Most Intriguing Quotes

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The most intriguing people you will encounter in this life are the people who had insights about you, that you didn't know about yourself.
Shannon L. Alder
People frequently bore me, sometimes amuse me, most often irritate me, but rarely intrigue me.
Jeaniene Frost (Once Burned (Night Prince, #1))
I regret nothing. No woman with any self-respect would have done less. The question of good and evil will always be one of philosophy's most intriguing problems, up there with the problem of existence itself. I'm not quarreling with your choice of issues, only with your intellectually diminished approach. If evil means to be self-motivated, to live on one's own terms, then every artist, every thinker, every original mind, is evil. Because we dare to look through our own eyes rather than mouth cliches lent us from the so-called Fathers. To dare to see is to steal fire from the Gods. This is mankind's destiny, the engine which fuels us as a race.
Janet Fitch (White Oleander)
What were you doing with her?" I ask quietly. "Apart from questioning her about your whereabouts, I was listening to the most intriguing story about my life moonlighting as a kidnapper.
Melina Marchetta (On the Jellicoe Road)
Some people like the Jews, and some do not. But no thoughtful man can deny the fact that they are, beyond any question, the most formidable and most remarkable race which has appeared in the world. — Winston S. Churchill
Ellen Brazer (Clouds Across the Sun)
Every time you wake up, you let fly the most marvelous string of curses. It’s never the same twice, do you know that? It’s so intriguing. You’re like a rooster that crows blasphemy.
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
Have you ever noticed how the most intriguing individual in the room seems content to listen sooner than speak?
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
Most girls bored me outta my gourd, but this girl was intriguing. Entertaining, even. I didn’t faze her, at least not in a positive way. My very presence seemed to make her want to puke, and I found that strangely endearing.
Jamie McGuire (Walking Disaster (Beautiful, #2))
I'm enjoying two beautiful visions tonight. Watching you stand there against a marvelous background has to be the most intriguing sunset I have ever experienced.
K.S. Collier
Hey Aiden! Look!  She’d worn low-cut blouses before and didn’t get any response from him. Most men loved her beautiful breasts. What does a girl have to do to get his attention? Jump off a cliff? she realized.
Sharon Carter (Love Auction II: Love Designs)
To be part of something one doesn't in the least understand is, I think, one of the most intriguing things about life.
Agatha Christie (Agatha Christie: An Autobiography)
In all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these: 1. Because as they have more Knowledge of the World and their Minds are better stor’d with Observations, their Conversation is more improving and more lastingly agreable. 2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman. 3. Because there is no hazard of Children, which irregularly produc’d may be attended with much Inconvenience. 4. Because thro’ more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin’d to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes. 5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement. 6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy. 7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy. 8thly and Lastly They are so grateful!!
Benjamin Franklin
His eyes are golden brown when he’s intrigued by something. He’s regal-looking and handsome, but he’s more interested in formulas and solving crimes than he is in me or poetry. He acts devilishly warm one moment, then frigid the next,” I said. “So there will be no children or any beautiful paradise in our future. Most of the time I cannot even tolerate his presence. His arrogance is… I don’t know. Annoying.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
Thievery was the most authentic form of flattery. What could be more satisfying than knowing the things you possessed were intriguing, captivating, or valuable enough to provoke another man to risk everything to obtain them? This was Kelsier’s purpose in life, to remind people of the value of the things they loved. By taking them away.
Brandon Sanderson (Secret History (Mistborn, #3.5))
People frequently bore me, sometimes amuse me, most often irritate me, but rarely intrigue me. You do, which is why I’ll enjoy having you as a lover.
Jeaniene Frost (Once Burned (Night Prince, #1))
He nodded toward the sub. "This is going to be a blow-off day." I dragged my mind away from magical intrigue. After being homeschooled for most of my life, some parts of the "normal" school world was a mystery. "What does that mean, exactly." "Usually teacher leave subs a lesson plan, telling them what to do. I saw Ms. Terwilliger left. It said, 'Distract them.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I think, quite frankly, that the world simply does not care for the complicated girls, the ones who seem too dark, too deep, too vibrant, too opinionated, the ones who are so intriguing that new men fall in love with them every day, at every meal where there's a waiter, in every taxi and on every train they board, in any instance where someone can get to know them just a little bit, just enough to get completely gone. But most men in the end don't quite have the stomach for that much person.
Elizabeth Wurtzel (Bitch: In Praise of Difficult Women)
The Great Spirit had shown mercy and had given him access to the most powerful weapon of all—love.
Diane L. Kowalyshyn (Crossbones (Cross your Heart and Die, #3))
Why, that is most intriguing. A lady scientist," he said in a tone of wonderment. "What will they think of next?
Deanna Raybourn (A Curious Beginning (Veronica Speedwell, #1))
Women are pleasing because they come to us wrapped in the catkin of an enigma and they cease to please when they lose their intrigue.Do women believe that men are only interested in what's between their legs? That would be an error.:men are more attracted by a woman's romantic side than by her sexuality.
Éric-Emmanuel Schmitt (The Most Beautiful Book in the World: Eight Novellas)
That meddling in other people's affairs...formerly conducted by the most discreet intrigue is now openly advocated under the name of intervention.
T.S. Eliot
It was Mags' turn to snort. "But most on it is there ain't 'nough space for him an' his ego t' be in th' same room at th' same time.
Mercedes Lackey (Intrigues (Valdemar: Collegium Chronicles, #2))
Perhaps the most meaningful exchange I had on the subject was a completely random discussion with my uncle Martin at my parents’ annual summer pool party. Martin, a former entrepreneur who was now in the early stages of Alzheimer’s, turned to me and asked an intriguing question: “Which is more exciting to you? Reality or memory?” I paused, considered it, and said, “I wish I could say reality, but it’s probably memory.” And then I asked, “What about you?” At which point Martin stared blankly back at me and asked, “What was the question?
Dan Harris (10% Happier)
To the rocket scientist, you are a problem. You are the most irritating piece of machinery he or she will ever have to deal with. You and your fluctuating metabolism, your puny memory, your frame that comes in a million different configurations. You are unpredictable. You're inconstant. You take weeks to fix. The engineer must worry about the water and oxygen and food you'll need in space, about how much extra fuel it will take to launch your shrimp cocktail and irradiated beef tacos. A solar cell or a thruster nozzle is stable and undemanding. It does not excrete or panic or fall in love with the mission commander. It has no ego. Its structural elements don't start to break down without gravity, and it works just fine without sleep. To me, you are the best thing to happen to rocket science. The human being is the machine that makes the whole endeavor so endlessly intriguing.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
I love you with an awful intensity. Sometimes when I just sit in a trance staring at a piece of paper, pen poised and immovable, longing for you and remembering you and imagining you. I love you horribly and beautifully.
Marlene Wagman-Geller (Once Again to Zelda: The Stories Behind Literature's Most Intriguing Dedications)
Reading's ability to beam you up to a different world is a good part of the reason why people like me do it in the first place---because dollar for dollar, hour per hour, it's the most expedient way to get from our proscribed little "here" to an imagined, intriguing there". Part time machine, part Concorde, part ejector seat, books are our salvation.
Sara Nelson (So Many Books, So Little Time: A Year of Passionate Reading)
Shadows of Shadows passing... It is now 1831... and as always, I am absorbed with a delicate thought. It is how poetry has indefinite sensations to which end, music is an essential, since the comprehension of sweet sound is our most indefinite conception. Music, when combined with a pleasurable idea, is poetry. Music without the idea is simply music. Without music or an intriguing idea, color becomes pallour, man becomes carcass, home becomes catacomb, and the dead are but for a moment motionless.
Edgar Allan Poe
It’s true. Every time you wake up, you let fly the most marvelous string of curses. It’s never the same twice, do you know that? It’s so intriguing. You’re like a rooster that crows blasphemy.” “Oh, there’s a cock crowing, all right,” he muttered.
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
I’m intrigued that the same letters from the alphabet are used in the word silent and in the word listen. Perhaps it’s evidence that the most important part of listening involves remaining silent.
Robert Herjavec (The Will To Win: Leading, Competing, Succeeding)
The most intriguing candidate for that "something else" is called the Broken Windows theory. Broken Windows was the brainchild of the criminologist James Q. Wilson and George Kelling. Wilson and Kelling argued that crime is the inevitable result of disorder. If a window is broken and left unrepaired, people walking by will conclude that no one cares and no one is in charge. Soon, more windows will be broken, and the sense of anarchy will spread from the building to the street on which it faces, sending a signal that anything goes. In a city, relatively minor problems like graffiti, public disorder, and aggressive panhandling, they write, are all the equivalent of broken windows, invitations to more serious crimes:
Malcolm Gladwell (The Tipping Point: How Little Things Can Make a Big Difference)
The question of good and the nature of evil will always be one of philosophy’s most intriguing problems, up there with the problem of existence itself. If evil means to be self-motivated, to be the center of one’s own universe, to live on one’s own terms, then every artist, thinker, every original mind, is evil. Because we dare to look through our own eyes rather than mouth clichés lent us from the so-called Fathers. To dare to see is to steal fire from the Gods. This is mankind’s destiny, the engine which fuels us as a race.
Janet Fitch (White Oleander)
I am a man. I've dated, but I`m not interested in sleeping around. I want to be with someone who intrigues me, who can have fun with, who I can laugh with, but who will challenge me. I`ve been looking for the same thig most of us are looking for." "What's that?" "Someone to come home to
Renee Carlino (Nowhere but Here)
Faustus, who embraced evil and shunned righteousness, became the foremost symbol of the misuse of free will, that sublime gift from God with its inherent opportunity to choose virtue and reject iniquity. “What shall a man gain if he has the whole world and lose his soul,” (Matt. 16: v. 26) - but for a notorious name, the ethereal shadow of a career, and a brief life of fleeting pleasure with no true peace? This was the blackest and most captivating tragedy of all, few could have remained indifferent to the growing intrigue of this individual who apparently shook hands with the devil and freely chose to descend to the molten, sulphuric chasm of Hell for all eternity for so little in exchange. It is a drama that continues to fascinate today as powerfully as when Faustus first disseminated his infamous card in the Heidelberg locale to the scandal of his generation. In fine, a life of good or evil, the hope of Heaven or the despair of Hell, Faustus stands as a reminder that the choice between these two absolutes also falls to us.
E.A. Bucchianeri (Faust: My Soul be Damned for the World, Vol. 1)
Attraction, in my experience, isn’t based on whether someone is the sexiest or most intriguing. Attraction is looking at a girl—that girl—and knowing without a doubt she’s the home I’ve always wanted. Knowing I could spend every day looking at her and still believe she’s the loveliest, kindest, most wonderful person who ever breathed.
Caroline George (The Summer We Forgot)
The phrasing annoyed Sage. As long as she was pretty and in a good mood, her husband would love her? People needed love most when they weren't at their best.
Erin Beaty (The Traitor's Kiss (The Traitor's Circle, #1))
Astronomy was full of such intriguing but meaningless coincidences. The most famous was the fact that, from the Earth, both Sun and Moon have the same apparent diameter.
Arthur C. Clarke (2010: Odyssey Two (Space Odyssey, #2))
But if you don't understand that story is character and not just idea, you will not be able to breathe life into even the most intriguing flash of inspiration.
Elizabeth George
Any woman who has devoted herself to raising children has experienced the hollow praise that only thinly conceals smug dismissal. In a culture that measures worth and achievement almost solely in terms of money, the intensive work of rearing responsible adults counts for little. One of the most intriguing questions in economic history is how this came to be; how mothers came to be excluded from the ranks of productive citizens. How did the demanding job of rearing a modern child come to be termed baby-sitting? When did caring for children become a 'labor of love,;' smothered under a blanket of sentimentality that hides its economic importance?
Ann Crittenden
Emily just knew that the grocery store clerk’s cousin had slipped on a bath mat and fallen out a second-story open window only to be saved because the woman landed on a discarded mattress. But what interested Emily most about the incident was how the cousin had subsequently met a man in physical therapy who introduced her to his half brother who she ended up marrying and then running over with her car a year later after a heated argument. And that man, it was discovered, had been the one to dump the mattress in her yard. He’d saved her so that she could later cripple him. Emily found that not ironic but intriguing. Because everything, she believed, was connected.
Holly Goldberg Sloan (I'll Be There)
The Door of No Return - real and metaphoric as some places are, mythic to those of us who are scattered in the Americas today. To have one’s belonging lodged in a metaphor is voluptuous intrigue; to inhabit a trope; to be a kind of fiction. To live in the Black Diaspora I think is to live in a fiction - a creation of empires, and also self-creation. It is to be being living inside and outside herself. It is to apprehend the the sign one makes yet to be unable to escape it except in radiant moments of ordinariness made like art. To be a fiction in search of its most resonant metaphor then is even more intriguing.
Dionne Brand (A Map to the Door of No Return)
Confusing being mortal with being threatened can occur in any realm. The fact that something could go wrong does not mean that we are in danger. It means we are alive. Mortality is the sign of life. In the most intimate and personal of arenas, many of us have love and trusted someone who violated that trust. So when someone else comes along who intrigues us, whose interests we share, who we enjoy being with, with whom there could be some mutual enrichment and understanding, that does not mean that we are being violated again. Experiencing anxiety does not mean that anyone is doing anything to us that is unjust.
Sarah Schulman (Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair)
You were kind of mean to Brittany,” Holly said. “Was I? Trying to be protective, I guess. I have a problem with cheerleaders, sorority sisters, gangs, committees, groups, anything pack-related.” She shrugged. “Yeah, you’re not really a joiner.” I was never much for cheerleaders or jocks myself, especially in high school. I always knew that kind of popularity was short term, but when you’re a teenager it seemed like the most important thing in the world. But Holly was only twelve.
Michael Grigsby (Segment of One)
In Panama, I found a spider that eats its own limbs during lean times. I am told they grow back. But though the distinction is razor-thin, desperation is not the same thing as determination. Nevertheless, auto-cannibalism is one the most intriguing phenomenon I have ever heard of.
Taona Dumisani Chiveneko (Sprout of Disruption (The Hangman's Replacement # 1))
But Zimmermann surprised him. On Friday, March 2, during a press conference, Zimmermann himself confirmed that he had sent the telegram. “By admitting the truth,” Lansing wrote, “he blundered in a most astounding manner for a man engaged in international intrigue. Of course the message itself was a stupid piece of business, but admitting it was far worse.
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
In the words of Mr Thierry Coup of Warner Bros: 'We are taking the most iconic and powerful moments of the stories and putting them in an immersive environment. It is taking the theme park experience to a new level.' And of course I wish Thierry and his colleagues every possible luck, and I am sure it will be wonderful. But I cannot conceal my feelings; and the more I think of those millions of beaming kids waving their wands and scampering the Styrofoam turrets of Hogwartse_STmk, and the more I think of those millions of poor put-upon parents who must now pay to fly to Orlando and pay to buy wizard hats and wizard cloaks and wizard burgers washed down with wizard meade_STmk, the more I grind my teeth in jealous irritation. Because the fact is that Harry Potter is not American. He is British. Where is Diagon Alley, where they buy wands and stuff? It is in London, and if you want to get into the Ministry of Magic you disappear down a London telephone box. The train for Hogwarts goes from King's Cross, not Grand Central Station, and what is Harry Potter all about? It is about the ritual and intrigue and dorm-feast excitement of a British boarding school of a kind that you just don't find in America. Hogwarts is a place where children occasionally get cross with each other—not 'mad'—and where the situation is usually saved by a good old British sense of HUMOUR. WITH A U. RIGHT? NOT HUMOR. GOTTIT?
Boris Johnson
I grow more and more intrigued by this as I write: how words, even the most carefully chosen, can mean such different things from one person to another, so that others might think about what I write in ways I did not intend at all.
Dawn Hammill (Galiene: A Twelfth-Century Tale of Love and War (The Butterfly Chronicles Book 1))
Everybody’s intrigued by someone comfortable in their own skin because most of us aren’t.
Paula Guran (Vampires: The Recent Undead (Otherworld Stories series))
One of the most frustrating words in the human language, as far as I could tell, was love. So much meaning attached to this one little word. People bandied it about freely, using it to describe their attachments to possessions, pets, vacation destinations, and favorite foods. In the same breath they then applied this word to the person they considered most important in their lives. Wasn’t that insulting? Shouldn’t there be some other term to describe deeper emotion? Humans were so preoccupied with love. They were all desperate to form an attachment to one person they could refer to as their “other half.” It seemed from my reading of literature that being in love meant becoming the beloved’s entire world. The rest of the universe paled into insignificance compared to the lovers. When they were separated, each fell into a melancholy state, and only when they were reunited did their hearts start beating again. Only when they were together could they really see the colors of the world. When they were apart, that color leached away, leaving everything a hazy gray. I lay in bed, wondering about the intensity of this emotion that was so irrational and so irrefutably human. What if a person’s face was so sacred to you it was permanently inscribed in your memory? What if their smell and touch were dearer to you than life itself? Of course, I knew nothing about human love, but the idea had always been intriguing to me. Celestial beings never pretended to understand the intensity of human relationships; but I found it amazing how humans could allow another person to take over their hearts and minds. It was ironic how love could awaken them to the wonders of the universe, while at the same time confine their attention to one another.
Alexandra Adornetto
So it is with sorrow, each thinks his own present grief the most severe. For of this he judges by his own experience. He that is childless considers nothing so sad as to be without children; he that is poor, and has many children, complains of the extreme evils of a large family. He who has but one, looks upon this as the greatest misery, because that one, being set too much store by, and never corrected, becomes willful, and brings grief upon his father. He who has a beautiful wife, thinks nothing so bad as having a beautiful wife, because it is the occasion of jealousy and intrigue. He who has an ugly one, thinks nothing worse than having a plain wife, because it is constantly disagreeable. The private man thinks nothing more mean, more useless, than his mode of life. The soldier declares that nothing is more toilsome, more perilous, than warfare; that it would he better to live on bread and water than endure such hardships. He that is in power thinks there can be no greater burden than to attend to the necessities of others. He that is subject to that power, thinks nothing more servile than living at the beck of others. The married man considers nothing worse than a wife, and the cares of marriage. The unmarried declares there is nothing so wretched as being unmarried, and wanting the repose of a home. The merchant thinks the husbandman happy in his security. The husbandman thinks the merchant so in his wealth. In short, all mankind are somehow hard to please, and discontented and impatient.
John Chrysostom
Lord MacLean, pray have a seat. That chair is safe." And half the size of a regular seat. She dared him to be comfortable in it. He eyed the chair and shook his head. "I believe I'll stand." "As you wish." She smoothed her skirts, the movement of her slender hands drawing Dougal's gaze. She had the most kissable mouth and the most intriguing-and challenging-blue eues he'd ever seen.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
According to the biographical notes, Monsieur Julian Carax was twenty-seven, born with the century in Barcelona, and currently living in Paris; he wrote in French and worked at night as a professional pianist in a hostess bar. The blurb, written in the pompous, moldy style of the age, proclaimed that this was a first work of dazzling courage, the mark of a protean and trailblazing talent, and a sign of hope for the future of all of European letters. In spite of such solemn claims, the synopsis that followed suggested that the story contained some vaguely sinister elements slowly marinated in saucy melodrama, which, to the eyes of Monsieur Roquefort, was always a plus: after the classics what he most enjoyed were tales of crime, boudoir intrigue, and questionable conduct. One of the pitfalls of childhood is that one doesn't have to understand something to feel it. By the time the mind is able to comprehend what has happened, the wounds of the heart are already too deep. She laughed nervously. She had around her a burning aura of loneliness. "You remind me a bit of Julian," she said suddenly. "The way you look and your gestures. He used to do what you are doing now. He would stare at you without saying a word, and you wouldn't know what he was thinking, and so, like an idiot, you'd tell him things it would have been better to keep to yourself." "Someone once said that the moment you stop to think about whether you love someone, you've already stopped loving that person forever." I gulped down the last of my coffee and looked at her for a few moments without saying anything. I thought about how much I wanted to lose myself in those evasive eyes. I thought about the loneliness that would take hold of me that night when I said good-bye to her, once I had run out of tricks or stories to make her stay with me any longer. I thought about how little I had to offer her and how much I wanted from her. "You women listen more to your heart and less to all the nonsense," the hatter concluded sadly. "That's why you live longer." But the years went by in peace. Time goes faster the more hollow it is. Lives with no meaning go straight past you, like trains that don't stop at your station.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Before I met Maria, I was your basic craven hermit. I spent most of my time in my room, in love with my walls, hiding out from the world with my fanzines and my records. I thought I was happier that way. I had developed these monastic habits to protect myself from something, probably, but whatever it was, the monastic habits had turned into the bigger problem. In my headphones, I led a life of romance and incident and intrigue, none of which had anything to do with the world outside my Walkman. I was an English major, obsessed with Oscar Wilde and Walter Pater and Algernon Swinburne, thrilling to the exploits of my decadent aesthete poet idols, even though my only experience with decadence was reading about it.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
We were friends, never paramours. A lover who is enigmatic will most likely prove to be a cataclysm waiting to happen. But a charming friend whose usual warmth is raveled through moments of cool inscrutability can be an intriguing companion.
Dean Koontz
Life has an uncanny way of tying up a host of loose ends. Not in the neat, all-creases-matching, hospital corner-to-corner kind of way, but in a cloudy, murky, uncertain mish-mash collection of what ifs, could haves, and a bus load of should haves kind of way. But what happens when all the magnificent stars in the heavens and all the resolute planets in the galaxy agree to simultaneously align? What happens when the glorious birds of prey in the sky and the steadfast worker ants of the ground all decide to ally? And more intriguingly, what happens when the settling of old hurts and scores becomes so alluring, so certain, with the whispered promise of everlasting, as to lure with it a collection of hardly surviving, barely functioning, scattered, and damaged souls together once again? As one door finally seemed to close tightly shut, two others flung wide open, and the darkness of life’s most protected secrets and haunts invited the crippling unknown to bask once again in the glaring, naked light.
Sahar Abdulaziz (As One Door Closes)
Look everywhere. There are miracles and curiosities to fascinate and intrigue for many lifetimes: the intricacies of nature and everything in the world and universe around us from the miniscule to the infinite; physical, chemical and biological functionality; consciousness, intelligence and the ability to learn; evolution, and the imperative for life; beauty and other abstract interpretations; language and other forms of communication; how we make our way here and develop social patterns of culture and meaningfulness; how we organise ourselves and others; moral imperatives; the practicalities of survival and all the embellishments we pile on top; thought, beliefs, logic, intuition, ideas; inventing, creating, information, knowledge; emotions, sensations, experience, behaviour. We are each unique individuals arising from a combination of genetic, inherited, and learned information, all of which can be extremely fallible. Things taught to us when we are young are quite deeply ingrained. Obviously some of it (like don’t stick your finger in a wall socket) is very useful, but some of it is only opinion – an amalgamation of views from people you just happen to have had contact with. A bit later on we have access to lots of other information via books, media, internet etc, but it is important to remember that most of this is still just opinion, and often biased. Even subjects such as history are presented according to the presenter’s or author’s viewpoint, and science is continually changing. Newspapers and TV tend to cover news in the way that is most useful to them (and their funders/advisors), Research is also subject to the decisions of funders and can be distorted by business interests. Pretty much anyone can say what they want on the internet, so our powers of discernment need to be used to a great degree there too. Not one of us can have a completely objective view as we cannot possibly have access to, and filter, all knowledge available, so we must accept that our views are bound to be subjective. Our understanding and responses are all very personal, and our views extremely varied. We tend to make each new thing fit in with the picture we have already started in our heads, but we often have to go back and adjust the picture if we want to be honest about our view of reality as we continually expand it. We are taking in vast amounts of information from others all the time, so need to ensure we are processing that to develop our own true reflection of who we are.
Jay Woodman
The twins and their friends gave Mother Goose and Merlin good-bye hugs. "Bye, M.G.," Conner said. "Thanks again for saving us in the -" "Listen, C-Dawg, I need a favor," Mother Goose whispered while they were hugging. "Remember my vault in Monte Carlo? Well, I haven't aid the lease in over a year. They're going to throw my stuff out on the street if someone doesn't clean it out. In the back corner, behind Plato's scrolls, you'll find a brown paper bag. Keep whatever you want, but flush the bag. Can you do that for me?" "Um . . . sure?" he said, "But what's in the -" "You're a good man," she said, and patted him on the back. Conner was equally intrigued and disturbed by the request - but that was how Mother Goose left most people she encountered.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
The most splendid thing about the Amish is the names they give their towns. Everywhere else in America towns are named either after the first white person to get there or the last Indian to leave. But the Amish obviously gave the matter of town names some thought and graced their communities with intriguing, not to say provocative, appellations: Blue Ball, Bird in Hand, and Intercourse, to name but three. Intercourse makes a good living by attracting passers-by such as me who think it the height of hilarity to send their friends and colleagues postcards with an Intercourse postal mark and some droll sentiment scribbled on the back.
Bill Bryson (The Lost Continent: Travels in Small-Town America)
Traditional Muslims stand at the foot of the ladder, living in guilt for not really practicing Islam. At the top are fundamentalists, the ones you see in the news killing women and children for the glory of the god of the Qur’an. Moderates are somewhere in between. A moderate Muslim is actually more dangerous than a fundamentalist, however, because he appears to be harmless, and you can never tell when he has taken that next step toward the top. Most suicide bombers began as moderates.
Mosab Hassan Yousef (Son of Hamas: A Gripping Account of Terror, Betrayal, Political Intrigue, and Unthinkable Choices)
Yes, it is true that one generally needs to speak to the members of the key audience for a product or service. But as we are not trying to plumb an individual psyche for psychological motivation, but are rather trying to elucidate the relevant symbolic cultural meanings and practices, information garnered from those who do not like something is also relevant to understanding the cultural picture. In fact, contestation between points of view and meanings is a crucial aspect of the social dynamic. These nodal points of disagreement and different points of view can be precisely the most intriguing domains of cultural movement and thus new opportunities.
Patricia L. Sunderland (Doing Anthropology in Consumer Research)
There is scarcely a quality which so much dignifies human nature as consistency of conduct -- and no weakness more deplorable than that of instability. Examine, choose, compare, reject, but having once made your selection of profession, stand by your decision. Difficulties, and privations, and hardships, must be encountered; but determination will overcome them all. And not only sloth and folly, but even genius will be outdone by perseverance. It often is the case that he who can endure the most is in the end the most successful.
Cristin O'Keefe Aptowicz (Dr. Mütter's Marvels: A True Tale of Intrigue and Innovation at the Dawn of Modern Medicine)
It was a mystery with one intriguing clue: programmers from the same companies performed at more or less the same level, even though they hadn’t worked together. That’s because top performers overwhelmingly worked for companies that gave their workers the most privacy, personal space, control over their physical environments, and freedom from interruption.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
One of the most intriguing ideas in the developmental sciences over the past decades is the phenomenon of the “J-shaped curve.”19 While observing children learning to master new skills in dozens of domains (math, writing, the arts), psychologists noticed a surprising pattern: as a learner struggles to master difficult new challenges, there is often an initial decline in skill. Errors are made on tasks that previously seemed easy, and the learner feels more “stupid” than ever before. This is the dip that forms the middle part of the “J.” But it turns out that the “stupid mistakes,” in retrospect, were nothing more than growth errors. Once the learner gets past the dip, performance rises rapidly to new heights.
William Damon (The Path to Purpose: Helping Our Children Find Their Calling in Life)
most libraries were small hotbeds of gossip and personal intrigue.
Elizabeth Hunter (A Hidden Fire (Elemental Mysteries, #1))
Ava was almost twenty-six, on her own, in a decent and mostly stable relationship, eternally grateful to be away from Jeffrey Hoffman’s clutches. Hoffman had held her captive for just over four years until she escaped that life at eighteen. In the first few years of her escape, she’d had as much therapy as she could tolerate, preferring to get on with things. 
Jonathan Epps (Until Morning Comes)
But none of that intrigued or startled her as much as his face. He was still as handsome as the devil, with those black eyes and that wicked mouth, the austere angles of nose and jaw, the high planes of his cheekbones. There were new lines, however, deep, bitter grooves that ran from nose to mouth, and the trace of a permanent frown between his thick brows. And most disturbing of all, a hint of cruelty in his expression. He looked capable of things that her Merripen never could have done. Kev, she thought in despair and wonder, what’s happened to you?
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
The Don Juan of knowledge: he has yet to be discovered by any philosopher or poet. He is lacking in love for the things he comes to know, but he has intellect, titillation, and pleasure in the hunt and intrigues involved in coming to know--all the way up to the highest and most distant planets of knowledge--until finally nothing remains for him to hunt down other than what is absolutely painful in knowledge, like the drunkard who ends up drinking absinthe and acqua fortis. Thus he ends up lusting for hell--it is the last knowledge that seduces him. Perhaps, like everything he has come to know, it will disillusion him as well! And then he would have to stand still for all of eternity, nailed on the spot to disillusionment, and himself having become the stone guest longing for an evening meal of knowledge that he never again will receive!--For the entire world of things no longer has a single morsel to offer this hungry man.
Friedrich Nietzsche
In recent years behavioral scientists have shed some light on why these waiting techniques can be powerful. Let’s first look at the notion that texting back right away makes you less appealing. Psychologists have conducted hundreds of studies in which they reward lab animals in different ways under different conditions. One of the most intriguing findings is that “reward uncertainty”—in which, for instance, animals cannot predict whether pushing a lever will get them food—can dramatically increase their interest in getting a reward, while also enhancing their dopamine levels so that they basically feel coked up. If a text back from someone is considered a “reward,” consider the fact that lab animals who get rewarded for pushing a lever every time will eventually slow down because they know that the next time they want a reward, it will be waiting for them. So basically, if you are the guy or girl who texts back immediately, you are taken for granted and ultimately lower your value as a reward. As a result, the person doesn’t feel as much of an urge to text you or, in the case of the lab animal, push the lever.
Aziz Ansari
What strange hesitancy, fear, or apathy stops us from looking within ourselves, from trying to grasp the true essence of joy and sadness, desire and hatred? Fear of the unknown prevails, and the courage to explore that inner world fails at the frontier of our mind. A Japanese astronomer once confided to me: “It takes a lot of daring to look within.” This remark—made by a scientist at the height of his powers, a steady and open-minded man—intrigued me. Recently I also met a Californian teenager who told me: “I don’t want to look inside myself. I’m afraid of what I’d find there.” Why should he falter before what promised to be an absolutely fascinating research project? As Marcus Aurelius wrote: “Look within; within is the fountain of all good.
Matthieu Ricard (Happiness: A Guide to Developing Life's Most Important Skill)
The more everyone knows just what a nerdfighter is, the more the definition hardens. The most beautiful and intriguing parts of any identity tend to be the fluid ones. And the young people nerdfighteria attracts, after all, are often as confused and lonely and frustrated as they are because they don’t fit into the boxes, a problem that can hardly be resolved by creating a new one.
Michelle Dean
into the West Wing. Not even the sisters came to this part of the castle. He had escaped their mockery for long stretches of time when he spent most of his days here in the beginning—hiding away, letting his anger swell to epic proportions, fearful of what he was becoming, yet intrigued concurrently. It had been that way at first, hadn’t it? Intriguing. The subtle differences in his features, the lines around his eyes that frightened his foes when he narrowed them. Using a look rather than words to strike fear into his enemies was very useful indeed. He had looked upon himself in the mirror in those days, trying to distinguish
Serena Valentino (The Beast Within (Villains, #2))
I asked myself what Palestinians would do if Israel disappeared—if everything not only went back to the way it was before 1948 but if all the Jewish people abandoned the Holy Land and were scattered again. And for the first time, I knew the answer. We would still fight. Over nothing. Over a girl without a head scarf. Over who was toughest and most important. Over who would make the rules and who would get the best seat.
Mosab Hassan Yousef (Son of Hamas: A Gripping Account of Terror, Betrayal, Political Intrigue, and Unthinkable Choices)
All writers are demonic dreamers. Writing is an act of sharing experiences and offering of an individualistic perspective of our private attitudes pertaining to whatever topics of thought intrigues the author. Writing is a twitchy art, which attempts to employ linguist building blocks handed-down from past generations. Writers’ word choices form a structure of conjoined sentences when overlaid with the lingua of modern culture. Writers attempt to emulate in concrete form the synesthesia of our personal pottage steeped in our most vivid feelings. Writing a personal essay calls for us to sort out a jungle of lucid observations and express in a tangible technique our unique interpretation of coherent observations interlaced with that effusive cascade of yearning, the universal spice of unfilled desire, which turmoil of existential angst swamps us.
Kilroy J. Oldster (Dead Toad Scrolls)
More intriguingly, in poll after poll, when Americans are asked what public institutions they most respect, three bodies are always at the top of their list: the Supreme Court, the armed forces, and the Federal Reserve System. All three have one thing in common: they are insulated from the public pressures and operate undemocratically. It would seem that Americans admire these institutions, preciselly because they lead rather than follow.
Fareed Zakaria (The Future of Freedom: Illiberal Democracy at Home and Abroad)
One of the most bizarre and intriguing findings is that people with brain damage may be particularly good investors. Why? Because damage to certain parts of the brain can impair the emotional responses that cause the rest of us to do foolish things. A team of researchers from Carnegie Mellon, Stanford, and the University of Iowa conducted an experiment that compared the investment decisions made by fifteen patients with damage to the areas of the brain that control emotions (but with intact logic and cognitive functions) to the investment decisions made by a control group. The brain-damaged investors finished the game with 13 percent more money than the control group, largely, the authors believe, because they do not experience fear and anxiety. The impaired investors took more risks when there were high potential payoffs and got less emotional when they made losses.7 This
Charles Wheelan (Naked Economics: Undressing the Dismal Science)
I learned to read at the age of five, in Brother Justiniano's class at the De la Salle Academy in Cochabamba, Bolivia. It is the most important thing that has ever happened to me. Almost seventy years later I remember clearly how the magic of translating the words in books into images enriched my life, breaking the barriers of time and space and allowing me to travel with Captain Nemo twenty thousand leagues under the sea, fight with d'Artagnan, Athos, Portos, and Aramis against the intrigues threatening the Queen in the days of the secretive Richelieu, or stumble through the sewers of Paris, transformed into Jean Valjean carrying Marius's inert body on my back.
Mario Vargas Llosa
The histories and tragedies of Shakespeare that Lincoln loved most dealt with themes that would resonate to a president in the midst of civil war: political intrigue, the burdens of power, the nature of ambition, the relationship of leaders to those they governed. The plays illuminated with stark beauty the dire consequences of civil strife, the evils wrought by jealousy and disloyalty, the emotions evoked by the death of a child, the sundering of family ties or love of country.
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
When a plot resolves, readers are satisfied, but what they remember of a novel is what they felt while reading it. Hooks may hook, twists may intrigue, tension may turn pages, and prose may dazzle, but all of those effects fade as quickly as fireworks in a night sky. Ask readers what they best remember about novels and most will say the characters, but is that accurate? It’s true that characters become real to us but that is because of what they cause us to feel. Characters aren’t actually real; only our own feelings are. Emotional
Donald Maass (The Emotional Craft of Fiction: How to Write the Story Beneath the Surface)
He woos, he confronts, he delivers, he heals, he shoots straight, and then he uses intrigue. He lives out before them the most compelling view of God, shows them an incredibly attractive holiness while shattering the religious glaze. But still, he lets them walk away if they choose.
John Eldredge (Beautiful Outlaw: Experiencing the Playful, Disruptive, Extravagant Personality of Jesus)
Although Liston was renowned for his success stories—such as the removal of a forty-five-pound scrotal tumor in four minutes; prior to the operation, the poor patient had been forced to carry his scrotum around in a wheelbarrow—he also developed a reputation for the flamboyancy of his surgical failures. For instance, his joy at amputating a patient’s leg at the thigh in less than three minutes was hindered greatly when he realized he had also inadvertently sawed off the patient’s testicles. And perhaps, most famously, another leg amputation performed in less than three minutes had the unfortunate result of killing three people: the patient (who survived the surgery but died of gangrene several days later); his young assistant (whose fingers he accidentally sawed off during surgery and who would also later succumb to gangrene); and “a distinguished surgical spectator” whose coattails Liston also slashed. The man, who found himself surrounded by geysers of blood, was so convinced that the knife had pierced his vitals that he immediately “dropped dead from fright.” It was later described as “the only operation in history with a 300 percent mortality [rate].
Cristin O'Keefe Aptowicz (Dr. Mutter's Marvels: A True Tale of Intrigue and Innovation at the Dawn of Modern Medicine)
The most puzzling thing in the entire encounter occurred at a certain stage very late in the conversation, when she discovered she had been talking to a man. She had the feeling of a dream where things and people transmogrify, characters dissolve from one to the other like tricks in a film, monsters in a bottle. She had the sense, the very distinct sense, of her companion's female gender; she had been pleased to find it, had relaxed into it, had been even more delighted to find it coupled with an elegant wit and a sense of both joy and irony. The forces of life, she thought to herself, are flying high tonight.
Peter Carey (Illywhacker)
But if you will not take this Counsel, and persist in thinking a Commerce with the Sex inevitable, then I repeat my former Advice, that in all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these: 1. Because as they have more Knowledge of the World and their Minds are better stor'd with Observations, their Conversation is more improving and more lastingly agreable. 2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman. 3. Because there is no hazard of Children, which irregularly produc'd may be attended with much Inconvenience. 4. Because thro' more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin'd to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes. 5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding2 only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement. 6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy. 7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy. 8thly and Lastly They are so grateful!! Thus much for my Paradox. But still I advise you to marry directly; being sincerely Your affectionate Friend.
Benjamin Franklin
One year, on vacation in Hawaii, I was relaxing at a beach, watching whales in the distance, when a fisherman, obviously a local, drove up in his pick-up truck. He got out with a dozen fishing rods. Not one. A dozen. He baited each hook, cast all the lines into the ocean, and set the rods in the sand. Intrigued, I wandered over and asked him for an explanation. “It’s simple,” he said. “I love fish but I hate fishin’. I like eatin’, not catchn’. So I cast out 12 lines. By sunset, some of them will have caught a fish. Never all of ’em. So if I only cast one or two I might go hungry. But 12 is enough so some always catch. Usually there’s enough for me and extras to sell to local restaurants. This way, I live the life I want.” The simple fellow had unwittingly put his finger on a powerful secret. The flaw in most businesses, that keeps them always in desperate need—which suppresses prices—is: too few lines cast in the ocean.
Dan S. Kennedy (No B.S. Price Strategy: The Ultimate No Holds Barred Kick Butt Take No Prisoner Guide to Profits, Power, and Prosperity)
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
Why did Fred Hugi, a private man, a loner, choose to be a courtroom lawyer in the first place? He detested publicity. Unlike many prosecuting attorneys who use publicity as a stepping stone to build a private practice, Hugi had come from a successful private practice because he was intrigued with the system and the way it should work. His goal was quite simple. He wanted only to be the kind of prosecutor a victim would choose to handle his case, to be “someone who will make the system work and do whatever it takes to see that it does work.” That he could occasionally be a rescuer or an avenger was the part of his profession that gave him the most satisfaction. Talking with the press gave him the least.
Ann Rule (Small Sacrifices: A True Story of Passion and Murder)
My advice would be to find a good woman and steer well clear of the whole bloody business, and it’s a shame no one told me the same twenty years ago.” He looked sideways at Jezal. “But if, say, you’re stuck out on some great wide plain in the middle of nowhere and can’t avoid it, there’s three rules I’d take to a fight. First, always do your best to look the coward, the weakling, the fool. Silence is a warrior’s best armour, the saying goes. Hard looks and hard words have never won a battle yet, but they’ve lost a few.” “Look the fool, eh? I see.” Jezal had built his whole life around trying to appear the cleverest, the strongest, the most noble. It was an intriguing idea, that a man might choose to look like less than he was. “Second, never take an enemy lightly, however much the dullard he seems. Treat every man like he’s twice as clever, twice as strong, twice as fast as you are, and you’ll only be pleasantly surprised. Respect costs you nothing, and nothing gets a man killed quicker than confidence.” “Never underestimate the foe. A wise precaution.” Jezal was beginning to realise that he had underestimated this Northman. He wasn’t half the idiot he appeared to be. “Third, watch your opponent as close as you can, and listen to opinions if you’re given them, but once you’ve got your plan in mind, you fix on it and let nothing sway you. Time comes to act, you strike with no backwards glances. Delay is the parent of disaster, my father used to tell me, and believe me, I’ve seen some disasters.
Joe Abercrombie (Before They Are Hanged (The First Law, #2))
The Future is an illusion because, at the most fundamental level, Choice is an illusion. I am a believer in the theory, popular among physicists, that every time there is a Choice, the universe splits: both choices come to pass, but in now-separate universes. And so on, and on, with every choice of every particle, every atom, every molecule, every cell, every being, coming into being. In this universe of universes, everything happens, and every combination of things happens. Our universe is a mote of dust in an ever-growing dust-storm of possibilities, but each mote of dust in that storm is generating its own dust-storm of possibilities every instant, the motes of which in turn... But you get the general impression. Indeed to think of ourselves as single selves, and our universe as a single universe, is to be blinded, by the limitations of our senses and our consciousness, to the infinite-faceted truth: that we are infinite in a universe of universes that are each infinitely infinite..." "An intriguingly intricate view of the world," I said (...) Pat Sheeran nodded. "And it is astonishing how little practical difference it makes," he said. "All my other lives are as inaccessible to me as if they did not exist at all. No doubt in other universes I am a beggar, a revolutionary thinker, an academic, an accountant; a drinker, a thinker, a writer of books; I lose a freckle, gain a mole, shade off into men nothing like me at all; I have sons, fire guns, live forever, die too young. Whenever any particle in this universe changes state, I am split and travel in both directions, multiplied. But here I am, suffering the illusion of unity in this endlessly bifurcating moment. Yet sometimes, I wave my arms for the joy of creating a spray of universes." I said startled at the implications, “Though it may make no practical difference, the implications are nonetheless startling." "Indeed," said Pat Sheeran. "I had immediately to file all the fiction on my shelves under Non-Fiction. For it is an unavoidable corollary of this theory, that Fiction is impossible. For all novels are true histories of worlds as real as ours, but which we cannot see. All stories are possible, all histories have happened. I, billion-bodied, live a trillion lives every quantum instant. Those trillion lives branch out, a quintillion times a second, as every particle in every atom in each mote of dust on land, in sea, and sky, and space, and star, flickering in and out of being in the void, hesitates and decides its next stage. All tragedies, all triumphs, are mine, are yours." "It is a curious and difficult thing, to think that all is possible. No, probable. No, certain," I said, attempting to grasp the largeness of the thought."That nothing is improbable." "It is a comforting thought, some nights, to this version of me, now," said Pat Sheeran, and we roared on.
Julian Gough (Jude: Level 1)
DOLMANCE — In this world there is nothing dangerous but pity and beneficence; goodness is never but a weakness of which the ingratitude and impertinence of the feeble always force honest folk to repent. Let a keen observer calculate all of pity's dangers, and let him compare them with those of a staunch, resolute severity, and he will see whether the former are not the greater. But we are straying, Eugénie; in the interests of your education, let's compress all that has just been said into this single word of advice: Never listen to your heart, my child; it is the most untrustworthy guide we have received from Nature; with greatest care close it up to misfortune's fallacious accents; far better for you to refuse a person whose wretchedness is genuine than to run the great risk of giving to a bandit, to an intriguer, or to a caballer: the one is of a very slight importance, the other may be of the highest disadvantage
Marquis de Sade (Philosophy in the Boudoir)
Often the greatest obstacle to our pursuit of mastery comes from the emotional drain we experience in dealing with the resistance and manipulations of the people around us. If we are not careful, our minds become absorbed in endless political intrigues and battles. The principal problem we face in the social arena is our naïve tendency to project onto people our emotional needs and desires of the moment. We misread their intentions and react in ways that cause confusion or conflict. Social intelligence is the ability to see people in the most realistic light possible. By moving past our usual self-absorption, we can learn to focus deeply on others, reading their behavior in the moment, seeing what motivates them, and discerning any possible manipulative tendencies. Navigating smoothly the social environment, we have more time and energy to focus on learning and acquiring skills. Success attained without this intelligence is not true mastery, and will not last.
Robert Greene (Mastery)
The anima in her negative aspect—that is, when she remains unconscious and hidden—exerts a possessive influence on the subject. The chief symptoms of this possession are blind moods and compulsive entanglements on one side, and on the other cold, unrelated absorption in principles and abstract ideas. The negative aspect of the anima indicates therefore a special form of psychological maladjustment. This is either compensated from the conscious side or else it compensates a consciousness already marked by a contrary (and equally incorrect) attitude. For the negative aspect of the conscious dominant is far from being a “God-given” idea; it is the most egoistic intention of all, which seeks to play an important role and, by wearing some kind of mask, to appear as something favourable (identification with the persona!). The anima corresponding to this attitude is an intriguer who continually aids and abets the ego in its role, while digging in the background the very pits into which the infatuated ego is destined to fall.
C.G. Jung (The Collected Works of C.G. Jung)
The implication that the change in nomenclature from “Multiple Personality Disorder” to “Dissociative Identity Disorder” means the condition has been repudiated and “dropped” from the Diagnostic and Statistical Manual (DSM) of the American Psychiatric Association is false and misleading. Many if not most diagnostic entities have been renamed or have had their names modified as psychiatry changes in its conceptualizations and classifications of mental illnesses. When the DSM decided to go with “Dissociative Identity Disorder” it put “(formerly multiple personality disorder)” right after the new name to signify that it was the same condition. It’s right there on page 526 of DSM-IV-R. There have been four different names for this condition in the DSMs over the course of my career. I was part of the group that developed and wrote successive descriptions and diagnostic criteria for this condition for DSM-III-R, DSM–IV, and DSM-IV-TR. While some patients have been hurt by the impact of material that proves to be inaccurate, there is no evidence that scientifically demonstrates the prevalence of such events. Most material alleged to be false has been disputed by someone, but has not been proven false. Finally, however intriguing the idea of encouraging forgetting troubling material may seem, there is no evidence that it is either effective or safe as a general approach to treatment. There is considerable belief that when such material is put out of mind, it creates symptoms indirectly, from “behind the scenes.” Ironically, such efforts purport to cure some dissociative phenomena by encouraging others, such as Dissociative Amnesia.
Richard P. Kluft
[L]ife presents itself by no means as a gift for enjoyment, but as a task, a drudgery to be performed; and in accordance with this we see, in great and small, universal need, ceaseless cares, constant pressure, endless strife, compulsory activity, with extreme exertion of all the powers of body and mind. Many millions, united into nations, strive for the common good, each individual on account of his own; but many thousands fall as a sacrifice for it. Now senseless delusions, now intriguing politics, incite them to wars with each other; then the sweat and the blood of the great multitude must flow, to carry out the ideas of individuals, or to expiate their faults. In peace industry and trade are active, inventions work miracles, seas are navigated, delicacies are collected from all ends of the world, the waves engulf thousands. All push and drive, others acting; the tumult is indescribable. But the ultimate aim of it all, what is it? To sustain ephemeral and tormented individuals through a short span of time in the most fortunate case with endurable want and comparative freedom from pain, which, however, is at once attended with ennui; then the reproduction of this race and its striving. In this evident disproportion between the trouble and the reward, the will to live appears to us from this point of view, if taken objectively, as a fool, or subjectively, as a delusion, seized by which everything living works with the utmost exertion of its strength for some thing that is of no value. But when we consider it more closely, we shall find here also that it is rather a blind pressure, a tendency entirely without ground or motive.
Thomas Ligotti (The Conspiracy Against the Human Race: A Contrivance of Horror)
Often, when an elephant has just died, other elephants will back up to touch its carcass gently with their hind feet, then cover the body with dirt and sticks, and stand guard. (Intriguingly, elephants have done the same to the bodies of people that they either find dead or have killed. One young orphaned elephant in a South African sanctuary shrieked and moaned when it discovered the buried remains of its daily companion, a rhinoceros, that poachers had killed for its horn.) Chimpanzees, gorillas, some corvids, and dolphins also spend time with their dead, but overall, most species do not.*
Virginia Morell (Animal Wise: The Thoughts and Emotions of Our Fellow Creatures)
She was a luxuriously made woman, with her velvety skin and curly auburn hair, and her decidedly voluptuous figure... and he was a man who appreciated quality when he saw it. Her features were pleasant, if not precisely beautiful, but the eyes... well, they were extraordinary. Penetrating gray... the light gray of April rain... intelligent, expressive eyes. Something about her made him want to smile. He wanted to kiss her spinster-stiff mouth until it was soft and warm with passion. He wanted to charm and tease her. Most of all, he wanted to know the person who had written a novel filled with characters whose proper facades concealed such raw emotions. It was a novel that should have been written by a woman of the world, not by a country-bred spinster. Her written words had haunted him long before he met her. Now, after their tantalizing encounter in her home, he wanted more of her. He liked the challenge of her, the surprises of her, the fact that she had done extremely well for herself. They were alike in that way. Yet she possessed a gentility that he lacked and very much admired. Just how she could manage to be so natural and simultaneously so ladylike, two qualities that had always before struck him as being completely opposed, was an intriguing mystery.
Lisa Kleypas (Suddenly You)
It was in Cleveland that Magic Slim became the most successful pornographic film producer in America. His training center was a key link in a human trafficking supply chain stretching from the former Soviet Republics in Eastern Europe to the United States. Trafficking accounts for an estimated $32 billion in annual trade with sex slavery and pornographic film production accounting for the greatest percentage. The girls arrived at Slim’s building young and naive, they left older and wiser. This was a classic value chain with each link making a contribution.  Slim’s trainers were the best, and it showed in the final product. Each class of girls was judged on the merits. The fast learners went on to advanced training. They learned proper etiquette, social skills and party games. They learned how to dress, apply makeup and discuss world events.  Best in-class were advertised in international style magazines with code words. These codes were known only to select clients and certain intermediaries approved by Slim. This elaborate distribution system was part of Slim’s business model, his clients paid an annual subscription fee for the on-line dictionary. The code words and descriptions were revised monthly.  An interested client would pay an access fee for further information that included a set of professional  photographs, a video and voice recordings of the model addressing the client by name.  Should the client accept, a detailed travel itinerary was submitted calling for first class travel and accommodation.  Slim required a letter of understanding spelling out terms and conditions and a 50% deposit. He didn’t like contracts, his word was his bond, everyone along the chain knew that. Slim's business was booming.
Nick Hahn
The use of rewards—what might be called positive coercion—does not work in the long run any better than threat and punishment, or negative coercion. In the reward, the child senses the parent’s desire to control no less than in the punishment. The issue is the child’s sense of being forced, not the manner in which the force is applied. This was well illustrated in a classic study using magic markers.2 A number of children were screened to select some who showed a natural interest and inclination for playing with magic markers. Those who did were then divided into three different groups. For one group, there was no reward involved and no indication what to do with the markers. Another group was given a small reward to use the markers, and the third was promised a substantial reward. When retested sometime later, the group that had been most rewarded showed the least interest in playing with the magic markers, while the children who had been left uninstructed showed by far the greatest motivation to use them. Simple behaviorist principles would suggest it ought to have been the other way around, another illustration that behavioral approaches have no more than short-term efficacy. At work here, of course, was residual counterwill in response to positive coercion. In a similar experiment, the psychologist Edward Deci observed the behaviors of two groups of college students vis-à-vis a puzzle game they had originally all been equally intrigued by. One group was to receive a monetary reward each time a puzzle was solved; the other was given no external incentive. Once the payments stopped, the paid group proved far more likely to abandon the game than their unpaid counterparts. “Rewards may increase the likelihood of behaviors,” Dr. Deci remarks, “but only so long as the rewards keep coming... Stop the pay, stop the play.” We
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
Something staticky and paranormally ventilated about the air, which drifted through a half-open window, late one afternoon, caused a delicately waking Paul, clutching a pillow and drooling a little, to believe he was a small child in Florida, in a medium-size house, on or near winter break. He felt dimly excited, anticipating a hyperactive movement of his body into a standing position, then was mostly unconscious for a vague amount of time until becoming aware of what seemed to be a baffling non sequitur—and, briefly, in its mysterious approach from some eerie distance, like someone else’s consciousness—before resolving plainly as a memory, of having already left Florida, at some point, to attend New York University. After a deadpan pause, during which the new information was accepted by default as recent, he casually believed it was autumn and he was in college, and as he felt that period’s particular gloominess he sensed a concurrent assembling, at a specific distance inside himself, of dozens of once-intimate images, people, places, situations. With a sensation of easily and entirely abandoning a prior context, of having no memory, he focused, as an intrigued observer, on this assembling and was surprised by an urge, which he immediately knew he hadn’t felt in months, or maybe years, to physically involve himself—by going outside and living each day patiently—in the ongoing, concrete occurrence of what he was passively, slowly remembering. But the emotion dispersed to a kind of nothingness—and its associated memories, like organs in a lifeless body, became rapidly indiscernible, dissembling by the metaphysical equivalent, if there was one, of entropy—as he realized, with some confusion and an oddly instinctual reluctance, blinking and discerning his new room, which after two months could still seem unfamiliar, that he was somewhere else, as a different person, in a much later year.
Tao Lin (Taipei)
Tom Demarco, a principal of the Atlantic Systems Guild team of consultants ... and his colleague Timothy Lister devised a study called the Coding War Games. The purpose of the games was to identify the characteristics of the best and worst computer programmers; more than six hundred developers from ninety-two different companies participated. Each designed, coded, and tested a program, working in his normal office space during business hours. Each participant was also assigned a partner from the same company. The partners worked separately, however, without any communication, a feature of the games that turned out to be critical. When the results came in, they revealed an enormous performance gap. The best outperformed the worst by a 10:1 ratio. The top programmers were also about 2.5 times better than the median. When DeMarco and Lister tried to figure out what accounted for this astonishing range, the factors that you'd think would matter — such as years of experience, salary, even the time spent completing the work — had little correlation to outcome. Programmers with 10 years' experience did no better than those with two years. The half who performed above the median earned less than 10 percent more than the half below — even though they were almost twice as good. The programmers who turned in "zero-defect" work took slightly less, not more, time to complete the exercise than those who made mistakes. It was a mystery with one intriguing clue: programmers from the same companies performed at more or less the same level, even though they hadn't worked together. That's because top performers overwhelmingly worked for companies that gave their workers the most privacy, personal space, control over their physical environments, and freedom from interruption. Sixty-two percent of the best performers said that their workspace was acceptably private, compared to only 19 percent of the worst performers; 76 percent of the worst performers but only 38 percent of the top performers said that people often interrupted them needlessly.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
God, Jane, you’re exactly as I imagined. Only better.” “You’re exactly…as I imagined,” she said in a strained tone. “Only bigger.” That got his attention. He drew back to stare at her. “Are you all right?” She forced a smile. “Now I’m rethinking the seduction.” He brushed a kiss to her forehead. “Let’s see what I can do about that.” He grabbed her beneath her thighs. “Hook your legs around mine if you can.” When she did, the pressure eased some, and she let out a breath. “Better?” he rasped. She nodded. Covering her breast with his hand, he kneaded it gently as he pushed farther into her below. “It will feel even better if you can relax.” Relax? Might as well ask a tree to ignore the ax biting into it. “I’ll try,” she murmured. She forced herself to concentrate on other things than his very thick thing--like how he was touching her, how he was fondling her…how amazing it felt to be joined so intimately to the man she’d been waiting nearly half her life for. Then it got easier. She actually seemed to adjust to his size. And when he slid his hand down from her breast to stroke that special spot between her legs that sent her flying, it was most effective. She wasn’t quite flying, exactly, but she was definitely leaping a bit. A giggle escaped her at that thought, and he bit out, “Something strike you as funny, sweeting?” “I never guessed that…this would feel…so odd.” “You’ll get used to it.” The hint of a future for them melted her even more than his hand down there. And that’s when he began to move, sliding out and then back in. Heavens. That was intriguing. Rather nice, actually. The more he did it, the better it felt. Then he removed his hand so he could better grip her hips, and he plunged harder into her. Oh, now that was quite…oh my. Very, very nice. His gaze burned into her as he drove deep. “Less odd now?” he managed. “Definitely…less odd.” She kissed the taut line of his jaw. “Quite…enjoyable, in fact.” He grunted and buried his face in her hair the way he was burying his…thing inside her, and it was deliciously sinful. Now she really was flying, up toward the sun. As if he realized it, he dug his hands into her hips and thrust fiercely, repeatedly, and she met his rhythm with a pushing of her own that sent her soaring. “Dom…oh, Dom…oh my…” “Jane,” he rasped as his strokes grew frenzied. “It’s always…been you. Only you.” “Only you,” she echoed. She’d been fooling herself about Edwin. There had only ever been one man in her heart. And as he drove himself deep inside her, he sent her vaulting into the sun. When he followed her into the bliss, she clutched him close to her chest and prayed that he would let her inside his heart as deeply as she’d let him into hers. That she wasn’t making a mistake by taking up with him again. Because it was too late to go back now. This time, he had her for better or worse.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Dear Peter K, First of all I refuse to call you Kavinsky. You think you’re so cool, going by your last name all of a sudden. Just so you know, Kavinsky sounds like the name of an old man with a long white beard. Did you know that when you kissed me, I would come to love you? Sometimes I think yes. Definitely yes. You know why? Because you think EVERYONE loves you, Peter. That’s what I hate about you. Because everyone does love you. Including me. I did. Not anymore. Here are all your worst qualities: You burp and you don’t say excuse me. You just assume everyone else will find it charming. And if they don’t, who cares, right? Wrong! You do care. You care a lot about what people think of you. You always take the last piece of pizza. You never ask if anyone else wants it. That’s rude. You’re so good at everything. Too good. You could’ve given other guys a chance to be good, but you never did. You kissed me for no reason. Even though I knew you liked Gen, and you knew you liked Gen, and Gen knew you liked Gen. But you still did it. Just because you could. I really want to know: Why would you do that to me? My first kiss was supposed to be something special. I’ve read about it, what it’s supposed to feel like00fireworks and lightning bolts and the sound of waves crashing in your ears. I didn’t have any of that. Thanks to you it was as unspecial as a kiss could be. The worst part of it is, that stupid nothing kiss is what made me start liking you. I never did before. I never even thought about you before. Gen has always said that you are the best-looking boy in our grade, and I agreed, because sure, you are. But I still didn’t see the allure of you. Plenty of people are good-looking. That doesn’t make them interesting or intriguing or cool. Maybe that’s why you kissed me. To do mind control on me, to make me see you that way. It worked. Your little trick worked. From then on, I saw you. Up close, your face wasn’t so much handsome as beautiful. How many beautiful boys have you ever seen? For me it was just one. You. I think it’s a lot to do with your lashes. You have really long lashes. Unfairly long. Even though you don’t deserve it, fine, I’ll go into all the things I like(d) about you: One time in science, nobody wanted to be partners with Jeffrey Suttleman because he has BO, and you volunteered like it was no big deal. Suddenly everybody thought Jeffrey wasn’t so bad. You’re still in chorus, even though all the other boys take band and orchestra now. You even sing solos. And you dance, and you’re not embarrassed. You were the last boy to get tall. And now you’re the tallest, but it’s like you earned it. Also, when you were short, no one even cared that you were short--the girls still liked you and the boys still picked you first for basketball in gym. After you kissed me, I liked you for the rest of seventh grade and most of eighth. It hasn’t been easy, watching you with Gen, holding hands and making out at the bus stop. You probably make her feel very special. Because that’s your talent, right? You’re good at making people feel special. Do you know what it’s like to like someone so much you can’t stand it and know that they’ll never feel the same way? Probably not. People like you don’t have to suffer through those kinds of things. It was easier after Gen moved and we stopped being friends. At least then I didn’t have to hear about it. And now that the year is almost over, I know for sure that I am also over you. I’m immune to you now, Peter. I’m really proud to say that I’m the only girl in this school who has been immunized to the charms of Peter Kavinsky. All because I had a really bad dose of you in seventh grade and most of eighth. Now I never ever have to worry about catching you again. What a relief! I bet if I did ever kiss you again, I would definitely catch something, and it wouldn’t be love. It would be an STD! Lara Jean Song
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
In fact, properly speaking, no parish priest has any convictions on politics. At the back of his mind, he regards the state as an enemy that has usurped the temporal power of the Pope. Being an enemy, the state must be exploited as much as possible and without any qualms of conscience. Because of this innate and perhaps unconscious hostility to the state as an institution, the parish priest cannot see that it is the duty of a citizen to endeavour to make political life as morally clean as possible. He cannot see that the community as a whole must always come into the forefront of every citizen's political consciousness and that personal interests must be sacrificed to the interests of the nation. No. The parish priest regards himself as the commander of his parish, which he is holding for His Majesty the Pope. Between himself and the Pope there is the Bishop, acting, so to speak, as the Divisional Commander. As far as the Civil Power is concerned, it is a semi-hostile force which must be kept in check, kept in tow, intrigued against and exploited, until that glorious day when the Vicar of Christ again is restored to his proper position as the ruler of the earth and the wearer of the Imperial crown. This point of view helps the parish priest to adopt a very cold-blooded attitude towards Irish politics. He is merely either for or against the government. If he has a relative in a government position, he is in favour of the government. If he has a relative who wants a position and cannot get it, then he is against the government. But his support of the government is very precarious and he makes many visits to Dublin and creeps up back stairs into ministerial offices, cajoling and threatening. He is most commonly seen making a cautious approach to the Education Office, where he has all sorts of complaints to lodge and all sorts of suggestions to make. Every book recommended by the education authorities for the schools is examined by him, and if he finds a single idea in any of them that might be likely to inspire thought of passion, then he is up in arms at once. Like an army of black beetles on the march, he and his countless brothers invade Dublin and lay siege to the official responsible. Woe to that man.
Liam O'Flaherty (A Tourist's Guide to Ireland)