady rebellious diet burns you out. But when we’re addicted to bad boys (junk food, fat, sugar, and booze), nice men (veggies and whole grains) seem boring. Give them a chance!

After school, I hurry out the front doors to catch him. He’s on his motorcycle, getting ready to leave. “Alex, wait!” Feeling fidgety, I curl my hair behind my ears. “Hop on,” he orders. “What?” “Hop on. If you want to thank me for savin’ your ass in Mrs. P.’s class, come home with me. I wasn’t kiddin’ yesterday. You showed me a glimpse into your life, I’m gonna show you a glimpse of mine. It’s only fair, right?” I scan the parking lot. Some people are looking our way, probably ready to spread the gossip that I’m talking to Alex. If I actually leave with him, rumors will fly. The sound of Alex revving his motorcycle brings my attention back to him. “Don’t be afraid of what they think.” I take in the sight of him, from his ripped jeans and leather jacket to the red and black bandana he just tied on top of his head. His gang colors. I should be terrified. Then I remember how he was with Shelley yesterday. To hell with it. I shift my book bag around to my back and straddle his motorcycle. “Hold on tight,” he says, pulling my hands around his waist. The simple feel of his strong hands resting on top of mine is intensely intimate. I wonder if he’s feeling these emotions, too, but dismiss the thought. Alex Fuentes is a hard guy. Experienced. The mere touch of hands isn’t going to make his stomach flutter. He deliberately brushes the tips of his fingers over mine before reaching for the handlebars. Oh. My. God. What am I getting myself into?

The franchise and the virus work on the same principle: what thrives in one place will thrive in another. You just have to find a sufficiently virulent business plan, condense it into a three-ring binder -- its DNA -- Xerox(tm) it, and embed it in the fertile lining of a well-traveled highway, preferably one with a left-turn lane. Then the growth will expand until it runs up against its property lines. In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your hometown. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. "No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallelparked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.

Elvis was pretty slick. Nonetheless, I knew that he was cheating. His four-of-a-kind would beat my full house. I had two choices. I could fold my hand and lose all the money I’d contributed to the pot, or I could match Elvis’s bet and continue to play. If a gambler thought he was in an honest game, he would probably match the bet thinking his full house was a sure winner. The con artist would bet large amounts of money on the remaining cards, knowing he had a winning hand. I narrowed my eyes and pursed my lips, as if struggling to decide whether to wager five hundred pesos or fold my hand and call it quits. I knew there were five men between me and the door and watched them from the corner of my eye. Even if I folded and accepted my losses, I knew they would not let me leave without taking all my cash. They had strength in numbers and would strong arm me if they could. The men stared, intently watching my next move. I set down my beer and took five one hundred peso notes from my wallet. The men at the bar relaxed. My adrenaline surged, pumping through my brain, sharpening my focus as I prepared for action. I moved as if to place my bet on the table, but instead my hand bumped my beer bottle, spilling it onto Elvis’ lap. Elvis reacted instinctively to the cold beer, pushing back from the table and rising to his feet. I jumped up from my chair making a loud show of apologizing, and in the ensuing pandemonium I snatched all the money off the table and bolted for the door! My tactics took everyone by complete surprise. I had a small head start, but the Filipinos recovered quickly and scrambled to cut off my escape. I dashed to the door and barely made it to the exit ahead of the Filipinos. The thugs were nearly upon me when I suddenly wheeled round and kicked the nearest man square in the chest. My kick cracked ribs and launched the shocked Filipino through the air into the other men, tumbling them to the ground. For the moment, my assailants were a jumble of tangled bodies on the floor. I darted out the door and raced down the busy sidewalk, dodging pedestrians. I looked back and saw the furious Filipinos swarming out of the bar. Running full tilt, I grabbed onto the rail of a passing Jeepney and swung myself into the vehicle. The wide-eyed passengers shrunk back, trying to keep their distance from the crazy American. I yelled to the driver, “Step on the gas!” and thrust a hundred peso note into his hand. I looked back and saw all six of Johnny’s henchmen piling onto one tricycle. The jeepney driver realized we were being pursued and stomped the gas pedal to the floor. The jeepney surged into traffic and accelerated away from the tricycle. The tricycle was only designed for one driver and two passengers. With six bodies hanging on, the overloaded motorcycle was slow and unstable. The motorcycle driver held the throttle wide open and the tricycle rocked side to side, almost tipping over, as the frustrated riders yelled curses and flailed their arms futilely. My jeepney continued to speed through the city, pulling away from our pursuers. Finally, I could no longer see the tricycle behind us. When I was sure I had escaped, I thanked the driver and got off at the next stop. I hired a tricycle of my own and carefully made my way back to my neighborhood, keeping careful watch for Johnny and his friends. I knew that Johnny was in a frustrated rage. Not only had I foiled his plans, I had also made off with a thousand pesos of his cash. Even though I had great fun and came out of my escapade in good shape, my escape was risky and could’ve had a very different outcome. I feel a disclaimer is appropriate for those people who think it is fun to con street hustlers, “Kids. Don’t try this at home.

I bite my lip when I feel the blood flow divert away from all my vital, thinking organs in favor of the fun ones. I've gotta stop thinking shit like that. I can't very well ride back to Atlanta, on a motorcycle, with a hard-on. At least nit comfortably.

What had to be seen was that the Chris I missed so badly was not an object but a pattern, and that although the pattern included the flesh and blood of Chris, that was not all there was to it. The pattern was larger than Chris and myself, and related us in ways that neither of us understood completely and neither of us was in complete control of. Now Chris's body, which was a part of that larger pattern, was gone. But the larger pattern remained. A huge hole had been torn out of the center of it, and that was what caused all the heartache. The pattern was looking for something to attach to and couldn't find anything. That's probably why grieving people feel such attachment to cemetery headstones and any material property or representation of the deceased. The pattern is trying to hang on to its own existence by finding some material thing to center itself upon.

I want to talk about another kind of high country now in the world of thought, which in some ways, for me at least, seems to parallel or produce feelings similar to this, and call it the high country of the mind. If all of human knowledge, everything that’s known, is believed to be an enormous hierarchic structure, then the high country of the mind is found at the uppermost reaches of this structure in the most general, the most abstract considerations of all. Few people travel here. There’s no real profit to be made from wandering through it, yet like this high country of the material world all around us, it has its own austere beauty that to some people make the hardships of traveling through it seem worthwhile. In the high country of the mind one has to become adjusted to the thinner air of uncertainty, and to the enormous magnitude of questions asked, and to the answers proposed to these questions. The sweep goes on and on and on so obviously much further than the mind can grasp one hesitates even to go near for fear of getting lost in them and never finding one’s way out.

I walk up the long main street in the gathering dusk and feel the presence of the mountains even though we talk about other things. I feel happy to be here, and still a little sad to be here too. Sometimes it’s a little better to travel than to arrive.

I feel happy to be here, and still a little sad to be here too. Sometimes it's a little better to travel than to arrive.

But what's happening is that each year our old flat earth of conventional reason becomes less and less adequate to handle the experiences we have and this is creating widespread feelings of topsy turviness. As a result we're getting more and more people in irrational areas of thought-- occultism, mysticism, drug changes and the like-- because they feel the inadequacy of classical reason to handle what they know are real experiences.

We’re living in topsy-turvy times, and I think that what causes the topsy-turvy feeling is inadequacy of old forms of thought to deal with new experiences. I’ve heard it said that the only real learning results from hang-ups, where instead of expanding the branches of what you already know, you have to stop and drift laterally for a while until you come across something that allows you to expand the roots of what you already know. Everyone’s familiar with that. I think the same thing occurs with whole civilizations when expansion’s needed at the roots.

Eh, I like the brisk, November wind on my balls. Makes me feel alive.

I always feel like I’m in church when I do this…The

He noted that although normally you associate Quality with objects, feelings of Quality sometimes occur without any object at all. This is what led him at first to think that maybe Quality is all subjective. But subjective pleasure wasn’t what he meant by Quality either. Quality decreases subjectivity. Quality takes you out of yourself, makes you aware of the world around you. Quality is opposed to subjectivity.

So, you went out with Amanda tonight, looking for a little bit of a distraction?” Boxer asked, pulling my attention back to him. “Something like that.” “I can distract you.” I raised my brows. “Oh, can you?” He leaned forward, close enough that I could smell the scent of his skin and feel the warmth emanating from him. “Yeah, Doc. I can distract the fuck out of you.

Neither approach works by itself. One gives us only product, the other only process. To be an artist in the world today requires a blending of the two in order to survive, to succeed in making and selling your work. This has to be done in a way that feeds your soul, not saps it. Pirsig posed this dilemma in Zen and the Art of Motorcycle Maintenance. It was his understanding that these two views of the world have to merge in order for anyone to be at peace in the world. Technology is not bad in itself. It is how it is used and the effect it has on the maker, the builder, and the mechanic that’s crucial. He understood that the classic mode is primarily theoretic but has its own aesthetic. The romantic mode is primarily aesthetic but also has theory. The two can merge and work together at the bench. Pirsig’s goal was to bring these two points of view together to find the essence of Quality. Preintellectual awareness was how he put it. Understanding something before your mind could name it. It’s not just seeing the tool on the bench and your knowledge and experience of what it can do, but seeing it and knowing the feel of it in your hand. One combines these two senses together in a preintellectual awareness in order to understand Pirsig’s notion of Quality, his Zen approach to living and being in the world.

But the biggest clue seemed to be their expressions. They were hard to explain. Good-natured, friendly, easygoing – and uninvolved. They were like spectators. You had the feeling they had just wandered in there themselves and somebody had handed them a wrench. There was no identification with the job.

A real man wants his woman to be healthy. A real man makes a woman feel desired and safe. Secure in the knowledge that her man thinks she’s fucking sexy no matter what. Being healthy is good, not saying pancakes every day is a great idea. Not saying you should immediately become a junk food addict. But some treats aren’t a bad thing. You got to live a little, baby girl.

You kiss me, you’re gonna say sweet things. Not ‘we can’t do this,’ ‘it’s soooo wrong,’ blah, blah, blah. I deserve better. I deserve someone who feels so damn lucky he gets to kiss me that he praises the God- damn-Lord while he’s doin’ it and thanks Him after!

Luckily, queer ones like her don't happen, often. We know how to nip most of them in the bud, early. You can't build a house without nails and wood. If you don't want a house built, hide the nails and wood. If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the Government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of non-combustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure, and equate the universe, which just won't be measured or equated without making man feel bestial and lonely. I know, I've tried it; to hell with it. So bring on your clubs and parties, your acrobats and magicians, your dare-devils, jet cars, motor-cycle helicopters, your sex and heroin, more of everything to do with automatic reflex. If the drama is bad, if the film says nothing, if the play is hollow, sting me with the theremin, loudly. I'll think I'm responding to the play, when it's only a tactile reaction to vibration. But I don't care. I just like solid entertainment.

If you want to build a factory, or fix a motorcycle, or set a nation right without getting stuck, then classical, structured, dualistic subject-object knowledge, although necessary, isn't enough. You have to have some feeling for the quality of the work. You have to have a sense of what's good. That is what carries you forward. This sense isn't just something you're born with, although you are born with it. It's also something you can develop. It's not just "intuition'' not just unexplainable "skill'' or "talent.'' It's the direct result of contact with basic reality, Quality, which dualistic reason has in the past tended to conceal.

If you want to build a factory, or fix a motorcycle, or set a nation right without getting stuck, then classical, structured, dualistic subject-object knowledge, although necessary, isn't enough. You have to have some feeling for the quality of the work. You have to have a sense of what's good. That is what carries you forward. This sense isn't just something you're born with, although you are born with it. It's also something you can develop. It's not just "intuition" not just unexplainable "skill" or "talent" It's the direct result of contact with basic reality, Quality, which dualistic reason has in the past tended to conceal.

My personal feeling is that this is how any further improvement of the world will be done: by individuals making Quality decisions and that’s all. God, I don’t want to have any more enthusiasm for big programs full of social planning for big masses of people that leave individual Quality out. These can be left alone for a while. There’s a place for them but they’ve got to be built on a foundation of Quality within the individuals involved. We’ve had that individual Quality in the past, exploited it as a natural resource without knowing it, and now it’s just about depleted. Everyone’s just about out of gumption. And I think it’s about time to return to the rebuilding of this American resource—individual worth. There are political reactionaries who’ve been saying something close to this for years. I’m not one of them, but to the extent they’re talking about real individual worth and not just an excuse for giving more money to the rich, they’re right. We do need a return to individual integrity, self-reliance and old-fashioned gumption. We really do. I hope that in this Chautauqua some directions have been pointed to.

We have a body and we have a mind. The body is material and easier to handle. Basic care is all it requires. However, when it comes to our minds—our thoughts and feelings—we are not in the driver’s seat. For example, we don’t know what we will

Though Crawford was speaking specifically to the plight of the knowledge work middle manager, the “bewildering psychic landscape” he references applies to many positions in this sector. As Crawford describes in his 2009 ode to the trades, Shop Class as Soulcraft, he quit his job as a Washington, D.C., think tank director to open a motorcycle repair shop exactly to escape this bewilderment. The feeling of taking a broken machine, struggling with it, then eventually enjoying a tangible indication that he had succeeded (the bike driving out of the shop under its own power) provides a concrete sense of accomplishment he struggled to replicate when his day revolved vaguely around reports and communications strategies.