โ
Good night, good night! parting is such sweet sorrow,
That I shall say good night till it be morrow.
โ
โ
William Shakespeare (Romeo and Juliet)
โ
To-morrow, and to-morrow, and to-morrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
โ
โ
William Shakespeare (Macbeth)
โ
Parting is such sweet sorrow that I shall say goodnight till it be morrow.
โ
โ
William Shakespeare (Romeo and Juliet)
โ
The most exhausting thing in life, I have discovered, is being insincere.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
Yes, death. Death must be so beautiful. To lie in the soft brown earth, with the grasses waving above one's head, and listen to silence. To have no yesterday, and no to-morrow. To forget time, to forget life, to be at peace. You can help me. You can open for me the portals of death's house, for love is always with you, and love is stronger than death is.
โ
โ
Oscar Wilde (The Canterville Ghost)
โ
Don't wish me happiness
I don't expect to be happy all the time...
It's gotton beyond that somehow.
Wish me courage and strength and a sense of humor.
I will need them all.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter - to-morrow we will run faster, stretch out our arms farther ... And one fine morning ---
โ
โ
F. Scott Fitzgerald (The Great Gatsby)
โ
Souls cross ages like clouds cross skies, an' tho' a cloud's shape nor hue nor size don't stay the same, it's still a cloud an' so is a soul. Who can say where the cloud's blowed from or who the soul'll be 'morrow? Only Sonmi the east an' the west an' the compass an' the atlas, yay, only the atlas o' clouds.
โ
โ
David Mitchell (Cloud Atlas)
โ
My advice is, never do to-morrow what you can do today. Procrastination is the thief of time. Collar him!
โ
โ
Charles Dickens (David Copperfield)
โ
Half the night I waste in sighs,
Half in dreams I sorrow after
The delight of early skies;
In a wakeful dose I sorrow
For the hand, the lips, the eyes,
For the meeting of the morrow,
The delight of happy laughter,
The delight of low replies.
โ
โ
Alfred Tennyson (Maud, and other poems)
โ
And as I sat there brooding on the old, unknown world, I thought of Gatsbyโs wonder when he first picked out the green light at the end of Daisyโs dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.
Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matterโto-morrow we will run faster, stretch out our arms farther. . . . And one fine morningโโ
So we beat on, boats against the current, borne back ceaselessly into the past.
โ
โ
F. Scott Fitzgerald (The Great Gatsby)
โ
A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines. With consistency a great soul has simply nothing to do. He may as well concern himself with his shadow on the wall. Speak what you think now in hard words, and to-morrow speak what to-morrow thinks in hard words again, though it contradict every thing you said to-day. โ 'Ah, so you shall be sure to be misunderstood.' โ Is it so bad, then, to be misunderstood? Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood.
โ
โ
Ralph Waldo Emerson (Self-Reliance: An Excerpt from Collected Essays, First Series)
โ
At the bottom of her heart, however, she was waiting for something to happen. Like shipwrecked sailors, she turned despairing eyes upon the solitude of her life, seeking afar off some white sail in the mists of the horizon. She did not know what this chance would be, what wind would bring it her, towards what shore it would drive her, if it would be a shallop or a three-decker, laden with anguish or full of bliss to the portholes. But each morning, as she awoke, she hoped it would come that day; she listened to every sound, sprang up with a start, wondered that it did not come; then at sunset, always more saddened, she longed for the morrow.
โ
โ
Gustave Flaubert (Madame Bovary)
โ
The rule is, jam to-morrow and jam yesterdayโbut never jam to-day.โ
โIt must come sometimes to โjam to-day,โโ Alice objected.
โNo, it caโnโt,โ said the Queen. โItโs jam every other day: to-day isnโt any other day, you know
โ
โ
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
โ
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
Tis some visitor," I muttered, "tapping at my chamber door โ
Only this, and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; โ vainly I had sought to borrow
From my books surcease of sorrow โ sorrow for the lost Lenore โ
For the rare and radiant maiden whom the angels name Lenore โ
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me โ filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
Tis some visitor entreating entrance at my chamber door โ
Some late visitor entreating entrance at my chamber door; โ
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"โ here I opened wide the door; โ
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" โ
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore โ
Let my heart be still a moment and this mystery explore; โ
'Tis the wind and nothing more."
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door โ
Perched upon a bust of Pallas just above my chamber door โ
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore โ
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marveled this ungainly fowl to hear discourse so plainly,
Though its answer little meaningโ little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door โ
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore.
โ
โ
Edgar Allan Poe (The Raven)
โ
If you want to know what a truly healthy relationship is, itโs one where both people wake up every morning and say, โI choose to be with this person.
โ
โ
Robert Morrow (Ringing True)
โ
Good communication is as stimulating as black coffee and just as hard to sleep after.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
I do not believe that sheer suffering teaches. If suffering alone taught, all the world would be wise, since everyone suffers. To suffering must be added mourning, understanding, patience, love, openness, and the willingness to remain vulnerable.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
People fall in and out of love with the rising and setting of the sun. Rather like a boy who loves the color green one day, only to discover on the morrow that he truly prefers blue.
โ
โ
Renรฉe Ahdieh (The Wrath & the Dawn (The Wrath and the Dawn, #1))
โ
I find there is a quality to being alone that is incredibly precious. Life rushes back into the void, richer, more vivid, fuller than before.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
I am forever engaged in a silent battle in my head over whether or not to lift the fork to my mouth, and when I talk myself into doing so, I taste only shame. I have an eating disorder.
โ
โ
Jena Morrow (Hollow: An Unpolished Tale)
โ
The most exhausting thing in life, I have discovered, is being insincere. That is why so much of social life is exhausting; one is wearing a mask. I have shed my mask.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
We must leave this terrifying place to-morrow and go searching for sunshine.
โ
โ
F. Scott Fitzgerald
โ
it takes as much courage to have tried and failed as it does to have tried and succeded.
โ
โ
Anne Morrow Lindbergh
โ
O friend, for the morrow let us not worry
This moment we have now, let us not hurry
When our time comes, we shall not tarry
With seven thousand-year-olds, our burden carry
โ
โ
Omar Khayyรกm (Rubaiyat of Omar Khayyam)
โ
I bade good morrow,
And thought to leave her far away behind;
But cheerly, cheerly,
She loves me dearly;
She is so constant to me, and so kind.
- To Sorrow
โ
โ
John Keats (The Complete Poems)
โ
Him that I love, I wish to be free -- even from me.
โ
โ
Anne Morrow Lindbergh
โ
Women need solitude in order to find again the true essence of themselves.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
Only love can be divided endlessly and still not diminish.
โ
โ
Anne Morrow Lindbergh
โ
Arranging a bowl of flowers in the morning can give a sense of quiet in a crowded day- like writing a poem or saying a prayer.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
When you love someone, you do not love them all the time, in exactly the same way, from moment to moment. It is an impossibility. It is even a lie to pretend to. And yet this is exactly what most of us demand. We have so little faith in the ebb and flow of life, of love, of relationships. We leap at the flow of the tide and resist in terror its ebb. We are afraid it will never return. We insist on permanency, on duration, on continuity; when the only continuity possible, in life as in love, is in growth, in fluidity - in freedom, in the sense that the dancers are free, barely touching as they pass, but partners in the same pattern.
The only real security is not in owning or possessing, not in demanding or expecting, not in hoping, even. Security in a relationship lies neither in looking back to what was in nostalgia, nor forward to what it might be in dread or anticipation, but living in the present relationship and accepting it as it is now. Relationships must be like islands, one must accept them for what they are here and now, within their limits - islands, surrounded and interrupted by the sea, and continually visited and abandoned by the tides.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
One cannot collect all the beautiful shells on the beach. One can only collect a few. One moon shell is more impressive than three. There is only one moon in the sky.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
Parting is inevitably painful, even for a short time. It's like an amputation, I feel a limb is being torn off, without which I shall be unable to function. And yet, once it is done... life rushes back into the void, richer, more vivid and fuller than before.
โ
โ
Anne Morrow Lindbergh
โ
I must write it all out, at any cost. Writing is thinking. It is more than living, for it is being concious of living.
โ
โ
Anne Morrow Lindbergh
โ
We can easily manage if we will only take, each day, the burden appointed to it. But the load will be too heavy for us if we carry yesterday's burden over again today, and then add the burden of the morrow before we are required to bear it.
โ
โ
John Newton
โ
Ah, make the most of what we yet may spend,
Before we too into the Dust descend;
Dust into Dust, and under Dust to lie
Sans Wine, sans Song, sans Singer, and--sans End!
Alike for those who for To-day prepare,
And those that after some To-morrow stare,
A Muezzin from the Tower of Darkness cries
"Fools! your Reward is neither Here nor There.
โ
โ
Omar Khayyรกm (ุฑุจุงุนูุงุช ุฎูุงู
)
โ
Security in a relationship lies neither in looking back to what it was in nostalgia, nor forward to what it might be in dread or anticipation, but living in the present relationship and accepting it as it is now.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
Rest. Heal. Sleep. I shall most likely kill you on the morrow.โ
โYou? A Princess Bride quote?โ I croaked.
โWhat is that?โ she asked.
โ
โ
Jim Butcher (Cold Days (The Dresden Files, #14))
โ
Then hate me when thou wilt; if ever, now;
Now, while the world is bent my deeds to cross,
Join with the spite of fortune, make me bow,
And do not drop in for an after-loss:
Ah! do not, when my heart hath โscaped this sorrow,
Come in the rearward of a conquered woe;
Give not a windy night a rainy morrow,
To linger out a purposed overthrow.
If thou wilt leave me, do not leave me last,
When other petty griefs have done their spite,
But in the onset come: so shall I taste
At first the very worst of fortuneโs might;
And other strains of woe, which now seem woe,
Compared with loss of thee, will not seem so.
โ
โ
William Shakespeare
โ
When we speak of the morrow nothing is ever certain.
โ
โ
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
โ
The shape of my life is, of course, determined by many things; my background and childhood, my mind and its education, my conscience and its pressures, my heart and its desires.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
I hope to-morrow will be a fine day, Lane.
It never is, sir.
Lane, you're a perfect pessimist.
I do my best to give satisfaction, sir.
โ
โ
Oscar Wilde (The Importance of Being Earnest)
โ
We rest; A dream has power to poison sleep.
We rise; One wandering thought pollutes the day.
We feel, conceive, or reason; laugh or weep,
Embrace fond woe, or cast our cares away;
It is the same: for, be it joy or sorrow,
The path of departure still is free.
Man's yesterday may ne'er be like his morrow;
Nought may endure but mutability!
โ
โ
Mary Wollstonecraft Shelley (Frankenstein)
โ
Men kick friendship around like a football, but it doesn't seem to crack. Women treat it like glass and it goes to pieces.
โ
โ
Anne Morrow Lindbergh
โ
The sea does not reward those who are too anxious, too greedy, or too impatient. To dig for treasures shows not only impatience and greed, but lack of faith. Patience, patience, patience, is what the sea teaches. Patience and faith. One should lie empty, open, choiceless as a beachโwaiting for a gift from the sea.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
My love runs by like a day in June,
And he makes no friends of sorrows.
He'll tread his galloping rigadoon
In the pathway of the morrows.
He'll live his days where the sunbeams start,
Nor could storm or wind uproot him.
My own dear love, he is all my heart, --
And I wish somebody'd shoot him.
โ
โ
Dorothy Parker (The Portable Dorothy Parker)
โ
It isn't for the moment you are struck that you need courage, but for that long uphill climb back to sanity and faith and security.
โ
โ
Anne Morrow Lindbergh
โ
I would like to achieve a state of inner spiritual grace from which I could function and give as I was meant to in the eye of God.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
The next time somebody announces that he plans to get Medieval on your ass, tell him you're going to get Renaissance on his gonads.
โ
โ
James K. Morrow (The Last Witchfinder)
โ
He went like one that hath been stunn'd,
And is of sense forlorn:
A sadder and a wiser man
He rose the morrow morn.
โ
โ
Samuel Taylor Coleridge (The Rime of the Ancient Mariner)
โ
One cannot collect all the beautiful shells on the beach.
โ
โ
Anne Morrow Lindbergh
โ
Well. He's a very sensitive boy. He's really never been a terribly good mixer with other boys...'
Sensitive. That killed me. That guy Morrow was about as sensitive as a goddamn toilet seat.
โ
โ
J.D. Salinger (The Catcher in the Rye)
โ
Not to forgive is to be imprisoned by the past, by old grievances that do not permit life to proceed with new business. Not to forgive is to yield oneself to another's control... to be locked into a sequence of act and response, of outrage and revenge, tit for tat, escalating always. The present is endlessly overwhelmed and devoured by the past. Forgiveness frees the forgiver. It extracts the forgiver from someone else's nightmare.
โ
โ
Lance Morrow (The Chief: A Memoir of Fathers and Sons)
โ
The beach is not a place to work; to read, write or to think.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
[The Old Astronomer to His Pupil]
Reach me down my Tycho Brahe, I would know him when we meet,
When I share my later science, sitting humbly at his feet;
He may know the law of all things, yet be ignorant of how
We are working to completion, working on from then to now.
Pray remember that I leave you all my theory complete,
Lacking only certain data for your adding, as is meet,
And remember men will scorn it, 'tis original and true,
And the obloquy of newness may fall bitterly on you.
But, my pupil, as my pupil you have learned the worth of scorn,
You have laughed with me at pity, we have joyed to be forlorn,
What for us are all distractions of men's fellowship and smiles;
What for us the Goddess Pleasure with her meretricious smiles.
You may tell that German College that their honor comes too late,
But they must not waste repentance on the grizzly savant's fate.
Though my soul may set in darkness, it will rise in perfect light;
I have loved the stars too fondly to be fearful of the night.
What, my boy, you are not weeping? You should save your eyes for sight;
You will need them, mine observer, yet for many another night.
I leave none but you, my pupil, unto whom my plans are known.
You 'have none but me,' you murmur, and I 'leave you quite alone'?
Well then, kiss me, -- since my mother left her blessing on my brow,
There has been a something wanting in my nature until now;
I can dimly comprehend it, -- that I might have been more kind,
Might have cherished you more wisely, as the one I leave behind.
I 'have never failed in kindness'? No, we lived too high for strife,--
Calmest coldness was the error which has crept into our life;
But your spirit is untainted, I can dedicate you still
To the service of our science: you will further it? you will!
There are certain calculations I should like to make with you,
To be sure that your deductions will be logical and true;
And remember, 'Patience, Patience,' is the watchword of a sage,
Not to-day nor yet to-morrow can complete a perfect age.
I have sown, like Tycho Brahe, that a greater man may reap;
But if none should do my reaping, 'twill disturb me in my sleep
So be careful and be faithful, though, like me, you leave no name;
See, my boy, that nothing turn you to the mere pursuit of fame.
I must say Good-bye, my pupil, for I cannot longer speak;
Draw the curtain back for Venus, ere my vision grows too weak:
It is strange the pearly planet should look red as fiery Mars,--
God will mercifully guide me on my way amongst the stars.
โ
โ
Sarah Williams (Twilight Hours: A Legacy of Verse)
โ
She had been bored all afternoon by Percy Gryce... but she could not ignore him on the morrow, she must follow up her success, must submit to more boredom, must be ready with fresh compliances and adaptibilities, and all on the bare chance that he might ultimately decide to do her the honour of boring her for life.
โ
โ
Edith Wharton (The House of Mirth)
โ
One writes not to be read but to breathe...one writes to think, to pray, to analyze. One writes to clear one's mind, to dissipate one's fears, to face one's doubts, to look at one's mistakes--in order to retrieve them. One writes to capture and crystallize one's joy, but also to disperse one's gloom. Like prayer--you go to it in sorrow more than joy, for help, a road back to 'grace'.
โ
โ
Anne Morrow Lindbergh (War Within & Without: Diaries and Letters of Anne Morrow Lindbergh, 1939-1944)
โ
This is what one thirsts for, I realize, after the smallness of the day, of work, of details, of intimacy - even of communication, one thirsts for the magnitude and universality of a night full of stars, pouring into one like a fresh tide.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
We rest; a dream has power to poison sleep.
We rise; one wand'ring thought pollutes the day.
We feel, conceive, or reason; laugh or weep,
Embrace fond woe, or cast our cares away;
It is the same: for, be it joy or sorrow,
The path of its departure still is free.
Man's yesterday may ne'er be like his morrow;
Nought may endure but Mutability!
โ
โ
Percy Bysshe Shelley (The Complete Poems)
โ
Perhaps this is the most important thing for me to take back from beach-living: simply the memory that each cycle of the tide is valid; each cycle of the wave is valid; each cycle of a relationship is valid.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
Woman must come of age by herself...
She must find her true center alone.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
One can never pay in gratitude: one can only pay 'in kind' somewhere else in life.
โ
โ
Anne Morrow Lindbergh
โ
In his grief over the loss of a dog, a little boy stands for the first time on tiptoe, peering into the rueful morrow of manhood. After this most inconsolable of sorrows there is nothing life can do to him that he will not be able somehow to bear.
โ
โ
James Thurber
โ
No man is an island,' said John Donne. I feel we are all islands -- in a common sea.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
When you love someone you do not love them, all the time, in the exact same way, from moment to moment. It is an impossibility. It is a lie to pretend to. And yet this is exactly what most of us demand. We have so little faith in the ebb and flow of life, of love, of relationships.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
She sniffled. "Does he know?"
"Not a clue," Law said. "There are concrete bricks less dense than my beloved.
โ
โ
Jez Morrow (Force of Law)
โ
Lose the day loitering, 'twill be the same story
To-morrow, and the next more dilatory,
For indecision brings its own delays,
And days are lost lamenting o'er lost days.
Are you in earnest? Seize this very minute!
What you can do, or think you can, begin it!
Only engage, and then the mind grows heated;
Begin it, and the work will be completed.
โ
โ
Johann Wolfgang von Goethe
โ
When I cannot write a poem, I bake biscuits and feel just as pleased.
โ
โ
Anne Morrow Lindbergh
โ
Upon meeting Julian Morrow, one has the impression that he is a man of extraordinary sympathy and warmth. But what you call his 'Asiatic serenity' is, I think, a mask for great coldness. The face one shows him he invariably reflects back at one, creating the illusion of warmth and depth when in fact he is brittle and shallow as a mirror.
โ
โ
Donna Tartt
โ
My Life cannot implement in action the demands of all the people to whom my heart responds.
โ
โ
Anne Morrow Lindbergh
โ
With a new awareness, both painful and humorous, I begin to understand why the saints were rarely married women. I am convinced it has nothing inherently to do, as I once supposed, with chastity or children. It has to do primarily with distractions. The bearing, rearing, feeding and educating of children; the running of a house with its thousand details; human relationships with their myriad pulls--woman's normal occupations in general run counter to creative life, or contemplative life, or saintly life. The problem is not merely one of Woman and Career, Woman and the Home, Woman and Independence. It is more basically: how to remain whole in the midst of the distractions of life; how to remain balanced, no matter what centrifugal forces tend to pull one off center; how to remain strong, no matter what shocks come in at the periphery and tend to crack the hub of the wheel.
โ
โ
Anne Morrow Lindbergh (Gift from the Sea)
โ
In our civilized societies we are rich. Why then are the many poor? Why this painful drudgery for the masses? Why, even to the best paid workman, this uncertainty for the morrow, in the midst of all the wealth inherited from the past, and in spite of the powerful means of production, which could ensure comfort to all, in return for a few hours of daily toil?
โ
โ
Pyotr Kropotkin (The Conquest of Bread)
โ
The Good-Morrow
I wonder by my troth, what thou, and I
Did, till we lov'd? Were we not wean'd till then?
But suck'd on countrey pleasures, childishly?
Or snorted we in the seaven sleepers den?
T'was so; But this, all pleasures fancies bee.
If ever any beauty I did see,
Which I desir'd, and got, 'twas but a dreame of thee.
And now good morrow to our waking soules,
Which watch not one another out of feare;
For love, all love of other sights controules,
And makes one little roome, an every where.
Let sea-discoverers to new worlds have gone,
Let Maps to other, worlds on worlds have showne,
Let us possesse one world; each hath one, and is one.
My face in thine eye, thine in mine appeares,
And true plaine hearts doe in the faces rest,
Where can we finde two better hemispheares
Without sharpe North, without declining West?
What ever dyes, was not mixed equally;
If our two loves be one, or, thou and I
Love so alike, that none doe slacken, none can die.
โ
โ
John Donne (The Complete English Poems)
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When you love someone you do not love them all the time, in exactly the same way, from moment to moment. It is an impossibility. It is even a lie to pretend to. And yet this is exactly what most of us demand. We have so little faith in the ebb and flow of life, of love, of relationships. We leap at the flow of the tide and resist in terror its ebb. We are afraid it will never return. We insist on permanency, on duration, on continuity; when the only continuity possible, in life as in love, is in growth, in fluidity - in freedom
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Anne Morrow Lindbergh (Gift from the Sea)
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by and large,mothers and house wives are the only workers who do not have regular time off.They are the great vacationless class
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Anne Morrow Lindbergh
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Begin this moment, wherever you find yourself, and take no thought of the morrow. Look not to Russia, China, India, not to Washington, not to the adjoining county, city or state, but to your immediate surroundings. Forget Buddha, Jesus, Mohammed and all the others. Do your part to the best of your ability, regardless of the consequences. Above all, do not wait for the next man to follow suit.
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Henry Miller (The Air-Conditioned Nightmare (New Directions Paperbook))
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When each partner loves so completely that he has forgotten to ask himself whether or not he is loved in return; when he only knows that he loves and is moving to its musicโthen, and then only are two people able to dance perfectly in tune to the same rhythm.
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Anne Morrow Lindbergh (Gift from the Sea)
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...I want first of all - in fact, as an end to these other desires - to be at peace with myself. I want a singleness of eye, a purity of intention, a central cor to my life that will enable me to carry out these obligations and activities as well as I can. I want, in fact - to borrow from the language of the saints -to live 'in grace' as much of the time as possible. I am not using this term in a strictly theological sense. By grace I mean an inner harmony, essentially spiritual, which can be translated into outward harmony...
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Anne Morrow Lindbergh
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I believe that true identity is found . . . in creative activity springing from within. It is found, paradoxically, when one loses oneself. Woman can best refind herself in some kind of creative activity of her own.
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Anne Morrow Lindbergh
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True prayers are born of present trials and present needs. Bread for today is bread enough. Bread given for today is the strongest sort of pledge that there will be bread tomorrow. Victory today is the assurance of victory tomorrow. Our prayers need to be focused upon the present. We must trust God today, and leave the morrow entirely with Him. The present is ours; the future belongs to God. Prayer is the task and duty of each recurring day -- daily prayer for daily needs.
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E.M. Bounds
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It is the wilderness in
the mind, the desert wastes in the heart through which one wanders lost and a stranger. When one is a
stranger to oneself then one is estranged from others too. If one is out of touch with oneself, then one
cannot touch others.
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Anne Morrow Lindbergh (Gift from the Sea)
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The human race, to which so many of my readers belong, has been playing at children's games from the beginning, and will probably do it till the end, which is a nuisance for the few people who grow up. And one of the games to which it is most attached is called "Keep to-morrow dark," and which is also named (by the rustics in Shropshire, I have no doubt) "Cheat the Prophet." The players listen very carefully and respectfully to all that the clever men have to say about what is to happen in the next generation. The players then wait until all the clever men are dead, and bury them nicely. They then go and do something else. That is all. For a race of simple tastes, however, it is great fun.
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G.K. Chesterton (The Napoleon of Notting Hill)
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Law looked dumbstruck, almost angry. He breathed, "Son of a bitch." And to Tom's surprise, Law got down on one knee and took his hand. "Tom, you beloved bastard, I love you. I need you in my life forever. I cannot imagine existence without you. Will you-God please say yes-grant me the honor and the privilege and save my life and marry me?
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Jez Morrow (Force of Law)
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For Sayonara, literally translated, 'Since it must be so,' of all the good-bys I have heard is the most beautiful. Unlike the Auf Wiedershens and Au revoirs, it does not try to cheat itself by any bravado 'Till we meet again,' any sedative to postpone the pain of separation. It does not evade the issue like the sturdy blinking Farewell. Farewell is a father's good-by. It is - 'Go out in the world and do well, my son.' It is encouragement and admonition. It is hope and faith. But it passes over the significance of the moment; of parting it says nothing. It hides its emotion. It says too little. While Good-by ('God be with you') and Adios say too much. They try to bridge the distance, almost to deny it. Good-by is a prayer, a ringing cry. 'You must not go - I cannot bear to have you go! But you shall not go alone, unwatched. God will be with you. God's hand will over you' and even - underneath, hidden, but it is there, incorrigible - 'I will be with you; I will watch you - always.' It is a mother's good-by. But Sayonara says neither too much nor too little. It is a simple acceptance of fact. All understanding of life lies in its limits. All emotion, smoldering, is banked up behind it. But it says nothing. It is really the unspoken good-by, the pressure of a hand, 'Sayonara.
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Anne Morrow Lindbergh (North to the Orient)
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If we wished to gain contentment, we might try such rules as these:
1. Allow thyself to complain of nothing, not even of the weather.
2. Never picture thyself to thyself under any circumstances in which thou art not.
3. Never compare thine own lot with that of another.
4. Never allow thyself to dwell on the wish that this or that had been, or were, otherwise than it was, or is. God Almighty loves thee better and more wisely than thou dost thyself.
5. Never dwell on the morrow. Remember that it is God's, not thine. The heaviest part of sorrow often is to look forward to it. "The Lord will provide.
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Edward Bouverie Pusey
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And there is enchantment in the very hour I am now spending with you. Who can tell what a dark, dreary, hopeless life I have dragged on for months past? Doing nothing, expecting nothing; merging night in day; feeling but the sensation of cold when I let the fire go out, of hunger when I forgot to eat: and then a ceaseless sorrow, and, at times, a very delirium of desire to behold my Jane again. Yes: for her restoration I longed, far more than for that of my lost sight. How can it be that Jane is with me, and says she loves me? Will she not depart as suddenly as she came? To-morrow, I fear I shall find her no more.
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Charlotte Brontรซ (Jane Eyre)
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I want first of all... to be at peace with myself. I want a singleness of eye, a purity of intention, a central core to my life that will enable me to carry out these obligations and activities as well as I can. I want, in fact--to borrow from the language of the saints--to live "in grace" as much of the time as possible. I am not using this term in a strictly theological sense. By grace I mean an inner harmony, essentially spiritual, which can be translated into outward harmony. I am seeking perhaps what Socrates asked for in the prayer from the Phaedrus when he said, "May the outward and inward man be one." I would like to achieve a state of inner spiritual grace from which I could function and give as I was meant to in the eye of God.
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Anne Morrow Lindbergh (Gift from the Sea)
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A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkn'd ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid-forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.
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John Keats
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WESTMORELAND. O that we now had here
But one ten thousand of those men in England
That do no work to-day!
KING. What's he that wishes so?
My cousin Westmoreland? No, my fair cousin;
If we are mark'd to die, we are enow
To do our country loss; and if to live,
The fewer men, the greater share of honour.
God's will! I pray thee, wish not one man more.
By Jove, I am not covetous for gold,
Nor care I who doth feed upon my cost;
It yearns me not if men my garments wear;
Such outward things dwell not in my desires.
But if it be a sin to covet honour,
I am the most offending soul alive.
No, faith, my coz, wish not a man from England.
God's peace! I would not lose so great an honour
As one man more methinks would share from me
For the best hope I have. O, do not wish one more!
Rather proclaim it, Westmoreland, through my host,
That he which hath no stomach to this fight,
Let him depart; his passport shall be made,
And crowns for convoy put into his purse;
We would not die in that man's company
That fears his fellowship to die with us.
This day is call'd the feast of Crispian.
He that outlives this day, and comes safe home,
Will stand a tip-toe when this day is nam'd,
And rouse him at the name of Crispian.
He that shall live this day, and see old age,
Will yearly on the vigil feast his neighbours,
And say 'To-morrow is Saint Crispian.'
Then will he strip his sleeve and show his scars,
And say 'These wounds I had on Crispian's day.'
Old men forget; yet all shall be forgot,
But he'll remember, with advantages,
What feats he did that day. Then shall our names,
Familiar in his mouth as household words-
Harry the King, Bedford and Exeter,
Warwick and Talbot, Salisbury and Gloucester-
Be in their flowing cups freshly rememb'red.
This story shall the good man teach his son;
And Crispin Crispian shall ne'er go by,
From this day to the ending of the world,
But we in it shall be remembered-
We few, we happy few, we band of brothers;
For he to-day that sheds his blood with me
Shall be my brother; be he ne'er so vile,
This day shall gentle his condition;
And gentlemen in England now-a-bed
Shall think themselves accurs'd they were not here,
And hold their manhoods cheap whiles any speaks
That fought with us upon Saint Crispin's day.
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William Shakespeare (Henry V)
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Lord, behold our family here assembled. We thank You for this place in which we dwell, for the love accorded us this day, for the hope with which we expect the morrow; for the health, the work, the food and the bright skies that make our lives delightful; for our friends in all parts of the earth. Give us courage and gaiety and the quiet mind. Spare us to our friends, soften us to our enemies. Bless us, if it may be, in all our innocent endeavors; if it may not, give us strength to endure that which is to come that we may be brave in peril, constant in tribulation, temperate in wrath and in all changes of fortune and down to the gates of death, loyal and loving to one another. We beseech of you this help and mercy for Christ's sake.
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Robert Louis Stevenson
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How inexplicable it seems. Anything else will be accepted as a better excuse. If one sets aside time for a business appointment, a trip to the hairdresser, a social engagement or a shopping expedition, that time is accepted as inviolable. But if one says: I cannot come because that is my hour to be alone, one is considered rude, egotistical or strange.
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Anne Morrow Lindbergh (Gift from the Sea)
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I am progressing along the path of life in my ordinary contentedly fallen and godless condition, absorbed in a merry meeting with my friends for the morrow or a bit of work that tickles my vanity today, a holiday or a new book, when suddenly a stab of abdominal pain that threatens serious disease, or a headline in the newspapers that threatens us all with destruction, sends this whole pack of cards tumbling down. At first I am overwhelmed, and all my little happinesses look like broken toys. Then, slowly and reluctantly, bit by bit, I try to bring myself into the frame of mind that I should be in at all times. I remind myself that all these toys were never intended to possess my heart, that my true good is in another world, and my only real treasure is Christ. And perhaps, by God's grace, I succeed, and for a day or two become a creature consciously dependent on God and drawing its strength from the right sources.
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C.S. Lewis
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Perhaps both men and women in America may hunger, in our material, outward, active, masculine culture, for the supposedly feminine qualities of heart, mind and spirit--qualities which are actually neither masculine nor feminine, but simply human qualities that have been neglected. It is growth along these lines that will make us whole, and will enable the individual to become world to himself.
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Anne Morrow Lindbergh (Gift from the Sea)
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He wants a fifteen thousand pound settlement."
"Fifteen thousand!"
"He says you're a great deal of trouble."
She hesitated for one startled moment before choking back a laugh.
"I am."
"I thought so." He leveled Drew a look. "If I pay you the fifteen thousand, do you swear to keep her?"
Drew reared back his head. "Forever?"
Her father scowled. "Forever."
"Oh, I suppose." He gave a long-suffering sigh. "If I must."
She bit the insides of her cheeks to keep from laughing outright.
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Deeanne Gist (A Bride Most Begrudging)
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Suppose that a great commotion arises in the street about something, let us say a lamp-post, which many influential persons desire to pull down. A grey-clad monk, who is the spirit of the Middle Ages, is approached upon the matter, and begins to say, in the arid manner of the Schoolmen, "Let us first of all consider, my brethren, the value of Light. If Light be in itself good--" At this point he is somewhat excusably knocked down. All the people make a rush for the lamp-post, the lamp-post is down in ten minutes, and they go about congratulating each other on their unmediaeval practicality. But as things go on they do not work out so easily. Some people have pulled the lamp-post down because they wanted the electric light; some because they wanted old iron; some because they wanted darkness, because their deeds were evil. Some thought it not enough of a lamp-post, some too much; some acted because they wanted to smash municipal machinery; some because they wanted to smash something. And there is war in the night, no man knowing whom he strikes. So, gradually and inevitably, to-day, to-morrow, or the next day, there comes back the conviction that the monk was right after all, and that all depends on what is the philosophy of Light. Only what we might have discussed under the gas-lamp, we now must discuss in the dark.
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G.K. Chesterton (Heretics)
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For life today in America is based on the premise of ever-widening circles of contact and communication. It involves not only family demands, but community demands, national demands, international demands on the good citizen, through social and cultural pressures, through newspapers, magazines, radio programs, political drives, charitable appeals, and so on. My mind reels in it, What a circus act we women perform every day of our lives. It puts the trapeze artist to shame. Look at us. We run a tight rope daily, balancing a pile of books on the head. Baby-carriage, parasol, kitchen chair, still under control. Steady now!
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Anne Morrow Lindbergh (Gift from the Sea)
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We have a task before us which must be speedily performed. We know that it will be ruinous to make delay. The most important crisis of our life calls, trumpet-tongued, for immediate energy and action. We glow, we are consumed with eagerness to commence the work, with the anticipation of whose glorious result our whole souls are on fire. It must, it shall be undertaken to-day, and yet we put it off until to-morrow; and why? There is no answer, except that we feel perverse, using the word with no comprehension of the principle. To-morrow arrives, and with it a more impatient anxiety to do our duty, but with this very increase of anxiety arrives, also, a nameless, a positively fearful, because unfathomable, craving for delay. This craving gathers strength as the moments fly. The last hour for action is at hand. We tremble with the violence of the conflict within us, โ of the definite with the indefinite โ of the substance with the shadow. But, if the contest have proceeded thus far, it is the shadow which prevails, โ we struggle in vain. The clock strikes, and is the knell of our welfare. At the same time, it is the chanticleer-note to the ghost that has so long overawed us. It flies โ it disappears โ we are free. The old energy returns. We will labor now. Alas, it is too late!
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Edgar Allan Poe (The Complete Stories and Poems)
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Out of the welter of life, a few people are selected for us by the accident of temporary confinement in the same circle. We never would have chosen these neighbors; life chose them for us. But thrown together on this island of living, we stretch to understand each other and are invigorated by the stretching. The difficulty with big city environment is that if we selectโand we must in order to live and breathe and work in such crowded conditionsโwe tend to select people like ourselves, a very monotonous diet. All hors dโoeuvres and no meat; or all sweets and no vegetables, depending on the kind of people we are. But however much the diet may differ between us, one thing is fairly certain: we usually select the known, seldom the strange. We tend not to choose the unknown which might be a shock or a disappointment or simply a little difficult to cope with. And yet it is the unknown with all its disappointments and surprises that is the most enriching.
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Anne Morrow Lindbergh (Gift from the Sea)
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Let us suppose that the great empire of China, with all its myriads of inhabitants, was suddenly swallowed up by an earthquake, and let us consider how a man of humanity in Europe, who had no sort of connection with that part of the world, would be affected upon receiving intelligence of this dreadful calamity. He would, I imagine, first of all, express very strongly his sorrow for the misfortune of that unhappy people, he would make many melancholy reflections upon the precariousness of human life, and the vanity of all the labours of man, which could thus be annihilated in a moment. He would too, perhaps, if he was a man of speculation, enter into many reasonings concerning the effects which this disaster might produce upon the commerce of Europe, and the trade and business of the world in general. And when all this fine philosophy was over, when all these humane sentiments had been once fairly expressed, he would pursue his business or his pleasure, take his repose or his diversion, with the same ease and tranquillity, as if no such accident had happened. The most frivolous disaster which could befall himself would occasion a more real disturbance. If he was to lose his little finger to-morrow, he would not sleep to-night; but, provided he never saw them, he will snore with the most profound security over the ruin of a hundred millions of his brethren, and the destruction of that immense multitude seems plainly an object less interesting to him, than this paltry misfortune of his own. To prevent, therefore, this paltry misfortune to himself, would a man of humanity be willing to sacrifice the lives of a hundred millions of his brethren, provided he had never seen them? Human nature startles with horror at the thought, and the world, in its greatest depravity and corruption, never produced such a villain as could be capable of entertaining it. But what makes this difference? When our passive feelings are almost always so sordid and so selfish, how comes it that our active principles should often be so generous and so noble? When we are always so much more deeply affected by whatever concerns ourselves, than by whatever concerns other men; what is it which prompts the generous, upon all occasions, and the mean upon many, to sacrifice their own interests to the greater interests of others? It is not the soft power of humanity, it is not that feeble spark of benevolence which Nature has lighted up in the human heart, that is thus capable of counteracting the strongest impulses of self-love. It is a stronger power, a more forcible motive, which exerts itself upon such occasions. It is reason, principle, conscience, the inhabitant of the breast, the man within, the great judge and arbiter of our conduct.
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Adam Smith (The Theory of Moral Sentiments)
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Dear Jim."
The writing grew suddenly blurred and misty. And she had lost him again--had lost him again! At the sight of the familiar childish nickname all the hopelessness of her bereavement came over her afresh, and she put out her hands in blind desperation, as though the weight of the earth-clods that lay above him were pressing on her heart.
Presently she took up the paper again and went on reading:
"I am to be shot at sunrise to-morrow. So if I am to keep at all my promise to tell you everything, I must keep it now. But, after all, there is not much need of explanations between you and me. We always understood each other without many words, even when we were little things.
"And so, you see, my dear, you had no need to break your heart over that old story of the blow. It was a hard hit, of course; but I have had plenty of others as hard, and yet I have managed to get over them,--even to pay back a few of them,--and here I am still, like the mackerel in our nursery-book (I forget its name), 'Alive and kicking, oh!' This is my last kick, though; and then, tomorrow morning, and--'Finita la Commedia!' You and I will translate that: 'The variety show is over'; and will give thanks to the gods that they have had, at least, so much mercy on us. It is not much, but it is something; and for this and all other blessings may we be truly thankful!
"About that same tomorrow morning, I want both you and Martini to understand clearly that I am quite happy and satisfied, and could ask no better thing of Fate. Tell that to Martini as a message from me; he is a good fellow and a good comrade, and he will understand. You see, dear, I know that the stick-in-the-mud people are doing us a good turn and themselves a bad one by going back to secret trials and executions so soon, and I know that if you who are left stand together steadily and hit hard, you will see great things. As for me, I shall go out into the courtyard with as light a heart as any child starting home for the holidays. I have done my share of the work, and this death-sentence is the proof that I have done it thoroughly. They kill me because they are afraid of me; and what more can any man's heart desire?
"It desires just one thing more, though. A man who is going to die has a right to a personal fancy, and mine is that you should see why I have always been such a sulky brute to you, and so slow to forget old scores. Of course, though, you understand why, and I tell you only for the pleasure of writing the words. I loved you, Gemma, when you were an ugly little girl in a gingham frock, with a scratchy tucker and your hair in a pig-tail down your back; and I love you still. Do you remember that day when I kissed your hand, and when you so piteously begged me 'never to do that again'? It was a scoundrelly trick to play, I know; but you must forgive that; and now I kiss the paper where I have written your name. So I have kissed you twice, and both times without your consent.
"That is all. Good-bye, my dear"
Then am I
A happy fly,
If I live
Or if I die
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Ethel Lilian Voynich